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Sympathy once more reveals its limits when faced with madness.
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José Alaniz (Death, Disability, and the Superhero: The Silver Age and Beyond)
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We were taught to be good, and we were taught to be careful. But in this world, sometimes, I do not think we can be the two at once.
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Marguerite Bennett (DC Comics: Bombshells, Vol. 1: Enlisted)
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A superhero is just an ordinary person who has found a better way to mask their human frailties.
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Stewart Stafford
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To my mind, this embracing of what were unambiguously children's characters at their mid-20th century inception seems to indicate a retreat from the admittedly overwhelming complexities of modern existence. It looks to me very much like a significant section of the public, having given up on attempting to understand the reality they are actually living in, have instead reasoned that they might at least be able to comprehend the sprawling, meaningless, but at-least-still-finite 'universes' presented by DC or Marvel Comics. I would also observe that it is, potentially, culturally catastrophic to have the ephemera of a previous century squatting possessively on the cultural stage and refusing to allow this surely unprecedented era to develop a culture of its own, relevant and sufficient to its times.
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Alan Moore
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The multiverse model offers an elegantly postmodern solution to character stasis in a market-driven serial publishing system which privileges constancy over major change.
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José Alaniz (Death, Disability, and the Superhero: The Silver Age and Beyond)
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Disability fluctuates, growing visible, then invisible, then visible again, becoming both ever-present and haunting. Such a problematizing of physical life added a new wrinkle to the genre's double/secret identity trope: the characters now interact with their shifting bodies as bodies with all the complications involved.
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José Alaniz (Death, Disability, and the Superhero: The Silver Age and Beyond)
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Any relationship founded on lies is destined to fail. It’s a good thing we don’t have that problem.
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Lex Luthor, Smallville
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As a result, my generation became the first who didn’t need to age out of superheroes.
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Reed Tucker (Slugfest: Inside the Epic, 50-Year Battle Between Marvel and DC)
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(Marvel belongs to Disney, DC to Time Warner) that are the kingpins of superhero comics.
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Douglas Wolk (Comic-Con Strikes Again!)
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Superman’s cosmopolitan decision could be interpreted simply as DC Comics attempting to appeal to the global market for Superman stuff. Less cynically, though, one blogger said, “It’s refreshing to see an alien refugee tell the United States that it’s as important to him as any other country on Earth—which, in turn, is as important to Superman as any other planet in the multiverse.
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William Irwin (Superheroes: The Best of Philosophy and Pop Culture)
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The stereotype of the supercrip, in the eyes of its critics, represents a sort of overachieving, overdetermined self-enfreakment that distracts from the lived daily reality of most disabled people.
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José Alaniz (Death, Disability, and the Superhero: The Silver Age and Beyond)
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Get to know about the Stargirl DC TV series Release Date, characters, trailer, plot and lot more about the superhero series.
Stargirl created by Geoff Johns and Lee Moder, that is set to premiere on May 11, 2020 on DC Universe
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justinder
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Lisa had insisted that Patton Oswalt was right: Batman was the only DC superhero who was allowed to brood. No one else in that ‘verse could do it. Superman was many things but he did not brood. Jeff agreed with her on that score. Christopher Reeve was the only Superman worth caring about. Not that it mattered now. Thank you, Lord, he thought. Thank you for making sure that Zack Snyder will never make another superhero film. You did good. This one time, you did what we asked you to do. Now, Lord… I just need one more favor…
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Daniel Arthur Smith (Tales from the Canyons of the Damned: No. 4)
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We should bear in mind the supercrip stereotype as a figure obsessively, indeed maniacally, over-compensating for a perceived physical difference or lack, since, as we shall see, this aspect ties in quite neatly with the genre specificities and narratival concerns of so much Silver Age superhero literature.
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José Alaniz (Death, Disability, and the Superhero: The Silver Age and Beyond)
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I’m the only sane inmate of Asylum Earth. I’m not eager to hand tomorrow over to an interplanetary extremist with laser eyes. There’s only room on this world for one leader, Superman. When I’m finished with you, every last gibbon out there will know you for the menace you are… and they’ll realize that Lex Luthor is their savior.
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Lex Luthor, Birthright
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If someone's personhood is in doubt (or seen as lacking), all the easier to direct death wishes at them. When a tiny minority of them transgresses, their crimes of violence only confirm their abjection from the human [. . .] Anxiety, threat, dread, fear, and prejudice feed into the explanatory mechanisms that construct them as somehow beyond human, beyond mercy.
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José Alaniz (Death, Disability, and the Superhero: The Silver Age and Beyond)
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few hours after I finished The Multiversity: Pax Americana #1 by Grant Morrison and Frank Quitely, something happened: I got it. Now, I can’t shake the sense that I read the best superhero single issue of the year. Morrison’s Multiversity project (available digitally on comiXology and Kindle , and in our third party marketplace ) is a grand one for DC Comics: eight single issues--each a #1, and
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Anonymous
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Riley: I have to ask you something.
Heroine: Shoot…
Riley: Bear with me. I can’t believe that we haven’t discussed this yet so I’m a little nervous.
Heroine: Now I’m nervous.
Riley: You have nothing to worry about. Your life will continue just fine. It’s mine that might come crashing down here.
Riley: How do you feel about comics and superheroes?
Heroine: DC or Marvel?
Heroine: Nevermind, that’s a terrible question. I’d never want to choose. I love the ensembles. The Avengers, the X-Men, the Justice League.
Heroine: But I haven’t read any in 20 years. I’ve caught up with the movies as they’ve been released, though. Most of them have been really good.
Heroine: Are you still with me?
Riley: Yes. Sorry. I just spontaneously orgasmed.
Heroine: What?
Riley: Nothing. But I’ll talk to you later. Something just popped up.
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Kate Canterbary (Preservation (The Walshes, #7))
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Maybe it’s not a coincidence that I’ve always been interested in heroes, starting with my dad, Phil Robertson, and my mom, Miss Kay. My other heroes are my pa and my granny, who taught me how to play cards and dominoes and everything about fishing (which was a lot), and my three older brothers, who teased me, beat me up, and sometimes let me follow them around. Not much has changed in that department.
I’ve always loved movies, and when I was about seven or eight years old, I watched Rocky, Sylvester Stallone’s movie about an underdog boxer who used his fists, along with sheer will, determination, and the ability to endure pain, to make a way for himself. He fought hard but played fair and had a soft spot for his friends. I fell in love with Rocky. He was my hero, and I became obsessed.
When I decide to do something, I’m all in; so I found a pair of red shorts that looked like Rocky’s boxing trunks and a navy blue bathrobe with two white stripes on the sleeve and no belt. I took off my shirt and ran around bare-chested in my robe and shorts. Most kids I knew went through a superhero phase, but they picked DC Comics guys, like Batman or Superman. Not me. I was Rocky Balboa, the Italian Stallion, and proud of it. Mom let me run around like that for a couple of years, even when we went in to town.
Rocky had a girlfriend, Adrian, who was always there, always by his side. When he was beaten and blinded in a bad fight, he called out for her before anybody else. “Yo, Adrian!” he shouted in his Philly-Italian accent. He needed her.
Eventually, I grew up, and the red shorts and blue bathrobe didn’t fit anymore, but I always remembered Rocky’s kindness and his courage. And that every Rocky needs an Adrian.
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Jep Robertson (The Good, the Bad, and the Grace of God: What Honesty and Pain Taught Us About Faith, Family, and Forgiveness)
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DC Comics is the present day publisher of Superman, Batman, Wonder Woman, and other well-known superheroes. DC is the amalgamation of two different publishing concerns: National Comics, which produced Superman and Batman, and sister company All-American Comics, which produced Wonder Woman, Flash, and Green Lantern. The two companies merged in 1944 to form National Periodical Publications, whose comic books bore the “Superman-DC” logo. The publisher was known colloquially as “DC,” which it later adopted as its official name.
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Mike Madrid (The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines)
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Superheroes are supposedly great beings who rise to help humanity through its darkest hours. Who needs these preposterous figures? They are just the continuation of messianism by other means. Humanity needs to help itself and stop looking to fantasy beings to help it out. You will never resolve your problems while you are expecting a deus ex machina to bail you out.
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David Sinclair (Superheroes and Presidents: How Absurd Stories Have Poisoned the American Mind)
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Superman – Moses in a costume, with his underpants on the outside. Captain America – the poster boy of the mad American patriot. Wonder Woman wore a bathing suit bearing the American flag. She was as beautiful as Aphrodite, as wise as Athena, as strong as Hercules, and as swift and as great a warrior as Diana. Superheroes fought enemy spies at home. They battled reds under the beds. America is a mythological country in the modern world. By surrounding itself with modern myths, it has made itself less and less real. America simulates being a real country via its modern myths, but only succeeds in become phonier.
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David Sinclair (Superheroes and Presidents: How Absurd Stories Have Poisoned the American Mind)
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strange network of bridges and tunnels crisscrossing over it, like a giant spiderweb with trains and cars crawling across them. Then there are the lights. Millions of them shimmer off the water of the lagoon surrounding the city. Buildings rise for miles, stretching into the sky like giant points of a never-ending concrete and metal crown. Some are so thin and tall, I can’t understand how they’re even standing. But it’s not all metal and glass. There’s green too, so much green. Lush spaces filled with plant life are scattered amongst all the concrete. Some even burst from the buildings themselves.
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Tọlá Okogwu (Onyeka and the Academy of the Sun: A superhero adventure perfect for Marvel and DC fans!)
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They hurled him inside... into the song of a thousand sweetly singing flowers... and though he tried -- desperately -- to shut out those siren notes, they seeped into his mind... into his soul -- and that fine intelligence succumbed to a killing beauty...
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Dennis O'Neil (Superman (1939-2011) #236)
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When DC Comics decided to assemble its best superheroes into the Justice League of America in 1960, Wonder Woman was the only female member. During
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Tim Hanley (Wonder Woman Unbound: The Curious History of the World's Most Famous Heroine)
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With emancipation comes the opening up of new possibilities for challenging assumptions over women's appearance and, more radically, the gender order itself. Ventura (She-Thing) comes not only to accept her new "intragender" status but to see it as advantageous -- for dealing with her misandry, for personal growth, and even for becoming a person capable of giving and accepting love.
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José Alaniz (Death, Disability, and the Superhero: The Silver Age and Beyond)
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[In "The Night Gwen Stacy Died"], death took on an existential quality -- the beloved, innocent but weak Gwen is merely a victim, the casualty of a war between superpowered rivals -- and as such the episode proved a turning point int eh genre's depiction of mortality.
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José Alaniz (Death, Disability, and the Superhero: The Silver Age and Beyond)
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The Western mind is highly geared up for believing immensely dumb things thanks to the astonishing prevalence of 'superhero' culture – a literally spectacular vehicle for the most delusional magical thinking, entirely religious in its fundamental nature since it is so reliant on an assortment of weird messiahs with their various super powers coming to save humanity. What is entirely absent from superhero movies is ordinary people with agency, capable of changing the world themselves without any superheroes, which is to say without divine intervention.
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David Sinclair (Lucid Sex: Revolutionize Your Sex Life)
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Superheroes are just Jesus Christ with a penchant for extreme violence (i.e., Jesus Christ perfected by the Second Amendment!). To enjoy a superhero movie, you already need to be ninety percent Christian in your basic worldview.
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David Sinclair (Lucid Sex: Revolutionize Your Sex Life)
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Tuesday Man by Stewart Stafford
He was only a superhero on Tuesdays,
And the rest of the time was his own,
Tuesday was the villains' day of rest,
Then crime sprees just like Al Capone.
He tried to make his Tuesdays longer,
By pulling some gruelling all-nighters,
But he knew that to be more effective,
He'd have to be a 7-day crime-fighter.
So, he rearranged his calendar totally,
To take the fight to all the baddies,
He was on-call from then on, 24/7,
Or relaxed playing golf with his caddy.
© Stewart Stafford, 2022. All rights reserved.
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Stewart Stafford
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Her eyes shift to my head and the tangle of curls, coils and kinks sitting on top. It springs straight out of my head in an impressive riot that Mum finds overwhelming, so I rarely leave it loose. My hair has broken more combs, trashed more hairdryers and made more hairstylists cry than I can count… so maybe Mum has a point.
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Tọlá Okogwu (Onyeka and the Academy of the Sun: A superhero adventure perfect for Marvel and DC fans!)
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Fate does not make mistakes
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Doctor Fate