Darker Than Black Quotes

Patch's eyes were slate black, darker than a million secrets stacked on top of each other. He dropped his gaze to the ring in his hand, turning it over slowly. "Swear you'll never stop loving me," I whispered. Ever so slightly, he nodded.

It was darker than a pitch-black panther, covered in tar, eating black licorice at the very bottom of the deepest part of the Black Sea.

When I find a colour darker than black, I'll wear it. But until then, I'm wearing black!

The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.

If that's the case.. Go deeper. To a world darker than black, brighter than white... Embrace it.

She knew now that there were darker forces in the world than she had ever imagined, and brighter ones, too.

… the river sliding along its banks, darker now than the sky descending a last time to scatter its diamonds into these black waters that contain the day that passed, the night to come. — Excerpt from the poem “The Mercy

She never felt darker than when she was running, and at the same time, she never felt less black, less anything.

A child said What is the grass? fetching it to me with full hands; How could I answer the child? I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green stuff woven. Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropt, Bearing the owner's name someway in the corners, that we may see and remark, and say Whose? Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white, Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them, It may be you are from old people, or from offspring taken soon out of their mothers' laps, And here you are the mothers' laps. This grass is very dark to be from the white heads of old mothers, Darker than the colorless beards of old men, Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues, And I perceive they do not come from the roofs of mouths for nothing. ... What do you think has become of the young and old men? And what do you think has become of the women and children? They are alive and well somewhere, The smallest sprout shows there is really no death, And if ever there was it led forward life, and does not wait at the end to arrest it, And ceas'd the moment life appear'd. All goes onward and outward, nothing collapses, And to die is different from what any one supposed, and luckier.

Kell had told his brother about the deals he struck in Grey London, and in White, and even on occasion in Red, about the various things he’d smuggled, and Rhy had stared at him, and listened, and when he spoke, it wasn’t to lecture Kell on all the ways it was wrong, or illegal. It was to ask why. “I don’t know,” said Kell, and it had been the truth. Rhy had sat up, eyes bleary from drink. “Have we not provided?” he’d asked, visibly upset. “Is there anything you want for?” “No,” Kell had answered, and that had been a truth and a lie at the same time. “Are you not loved?” whispered Rhy. “Are you not welcomed as family?” “But I’m not family, Rhy,” Kell had said. “I’m not truly a Maresh, for all that the king and queen have offered me that name. I feel more like a possession than a prince.” At that, Rhy had punched him in the face. For a week after, Kell had two black eyes instead of one, and he’d never spoken like that again, but the damage was done.

Black holes are darker than magic markers, but not as black as my mood.

[Aunt Dahlia to Bertie Wooster] 'To look at you, one would think you were just an ordinary sort of amiable idiot--certifiable, perhaps, but quite harmless. Yet, in reality, you are worse a scourge than the Black Death. I tell you, Bertie, when I contemplate you I seem to come up against all the underlying sorrow and horror of life with such a thud that I feel as if I had walked into a lamp post. I thought as much. Well, it needed but this. I don't see how things could possibly be worse than they are, but no doubt you will succeed in making them so. Your genius and insight will find the way. Carry on, Bertie. Yes, carry on. I am past caring now. I shall even find a faint interest in seeing into what darker and profounder abysses of hell you can plunge this home. Go to it, lad..I remember years ago, when you were in your cradle, being left alone with you one day and you nearly swallowed your rubber comforter and started turning purple. And I, ass that I was, took it out and saved your life. Let me tell you, young Bertie, it will go very hard with you if you ever swallow a rubber comforter again when only I am by to aid.

For a moment they stood looking at each other in the firelight, while the old harper still fingered the shining strings and the other man looked on with a gleam of amusement lurking in his watery blue eyes. But Aquila was not looking at him. He was looking only at the dark young man, seeing that he was darker even than he had thought at first, and slightly built in a way that went with the darkness, as though maybe the old blood, the blood of the People of the Hills, ran strong in him. But his eyes, under brows as straight as a raven's flight-pinions, were not the eyes of the little Dark People, which were black and unstable and full of dreams, but a pale clear grey, lit with gold, that gave the effect of flame behind them.

People think blood red, but blood don't got no colour. Not when blood wash the floor she lying on as she scream for that son of a bitch to come, the lone baby of 1785. Not when the baby wash in crimson and squealing like it just depart heaven to come to hell, another place of red. Not when the midwife know that the mother shed too much blood, and she who don't reach fourteen birthday yet speak curse 'pon the chile and the papa, and then she drop down dead like old horse. Not when blood spurt from the skin, on spring from the axe, the cat-o'-nine, the whip, the cane and the blackjack and every day in slave life is a day that colour red. It soon come to pass when red no different from white or blue or black or nothing. Two black legs spread wide and mother mouth screaming. A black baby wiggling in blood on the floor with skin darker than midnight but the greenest eyes anybody ever done seen. I goin' call her Lilith. You can call her what they call her.

Both had indulged in, if not Black Magic, then certainly magic of a darker hue than seemed desirable or legitimate.

We the darker ones come even now not altogether empty-handed: there are to-day no truer exponents of the pure human spirit of the Declaration of Independence than the American Negroes; there is no true American music but the wild sweet melodies of the Negro slave; the American fairy tales and folklore are Indian and African; and, all in all, we black men seem the sole oasis of simple faith and reverence in a dusty desert of dollars and smartness.

The light flickers on all of us and makes us look softer and more beautiful than we really are. But sometimes it makes us darker and scarier too, when the faces go into shadow and you can’t see the eyes, only the eye sockets. Deep pools of blackness welling out of our heads. My

I’m glad you’re here, Lila,” he said. “I hope you feel that way, too.” Devon stared at me, a mix of emotions swirling through his eyes. I saw everything I had that first day at the Razzle Dazzle—the guilt, grief, sorrow, and all the other burdens he carried in his heart. And then there was that hot spark, a little darker and dimmer than before, but still burning all the same. “Me too,” I said. Devon smiled, and that spark brightened just for a moment, and I felt an answering bit of warmth stir in my own heart. I nodded at him, and we both went back to our food, things a little less tense between us. A few seconds later, we were laughing, along with Oscar, as Mo and Felix talked over each other nonstop. Somewhere between those laughs and all the others that morning, I realized something. My home. My friends. My Family. Sometimes, good things come in threes.

She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.

The snowmen stood in bunches, in families, and the breeze generated by the car snatched at their striped scarves. Snowmen fathers and snowgirl mothers with their snowchildren and snowpuppies. Top hats were in abundance, as were corncob pipes and carrot noses. They waved the crooked sticks of their arms, saluting Mr. Manx, Wayne, and NOS4A2 as they went by. The black coals of their eyes gleamed, darker than the night, brighter than the stars.

Then for a moment they faded into the sweet darkness so deep that they were darker than the darkness, so that for awhile they were darker than the black trees- then so dark that when she tried to look up at him she could but look at the wild waves of the universe over his shoulder and say, ‘Yes, I guess I love you too.

Back in Henrietta, night proceeded. Richard Gansey was failing to sleep. When he closed his eyes: Blue’s hands, his voice, black bleeding from a tree. It was starting, starting. No. It was ending. He was ending. This was the landscape of his personal apocalypse. What was excitement when he was wakeful melted into dread when he was tired. He opened his eyes. He opened Ronan’s door just enough to confirm that Ronan was inside, sleeping with his mouth ajar, headphones blaring, Chainsaw a motionless lump in her cage. Then, leaving him, Gansey drove to the school. He used his old key code to get into Aglionby’s indoor athletic complex, and then he stripped and swam in the dark pool in the darker room, all sounds strange and hollow at night. He did endless laps as he used to do when he had first come to the school, back when he had been on the rowing team, back when he had sometimes come earlier than even rowing practice to swim. He had nearly forgotten what it felt like to be in the water: It was as if his body didn’t exist; he was just a borderless mind. He pushed himself off a barely visible wall and headed towards the even less visible opposite one, no longer quite able to hold on to his concrete concerns. School, Headmaster Child, even Glendower. He was only this current minute. Why had he given this up? He couldn’t remember even that. In the dark water he was only Gansey, now. He’d never died, he wasn’t going to die again. He was only Gansey, now, now, only now. He could not see him, but Noah stood on the edge of the pool and watched. He had been a swimmer himself, once.

There was something in her black eyes that was as insubstantial as light but at the same time slower and darker than water, slower than anything I had ever seen. It reminded me of one of those moments of sadness that sometimes come when you're waiting for an inconsequential thing, like an elevator or a stop on the subway, and feel a pause that is so still that it seals itself up around you, lifts away from the stream of time, and hangs suspended there. I felt drawn toward her, the way molecules in motion are drawn toward empty spaces.

His raspy voice cut through the blackness, darker than the blackness. 'Mine.

It’s darker than a black cat’s ass in a coal mine, when you get back there.

I remembered a classmate, a boy from Congo, ridiculed brutally by the American blacks simply because his skin was darker and his hair knottier than theirs. I found it strange that for nine out of ten months of the year, this boy was a social pariah to them and then for that month, Black History Month, he became the embodiment of all their past glory. Being an outsider I found it hypocritical.

I go stand far outside, separating my darker-than-white but lighter-than-Black skin from the inside place, to separate the violence of this skin into a thing I can hold and be responsible for alone.

If I'm walking down an American street and anyone darker than a peanut shell approaches, I'll say, "Hello." This because, if I don't say it, he or she might think that I'm anxious. Which, of course, I must be, otherwise I'd walk by in silence, just as I do with my fellow Caucasians. Does this make me racist, or simply race conscious? Either way, I'm more afraid of conservatives than I am of black people.

THUNDERCLAN LEADER FIRESTAR—ginger tom with a flame-coloured pelt DEPUTY GREYSTRIPE—long-haired grey tom MEDICINE CAT CINDERPELT—dark grey she-cat APPRENTICE, LEAFPAW WARRIORS (toms, and she-cats without kits)   MOUSEFUR—small dusky brown she-cat APPRENTICE, SPIDERPAW   DUSTPELT—dark brown tabby tom APPRENTICE, SQUIRRELPAW   SANDSTORM—pale ginger she-cat APPRENTICE, SORRELPAW   CLOUDTAIL—long-haired white tom   BRACKENFUR—golden brown tabby tom APPRENTICE, WHITEPAW   THORNCLAW—golden brown tabby tom APPRENTICE, SHREWPAW   BRIGHTHEART—white she-cat with ginger patches   BRAMBLECLAW—dark brown tabby tom with amber eyes   ASHFUR—pale grey (with darker flecks) tom, dark blue eyes   RAINWHISKER—dark grey tom with blue eyes   SOOTFUR—lighter grey tom with amber eyes APPRENTICES (more than six moons old, in training to become warriors)   SORRELPAW—tortoiseshell and white shecat with amber eyes   SQUIRRELPAW—dark ginger she-cat with green eyes   LEAFPAW—light brown tabby she-cat with amber eyes and white paws   SPIDERPAW—long-limbed black tom with brown underbelly and amber eyes   SHREWPAW—small dark brown tom with amber eyes   WHITEPAW—white she-cat with green eyes QUEENS (she-cats expecting or nursing kits)   GOLDENFLOWER—pale ginger coat, the oldest nursery queen

Did you know that in the Lion King, the hyenas – the bad guys – all speak in either black or Latino slang? And that the little cubs are told not to go where the hyenas live?" "Do you realise that scar, the villain, is darker than Mufasa?

Did you know that in New Orleans they still have brown bag parties? What’s that, you ask? You and I go to a party, and when we get to the door, there’s a brown bag hanging down from the ceiling, and if our skin is darker than the brown bag, we can’t go in.

On a long journey to Glen-Stone Isailed into its shade there before me she proudly shone my decision was already made. A lass who bore the light of the town her fur of ivory thread how she danced is stuck in my crown and back to this glen my boat led. Twenty some seasons have since passed since her eyes and mine both met through lands unnamed and wildly vast my blade slaying every threat Wolf, hawk, fox, and snake can't stand in my way my body is weak and it may break, but not today. Living in blackness wrought with fright my steel shattered facing the foes dusks and dawns darker than night my fallen companions in rows Life spilled past me staining the ground mylimbs growing ever so cold above villians let out a cackiling sound telling me i'd never grow old One dance and one mouse played in my mind calling me back from the doom the courage to carry on i did find to raise me out of my tomb Wolf, hawk, fox, and snake can't stand in my way my body is weak and it may break though not today Battered and bruised i stood to my paws raised what little i owned predators growled caring not for my cause of the mouse that shone light off Glen-stone Wolf, hawk, fox, and snake can't tand in my way my body is weak and it may break though not today. -The Ballad Of The Ivory Lass

Did you know that in The Lion King, the hyenas—the bad guys—all speak in either black or Latino slang? And that the little cubs are told not to go where the hyenas live?” He looks at me, amused. “Do you realize that Scar, the villain, is darker than Mufasa?

I don’t feel great, but I also don’t feel terrible, either, and I guess that’s how normal people feel most of the time. They live in the space between black and white, and their ups and downs are various shades of gray, not the extreme highs and lows I’ve always thought of as normal. I think that’s one of the major differences between us and them, between addicts and Normies. Somewhere along the line we got stuck on this roller coaster that only knows how to go to the highest up and the lowest low. We get high so we can feel invincible and perfect, but the feeling never lasts. Gravity always wins, and we fall fast, to a place lower and darker than many people will probably ever know. And the crazy thing is that this is just normal for us. We cycle through these extremes all the time, and it’s become as natural as breathing. Exhausting, but natural.

You both need to understand the black woman, black man, black trans person is always last to be thought of as attractive in this white supremacist society. We are all—black and white alike —shown a beauty standard of light skin and ‘good hair,’ maybe big lips, maybe a big bum, but hardly ever on someone with darker skin. When a black person says they’re only into white people, that’s internalized racism. When a white person says they’re only into black people, that’s fetishization, which is also a form of racism. If their skin or racialized features matter more to you than the person within, that’s racism.

I had to hide. I couldn’t let him take me to the police station, but I also couldn’t dial 911 to get them help. Maybe if I waited it out, they’d get better on their own? I dashed toward the storage tubs on the other side of the garage, squeezing past the front of Mom’s car. One, maybe two steps more, and I would have jumped inside the closest tub and buried myself under a pile of blankets. The garage door rolled open first. Not all the way—just enough that I could see the snow on the driveway, and grass, and the bottom half of a dark uniform. I squinted, holding a hand up to the blinding blanket of white light that seemed to settle over my vision. My head started pounding, a thousand times worse than before. The man in the dark uniform knelt down in the snow, his eyes hidden by sunglasses. I hadn’t seen him before, but I certainly hadn’t met all the police officers at my dad’s station. This one looked older. Harder, I remembered thinking. He waved me forward again, saying, “We’re here to help you. Please come outside.” I took a tentative step, then another. This man is a police officer, I told myself. Mom and Dad are sick, and they need help. His navy uniform looked darker the closer I got, like it was drenched straight through with rain. “My parents…” The officer didn’t let me finish. “Come out here, honey. You’re safe now.” It wasn’t until my bare toes brushed up against the snow, and the man had wrapped my long hair around his fist and yanked me through the opening, that I even realized his uniform was black.

Make the race proud," the elders used to say. But by then, I knew that I wasn't so much bound by a biological race as to a group of people, and these people were not black because of any uniform color or any uniform physical feature. They were bound because they suffered under the weight of the dream, and they were bound by all the beautiful things, all the language and mannerisms, all the food and music, all the literature and philosophy, all the common language that they had fashioned like diamonds under the weight of the dream. ... In other words, I was part of a world. And looking out, I had friends who too were part of other worlds. The world of Jews, or New Yorkers. The world of southerners or gay men. Of immigrants, of Californians, of Native Americans, or a combination of any of these worlds stitched into worlds like tapestry. And though I could never myself be a native of any of these worlds, I knew that nothing so essentialist as race stood between us. I had read too much by then, and my eyes, my beautiful precious eyes, were growing stronger each day. And I saw that what divided me from the world was not anything intrinsic to us, but the actual injury done by people intent on naming us. Intent on believing that what they have named us matters more than anything we could ever actually do. In America, the injury is not in being born with darker skin, with fuller lips, with a broader nose, but in everything that happens after.

I still worry about Africa, we are slaves to western and Eastern Brands and we do not cherish and love our own. We are not even in charge of our economies because we depend heavily on what happens in the East or West, Worse-off we still judge each other based on skin color because those from Northern Africa and even some in East Africa believe that they are not Africans and they do not integrate with the darker Africans. For centuries we are still being victimized by other races from other continents, because they despise our dark skin and think that we are lesser than them.. Xenophobia still lingers and some have the cold heart to kill their black African brothers and sisters and yet the people who owe them reparation and economic freedom are originally from the western countries. We still are held captive by our governments , who abuse our resources only to feed their pockets at the expense our crumbling nations. Why should we continue to suffer when we can apply Pan Africanism and Rise above the Western and Eastern Countries, but sadly we do not because we are not united.. Africa must unite to solve its problems, Happy Africa Day

What color am I, Thomas?” “About two shades darker than caramel,” answered Thomas. “Damn, Thomas. I’m black. We don’t watch golf. We watch football, basketball and dominoes.” “I can see you at nighttime, Washington, so you’re not black.” “Do you see caramel as an option when you fill out the U.S. Census, Thomas?” “No, I don’t. But there is a place that states other. Check that one next time.

Colorism is a cultural institution that has skewed access to opportunity by consistently placing those with lighter skin in positions of privilege. This is why things like paper bag tests and comb tests proliferated in some parts of higher-income Black communities. For the paper bag test, a paper bag would be held against your skin and if you were darker than the bag, you weren’t admitted to a nightclub, a fraternity, or sometimes even a church.

It was so odd seeing a stage full of black women tonight, all of the as dark or darker than her, a first, although rather than feel validated, she felt slightly embarrassed. If only the play was about the first black woman prime minister of Britain, or a Nobel prize-winner for science, or a self-made billionaire, someone who represented legitimate success at the highest levels, instead of lesbian warriors strutting around and falling for each other.

and the water and the grass and the white ripples on grey water, and white clouds among grey clouds and the wrinkled young silver skin of the water and life-bright lichens on black branches and on the still, bright river, a man and woman slowly poling their log canoe and the spiderweb (golden-green seed-wings already growing above the darker leaves of maples this early in August) and the smell of evergreens and the living grass, then the dying grass, brighter than an Indian basket

His right eye darker than the midnight sky, and the other the exact opposite. His left eye is so bleached of color, it’s nearly white. The scar starting from the middle of his forehead, slashing straight down through his white eye and to the middle of his cheek, is something I haven’t been able to forget since I saw him in the bookstore. Despite the ugly scar, it only serves to heighten his utter beauty. A jawline so sharp, he could cut diamonds with it. A straight, aristocratic nose. Full lips. And short black hair, just long enough to run your hands through.

Anti-Dark colorism follows the logic of behavioral racism, linking behavior to color, studies show. White children attribute positivity to lighter skin and negativity to Dark skin, a colorism that grows stronger as they get older. White people usually favor lighter-skinned politicians over darker-skinned ones. Dark African Americans are disproportionately at risk of hypertension. Dark African American students receive significantly lower GPAs than Light students. Maybe because racist Americans have higher expectations for Light students, people tend to remember educated Black men as Light-skinned even when their skin is Dark.

A child said, What is the grass? fetching it to me with full hands; How could I answer the child?. . . .I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green stuff woven. Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropped, Bearing the owner’s name someway in the corners, that we may see and remark, and say Whose? Or I guess the grass is itself a child. . . .the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white, Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them; It may be you are from old people and from women, and from offspring taken soon out of their mother’s laps, And here you are the mother’s laps. This grass is very dark to be from the white heads of old mothers, Darker than the colorless beards of old men, Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues! And I perceive they do not come from the roofs of mouths for nothing. I wish I could translate the hints about the dead young men and women, And the hints about old men and mothers, and the offspring taken soon out of their laps. What do you think has become of the young and old men? What do you think has become of the women and children? They are alive and well somewhere; The smallest sprouts show there is really no death, And if ever there was it led forward life, and does not wait at the end to arrest it, And ceased the moment life appeared. All goes onward and outward. . . .and nothing collapses, And to die is different from what any one supposed, and luckier.

Intimacy The woman in the cafe making my cappuccino — dark eyes, dyed red hair, sleeveless black turtleneck — used to be lovers with the man I’m seeing now. She doesn’t know me; we’re strangers, but still I can’t glance at her casually, as I used to, before I knew. She stands at the machine, sinking the nozzle into a froth of milk, staring at nothing — I don’t know what she’s thinking. For all I know she might be remembering my lover, remembering whatever happened between them — he’s never told me, except to say that it wasn’t important, and then he changed the subject quickly, too quickly now that I think about it; might he, after all, have been lying, didn’t an expression of pain cross his face for just and instant? I can’t be sure. And really it was nothing, I tell myself; there’s no reason for me to feel awkward standing here, or complicitous, as though there’s something significant between us. She could be thinking of anything; why, now, do I have the sudden suspicion that she knows, that she feels me studying her, trying to imagine them together?— her lipstick’s dark red, darker than her hair — trying to see him kissing her, turning her over in bed the way he likes to have me. I wonder if maybe there were things about her he preferred, things he misses now that we’re together; sometimes, when he and I are making love, there are moments I’m overwhelmed by sadness, and though I’m there with him I can’t help thinking of my ex-husband’s hands, which I especially loved, and I want to go back to that old intimacy, which often felt like the purest happiness I’d ever known, or would. But all that’s over; and besides, weren’t there other lovers who left no trace? When I see them now, I can barely remember what they looked like undressed, or how it felt to have them inside me. So what is it I feel as she pours the black espresso into the milk, and pushes the cup toward me, and I give her the money, and our eyes meet for just a second, and our fingers touch?

I caught a tremendous fish and held him beside the boat half out of water, with my hook fast in a corner of his mouth. He didn't fight. He hadn't fought at all. He hung a grunting weight, battered and venerable and homely. Here and there his brown skin hung in strips like ancient wallpaper, and its pattern of darker brown was like wallpaper: shapes like full-blown roses stained and lost through age. He was speckled with barnacles, fine rosettes of lime, and infested with tiny white sea-lice, and underneath two or three rags of green weed hung down. While his gills were breathing in the terrible oxygen —the frightening gills, fresh and crisp with blood, that can cut so badly— I thought of the coarse white flesh packed in like feathers, the big bones and the little bones, the dramatic reds and blacks of his shiny entrails, and the pink swim-bladder like a big peony. I looked into his eyes which were far larger than mine but shallower, and yellowed, the irises backed and packed with tarnished tinfoil seen through the lenses of old scratched isinglass. They shifted a little, but not to return my stare. —It was more like the tipping of an object toward the light. I admired his sullen face, the mechanism of his jaw, and then I saw that from his lower lip —if you could call it a lip— grim, wet, and weaponlike, hung five old pieces of fish-line, or four and a wire leader with the swivel still attached, with all their five big hooks grown firmly in his mouth. A green line, frayed at the end where he broke it, two heavier lines, and a fine black thread still crimped from the strain and snap when it broke and he got away. Like medals with their ribbons frayed and wavering, a five-haired beard of wisdom trailing from his aching jaw. I stared and stared and victory filled up the little rented boat, from the pool of bilge where oil had spread a rainbow around the rusted engine to the bailer rusted orange, the sun-cracked thwarts, the oarlocks on their strings, the gunnels—until everything was rainbow, rainbow, rainbow! And I let the fish go.

Cold soft drinks quenched my thirst one hot and humid July day after a cool drive to a mountain store. Seems like every woman in the place had on halter tops displaying their expensive tans. There were two women standing in front of me at the checkout counter. One said to the other, “You must be a lady of leisure, just look at your beautiful tan.' Then the other woman responded, 'No, you must be a lady of leisure, yours is much darker than mine.' A tall dark and handsome Black dude standing behind me whispering down my Black back said 'Sister, if those two are ladies of leisure, you must surely be a lady of royalty.' And in a modest tone, I replied, 'SHO NUFF?

Margaret Beale Spencer was hired as a consultant by CNN to re-create the doll tests for the modern age. This time, however, white children were tested as well as Black children. The tests showed that white children tended to identify the color of their own skin with more positive attributes and those with darker skins with more negative attributes. The researchers called this phenomenon “white bias.” The tests showed that the Black children were far less likely to respond with white bias. Dr. Spencer concluded, “All kids on the one hand are exposed to the stereotypes. What’s really significant here is that white children are learning or maintaining those stereotypes much more strongly than the African American children.

Today, the Catholic Church is the largest religious denomination in the United States, with more than 60 million members, more than nineteen thousand parishes, and enormous influence in the nation's political, cultural, educational, and religious life. Americans often view it as a northern institution that has welcomed, educated, and nurtured waves of newcomers from Europe and Latin America. But there is a darker history both for the church and for our country: for more than a century, the American Catholic Church relied on the buying, selling, and enslavement of Black people to lay its foundations, support its clergy, and drive its expansion. Without the enslaved, the Catholic Church in the United States, as we know it today, would not exist.

Whether it be because the Fall has really brought men nearer to less desirable neighbours in the spiritual world, or whether it is merely that the mood of men eager or greedy finds it easier to imagine evil, I believe that the black magic of witchcraft has been much more practical and much less poetical than the white magic of mythology. I fancy the garden of the witch has been kept much more carefully than the woodland of the nymph. I fancy the evil field has even been more fruitful than the good. To start with, some impulse, perhaps a sort of desperate impulse, drove men to the darker powers when dealing with practical problems. There was a sort of secret and perverse feeling that the darker powers would really do things; that they had no nonsense about them. And indeed that popular phase exactly expresses the point. The gods of mere mythology had a great deal of nonsense about them. They had a great deal of good nonsense about them; in the happy and hilarious sense in which we talk of the nonsense of Jabberwocky or the Land where Jumblies live. But the man consulting a demon felt as many a man has felt in consulting a detective, especially a private detective; that it was dirty work but the work would really be done. A man did not exactly go into the wood to meet a nymph; he rather went with the hope of meeting a nymph. It was an adventure rather than an assignation. But the devil really kept his appointments and even in one sense kept his promises; even if a man sometimes wished afterwards, like Macbeth, that he had broken them.

We want out. In the end, it’s that simple. We want out, where the law is, where you prosper or you fail according to your own merits as a person. Is that so damned much? I don’t want white friends. I don’t want to socialize. You know how white people look to me? The way albinos look to you. I hope never to find myself in a white man’s bed. I don’t want to integrate. I just don’t want to feel segregated. We’re after our share of the power structure of this civilization, Mr. McGee, because, when we get it, a crime will merit the same punishment whether the victim is black or white, and hoods will get the same share of municipal services, based on zoning, not color. And a good man will be thought a credit to the human race. Sorry. End of lecture. The housemaid has spoken.

One approach involves looking at three different kinds of bias: physical bias, computational bias, and interpretation bias. This approach was proposed by UCLA engineering professor Achuta Kadambi in a 2021 Science paper.26 Physical bias manifests in the mechanics of the device, as when a pulse oximeter works better on light skin than darker skin. Computational bias might come from the software or the dataset used to develop a diagnostic, as when only light skin is used to train a skin cancer detection algorithm. Interpretation bias might occur when a doctor applies unequal, race-based standards to the output of a test or device, as when doctors give a different GFR threshold to Black patients. “Bias is multidimensional,” Kadambi told Scientific American. “By understanding where it originates, we can better correct it.

In the Volksgarten “I’d like to have a blue balloon! A blue balloon is what I’d like!” “Here’s a blue balloon for you, Rosamunde!” It was explained to her then that there was a gas inside that was lighter than the air in the atmosphere, as a consequence of which, etc. etc. “I’d like to let it go—,” she said, just like that. “Wouldn’t you rather give it to that poor little girl over there?” “No, I want to let it go—!” She lets the balloon go, keeps looking after it, till it disappears in the blue sky. “Aren’t you sorry now you didn’t give it to the poor little girl?” “Yes, I should’ve given it to the poor little girl.” “Here’s another blue balloon, give her this one!” “No, I want to let this one go too up into the blue sky!”— She does so. She is given a third blue balloon. She goes over to the poor little girl on her own, gives this one to her, saying: “You let it go!” “No,” says the poor little girl, peering enraptured at the balloon. In her room it flew up to the ceiling, stayed there for three days, got darker, shriveled up and fell down dead, a little black sack. Then the poor little girl thought to herself: “I should have let it go outside in the park, up into the blue sky, I’d’ve kept on looking after it, kept on looking—!” In the meantime, the rich little girl gets another ten balloons, and one time Uncle Karl even buys her all thirty balloons in one batch. Twenty of them she lets fly up into the sky and gives ten to poor children. From then on she had absolutely no more interest in balloons. “The stupid balloons—,” she said. Whereupon Aunt Ida observed that she was rather advanced for her age! The poor little girl dreamed: “I should have let it go up into the blue sky, I’d’ve kept on looking and looking—!

The problem of the twentieth century is the problem of the color-line,—the relation of the darker to the lighter races of men in Asia and Africa, in America and the islands of the sea. It was a phase of this problem that caused the Civil War; and however much they who marched South and North in 1861 may have fixed on the technical points, of union and local autonomy as a shibboleth, all nevertheless knew, as we know, that the question of Negro slavery was the real cause of the conflict. Curious it was, too, how this deeper question ever forced itself to the surface despite effort and disclaimer. No sooner had Northern armies touched Southern soil than this old question, newly guised, sprang from the earth,—What shall be done with Negroes? Peremptory military commands this way and that, could not answer the query; the Emancipation Proclamation seemed but to broaden and intensify the difficulties; and the War Amendments made the Negro problems of to-day.

A child said What is the grass? fetching it to me with full hands, How could I answer the child? I do not know what it is any more than he. I guess it must be the flag of my disposition, out of hopeful green stuff woven. Or I guess it is the handkerchief of the Lord, A scented gift and remembrancer designedly dropt, Bearing the owner's name someway in the corners, that we may see and remark, and say Whose? Or I guess the grass is itself a child, the produced babe of the vegetation. Or I guess it is a uniform hieroglyphic, And it means, Sprouting alike in broad zones and narrow zones, Growing among black folks as among white, Kanuck, Tuckahoe, Congressman, Cuff, I give them the same, I receive them the same. And now it seems to me the beautiful uncut hair of graves. Tenderly will I use you curling grass, It may be you transpire from the breasts of young men, It may be if I had known them I would have loved them, It may be you are from old people, or from offspring taken soon out of their mothers' laps, And here you are the mothers' laps. This grass is very dark to be from the white heads of old mothers, Darker than the colourless beards of old men, Dark to come from under the faint red roofs of mouths. O I perceive after all so many uttering tongues, And I perceive they do not come from the roofs of mouths for nothing. I wish I could translate the hints about the dead young men and women, And the hints about old men and mothers, and the offspring taken soon out of their laps. What do you think has become of the young and old men? And what do you think has become of the women and children? They are alive and well somewhere, The smallest sprout shows there is really no death, And if ever there was it led forward life, and does not wait at the end to arrest it, And ceas'd the moment life appear'd. All goes onward and outward, nothing collapses, And to die is different from what any one supposed, and luckier.

Let's look at one more quick example of modern evolution at work. In the early 1800s, light-colored lichens covered many of the trees in the English countryside. The peppered moth was a light-colored insect that blended in unnoticeably with the lichens. Predators had great difficulty distinguishing the peppered moth from its background environment, so the moths easily survived and reproduced. Then the Industrial Revolution came to the English country- side. Coal-burning factories turned the lichens a sooty black. The light-colored peppered moth became clearly visible. Most of them were eaten. But because of genetic variation and mutation, a few peppered moths displayed a slightly darker color. These darker moths were better able to blend in with the sooty lichens, and so lived to produce other darker-colored moths. In little over a hun- dred years, successive generations of peppered moths evolved from almost completely white to completely black. Natural selec- tion, rather than "random accident," guided the moth's evolution- ary progress.

Lillian felt her pulse begin to thunder, her breath mingling in rapid puffs with his. She remembered the hard planes of his body brushing lightly over hers as they had made love, the consummate fit between them, the sliding flex of muscle and sinew beneath her hands. Her skin tingled with the memory of his touch, and the clever explorations of his mouth and fingers that had reduced her to shivering need. No wonder he was so cool and cerebral during the day— he saved all his sensuality for bedtime. Stirred by his closeness, she caught at his wrists. There was still much they had to discuss… issues too important for either of them to ignore. “Marcus,” she said breathlessly, “don’t. Not just now. It only muddles things further, and—” “For me it makes everything clear.” His hands slid to either side of her face, cradling her cheeks with yearning gentleness. His eyes were so much darker than her own, with only the faintest glimmer of deepest amber to betray that they were not black but brown. “Kiss me,” he whispered, and his mouth found hers, catching at her top lip and then the lower, in nuzzling half-open caresses that sent rich quivers of response all the way down to her toes.

And my eyes—my beautiful, precious eyes—were growing stronger each day. And I saw that what divided me from the world was not anything intrinsic to us but the actual injury done by people intent on naming us, intent on believing that what they have named us matters more than anything we could ever actually do. In America, the injury is not in being born with darker skin, with fuller lips, with a broader nose, but in everything that happens after. In that single exchange with that young man, I was speaking the personal language of my people. It was the briefest intimacy, but it captured much of the beauty of my black world—the ease between your mother and me, the miracle at The Mecca, the way I feel myself disappear on the streets of Harlem. To call that feeling racial is to hand over all those diamonds, fashioned by our ancestors, to the plunderer. We made that feeling, though it was forged in the shadow of the murdered, the raped, the disembodied, we made it all the same. This is the beautiful thing that I have seen with my own eyes, and I think I needed this vantage point before I could journey out. I think I needed to know that I was from somewhere, that my home was as beautiful as any other.

On the insides of my eyelids I could see the water moving, the blue heaps of the waves as we came across the Lake, with the light sparkling on them; only they were much bigger waves, and darker, like rolling hills; and they were the waves of the ocean which I had voyaged across three years before, though it seemed like a century. And I wondered what would become of me, and comforted myself that in a hundred years I would be dead and at peace, and in my grave; and I thought it might be less trouble altogether, to be in it a good deal sooner than that. But the waves kept moving, with the white wake of the ship traced in them for an instant, and then smoothed over by the water. And it was as if my own footsteps were being erased behind me, the footsteps I’d made as a child on the beaches and pathways of the land I’d left, and the footsteps I’d made on this side of the ocean, since coming here; all the traces of me, smoothed over and rubbed away as if they had never been, like polishing the black tarnish from the silver, or drawing your hand across dry sand. On the edge of sleep I thought: It’s as if I never existed, because no trace of me remains, I have left no marks. And that way I cannot be followed. It is almost the same as being innocent.

It takes the better part of those months for Herr Thiessen to complete the clock. He works on little else, though the sum of money involved makes the arrangement more than manageable. Weeks are spent on the design and the mechanics. He hires an assistant to complete some of the basic woodwork, but he takes care of all the details himself. Herr Thiessen loves details and he loves a challenge. He balances the entire design on that one specific word Mr. Barris used. Dreamlike. The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As thought clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actually paper pages that turn. There is a silver dragon curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress awaiting an absent prince. Teapots that our into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the hour chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the colds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.

Though each of them was of a type quite different from the others, all of them were beautiful; but I had been looking at them for so few moments, and was so far from daring to stare at them, that I had not yet been able to individualize any of them. With the exception of one, whose straight nose and darker complexion marked her out among the rest, as a king of Arabian looks may stand out in a Renaissance painting of the Magi, they were knowable only as a pair of hard, stubborn, laughing eyes in one of the faces; as two cheeks of that pink touched by coppery tones suggesting geraniums in another; and none of even these features had I yet inseparably attached to any particular girl rather than to some other; and when (given the order in which I saw their complex whole unfold before me, wonderful because the most dissimilar aspects were mixed into it and all shades of colour were juxtaposed, but also as confused as a piece of music in which one cannot isolate and identify the phrases as they form, which once heard are as soon forgotten) I noticed the emergence of a pale oval, of two green eyes, or black ones, I had no idea whether they were those whose charm had struck me a moment before, in my inability to single out and recognize one or other of these girls and allot them to her.

Itching, itching. Skin on fire. Nausea and splitting headache. The more sumptuous the dope, the deeper the anguish—mental and physical—when it wore off. I was back to the chunk spewing out of Martin’s forehead only on a more intimate level, inside it almost, every pulse and spurt, and—even worse, a deeper freezing point entirely—the painting, gone. Bloodstained coat, the feet of the running-away kid. Blackout. Disaster. For humans—trapped in biology—there was no mercy: we lived a while, we fussed around for a bit and died, we rotted in the ground like garbage. Time destroyed us all soon enough. But to destroy, or lose, a deathless thing—to break bonds stronger than the temporal—was a metaphysical uncoupling all its own, a startling new flavor of despair. My dad at the baccarat table, in the air-conditioned midnight. There’s always more to things, a hidden level. Luck in its darker moods and manifestations. Consulting the stars, waiting to make the big bets when Mercury was in retrograde, reaching for a knowledge just beyond the known. Black his lucky color, nine his lucky number. Hit me again pal. There’s a pattern and we’re a part of it. Yet if you scratched very deep at that idea of pattern (which apparently he had never taken the trouble to do), you hit an emptiness so dark that it destroyed, categorically, anything you’d ever looked at or thought of as light.

Though each of them was of a type quite different from the others, all of them were beautiful; but I had been looking at them for so few moments, and was so far from daring to stare at them, that I had not yet been able to individualize any of them. With the exception of one, whose straight nose and darker complexion marked her out among the rest, as a king of Arabian looks may stand out in a Renaissance painting of the Magi, they were knowable only as a pair of hard, stubborn, laughing eyes in one of the faces; as two cheeks of that pink touched by coppery tones suggesting geraniums in another; and none of even these features had I yet inseparably attached to any particular girl rather than to some other; and when (given the order in which I saw their complex whole unfold before me, wonderful because the most dissimilar aspects were mixed into it and all shades of colour were juxtaposed, but also as confused as a piece of music in which one cannot isolate and identify the phrases as they form, which once heard are as soon forgotten) I noticed the emergence of a pale oval, of two green eyes, or black ones, I had no idea whether they were those whose charm had struck me a moment before, in my inability to single out and recognize one or other of these girls and allot them to her. The fact that my view of them was devoid of demarcations, which I was soon to draw among them, sent a ripple of harmonious imprecision through their group, the uninterrupted flow of a shared, unstable and elusive beauty.

Aubade" Who lives where summer ends knows the hard cold of autumn is blissfully close, although it feels each season newly un- known. You are constantly newly unknown to me, my night-glowing open-hearted sting-of-salt weather. Rains and winds, sleights-of- hand. Who if not you could weigh me enough down. You’d paint my eyes blacker and warmer than they are and soon they would carry whole calendars of black night in them. You say you’re pulled back, but it is a rare thing inside those shocks of minutes that holds without our even needing to touch it. Maybe you think you trade one clean joy for another. But mine is darker, slanted, nitrous blue at the root, an acrostic of what is most free and far. To be another person than the one you were before means more than I understand. But my gradual hands move in streams over you whether you travel or not, as you drop into sleep or not, and in the book of this most-alone-place I am there only when you feel need, a coat so thin and so like skin you can touch the slopes, the smoother pools, dust-mooded winds over roads, the skeleton instrument of your voice as it richens the maps and paths, summer’s last shades of white on dark soil, as if the moon-moth and house-mouth were close against the lashes of your eyes, puzzles-in- flutter, or wandering off through the warm night air, unlikely ever again to find such light as this. from Boston Review: August 21, 2013

Show me." He looks at her, his eyes darker than the air. "If you draw me a map I think I'll understand better." "Do you have paper?" She looks over the empty sweep of the car's interior. "I don't have anything to write with." He holds up his hands, side to side as if they were hinged. "That's okay. You can just use my hands." She smiles, a little confused. He leans forward and the streetlight gives him yellow-brown cat eyes. A car rolling down the street toward them fills the interior with light, then an aftermath of prickling black waves. "All right." She takes his hands, runs her finger along one edge. "Is this what you mean? Like, if the ocean was here on the side and these knuckles are mountains and here on the back it's Santa Monica, Beverly Hills, West L.A., West Hollywood, and X marks the spot." She traces her fingertips over the backs of his hands, her other hand pressing into the soft pads of his palm. "This is where we are- X." "Right now? In this car?" He leans back; his eyes are black marble, dark lamps. She holds his gaze a moment, hears a rush of pulse in her ears like ocean surf. Her breath goes high and tight and shallow; she hopes he can't see her clearly in the car- her translucent skin so vulnerable to the slightest emotion. He turns her hands over, palms up, and says, "Now you." He draws one finger down one side of her palm and says, "This is the Tigris River Valley. In this section there's the desert, and in this point it's plains. The Euphrates runs along there. This is Baghdad here. And here is Tahrir Square." He touches the center of her palm. "At the foot of the Jumhurriya Bridge. The center of everything. All the main streets run out from this spot. In this direction and that direction, there are wide busy sidewalks and apartments piled up on top of shops, men in business suits, women with strollers, street vendors selling kabobs, eggs, fruit drinks. There's the man with his cart who sold me rolls sprinkled with thyme and sesame every morning and then saluted me like a soldier. And there's this one street...." He holds her palm cradled in one hand and traces his finger up along the inside of her arm to the inner crease of her elbow, then up to her shoulder. Everywhere he touches her it feels like it must be glowing, as if he were drawing warm butter all over her skin. "It just goes and goes, all the way from Baghdad to Paris." He circles her shoulder. "And here"- he touches the inner crease of her elbow-"is the home of the Nile crocodile with the beautiful speaking voice. And here"- his fingers return to her shoulder, dip along their clavicle-"is the dangerous singing forest." "The dangerous singing forest?" she whispers. He frowns and looks thoughtful. "Or is that in Madagascar?" His hand slips behind her neck and he inches toward her on the seat. "There's a savanna. Chameleons like emeralds and limes and saffron and rubies. Red cinnamon trees filled with lemurs." "I've always wanted to see Madagascar," she murmurs: his breath is on her face. Their foreheads touch. His hand rises to her face and she can feel that he's trembling and she realizes that she's trembling too. "I'll take you," he whispers.

It is a scandal—or, rather, it should be a scandal and one wonders why it isn’t—that the US prison population, after reaching a postwar low in the early 1970s, has since grown more than 500 percent. The United States locks up a higher percentage of its own population than any other nation in the world. Even with extraordinary prison construction projects over the last decades, the cells are still overfull. This massive expansion cannot be explained by a growing criminality of the US population or the enhanced efficiency of law enforcement. In fact, US crime rates in this period have remained relatively constant. The scandal of US prison expansion is even more dramatic when one observes how it operates along race divisions. Latinos are incarcerated at a rate almost double that of whites, and African Americans at a rate almost six times as high. The racial imbalance of those on death row is even more extreme. It is not hard to find shocking statistics. One in eight black US males in their twenties, for instance, is in jail or prison on any given day. The number of African Americans under correctional control today, Michelle Alexander points out, is greater than the number of slaves in the mid-nineteenth century. Some authors refer to the racially skewed prison expansion as a return to elements of the plantation system or the institution of new Jim Crow laws. Keep in mind that this differential racial pattern of imprisonment is not isolated to the United States. In Europe and elsewhere, if one considers immigrant detention centers and refugee camps as arms of the carceral apparatus, those with darker skin are disproportionately in captivity.

We shut our eyes to the sky and the sea in the seventies—now in the nineties we open doors to a darker, nearer empire than either, the place that is between stones that touch, that has lived for fifty thousand years in the black guts of caves, for six thousand in the empty rooms of old houses; and one of the doors is the door in this wall of bricks.

They can’t find the heart,” he said, voice as unemotional as his face. The light was strong enough that I could see that his eyes were blue rather than just pale. He had a summer tan, light gold, but better than I tanned. It seemed wrong that the blond, blue-eyed WASP tanned darker than I did with my mother’s black hair and brown eyes. I was half Hispanic—shouldn’t I tan darker than white-bread boy?

On vis, we got shit all,” Rixon replies. “These guys were blacked out darker than Batman’s asshole. But we got their heat signature on the satellite.

He kept his black shirt on but peeled off his black boxers to reveal the biggest prize of all. Justice had a dick that was beyond beautiful. It was darker than the rest of him, the skin taut over his generous erection. His left ball was swinging lower than his right. There was a nest of black hair around his base. His shaft was thicker than mine and about the same length. The tip was cut and the hole smeared so that the wetness glinted. “Come to me, Romeo.” I

I’ll wear something other than black when they make something darker.

I didn’t consciously fall asleep; it’s just that the chair was soft and comfortable, the room was dark and warm, and maybe it was the protection of those black eyes that reflected the blinking of the silly lights. Those eyes were not looking into the small darkness outside the double-paned windows; they were looking farther and to a place about which I did not know. There was nothing that would overtake us tonight that those eyes would not see, nothing that would not deal plainly with a king not in his perfect mind. I must have slept longer than I thought. I didn’t remember waking up, and maybe that’s what he had intended by starting to tell me the story while I was asleep. I remember hearing his voice, low and steady, coming from some place far away, “After the war. Her family were Basquos from out on Swayback, Four Brothers.” He paused to take another sip of his bourbon. “My gawd, you should have seen her. I remember lookin’ over the top of Charlie Floyde’s ’39 Dodge when she came out on the porch. Her hair was black and thick like a horse’s mane.” He stopped with the memory; the only other sound in Lucian’s apartment was the scorched-air heating. His two rooms weren’t any different from any of the others in general design, but they had all the style and mass of the Connally ancestral furnishings. I shifted my weight in the overstuffed horsehair chair and waited. “It was summertime, and she had on this little navy blue dress with all the little polka dots. The wind held it against her body.” It took him awhile to get going again. “She was the wildest, most beautiful thing I’d ever seen in my entire life. Hair, teeth . . . We sparked that whole summer before her father tried to break it up in the fall. They wanted to send her away to family, keep us from each other, but it was too late.” I looked at him, and the night in my head seemed darker. “We used to tremble when we touched each other. She had the most beautiful skin I’d ever seen. I would forget from night to night. She wasn’t like American girls; she was quiet. She’d speak if spoken to but only then. Short,

I had always coveted darker-skinned women their color. There was a mystery to their beauty that I found hypnotizing, Siren-like. They were hardly ever in Jet or Ebony or Essence, the magazines we subscribed to, unless they themselves were famous—the mom from The Fresh Prince of Bel Air, Whoopi Goldberg, Jackie Joyner, Oprah. Most of the Black women the public pronounced beautiful looked like Mama. Black Barbies. Bright. Hair wavier than curly. Petite figures.

Much to the slaveholders' delight, the degradation of slave life increased the social distance between plantation slaves and urban free people of color. Nothing seemed to be further from the cosmopolitan world of New Orleans and the other Gulf ports than the narrow alternatives of the plantation, with its isolation, machine-like regimentation, and harsh discipline. As free people of color strove to establish themselves in the urban marketplace and master the etiquette of a multilingual society, they drew back from the horrors of plantation life and from the men and women forced to live that nightmare. The repulsion may have been mutual. Plantation slaves, many of them newly arrived Africans, little appreciated the intricacies of urban life and had neither the desire nor the ability to meet its complex conventions. Rather than embrace European-American standards, planation slaves sought to escape them. Their cultural practices pointed toward Africa - as did their filed teeth and tribal markings. While free people of color embraced Christianity and identified with the Catholic Church, the trappings of the white man's religions were not to be found in the quarter. Planters, ever eager to divide the black majority, labored to enlarge differences between city-bound free people of color and plantation slaves. Rewarding with freedom those men and women who displayed the physical and cultural attributes of European Americans fit their purpose exactly, as did employing free colored militiamen against maroons or feting white gentlemen and colored ladies at quadroon balls. It was no accident that the privileges afforded to free people of color expanded when the danger of slave rebellion was greatest. Nor was it mysterious that the free colored population grew physically lighter as the slave population - much of it just arrived from Africa - grew darker. But somatic coding was just one means of dividing slave and free blacks. Every time black militiamen took to the field against the maroons or a young white gentlemen took a colored mistress, the distance between slaves and free people of color widened.

Self-consciousness . . . rips us away from the natural state of flow, and we become children of the damned. We choke the life-force energy and fall into self-referential "think-holes" that are deeper and darker than any black hole.

I sigh, peering out of the window. We’re far out of central London now and I scan the streets, trying to get my bearings. We’re getting nearer to Julian’s resting place. I recognise an old police station, converted into cheap flats. This part of London feels darker than Mayfair. It’s as though the streetlights don’t shine as brightly. Cheaper models, not as many. I like it. Every time I come here, on a certain level, I relax. It almost feels more like home than Mayfair. Mayfair is who I want to be, Hayes is who I am. My veins are the dark streets, pulsing with traffic. There’s wreckage all around: craterous potholes, crumpled railings, abandoned cars, derelict homes. Nothing’s ever repaired. It’s all broken. The poverty’s inescapable. The air perpetually stinks.

Why? You didn’t kill him. So tell me about you. Where are you from? What’s with the accent? You look like a black guy, no offense.” “I am a black guy. No offense,” he retorted but seemed a little thrown off in the way his eyes narrowed on her in a dissecting manner. Gaby was aware she had been sharp with her words to his condolences. She wondered if she offended him, or surprised him. A man like Power was probably used to women creaming at his slightest display of affection. “My father and his family are Belizean. I was born and raised in Belize. I lived there until I was 19-years-old. My mother is…was… a black American. My father, Belizean, yes. Still, I’m a black man.” “So Belizeans aren’t considered Hispanic?” Gaby questioned with a crinkled brow. “Belizeans, like most Central and South American inhabitants, are descendants of African slaves that were just dropped off along the way. But we were the only British colony in the region, the only Central American country where English is still the official language, although most Belizeans are trilingual, Elizabeth The Second’s the queen, the whole nine. But we’re of black ancestry even with Hispanic heritage. I see darker tones in my country than yours. Nicaraguans, Puerto Ricans, Brazilians, Costa Ricans, Columbians… most of them have more black blood than the black people in the U.S. That’s why it kills me when people ask shit like that. I mean…” He stopped short. “… not you,” he offered up but Gaby only pressed her lips together feeling slightly embarrassed knowing she was in fact, amongst the ignorant.

After a 20-year-old female college student had recovered from her schizophrenic breakdown, she wrote the following description of her experiences during the oneiroid phase: (...) There are no days; no nights; sometimes it's darker than other times—that's all. It's never quite black, just dark gray. There is no such thing as time—there is only eternity. There is no such thing as death—nor heaven and hell—there is only a timeless—hateful—spaceless—worsening of things. You can never go forward; you must always regress into this horrific mess...

What the hell is he? Ace dodged another swing and countered by kicking his opponent in the chest hard enough that he snapped a rib bone. The rogue didn’t flinch. Studying the male, Ace had no idea what to make of him. Derrick, one of his team members, was African American. When changed, his skin took on a darker brown than his original shade. Ace had Native American ancestry, and when changed, looked more copper than brown. This creature… What the hell turned black? -Ace's thoughts

ALICE GREEN WAS DRESSED in green when Lucas arrived: a green blouse the color of her eyes, a much darker green jacket in a kind of knobby fabric, and black slacks that appeared to be form-fitting until you looked closely. She was paying for a cup of coffee, and Lucas looked closely, and realized that everything she wore was functional, nice-looking but tough, rather than luxurious, and well suited to a fight; the jacket was long enough and loose enough to conceal a pistol.

Lights glittered and flashed in seizure-inducing display. Tables curved and undulated, the backlight making them seem darker than merely black. Music moved through the air with a physical presence, each beat a little concussion. Hasini, standing in a clot of steroid-enhanced bouncers and underdressed serving girls, caught Miller’s eyes and nodded toward the back.

He looked as handsome as ever and even bigger than she remembered, if that was possible. Did he grow or something? No, probably not. He’s just freaking huge is all. She wished the Kindred weren’t so physically imposing. Sylvan’s shoulders were fully twice as broad as her own and the muscles bulging under his uniform shirt made it clear he was strong enough to break her in half with one hand. Not that she thought he would hurt her but it certainly would have been easier to kiss him if he was more normal sized instead of being so ginormous. He was wearing black tight fitting pants identical to Baird’s, but instead of deep crimson, the material of his uniform shirt was a pale azure blue that complemented his eyes. His hair was a darker shade of blond than Olivia’s and it was still cut short and spiky. Looking at him, Sophie couldn’t help thinking that despite the severe cut, his hair looked like it would be soft to touch. In fact, she could almost feel the feathery brush of those blond spikes whispering against her fingers… She snapped out of the strange fantasy in time to realize two things. One, the ceremony was almost over—in fact, Baird had Olivia bent over one arm and was kissing her for all he was worth. And two, she’d been staring at Sylvan and he was staring right back with an unreadable look in his pale eyes. Sophie dropped her gaze quickly, feeling her cheeks get even hotter.

Очи чёрные, очи страстные, Очи жгучие и прекрасные! Как люблю я вас, как боюсь я вас! Знать, увидел вас я в недобрый час! Ох, недаром вы глубины темней! Вижу траур в вас по душе моей, Вижу пламя в вас я победное: Сожжено на нём сердце бедное. Но не грустен я, не печален я, Утешительна мне судьба моя: Всё, что лучшего в жизни Бог дал нам, В жертву отдал я огневым глазам! English translation: Black eyes, passionate eyes, Burning and beautiful eyes! How I love you, how I fear you, It seems I met you in an unlucky hour! Oh, not for nothing are you darker than the deep! I see mourning for my soul in you, I see a triumphant flame in you: A poor heart immolated in it. But I am not sad, I am not sorrowful, My fate is soothing to me: All that is best in life that God gave us, In sacrifice I returned to the fiery eyes!

Eğer belirli bir şekilde hissediyor gibi davranırsanız o duygu kazara gerçeğe dönüşebilir.

Life was not black and white: it was a spectrum of greys, infinite in variety, some darker than others.

I guess that’s how normal people feel most of the time. They live in the space between black and white, and their ups and downs are various shades of gray, not the extreme highs and lows I’ve always thought of as normal. I think that’s one of the major differences between us and them, between addicts and Normies. Somewhere along the line we got stuck on this roller coaster that only knows how to go to the highest up and the lowest low. We get high so we can feel invincible and perfect, but the feeling never lasts. Gravity always wins, and we fall fast, to a place lower and darker than many people will probably ever know. And the crazy thing is that this is just normal for us. We cycle through these extremes all the time, and it’s become as natural as breathing. Exhausting, but natural. We’ve forgotten what it looks like in the middle, but I’m guessing it looks something like this—sitting in a quiet room trying to do homework and wondering what’s for dinner. Simple. Nothing too exciting. Part of me feels relieved, but part of me also feels bored, like I have no idea what to do with myself, and I’m having a hard time sitting still in this chair. Part of me wants to get up and scream and tear my hair out, and part of me wants to lie down and curl up into a ball and fall asleep. And it’s making me anxious.

He points at a fourth man who’s gliding toward the small group of men. The newcomer is tall, blond, and looks like a male model. He’s snapping on a black helmet as he joins the others. “Dude,” gripes the player at the end of the bench. “That’s my dad.” I examine the teen, instantly noting the resemblance. His name is Beau, and although his hair is a shade darker than his father’s, he has the same green eyes and chiseled features. He hasn’t completely filled out yet, but he’s already tall and built. I fear for the opponents he’ll be facing in a couple years.

You have a plan?’ Mfume said. ‘That would be generous,’ I said as I got out. ‘I’ve got a bunch of general intentions and thirty or so people with cheap handguns and machetes.’ ‘More effective than intention alone, I suppose,’ Mfume said.

It wasn't until a burst of hot flame caressed my left hip that a tingling sensation, not unlike magic, crawled down my skin. Ryker gave a low chuckle. "Of course it's on your perfect ass." I craned my neck to see. Across my hip and indeed partially down my backside until it brushed the very top of the back of my leg, a pattern was revealed just a few shades darker than my skin. It was like having a lighter sort of henna painted across my hip in the design of scales. Dragon scales. "What is that?" I asked, startled. "The mark. My mark." Ryker mused. "The perfect match to my scale pattern, not repeated in any other dragon." Brushing my fingers over the skin, it didn't feel any different than it had before. It was just decorated now. My preferred black dresses would always cover it up, but my mind wandered to my closet and exactly what I owned that would show off a flash of scales at my hip. I needed to go shopping. "So, it was always there?" "Always," Ryker answered, a new sort of interest in his eyes. "How does your chest feel?" I rubbed a hand where the thrumming usually sat, but found it was gone. I had been so distracted by the process of being covered in fire and his taunting hands that didn't burn me that I hadn't noticed when it left. "I always knew I liked your ass," Ryker said. I frowned. "It's on my hip," I insisted. Ryker took one hand and smacked my left cheek, firmly on the mark. Immediately a delicious heat shot through it, running straight between my legs where I twitched in anticipation. Fuck. "What's the matter, Danica?" Ryker teased out my full name again, leaning down to meet my neck with a kiss.

Self-consciousness . . . rips us away from the natural state of flow, and we become children of the damned. We choke the life-force energy and fall into self-referential "think-holes" that are deeper and darker than any black hole.

- Can you keep secrets? - Yesss. - We are going to make one of the biggest coffeeshops in Barcelona with my boss, Adam. - Realllllly? - This Adam guy is kind of my friend and kind of my boss, but I don't trust him; he is a bad guy. “Bad to the bone.” His father is an even darker figure. I am pretty sure that both have killed before, hired to kill people. - I am from Buenos Airessss. - I understand honey but you don’t know this kind of people, these f…g desert roses. - There are Jewish people in Argentina too. - I am sure, baby, but these are not regular Jewish people, not regular Israeli people. These people are dark. Hocus-pocus. Criminal minds. Do you understand? - I guessss. - There are a lot of criminals in this town. They will try to take our club away, just like the Camorra is taking away other people's clubs. Just like that. Do you understand? - Yessss. - I know them; they are one of my clients. If there is anyone in the world who could make a deal with them, it would be me and Adam. He cannot cross me and I cannot cross him either. I would never do that. I am not sure about him though what is on his mind, I can tell there is something he is orchestrating I just don’t know what exactly, but he is as fishy as Sabrina. The problem is that only my ex-girlfriend knows about my signature on the non-profit organization, which is the base of the coffeeshop, the marijuana grow and the smoker club. Do you understand? - Yesssss. - We are talking about millions of Euros monthly cashflow. Do you understand? - Yesssss. - By telling you everything now, you are becoming my trusted; your life is in danger too if they manage to find a gap between us. Do you understand? - Yesssss. - I'm not sure what they're up to. They owe me already more money than anyone in this town would murder for. Do you understand? - Yesssss. - Now you know about it, too. Sabrina didn't care; she didn't think I would make it happen. She doesn’t know about the place. Only you know about it and us. But she will figure it out somehow; she will try to take your position, slipping between the criminals. Do you know how to play chess? - Not really. - OK then. Imagine this as a throne, these chairs you are sitting on top of. OK. No one can remove you from this throne being my girlfriend, no one can stand between us. No one can take the club away from us. They have no chance. Understand? - Yesss. - As long as you stick with me, she cannot do anything; no one can mess with us. Do you understand? - Yesss. - Everyone in the world would try to take your place, being my girlfriend, and they will try to push you out from this position, which only me I can give you, with Love. They will tell you lies about me and about themselves who’s club is it. Do you understand? - Yes. But why? - Because Rachel and Tom, the other two founding members of the club, Golan, I signed up with, are Adam's puppets. I don't trust any one of them. If they kill me, they never have to pay me what they owe me already, plus they can keep the 33% of the club which belongs to me. 100% Adam would keep. Do you understand now? - Yessss. - We will pull all the trash out and remodel the place without any permit, under the rug, in secret. - I sssseeee. (Eye. See.)

It is quite beautiful, that level of death, although to some it could be considered nightmarish. Whatda see old pal? Do you see death? Is he waiting at your doorstep for you and ya kin? Does he carrya scythe? Is he hooded like the healers? Or are you fortunate enough to gaze upon his face? Do you see an old, wrinkled man there? Eyes the only thing darker than his skin, with his hair in stark contrast? You kow what they say, black isn’t a colour, but a shade. Void of all colour, just like my pal there is void of all life. Or do you see a young man hell bent on revenge, trying to bring a loved one back from the grave? Trying so hard he will put every living soul in the ground to lift his love out of it? Is he pissed off that he can grant death, but the one thing he wants, life, is out of his grasp? Does he speak to you at night? When you sleep, with all the lights out, does he glide silently to your bedside and touch you? Does it hurt? Or do you not feel anything, just close your eyes and never open them again? Do you fear death, Steven?

The light in our hearts is even darker than black.” - Yin

The light in our hearts is even darker than black.

The light in our hearts is even darker than black.”- Yin

We the darker ones come even now not altogether empty-handed: there are to-day no truer exponents of the pure human spirit of the Declaration of Independence than the American Negroes; there is no true American music but the wild sweet melodies of the Negro slave; the American fairy tales and folk-lore are Indian and African; and, all in all, we black men seem the sole oasis of simple faith and reverence in a dusty desert of dollars and smartness. Will America be poorer if she replace her brutal dyspeptic blundering with light-hearted but determined Negro humility? or her coarse and cruel wit with loving jovial good-humor? or her vulgar music with the soul of the Sorrow Songs?

Blacks routinely get the worst of it in the judicial process, particularly when they are poor... The United States sentencing commission found that blacks get sentences 19% longer than whites do, for the same offense, even after controlling for criminal history and other variables. The darker an African-American's complexion, the longer the sentence, researchers found. Blacks are also more likely to be found guilty and be sentenced to death.

The world is not a mechanical place, sir, whatever you might think. Sprites and wizards do not exist, in this universe at least. But there are beautiful truths to the world positioned so closely to your face that you have failed to see them your entire life. If you wish it, I will show them to you.” “Heaven,” Barnett said quickly. “Will I go there?” “No.” “What is it then?” he whispered. “Just black?” “Darker than that, sir. Two minutes and two seconds.

Approaching Elegy It's hard to believe you are dying: like looking at a Jamesian scene, skipping past happiness to a garden bench beyond the trees. You fill the form of heroine: you sit in your black dress, too tired to imagine the rest of yourself. An old suitor appears, grabs you possibly too forcefully by the wrists (he is still impossibly in love—). You disengage your wrists. He leans forward, looks into your eyes, which you close—as if you were all by yourself. He moves closer, talking very fast about happiness. He places his cloak on your shoulders, imagines he'll rescue you. Around you, forms grow darker: house, branch, hydrangea. Above you, freckled expanses of leaves form the beginnings of barbed, lopsided shrouds—a possible solace. If only his kiss could please you, I wouldn't need to imagine past the clean architecture of the story. And perhaps it is wrong to look past that. Wrong to ask about happiness. Past midnight, he continues to offer himself. Before, he had offered aimless passion, but now (you see it for yourself) he has an idea: he points into the darkness. He is grave, formal. The dark has swallowed the long shadows of the oaks (though not your unhappiness) —and it is about to swallow you. Soon, it will no longer be possible (there is just one more page to turn) for me to look through your eyes, so I would like to imagine for you: something past tragedy. Just as I would like to imagine that we are not in danger, that we have selves more solid than stars, that we are safe in the pages of books we can reopen to look at each other. Except that we are not women formed of words, but of impossible longings. What was it that you wanted besides happiness? You are dying. I have no ideas about happiness and no patience to imagine it possible. Soon you will not be the heroine; you will not be yourself. And it's not that you've lost the formula; your form is losing you. Look at how brave you are: I imagined the great point was to be happy, as happy as possible with the quick forms that imagine us—but the last time I looked there you were—distant and bright in the not so blue darkness, imagining yourself.