Deadly Attitude Quotes

We've searched our database for all the quotes and captions related to Deadly Attitude. Here they are! All 100 of them:

Look on every exit as being an entrance somewhere else.
Tom Stoppard (Rosencrantz and Guildenstern Are Dead)
Anger is like flowing water; there's nothing wrong with it as long as you let it flow. Hate is like stagnant water; anger that you denied yourself the freedom to feel, the freedom to flow; water that you gathered in one place and left to forget. Stagnant water becomes dirty, stinky, disease-ridden, poisonous, deadly; that is your hate. On flowing water travels little paper boats; paper boats of forgiveness. Allow yourself to feel anger, allow your waters to flow, along with all the paper boats of forgiveness. Be human.
C. JoyBell C.
The more you talk about it, rehash it, rethink it, cross analyze it, debate it, respond to it, get paranoid about it, compete with it, complain about it, immortalize it, cry over it, kick it, defame it, stalk it, gossip about it, pray over it, put it down or dissect its motives it continues to rot in your brain. It is dead. It is over. It is gone. It is done. It is time to bury it because it is smelling up your life and no one wants to be near your rotted corpse of memories and decaying attitude. Be the funeral director of your life and bury that thing!
Shannon L. Alder
The stupidity of people comes from having an answer for everything. The wisdom of the novel comes from having a question for everything. When Don Quixote went out into the world, that world turned into a mystery before his eyes. That is the legacy of the first European novel to the entire subsequent history of the novel. The novelist teaches the reader to comprehend the world as a question. There is wisdom and tolerance in that attitude. In a world built on sacrosanct certainties the novel is dead. The totalitarian world, whether founded on Marx, Islam, or anything else, is a world of answers rather than questions. There, the novel has no place.
Milan Kundera (The Book of Laughter and Forgetting)
How do our lives ravel out into the no-wind, no-sound, the weary gestures wearily recapitulant: echoes of old compulsions with no-hand on no-string: in sunset we fall into furious attitudes, dead gestures of dolls.
William Faulkner (As I Lay Dying)
Only an arrogant man can sense arrogance in others.
Abhaidev (The Gods Are Not Dead)
As for the Republicans -- how can one regard seriously a frightened, greedy, nostalgic huddle of tradesmen and lucky idlers who shut their eyes to history and science, steel their emotions against decent human sympathy, cling to sordid and provincial ideals exalting sheer acquisitiveness and condoning artificial hardship for the non-materially-shrewd, dwell smugly and sentimentally in a distorted dream-cosmos of outmoded phrases and principles and attitudes based on the bygone agricultural-handicraft world, and revel in (consciously or unconsciously) mendacious assumptions (such as the notion that real liberty is synonymous with the single detail of unrestricted economic license or that a rational planning of resource-distribution would contravene some vague and mystical 'American heritage'...) utterly contrary to fact and without the slightest foundation in human experience? Intellectually, the Republican idea deserves the tolerance and respect one gives to the dead.
H.P. Lovecraft
Hard to argue with a woman, period. Only time a man wins with one of them is when the woman is either on TV or dead. (Jack)
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
i hate her skinny thighs and her elitist attitude. i hope she's a dreadful bitch who makes you so miserable that you howl when you remember me.
Charlaine Harris (Dead as a Doornail (Sookie Stackhouse, #5))
He's got that New Orleans thing crawling all over him, that good stuff, that We Are the Champions, to hell with the rest and I'll just start over kind of attitude.
Chris Rose (1 Dead in Attic: Post-Katrina Stories)
He asked himself what is a woman standing on the stairs in the shadow, listening to distant music, a symbol of. If he were a painter he would paint her in that attitude. Her blue felt hat would show off the bronze of her hair against the darkness and the dark panels of her skirt would show off the light ones. Distant Music he would call the picture if he were a painter.
James Joyce (The Dead)
Have you been smoking something? Seriously, I think you're a werewolf. This new snarky attitude is a dead giveaway." "And vampires aren't snarky?" Kylie rolled her eyes. "No, we're pissy. Snarky and pissy are two totally different things.
C.C. Hunter
And no, I think i'm better than you because I am better than you.
Stacey Kade (Queen of the Dead (The Ghost and the Goth, #2))
Behind every creative act is a statement of love. Every artistic creation is a statement of gratitude.
Kilroy J. Oldster (Dead Toad Scrolls)
The dead has only one place to go… up. Wherever you bury them, they will go the same way, up
Abdul Sattar Edhi
Kevin was silent for an endless minute, then said, "You should be Court." It was barely a whisper, but it cut Neil to the bone. It was a resentful goodbye to the bright future Kevin had wanted for Neil. Kevin recruited Neil because he believed in Neil's potential. He brought him to the Foxes intending to make a star athlete out of him. Despite his condescending attitude and his dismissals of Neil's best efforts Kevin honestly expected Neil to make the national team after graduation. Now Kevin knew it was all for naught; Neil would be dead by May. "Will you still teach me?" Neil asked. Kevin was quiet again, but not for long this time. "Every night.
Nora Sakavic (The Raven King (All for the Game, #2))
We learn invaluable life lessons from people whom exhibit courage and grace under extraordinary circumstances.
Kilroy J. Oldster (Dead Toad Scrolls)
Forgiveness is not an occassional act; it is a permanent attitude.
James Van Praagh (Unfinished Business: What the Dead Can Teach Us About Life)
Its Animals show the truth about a country,” I said. “Its attitude toward Animals. If people behave brutally toward Animals, no form of democracy is ever going to help them, in fact nothing will at all.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
All mothers breed dead children.
Mie Hansson (Where Pain Thrives)
Being virtually killed by a virtual laser in a virtual space is just as effective as the real thing, because you are as dead as you think you are.
Douglas Adams
The great beauty of life is its mystery, the inability to know what course our life will take, and diligently work to transmute into our final form based upon a lifetime of constant discovery and enterprising effort. Accepting the unknown and unknowable eliminates regret.
Kilroy J. Oldster (Dead Toad Scrolls)
To encapsulate the notion of Mardi Gras as nothing more than a big drunk is to take the simple and stupid way out, and I, for one, am getting tired of staying stuck on simple and stupid. Mardi Gras is not a parade. Mardi Gras is not girls flashing on French Quarter balconies. Mardi Gras is not an alcoholic binge. Mardi Gras is bars and restaurants changing out all the CD's in their jukeboxes to Professor Longhair and the Neville Brothers, and it is annual front-porch crawfish boils hours before the parades so your stomach and attitude reach a state of grace, and it is returning to the same street corner, year after year, and standing next to the same people, year after year--people whose names you may or may not even know but you've watched their kids grow up in this public tableau and when they're not there, you wonder: Where are those guys this year? It is dressing your dog in a stupid costume and cheering when the marching bands go crazy and clapping and saluting the military bands when they crisply snap to. Now that part, more than ever. It's mad piano professors converging on our city from all over the world and banging the 88's until dawn and laughing at the hairy-shouldered men in dresses too tight and stalking the Indians under Claiborne overpass and thrilling the years you find them and lamenting the years you don't and promising yourself you will next year. It's wearing frightful color combination in public and rolling your eyes at the guy in your office who--like clockwork, year after year--denies that he got the baby in the king cake and now someone else has to pony up the ten bucks for the next one. Mardi Gras is the love of life. It is the harmonic convergence of our food, our music, our creativity, our eccentricity, our neighborhoods, and our joy of living. All at once.
Chris Rose (1 Dead in Attic: Post-Katrina Stories)
A coward is a man who'd rather live dead than die alive
Bangambiki Habyarimana (The Great Pearl of Wisdom)
I'd rather live life with the consequences of my choice than live with the consequences of fear.
Daniel Waters
We each possess the ability creatively to respond to the ontological mystery of our existence.
Kilroy J. Oldster (Dead Toad Scrolls)
A pensive personality and ambivalent attitude towards power and money can cause other people to take a high production or creative person for granted.
Kilroy J. Oldster (Dead Toad Scrolls)
The match I struck shall not run dead You’re my first inhale, my last cigarette.
Mie Hansson (Where Pain Thrives)
I've decided that I can also touch the hearts of many - dead people, but the living, too. (Cameryn Mahoney)
Alane Ferguson (The Dying Breath (Forensic Mysteries, #4))
Sex appeal isn't a number on a scale, it's an attitude, a state of mind. Any woman can be sexy.
Karpov Kinrade (Deadly Dreams)
saw him as a saint. His attitude silenced me. From that moment on, if he had been brought back to me dead on a stretcher, I would not have cared. He cannot hurt me any more.
Anaïs Nin (The Diary of Anais Nin Volume 1 1931-1934)
That’s what I dislike most of all in people—cold irony. It’s a very cowardly attitude to mock or belittle everything, never be committed to anything, not feel tied to anything.
Olga Tokarczuk (Drive Your Plow Over the Bones of the Dead)
No fighter is more divine than one who can achieve victory through defeat. In the instant when he receives the deadly wound, his opponent falls to the ground, himself struck a final blow. For he strikes love and is thus himself struck by love. And by letting itself be struck, love proves what had to be proven: that it is indeed love.
Hans Urs von Balthasar (Heart of the World)
Indecision and fear can cripple any chances of succeeding and lead to maelstroms of regret that fuel our most fantastic nightmares.
Kilroy J. Oldster (Dead Toad Scrolls)
All mothers breed dead children. They shall, perhaps, live later. When no longer dead, they are born Not—by coincidence, by choice.
Mie Hansson (Where Pain Thrives)
Boredom and ineffective attempts to escape tedium are the perpetual lot of humankind.
Kilroy J. Oldster (Dead Toad Scrolls)
A person who holds strong convictions might appear inflexible, impolite, or exceptionally obtuse, when they are merely direct.
Kilroy J. Oldster (Dead Toad Scrolls)
Look, there’s nothing I’m ever going to tell you about me that’s the truth. The more you know about me, the shorter your life span is going to be. All you need to know is that I don’t miss. In fact, you don’t even need to know exactly how good I really am, because if you ever find out, you’re going to be dead. (Steele)
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
said Father Nash “was a most wonderful man in prayer, one of the most earnest, devout, spiritually-minded, heavenly-minded men I ever saw. . . . He labored about in many places in central and northern New York, and gave himself up to almost constant prayer, literally praying himself to death at last. I have been informed that he was found dead in his room in the attitude of prayer.
Charles Grandison Finney
Kind of why I can’t always go along with everyone’s happy attitude all the time. Life sucks sometimes and most people don’t get it. They think - well all of the people at this school anyway, they think everything is just handed to them. Real easy, ya know? Like, the day is never something you have to fight through.” I placed my hand on top of Tony’s and let it rest there for a moment. What could I say? I was a death giver. Happy to do it. I had been so good at being dead.
Rebecca Maizel
medieval attitudes such as “the only good croc is a dead one,” “the only good shark is a dead shark,” “there’s a snake—quick, kill it.
Steve Irwin (The Crocodile Hunter: The Incredible Life and Adventures of Steve and Terri Irwin)
It's not always about making the right choice; it is more about how well we can endure the consequences of a wrong decision.
Zaishah (Fragrance Of A Dead Rose: A Reminder of Hope)
Personal struggles, mistakes, and perseverance are part of every person’s life story. A proper mindset can turn failure into a gift. Specific human qualities such as intelligence and adaptive skills can be cultivated through applied effort to assist a person overcome a resounding failure. Each person would be wise to ask how does a person cope – grapple – with failure? We derive strength from our struggles.
Kilroy J. Oldster (Dead Toad Scrolls)
Ghosts... they are the completions of the deads intended gestures, there unfinished plans still hanging in the air - something like when you forgot one thing and so you pantomime the motion.
Anne Tyler (Breathing Lessons)
Terrible drought, crops dead, sheep dying. Spring dried up. No water. The Hopi, and the Christian, maybe the Moslem, they pray for rain. The Navajo has the proper ceremony done to restore himself to harmony with the drought. You see what I mean. The system is designed to recognize what's beyond human power to change, and then to change the human's attitude to be content with the inevitable." - Tony Hillerman, Sacred Clowns, 1993
Tony Hillerman
Life presents innumerable possibilities for love, friendship, compassion, and self-fulfillment, but we must be willing to give in order to receive. Persistence, sacrifice, a quest for knowledge, along with acquaintance with our true self is essential in order to achieve our dreams. Panic, fear, worry, doubt, anger, and a negative attitude are the biggest impediments to self-realization. The most important battle we undertake in life is not with other people; rather it takes place in the human mind.
Kilroy J. Oldster (Dead Toad Scrolls)
The human mind is naturally creative, constantly looking to make associations and connections between things and ideas. It wants to explore, to discover new aspects of the world, and to invent. To express this creative force is our greatest desire, and the stifling of it the source of our misery. What kills the creative force is not age or a lack of talent, but our own spirit, our own attitude. We become too comfortable with the knowledge we have gained in our apprenticeships. We grow afraid of entertaining new ideas and the effort that this requires. to think more flexibly entails a risk-we could fail and be ridiculed. We prefer to live with familiar ideas and habits of thinking, but we pay a steep price for this: our minds go dead from the lack of challenge and novelty; we reach a limit in our field and lose control over our fate because we become replaceable.
Robert Greene (Mastery)
As the ego-dead, so we might imagine, we would continue to know pain in its various forms—that is the essence of existence—but we would not be cozened by our egos to take it personally, an attitude that converts an individual’s pain into conscious suffering. Naturally, we would still have to feed, but we would not be omnivorous gourmands who eat for amusement, gorging down everything in nature and turning to the laboratory for more. As for reproduction, who can say? Animals are driven to copulate, and even as the ego-dead we would not be severed from biology, although we would not be unintelligently ruled by it, as we are now. As a corollary of not being unintelligently ruled by biology, neither would we sulk over our extinction, as we do now. Why raise another generation destined to climb aboard the evolution treadmill? But then, why not raise another generation of the ego-dead? For those who do not perceive either their pleasures or their pains as belonging to them, neither life nor death would be objectionable or not objectionable, desirable or not desirable, all right or not all right. We would be the ego-dead, the self-less, and, dare we are, the enlightened.
Thomas Ligotti (The Conspiracy Against the Human Race)
This problem cannot be solved with baked goods!” “Well! Certainly not with that attitude.
Michael G. Munz (Zeus Is Dead: A Monstrously Inconvenient Adventure (Zeus Is Dead, #1))
Death would be an extremely bad thing like most of us paint it, if being dead were painful.
Mokokoma Mokhonoana
We create our own version of heaven, purgatory, or a hell with how we think, behave, and react to mistreatment.
Kilroy J. Oldster (Dead Toad Scrolls)
For a hundred dead stories there still remain one or two living ones. I evoke these with caution, occasionally, not too often, for fear of wearing them out, I fish one out, again I see the scenery, the characters, the attitudes. I stop suddenly: there is a flaw, I have seen a word pierce through the web of sensations. I suppose that this word will soon take the place of several images I love. I must stop quickly and think of something else; I don't want to tire my memories. In vain; the next time I evoke them a good part will be congealed.
Jean-Paul Sartre (Nausea)
She had been tied to an incubus, the memory of a love that had been rejected and had had nowhere to go; she had been locked into a dead relationship and now the last dried skin of it had fallen away, like the scab on a wound, and she was free.
Alexander McCall Smith (The Right Attitude to Rain (Isabel Dalhousie, #3))
But you haven't tried. You haven't tried once. First you refused to admit that there was a menace at all! Then you reposed an absolutely blind faith in the Emperor! Now you've shifted it to Hari Seldon. Throughout you have invariably relied on authority or on the past—never on yourselves." His fists balled spasmodically. "It amounts to a diseased attitude—a conditioned reflex that shunts aside the independence of your minds whenever it is a question of opposing authority. There seems no doubt ever in your minds that the Emperor is more powerful than you are, or Hari Seldon Wiser. And that's wrong don't you see?" For some reason, no one cared to answer him. Hardin continued: "It isn't just you. It's the whole Galaxy. Pirenne heard Lord Dorwin's idea of scientific research. Lord Dorwin thought the way to be a good archaeologist was to read all the books on the subject—written by men who were dead for centuries. He thought that the way to solve archaeological puzzles was to weight the opposing authorities. And Pirenne listened and made no objections. Don't you see that there's something wrong with that?" Again the note of near-pleading in his voice. Again no answer. He went on: "And you men and half of Terminus as well are just as bad.. We sit here, considering the Encyclopedia the all-in-all. We consider the greatest end of science is the classification of past data. It is important, but is there no further work to be done? We're receding and forgetting, don't you see? Here in the Periphery they've lost nuclear power. In Gamma Andromeda, a power plant has undergone meltdown because of poor repairs, and the Chancellor of the Empire complains that nuclear technicians are scarce. And the solution? To train new ones? Never! Instead they're to restrict nuclear power." And for the third time: "Don't you see? It's galaxy-wide. It's a worship of the past. It's a deterioration—a stagnation!
Isaac Asimov (Foundation (Foundation, #1))
How does paying people more money make you more money? It works like this. The more you pay your workers, the more they spend. Remember, they're not just your workers- they're your consumers, too. The more they spend their extra cash on your products, the more your profits go up. Also, when employees have enough money that they don't have to live in constant fear of bankruptcy, they're able to focus more on their work- and be more productive. With fewer personal problems and less stress hanging over them, they'll lose less time at work, meaning more profits for you. Pay them enough to afford a late model car (i.e. one that works), and they'll rarely be late for work. And knowing that they'll be able to provide a better life for their children will not only give them a more positive attitude, it'll give them hope- and an incentive to do well for the company because the better the company does, the better they'll do. Of course, if you're like most corporations these days- announcing mass layoffs right after posting record profits- then you're already hemorrhaging the trust and confidence of your remaining workforce, and your employees are doing their jobs in a state of fear. Productivity will drop. That will hurt sales. You will suffer. Ask the people at Firestone: Ford has alleged that the tire company fired its longtime union employees, then brought in untrained scab workers who ended up making thousands of defective tires- and 203 dead customers later, Firestone is in the toilet.
Michael Moore (Stupid White Men)
On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze. A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that? Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most pitiful, amateur truth telling. So the soul must stand in her own meager feathers and learn to fly - or simply take hopeful jumps into the wind. In the Christian calendar, November 1 is the Feast of All Saints, a day honoring not only those who are known and recognized as enlightened souls, but more especially the unknowns, saints who walk beside us unrecognized down the millennia. In Buddhism, we honor the bodhisattvas - saints - who refuse enlightenment and return willingly to the wheel of karma to help other beings. Similarly, in Judaism, anonymous holy men pray the world from its well-merited destruction. We never know who is walking beside us, who is our spiritual teacher. That one - who annoys you so - pretends for a day that he's the one, your personal Obi Wan Kenobi. The first of November is a splendid, subversive holiday. Imagine a hectic procession of revelers - the half-mad bag lady; a mumbling, scarred janitor whose ravaged face made the children turn away; the austere, unsmiling mother superior who seemed with great focus and clarity to do harm; a haunted music teacher, survivor of Auschwitz. I bring them before my mind's eye, these old firends of my soul, awakening to dance their day. Crazy saints; but who knows what was home in the heart? This is the feast of those who tried to take the path, so clumsily that no one knew or notice, the feast, indeed, of most of us. It's an ugly woods, I was saying to myself, padding along a trail where other walkers had broken ground before me. And then I found an extraordinary bouquet. Someone had bound an offering of dry seed pods, yew, lyme grass, red berries, and brown fern and laid it on the path: "nothing special," as Buddhists say, meaning "everything." Gathered to formality, each dry stalk proclaimed a slant, an attitude, infinite shades of neutral. All contemplative acts, silences, poems, honor the world this way. Brought together by the eye of love, a milkweed pod, a twig, allow us to see how things have been all along. A feast of being.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
Isn’t it funny how we make rational excuses for being out of alignment? We say, “Well, this ____ and that ____ happened, so it makes perfect sense for me to be feeling like this ____ and wanting to do this ____.” Yet, to this day, I have never met a happy person who adheres to those excuses. In fact, each time I – or anyone else – decide to give in to “rational excuses” that justify feeling bad – it’s interesting that only further suffering is the result. There is never a good enough reason for us to be out of alignment with peace. Sure, we can go there and make choices that dim our lights… and that is fine; there certainly is purpose for it and the contrast gives us lessons to learn… yet if we’re aware of what we are doing and we’re ready to let go of the suffering – then why go there at all? It’s like beating a dead horse. Been there, done that… so why do we keep repeating it? Pain is going to happen; it’s inevitable in this human experience, yet it is often so brief. When we make those excuses, what happens is: we pick up that pain and begin to carry it with us into the next day… and the next day… into next week… maybe next month… and some of us even carry it for years or to our graves! Forgive, let it go! It is NOT worth it! It is NEVER worth it. There is never a good enough reason for us to pick up that pain and carry it with us. There is never a good enough reason for us to be out of alignment with peace. Unforgiveness hurts you; it hurts others, so why even go there? Why even promote pain? Why say painful things to yourself or others? Why think pain? Just let it go! Whenever I look back on painful things or feel pain today, I know it is my EGO that drives me to “go there.” The EGO likes to have the last word, it likes to feel superior, it likes to make others feel less than in hopes that it will make itself (me) feel better about my insecurities. Maybe if I hurt them enough, they will feel the pain I felt over what they did to me. It’s only fair! It’s never my fault; it’s always someone else’s. There is a twisted sense of pleasure I get from feeling this way, and my EGO eats it right up. YET! With awareness that continues to grow and expand each day, I choose to not feed my pain (EGO) or even go there. I still feel it at times, of course, so I simply acknowledge it and then release it. I HAVE power and choice over my speech and actions. I do not need to ever “go there” again. It’s my choice; it’s your choice. So it’s about damn time we start realizing this. We are not victims of our impulses or emotions; we have the power to control them, and so it’s time to stop acting like we don’t. It’s time to relinquish the excuses.
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
Wilhelm Reich identified "armor" as the sum total of typical character attitudes, which an individual develops as a blocking against his emotional excitations, resulting in rigidity of the body, lack of emotional contact, "deadness". Functionally identical to muscular armor (chronic muscular spasms)
Wilhelm Reich (Where's The Truth)
There was no room for dust devils in the laws of physics, as least in the rigid form in which they were usually taught. There is a kind of unspoken collusion going on in mainstream science education: you get your competent but bored, insecure and hence stodgy teacher talking to an audience divided between engineering students, who are going to be responsible for making bridges that won’t fall down or airplanes that won’t suddenly plunge vertically into the ground at six hundred miles an hour, and who by definition get sweaty palms and vindictive attitudes when their teacher suddenly veers off track and begins raving about wild and completely nonintuitive phenomena; and physics students, who derive much of their self-esteem from knowing that they are smarter and morally purer than the engineering students, and who by definition don’t want to hear about anything that makes no fucking sense. This collusion results in the professor saying: (something along the lines of) dust is heavier than air, therefore it falls until it hits the ground. That’s all there is to know about dust. The engineers love it because they like their issues dead and crucified like butterflies under glass. The physicists love it because they want to think they understand everything. No one asks difficult questions. And outside the windows, the dust devils continue to gambol across the campus.
Neal Stephenson (Cryptonomicon)
If a curiously selective plague came along and killed all people of intermediate height, 'tall' and 'short' would come to have just as precise a meaning as 'bird' or 'mammal'. The same is true of human ethics and law. Our legal and moral systems are deeply species-bound. The director of a zoo is legally entitled to 'put down' a chimpanzee that is surplus to requirements, while any suggestion that he might 'put down' a redundant keeper or ticket-seller would be greeted with howls of incredulous outrage. The chimpanzee is the property of the zoo. Humans are nowadays not supposed to be anybody's property, yet the rationale for discriminating against chimpanzees in this way is seldom spelled out, and I doubt if there is a defensible rationale at all. Such is the breathtaking speciesism of our attitudes, the abortion of a single human zygote can arouse more moral solicitude and righteous indignation than the vivisection of any number of intelligent adult chimpanzees! [T]he only reason we can be comfortable with such a double standard is that the intermediates between humans and chimps are all dead.
Richard Dawkins (The Blind Watchmaker: Why the Evidence of Evolution Reveals a Universe Without Design)
There was the old myth of divine intervention. You blasphemed, and a lightning bolt struck you. That was a little steep too. If punishment is at all proportionate to the offense, then power becomes watered. The only way you generate the proper attitude of awe and obedience is through immense and disproportionate power.
Norman Mailer (The Naked and the Dead)
The reason you don't succeed in life is because you are too lenient with your deadly enemies. Identify them and eradicate them completely, don't let any of their seed escape your vengeful sword. Don't negotiate with the enemy and never make deals with them. Only after you have wiped them out of the map will success smile at you
Bangambiki Habyarimana (Pearls Of Eternity)
Whereas I could conform to an emo crowd easily enough, pretending to matriculate from upper crust asshats was too surreal. Goose insisted my stellar attitude and superb language skills had to be put on hold while we were inside the building, which meant to had to keep my big fat cow shut. It was the equivalent of asking a little girl not to scream the first time she was personally introduced to Hannah Montana.
J.A. Saare (Dead, Undead, or Somewhere in Between (Rhiannon's Law, #1))
Time is quixotic because it can torment us. When we have insufficient stimulus to fill our lives, we resent the relentless quality of time, and we engage in activities designed to “kill time.” Time that passes slowly creates insufferable boredom; time that passes to quickly makes us aware of our accelerated death march. A person’s perspective on time depends mostly on what they are most afraid of, boredom or death.
Kilroy J. Oldster (Dead Toad Scrolls)
Once I had started my solitude I realised anew that it was easy for me to become accustomed to this state and that the most effortless existence for me was in fact one in which I was not obliged to speak to anyone. My fretful attitude to life left me. Each dead day had its charm
Yukio Mishima
...out of despair I decided to follow this horror through. I stared down at what I was already grasping in my hand, like an ape; I wrapped myself in the dust and took off my trousers. Interwoven joy and terror strangled me within. I strangled and I gasped from pleasure. The more those pictures terrified me, the more intense was my excitement at the sight of them. After days of accumulating alarms, tensions, suffocations, I was beyond withstanding my own ignominy. I invoked it and I blessed it. It was my inevitable fate: my joy was all the greater since, with regard to life, I had long since entrenched myself in an attitude of suffering, and now, in the throes of delight, I progressed even farther into vileness and degradation.
Georges Bataille (My Mother/Madame Edwarda/The Dead Man)
Many people believe that it is OK to be like China for a time, because when the crisis ends we can go back to being like Britain again. These people are making a serious mistake. We cannot switch in and out of totalitarianism at will. Because a free society is a question of attitude, it is dead once the attitude changes.
Michael P. Senger (Snake Oil: How Xi Jinping Shut Down the World)
High performers whom exhibit tremendous self-control tend to be burden by their own competence. Studies indicate that being extraordinary competent can place a person under an unusual amount of stress because it raises other people’s expectation of them. The more task that an exemplary employee produces with a ‘go-getting personality’ while maintaining high quality relationships with peers and clients, the more an organization tends to underestimates their actual effort and the more it expects of them. Other people do not comprehend how difficult it is for a high performer to complete multifaceted tasks. They also tend to underestimate how much effort an enterprising person exerts who maintains a positive and pleasant attitude while completing difficult assignments.
Kilroy J. Oldster (Dead Toad Scrolls)
Thus on Easter we celebrate Christ’s Resurrection as something that happened and still happens to us. For each one of us received the gift of that new life and the power to accept it and to live by it. It is a gift which radically alters our attitude toward everything in this world, including death. It makes it possible for us joyfully to affirm: "Death is no more!" Oh, death is still there, to be sure and we still face it and someday it will come and take us. But it is our whole faith that by His own death Christ changed the very nature of death, made it a passage—a "passover," a "Pascha"—into the Kingdom of God, transforming the tragedy of tragedies into the ultimate victory. "Trampling down death by death," He made us partakes of His Resurrection. This is why at the end of the Paschal Matins we say: "Christ is risen and life reigneth! Christ is risen and not one dead remains in the grave!
Alexander Schmemann (Great Lent: Journey to Pascha)
WHEN A BIRD IS ALIVE... IT EATS ANTS....WHEN BIRD IS DEAD...ANTS EAT THE BIRD. TIME AND CIRCUMSTANCES CAN CHANGE AT ANYTIME. DON'T DEVALUE OR HURT ANYONE IN LIFE. YOU MAY BE POWERFUL TODAY.' BUT REMEMBER. TIME IS MORE POWERFUL THAN YOU.!!! ONE TREE MAKES A MILLION MATCH STICKS...BUT ONLY ONE MATCH STICK NEEDED TO BURN A MILLION TREES...
Napz Cherub Pellazo
You see the grandmother down there with her son and grandson? They’ve probably been coming here for years together. Or maybe it’s their first trip. Either way, it’s three generations sitting down together, laying aside their differences for one night to be a family. This is humanity, Steele. This is what we’re fighting for. Family. People. Pride. It’s our differences that make up our strength. BAD isn’t about patriotism. It’s about saving individuals. Not just those in America, but all the ones who are out there going about their lives with little to no care about politics. Men, women, and children who only want to live peacefully while others are looking for ways to use them as pawns in a deadly game they don’t even want to play. (Joe)
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
The ugly fact is that altar fires are either out or burning very low. The prayer meeting is dead or dying. By our attitude to prayer we tell God that what was begun in the Spirit we can finish in the flesh. What church ever asks its candidating ministers what time they spend in prayer? Yet ministers who do not spend two hours a day in prayer are not worth a dime a dozen, degrees or no degrees.
Leonard Ravenhill (Why Revival Tarries)
People undergo several sequential steps in maturing from infancy including childhood, adolescences, young adulthood, middle age, and old age. Each stage presents distinct challenges that require a person to amend how they think and act. The motive for seeking significant change in a person’s manner of perceiving the world and behaving vary. Alteration of person’s mindset can commence with a growing sense of awareness that a person is dissatisfied with an aspect of his or her life, which cause a person consciously to consider amending their lifestyle.
Kilroy J. Oldster (Dead Toad Scrolls)
It is a special blessing to belong among those who can and may devote their best energies to the contemplation and exploration of objective and timeless things. How happy and grateful I am for having been granted this blessing, which bestows upon one a large measure of independence from one's personal fate and from the attitude of one's contemporaries. Yet this independence must not inure us to the awareness of the duties that constantly bind us to the past, present and future of humankind at large. Our situation on this earth seems strange. Every one of us appears here, involuntarily and uninvited, for a short stay, without knowing the why and the wherefore. In our daily lives we feel only that man is here for the sake of others, for those whom we love and for many other beings whose fate is connected with our own. I am often troubled by the thought that my life is based to such a large extent on the work of my fellow human beings, and I am aware of my great indebtedness to them. I do not believe in free will. Schopenhauer's words: 'Man can do what he wants, but he cannot will what he wills,' accompany me in all situations throughout my life and reconcile me with the actions of others, even if they are rather painful to me. This awareness of the lack of free will keeps me from taking myself and my fellow men too seriously as acting and deciding individuals, and from losing my temper. I have never coveted affluence and luxury and even despise them a good deal. My passion for social justice has often brought me into conflict with people, as has my aversion to any obligation and dependence I did not regard as absolutely necessary. [Part 2] I have a high regard for the individual and an insuperable distaste for violence and fanaticism. All these motives have made me a passionate pacifist and antimilitarist. I am against any chauvinism, even in the guise of mere patriotism. Privileges based on position and property have always seemed to me unjust and pernicious, as does any exaggerated personality cult. I am an adherent of the ideal of democracy, although I know well the weaknesses of the democratic form of government. Social equality and economic protection of the individual have always seemed to me the important communal aims of the state. Although I am a typical loner in daily life, my consciousness of belonging to the invisible community of those who strive for truth, beauty, and justice keeps me from feeling isolated. The most beautiful and deepest experience a man can have is the sense of the mysterious. It is the underlying principle of religion as well as of all serious endeavour in art and science. He who never had this experience seems to me, if not dead, then at least blind. To sense that behind anything that can be experienced there is a something that our minds cannot grasp, whose beauty and sublimity reaches us only indirectly: this is religiousness. In this sense I am religious. To me it suffices to wonder at these secrets and to attempt humbly to grasp with my mind a mere image of the lofty structure of all there is.
Albert Einstein
Who would have ever thought that the best way to save lives was to take one? But then that was what Joe had preached to her from the first day on her job. He even had a name for it. Political pruning. In order to make the tree grow, the dead, diseased, and contaminated limbs had to be removed. If they didn’t fall off on their own, then you had to get the chain saw out and cut them loose. At first she’d been naïve enough to think that she could never be so jaded. But time and missions had finally succeeded in bringing her around to Joe’s way of thinking. (Syd)
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
Pride keeps you from dealing with truth. It distorts your vision. You never change when you think everything is fine. Pride hardens your heart and dims the eyes of your understanding. It keeps you from the change of heart—repentance—that will set you free. (See 2 Timothy 2:24–26.) Pride causes you to view yourself as a victim. Your attitude becomes, “I was mistreated and misjudged; therefore, I am justified in my behavior.” Because you believe you are innocent and falsely accused, you hold back forgiveness. Though your true heart condition is hidden from you, it is not hidden from God. Just because you were mistreated, you do not have permission to hold on to an offense. Two wrongs do not make a right!
John Bevere (The Bait of Satan: Living Free from the Deadly Trap of Offense)
So what I’m getting at is this. Okay, maybe it’s cold in the grave. Maybe you come out of the light and you think, Fuck your mother, this is bad. This is worse than anything I would have guessed. But the trick is to clench your teeth, get a running start and dive. When I hit that other country, from whose bourne no traveller back-pedals, I’m going to be moving fast. I’m gambling that the first ten seconds or so will be the worst.
Mike Carey (Dead Men's Boots (Felix Castor, #3))
IT WOULD BE interesting to examine this subject in terms of what is not a sense of humor. Lack of humor seems to come from the attitude of the “hard fact.” Things are very hard and deadly honest, deadly serious, like, to use an analogy, a living corpse. He lives in pain, has a continual expression of pain on his face. He has experienced some kind of hard fact—“reality”—he is deadly serious and has gone so far as to become a living corpse. The rigidity of this living corpse expresses the opposite of a sense of humor. It is as though somebody is standing behind you with a sharp sword. If you are not meditating properly, sitting still and upright, there will be someone behind you just about to strike. Or if you are not dealing with life properly, honestly, directly, someone is just about to hit you. This is the self-consciousness of watching yourself, observing yourself unnecessarily. Whatever we do is constantly being watched and censored. Actually it is not Big Brother who is watching; it is Big Me! Another aspect of me is watching me, behind me, just about to strike, just about to pinpoint my failure. There is no joy in this approach, no sense of humor at all.
Chögyam Trungpa (Cutting Through Spiritual Materialism)
After lunch, he rose and gave me the tips of his fingers, saying he would like to show me over his flat; but I snatched away my hand and gave a cry. What I had touched was cold and, at the same time, bony; and I remembered that his hands smelt of death. ‘Oh, forgive me!’ he moaned. And he opened a door before me. ‘This is my bedroom, if you care to see it. It is rather curious.’ His manners, his words, his attitude gave me confidence and I went in without hesitation. I felt as if I were entering the room of a dead person. The walls were all hung with black, but, instead of the white trimmings that usually set off that funereal upholstery, there was an enormous stave of music with the notes of the DIES IRAE, many times repeated. In the middle of the room was a canopy, from which hung curtains of red brocaded stuff, and, under the canopy, an open coffin. 'That is where I sleep,’ said Erik. 'One has to get used to everything in life, even to eternity.’ The sight upset me so much that I turned away my head” - Chapter 12: Apollo’s Lyre
Gaston Leroux (The Phantom of the Opera)
It's a great paradox and a great injustice that writers write because we fear death and want to leave something indestructable in our wake, and at the same time, are drawn to things that kill: whiskey and cigarette, unprotected sex and deep fried burritos. It's true that you can get away with drinking and smoking and sunbathing when you're in your teens and twenties, and it's true that rock stars are free to die at twenty-nine, but a lit star needs a long life.
Ariel Gore (How to Become a Famous Writer Before You're Dead: Your Words in Print and Your Name in Lights)
When he can't take anymore, Galen plucks his phone from his pocket and dials, then hangs up. When the call is returned, he says, "Hey, sweet lips." The females at the table hush each other to get a better listen. A few of them whip their heads toward Emma to see if she's on the other end of the conversation. Satisfied she's not, they lean closer. Rachel snorts. "If only you liked sweets." "I can't wait to see you tonight. Wear that pink shirt I like." Rachel laughs. "Sounds like you're in what we humans like to call a pickle. My poor, drop-dead-gorgeous sweet pea. Emma still not talking to you, leaving you alone with all those hormonal girls?" "Eight-thirty? That's so far away. Can't I meet you sooner?" One of the females actually gets up and takes her tray and her attitude to another table. Galen tries not to get too excited. "Do you need to be checked out of school, son? Are you feeling ill?" Galen tosses a glance at Emma, who's picking a pepperoni off her pizza and eyeing it as if it were dolphin dung. "I can't skip school to meet you again, boo. But I'll be thinking about you. No one but you." A few more females get up and stalk their trays to the trash. The cheerleader in front of him rolls her eyes and starts a conversation with the chubby brunette beside her-the same chubby brunette she pushed into a locker to get to him two hours ago. "Be still my heart," Rachel drawls. "But seriously, I can't read your signals. I don't know what you're asking me to do." "Right now, nothing. But I might change my mind about skipping. I really miss you." Rachel clears her throat. "All right, sweet pea. You just let your mama know, and she'll come get her wittle boy from school, okay?" Galen hangs up. Why is Emma laughing again? Mark can't be that funny. The girl beside him clues him in: "Mark Baker. All the girls love him. But not as much as they love you. Except maybe Emma, I guess." "Speaking of all these girls, how did they get my phone number?" She giggles. "It's written on the wall in the girls' bathroom. One hundred hall." She holds her cell phone up to his face. An image of his number scrawled onto a stall door lights up the screen. In Emma's handwriting.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Magnus, his silver mask pushed back into his hair, intercepted the New York vampires before they could fully depart. Alec heard Magnus pitch his voice low. Alec felt guilty for listening in, but he couldn’t just turn off his Shadowhunter instincts. “How are you, Raphael?” asked Magnus. “Annoyed,” said Raphael. “As usual.” “I’m familiar with the emotion,” said Magnus. “I experience it whenever we speak. What I meant was, I know that you and Ragnor were often in contact.” There was a beat, in which Magnus studied Raphael with an expression of concern, and Raphael regarded Magnus with obvious scorn. “Oh, you’re asking if I am prostrate with grief over the warlock that the Shadowhunters killed?” Alec opened his mouth to point out the evil Shadowhunter Sebastian Morgenstern had killed the warlock Ragnor Fell in the recent war, as he had killed Alec’s own brother. Then he remembered Raphael sitting alone and texting a number saved as RF, and never getting any texts back. Ragnor Fell. Alec felt a sudden and unexpected pang of sympathy for Raphael, recognizing his loneliness. He was at a party surrounded by hundreds of people, and there he sat texting a dead man over and over, knowing he’d never get a message back. There must have been very few people in Raphael’s life he’d ever counted as friends. “I do not like it,” said Raphael, “when Shadowhunters murder my colleagues, but it’s not as if that hasn’t happened before. It happens all the time. It’s their hobby. Thank you for asking. Of course one wishes to break down on a heart-shaped sofa and weep into one’s lace handkerchief, but I am somehow managing to hold it together. After all, I still have a warlock contact.” Magnus inclined his head with a slight smile. “Tessa Gray,” said Raphael. “Very dignified lady. Very well-read. I think you know her?” Magnus made a face at him. “It’s not being a sass-monkey that I object to. That I like. It’s the joyless attitude. One of the chief pleasures of life is mocking others, so occasionally show some glee about doing it. Have some joie de vivre.” “I’m undead,” said Raphael. “What about joie de unvivre?” Raphael eyed him coldly. Magnus gestured his own question aside, his rings and trails of leftover magic leaving a sweep of sparks in the night air, and sighed. “Tessa,” Magnus said with a long exhale. “She is a harbinger of ill news and I will be annoyed with her for dumping this problem in my lap for weeks. At least.” “What problem? Are you in trouble?” asked Raphael. “Nothing I can’t handle,” said Magnus. “Pity,” said Raphael. “I was planning to point and laugh. Well, time to go. I’d say good luck with your dead-body bad-news thing, but . . . I don’t care.” “Take care of yourself, Raphael,” said Magnus. Raphael waved a dismissive hand over his shoulder. “I always do.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
The tangible and factual components of reality along with the intangible strands of memory and imagination constitute the framework that houses our vital life force. A person is likewise composed of contradictory and complementary forces of pain and pleasure, darkness and lightness, and clashing and harmonizing bands of thoughts and feelings. The web and root of all persons consists of both the expressible and the unsayable. Who has not held imaginary conversations with gods, devils, and spirits? Persons whom enthusiastically cultivate an inner life, ardently experience the quick of nature, and willingly immerse themselves in all aspects of everyday living will experience renewal. Analogous to the heat source of fire, we need the spark of desire to fuel our hearts and the spirit of the breeze to spread our heart songs.
Kilroy J. Oldster (Dead Toad Scrolls)
As a spiritual teacher, I’ve met a lot of people who have meditated for many, many years. One of the most common things I hear from many of these people is that, despite having meditated for all this time, they feel essentially untransformed. The deep inner transformation—the spiritual revelation—that meditation offers is something that eludes a lot of people, even those who are longtime practitioners. There are actually good and specific reasons why some meditation practices, including the kind of meditation that I was once engaged in, do not lead to this promised state of transformation. The main reason is actually extraordinarily simple and therefore easy to miss: we approach meditation with the wrong attitude. We carry out our meditation with an attitude of control and manipulation, and that is the very reason our meditation leads us to what feels like a dead end. The awakened state of being, the enlightened state of being, can also be called the natural state of being. How can control and manipulation possibly lead us to our natural state?
Adyashanti (True Meditation: Discover the Freedom of Pure Awareness)
Defining philosophy as “an activity, attempting by means of discussion and reasoning, to make life happy,” he believed that happiness is gained through the achievement of moral self-sufficiency (autarkeia) and freedom from disturbance (ataraxia). The main obstacles to the goal of tranquillity of mind are our unnecessary fears and desires, and the only way to eliminate these is to study natural science. The most serious disturbances of all are fear of death, including fear of punishment after death, and fear of the gods. Scientific inquiry removes fear of death by showing that the mind and spirit are material and mortal, so that they cannot live on after we die: as Epicurus neatly and logically puts it: “Death…is nothing to us: when we exist, death is not present; and when death is present, we do not exist. Consequently it does not concern either the living or the dead, since for the living it is non-existent and the dead no longer exist” (Letter to Menoeceus 125). As for fear of the gods, that disappears when scientific investigation proves that the world was formed by a fortuitous concourse of atoms, that the gods live outside the world and have no inclination or power to intervene in its affairs, and that irregular phenomena such as lightning, thunder, volcanic eruptions, and earthquakes have natural causes and are not manifestations of divine anger. Every Epicurean would have agreed with Katisha in the Mikado when she sings: But to him who’s scientific There’s nothing that’s terrific In the falling of a flight of thunderbolts! So the study of natural science is the necessary means whereby the ethical end is attained. And that is its only justification: Epicurus is not interested in scientific knowledge for its own sake, as is clear from his statement that “if we were not disturbed by our suspicions concerning celestial phenomena, and by our fear that death concerns us, and also by our failure to understand the limits of pains and desires, we should have no need of natural science” (Principal Doctrines 11). Lucretius’ attitude is precisely the same as his master’s: all the scientific information in his poem is presented with the aim of removing the disturbances, especially fear of death and fear of the gods, that prevent the attainment of tranquillity of mind. It is very important for the reader of On the Nature of Things to bear this in mind all the time, particularly since the content of the work is predominantly scientific and no systematic exposition of Epicurean ethics is provided.25 Epicurus despised philosophers who do not make it their business to improve people’s moral condition: “Vain is the word of a philosopher by whom no human suffering is cured. For just as medicine is of no use if it fails to banish the diseases of the body, so philosophy is of no use if it fails to banish the suffering of the mind” (Usener fr. 221). It is evident that he would have condemned the majority of modern philosophers and scientists.
Lucretius (On the Nature of Things (Hackett Classics))
All writers are demonic dreamers. Writing is an act of sharing experiences and offering of an individualistic perspective of our private attitudes pertaining to whatever topics of thought intrigues the author. Writing is a twitchy art, which attempts to employ linguist building blocks handed-down from past generations. Writers’ word choices form a structure of conjoined sentences when overlaid with the lingua of modern culture. Writers attempt to emulate in concrete form the synesthesia of our personal pottage steeped in our most vivid feelings. Writing a personal essay calls for us to sort out a jungle of lucid observations and express in a tangible technique our unique interpretation of coherent observations interlaced with that effusive cascade of yearning, the universal spice of unfilled desire, which turmoil of existential angst swamps us.
Kilroy J. Oldster (Dead Toad Scrolls)
What kind of soldier are you that you’re going to just sit in a cell while the world is thrown into chaos? Do you not understand what could happen if those weapons fall into the wrong hands? How could you be so selfish? (Syd) I’m selfish? Look, Agent Westbrook, your daddy’s a Boston stockbroker. I’m a death broker. I’m sure you don’t lecture Daddy on finance, so don’t even try to lecture me on assassination politics. I know all about them. Some bureaucratic ass-wipe sitting in a pristine office that’s totally isolated from the rest of the world decides the son of King Oomp-Loomp is a threat. He then hands down orders to people like me to go off King Oomp-Loompa’s son. Like an idiot, I do what he says without question. I hunt my target down, using information that is mostly bullshit and unreliable, gathered by someone like you who assured me it was correct as the time. But hey, if it changes minute by minute, and God forbid we pass that along to you. So me and my spotter lie in the grass, sand, or snow for days on end, cramped and hungry, never able to move more than a millimeter an hour until I have that one perfect shot I’ve been waiting for days. I take it, and then we lie there like pieces of dirt until we can inch our way back to safety, where hopefully the helicopter team will remember that they were supposed to retrieve us. Have you any idea of the nerves it takes to do what I do? To lie there on the ground while other armed men search for you? Have them step on you and not be able to even breathe or wince because if you do, it’s not only your life, but the life of your spotter? Do you know what it’s like to have the brains of your best friend spayed into your face and not be able to render aid to him because you know he’s dead and if you do, you’ll be killed too? I have been into the bowels of hell and back, Miz Westbrook. I have stared down the devil and made him sweat. So don’t tell me I don’t take this seriously. (Steele)
Sherrilyn Kenyon (Bad Attitude (B.A.D. Agency #1))
It is now time for us to ask the personal question put to Jesus Christ by Saul of Tarsus on the Damascus road, ‘What shall I do Lord?’ or the similar question asked by the Philippian jailer, ’What must I do to be saved?’ Clearly we must do something. Christianity is no mere passive acquiescence in a series of propositions, however true. We may believe in the deity and the salvation of Christ, and acknowledge ourselves to be sinners in need of his salvation, but this does not make us Christians. We have to make a personal response to Jesus Christ, committing ourselves unreservedly to him as our Savior and Lord … At its simplest Christ’s call was “Follow me.” He asked men and women for their personal allegiance. He invited them to learn from him, to obey his words and to identify themselves with his cause … Now there can be no following without a previous forsaking. To follow Christ is to renounce all lesser loyalties … let me be more explicit about the forsaking which cannot be separated from the following of Jesus Christ. First, there must be a renunciation of sin. This, in a word, is repentance. It is the first part of Christian conversion. It can in no circumstances be bypassed. Repentance and faith belong together. We cannot follow Christ without forsaking sin … Repentance is a definite turn from every thought, word, deed, and habit which is known to be wrong … There can be no compromise here. There may be sins in our lives which we do not think we could ever renounce, but we must be willing to let them go as we cry to God for deliverance from them. If you are in doubt regarding what is right and what is wrong, do not be too greatly influenced by the customs and conventions of Christians you may know. Go by the clear teaching of the Bible and by the prompting of your conscience, and Christ will gradually lead you further along the path of righteousness. When he puts his finger on anything, give it up. It may be some association or recreation, some literature we read, or some attitude of pride, jealousy or resentment, or an unforgiving spirit. Jesus told his followers to pluck out their eye and cut off their hand or foot if it caused them to sin. We are not to obey this with dead literalism, of course, and mutilate our bodies. It is a figure of speech for dealing ruthlessly with the avenues along which temptation comes to us.
John R.W. Stott (Basic Christianity (IVP Classics))
Thank you for asking. Of course one wishes to break down on a heart-shaped sofa and week into one's lace handkerchief, but I am somehow managing to hold it together. After all, I still have a warlock contact." Magnus inclined his head with a slight smile. "Tessa Gray," said Raphael. "Very dignified lady. Very well-read. I think you know her?" Magnus made a face at him. "It's not being a sass-monkey that I object to. That I like. It's the joyless attitude. One of the chief pleasures of life is mocking others, so occasionally show some glee about doing it. Have some joie de vivre." "I'm undead," said Raphael. "What about joie de unvivre?" Raphael eyed him coldly. Magnus gestured his own question aside, his rings and trails of leftover magic leaving a sweep of leftover magic leaving a sweep of sparks in the night air, and sighed. "Tessa," Magnus said with a long exhale. "She is a harbinger of ill news and I will be annoyed with her for dumping this problem in my lap for weeks. At least." "What problem? Are you in trouble?" asked Raphael. "Nothing I can't handle," said Magnus. "Pity," said Raphael. "I was planning to point and laugh. Well, time to go. I'd say good luck with your dead-body bad-news thing, but ... I don't care." "Take care of yourself, Raphael," said Magnus. Raphael waved a dismissive hand over his shoulder. "I always do.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
Hope does not mean that our protests will suddenly awaken the dead consciences, the atrophied souls, of the plutocrats running Halliburton, Goldman Sachs, Exxon Mobil or the government. Hope does not mean we will reform Wall Street swindlers and speculators. Hope does not mean that the nation’s ministers and rabbis, who know the words of the great Hebrew prophets, will leave their houses of worship to practice the religious beliefs they preach. Most clerics like fine, abstract words about justice and full collection plates, but know little of real hope. Hope knows that unless we physically defy government control we are complicit in the violence of the state. All who resist keep hope alive. All who succumb to fear, despair and apathy become enemies of hope. Hope has a cost. Hope is not comfortable or easy. Hope requires personal risk. Hope does not come with the right attitude. Hope is not about peace of mind. Hope is an action. Hope is doing something. Hope, which is always nonviolent, exposes in its powerlessness the lies, fraud and coercion employed by the state. Hope does not believe in force. Hope knows that an injustice visited on our neighbor is an injustice visited on us all. Hope sees in our enemy our own face. Hope is not for the practical and the sophisticated, the cynics and the complacent, the defeated and the fearful. Hope is what the corporate state, which saturates our airwaves with lies, seeks to obliterate. Hope is what our corporate overlords are determined to crush. Be afraid, they tell us. Surrender your liberties to us so we can make the world safe from terror. Don’t resist. Embrace the alienation of our cheerful conformity. Buy our products. Without them you are worthless. Become our brands. Do not look up from your electronic hallucinations to think. No. Above all do not think. Obey. The powerful do not understand hope. Hope is not part of their vocabulary. They speak in the cold, dead words of national security, global markets, electoral strategy, staying on message, image and money. Those addicted to power, blinded by self-exaltation, cannot decipher the words of hope any more than most of us can decipher hieroglyphics. Hope to Wall Street bankers and politicians, to the masters of war and commerce, is not practical. It is gibberish. It means nothing. I cannot promise you fine weather or an easy time. I cannot pretend that being handcuffed is pleasant. If we resist and carry out acts, no matter how small, of open defiance, hope will not be extinguished. Any act of rebellion, any physical defiance of those who make war, of those who perpetuate corporate greed and are responsible for state crimes, anything that seeks to draw the good to the good, nourishes our souls and holds out the possibility that we can touch and transform the souls of others. Hope affirms that which we must affirm. And every act that imparts hope is a victory in itself.
Chris Hedges
And they were always young, Air Corps pilots and ensigns, and good-looking girls in fur coats, and always the government secretary or two, the working girl as a carry-over from the fraternity parties when she was always the girl who could be made because in some mysterious way the women of the lower classes could be depended upon to copulate like jack rabbits. And they all knew they were going to die soon with a sentimental and unstated English attitude which was completely phony. It came from books they had never read, and movies they shouldn’t have seen; it was fed by the tears of their mothers, and the knowledge quite shocking, quite unbelievable, that a lot of them did die when they went overseas. Its origins were spurious; they never could connect really the romance of their impending deaths with the banal mechanical process of flying an airplane and landing and living in the barren eventless Army camps that surrounded their airfields. But nevertheless they had discovered it was a talisman, they were going to die soon, and they wore it magically until you believed in it when you were with them. And they did magical things like pouring whisky on each other’s hair, or setting mattresses afire, or grabbing hats on the fly from the heads of established businessmen. Of all the parties those were perhaps the best, but he had come to them too old.
Norman Mailer (The Naked and the Dead)
This figure upon the Cross is not a MVD agent or a Gestapo inquisitor, but a Divine Physician, Who only asks that we bring our wounds to Him in order that He may heal them. If our sins be as scarlet, they shall be washed white as snow, and if they be as red as crimson, they shall be made white as wool. Was it not He Who told us, “I say to you, that even so there shall be more joy in Heaven upon one sinner that doth penance than upon ninety-nine just who need not penance” (Luke 15:7)? In the story of the prodigal, did He not describe the Father as saying, “Let us eat and make merry: because this my son was dead and is come to life again; was lost and is found” (Luke 15:23, 24)? Why is there more joy in Heaven for the repentant sinner than for the righteous? Because God’s attitude is not judgment but love. In judgment, one is not as joyful after doing wrong as before; but in love, there is joy because the danger and worry of losing that soul is past. He who is sick is loved more than he who is well, because he needs it more. Some will feign sickness to solicit love and pretend wounds that the beloved may bind them.
Fulton J. Sheen (Peace of Soul: Timeless Wisdom on Finding Serenity and Joy by the Century's Most Acclaimed Catholic Bishop)
Christ’s fourth indirect claim was to judge the world. This is perhaps the most fantastic of all his statements. Several of his parables imply that he will come back at the end of the world, and that the final day of reckoning will be postponed until his return. He will himself arouse the dead, and all the nations will be gathered before him. He will sit on the throne of his glory, and the judgment will be committed to him by the Father. He will then separate men from one another as a shepherd separates his sheep from his goats. Some will be invited to come and inherit the kingdom prepared for them from the foundation of the world. Others will hear the dreadful words, 'Depart from me, you cursed, into the eternal fire prepared for the devil and his angels.' Not only will Jesus be the judge, but the criterion of judgment will be men’s attitude to him as shown in their treatment of his 'brethren' or their response to his word. Those who have acknowledged him before men he will acknowledge before his Father: those who have denied him, he will deny. Indeed, for a man to be excluded from heaven on the last day, it will be enough for Jesus to say, "I never knew you.
John R.W. Stott (Basic Christianity (IVP Classics))
His fists balled spasmodically. “It amounts to a diseased attitude—a conditioned reflex that shunts aside the independence of your minds whenever it is a question of opposing authority. There seems no doubt ever in your minds that the Emperor is more powerful than you are, or Hari Seldon wiser. And that’s wrong, don’t you see?” For some reason, no one cared to answer him. Hardin continued: “It isn’t just you. It’s the whole Galaxy. Pirenne heard Lord Dorwin’s idea of scientific research. Lord Dorwin thought the way to be a good archaeologist was to read all the books on the subject—written by men who were dead for centuries. He thought that the way to solve archaeological puzzles was to weigh the opposing authorities. And Pirenne listened and made no objections. Don’t you see that there’s something wrong with that?” Again the note of near-pleading in his voice. Again no answer. He went on: “And you men and half of Terminus as well are just as bad. We sit here, considering the Encyclopedia the all-in-all. We consider the greatest end of science is the classification of past data. It is important, but is there no further work to be done? We’re receding and forgetting, don’t you see? Here in the Periphery they’ve lost nuclear power. In Gamma Andromeda, a power plant has undergone meltdown because of poor repairs, and the Chancellor of the Empire complains that nuclear technicians are scarce. And the solution? To train new ones? Never! Instead they’re to restrict nuclear power.” And for the third time: “Don’t you see? It’s Galaxy-wide. It’s a worship of the past. It’s a deterioration—a stagnation!
Isaac Asimov (Foundation (Foundation, #1))
One of the things I find strangest and hardest is that we were having such conversations. We should have been talking about discos and electronic mail and exams and bands. How could this have been happening to us? How could we have been huddled in the dark bush, cold and hungry and terrified, talking about who we should kill? We had no preparation for this, no background, no knowledge. We didn’t know if we were doing the right thing, ever. We didn’t know anything. We were just ordinary teenagers, so ordinary we were boring. Overnight they’d pulled the roof off our lives. And after they’d pulled off the roof they’d come in and torn down the curtains, ripped up the furniture, burnt the house and thrown us into the night, where we’d been forced to run and hide and live like wild animals. We had no foundations, and we had no secure walls around our lives any more. We were living in a strange long nightmare, where we had to make our own rules, invent new values, stumble around blindly, hoping we weren’t making too many mistakes. We clung to what we knew and what we thought was right, but all the time those things too were being stripped from us. I didn’t know if we’d be left with nothing, or if we’d left with a new set of rules and attitudes and behaviours, so that we weren’t able to recognise ourselves any more. We could end up as new, distorted, deformed creatures, with only a few physical resemblances to the people we once were.
John Marsden (The Dead of Night (Tomorrow, #2))
He then said something in Arabic to Ali, who made a sign of obedience and withdrew, but not to any distance. As to Franz a strange transformation had taken place in him. All the bodily fatigue of the day, all the preoccupation of mind which the events of the evening had brought on, disappeared as they do at the first approach of sleep, when we are still sufficiently conscious to be aware of the coming of slumber. His body seemed to acquire an airy lightness, his perception brightened in a remarkable manner, his senses seemed to redouble their power, the horizon continued to expand; but it was not the gloomy horizon of vague alarms, and which he had seen before he slept, but a blue, transparent, unbounded horizon, with all the blue of the ocean, all the spangles of the sun, all the perfumes of the summer breeze; then, in the midst of the songs of his sailors, -- songs so clear and sonorous, that they would have made a divine harmony had their notes been taken down, -- he saw the Island of Monte Cristo, no longer as a threatening rock in the midst of the waves, but as an oasis in the desert; then, as his boat drew nearer, the songs became louder, for an enchanting and mysterious harmony rose to heaven, as if some Loreley had decreed to attract a soul thither, or Amphion, the enchanter, intended there to build a city. At length the boat touched the shore, but without effort, without shock, as lips touch lips; and he entered the grotto amidst continued strains of most delicious melody. He descended, or rather seemed to descend, several steps, inhaling the fresh and balmy air, like that which may be supposed to reign around the grotto of Circe, formed from such perfumes as set the mind a dreaming, and such fires as burn the very senses; and he saw again all he had seen before his sleep, from Sinbad, his singular host, to Ali, the mute attendant; then all seemed to fade away and become confused before his eyes, like the last shadows of the magic lantern before it is extinguished, and he was again in the chamber of statues, lighted only by one of those pale and antique lamps which watch in the dead of the night over the sleep of pleasure. They were the same statues, rich in form, in attraction, and poesy, with eyes of fascination, smiles of love, and bright and flowing hair. They were Phryne, Cleopatra, Messalina, those three celebrated courtesans. Then among them glided like a pure ray, like a Christian angel in the midst of Olympus, one of those chaste figures, those calm shadows, those soft visions, which seemed to veil its virgin brow before these marble wantons. Then the three statues advanced towards him with looks of love, and approached the couch on which he was reposing, their feet hidden in their long white tunics, their throats bare, hair flowing like waves, and assuming attitudes which the gods could not resist, but which saints withstood, and looks inflexible and ardent like those with which the serpent charms the bird; and then he gave way before looks that held him in a torturing grasp and delighted his senses as with a voluptuous kiss. It seemed to Franz that he closed his eyes, and in a last look about him saw the vision of modesty completely veiled; and then followed a dream of passion like that promised by the Prophet to the elect. Lips of stone turned to flame, breasts of ice became like heated lava, so that to Franz, yielding for the first time to the sway of the drug, love was a sorrow and voluptuousness a torture, as burning mouths were pressed to his thirsty lips, and he was held in cool serpent-like embraces. The more he strove against this unhallowed passion the more his senses yielded to its thrall, and at length, weary of a struggle that taxed his very soul, he gave way and sank back breathless and exhausted beneath the kisses of these marble goddesses, and the enchantment of his marvellous dream.
Alexandre Dumas (The Count of Monte Cristo)
Oh . . . I'd been getting pretty sick of the office. It made me feel dead inside. Finally, the week-ends weren't long enough to get it out of my system. I couldn't read poetry or listen to music. It was like being constipated. Well, I got a holiday and went to Kent for a week's hiking. And for the first two days I felt nothing at all, just a sort of deadness inside. And one day I went into a pub in a place called Marden and had a couple of pints. And as I came out, a sort of bubble seemed to burst inside me, and I started feeling things again. And I suddenly felt an overwhelming hatred for cities and offices and people and everything that calls itself civilisation . . . . "Then I got an idea. I sat down at the side of the road and thought about it. I'd read somewhere that the Manichees thought the world was created by evil. Well, it suddenly seemed to me that the forces behind the world weren't either good or evil, but something quite incomprehensible to human beings. And the only thing they want is movement, everlasting movement. That's the way I saw it suddenly. Human beings want peace, and they build their civilisations and make their laws to get peace. But the forces behind the world don't want peace. So they send down ertain men whose business is to keep the world in a turmoil - the Napoleons, Hitlers, Genghis Khans. And I called these men the Enemies, with a capital E. And I thought I belong among the Enemies - that's why I detest this bloody civilisation. And I suddenly began to feel better . . . .
Colin Wilson (Ritual in the Dark (Visions))
But the greatest human problems are not social problems, but decisions that the individual has to make alone. The most important feelings of which man is capable emphasise his separateness from other people, not his kinship with them. The feelings of a mountaineer towards a mountain emphasise his kinship with the mountain rather than with the rest of mankind. The same goes for the leap of the heart experienced by a sailor when he smells the sea, or for the astronomer’s feeling about the stars, or for the archaeologist’s love of the past. My feeling of love for my fellowmen makes me aware of my humanness; but my feeling about a mountain gives me an oddly nonhuman sensation. It would be incorrect, perhaps, to call it ‘superhuman’; but it nevertheless gives me a sense of transcending my everyday humanity. Maslow’s importance is that he has placed these experiences of ‘transcendence’ at the centre of his psychology. He sees them as the compass by which man gains a sense of the magnetic north of his existence. They bring a glimpse of ‘the source of power, meaning and purpose’ inside himself. This can be seen with great clarity in the matter of the cure of alcoholics. Alcoholism arises from what I have called ‘generalised hypertension’, a feeling of strain or anxiety about practically everything. It might be described as a ‘passively negative’ attitude towards existence. The negativity prevents proper relaxation; there is a perpetual excess of adrenalin in the bloodstream. Alcohol may produce the necessary relaxation, switch off the anxiety, allow one to feel like a real human being instead of a bundle of over-tense nerves. Recurrence of the hypertension makes the alcoholic remedy a habit, but the disadvantages soon begin to outweigh the advantage: hangovers, headaches, fatigue, guilt, general inefficiency. And, above all, passivity. The alcoholics are given mescalin or LSD, and then peak experiences are induced by means of music or poetry or colours blending on a screen. They are suddenly gripped and shaken by a sense of meaning, of just how incredibly interesting life can be for the undefeated. They also become aware of the vicious circle involved in alcoholism: misery and passivity leading to a general running-down of the vital powers, and to the lower levels of perception that are the outcome of fatigue. ‘The spirit world shuts not its gates, Your heart is dead, your senses sleep,’ says the Earth Spirit to Faust. And the senses sleep when there is not enough energy to run them efficiently. On the other hand, when the level of will and determination is high, the senses wake up. (Maslow was not particularly literary, or he might have been amused to think that Faust is suffering from exactly the same problem as the girl in the chewing gum factory (described earlier), and that he had, incidentally, solved a problem that had troubled European culture for nearly two centuries). Peak experiences are a by-product of this higher energy-drive. The alcoholic drinks because he is seeking peak experiences; (the same, of course, goes for all addicts, whether of drugs or tobacco.) In fact, he is moving away from them, like a lost traveller walking away from the inn in which he hopes to spend the night. The moment he sees with clarity what he needs to do to regain the peak experience, he does an about-face and ceases to be an alcoholic.
Colin Wilson (New Pathways in Psychology: Maslow & the Post-Freudian Revolution)
Hamlet’s soliloquy, you know; the most celebrated thing in Shakespeare. Ah, it’s sublime, sublime! Always fetches the house. I haven’t got it in the book—I’ve only got one volume—but I reckon I can piece it out from memory. I’ll just walk up and down a minute, and see if I can call it back from recollection’s vaults.” So he went to marching up and down, thinking, and frowning horrible every now and then; then he would hoist up his eyebrows; next he would squeeze his hand on his forehead and stagger back and kind of moan; next he would sigh, and next he’d let on to drop a tear. It was beautiful to see him. By and by he got it. He told us to give attention. Then he strikes a most noble attitude, with one leg shoved forwards, and his arms stretched away up, and his head tilted back, looking up at the sky; and then he begins to rip and rave and grit his teeth; and after that, all through his speech, he howled, and spread around, and swelled up his chest, and just knocked the spots out of any acting ever I see before. This is the speech—I learned it, easy enough, while he was learning it to the king: To be, or not to be; that is the bare bodkin That makes calamity of so long life; For who would fardels bear, till Birnam Wood do come to Dunsinane, But that the fear of something after death Murders the innocent sleep, Great nature’s second course, And makes us rather sling the arrows of outrageous fortune Than fly to others that we know not of. There’s the respect must give us pause: Wake Duncan with thy knocking! I would thou couldst; For who would bear the whips and scorns of time, The oppressor’s wrong, the proud man’s contumely, The law’s delay, and the quietus which his pangs might take, In the dead waste and middle of the night, when churchyards yawn In customary suits of solemn black, But that the undiscovered country from whose bourne no traveler returns, Breathes forth contagion on the world, And thus the native hue of resolution, like the poor cat i’ the adage, Is sicklied o’er with care, And all the clouds that lowered o’er our housetops, With this regard their currents turn awry, And lose the name of action. ’Tis a consummation devoutly to be wished. But soft you, the fair Ophelia: Ope not thy ponderous and marble jaws, But get thee to a nunnery—go! Well,
Mark Twain (The Adventures of Huckleberry Finn)
That drawer was full of photographs of her. She showed me any number, old and recent. "All dead," I told her. She turned her head and glanced at me quickly: "Dead?" "Yes, for all they appear to be alive." "Even this one with the smile?" "Yes. And this pensive one: and the one with the eyes drooped." "But how can they be dead, if I here am alive?" "Ah, you, yes; because you do not see yourself now. But when you are in front of a mirror, the moment you look at yourself again, you are no longer alive." "And why not?" "Because, in order to behold yourself, you must for a moment halt life within you. Excuse me, but seeing that you go to the photographer's so often—when the photographer, in front of you with his camera, tells you to be sure not to move, you must have noticed—life is suspended in you—and you feel that such suspension cannot last more than a second—it is like turning into a statue—For life is constant motion, and one can never really see one's self." "You mean to say that I, while living, have never seen myself?" "Never; not as I can see you. But I see a likeness of you that is mine and mine alone; it is assuredly not yours. You, while living, have possibly been able to catch no more than a bare glimpse of your own in some snapshot or other that has been made of you; and it has come as an unpleasant surprise; it may even have pained you to recognize yourself, in helter-skelter motion like that." "That's true." "For you can only know yourself when you strike an attitude: a statue: not alive. When one is alive, one lives and does not see himself. To know one's self is to die. The reason you spend so much time looking at yourself in that mirror, in all mirrors, is that you are not alive; you do not know how to live, you cannot or you do not want to live. You want too much to know yourself; and meanwhile, you are not living." "Why, nothing of the sort! I never can succeed in keeping still a moment." "But you want to see yourself always. In every act of your life. It is as if you had before you always the likeness of yourself, in every action, in every gesture. It is from this that your intolerance comes. You do not want the feeling in you to be blind. You compel it to open its eyes and look at itself in a mirror which you are forever holding up in front of it. And feeling, the moment it sees itself, turns ice within you. You cannot go on living before a mirror. One's aim should be never to see one's self. For the reason that, however much you may try, you can never know yourself as others see you. And of what use is it, then, to know one's self for one's self's sake? You may even come to the point where you will no longer be able to understand why you must have that likeness which the mirror gives you back.
Luigi Pirandello (One, No One, and One Hundred Thousand)