Debonair Quotes

We've searched our database for all the quotes and captions related to Debonair. Here they are! All 68 of them:

Love thy neighbor -- and if he happens to be tall, debonair and devastating, it will be that much easier.
Mae West
I'm sophisticated, charming, suave, and debonair, Professor. But I have never claimed to be civilized.
Derek Landy
For my part, if a man must needs be a knave I would have him a debonair knave... It makes your sin no worse as I conceive, to do it à la mode and stylishly.
Anthony Hope (The Prisoner of Zenda (The Ruritania Trilogy, #2))
I’m sophisticated, charming, suave and debonair, Professor. But I have never claimed to be civilised.
Derek Landy (The Faceless Ones (Skulduggery Pleasant, #3))
I heard you're campaigning on my behalf." He walked over to me. "That wouldn't be because you'd miss me too much if I were gone,would it?" "Don't be absurd," I scoffed. "I don't condone murder, even for people like you." "People like me,huh?" He cocked an eyebrow. "You mean devilishly handsome, debonair young men who come to sweep rebellious princesses of their feet?" "You came to kidnap me, not sweep me off my feet," I said,but he waved his hand at the idea. "Semantics.
Amanda Hocking (Torn (Trylle, #2))
The fact of the matter is that young men lack skill and experience and are very likely to approach a girl as though she were a sack of wheat. It is the old man—suave, debonair, maturely charming—who knows exactly what to do and how to do it, and is therefore better at it.
Isaac Asimov (The Sensuous Dirty Old Man)
Detective, have you ever considered the fact that violence is the recourse of the uncivilised man?” Skulduggery looked back. “I’m sophisticated, charming, suave and debonair, Professor. But I have never claimed to be civilised.
Derek Landy (The Faceless Ones (Skulduggery Pleasant, #3))
Well, Lord Debonair and Lady Lethal, if we can have a minute of your time, we do have a psycho to hunt. (Allen) (Jess glared over his shoulder at Allen, but before he could comment, Syra shot another bolt from her crossbow. Allen went flying and landed flat on his back in the snow. Syra walked over to him and stared down.) I don’t particularly like Squires and I really hate the Blood Rites. So save yourself some pain and don’t speak to me again. (Syra)
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
I closed my eyes, imagining every feature of his face. He had greenish eyes that could challenge the ocean. He had this amazing way of smiling which could melt the toughest hearts. He was the epitome of perfection and a paragon of gentlemanly conduct. He was precious and gallant towards everyone. Probably, that’s why I was spellbound. For me, he was debonair. Boys like him shouldn’t be born. He didn’t belong here. He didn’t belong to me.
Pratibha Malav (If Tomorrow Comes (A Kind Of Commitment, #2))
She loves the way Vic looks, using the world debonair instead of dapper.
David Levithan (Every Day (Every Day, #1))
I suggest,” Colin said, raising one brow into a perfectly debonair arch, “that we flee the scene.
Julia Quinn (Romancing Mister Bridgerton (Bridgertons, #4))
Watch your back, wolf. There’s a pall over this place and the bears are racking up enemies faster than Wal-Mart rakes in sales. When the time comes, it’s going to get bloody. (Thorn) I wouldn’t have it any other way. (Fang) Don’t be so arrogant. Long before I was the debonair sophisticate standing in front of you, I was a warlord. I put more blood on my blade than Madame la Guillotine. The one thing all that battle taught me is that no one walks away without scars. No one. (Thorn)
Sherrilyn Kenyon (Bad Moon Rising (Dark-Hunter, #18; Were-Hunter, #4; Hellchaser, #2))
For my part, if a man must needs be a knave, I would have him a debonair knave, and I liked Rupert Hentzau better than his long-faced, close-eyed companions.
Anthony Hope (The Prisoner of Zenda (The Ruritania Trilogy, #2))
They're not going to arrest you,' Skulduggery said as they walked through the door. 'They might glare at you and say angry words, but they won't arrest you. Well, they might arrest you. There's a good chance they will. But the important thing is that I've done nothing wrong.' 'For once.
Derek Landy (Dark Days (Skulduggery Pleasant, #4))
Oooh, dinner and a show! How come you never take us to dinner and a show?" He smiled at Roxy. "I would spend the entire evening fending off the hordes of your admirers." She fanned herself and grinned back at him. "You gotta love all that suave debonairness!
Katie MacAlister (Sex and the Single Vampire (Dark Ones #2))
How good to see you, Miss Jones.” That debonair tone, the friendly press of his hand upon mine. It was such a contrast to our final moments in the cottage that I couldn’t help but smirk. “Thank you for having me,” I replied, loudly enough for the duke to hear. “But I haven’t,” said Armand under his breath. “So far.” I tugged back my hand. “Ever the gentleman, aren’t you?” “I try. Come aboard, waif. Come and experience a gentleman’s world.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Hart and Hope,"I muttered."If you're going to name your kids like that, of course they're going to think they live in a comic book." Although I had to admit Hart was handsome,practically debonair. His hair was threaded with silver and freakishly messy."Okay, he's totally got that yummy secret agent thing going on." Nicholas scowled at me. I didn't have to turn my head to look at him to feel his eyes burning
Alyxandra Harvey (My Love Lies Bleeding (Drake Chronicles, #1))
The pageant of the river bank had marched steadily along, unfolding itself in scene-pictures that succeeded itself in stately procession. Purple loosestrife arrived early, shaking luxuriant locks along the edge of the mirror whence its own face laughed back at it. Willow-herb, tender and wistful, like a pink sunset-cloud was not slow to follow. Comfrey, the purple hand-in-hand with the white, crept forth to take its place in the line; and at last one morning the diffident and delaying dog-rose stepped delicately on the stage, and one knew, as if string music has announced it in stately chords that strayed into a gavotte, that June at last was here. One member of the company was still awaited; the shepherd-boy for the nymphs to woo, the knight for whom the ladies waited at the window, the prince that was to kiss the sleeping summer back to life and love. But when meadow-sweet, debonair and odorous in amber jerkin, moved graciously to his place in the group, then the play was ready to begin.
Kenneth Grahame (The Wind in the Willows)
Though Hope be courteous and debonair, She's never certain.
Jean de Meun (The Romance of the Rose)
I've been meaning to ask," said Magnus. "When Shinyun and I were fighting in the pentagram in Rome, you shot her. You told me that you could see dozens of illusions of me fighting dozens of her. How did you know which one was really her?" "I didn't," said Alec. "I knew which one was you." "Oh. Was one version of me more handsome than the others?" Magnus said, charmed. "More debonair? Possessed a certain je ne sais quoi?" "I don't know about that," said Alec. "You reached for a knife. You had it in your grasp, and then you let it go." Magnus deflated. "You knew it was me because I'm worse at fighting than she is?" Magnus asked. "Well, that's terrible news. I imagine 'pathetic in combat' is on the top ten list of Shadowhutner turnoffs." "No," said Alec. "Number eleven, just below 'doesn't actually look good in black'?" Alec shook his head again. "Before we were together," he said, "I was angry a lot, and I hurt people because I was in pain. Being kind when you're in pain - it's hard. Most people struggle to do it at the best of times. The demon who cast that spell couldn't imagine it. But among all those identical figures, there was one person who hesitated to hurt somebody, even at the moment of utmost horror. That had to be you.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Because you, my darling, are like poison ivy to me. Even though I know that it will only make things worse, I can't help but scratch." "Oh, the compliments." She smiled sadly. "You are as debonair as always.
J.R. Ward (The Angels' Share (The Bourbon Kings, #2))
Sam sighed. "Let's just say that I'm a terminal disappointment. And a ranga." I frowned. "What is that? The others keep saying it." Sam hesitated for a moment. "It's...Greek. It means debonair and handsome and generally made of awesome." I regarded him skeptically. "It's short for orangutan, isn't it?" I said. "Because you're a redhead." Sam looked disappointed. "Maybe.
Lili Wilkinson (Pink)
Earth to Sawyer?" Campbell said. I had no idea what I'd missed. "We were just about to discuss how incredibly debonair I look in this hat," Boone informed me, sliding his fingers along its brim. "I was born to fedora." I wasn't sure whether the pained look on Nick's face was the result of Boone's use of the word fedora as a verb or the conversation he, Campbell, and I had been having before we'd been interrupted.
Jennifer Lynn Barnes (Deadly Little Scandals (Debutantes, #2))
The Frenchman sat up with that strange energy which comes often as the harbinger of death. "(...) This I tell you - I, Raoul de la Roche Pierre de Bras, dying upon the field of honour. And now kiss me, sweet friend, and lay me back, for the mists closes round me and I am gone!" With tender hands the squire [Nigel] lowered his comrade's head, but even as he did so there came a choking rush of blood, and the soul had passed. So died a gallant cavalier of France, and Nigel, as he knelt in the ditch beside him, prayed that his own end might be as noble and as debonair.
Arthur Conan Doyle (Sir Nigel (Original Unabridged Version) (Optimized and Formatted Well) (with Active Table of Contents, Navigation Function, Simple User Guide) TOC)
Poor little heart! Did they forget thee? Then dinna care! Then dinna care! Proud little heart! Did they forsake thee? Be debonair! Be debonair! Frail little heart! I would not break thee: Could'st credit me? Could'st credit me? Gay little heart! Like morning glory Thou'll wilted be; thou'll wilted be!
Emily Dickinson
frank debonair manner,
Oscar Wilde (The Picture of Dorian Gray)
He is classically handsome; debonair, even.
Nicola Yoon
He probably looks debonair and dashing when all I see is a smiling turd.
Cordelia K. Castel (The Princess Strike (The Princess Trials Book 5))
I’m charming and debonair. Magnetic. I can’t even walk across a room without witches falling into my lap.
isthisselfcare (Draco Malfoy and the Mortifying Ordeal of Being in Love)
Bridget, angelic and regal. Steffan, clean-cut and debonair in his fancy tuxedo. Then there was me, tattooed and scarred, haunted by the things I’d done and the blood on my hands. By all accounts, Steffan was the better, and easier, option for Bridget. Her grandfather, the palace, the press…they were all salivating for a Princess and the Duke love story. I didn’t give a flying fuck. Bridget was mine. She wasn’t mine to take, but I was taking her anyway. Her laughs, her fears, her joy and her pain. Every inch of her body and beat of her heart. All mine. And I’d had enough of watching her in another man’s arms.
Ana Huang (Twisted Games (Twisted, #2))
A murmur ran through the crowd, and I looked around to see what all the fuss was about. Then I saw him, walking past table after table as if everybody weren't stopping to stare at him. Loki had ventured down from where he'd been hiding in the servants' quarters. Since I'd granted him amnesty, he was no longer being guarded and was free to roman as he pleased, but I hadn't exactly invited him to the wedding. As Tove and I danced, I didn't take my eyes off Loki. He walked around the dance floor toward the refreshments, but he kept watching me. He got a glass of champagne from the table, and even as he drank his eyes never left me. Another Markis came over and cut in to dance with me, but I barely noticed when I switched partners. I tried to focus on the person I was dancing with. But there was something about the way Loki looked at me, and I couldn't shake it. The song had switched to something contemporary, probably the sheet music that Willa had slipped the orchestra. She'd insisted the whole thing would be far too dull if they only played classical. The murmur died down, and people returned to dancing and talking. Loki took another swig of his champagne, then set the glass down and walked across the dance floor. Everyone parted around him, and I wasn't sure if it was out of fear or respect. He wore all black, even his shirt. I had no idea where he'd gotten the clothes, but he did look debonair. "May I have this dance?" Loki asked my dance partner, but his eyes were on me. "Um, I don't know if you should," the Markis fumbled, but I was already moving away from him. "No, it's all right," I said. Uncertainly, the Markis stepped back, and Loki took my hand. When he placed his hand on my back, a shiver ran up my spine, but I tried to hide it and put my hand on his shoulder. "You know, you weren't invited to this," I told him, but he merely smirked as we began dancing. "So throw me out." "I might." I raised my head defiantly, and that only made him laugh. "If it's as the Princess wishes," he said, but he made no move to step away, and for some odd reason, I felt relieved.
Amanda Hocking (Ascend (Trylle, #3))
He could serve in the Army, which many gentlemen preferred, because they could frequently sit idly on a horse looking debonair. Then there was the Navy, in which you actually had to work and get your hands dirty.
David Grann (The Wager: A Tale of Shipwreck, Mutiny and Murder)
[on Fred Astaire] Astaire is the motherless man-about-town, all sophistication quite debonair, yet with a lope in his walk rather than a swagger, for -- despite his receding hair -- he is essentially boyish, youthful, innocent.
Karel Reisz
spirit. These rich curves feel crafted by hand, not computer. Dashing — maybe even exuberant — Baskerville has been known to steal the show, so be sure the content fits it (or doesn’t mind playing second fiddle). Good for: Debonair swagger.
Stephen Coles (The Anatomy of Type: A Graphic Guide to 100 Typefaces)
When Toad found himself immured in a dank and noisome dungeon, and knew that all the grim darkness of a medieval fortress lay between him and the outer world of sunshine and well-metalled high roads where he had lately been so happy, disporting himself as if he had bought up every road in England, he flung himself at full length on the floor, and shed bitter tears, and abandoned himself to dark despair. 'This is the end of everything' (he said), 'at least it is the end of the career of Toad, which is the same thing; the popular and handsome Toad, the rich and hospitable Toad, the Toad so free and careless and debonair! How can I hope to be ever set at large again' (he said), 'who have been imprisoned so justly for stealing so handsome a motor-car in such an audacious manner, and for such lurid and imaginative cheek, bestowed upon such a number of fat, red-faced policemen!' (Here his sobs choked him.) 'Stupid animal that I was' (he said), 'now I must languish in this dungeon, till people who were proud to say they knew me, have forgotten the very name of Toad! O wise old Badger!' (he said), 'O clever, intelligent Rat and sensible Mole! What sound judgments, what a knowledge of men and matters you possess! O unhappy and forsaken Toad!' With lamentations such as these he passed his days and nights for several weeks, refusing his meals or intermediate light refreshments, though the grim and ancient gaoler, knowing that Toad's pockets were well lined, frequently pointed out that many comforts, and indeed luxuries, could by arrangement be sent in—at a price—from outside.
Kenneth Grahame (The Wind in the Willows)
Jeb is going to grow up to be the kind of man who spends his Saturdays teaching his little boy to ride a bike. (...) Charlie, on the other hand, will be off playing golf while his kid kills people on his Xbox. Charlie will be dashing and debonair, and he'll buy his kid all kinds of crap, but he'll never actually be there.
John Green (Let it Snow)
One member of the company was still awaited; the shepherd-boy for the nymphs to woo, the knight for whom the ladies waited at the window, the prince that was to kiss the sleeping summer back to life and love. But when meadow-sweet, debonair and odorous in amber jerkin, moved graciously to his place in the group, then the play was ready to begin.
Kenneth Grahame (The Wind in the Willows)
It was a French Christmas; a debonair Christmas full of frolic and folly; a spry, Gallic unctuous Christmas. Henry of France, at last roused to boldness and the cunning exercise of spite, had sent a small fleet to Scotland, and in it money for the Queen Dowager, and French military experts for her guidance and the better security of her fortresses. The military experts, tricked out in scent and white satin, danced like well-mannered clouds and talked in the Council Chamber of chests of money and major landings of troops waiting to come with better weather. The Government blew a sigh of relief, eyed the cut of the white satin and, flinging its armour out of the window, bawled for its valet.
Dorothy Dunnett (The Game of Kings (The Lymond Chronicles, #1))
No, Robert did not understand. Handsome, gay, debonair, perfectly self-possessed, he had yet not grasped the fact that his young sister, with her smattering of education and her provincial dress, belonged to a world that he had long left behind him, a world which, despite its apparent backwardness and rustic simplicity, had greater depth than his.
Daphne du Maurier (The Glass-Blowers)
Emma had never wanted to be the woman who reformed a rake. She had wanted to be the woman who resisted one.
Ellie St. Clair (The Mystery of the Debonair Duke (Remingtons of the Regency, #1))
Jeb is going to grow up to be the kind of man who spends his Saturdays teaching his little boy to ride a bike. “Or little girl,” I said. “Or twins! Maybe we’ll have twins!” “Charlie, on the other hand, will be off playing golf while his kid kills people on Xbox. Charlie will be dashing and debonair, and he’ll buy his kid all kinds of crap, but he’ll never actually be there.
Lauren Myracle (Let it Snow)
Ah, this coarse, tear-compelling Calvary was at the opposite pole from those debonair Golgothas adopted by the Church ever since the Renaissance. This lockjaw Christ was not the Christ of the rich, the Adonis of Galilee, the exquisite dandy, the handsome youth with the curly brown tresses, divided beard, and insipid doll-like features, whom the faithful have adored for four centuries. This was the Christ of Justin, Basil, Cyril, Tertullian, the Christ of the apostolic church, the vulgar Christ, ugly with the assumption of the whole burden of our sins and clothed, through humility, in the most abject of forms. It was the Christ of the poor, the Christ incarnate in the image of the most miserable of us He came to save; the Christ of the afflicted, of the beggar, of all those on whose indigence and helplessness the greed of their brother battens; the human Christ, frail of flesh, abandoned by the Father until such time as no further torture was possible; the Christ with no recourse but His Mother, to Whom—then powerless to aid Him—He had, like every man in torment, cried out with an infant's cry. In an unsparing humility, doubtless, He had willed to suffer the Passion with all the suffering permitted to the human senses, and, obeying an incomprehensible ordination, He, in the time of the scourging and of the blows and of the insults spat in His face, had put off divinity, nor had He resumed it when, after these preliminary mockeries, He entered upon the unspeakable torment of the unceasing agony. Thus, dying like a thief, like a dog, basely, vilely, physically, He had sunk himself to the deepest depth of fallen humanity and had not spared Himself the last ignominy of putrefaction.
Joris-Karl Huysmans (Là-Bas (Down There))
Very well-why don't you make your case?" And perhaps if she listened and closely observed, she might get some hint of what, beneath the words, behind his so often impassive mask, was really going on inside him. "Your case beyond the obvious social imperatives, that is." "Difficult given my case is based on the obvious social imperatives." "Nevertheless, you might at least try to find a broader foundation." From the corner of her eye, she saw him look up as if imploring divine aid-or perhaps more prosaically asking why me?-and had to hide a smile. Eventually he lowered his head and leveled his hazel gaze at her. "All right-let's try for a broader perspective. You're a Cynster, well bred, well connected, well dowered, and more than passably attractive." She inclined her head. "Thank you, kind sir." "Don't thank me yet. You're also opinionated, willful to a fault, argumentative, and at times irrationally stubborn. Be that as it may, for some reason I don't comprehend, we managed to run along reasonably well through the last week or so, when we had a common goal. I take that as an indication that, were we to marry and jointly take on the common goal of managing my father's estate, the estate that will in time be ours, we would again find ourselves on common ground, enough at least to make a marriage work." He'd surprised her. Leaning back, she looked at him. He'd angled his shoulders into the curve of the wall, stretching one arm along the upper edge, long legs stretched out so that his boots brushed her hems. At ease, relaxed and debonair, he appeared the epitome of the sophisticated London rake, which, of course, he was. He was also an enigma. At some point during their hike through the mountains, she'd realized that no matter what he allowed her to see, there was something different, something even more attractive, beneath his polished veneer. "You'd share the responsibilities of running the estate?" She hasn't expected him to speak of such matters. "If you wished to involve yourself with it.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
Much to Sophie’s extreme lack of surprise, Benedict showed up at his mother’s home the following morning for breakfast. Sophie should have been able to avoid him completely, except that he was loitering in the hall as she tried to make her way down to the kitchen, where she planned to take her morning meal with the rest of the servants. “And how was your first night at Number Five, Bruton Street?” he inquired, his smile lazy and masculine. “Splendid,” Sophie replied, stepping aside so that she might make a clean half circle around him. But as she stepped to her left, he stepped to his right, effectively blocking her path. “I’m so glad you’re enjoying yourself,” he said smoothly. Sophie stepped back to her right. “I was,” she said pointedly. Benedict was far too debonair to step back to his left, but he somehow managed to turn and lean against a table in just the right way to once again block her movement. “Have you been given a tour of the house?” he asked. “By the housekeeper.” “And of the grounds?” “There are no grounds.” He smiled, his brown eyes warm and melting. “There’s a garden.” “About the size of a pound note,” she retorted. “Nonetheless . . .” “Nonetheless,” Sophie cut in, “I have to eat breakfast.” He stepped gallantly aside. “Until next time,” he murmured. And Sophie had the sinking feeling that next time would come quickly indeed. Thirty minutes later, Sophie edged slowly out of the kitchen, half-expecting Benedict to jump out at her from around a corner. Well, maybe not half-expecting. Judging from the way she couldn’t quite breathe, she was probably whole-expecting. But he wasn’t there. She inched forward. Surely he would come bounding down the stairs at any moment, ambushing her with his very presence. Still no Benedict. Sophie opened her mouth, then bit her tongue when she realized she’d been about to call out his name. “Stupid girl,” she muttered. “Who’s stupid?” Benedict asked. “Surely not you.” Sophie nearly jumped a foot. “Where did you come from?” she demanded, once she’d almost caught her breath. He pointed to an open doorway. “Right there,” he answered, his voice all innocence. “So now you’re jumping out at me from closets?” “Of course not.” He looked affronted. “That was a staircase.” Sophie peered around him. It was the side staircase. The servants’ staircase. Certainly not anyplace a family member would just happen to be walking. “Do you often creep down the side staircase?” she asked, crossing her arms. He leaned forward, just close enough to make her slightly uncomfortable, and, although she would never admit it to anyone, barely even herself, slightly excited. “Only when I want to sneak up on someone.” -Benedict & Sophie
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
debonair,
Anonymous
Do you know what the word fey means?” He shrugged. “It’s a Scots word, isn’t it? Something to do with fairies?” “It means a sort of grand happiness, a joy so indescribable that it must be followed by a terrible calamity.” He began to understand, and he enfolded her in his arms. “I see, pet. You’re worried it’s all too wonderful, is that it? That we should have found each other like this, on this night?” She tipped back her head to look from his silvered face to the moon. “It’s like something in a romantic novel. There’s a war on and it’s New Year’s Eve, and I’m wearing my first Worth gown in the moonlight. And there’s you. I shouldn’t tell you because it isn’t modest or proper, but I think you’re marvelous. You’re handsome and debonair and you’ve the most beautiful eyes I’ve ever seen on a man. Actually, you’ve the most beautiful eyes I’ve ever seen anywhere. And for you to...” she hesitated then plunged on, “for you to want me, too, it’s just too unbelievable. It’s all too perfect. You’re too perfect.” Again he suppressed the urge to laugh. “My darling girl, I wouldn’t tread on your feelings for all the world, but someday, when we’re both more than forty, I’m going to remind you of this night when we found each other for the first time and you thought I must be perfect.” “Aren’t you?” she demanded. “Not a bit. In fact, I’ll tell you everything that’s wrong with me.
Deanna Raybourn (Whisper of Jasmine (City of Jasmine, #0.5))
RECRUITMENT Ripley Residence 2107 Mockingbird Road Vienna, Virginia January 16 1530 hours “Hello, Ben,” said the man in my living room. “My name is Alexander Hale. I work for the CIA.” And just like that, my life became interesting. It hadn’t been, up till then. Not by a long shot. That day had been a prime example: day 4,583, seven months into the twelfth year of my mundane existence. I had dragged myself out of bed, eaten breakfast, gone to middle school, been bored in class, stared at girls I was too embarrassed to approach, had lunch, slogged through gym, fallen asleep in math, been harassed by Dirk the Jerk, taken the bus home . . . And found a man in a tuxedo sitting on the couch. I didn’t doubt he was a spy for a second. Alexander Hale looked exactly like I’d always imagined a spy would. A tiny bit older, perhaps—he seemed about fifty—but still suave and debonair. He had a small scar on his chin—from a bullet, I guessed, or maybe something more exotic, like a crossbow. There was something very James Bond about him; I could imagine he’d been in a car chase on the way over and taken out the bad guys without breaking a sweat. My parents weren’t home. They never were when I got back from school. Alexander had obviously “let himself in.” The photo album from our family vacation to Virginia Beach sat open on the
Stuart Gibbs (Spy School)
Between the inked-up, rough-and-tumble Mick and Adam, the debonair dom, she was totally screwed. But like, in a good way. This sort of thing they made together was a sort of magic, and there was nothing she could do but love it as much as she loved them.
Lauren Dane
You can always tell a gunner by his greasy hands and vacant stare,               You can always tell a Bombardier by his manners debonair,               You can always tell a Navigator by his pencils, books and such,               And you can always tell a Pilot,               But you can never tell him much.
Jim Arnold (It Seems Like Another Life: Dedicated to the Crew of B-17G 42-102624)
Everyone in the room fell silent. Ray Raskal's presence demanded it. My mouth slavitated with desire and intrigue. There he stood, electrifyingly handsome, dashing and debonair. Ray Raskal. The founder of Prohuman Inc.
Jill Thrussell (ProHuman Inc (Prohuman Inc #1))
Beware Of The Flowers" Ok let's make this the big one for Otway Look out baby Ok let's make this the big one for Otway Look out baby Look out Pet Here's the kid Who's gonna get the Blues When you go away I'm on fire Cause I'm in love With a girl who's not the girl she was When I was out with her I saw you in the garden minute You looked so debonair Beware of the flowers Because I'm sure they're gonna get you Yeah! I won't try to say goodbye Maybe I'll just kick myself inside I really wanted to go home You might say that today Was the very last time you walked this way You'll tell him on your own Well I'd tell him where to go to baby But you know I wouldn't dare Beware of the flowers Because I'm sure they're gonna get you Yeah! Disagree, Disapprove Baby they all said that it was me Who went out in the nude How can you be so sure Baby when the love shines its pure It's a light thine shines on us Well I know someone who loves you baby And I know he really cares Beware of the flowers Because I'm sure they're gonna get you Yeah!
John Otway
I have to say that you're the last person I'd have expected would have a seventeen-year-old daughter. You're so..." Alice stopped, suddenly looking guilty. "Dashing?" Gunner supplied. "Debonair?" "A bit of a dawg, actually.
Katie MacAlister (A Midsummer Night's Romp (Ainslie Brothers, #2))
John the Baptist would have looked debonair in comparison, even after Salome got her prize.
Nicole Galland (Crossed)
Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all. Astaire only got on his knees to execute a dazzling dance move, never as an act of submission. His characters were largely wealthy, self-assured, and worldly. He danced with sophistication and class. In his famous pairings with Ginger Rogers, the primary dance numbers had the couple dressed to the nines, swirling on equally polished floors to the strains of deeply moving romantic ballads.
Stuart J. Hecht (Transposing Broadway: Jews, Assimilation, and the American Musical (Palgrave Studies in Theatre and Performance History))
Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all.
Stuart J. Hecht (Transposing Broadway: Jews, Assimilation, and the American Musical (Palgrave Studies in Theatre and Performance History))
I loved Beau Shields but Beau Starr had just ripped my heart right down the middle, stomped on my excitement and happiness, and he needed to fucking pay. Debonair
Megan Erickson (Mature Content (Cyberlove, #4))
Paul Lee slipped into the gap on the couch that Murray had left, trying his best to be debonair and failing miserably. “Ms. Hale, er . . . I fear that you, um . . . may have gotten the wrong . . . er, idea about me. . . .” “You keep your distance from me as well,” Catherine told him. “Or I’ll let Erica rip off your kneecaps and make castanets with them.
Stuart Gibbs (Spy School Goes South)
When I checked myself out in the bedroom mirror, I looked rather suave and primed for action. I performed a few test karate chops and jujitsu kicks, then modeled some debonair poses. “The name’s Ripley,” I purred smoothly. “Benjamin Ripley.” It was at this point that I noticed Erica standing in the doorway.
Stuart Gibbs (Spy School Secret Service)
The one woman who actually knew a bit about him was the very one who didn’t want him.
Ellie St. Clair (The Mystery of the Debonair Duke (Remingtons of the Regency, #1))
He was nothing but a predator, the kind of monster that all people should be terrified of. Yet he was passionate and debonair, impossible to resist.
Piper Stone (Cruel Prince (Benedetti Empire #1))
archaeology department. Even Sera had been thrilled in the beginning. “I’m totally taking advantage of your fainting spell to take a break myself,” Nora said as she sat in the sparse grass beneath a pine tree. The parasol-shaped trees littered the rolling hills around the site. Sitting next to her best friend, Sera scoffed. “I didn’t faint.” According to Nora, Chad’s debonair looks meant he also happened to be the star of almost every female student’s romantic fantasies. Not yet forty, the man was just beginning to show signs of his age with salt-and-pepper hair. His bachelor status only added fuel to the flame. For the most part, Sera found him to be as charming, witty, and good-looking as anyone did. But when she remembered some of his more suggestive comments and inappropriate touches over the summer, her nose scrunched up. She had a feeling he was single for other, less attractive reasons than just not having found the right woman. Much to her annoyance, trying to be polite and not rock the boat somehow meant he didn’t get the hint she wasn’t interested. Bringing up her boyfriend, Hiro, seemed to register even less. “I wouldn’t have blamed you if you had fainted,” Nora said. “Did you see the size of that ruby? It was a ruby, right?
Stephanie Mirro (Curse of the Vampire (Immortal Relics #1))
Brioni tux, he was both debonair and
Sylvia Day (Bared to You (Crossfire, #1))
He reminds me of an older, more debonaire version of Ari Gold from Entourage, and I fucking love that show.
Elsie Silver (Flawless (Chestnut Springs, #1))
There you are!” Kendra says as they pull to a halt in front of me. They both look flustered and cross. “We were totally freaking out,” she says angrily. “Where were you?” And then Luca rises up from the window seat, and their expressions change so fast it would be comical if I didn’t know that I’ll pay for this later. “Ohh,” Kelly says, clattering to a halt a few feet away, a world of understanding in her voice, and Luca, looking amused at my obvious embarrassment, flourishes her a little bow and holds out his hand. “I am Luca di Vesperi,” he says, taking hers with a debonair smile. I expect Kelly to crumble under this charm onslaught, but I underestimated her; she’s made of tougher stuff. “Of course you are,” she says dryly, looking up at him. “I heard about you. What were doing, showing Violet the family paintings? From your lap?” “Kelly!” I plead desperately as Kendra muffles a giggle. “I do not understand everything you say,” Luca says to Kelly, his blue eyes gleaming, “but I think you are funny.” “Oh.” This does disarm her. She coughs gruffly. “Well, thank you. We should be getting back. Your mum and Catia are doing their nut.” “Their nut?” Luca looks over at Kendra, who shrugs, an elegant rise and fall of her smooth shoulders. “Don’t ask me,” she says. “It’s like my dad said, the UK and the States are two countries separated by the same language.
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
But oh, this is not the end he had imagined for himself as a kid! or even at thirty. To the adolescent boy, dreaming romantically of the gifted tormented men who had thrown their lives away, suicide had been a glamorous thing, a gallant flinging down of the glove, a refusal to submit, to conform, to endure, a demonstration that the spirit with honor is unwilling to go on except in its own way: almost a gesture debonair.
Charles Jackson (The Lost Weekend)
. . . I looked at him, at the debonair man in the suit of all suits . . . . I wasn't in clothes on the level of his, but I wanted the hotel staff to regard me with respect. I grabbed my bag, hoping he wouldn't say anything about me carrying so much, but. I wanted it to look like I was arriving as a guest, not as rented coochie.
Eric Jerome Dickey (One Night)
Had I taken my time with Ken, I would’ve wasted my time. I’d rather get the sex application out of the way and then we’ll work on the sparks.
T.C. Matson (Broken Boundaries (Debonair, #1))
And there was another melancholy - different yet somehow similar - which came to Gersen as he watched the debonair folk about him. They were all graceful and easy, untouched by the toil and pain and terror that existed on remote worlds. Gersen envied them their detachment, their social skills. Still, would he change places with any of them? Hardly.
Jack Vance (The Star King (Demon Princes, #1))