Darling Movie Quotes

Can you be happy with the movies, and the ads, and the clothes in the stores, and the doctors, and the eyes as you walk down the street all telling you there is something wrong with you? No. You cannot be happy. Because, you poor darling baby, you believe them.

Sweetheart, darling, dearest, it was funny to think that these endearments, which used to sound exceedingly sentimental in movies and books, now held great importance, simple but true verbal affirmations of how they felt for each other. They were words only the heart could hear and understand, words that could impart entire pentameter sonnets in their few, short syllables.

She felt like Lady in Lady and the Tramp, one of Hanna's favorite movies as a kid. When Jim Dear and Darling had a new baby, they kicked Lady to the curb. Except Hanna didn't even have a scruffy bad-boy stray she could run off with because her supposed boyfriend was going to be hundreds of miles away soaking up sunshine on a nude beach with a skank.

And whenever I’d complain or was upset about something in my own life, my mother had the same advice: “Darling, just change the channel. You are in control of the clicker. Don’t replay the bad, scary movie.

I'm really not looking to date anyone." I know people often say that when secretly looking for a romantic partner, but I mean it. I definitely felt attracted to some people, and I liked the idea of being with someone, but the actual mechanics of it didn't much suit my talents. Like, parts of typical romantic relationships that made me anxious included 1. Kissing; 2. Having to say the right things to avoid hurt feelings; 3. Saying more wrong things while trying to apologize; 4. Being at a movie theater together and feeling obligated to hold hands even after your hands become sweaty and the sweat starts mixing together; 5. The part where they say, "What are you thinking about?" And they want you to be, like, "I'm thinking about you, darling," but you're actually thinking about how cows literally could not survive if it weren't for the bacteria in their guts, and how that means that cows do not exist as independent life-forms, but that's not really something you can say out loud, so you're ultimately forced to choose between lying and seeming weird.

Darling,” she said, “we’re a train wreck.” “Sweetheart,” I said, “train wrecks always make the front page.

He kissed me the way little girls dream about being kissed at their weddings, the way teenagers like to see in movies. The way most grown women have given up on wishing for.

A shadow? Oh, darling, all that lives in this house are shadows and reflections and creaks and groans. So you’d better soothe that boundless imagination of yours from now on.” Edith

Look, I'm sick. It's early. Don't tick me off or I'll toss your salad.” He stopped short, and I could tell he wanted to gape at me, but was too tired to bother. “Whatever could that phrase mean, my darling?” I shrugged. “Heard it in a movie once. It's something they do to each other in prison, so it's gotta be bad.

My darling Julie, I know you'll never see this letter, but it helps to write to you every day. It keeps you close to me. G-d, I miss you so. You haunt every hour of my life. I wish I'd never met you. No-I don't mean that! What good would my life be without my memories of you to make me smile. I keep wondering if you're happy. I want you to be. I want you to have a glorious life. That's why I couldn't say the things I knew you wanted to hear when we were together. I was afraid if I did, you'd wait for me for years. I knew you wanted me to say I loved you. Not saying that to you was the only unselfish thing I did in Colorado, and I now I regret even that. I love you, Julie. Christ, I love you so much. I'd give up all my life to have one year with you. Six months. Three. Anything. You stole my heart in just a few days, darling, but you gave me your heart, too. I know you did- I could see it in your eyes every time you looked at me. I don't regret the loss of my freedom any more or rage at the injustice of the years I spent in prison. Now, my only regret is that I can't have you. You're young, and I know you'll forget about me quickly and go on with your own life. That's exactly what you should do. It's what you must do. I want you to do that, Julie. That's such a lousy lie. What I really want is to see you again, to hold you in my arms, to make love to you over and over again until I've filled you so completely that there's no room left inside of you for anyone but me, ever. I never thought of sexual intercourse as 'making love' until you. You never knew that. .... I wish I had time to write you a better letter or that I'd kept one of the others I've written so I could send that instead. They were all much more coherent than this one. I won't send another letter to you, so don't watch for one. Letters will make us both hope and dream, and if I don't stop doing that, I will die of wanting you. Before I go--I see from the newspapers that Costner has a new movie coming out in the States. If you dare to start fantasizing over Kevin after you see it, I will haunt you for the rest of your life. I love you, Julie. I loved in Colorado. I love you here, where I am. I will always love you. Everywhere. Always.

If I had to boycott assholes out of my artistic menu, I’d be starved for movies, books, and songs.

Hi...ah..." What did she call him? Honey? Babe? Darling? "...Humraaz." The Urdu term of endearment came out before she could stop it. Liam's gaze shifted to her, and his face softened. Before he could ask her what it meant and ruin the performance, she rose up on her toes, pressed her hands against his chest, and kissed him. Without hesitation, Liam wrapped one arm around her waist, pressed his mouth against hers, and bent her over backward in a full-on movie kiss. Her breath hitched and her lips softened. His lips were firm and cool and tasted of coffee and something sweet. He slipped his tongue into her mouth and for a moment she thought her heart had stopped. But it didn't matter. Upside down, in front of her work colleagues, she was the woman she always wanted to be. Then she was up and back on her feet, lips tingling, an ache of desire between her thighs. "What does it mean?" he murmured gently. "The one with whom we share our secrets." "Then I am your humraaz," he said. "And you are mine.

I was blessed with suck in the form of the traditional Snow White coloring: skin as white as snow, lips as red as blood, and hair as black as coal. In the cartoons and the storybooks, they make it look almost cute. Of course, when artists and animators design a Snow White, they essentially give their incarnation of my story a spray tan and some neutral lip liner. A true seven-oh-nine was nowhere near as marketable as those animated darlings. We’re too pale, and our lips are too red, and we look like something out of a horror movie that didn’t have the decency to stay on the screen.

Peering up, I marveled at the blue-sky day. The sun was shining, not a cloud in sight. How could my world crumble on such a beautiful afternoon? In the movies, it would be pouring right now, and I’d be stuck without an umbrella. I could have used a good-sized tornado right about then to scoop me up and take me somewhere else. Anywhere far, far away.

You watch too many movies, Elena. In real life, the villain always wins because we are willing to do anything to succeed.

What is it that Billy Lumos says? ‘Movies don’t create psychos, movies make psychos more creative.

He kissed me the way little girls dream about being kissed at their weddings, the way teenagers like to see in movies. The way most grown women have given up on wishing for. I lost myself to the kiss, to King’s strong hold on me, and when I emerged on the other side, I was once again the Cressida I’d been trying so hard to be. King watched me with his moonshine eyes. “Good?” I

October 17, 1946 D’Arline, I adore you, sweetheart. I know how much you like to hear that — but I don't only write it because you like it — I write it because it makes me warm all over inside to write it to you. It is such a terribly long time since I last wrote to you — almost two years but I know you'll excuse me because you understand how I am, stubborn and realistic; and I thought there was no sense to writing. But now I know my darling wife that it is right to do what I have delayed in doing, and that I have done so much in the past. I want to tell you I love you. I want to love you. I always will love you. I find it hard to understand in my mind what it means to love you after you are dead — but I still want to comfort and take care of you — and I want you to love me and care for me. I want to have problems to discuss with you — I want to do little projects with you. I never thought until just now that we can do that. What should we do. We started to learn to make clothes together — or learn Chinese — or getting a movie projector. Can't I do something now? No. I am alone without you and you were the "idea-woman" and general instigator of all our wild adventures. When you were sick you worried because you could not give me something that you wanted to and thought I needed. You needn’t have worried. Just as I told you then there was no real need because I loved you in so many ways so much. And now it is clearly even more true — you can give me nothing now yet I love you so that you stand in my way of loving anyone else — but I want you to stand there. You, dead, are so much better than anyone else alive. I know you will assure me that I am foolish and that you want me to have full happiness and don't want to be in my way. I'll bet you are surprised that I don't even have a girlfriend (except you, sweetheart) after two years. But you can't help it, darling, nor can I — I don't understand it, for I have met many girls and very nice ones and I don't want to remain alone — but in two or three meetings they all seem ashes. You only are left to me. You are real. My darling wife, I do adore you. I love my wife. My wife is dead. Rich. PS Please excuse my not mailing this — but I don't know your new address.

Women in the movies got men interested in them by taking charge. Instead, Heddy tended to wish men would want to know her, sense her quickening pulse, note her cheerfulness or the way she twisted her earring as she imagined kissing them. But men never looked that hard, she supposed.

I definitely felt attracted to some people, and I liked the idea of being with someone, but the actual mechanics of it didn't much suit my talents. Like, parts of typical romantic relationships that made me anxious included 1. Kissing; 2. Having to say the right things to avoid hurt feelings; 3. Saying more wrong things while trying to apologize; 4. Being at a movie theater and feeling obligated to hold hands even after your hands become sweaty and the sweat starts mixing together; and 5. The part where they say, "What are you thinking about?" And they want you to be, like, "I'm thinking about you, darling," but you're actually thinking about how cows literally could not survive if it weren't for the bacteria in their guts, and how that sort of means that cows do not exist as independent life-forms, but that's not really something you can say out loud, so you're ultimately forced to choose between lying and seeming weird.

A wife complains to her husband, “Do you realize that since we were married two years ago you haven’t once taken me to the movies? It wasn’t that way when you were courting. I think you’re beginning to take me for granted.” When the penitent husband returns from work the following evening he says, “Darling, what about going to the movies after dinner?” And she replies, “You’re only suggesting it because I complained!

You can’t get rid of me that easily,” I replied (there’s a little bit of truth in all kidding). “Don’t be so silly, darling. God, I thought I’d really lost you this time.” “Wild horses,” I said, “wouldn’t drag me away.” My mother was there, too. I think she’d been by my side the entire six days. Mick had been drumming back and forth from the movie location. Nothing stops Mick when he’s working, not even an attempted suicide! I wouldn’t expect different.

Someday, I’ll gain telepathic powers like every other regular movie ghost and I will go all Freddie Krueger on his bony, little, rat arse!” I rolled my eyes, but kept marching down the street. “Then I’d have to go all Ghostbusters on yours.”, I tried to keep my voice low to keep from drawing attention to myself. “No, you wouldn’t. You love my arse, darling!”, he walked backwards few feet in front of me. His big smile was enough to make me grin and roll my eyes again at him.

In a seedy cinema on ru du Temple, watching Disney's Peter Pan with my son, I found that although we were all gazing at the same screen in the flickering dark, I was seeing a different film to the rest of the audience. What seemed fantastical and exotic to the Parisian kids looked like home to me. I knew secret coves and hidey-holes like those of the Lost Boys. I'd grown up in a world of rocky islands, boats and obscuring bush. To my mind the only setting that was alien - even whimsical - was the cold, lonely nursery in the Darling family attic. The wild opportunity of Neverland with its freedom from adult surveillance was deeply, warmly familiar. Watching the movie for the umpteenth time and seeing it anew, forsaking story and focusing greedily on the backdrop, I understood what a complete stranger I was in that hemisphere. But acknowledging my strangeness made those years abroad easier to digest and enjoy.

I’m really not looking to date anyone.” I know people often say that when secretly looking for ‎a romantic partner, but I meant it. I definitely felt attracted to some people, and I liked the ‎idea of being with someone, but the actual mechanics of it didn’t much suit my talents. Like, ‎parts of typical romantic relationships that made me anxious included 1. Kissing; 2. Having to ‎say the right things to avoid hurt feelings; 3. Saying more wrong things while trying to ‎apologize; 4. Being at a movie theater together and feeling obligated to hold hands even after ‎your hands become sweaty and the sweat starts mixing together; and 5. The part where they ‎say, “What are you thinking about?” And they want you to be, like, “I’m thinking about you, ‎darling,” but you’re actually thinking about how cows literally could not survive if it weren’t for ‎the bacteria in their guts, and how that sort of means that cows do not exist as independent ‎life-forms, but that’s not really something you can say out loud, so you’re ultimately forced to ‎choose between lying and seeming weird

RICHARD FEYNMAN LETTER TO ARLINE FEYNMAN, 1946 Richard Feynman (1918–1988) shared the 1965 Nobel Prize in Physics for his work on quantum electrodynamics. Unrivaled in his generation for his brilliance and innovation, he was also known for being witty, warm, and unconventional. Those last three qualities were particularly evident in this letter, which he wrote to his wife Arline nearly two years after her death from tuberculosis. Feynman and Arline had been high school sweethearts and married in their twenties. Feynman’s second marriage, in 1952, ended in divorce two years later. His third marriage, in 1960, lasted until his death. D’Arline, I adore you, sweetheart. I know how much you like to hear that—but I don’t only write it because you like it—I write it because it makes me warm all over inside to write it to you. It is such a terribly long time since I last wrote to you—almost two years but I know you’ll excuse me because you understand how I am, stubborn and realistic; & I thought there was no sense to writing. But now I know my darling wife that it is right to do what I have delayed in doing, and that I have done so much in the past. I want to tell you I love you. I want to love you. I always will love you. I find it hard to understand in my mind what it means to love you after you are dead—but I still want to comfort and take care of you—and I want you to love me and care for me. I want to have problems to discuss with you—I want to do little projects with you. I never thought until just now that we can do that together. What should we do. We started to learn to make clothes together—or learn Chinese—or getting a movie projector. Can’t I do something now. No. I am alone without you and you were the “idea-woman” and general instigator of all our wild adventures. When you were sick you worried because you could not give me something that you wanted to & thought I needed. You needn’t have worried. Just as I told you then there was no real need because I loved you in so many ways so much. And now it is clearly even more true—you can give me nothing now yet I love you so that you stand in my way of loving anyone else—but I want you to stand there. You, dead, are so much better than anyone else alive. I know you will assure me that I am foolish & that you want me to have full happiness & don’t want to be in my way. I’ll bet you are surprised that I don’t even have a girl friend (except you, sweetheart) after two years. But you can’t help it, darling, nor can I—I don’t understand it, for I have met many girls & very nice ones and I don’t want to remain alone—but in two or three meetings they all seem ashes. You only are left to me. You are real. My darling wife, I do adore you. I love my wife. My wife is dead. Rich. P.S. Please excuse my not mailing this—but I don’t know your new address.

I took a shower after dinner and changed into comfortable Christmas Eve pajamas, ready to settle in for a couple of movies on the couch. I remembered all the Christmas Eves throughout my life--the dinners and wrapping presents and midnight mass at my Episcopal church. It all seemed so very long ago. Walking into the living room, I noticed a stack of beautifully wrapped rectangular boxes next to the tiny evergreen tree, which glowed with little white lights. Boxes that hadn’t been there minutes before. “What…,” I said. We’d promised we wouldn’t get each other any gifts that year. “What?” I demanded. Marlboro Man smiled, taking pleasure in the surprise. “You’re in trouble,” I said, glaring at him as I sat down on the beige Berber carpet next to the tree. “I didn’t get you anything…you told me not to.” “I know,” he said, sitting down next to me. “But I don’t really want anything…except a backhoe.” I cracked up. I didn’t even know what a backhoe was. I ran my hand over the box on the top of the stack. It was wrapped in brown paper and twine--so unadorned, so simple, I imagined that Marlboro Man could have wrapped it himself. Untying the twine, I opened the first package. Inside was a pair of boot-cut jeans. The wide navy elastic waistband was a dead giveaway: they were made especially for pregnancy. “Oh my,” I said, removing the jeans from the box and laying them out on the floor in front of me. “I love them.” “I didn’t want you to have to rig your jeans for the next few months,” Marlboro Man said. I opened the second box, and then the third. By the seventh box, I was the proud owner of a complete maternity wardrobe, which Marlboro Man and his mother had secretly assembled together over the previous couple of weeks. There were maternity jeans and leggings, maternity T-shirts and darling jackets. Maternity pajamas. Maternity sweats. I caressed each garment, smiling as I imagined the time it must have taken for them to put the whole collection together. “Thank you…,” I began. My nose stung as tears formed in my eyes. I couldn’t imagine a more perfect gift. Marlboro Man reached for my hand and pulled me over toward him. Our arms enveloped each other as they had on his porch the first time he’d professed his love for me. In the grand scheme of things, so little time had passed since that first night under the stars. But so much had changed. My parents. My belly. My wardrobe. Nothing about my life on this Christmas Eve resembled my life on that night, when I was still blissfully unaware of the brewing thunderstorm in my childhood home and was packing for Chicago…nothing except Marlboro Man, who was the only thing, amidst all the conflict and upheaval, that made any sense to me anymore. “Are you crying?” he asked. “No,” I said, my lip quivering. “Yep, you’re crying,” he said, laughing. It was something he’d gotten used to. “I’m not crying,” I said, snorting and wiping snot from my nose. “I’m not.” We didn’t watch movies that night. Instead, he picked me up and carried me to our cozy bedroom, where my tears--a mixture of happiness, melancholy, and holiday nostalgia--would disappear completely.

What's that thing?” The young man looked horrified. “That’s Winky.” How dare he call my darling cat a thing? Sure, Winky had only one eye, and looked as though he’d just walked off the set of a slasher movie, but deep down, underneath all that fur and latent aggression, he was sweet and adorable. At least, that’s what the woman at the cat re-homing centre had told me. Gullible? Who? Me? Winky jumped onto my desk, and immediately the young man pushed his chair back. He probably thought he’d be safe at that distance, but he hadn’t seen how far Winky could jump.

Maybe he got me one of those two-necklace sets, the ones with the halved hearts, I thought, and he’ll wear one half and I’ll wear the other. I couldn’t exactly picture it, but Marlboro Man had never been above surprising me. Then again, we were walking toward a barn. Maybe it was a piece of furniture for the house we’d been working on--a love seat, perhaps. Oh, wouldn’t that be the most darling of wedding gifts? A love seat? I’ll bet it’s upholstered in cowhide, I thought, or maybe some old western brocade fabric. I’d always loved those fabrics in the old John Wayne movies. Maybe its legs are made of horns! It just had to be furniture. Maybe it was a new bed. A bed on which all the magic of the world would take place, where our children--whether one or six--would be conceived, where the prairie would ignite in an explosion of passion and lust, where… Or maybe it’s a puppy. Oh, yes! That has to be it, I told myself. It’s probably a puppy--a pug, even, in tribute to the first time I broke down and cried in front of him! Oh my gosh--he’s replacing Puggy Sue, I thought. He waited until we were close enough to the wedding, but he doesn’t want the pup to get any bigger before he gives it to me. Oh, Marlboro Man…you may have just zeroed in on what could possibly be the single most romantic thing you ever could have done for me. In my wildest dreams, I couldn’t have imagined a more perfect love gift. A pug would be the perfect bridge between my old world and my new, a permanent and furry reminder of my old life on the golf course. As Marlboro Man slid open the huge barn doors and flipped on the enormous lights mounted to the beams, my heart began beating quickly. I couldn’t wait to smell its puppy breath.

Loving him wasn’t the end of everything. It’s funny they always make it seem that way in the books and movies. Loving him was just the beginning.

Fear, heavy like lead, settled down her belly. That wasn't some engaging thriller movie you would binge on Webflix. It was real life and Opia was no hero. Sweat formed on her forehead and her fingertips grew numb from the cold wind. The silhouette became creepier the closer she moved. Her intellect screamed to turn away before she saw anything she shouldn't. But curious as she was, Opia pushed forward, thinning down the layer of fog enough to make out the details.

Don’t you want to watch the movie? Because if you want to do something else, darling, I’m down.” “Shut the fuck up,” I snap, tucking my hands under my ass to stop myself from reaching out and petting his muscles. That’s right. Petting them.

Rakesh Roshan Rakesh Roshan is a producer, director, and actor in Bollywood films. A member of the successful Roshan film family, Mr. Roshan opened his own production company in 1982 and has been producing Hindi movies ever since. His film Kaho Naa…Pyaar Hai won nine Filmfare awards, including those for best movie and best director. I didn’t have the privilege of meeting Diana personally, but as a keen observer I learned a lot about her through the media and television coverage of her various activities and her visits to various countries, including India. I vividly remember when she came to my country and visited places that interested her, such as Mother Teresa’s Missionaries of Charity, various homes of the destitute, orphanages, hospitals, and so on. On all of these occasions, her kind looks, kind words, and kind actions, such as holding the poor orphan children in her lap, caring for them with love, and wiping their tears, were sufficient indications to convey the passion that Diana had in her heart for the service of the poor and underprivileged. Wherever she went, she went with such noble mission. She derived a sort of divine pleasure through her visits to charitable institutions, orphanages, and homes of the destitute. By minutely looking at her, one could see a deity in Diana--dedicated to love and kindness--devoted to charity and goodness and the darling of all she met. For such human virtues, love for the poor and concern for the suffering of humanity, Diana commands the immense respect, admiration, and affection of the whole world. Wherever she went, she was received with genuine affection and warmth, unlike politically staged receptions.

Rakesh Roshan Rakesh Roshan is a producer, director, and actor in Bollywood films. A member of the successful Roshan film family, Mr. Roshan opened his own production company in 1982 and has been producing Hindi movies ever since. His film Kaho Naa…Pyaar Hai won nine Filmfare awards, including those for best movie and best director. When I remember Diana and her activities in the last years of her life, I strongly feel that God sends some special people into this world to perform some special duties. Diana was one of these special people. Advancing on this godly path of love and goodness, Diana was blossoming like a flower, and with her captivating fragrance she started infusing new life in our dangerously sick garden--which was apparently at the brink of a precipice. The irony is that the cruel winds of autumn ruthlessly blew away this rare flower and deprived the world of its soothing fragrance. Diana, Princess of Wales, is no longer present in this world, but Diana, the queen of millions of hearts, is immortal and will live forever. My heart breaks when I think of her last journey, her funeral, which was brilliantly covered all over the world. One could see the whole of England in tears, and the eyes of all the television viewers were also flooded. Thousands of men, women, and children had lined up along the entire route from the palace to the church where the services were held. All the fresh flowers available in the United Kingdom were there on the passage. All eyes were tearful, and one could clearly hear the sobs of people. There were heartrending scenes of people paying tribute to their departed darling. Last, I would like to write here a translation in English of a poem written in Urdu. We hope you will come back…dear friend But why this pervading sadness…dear friend The familiar flavor in the atmosphere is singing… You are somewhere around…dear friend Please come back, Diana; this sinking world desperately needs a savior.

Blake, I reckon them Seattle newsboys must-a took him t’ the movies t’ see Rin-tin-tin do his stuff. Why, that actor dog allers clumb ladders, er jumped inter the water, er through winders jest in the nick o’ time t’ save his master; and Luck’s ‘zackly like him.

Hopelessness surged inside me. It was like watching the saddest movie you’d ever seen, knowing you couldn’t change the plot.

This book holds one of my favorite quotes: I am too fond of books to care to write them. It’s true. Once your art becomes your job, it loses its elusive, sexy charm. It’s like seeing the behind-the-scenes of your favorite movie.

Hollywood studios, which made movies in order to make money from movies, simply couldn’t justify using their parent companies’ funds to let indie darling James Gray re-create a doomed voyage up the Amazon River and Gillian Robespierre portray a fractured family in 1990s New York. As Bob Iger had said about Miramax: “That’s an awful business. Awful.” But Amazon didn’t make movies primarily to make money from movies. It used movies to draw attention, to increase engagement, and to dominate people’s time and digital behavior so they would ultimately buy more stuff from the company. The solution Ted Hope had long wanted, one that would keep feeding intelligent moviegoers and the culture at large with truly artful cinema, had finally revealed itself. All he needed was a company that, at its core, couldn’t care less about movies.

Darling, don’t say it’s me that you love, But that you love how I make you feel on the weekends. Don’t say you have to go, admit there’s nothing more to let me know. Don’t say it was a good movie, tell me that it was a good break. Don’t say you like her hair, tell me that it’s just different. Don’t say your father’s evil, tell me that it’s ignorance. Don’t say you feel like dying, tell me life would be better without bills. Don’t say you hate crying, but that you hate when they see you ill. Don’t say you love the winter, tell me you like the gifts. Don’t say you want a vacation when you really want a kiss.

He kissed me the way little girls dream about being kissed at their weddings, the way teenagers like to see in movies. The way most grown women have given up on wishing for. I lost myself to the kiss, to King’s strong hold on me, and when I emerged on the other side, I was once again the Cressida I’d been trying so hard to be.

Darling, just change the channel. You are in control of the clicker. Don’t replay the bad, scary movie.