Dates Tree Quotes

The world takes us to a silver screen on which flickering images of passion and romance play, and as we watch, the world says, “This is love.” God takes us to the foot of a tree on which a naked and bloodied man hangs and says, “This is love.

Then why are you here?” Emma demanded. “Oh, is this one of those missed-connections things? We met the other night, you felt a spark? Sorry, but I don’t date trees.” “I am not a tree.” Iarlath looked angry, his bark peeling slightly.

I want you to tell me about every person you’ve ever been in love with. Tell me why you loved them, then tell me why they loved you. Tell me about a day in your life you didn’t think you’d live through. Tell me what the word home means to you and tell me in a way that I’ll know your mother’s name just by the way you describe your bedroom when you were eight. See, I want to know the first time you felt the weight of hate, and if that day still trembles beneath your bones. Do you prefer to play in puddles of rain or bounce in the bellies of snow? And if you were to build a snowman, would you rip two branches from a tree to build your snowman arms or would leave your snowman armless for the sake of being harmless to the tree? And if you would, would you notice how that tree weeps for you because your snowman has no arms to hug you every time you kiss him on the cheek? Do you kiss your friends on the cheek? Do you sleep beside them when they’re sad even if it makes your lover mad? Do you think that anger is a sincere emotion or just the timid motion of a fragile heart trying to beat away its pain? See, I wanna know what you think of your first name, and if you often lie awake at night and imagine your mother’s joy when she spoke it for the very first time. I want you to tell me all the ways you’ve been unkind. Tell me all the ways you’ve been cruel. Tell me, knowing I often picture Gandhi at ten years old beating up little boys at school. If you were walking by a chemical plant where smokestacks were filling the sky with dark black clouds would you holler “Poison! Poison! Poison!” really loud or would you whisper “That cloud looks like a fish, and that cloud looks like a fairy!” Do you believe that Mary was really a virgin? Do you believe that Moses really parted the sea? And if you don’t believe in miracles, tell me — how would you explain the miracle of my life to me? See, I wanna know if you believe in any god or if you believe in many gods or better yet what gods believe in you. And for all the times that you’ve knelt before the temple of yourself, have the prayers you asked come true? And if they didn’t, did you feel denied? And if you felt denied, denied by who? I wanna know what you see when you look in the mirror on a day you’re feeling good. I wanna know what you see when you look in the mirror on a day you’re feeling bad. I wanna know the first person who taught you your beauty could ever be reflected on a lousy piece of glass. If you ever reach enlightenment will you remember how to laugh? Have you ever been a song? Would you think less of me if I told you I’ve lived my entire life a little off-key? And I’m not nearly as smart as my poetry I just plagiarize the thoughts of the people around me who have learned the wisdom of silence. Do you believe that concrete perpetuates violence? And if you do — I want you to tell me of a meadow where my skateboard will soar. See, I wanna know more than what you do for a living. I wanna know how much of your life you spend just giving, and if you love yourself enough to also receive sometimes. I wanna know if you bleed sometimes from other people’s wounds, and if you dream sometimes that this life is just a balloon — that if you wanted to, you could pop, but you never would ‘cause you’d never want it to stop. If a tree fell in the forest and you were the only one there to hear — if its fall to the ground didn’t make a sound, would you panic in fear that you didn’t exist, or would you bask in the bliss of your nothingness? And lastly, let me ask you this: If you and I went for a walk and the entire walk, we didn’t talk — do you think eventually, we’d… kiss? No, wait. That’s asking too much — after all, this is only our first date.

Season of Joy: She asked me when the season of joy was supposed to end & I said I didn't really think there was an exact date, so we left the tree up till June that year.

Maybe God created the desert so that man could appreciate the date trees

In Japanese culture, the significance of the cherry blossom tree dates back hundreds of years. The cherry blossom represents the fragility and magnificence of life. It’s a reminder of how beautiful life is, almost overwhelmingly so, but that it is also heartbreakingly short. As are relationships. Be wise. Let your heart lead the way. And when you find someone who’s worth it—never let them go.

You can date the evolving life of a mind, like the age of a tree, by the rings of friendship formed by the expanding central trunk.

December is celebrated quite heartily here in the United States. Aggresively, one might say. Every conceivable space is corseted with strands of twinkle lights, buildings are smothered beneath greenery, and a mass mania for erecting oversized, inflatable, waving "snowmen" in front of homes erupts amid the populace. It's quite a hysteria- and the evergreen trees are not just a myth, Vasile. People really do purchase them, in abundance. They are for sale everywhere. Imagine paying for the privilege of dragging a filthy piece of forest into your living area for the purpose of bedecking it with glass balls and staring at it. Why a tree? If one needed to display glass balls-and I highly discorage it-why not just a case of some sort? A rack?

May this marriage be blessed. May this marriage be as sweet as milk and honey. May this marriage be as intoxicating as old wine. May this marriage be fruitful like a date tree. May this marriage be full of laughter and everyday a paradise. May this marriage be a seal of compassion for here and hereafter. May this marriage be as welcome as the full moon in the night sky. Listen lovers, now you go on, as I become silent and kiss this blessed night.

I write our names on the page. What of it, if the paper will be burned? I write our names in the sand. What of it, if the shore will be washed by waves? I write our names on trees that will be cut and benches that will be painted, but what of it? I will keep on writing our names because in this world of ephemera, You and I are the only constant.

The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.

It is funny, but it strikes me that a person without anecdotes that they nurse while they live, and that survive them, are more likely to be utterly lost not only to history but the family following them. Of course this is the fate of most souls, reducing entire lives, no matter how vivid and wonderful, to those sad black names on withering family trees, with half a date dangling after and a question mark.

Her mother was a Rutherford. The family came over in the ark, and were connected by marriage with Henry the VIII. On her father's side they date back further than Adam. On the topmost branches of her family tree there's a superior breed of monkeys with very fine silky hair and extra long tails.

In a few years, the date-tree had grown as tall as a woman, and out of it came a Fairy, who said to Zezolla, "What do you wish for?

I’d stumbled upon the inner sanctuary of a woman who loved the world. Loved the faces of people she saw. Loved the way a hand looked when it was relaxed. Loved the way a woman looked when she touched her own face. The way a man looked when he opened himself to her. Loved the way wind changed a tree or a field or a child’s hair. The beauty of a neck meeting a shoulder. The softness of a smile that wasn’t forced.

They seemed to grip the tree very lightly. Simon tried this, realized it was futile, and grabbed the tree in a hug so intimate, he wondered if they were now dating.

I don’t want to only ever meet you in the woods, even though I love this. I...I gotta feel like there’s something real beyond these trees. I want to be able to take you on a date. Just...once.

Ivy still had her tree up in the living room, and we exchanged presents when we felt like it, not on a specific date. Usually that was about an hour after I got back from shopping. Delayed gratification was Ivy’s thing, not mine.

Despina can be reached in two ways: by ship or by camel. The city displays one face to the traveler arriving overland and a different one to him who arrives by sea. When the camel driver sees, at the horizon of the tableland, the pinnacles of the skyscrapers come into view, the radar antennae, the white and red wind-socks flapping, the chimneys belching smoke, he thinks of a ship; he knows it is a city, but he thinks of it as a vessel that will take him away from the desert, a windjammer about to cast off, with the breeze already swelling the sails, not yet unfurled, or a steamboat with its boiler vibrating in the iron keel; and he thinks of all the ports, the foreign merchandise the cranes unload on the docks, the taverns where crews of different flags break bottles over one another’s heads, the lighted, ground-floor windows, each with a woman combing her hair. In the coastline’s haze, the sailor discerns the form of a camel’s withers, an embroidered saddle with glittering fringe between two spotted humps, advancing and swaying; he knows it is a city, but he thinks of it as a camel from whose pack hang wine-skins and bags of candied fruit, date wine, tobacco leaves, and already he sees himself at the head of a long caravan taking him away from the desert of the sea, toward oases of fresh water in the palm trees’ jagged shade, toward palaces of thick, whitewashed walls, tiled courts where girls are dancing barefoot, moving their arms, half-hidden by their veils, and half-revealed. Each city receives its form from the desert it opposes; and so the camel driver and the sailor see Despina, a border city between two deserts.

Simon tried this, realized it was futile, and grabbed the tree in a hug so intimate, he wondered if they were now dating.

May be God created the desert so that man could appreciate the date trees

Tomorrow I'm going to mow the lawn and prune the trees, and after that I'll cook some stew and casseroles to put in the freezer. We'll be glad of them when we're busy gaining dominion over the world, and can't find time to cook.

Seriously, Yara. I just want to be with you all the time. I am committed. I want to share more than the occasional dinner date and Sunday stroll through the park with you. I want to have a fucking Christmas tree and Easter ham with you.

For the anarch, little has changed; flags have meaning for him, but not sense. I have seen them in the air and on the ground like leaves in May and November; and I have done so as a contemporary and not just as a historian. The May Day celebration will survive, but with a different meaning. New portraits will head up the processions. A date devoted to the Great Mother is re-profaned. A pair of lovers in the wood pays more homage to it. I mean the forest as something undivided, where every tree is still a liberty tree. For the anarch, little is changed when he strips off a uniform that he wore partly as fool’s motley, partly as camouflage. It covers his spiritual freedom, which he will objectivate during such transitions. This distinguishes him from the anarchist, who, objectively unfree, starts raging until he is thrust into a more rigorous straitjacket.

I wanted to describe to him how the emotional intimacy growing between us was shattering my heart in the most life-affirming ways, but I didn’t have the right words, except to say that I loved him, which wasn’t nearly enough. We spent that night, and every night together after, in a closeness I had never known, or even thought possible with another person. I was happy. Truly content. Drifting to sleep in Bilal’s arms, I thought about the hills beyond the terrace. Soon wild plum, peach, pear, fig, medlar, mulberry, date, and almond trees would bloom.

Dear Deborah, Words do not come easily for so many men. We are taught to be strong, to provide, to put away our emotions. A father can work his way through his days and never see that his years are going by. If I could go back in time, I would say some things to that young father as he holds, somewhat uncertainly, his daughter for the very first time. These are the things I would say: When you hear the first whimper in the night, go to the nursery leaving your wife sleeping. Rock in a chair, walk the floor, sing a lullaby so that she will know a man can be gentle. When Mother is away for the evening, come home from work, do the babysitting. Learn to cook a hotdog or a pot of spaghetti, so that your daughter will know a man can serve another's needs. When she performs in school plays or dances in recitals, arrive early, sit in the front seat, devote your full attention. Clap the loudest, so that she will know a man can have eyes only for her. When she asks for a tree house, don't just build it, but build it with her. Sit high among the branches and talk about clouds, and caterpillars, and leaves. Ask her about her dreams and wait for her answers, so that she will know a man can listen. When you pass by her door as she dresses for a date, tell her she is beautiful. Take her on a date yourself. Open doors, buy flowers, look her in the eye, so that she will know a man can respect her. When she moves away from home, send a card, write a note, call on the phone. If something reminds you of her, take a minute to tell her, so that she will know a man can think of her even when she is away. Tell her you love her, so that she will know a man can say the words. If you hurt her, apologize, so that she will know a man can admit that he's wrong. These seem like such small things, such a fraction of time in the course of two lives. But a thread does not require much space. It can be too fine for the eye to see, yet, it is the very thing that binds, that takes pieces and laces them into a whole. Without it, there are tatters. It is never too late for a man to learn to stitch, to begin mending. These are the things I would tell that young father, if I could. A daughter grown up quickly. There isn't time to waste. I love you, Dad

The low early sunshine was streaming through the wood and the grass was grey with dew and the cobwebs were like silver. Just beside them was a little, very dark-wooded tree, about the size of an apple tree. The leaves were whitish and rather papery, like the herb called honesty, and it was loaded with little brown fruits that looked rather like dates.

On the whole, as the morbid & mucilaginous monkey said when he climbed up to the top of the Palm-tree & found no fruit there - one can't depend upon dates.

I hope you have a hot date tonight.” “I do—with my Kindle.

Miss Edi: My brother Bertrand is the laziest person in the world. David: Oh yeah? And how lazy is that? Miss Edi: When he was three and saw all his gifts under the Christmas tree, he said, 'Who's going to open them for me?' David: I've heard worse. Miss Edi: When he was six, my father bought him a bicycle and took him out to teach him to ride it. David: And? Miss Edi: Bertrand did very well. My father ran along behind him, holding on, and my brother balanced perfectly. But when my father let go and the bicycle stopped, Bertrand asked why. When my father said he had to push on the pedals, my brother left it lying there in the street, and he never got on a bicycle again. David: Not bad, but I've heard worse. Miss Edi: When he was twelve, my parents took us out to a restaurant, the first one we'd ever been to, and my father ordered steaks for each of us. When my brother's came, he looked at it and asked how he was to eat it. My father showed him how to cut the steak, then how to chew it. My brother called the waiter back and ordered a bowl of mashed potatoes. David: Okay, that's getting up there, but I have heard a few worse. Miss Edi: When he was sixteen, my mother arranged for her beloved son to go to a dance with a very nice young girl. He was to pick her up at six pm. At six-thirty Bertrand was sitting in the living room and my father asked him why he hadn't gone on his date. My brother said, 'Because she hasn't come to get me yet.

It’s Thursday, March twenty-ninth!” she basically screamed, a demented smile plastered to her face. “You are really excited about knowing the date!” I yelled back. “HAZEL! IT’S YOUR THIRTY-THIRD HALF BIRTHDAY!” “Ohhhhhh,” I said. My mom was really super into celebration maximization. IT’S ARBOR DAY! LET’S HUG TREES AND EAT CAKE! COLUMBUS BROUGHT SMALLPOX TO THE NATIVES; WE SHALL RECALL THE OCCASION WITH A PICNIC!, etc.

Standing in front of the kitchen sink, Sandra was shaking her head, her eyes unfocused. “Okay. I’m so confused. About so many things. First of all,” she pointed at me, “I need the whole story. When did this happen? I didn’t even know you liked him. And secondly,” she turned to Greg, “what is the deal with you guys and the efficiency of your man-gossip phone tree?” Greg gave her a droll look. “Don’t be a hater, Sandra. You ladies need to learn how to communicate more effectively.

He cupped my chin with his big hand and watched me. He breathed hard through his nose. His shoulders heaved way harder than they should have after a few minutes of kissing. I was about to suggest some additional conditioning exercises before football season started. I opened my mouth to tell him. He kissed me again. His tongue passed my lips and played across my teeth. We’d only been kissing like this for a week, but it seemed very natural when I kissed him back the same way. My body was on autopilot as I reached blindly for his waist and dragged him even closer, his torso skin-to-skin with mine against the tree. Who were we? I was turning into any of the assorted older girls who’d been seen leaving the cab of Sean’s truck at night. I’d always viewed those girls with a mixture of awe and derision. Sexual attraction was funny. Lust was hilarious. Now, not so much. Those girls had my sympathy, because I totally got it. I ran my fingers lightly up Adam’s bare back. He gasped. I opened my eyes to see if I’d done something wrong. He still touched the tree, but his muscles were taut, holding on to it for dear life. His eyes were closed. He rubbed his rough cheek slowly against mine. I had done nothing wrong. He was savoring. I knew how he felt. Tracing my fingernails down his back again, I whispered, “Stubble or what?” Eyes still closed, he chuckled. “I’m not shaving until our parents let us date again.” He kissed my cheek. “What if it takes… a… while?” I asked, struggling to talk.

They were all like siblings, Mr. Kapasi thought as they passed a row of date trees. Mr. and Mrs. Das behaved like an older brother and sister, not parents.

If she wasn’t absolutely sure that it would turn out to be an emotional disaster of Pompeii proportions, she would take Sonja’s advice and climb that man like a tree. For science.

To date, treasure-hunters have followed up clue after clue, including a dagger-marked tree, to no avail. If there is a fortune buried in Handcart Gulch, it is still safely hidden

The winter that Boyd turned fourteen the trees inhabiting the dry river bed were bare from early on and the sky was gray day after day and the trees were pale against it. A cold wind had come down from the north with the earth running under bare poles toward a reckoning whose ledgers would be drawn up and dated only long after all due claims had passed, such is this history.

I trace the letters on the tree behind us in the picture. No one knows what's churning inside of me. Crushing guilt...Pain...Relief. All mixed with knowledge that Trip is never coming back.

You going to the game tonight?" I was about to answer,but another voice rang out from just behind me. "She'd better," Jack said as he wrapped an arm around my waist and pulled me back against him. I could smell the fresh leather on his letterman jacket as I crunched against it. "Why is that?" I asked,smiling and instantly warm in his arms.I still couldn't get over the fact that Jack Caputo and I were...together. It was hard to think the word. We had been friends for so long.To be honest, he had been friends with me and I had been secretly pining for him since...well, since forever. But now he was here. It was my waist he held. It didn't seem real. "I can't carry the team to victory without you," he said. "You're my rabbit's foot." I craned my neck around to look at him. "I've always dreamed of some guy saying that to me." He pressed his lips to the base of my neck, and heat rushed to my cheeks. "I love making you turn red," he whispered. "It doesn't take much. We're in the middle of the hallway." "You want to know what else I love?" His tone was playful. "No," I said, but he wasn't listening. He took his fingers and lightly railed them up my spine,to the back of my neck.Instant goose bumps sprang up all over my body,and I shuddered. "That." I could feel his smile against my ear. Jack was always smiling.It was what made him so likable. By this time,Jules had snaked her way through the throng of students. "Hello, Jack.I was in the middle of a conversation with Becks.Do you mind?" she said with a smirk. Right then a bunch of Jack's teammates rounded the corner at the end of the hallway,stampeding toward us. "Uh-oh," I said. Jack pushed me safely aside just before they tackled him, and Jules and I watched as what seemed like the entire football team heaped on top of their starting quarterback. "Dating Jack Caputo just might kill you one day." Jules laughed. "You sure it's worth it?" I didn't answer,but I was sure. In the weeks following my mother's death, I had spent nearly every morning sitting at her grave.Whispering to her, telling her about my day, like I used to each morning before she died. Jack came with me to the cemetary most days. He'd bring a book and read under a tree several headstones away,waiting quietly, as if what I was doing was totally normal. We hadn't even been together then. It had been only five months since my mom died. Five months since a drunk driver hit her during her evening jog. Five months since the one person who knew all my dreams disappeared forever. Jack was the reason I was still standing. Yeah,I was sure he was worth it.The only thing I wasn't sure about was why he was with me.

I have had a lifelong association with these things. (Odd that the word 'trees' does not apply.) I can accept them and their power and their age because I was early exposed to them. ON the other hand, people lacking such experience begin to have a feeling of uneasiness here, of danger, of being shut in, enclosed and overwhelmed. It is not only the size of these redwoods but their strangeness that frightens them. And why not? For these are the last remaining members of a race that flourished over four continents as far back in geologic time as the upper Jurassic period. Fossils of these ancients have been found dating from the Cretaceous era while in the Eocene and Miocene they were spread over England and Europe and America. And then the glaciers moved down and wiped the Titans out beyond recovery. And only these few are left--a stunning memory of what the world was like once long ago. Can it be that we do not love to be reminded that we are very young and callow in a world that was old when we came into it? And could there be a strong resistance to the certainty that a living world will continue its stately way when we no longer inhabit it?

hate is a strong word but it is the only strength I have left how am I to forgive the men that severed the trunk of my family tree and used its timber to warm the cheeks of their own children?

In Japanese culture, the significance of the cherry blossom tree dates back hundreds of years. The cherry blossom represents the fragility and magnificence of life. It’s a reminder of how beautiful life is, almost overwhelmingly so, but that it is also heartbreakingly short. As are relationships. Be wise. Let your heart lead the way. And when you find someone who’s worth it—never let them go.

A sequoia seedling is always a sequoia at every point along its path to becoming a towering tree. And so are you always an empowered, fulfilled woman on your way to even greater empowerment and fulfillment.

But the boy was quiet. He was at home with the silence of the desert, and he was content just to look at the trees. He still had a long way to go to reach the Pyramids, and someday this morning would just be a memory. But this was the present moment - the party the camel driver had mentioned - and he wanted to live it as he did the lessons of his past and hid dreams of the future. Although the vision of the date palms would someday be just a memory, right now it signified shade, water, and a refuge from the war. Yesterday, the camel's groan signaled danger, and now a row of date palms could herald a miracle. The world speaks many languages, the boy thought.

Imagine the Earth devoid of human life, inhabited only by plants and animals. Would it still have a past and a future? Could we still speak of time in any meaningful way? The question “What time is it?” or “What's the date today?” if anybody were there to ask it would be quite meaningless. The oak tree or the eagle would be bemused by such a question. “What time?” they would ask. “Well, of course, it's now. The time is now. What else is there?

...he knows it is a city, but he thinks of it as a camel from whose pack hang wineskins and bags of candies fruit, date wine, tobacco leaves, and already he sees himself as the head of a long caravan taking him away from the desert of the sea, toward oases of fresh water in the palm trees' jagged shade, toward palaces of thick, whitewashed walls, tiled courts where girls are dancing barefoot, moving their arms, half-hidden by their veils, half-revealed.

I need to stop thinking about peeing. I should focus on dry things.  Like California’s drought, month old Christmas trees, British wit. And my vagina while listening to the world’s most boring date mansplain to me about his fantasy football club.

It was a “Come As Your Childhood Ambition” theme party. You know: vets, pilots, ballet dancers…I really did always want to be a librarian.’ ‘You’re actually just a big dork, aren’t you?’ he says. ‘A big sexy dork,’ I correct him, taking a sip of my drink. ‘And that’s MISS Big Sexy Dork to you.’ (Oh, hush. I know it’s obvious flirting. It just came out.) ‘Cocky. So cocky,’ he says, shaking his head. I’m not sure what to say to this. Cocky is certainly not how I’d describe myself. ‘See? You’re not even bothering to reply. Cocky. Fine, I’ll talk. Even though you haven’t asked me, I would have come as a dog. I thought I was a dog, actually, till I was five. I would only eat froma bowl on the floor next to our real dog, Scooby, and I wee-ed against trees whenever I could.

BOWLS OF FOOD Moon and evening star do their slow tambourine dance to praise this universe. The purpose of every gathering is discovered: to recognize beauty and love what’s beautiful. “Once it was like that, now it’s like this,” the saying goes around town, and serious consequences too. Men and women turn their faces to the wall in grief. They lose appetite. Then they start eating the fire of pleasure, as camels chew pungent grass for the sake of their souls. Winter blocks the road. Flowers are taken prisoner underground. Then green justice tenders a spear. Go outside to the orchard. These visitors came a long way, past all the houses of the zodiac, learning Something new at each stop. And they’re here for such a short time, sitting at these tables set on the prow of the wind. Bowls of food are brought out as answers, but still no one knows the answer. Food for the soul stays secret. Body food gets put out in the open like us. Those who work at a bakery don’t know the taste of bread like the hungry beggars do. Because the beloved wants to know, unseen things become manifest. Hiding is the hidden purpose of creation: bury your seed and wait. After you die, All the thoughts you had will throng around like children. The heart is the secret inside the secret. Call the secret language, and never be sure what you conceal. It’s unsure people who get the blessing. Climbing cypress, opening rose, Nightingale song, fruit, these are inside the chill November wind. They are its secret. We climb and fall so often. Plants have an inner Being, and separate ways of talking and feeling. An ear of corn bends in thought. Tulip, so embarrassed. Pink rose deciding to open a competing store. A bunch of grapes sits with its feet stuck out. Narcissus gossiping about iris. Willow, what do you learn from running water? Humility. Red apple, what has the Friend taught you? To be sour. Peach tree, why so low? To let you reach. Look at the poplar, tall but without fruit or flower. Yes, if I had those, I’d be self-absorbed like you. I gave up self to watch the enlightened ones. Pomegranate questions quince, Why so pale? For the pearl you hid inside me. How did you discover my secret? Your laugh. The core of the seen and unseen universes smiles, but remember, smiles come best from those who weep. Lightning, then the rain-laughter. Dark earth receives that clear and grows a trunk. Melon and cucumber come dragging along on pilgrimage. You have to be to be blessed! Pumpkin begins climbing a rope! Where did he learn that? Grass, thorns, a hundred thousand ants and snakes, everything is looking for food. Don’t you hear the noise? Every herb cures some illness. Camels delight to eat thorns. We prefer the inside of a walnut, not the shell. The inside of an egg, the outside of a date. What about your inside and outside? The same way a branch draws water up many feet, God is pulling your soul along. Wind carries pollen from blossom to ground. Wings and Arabian stallions gallop toward the warmth of spring. They visit; they sing and tell what they think they know: so-and-so will travel to such-and-such. The hoopoe carries a letter to Solomon. The wise stork says lek-lek. Please translate. It’s time to go to the high plain, to leave the winter house. Be your own watchman as birds are. Let the remembering beads encircle you. I make promises to myself and break them. Words are coins: the vein of ore and the mine shaft, what they speak of. Now consider the sun. It’s neither oriental nor occidental. Only the soul knows what love is. This moment in time and space is an eggshell with an embryo crumpled inside, soaked in belief-yolk, under the wing of grace, until it breaks free of mind to become the song of an actual bird, and God.

TO MY SISTER IT is the first mild day of March: Each minute sweeter than before The redbreast sings from the tall larch That stands beside our door. There is a blessing in the air, Which seems a sense of joy to yield To the bare trees, and mountains bare, And grass in the green field. My sister! ('tis a wish of mine) Now that our morning meal is done, 10 Make haste, your morning task resign; Come forth and feel the sun. Edward will come with you;--and, pray, Put on with speed your woodland dress; And bring no book: for this one day We'll give to idleness. No joyless forms shall regulate Our living calendar: We from to-day, my Friend, will date The opening of the year. 20 Love, now a universal birth, From heart to heart is stealing, From earth to man, from man to earth: --It is the hour of feeling. One moment now may give us more Than years of toiling reason: Our minds shall drink at every pore The spirit of the season. Some silent laws our hearts will make, Which they shall long obey: 30 We for the year to come may take Our temper from to-day. And from the blessed power that rolls About, below, above, We'll frame the measure of our souls: They shall be tuned to love. Then come, my Sister! come, I pray, With speed put on your woodland dress; And bring no book: for this one day We'll give to idleness.

Fix not thy heart on that which is transitory; for the Dijlah, or Tigris, will continue to flow through Bagdad after the race of caliphs is extinct: if thy hand has plenty, be liberal as the date tree; but if it affords nothing to give away, be an azad, or free man, like the cypress.

No, Pasha,” whispered Alexander. “No.” He felt Pasha’s head. He closed Pasha’s eyes. For a few moments he stood over Pasha, and then he sank to the ground. Wrapping him tightly with the trench coat, Alexander took Pasha’s body into his arms and, cradling him from the cold, closed his own eyes. For the rest of the night Alexander sat on an empty road, his back against the tree, not moving, not opening his eyes, not speaking, holding Tatiana’s brother in his arms. If Ouspensky spoke to him, he did not hear. If he slept, he did not feel it, not the cold air, nor the hard ground, nor the rough bark of the tree against his back, against his head. When morning broke, and gray close light rose over Saxony, Alexander opened his eyes. Ouspensky was sleeping on his side, wrapped in his trench coat next to them. Pasha’s body was rigid, very cold. Alexander got up from under Pasha, washed his own face with whisky, rinsed out his mouth with whisky, and then got his titanium trench tool and started to carve a hole in the ground. Ouspensky woke up, helped him. It took them three hours of scraping at the earth, to make a hole a meter deep. Not deep enough, but it would have to do. Alexander covered Pasha’s face with the trench coat so the earth wouldn’t fall on it. With two small branches and a piece of string, Alexander made a cross and laid it on top of Pasha’s chest, and then they lifted him and lowered him into the hole, and Alexander, his teeth grit the entire time, filled the shallow grave with fresh dirt. On a wide thick branch, he carved out the name PASHA METANOV, and the date, Feb 25, 1945, and tying it to another longer branch made another cross and staked it into the ground. Alexander and Ouspensky

b) ‘A Muslim is like a date palm tree whose leaves do not fall, always beneficial and never harmful.’ “This influences my organizing by reminding me that my core responsibility is to be a benefit to whatever I’m engaged in. I may not always know HOW that will happen but it has to be my aim. I want peoples’ lives to have been better (even in very tiny ways) from having participated with me in this work. This means to me that I bring beautiful words, actions, ideas, and behaviors into spaces. At the end of it all even if we don’t see the fruits of our labor, shouldn’t we be able to say we loved and enjoyed each other? That’s why I want to act and be like a palm tree, providing shade, covering my comrades (instead of throwing shade lol). I want to provide food (dates). I want to be what they can lean on. I want to be a resource, sustaining our work.” —Aisha Shillingford “I

The essence of this knowledge was the ability to `see all' and to `know all'. Was this not precisely the ability Adam and Eve acquired after eating the forbidden fruit, which grew on the branches of the tree of the knowledge of good and evil'? · Finally, just as Adam and Eve were driven out of the Garden, so were the four First Men of the Popol Vuh deprived of their ability to `see far'. Thereafter `their eyes were covered and they could only see what was close ...' Both the Popol Vuh and Genesis therefore tell the story of mankind's fall from grace. In both cases, this state of grace was closely associated with knowledge, and the reader is left in no doubt that the knowledge in question was so remarkable that it conferred godlike powers on those who possessed it. The Bible, adopting a dark and muttering tone of voice, calls it `the knowledge of good and evil' and has nothing further to add. The Popol Vuh is much more informative. It tells us that the knowledge of the First Men consisted of the ability to see `things hidden in the distance', that they were astronomers who `examined the four corners, the four points of the arch of the sky', and that they were geographers who succeeded in measuring `the round face of the earth'. 7 Geography is about maps. In Part I we saw evidence suggesting that the cartographers of an as yet unidentified civilization might have mapped the planet with great thoroughness at an early date. Could the Popol Vuh be transmitting some garbled memory of that same civilization when it speaks nostalgically of the First Men and of the miraculous geographical knowledge they possessed? Geography is about maps, and astronomy is about stars. Very often the two disciplines go hand in hand because stars are essential for navigation on long sea-going voyages of discovery (and long sea-going voyages of discovery are essential for the production of accurate maps). Is it accidental that the First Men of the Popol Vuh were remembered not only for studying `the round face of the earth' but for their contemplation of `the arch of heaven'?

In the boreal forests there is reason to hope that we’ll guide the human part of this relationship with forethought. Over the last two decades, continent wide planning for conservation, forestry, and industry in the boreal forest have brought people together who have fought for years in the law courts. Now timber companies, industry, conservation groups, environmental activists, and governments, including those of the First Nations, are talking to one another. Such human talk is part of the forest’s larger system of thought, one way that the living network can achieve a measure of coherence; a diffuse conversation, able to listen and to adapt. To date, swaths of boreal forest as big as many countries- hundreds of thousands of square kilometers- more than 10 percent of Canada’s boreal forest- have been mapped for conservation, for carbon-savvy logging, for threatened animals, and for sustainable timber production.

principal courtyard, which was very large, with walks encircling it under arcades in the old Florentine fashion, and gardens planted with magnificent trees. In the dining-room, a long and superb gallery which was situated on the ground-floor and opened on the gardens, M. Henri Puget had entertained in state, on July 29, 1714, My Lords Charles Brulart de Genlis, archbishop; Prince d'Embrun; Antoine de Mesgrigny, the capuchin, Bishop of Grasse; Philippe de Vendome, Grand Prior of France, Abbe of Saint Honore de Lerins; Francois de Berton de Crillon, bishop, Baron de Vence; Cesar de Sabran de Forcalquier, bishop, Seignor of Glandeve; and Jean Soanen, Priest of the Oratory, preacher in ordinary to the king, bishop, Seignor of Senez. The portraits of these seven reverend personages decorated this apartment; and this memorable date, the 29th of July, 1714, was there engraved in letters of gold on a table of white marble.

Love Are you fleeing from Love because of a single humiliation? What do you know of Love except the name? Love has a hundred forms of pride and disdain, and is gained by a hundred means of persuasion. Since Love is loyal, it purchases one who is loyal: it has no interest in a disloyal companion. The human being resembles a tree; its root is a covenant with God: that root must be cherished with all one's might. A weak covenant is a rotten root, without grace or fruit. Though the boughs and leaves of the date palm are green, greenness brings no benefit if the root is corrupt. If a branch is without green leaves, yet has a good root, a hundred leaves will put forth their hands in the end.

I'm thinking we ought to rethink the whole self-esteem thing. It should almost be a dirty word. I mean, look at Kayla. She has the intelligence of a tree stump, and its sense of humour. She's less about real attractiveness than she is about advertising... She's the kind of girl who shows how hot she is because she has nothing else to offer, who doesn't realise that hotness has an expiration date. Yet, I'm still a little nervous talking to her like she's holding a lottery ticket she just might or might not decide to hand over to me. It is nuts, if you stop to think about it. I give give her this power, and it's kind of like voting some idiot into office. But hey, we're good at that, too.

MELITO OF SARDIS Melito, bishop of Sardis, died around the year A.D. 180. Until recently, few students of church history paid much attention to him. One of the reasons might be that he ended up on the “wrong side” of the ancient debate over how to determine the date of Easter. Only recently a sermon on the Passover was found, penned by Melito. It provides us with a tremendous insight into the theology of the late second century. I reproduce here just one section, which requires no commentary, only a hearty “Amen!”: And so he was lifted up upon a tree and an inscription was attached indicating who was being killed. Who was it? It is a grievous thing to tell, but a most fearful thing to refrain from telling. But listen, as you tremble before him on whose account the earth trembled! He who hung the earth in place is hanged. He who fixed the heavens in place is fixed in place. He who made all things fast is made fast on a tree. The Sovereign is insulted. God is murdered. The King of Israel is destroyed by an Israelite hand. This is the One who made the heavens and the earth, and formed mankind in the beginning, The One proclaimed by the Law and the Prophets, The One enfleshed in a virgin, The One hanged on a tree, The One buried in the earth, The One raised from the dead and who went up into the heights of heaven, The One sitting at the right hand of the Father, The One having all authority to judge and save, Through Whom the Father made the things which exist from the beginning of time. This One is “the Alpha and the Omega,” This One is “the beginning and the end” . . . the beginning indescribable and the end incomprehensible. This One is the Christ. This One is the King. This One is Jesus. This One is the Leader. This One is the Lord. This One is the One who rose from the dead. This One is the One sitting on the right hand of the Father. He bears the Father and is borne by the Father. “To him be the glory and the power forever. Amen.” The deity of Christ, His two natures, His virgin birth, His being the Creator, His distinction from the Father—all part and parcel of the preaching of the bishop of Sardis near the end of the second century.

While white mob violence against African Americans was an obsession in the South, it was not limited to that region. White supremacy was and is an American reality. Whites lynched blacks in nearly every state, including New York, Minnesota, and California. Wherever blacks were present in significant numbers, the threat of being lynched was always real. Blacks had to “watch their step,” no matter where they were in America. A black man could be walking down the road, minding his business, and his life could suddenly change by meeting a white man or a group of white men or boys who on a whim decided to have some fun with a Negro; and this could happen in Mississippi or New York, Arkansas, or Illinois. By the 1890s, lynching fever gripped the South, spreading like cholera, as white communities made blacks their primary target, and torture their focus. Burning the black victim slowly for hours was the chief method of torture. Lynching became a white media spectacle, in which prominent newspapers, like the Atlanta Constitution, announced to the public the place, date, and time of the expected hanging and burning of black victims. Often as many as ten to twenty thousand men, women, and children attended the event. It was a family affair, a ritual celebration of white supremacy, where women and children were often given the first opportunity to torture black victims—burning black flesh and cutting off genitals, fingers, toes, and ears as souvenirs. Postcards were made from the photographs taken of black victims with white lynchers and onlookers smiling as they struck a pose for the camera. They were sold for ten to twenty-five cents to members of the crowd, who then mailed them to relatives and friends, often with a note saying something like this: “This is the barbeque we had last night.”[17]

Memory My mind lets go a thousand things, Like dates of wars and deaths of kings, And yet recalls the very hour—’T was noon by yonder village tower, And on the last blue noon in May—The wind came briskly up this way, Crisping the brook beside the road; Then, pausing here, set down its load Of pine-scents, and shook listlessly Two petals from that wild-rose tree.

They were in the middle of a garden with trees shaped as animals. There were gorillas and camels and lions. Rosie felt like she was in some strange storybook circus. Any minute the gorillas would start talking and the lions would charge towards her. "What are we doing here?" Rosie's eyes went wide. "Just follow me." Josh grinned. Rosie followed him through a maze of gardens, each more elaborate than the last. There was a Japanese garden bursting with pink and white blossoms. They passed a water garden with floating lilies, and a tropical garden with birds of paradise and purple irises. Finally they entered a small garden with low-lying plants. A butterfly rested on almost every leaf. Rosie had never seen so many butterflies. She stood still as a statue, afraid if she moved they'd fly away. "This is my favorite," Josh said as if he created the garden. "It's called the butterfly garden. All the flowers contain food attractive to butterflies. The butterflies lay their eggs and feast for days before they fly away." "They're like kaleidoscopes." Rosie peered at a butterfly with gold-and-turquoise wings.

But the death of spirit goes by another name. It is usually called the birth of reason. The dreams of reason are, at this late date, everywhere to be seen, much like headstones in a cemetery. The inertia of a standard which prunes every tree to the dimensions of a utility pole will, with the same determination, core the heart out of the human personality. This fermenting mind, intoxicated by its heady sobriety, methodically slits its own throat, all the while mistaking the elongating wound for a smile. When the spirit is free, according to Nietzsche, the head will be the bowels of the heart. In these top heavy days that have turned life topsy-turvy the head has little appetite for freedom. Instead it has developed a taste for coprophagy.

Look, guys, I know you mean well and you’re doing your job, but it’d be better for everyone if you all got back in your cars and drove away. Pretend like this never happened. I promise I’m not going to blow anything up and the most un-American thing I’ve ever done is root for South Korea in speed skating during the Olympics. This whole thing falls so far out of your jurisdiction it’s not even funny.” I pictured the officers cuffing Reth and reading him his rights, then trying to detain Cresseda. “Okay, it’s a little funny. But seriously. As far as you’re all concerned, I’m just a teen girl who is really far behind on planning for the dance decorating committee. And also dating an invisible boy.” “Orders are orders,” the mustachioed man said gruffly, elbowing the men around him and startling them out of their paranormal-induced stupor. “We’re taking you in.” He walked down the steps. I sighed. “Don’t make me call the dragon.” He laughed, and so did most of the others, but a few looked back at Lend and the blood drained from their faces. “Look, kid, I’m with you. I think this is all a mistake, maybe even a clerical error. We’ll figure it out at the station.” Arianna swore, stamping her foot. “That’s it! She put her fingers to her lips and let out a shrill, earsplitting whistle. A rush of wind engulfed us as the dragon in all its serpentine glory snaked out of the trees, settling onto the ground and rearing up to stare down at all of us. I thought I’d learn a few new words, but the men were too shocked to even swear this time.

Research to date suggests silvopasture far outpaces any grassland technique. That is because silvopastoral systems sequester carbon in both the biomass aboveground and the soil below. Pastures that are strewn or crisscrossed with trees sequester five to ten times as much carbon as those of the same size that are treeless. Moreover, because the livestock yield on a silvopasture plot is higher

For Hindus, banyan trees are sacred. For Buddhists, bodhi trees; for the Arabs, certain date palms. To be stalwart in a ‘tree-like’ way was to approach goodness, according to Confucius. The Normans built chapels in the trunks of yew trees. Many other cultures attached religious significance to particular trees and groves and forests. Adonis was born of a tree. Daphne turned into one. George Washington confessed to cutting one down and the United States, as a result, was all but immaculately conceived. The tree is the symbol of the male organ and of the female body. The Hebrew kabbalah depicts Creation in the form of a tree. In Genesis, a tree holds the key to immortal life, and it is to the branches and fruit of an olive tree that God’s people are likened in both the Old and New Testaments. To celebrate the birth of Christ his followers place trees in their sitting rooms and palm fronds, a symbol of victory, commemorate his entering Jerusalem. A child noted by Freud had fantasies of wounding a tree that represented his mother. The immortal swagman of Australia sat beneath a coolabah tree. In hundreds of Australian towns the war dead are honoured by avenues of trees.

What first comes across our minds About the stocky Mexican Pushing a mower across the lawn At 7 a.m. on a Saturday As the roar of the cutter wakes us? Let me take a guess. Why do they have to come so damn early? What do we make of his flannel Shirt missing buttons at the cuffs, Threadbare at the shoulders, The grass stains around his knees, The dirt like roadmaps to nowhere, Between the wrinkles of his neck? Let me take a shot. Dirty Mexican. Would his appearance lead us to believe He is a border jumper or wetback Who hits the bar top with an empty shot glass For the twelfth time then goes home To kick his wife around like fallen grapefruit Lying on the ground? First, the stocky Mexican isn’t mowing the lawn At 7 a.m. on a Saturday. He doesn’t work weekends anymore ever since He lost one-third of his route To laborers willing to work for next to nothing. Second, he knows better than to kneel On the wet grass because, well, the knees Of his pants will become grass-stained And pants don’t grow on trees, even here, Close to Palm Springs. Instead, after 25 years of the same blue collar work, Two sons out and one going to college, Rather than jail, and a small but modest savings In case he loses the remaining two-thirds Of his work—no matter how small and reluctantly The checks come in the mail— My father the stocky gardener believes He firmly holds his life In both his hands like pruning shears, Chopping branches and blossoms, Never looking downward as they fall to his feet In pieces like the American dream.

As he lifted the leather-bound cover, the musty smell of paper rose up. He turned the first mottled leaf and looked down at an elaborately drawn image. A brimming goblet was decorated with curling vines and bunches of grapes. But instead of wine or water, the cup was filled with words. John stared at the alien symbols. He could not read. Around the goblet a strange garden grew. Honeycombs dripped and flowers like crocuses sprouted among thick-trunked trees. Vines draped themselves about their branches which bristled with leaves and bent under heavy bunches of fruit. In the far background John spied a roof with a tall chimney. His mother settled beside him. 'Palm trees...' she said. 'These are dates. Honey came from the hives and saffron came from these flowers. Grapes swelled on the vine...

There is something in this Lametrie, a nice slip of our anthropocentrism. Why should Man be at the hub of all analogies? How would plants describe us, I wonder, what classification would they impose upon us? 'Described by a Plant' sounds like a good title to be used later. I feel we're being watched: by rubber plants, sparrow-grass, bonsai, small date palms, Chinese roses, geraniums and lemon trees. They keep an eye on us.

The one thing I was good at was winning scholarships and prizes, and that era was coming to the end. I felt like a racehorse in a world without racetracks or a champion college footballer suddenly confronted by Wall Street and a business suit, his days of glory shrunk to a little gold cup on his mantel with a date engraved on it like the date on a tombstone. I saw my life branching out before me like the green fig tree in the story.

As the ninth-century Persian mystic Imam Junaid said, “A Muslim is like the earth; even if impurities are thrown on it, it will blossom into a green pasture.” We are called to be like a date tree, so rooted in the love of God that when people throw stones at you, you reply with fruits that taste sweet. Do not live your life in reaction to what people have done to you, but live your life in gratitude for all that God has done for you.

I read in the Gulistan, or Flower Garden, of Sheik Sadi of Shiraz, that "they asked a wise man, saying: Of the many celebrated trees which the Most High God has created lofty and umbrageous, they call none azad, or free, excepting the cypress, which bears no fruit; what mystery is there in this? He replied, Each has its appropriate produce, and appointed season, during the continuance of which it is fresh and blooming, and during their absence dry and withered; to neither of which states is the cypress exposed, being always flourishing; and of this nature are the azads, or religious independents.—Fix not thy heart on that which is transitory; for the Dijlah, or Tigris, will continue to flow through Bagdad after the race of caliphs is extinct: if thy hand has plenty, be liberal as the date tree; but if it affords nothing to give away, be an azad, or free man, like the cypress.

All those different names, dates, deaths, each backed with a past life, were like shrubs in an arboretum, spaced out equidistantly as far as the eye could see. No gently swaying breezes for them, no fragrances, no touch of a hand reaching through the darkness. They who seemed like trees lost to time. They to whom no thoughts occurred, nor would ever have words to get them across. They’d left all that to those who still had some living to do.

Imagine the Earth devoid of human life, inhabited only by plants and animals. Would it still have a past and a future? Could we still speak of time in any meaningful way? The question “What time is it?” or “What’s the date today?” — if anybody were there to ask it — would be quite meaningless. The oak tree or the eagle would be bemused by such a question. “What time?” they would ask. “Well, of course, it’s now. The time is now. What else is there?

At length the colour on her cheeks resumed its stability and it seemed as if the spirit of the age—if such indeed it were—lay dormant for a time. Then Orlando felt in the bosom of her shirt as if for some locket or relic of lost affection, and drew out no such thing, but a roll of paper, sea-stained, blood-stained, travel-stained—the manuscript of her poem, 'The Oak Tree'. She had carried this about with her for so many years now, and in such hazardous circumstances, that many of the pages were stained, some were torn, while the straits she had been in for writing paper when with the gipsies, had forced her to overscore the margins and cross the lines till the manuscript looked like a piece of darning most conscientiously carried out. She turned back to the first page and read the date, 1586, written in her own boyish hand. She had been working at it for close three hundred years now. It was time to make an end. Meanwhile she began turning and dipping and reading and skipping and thinking as she read, how very little she had changed all these years. She had been a gloomy boy, in love with death, as boys are; and then she had been amorous and florid; and then she had been sprightly and satirical; and sometimes she had tried prose and sometimes she had tried drama. Yet through all these changes she had remained, she reflected, fundamentally the same.

How to begin writing this down? Shall it be a simple inventory? A list of parts. Names. Dates. Genealogies. Sound begetting sound. Endless melody. If I were to say – a robin sings in the trees across the field from this coppice – would that be enough? Could you flesh things out from such a meagre outline? Or should I describe its song? Onomatopoeia. But the bird has long fallen silent before the words begin to form. And what of the other sounds – the constant polyphony? Distant hum of motorway traffic. Delicate rattle of leaf against branch. Everything in between. I fill the page as best I can, replace the diary under a stone, and retrace my steps down the darkening lane. But as I walk back under the eaves of those trees, I ask myself – could any film, recording or photograph tell you this? That whilst I dwelt within that wooded chamber, listening to those brief glimmers of song, I forgot about her, the river and its promise.

The difference between supermind and Big Mind (if we take Big Mind to mean the state experience of nondual Suchness, or turiyatita) is that Big Mind can be experienced or recognized at virtually any lower level or rung. Magic to Integral. In fact, one can be at, say, the Pluralistic stage, and experience several core characteristics of the entire sequence of state-stages (gross to subtle to causal to Witnessing to Nondual), although, of course, the entire sequence, including nondual Suchness, will be interpreted in Pluralistic terms. This is unfortunate in many ways—interpreting Dharma in merely Pluralistic terms (or Mythic terms, or Rational, and so on)—because it is so ultimately reductionistic; but it happens all the time, given the relative independence of states and structures at 1st and 2nd tier. Supermind, on the other hand, as a basic structure-rung (conjoined with nondual Suchness) can only be experienced once all the previous junior levels have emerged and developed, and as in all structure development, stages cannot be skipped. Therefore, unlike Big Mind, supermind can only be experienced after all 1st-, 2nd-, and 3rd-tier junior stages have been passed through. While, as Genpo Roshi has abundantly demonstrated, Big Mind state experience is available to virtually anybody at almost any age (and will be interpreted according to the View of their current stage), supermind is an extremely rare recognition. Supermind, as the highest structure-rung to date, has access to all previous structures, all the way back to Archaic—and the Archaic itself, of course, has transcended and included, and now embraces, every major structural evolution going all the way back to the Big Bang. (A human being literally enfolds and embraces all the major transformative unfoldings of the entire Kosmic history—strings to quarks to subatomic particles to atoms to molecules to cells, all the way through the Tree of Life up to its latest evolutionary emergent, the triune brain, the most complex structure in the known natural world.) Supermind, in any given individual, is experienced as a type of “omniscience”—the supermind, since it transcends and includes all of the previous structure-rungs, and inherently is conjoined with the highest nondual Suchness state, has a full and complete knowledge of all of the potentials in that person. It literally “knows all,” at least for the individual.

He works fast," Alan commented as he lifted his wine. "David?" Shelby sent him a puzzled look. "Actually his fastest sped is crawl unless he's got a guitar in his hands." "Really?" Alan's eyes met hers as he sipped, but she didn't understand the amusement in them. "You only stood him up tonight, and already he's planning his wedding to someone else." "Stood him-" she began on a laugh, then remembered. "Oh." Torn between annoyance and her own sense of te ridiculous, Shelby toyed with the stem of her glass. "Men are fickle creatures," she decided. "Apparently." Reaching over, he lifted her chin with a fingertip. "You're holding up well." "I don't like to wear my heart on my sleeve" Exasperated, amused, she muffled a laugh. "Dammit, he would have to pick tonight to show up here." "Of all the gin joints in all the towns..." This time the laugh escaped fully. "Well done," Shelby told him. "I should've thought of that line myself; I heard the movie not long ago." "Heard it?" "Mmm-hmmm. Well..." She lifted her glass in a toast. "To broken hearts?" "Or foolish lies?" Alan countered. Shelby wrinkled her nose as she tapped her glass against his. "I usually tell very good ones. Besides, I did date David.Once.Tree years ago." She finished off her wine. "Maybe four.You can stop grinning in that smug, masculine way any time, Senator." "Was I?" Rising, he offered Shelby her damp jacket. "How rude of me." "It would've been more polite not to acknowledge that you'd caught me in a lie," she commented as they worked their way through the crowd and back into the rain. "Which you wouldn't have done if you hadn't made me so mad that I couldn't think of a handier name to give you in the first place." "If I work my way through the morass of that sentence it seems to be my fault." Alan slipped an arm around her shoulders in so casually friendly a manner she didn't protest. "Suppose I apologize for not giving you time to think of a lie that would hold up?" "It seems fair.

Everything was gone, the garden of wind and light, the Chrysalis, the Mother and her sister-crones, the rowan tree, everything. I was in a grove–no, it was a triad of trees: apple, oak, hazel. And at my feet something that smacked of familiar miens, a stone half buried in a pitch of heather. A stone bearing my name and a date I could hardly remember. A moment passed, another and in those moments I stood numb with gluey feet at the foot of my own grave. For the first time since I’d come to the Faeran Valley, I was alone. And the silence was deafening.

The Quranic voice quickly came into play to counteract the shocking image of believers destroying date orchards: “Whatever you believers have done to their trees, whether cutting them down or uprooting them, was done by God’s leave, so that he might disgrace those who defied him.”4 This was the fault not of the believers but of men like ibn-Ubayy: “Consider the hypocrites who say to their fellows, the faithless among the People of the Book, ‘We would never listen to anyone who sought to harm you, and if you are attacked, we shall certainly come to your aid.

May these nuptials be blessed for us, may this marriage be blessed for us, May it be ever like milk and sugar, this marriage like wine and halvah. May this marriage be blessed with leaves and fruits like the date tree; May this marriage be laughing forever, today,tomorrow, like the houris of paradise. May this marriage be the sign of compassion and the approval of happiness here and hereafter; May this marriage be fair of fame, fair of face and fair of omen as the moon in the azure sky. I have fallen silent for words cannot describe how the spirit has mingled with this marriage

Homer's Hymn to the Earth: Mother of All Published by Mrs. Shelley, "Poetical Works", 1839, 2nd edition; dated 1818. O universal Mother, who dost keep From everlasting thy foundations deep, Eldest of things, Great Earth, I sing of thee! All shapes that have their dwelling in the sea, All things that fly, or on the ground divine Live, move, and there are nourished—these are thine; These from thy wealth thou dost sustain; from thee Fair babes are born, and fruits on every tree Hang ripe and large, revered Divinity! The life of mortal men beneath thy sway Is held; thy power both gives and takes away! Happy are they whom thy mild favours nourish; All things unstinted round them grow and flourish. For them, endures the life-sustaining field Its load of harvest, and their cattle yield Large increase, and their house with wealth is filled. Such honoured dwell in cities fair and free, The homes of lovely women, prosperously; Their sons exult in youth's new budding gladness, And their fresh daughters free from care or sadness, With bloom-inwoven dance and happy song, On the soft flowers the meadow-grass among, Leap round them sporting—such delights by thee Are given, rich Power, revered Divinity. Mother of gods, thou Wife of starry Heaven, Farewell! be thou propitious, and be given A happy life for this brief melody, Nor thou nor other songs shall unremembered be.

Hush little baby, don’t you cry, Mama’s gonna sing you a lullaby, and if that mockingbird don’t sing, Papa’s gonna buy you a diamond ring. Mama, Dada, uh-oh, ball. Good night tree, good night stars, good night moon, good night nobody. Potato stamps, paper chains, invisible ink, a cake shaped like a flower, a cake shaped like a horse, a cake shaped like a cake, inside voice, outside voice. If you see a bad dog, stand still as a tree. Conch shells, sea glass, high tide, undertow, ice cream, fireworks, watermelon seeds, swallowed gum, gum trees, shoes and ships and sealing wax, cabbages and kings, double dares, alphabet soup, A my name is Alice and my boyfriend’s name is Andy, we come from Alabama and we like apples, A my name is Alice and I want to play the game of looooove. Lightning bugs, falling stars, sea horses, goldfish, gerbils eat their young, please, no peanut butter, parental signature required, #1 Mom, show-and-tell, truth or dare, hide-and-seek, red light, green light, please put your own mask on before assisting, ashes, ashes, we all fall down, how to keep the home fires burning, date night, family night, night-night, May came home with a smooth round stone as small as the world and as big as alone. Stop, Drop, Roll. Salutations, Wilbur’s heart brimmed with happiness. Paper valentines, rubber cement, please be mine, chicken 100 ways, the sky is falling. Monopoly, Monopoly, Monopoly, you be the thimble, Mama, I’ll be the car.

With its wide, tree-lined boulevards and rich architectural heritage dating back over a thousand years, Paris had long been considered a jewel amongst Europe’s capital cities; a place that had inspired the dreams of romantics, artists and connoisseurs of every kind, from every country. But for Drake, crouched in the shadows of a dimly lit stairwell that smelled of stale urine and damp, it was an entirely different prospect. The rundown residential apartment block in which he found himself was, in contrast to the ornate architecture the city was known for, a product of cheap 1940s utilitarianism. Stark, bleak and inhabited by people who clearly wished they were living somewhere else, it certainly wasn’t the kind of place he’d visit by choice

I will not mention the name (and what bits of it I happen to give here appear in decorous disguise) of that man, that Franco-Hungarian writer... I would rather not dwell upon him at all, but I cannot help it— he is surging up from under my pen. Today one does not hear much about him; and this is good, for it proves that I was right in resisting his evil spell, right in experiencing a creepy chill down my spine whenever this or that new book of his touched my hand. The fame of his likes circulates briskly but soon grows heavy and stale; and as for history it will limit his life story to the dash between two dates. Lean and arrogant, with some poisonous pun ever ready to fork out and quiver at you, and with a strange look of expectancy in his dull brown veiled eyes, this false wag had, I daresay, an irresistible effect on small rodents. Having mastered the art of verbal invention to perfection, he particularly prided himself on being a weaver of words, a title he valued higher than that of a writer; personally, I never could understand what was the good of thinking up books, of penning things that had not really happened in some way or other; and I remember once saying to him as I braved the mockery of his encouraging nods that, were I a writer, I should allow only my heart to have imagination, and for the rest rely upon memory, that long-drawn sunset shadow of one’s personal truth. I had known his books before I knew him; a faint disgust was already replacing the aesthetic pleasure which I had suffered his first novel to give me. At the beginning of his career, it had been possible perhaps to distinguish some human landscape, some old garden, some dream- familiar disposition of trees through the stained glass of his prodigious prose... but with every new book the tints grew still more dense, the gules and purpure still more ominous; and today one can no longer see anything at all through that blazoned, ghastly rich glass, and it seems that were one to break it, nothing but a perfectly black void would face one’s shivering soul. But how dangerous he was in his prime, what venom he squirted, with what whips he lashed when provoked! The tornado of his passing satire left a barren waste where felled oaks lay in a row, and the dust still twisted, and the unfortunate author of some adverse review, howling with pain, spun like a top in the dust.

Redwoods are power because their great size is unmatched by any other trees, because they are ancient—many of these very specimens dating back centuries before the birth of Jesus Christ—because their extraordinary bark, as thick as armor and high in tannin, makes them all but impervious to insects, disease, and fire. They are power because they endure while all around them dies; men and animals pass among them and pass forever away; birds alight in their high branches and seem freer than anything rooted in rock and soil, but eventually, in a sudden quietness of the heart, the birds swoon off the sturdy limbs and thump to the ground or plummet from the sky, and the trees still soar; on the shadowed floors of these groves, sun-shy ferns and rhododendrons flourish season after season, but their immortality is illusory, for they too die, and new generations of

What to Make a Game About? Your dog, your cat, your child, your boyfriend, your girlfriend, your mother, your father, your grandmother, your friends, your imaginary friends, your summer vacation, your winter in the mountains, your childhood home, your current home, your future home, your first job, your worst job, the job you wish you had. Your first date, your first kiss, your first fuck, your first true love, your second true love, your relationship, your kinks, your deepest secrets, your fantasies, your guilty pleasures, your guiltless pleasures, your break-up, your make-up, your undying love, your dying love. Your hopes, your dreams, your fears, your secrets, the dream you had last night, the thing you were afraid of when you were little, the thing you’re afraid of now, the secret you think will come back and bite you, the secret you were planning to take to your grave, your hope for a better world, your hope for a better you, your hope for a better day. The passage of time, the passage of memory, the experience of forgetting, the experience of remembering, the experience of meeting a close friend from long ago on the street and not recognizing her face, the experience of meeting a close friend from long ago and not being recognized, the experience of aging, the experience of becoming more dependent on the people who love you, the experience of becoming less dependent on the people you hate. The experience of opening a business, the experience of opening the garage, the experience of opening your heart, the experience of opening someone else’s heart via risky surgery, the experience of opening the window, the experience of opening for a famous band at a concert when nobody in the audience knows who you are, the experience of opening your mind, the experience of taking drugs, the experience of your worst trip, the experience of meditation, the experience of learning a language, the experience of writing a book. A silent moment at a pond, a noisy moment in the heart of a city, a moment that caught you unprepared, a moment you spent a long time preparing for, a moment of revelation, a moment of realization, a moment when you realized the universe was not out to get you, a moment when you realized the universe was out to get you, a moment when you were totally unaware of what was going on, a moment of action, a moment of inaction, a moment of regret, a moment of victory, a slow moment, a long moment, a moment you spent in the branches of a tree. The cruelty of children, the brashness of youth, the wisdom of age, the stupidity of age, a fairy tale you heard as a child, a fairy tale you heard as an adult, the lifestyle of an imaginary creature, the lifestyle of yourself, the subtle ways in which we admit authority into our lives, the subtle ways in which we overcome authority, the subtle ways in which we become a little stronger or a little weaker each day. A trip on a boat, a trip on a plane, a trip down a vanishing path through a forest, waking up in a darkened room, waking up in a friend’s room and not knowing how you got there, waking up in a friend’s bed and not knowing how you got there, waking up after twenty years of sleep, a sunset, a sunrise, a lingering smile, a heartfelt greeting, a bittersweet goodbye. Your past lives, your future lives, lies that you’ve told, lies you plan to tell, lies, truths, grim visions, prophecy, wishes, wants, loves, hates, premonitions, warnings, fables, adages, myths, legends, stories, diary entries. Jumping over a pit, jumping into a pool, jumping into the sky and never coming down. Anything. Everything.

This description of physiology—as the exquisite matching of form and function, down to the molecular level—dates back to Aristotle. For Aristotle, living organisms were nothing more than exquisite assemblages of machines. Medieval biology had departed from that tradition, conjuring up “vital” forces and mystical fluids that were somehow unique to life—a last-minute deus ex machina to explain the mysterious workings of living organisms (and justify the existence of the deus). But biophysicists were intent on restoring a rigidly mechanistic description to biology. Living physiology should be explicable in terms of physics, biophysicists argued—forces, motions, actions, motors, engines, levers, pulleys, clasps. The laws that drove Newton’s apples to the ground should also apply to the growth of the apple tree. Invoking special vital forces or inventing mystical fluids to explain life was unnecessary. Biology was physics. Machina en deus.

Is that what we do? We pitch our tents, do our little clown shows, and then take off up the road to the next town ahead? Leaving our science-fictional debris on the blasted dirt to poison the minds of future generations, like the alien litter in STALKER and ROADSIDE PICNIC. Flying cars rusting out like Saturn Five rockets propped up as roadkill talismans at Kennedy, leaking toxins into the soil. Jetpacks oozing fuel from cracks in their tanks and poisoning the grass. Three-ring moonbases crumbling in the solar wind. Birdshit on the time machines. Big fat rats scavenging broken packs of food capsules, Best Before Date of 1971. A Westinghouse Robot Smoking Companion, vintage of 1931, slumped up against a tree, tin fingers still twitching for a cigarette. Vines growing through a busted cyberspace deck. The shreds of inflatable furniture designed for the space hospitals of 1955. Lizards perched atop a weather control cannon. Atomic batteries mouldering inside the grips of laser pistols abandoned in the weeds.

For years the neighbors had pleaded with the Neighborhood Administration to make Mamá take her tree down. It was, after all, the tree whose flowers and fruit were used in burundanga and the date-rape drug. Apparently, the tree had the unique ability of taking people’s free will. Cassandra said burundanga was where the idea of zombies came from. Burundanga was a native drink made out of Drunken Tree seeds. The drink had once been given to the servants and wives of Great Chiefs in Chibcha tribes, in order to bury them alive with the Great Dead Chief. The burundanga made the servants and wives dumb and obedient, and they willingly sat in a corner of the underground grave waiting, while the tribe sealed the exit and left them with food and water that would have been a sin to touch (reserved as it was for use by the Great Chief in the afterworld). Many people used it in Bogotá—criminals, prostitutes, rapists. Most victims who reported being drugged with burundanga woke up with no memory of assisting in the looting of their apartments and bank accounts, opening their wallets and handing over everything, but that’s exactly what they’d done.

As I became older, I was given many masks to wear. I could be a laborer laying railroad tracks across the continent, with long hair in a queue to be pulled by pranksters; a gardener trimming the shrubs while secretly planting a bomb; a saboteur before the day of infamy at Pearl Harbor, signaling the Imperial Fleet; a kamikaze pilot donning his headband somberly, screaming 'Banzai' on my way to my death; a peasant with a broad-brimmed straw hat in a rice paddy on the other side of the world, stooped over to toil in the water; an obedient servant in the parlor, a houseboy too dignified for my own good; a washerman in the basement laundry, removing stains using an ancient secret; a tyrant intent on imposing my despotism on the democratic world, opposed by the free and the brave; a party cadre alongside many others, all of us clad in coordinated Mao jackets; a sniper camouflaged in the trees of the jungle, training my gunsights on G.I. Joe; a child running with a body burning from napalm, captured in an unforgettable photo; an enemy shot in the head or slaughtered by the villageful; one of the grooms in a mass wedding of couples, having met my mate the day before through our cult leader; an orphan in the last airlift out of a collapsed capital, ready to be adopted into the good life; a black belt martial artist breaking cinderblocks with his head, in an advertisement for Ginsu brand knives with the slogan 'but wait--there's more' as the commercial segued to show another free gift; a chef serving up dog stew, a trick on the unsuspecting diner; a bad driver swerving into the next lane, exactly as could be expected; a horny exchange student here for a year, eager to date the blonde cheerleader; a tourist visiting, clicking away with his camera, posing my family in front of the monuments and statues; a ping pong champion, wearing white tube socks pulled up too high and batting the ball with a wicked spin; a violin prodigy impressing the audience at Carnegie Hall, before taking a polite bow; a teen computer scientist, ready to make millions on an initial public offering before the company stock crashes; a gangster in sunglasses and a tight suit, embroiled in a turf war with the Sicilian mob; an urban greengrocer selling lunch by the pound, rudely returning change over the counter to the black patrons; a businessman with a briefcase of cash bribing a congressman, a corrupting influence on the electoral process; a salaryman on my way to work, crammed into the commuter train and loyal to the company; a shady doctor, trained in a foreign tradition with anatomical diagrams of the human body mapping the flow of life energy through a multitude of colored points; a calculus graduate student with thick glasses and a bad haircut, serving as a teaching assistant with an incomprehensible accent, scribbling on the chalkboard; an automobile enthusiast who customizes an imported car with a supercharged engine and Japanese decals in the rear window, cruising the boulevard looking for a drag race; a illegal alien crowded into the cargo hold of a smuggler's ship, defying death only to crowd into a New York City tenement and work as a slave in a sweatshop. My mother and my girl cousins were Madame Butterfly from the mail order bride catalog, dying in their service to the masculinity of the West, and the dragon lady in a kimono, taking vengeance for her sisters. They became the television newscaster, look-alikes with their flawlessly permed hair. Through these indelible images, I grew up. But when I looked in the mirror, I could not believe my own reflection because it was not like what I saw around me. Over the years, the world opened up. It has become a dizzying kaleidoscope of cultural fragments, arranged and rearranged without plan or order.

Have you ever been swept away by a toxic lover who sucked you dry? I have. Bad men used to light me up like a Christmas tree. If I had a choice between the rebel without a cause and a nice guy in a sweater and outdoorsy shoes, you can imagine who got my phone number. Rebels and rogues are smooth (and somewhat untamed); they know the headwaiters at the best steak houses, ride fast European motorcycles, and start bar fights in your honor. In short, the rebel makes you feel really alive! It’s all fun and games until he screws your best friend or embezzles your life’s savings. You may be asking yourself how my pathetic dating track record relates to your diet. Simple. The acid—alkaline balance, which relates to the chemistry of your body’s fluids and tissues as measured by pH. The rebel/rogue = acid. The nice solid guy = alkaline. The solid guy gives you energy; he’s reliable and trustworthy. The solid guy calls you back when he says he will. He helps you clean your garage and does yoga with you. He’s even polite to your family no matter how whacked they are, and has the sexual stamina to rock your world. While the rebel can help you let your hair down, too much rebel will sap your energy. In time, a steady rebellious diet burns you out. But when we’re addicted to bad boys (junk food, fat, sugar, and booze), nice men (veggies and whole grains) seem boring. Give them a chance!

The Netherlands capital of Amsterdam amsterdam cruise is a thriving metropolis and one from the world's popular cities. If you are planning a trip to the metropolis, but are unclear about what you should do presently there, why not possess a little fun and spend time learning about how it's stereotypically known for? How come they put on clogs? When was the wind mill first utilised there? In addition, be sure to include all your feels on your journey and taste the phenomenal cheeses along with smell the stunning tulips. It's really recommended that you stay in a city motel, Amsterdam is quite spread out and residing in hotels close to the city-centre allows for the easiest access to public transportation. Beyond the clichés So that you can know precisely why a stereotype exists it usually is important to discover its source. Clogs: The Dutch have already been wearing solid wood shoes, as well as "Klompen" as they are referred to, for approximately 700 years. They were originally made out of a timber sole along with a leather top or band tacked for the wood. Nevertheless, the shoes had been eventually created completely from wood to safeguard the whole base. Wooden shoe wearers state the shoes are usually warm during the cold months and cool during the warm months. The first guild associated with clog designers dates back to a number exceeding 1570 in Holland. When making blockages, both shoes of a set must be created from the same kind of timber, even the same side of a tree, in order that the wood will certainly shrink in the same charge. While most blocks today are produced by equipment, a few shoemakers are left and they normally set up store in vacationer areas near any city hotel. Amsterdam also offers a clog-making museum, Klompenmakerij De Zaanse Schans, that highlights your shoe's history and significance. Windmills: The first windmills have been demonstrated to have existed in Netherlands from about the year 1200. Today, there are eight leftover windmills in the capital. The most effective to visit is De Gooyer, which has been built in 1725 over the Nieuwevaart Canal. Their location in the east involving city's downtown area signifies it is readily available from any metropolis hotel. Amsterdam enjoys its beer and it actually has a brewery right on the doorstep to the wind generator. So if you are enjoying a historic site it's also possible to enjoy a scrumptious ice-cold beer - what more would you ask for? Mozerella: It's impossible to vacation to Amsterdam without sampling several of its wonderful cheeses. In accordance with the locals, probably the most flavourful cheeses are available at the Wegewijs Emporium. With over 50 international cheese and A hundred domestic parmesan cheesse, you will surely have a wide-variety to pick from.

It was a gorgeous evening, with a breeze shimmering through the trees, people strolling hand in hand through the quaint streets and the plaza. The shops, bistros and restaurants were abuzz with patrons. She showed him where the farmer's market took place every Saturday, and pointed out her favorite spots- the town library, a tasting room co-op run by the area vintners, the Brew Ha-Ha and the Rose, a vintage community theater. On a night like this, she took a special pride in Archangel, with its cheerful spirit and colorful sights. She refused to let the Calvin sighting drag her down. He had ruined many things for her, but he was not going to ruin the way she felt about her hometown. After some deliberation, she chose Andaluz, her favorite spot for Spanish-style wines and tapas. The bar spilled out onto the sidewalk, brightened by twinkling lights strung under the big canvas umbrellas. The tables were small, encouraging quiet intimacy and insuring that their knees would bump as they scooted their chairs close. She ordered a carafe of local Mataro, a deep, strong red from some of the oldest vines in the county, and a plancha of tapas- deviled dates, warm, marinated olives, a spicy seared tuna with smoked paprika. Across the way in the plaza garden, the musician strummed a few chords on his guitar. The food was delicious, the wine even better, as elemental and earthy as the wild hills where the grapes grew. They finished with sips of chocolate-infused port and cinnamon churros. The guitar player was singing "The Keeper," his gentle voice seeming to float with the breeze.

Kate turned on her heel and walked out. Before she was halfway across the hall, though, Bunny had jumped up from the couch and come after her. “Are you saying we can’t see each other anymore?” she asked. “He’s just visiting me at my house! We’re not going out on dates or anything.” “The guy must be twenty years old,” Kate told her. “You don’t find anything wrong with that?” “So? I’m fifteen years old. A very mature fifteen.” “Don’t make me laugh,” Kate told her. “You’re just jealous,” Bunny said. She was following Kate through the dining room now. “Just because you have to settle for Pyoder—” “His name is Pyotr,” Kate said through her teeth. “You might as well learn to pronounce it right.” “Well, la-di-da to you, Miss Frilling-Your-rs. At least I didn’t have to rely on my father to find me a boyfriend.” By the time she was saying this, they had reached the kitchen. The two men glanced over at them, surprised. “Your daughter is a jerk,” Bunny told their father. “I beg your pardon?” “She is a snoopy, jealous, meddlesome jerk, and I refuse to—and now look!” Her attention had been snagged by something outside the window. The rest of them turned to see Edward slinking past with his shoulders hunched, veering beneath the redbud tree to cross to his own house. “I hope you’re satisfied,” Bunny told Kate. “Why is it,” Dr. Battista asked Pyotr, “that whenever I’m around women for any length of time, I end up asking, ‘What just happened here?’ ” “That is extremely sexist of you,” Pyotr said sternly. “Don’t blame me,” Dr. Battista said. “I base the observation purely on empirical evidence.

The Unknown Soldier A tale to tell in bloody rhyme, A story to last ’til the dawn of end’s time. Of a loving boy who left dear home, To bear his countries burdens; her honor to sow. –A common boy, I say, who left kith and kin, To battle der Kaiser and all that was therein. The Arsenal of Democracy was his kind, –To make the world safe–was their call and chime. Trained he thus in the far army camps, Drilled he often in the march and stamp. Laughed he did with new found friends, Lived they together for the noble end. Greyish mottled images clipp’ed and hack´ed– Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ —marching armies off to ’ttack. Images scratched, chopped, theatrical exaggerate, Confetti parades, shouts of high praise To where hell would sup and partake with all bon hope as the transport do them take Faded icons board the ship– To steel them away collaged together –joined in spirit and hip. Timeworn humanity of once what was To broker peace in eagles and doves. Mortal clay in the earth but to grapple and smite As warbirds ironed soar in heaven’s light. All called all forward to divinities’ kept date, Heroes all–all aces and fates. Paris–Used to sing and play at some cards, A common Joe everybody knew from own heart. He could have been called ‘the kid’ by the ‘old man,’ But a common private now taking orders to stand. Receiving letters from his shy sweet one, Read them over and over until they faded to none. Trained like hell with his Commander-in-Arms, –To avoid the dangers of a most bloody harm. Aye, this boy was mortal, true enough said, He could be one of thousands alive but now surely dead. How he sang and cried and ate the gruel of rations, And grumbled as soldiers do at war’s great contagions. Out–out to the battle this young did go, To become a man; the world to show. (An ocean away his mother cried so– To return her boy safe as far as the heavens go). Lay he down in trenched hole, With balls bursting overhead upon the knoll. Listened hardnfast to the “Sarge” bearing the news, —“We’re going over soon—” was all he knew. The whistle blew; up and over they went, Charging the Hun, his life to be spent (“Avoid the gas boys that’ll blister yer arse!!”). Running through wires razored and deadened trees, Fell he into a gouge to find in shelter of need (They say he bayoneted one just as he–, face to face in War’s Dance of trialed humanity). A nameless sonnuvabitch shell then did untimely RiiiiiiiP the field asunder in burrrstzʑ–and he tripped. And on the field of battle’s blood did he die, Faceless in a puddle as blurrs of ghosting men shrieked as they were fleeing by–. Perished he alone in the no man’s land, Surrounded by an army of his brother’s teeming bands . . . And a world away a mother sighed, Listened to the rain and lay down and cried. . . . Today lays the grave somber and white, Guarded decades long in both the dark and the light. Silent sentinels watch o’er and with him do walk, Speak they neither; their duty talks. Lone, stark sentries perform the unsmiling task, –Guarding this one dead–at the nation’s bequest. Cared over day and night in both rain or sun, Present changing of the guard and their duty is done (The changing of the guard ’tis poetry motioned A Nation defining itself–telling of rifles twirl-clicking under the intensest of devotions). This poem–of The Unknown, taken thus, Is rend eternal by Divinity’s Iron Trust. How he, a common soldier, gained the estate Of bearing his countries glory unto his unknown fate. Here rests in honored glory a warrior known but to God, Now rests he in peace from the conflict path he trod. He is our friend, our family, brother, our mother’s son –belongs he to us all, For he has stood in our place–heeding God’s final call.

Working with chocolate always helps me find the calm centre of my life. It has been with me for so long; nothing here can surprise me. This afternoon I am making pralines, and the little pan of chocolate is almost ready on the burner. I like to make these pralines by hand. I use a ceramic container over a shallow copper pan: an unwieldy, old-fashioned method, perhaps, but the beans demand special treatment. They have traveled far, and deserve the whole of my attention. Today I am using couverture made from the Criollo bean: its taste is subtle, deceptive; more complex than the stronger flavors of the Forastero; less unpredictable than the hybrid Trinitario. Most of my customers will not know that I am using this rarest of cacao beans; but I prefer it, even though it may be more expensive. The tree is susceptible to disease: the yield is disappointingly low; but the species dates back to the time of the Aztecs, the Olmecs, the Maya. The hybrid Trinitario has all but wiped it out, and yet there are still some suppliers who deal in the ancient currency. Nowadays I can usually tell where a bean was grown, as well as its species. These come from South America, from a small, organic farm. But for all my skill, I have never seen a flower from the Theobroma cacao tree, which only blooms for a single day, like something in a fairytale. I have seen photographs, of course. In them, the cacao blossom looks something like a passionflower: five-petaled and waxy, but small, like a tomato plant, and without that green and urgent scent. Cacao blossoms are scentless; keeping their spirit inside a pod roughly the shape of a human heart. Today I can feel that heart beating: a quickening inside the copper pan that will soon release a secret. Half a degree more of heat, and the chocolate will be ready. A filter of steam rises palely from the glossy surface. Half a degree, and the chocolate will be at its most tender and pliant.

The Phoenix and the Turtle Let the bird of loudest lay On the sole Arabian tree Herald sad and trumpet be, To whose sound chaste wings obey. But thou shrieking harbinger, Foul precurrer of the fiend, Augur of the fever's end, To this troop come thou not near. From this session interdict Every fowl of tyrant wing, Save the eagle, feather'd king; Keep the obsequy so strict. Let the priest in surplice white, That defunctive music can, Be the death-divining swan, Lest the requiem lack his right. And thou treble-dated crow, That thy sable gender mak'st With the breath thou giv'st and tak'st, 'Mongst our mourners shalt thou go. Here the anthem doth commence: Love and constancy is dead; Phoenix and the Turtle fled In a mutual flame from hence. So they lov'd, as love in twain Had the essence but in one; Two distincts, division none: Number there in love was slain. Hearts remote, yet not asunder; Distance and no space was seen 'Twixt this Turtle and his queen: But in them it were a wonder. So between them love did shine That the Turtle saw his right Flaming in the Phoenix' sight: Either was the other's mine. Property was thus appalled That the self was not the same; Single nature's double name Neither two nor one was called. Reason, in itself confounded, Saw division grow together, To themselves yet either neither, Simple were so well compounded; That it cried, "How true a twain Seemeth this concordant one! Love has reason, reason none, If what parts can so remain." Whereupon it made this threne To the Phoenix and the Dove, Co-supremes and stars of love, As chorus to their tragic scene: Beauty, truth, and rarity, Grace in all simplicity, Here enclos'd, in cinders lie. Death is now the Phoenix' nest, And the Turtle's loyal breast To eternity doth rest, Leaving no posterity: 'Twas not their infirmity, It was married chastity. Truth may seem but cannot be; Beauty brag but 'tis not she; Truth and beauty buried be. To this urn let those repair That are either true or fair; For these dead birds sigh a prayer

Why does the mind habitually deny or resist the Now? Because it cannot function and remain in control without time, which is past and future, so it perceives the timeless Now as threatening. Time and mind are in fact inseparable. Imagine the Earth devoid of human life, inhabited only by plants and animals. Would it still have a past and a future? Could we still speak of time in any meaningful way? The question “What time is it?” or “What’s the date today?” — if anybody were there to ask it — would be quite meaningless. The oak tree or the eagle would be bemused by such a question. “What time?” they would ask. “Well, of course, it’s now. The time is now. What else is there?” Yes, we need the mind as well as time to function in this world, but there comes a point where they take over our lives, and this is where dysfunction, pain, and sorrow set in. The mind, to ensure that it remains in control, seeks continuously to cover up the present moment with past and future, and so, as the vitality and infinite creative potential of Being, which is inseparable from the Now, becomes covered up by time, your true nature becomes obscured by the mind. An increasingly heavy burden of time has been accumulating in the human mind. All individuals are suffering under this burden, but they also keep adding to it every moment whenever they ignore or deny that precious moment or reduce it to a means of getting to some future moment, which only exists in the mind, never in actuality. The accumulation of time in the collective and individual human mind also holds a vast amount of residual pain from the past. If you no longer want to create pain for yourself and others, if you no longer want to add to the residue of past pain that still lives on in you, then don’t create any more time, or at least no more than is necessary to deal with the practical aspects of your life. How to stop creating time? Realize deeply that the present moment is all you ever have. Make the Now the primary focus of your life. Whereas before you dwelt in time and paid brief visits to the Now, have your dwelling place in the Now and pay brief visits to past and future when required to deal with the practical aspects of your life situation. Always say “yes” to the present moment. What could be more futile, more insane, than to create inner resistance to something that already is? What could be more insane than to oppose life itself, which is now and always now? Surrender to what is. Say “yes” to life — and see how life suddenly starts working for you rather than against you.

This is the mighty and branching tree called mythology which ramifies round the whole world whose remote branches under separate skies bear like colored birds the costly idols of Asia and the half-baked fetishes of Africa and the fairy kings and princesses of the folk-tales of the forest and buried amid vines and olives the Lares of the Latins, and carried on the clouds of Olympus the buoyant supremacy of the gods of Greece. These are the myths and he who has no sympathy with myths has no sympathy with men. But he who has most Sympathy with myths will most fully realize that they are not and never were a religion, in the sense that Christianity or even Islam is a religion. They satisfy some of the needs satisfied by a religion; and notably the need for doing certain things at certain dates; the need of the twin ideas of festivity and formality. But though they provide a man with a calendar they do not provide him with a creed. A man did not stand up and say 'I believe in Jupiter and Juno and Neptune,' etc., as he stands up and says 'I believe in God the Father Almighty' and the rest of the Apostles' Creed.... Polytheism fades away at its fringes into fairy-tales or barbaric memories; it is not a thing like monotheism as held by serious monotheists. Again it does satisfy the need to cry out on some uplifted name, or some noble memory in moments that are themselves noble and uplifted; such as the birth of a child or the saving of a city. But the name was so used by many to whom it was only a name. Finally it did satisfy, or rather it partially satisfied, a thing very deep in humanity indeed; the idea of surrendering something as the portion of the unknown powers; of pouring out wine upon the ground, of throwing a ring into the sea; in a word, of sacrifice....A child pretending there is a goblin in a hollow tree will do a crude and material thing like leaving a piece of cake for him. A poet might do a more dignified and elegant thing, like bringing to the god fruits as well as flowers. But the degree of seriousness in both acts may be the same or it may vary in almost any degree. The crude fancy is no more a creed than the ideal fancy is a creed. Certainly the pagan does not disbelieve like an atheist, any more than he believes like a Christian. He feels the presence of powers about which he guesses and invents. St. Paul said that the Greeks had one altar to an unknown god. But in truth all their gods were unknown gods. And the real break in history did come when St. Paul declared to them whom they had worshipped. The substance of all such paganism may be summarized thus. It is an attempt to reach the divine reality through the imagination alone; in its own field reason does not restrain it at all..... There is nothing in Paganism whereby one may check his own exaggerations.... The only objection to Natural Religion is that somehow it always becomes unnatural. A man loves Nature in the morning for her innocence and amiability, and at nightfall, if he is loving her still, it is for her darkness and her cruelty. He washes at dawn in clear water as did the Wise Man of the Stoics, yet, somehow at the dark end of the day, he is bathing in hot bull’s blood, as did Julian the Apostate.