Darker Night Quotes

The sky grew darker, painted blue on blue, one stroke at a time, into deeper and deeper shades of night.

I'm anything but fine. I feel like the sun has set and not risen for five days, Ana. I'm in perpetual night here".

Floating, falling, sweet intoxication. Touch me, trust me, savor each sensation. Let the dream begin, let your darker side give in to the power of the music of the night.

The days will always be brighter because he existed. The nights will always be darker because he's gone. And no matter what anybody says about grief, and about time healing all wounds, the truth is, there are certain sorrows that never fade away until the heart stops beating and the last breath is taken.

There’s no misery so deep as one you face by yourself. No nights darker than ones you spend alone. But you can learn to live with any weight. Your scars grow thick enough, they become armour.

Every star was darker than the night before it awoke.

Oh, what is brighter than the light? What is darker than the night? What is keener than an axe? What is softer than melting wax? Truth is brighter than the light, Falsehood darker than the night. Revenge is keener than an axe, And love is softer than melting wax.

The darker the night the brighter the stars. The deeper the grief the closer is God.

We were about to give up and call it a night when somebody threw the girl off the bridge.

Only part of us is sane: only part of us loves pleasure and the longer day of happiness, wants to live to our nineties and die in peace, in a house that we built, that shall shelter those who come after us. The other half of us is nearly mad. It prefers the disagreeable to the agreeable, loves pain and its darker night despair, and wants to die in a catastrophe that will set back life to its beginnings and leave nothing of our house save its blackened foundations.

The nearer the dawn the darker the night.

The days will always be brighter because he existed. The nights will always be darker because he's gone.

The baby gazed up at Alec with grave eyes only a shade darker than Alec’s own. Alec gazed back at the baby. He looked as surprised as anyone else by the baby’s sudden hush.

To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy Power, which seems omnipotent; To love, and bear; to hope till Hope creates From it's own wreck the thing it contemplates; Neither to change, not falter, nor repent; This, like thy glory, Titan, is to be Good, great and joyous,beautiful and free; This is alone Life, Joy, Empire, and Victory

Is there a darker night of the soul than eighth grade?

Truth is brighter than Light Falsehood darker than night Revenge is keener than Axe and Love is softer than melting wax

Depression/The assassin inside me

To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy power which seems omnipotent; To love, and bear; to hope till Hope creates From its own wreck the thing it contemplates Life may change, but it may fly not; Hope may vanish, but can die not; Truth be veiled, but still it burneth; Love repulsed -but it returneth.

And each night in bed I thought of her as the moon came through my window. I could have lowered my shade to make it darker and easier to sleep, but I never did. In that moonlit hour, I acquired a sense of the otherness of things. I liked the feeling the moonlight gave me, as if it wasn't the opposite of day, but its underside, its private side, when the fabulous purred on my snow-white sheet like some dark cat come in from the desert.

In a dark time, the eye begins to see, I meet my shadow in the deepening shade; I hear my echo in the echoing wood-- A lord of nature weeping to a tree. I live between the heron and the wren, Beasts of the hill and serpents of the den. What's madness but nobility of soul At odds with circumstance? The day's on fire! I know the purity of pure despair, My shadow pinned against a sweating wall. That place among the rocks--is it a cave, Or winding path? The edge is what I have. A steady storm of correspondences! A night flowing with birds, a ragged moon, And in broad day the midnight comes again! A man goes far to find out what he is-- Death of the self in a long, tearless night, All natural shapes blazing unnatural light. Dark, dark my light, and darker my desire. My soul, like some heat-maddened summer fly, Keeps buzzing at the sill. Which I is I? A fallen man, I climb out of my fear. The mind enters itself, and God the mind, And one is One, free in the tearing wind.

I feel the sun has set and not risen for days..I'm in perpetual night here.

Of course Neverland had been make-believe in those days; but it was real now, and there were no night-lights, and it was getting darker every moment, and where was Nana?

Do you own anything not pink? (Talon) I have a purple razor if you’d rather. (Sunshine) Please. (Talon) (She pulled out a darker pink one.) That’s not purple. It’s pink too. (Talon) Well, that’s all I have unless you want my X-Acto blade. (Sunshine)

There's no misery so deep as one you face by yourself. No nights darker than ones you spend alone. But you can learn to live with any weight. Your scars grow thick enough, they become armour.

The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dress in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight, the clock begins once more to fold in upon itself. The face lightens and the cloud returns. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream.

… the river sliding along its banks, darker now than the sky descending a last time to scatter its diamonds into these black waters that contain the day that passed, the night to come. — Excerpt from the poem “The Mercy

There is no darkness like that of a confined space. It's darker than the inside of eyelids, and darker than the night.

Sound seemed muted, and night darker, scent and taste dulled. It was as if the world had been robbed of its brightness. He had left me behind to dwell alone in a dimmed and stale place.

Black Beauty" I paint my nails black, I dye my hair a darker shade of brown 'Cause you like your women Spanish, dark, strong and proud I paint the sky black You said if you could have your way You'd make a night time of today So it'd suit the mood of your soul Oh, what can I do? Nothing, my sparrow blue Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh I paint the house black My wedding dress black leather too You have no room for light Love is lost on you I keep my lips red The same like cherries in the spring Darling, you can't let everything Seem so dark blue Oh, what can I do? To turn you on or get through to you Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, ah ah Black beauty, ah ah Black beauty, ah ah ah ah Black beauty, baby Black beauty, baby Oh, what can I do? Life is beautiful but you don't have a clue Sun and ocean blue Their magnificence, it don't make sense to you Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, oh oh oh Black beauty, oh oh oh

The dark hills, with the darker spruces marching over them, looked grim on early falling nights, but Ingleside bloomed with firelight and laughter, though the winds come in from the Atlantic singing of mournful things. "Why isn't the wind happy, Mummy?" asked Walter one night. "Because it is remembering all the sorrow of the world since it began," answered Anne.

The world is getting weirder. Darker every single day. Things are spinning around faster and faster, and threatening to go completely awry. Falcons and falconers. The center cannot hold. But in my corner of the country, I'm trying to nail things down. I don't want to live in Victor's jungle, even if it did eventually devour him. I don't want to live in a world where the strong rule and the weak cower. I'd rather make a place where things are a little quieter. Where trolls stay the hell under their bridges and where elves don't come swooping out to snatch children from their cradles. Where vampires respect the limits, and where the faeries mind their p's and q's. My name is Harry Blackstone Copperfield Dresden. Conjure by it at your own risk. When things get strange, when what goes bump in the night flicks on the lights, when no one else can help you, give me a call. I'm in the book.

It's true. I've seen it when the crescent moon shone bright on a cold, dark night. The darker the night, the brighter God's smile.

Lock and load, everyone,” Lucan said, casting a grave look at the rest of them. “It’s gonna be a long, bloody night.

Go to hell, I whispered. The night darker than ever, leaned in against the window panes.

She knows what it means. Oh, wonderfully bright at 6 a.m., yes, wonderfully clear for an hour. But the shorter the days, the longer the nights, the darker the house, the easier it is, the easier it is, the easier it is, to mistake a shadow for the writing on the wall, the sound of overland footsteps for the distant crack of thunder, and the midnight chime of a New Year clock for the bell that tolls the end of the world.

That night for the first time in my life I realized that it is the physical presence of people and their spirits that gives a town life. With the absence of so many people, the town became scary., the night darker, and the silence unbearably agitating. Normally, the crickets and the birds sang in the evening before the sun went down. But this time they didn't, and the darkness set in very fast. The mood wasn't in the sky; the air was stiff, as if nature itself was afraid of what was happening.

There’s no misery so deep as one you face by yourself. No nights darker than ones you spend alone. But you can learn to live with any weight. Your scars grow thick enough, they become armor.

Darker thoughts crowded in during the deepest hours of the night when he woke listening to the secret mystifying sounds of the sleeping palace. Many nights, the king was there. Pleasant, irrelevant, and distracting, he eased Relius past nightmares and self-recrimination. Some nights he said nothing at all, just comforted with his presence. Other nights he related the events of his day, spewing out his insights and analyses of the Attolian court in a devastatingly funny critique.

Oh, what is brighter than the light? What is darker than the night? What is kkener than an axe? What is softer than melting wax? Truth is brighter than the light, Falsehood darker than the night, Revenge is keener than an axe, And love is softer than melting wax.

To me, there's nothing quite like a beautiful night sky to put everything into perspective and focus. It clears the mind. It's comforting to know that the darker it gets, the more stars begin to shine. -Max Art

Where does such tenderness come from?” Where does such tenderness come from? These aren’t the first curls I’ve wound around my finger— I’ve kissed lips darker than yours. The sky is washed and dark (Where does such tenderness come from?) Other eyes have known and shifted away from my eyes. But I’ve never heard words like this in the night (Where does such tenderness come from?) with my head on your chest, rest. Where does this tenderness come from? And what will I do with it? Young stranger, poet, wandering through town, you and your eyelashes—longer than anyone’s.

Were there darker provinces of night he would have found them.

Do you own anything not pink?" "I have a purple razor if you'd rather." "Please." She pulled out a darker pink one. "That's not purple," Talon said. "It's pink too.

The nearer the dawn, the darker the night

Last night was too dark for stars,' I say. 'No, little cloud.' Abu Sayeed lifts my chin with his finger. 'If anything, the darker the night, the brighter they shine.

I came into the unknown and stayed there unknowing rising beyond all science. I did not know the door but when I found the way, unknowing where I was, I learned enormous things, but what I felt I cannot say, for I remained unknowing, rising beyond all science. It was the perfect realm of holiness and peace. In deepest solitude I found the narrow way: a secret giving such release that I was stunned and stammering, rising beyond all science. I was so far inside, so dazed and far away my senses were released from feelings of my own. My mind had found a surer way: a knowledge of unknowing, rising beyond all science. And he who does arrive collapses as in sleep, for all he knew before now seems a lowly thing, and so his knowledge grows so deep that he remains unknowing, rising beyond all science. The higher he ascends the darker is the wood; it is the shadowy cloud that clarified the night, and so the one who understood remains always unknowing, rising beyond all science. This knowledge by unknowing is such a soaring force that scholars argue long but never leave the ground. Their knowledge always fails the source: to understand unknowing, rising beyond all science. This knowledge is supreme crossing a blazing height; though formal reason tries it crumbles in the dark, but one who would control the night by knowledge of unknowing will rise beyond all science. And if you wish to hear: the highest science leads to an ecstatic feeling of the most holy Being; and from his mercy comes his deed: to let us stay unknowing, rising beyond all science.

I'm a writer and this is what I do no matter what name we put to it. Year by year, the world is turning into a darker and stranger place than any of us could want. This is the only thing I do that has potential to shine a little further than my immediate surroundings. For me, each story is a little candle held up to the dark of night, trying to illuminate the hope for a better world where we all respect and care for each other.

Gentleness, Virtue, Wisdom, and Endurance, These are the seals of that most firm assurance Which bars the pit over Destruction's strength; And if, with infirm hand, Eternity, Mother of many acts and hours, should free The serpent that would clasp her with his length; These are the spells by which to reassume An empire o'er the disentangled doom. To suffer woes which Hope thinks infinite; To forgive wrongs darker than death or night; To defy Power, which seems omnipotent; To love, and bear; to hope till Hope creates From its own wreck the thing it contemplates; Neither to change, nor falter, nor repent; This, like thy glory, Titan, is to be Good, great and joyous, beautiful and free; This is alone Life, Joy, Empire, and Victory.

Quantitative changes suddenly become qualitative changes. From all of Marxism, which I once thought attractive enough, I find only this dictum remaining in the realm of my opinions. Water grows colder and colder and colder, and suddenly it's ice. The day grows darker and darker, and suddenly it's night. Man ages and ages, and suddenly he's dead. Quantitative changes suddenly become qualitative changes; differences in degree lead to differences in kind.

Emma whirled and looked up. Someone stood at the top of the stairs: a young Shadowhunter with dark hair, a gleaming chakhram still in his right hand. Several others were hooked to his weapons belt. In the red light of the demon towers he seemed to glow- a tall, thin figure in dark gear against the darker black of night, the Accords Hall rising like a pale moon behind him. “Brother Zachariah?” said Helen in amazement.

Night did strange things to a place, to people, splashing shadow over familiar sights and faces, painting the world and its inhabitants as darker versions of themselves.

It was a voice like a shadow in the woods at night. Quiet and dark and cold.

Their life together was filled with bright mornings and starlit nights that consistently outshone the darker times between. Even those hard days were times of learning when their differences became gifts from one to the other.

And each night in bed I thought of her as the moon came through my window. I could have lowered my shade to make it darker and easier to sleep, but I never did. In that moonlit hour, I acquired a sense of the otherness of things. I liked the feeling the moonlight gave me, as if it wasn't the opposite of day, but its underside, its private side...

Because the night you asked me, the small scar of the quarter moon had healed - the moon was whole again; because life seemed so short; because life stretched out before me like the halls of a nightmare; because I knew exactly what I wanted; because I knew exactly nothing; because I shed my childhood with my clothes - they both had years of wear in them; because your eyes were darker than my father's; because my father said I could do better; because I wanted badly to say no; because Stanly Kowalski shouted "Stella...;" because you were a door I could slam shut; because endings are written before beginnings; because I knew that after twenty years you'd bring the plants inside for winter and make a jungle we'd sleep in naked; because I had free will; because everything is ordained; I said yes.

The most recent books have shown Terry in a new mode—books like Night Watch and Monstrous Regiment are darker, deeper, more outraged at what people can do to people, while prouder of what people can do for each other.

Her skin was more luminous than the moon, her eyes wider than the sky, deeper than the water, darker than the night.

...Sunday evenings are heavier than clouds with rain, darker too and often interminable...

Night is always darker before the dawn and life is the same, the hard times will pass, every thing will get better and sun will shine brighter then ever.

I lay down in the grass, my eyes growing heavy with exhaustion, and I looked to the mountains, now darker than night against the constellations. And I wondered what sort of things would haunt my sleep, if I ever gave my mind and heart the chance to dream.

Can I see him again? Could I bear it? Do I want to see him? I close my eyes and tilt my head back as grief and longing lance through me. Of course I do. Perhaps-perhaps I can tell him I’ve changed my mind … No, no, no. I cannot be with someone who takes pleasure in inflicting pain on me, someone who can’t love me. Torturous memories flash through my mind-the gliding, holding hands, kissing, the bathtub, his gentleness, his humor, and his dark, brooding, sexy stare. I miss him. It’s been five days, five days of agony that has felt like an eternity. I cry myself to sleep at night, wishing I hadn’t walked out, wishing that he could be different, wishing that we were together. How long will this hideous overwhelming feeling last? I am in purgatory. I wrap my arms around my body, hugging myself tightly, holding myself together. I miss him. I really miss him…I love him. Simple.

Emil glowered and shot back, “Like you didn’t leave her in shambles. How could you claim to love her, yet stand back and watch as she went through that kind of pain? Don’t act so noble. You know you’re the reason she came to me. To me, Night, she wanted me.” Emil’s entire countenance changed, even his voice. Everything about him became darker.

It isn’t Easter,” he said, “but this week has caused me to think a lot about the Easter story. Not the glorious resurrection that we celebrate on Easter Sunday but the darkness that came before. I know of no darker moment in the Bible than the moment Jesus in his agony on the cross cries out, ‘Father, why have you forsaken me?’ Darker even than his death not long after because in death Jesus at last gave himself over fully to the divine will of God. But in that moment of his bitter railing he must have felt betrayed and completely abandoned by his father, a father he’d always believed loved him deeply and absolutely. How terrible that must have been and how alone he must have felt. In dying all was revealed to him, but alive Jesus like us saw with mortal eyes, felt the pain of mortal flesh, and knew the confusion of imperfect mortal understanding. “I see with mortal eyes. My mortal heart this morning is breaking. And I do not understand. “I confess that I have cried out to God, ‘Why have you forsaken me?’ ” Here my father paused and I thought he could not continue. But after a long moment he seemed to gather himself and went on. “When we feel abandoned, alone, and lost, what’s left to us? What do I have, what do you have, what do any of us have left except the overpowering temptation to rail against God and to blame him for the dark night into which he’s led us, to blame him for our misery, to blame him and cry out against him for not caring? What’s left to us when that which we love most has been taken? “I will tell you what’s left, three profound blessings. In his first letter to the Corinthians, Saint Paul tells us exactly what they are: faith, hope, and love. These gifts, which are the foundation of eternity, God has given to us and he’s given us complete control over them. Even in the darkest night it’s still within our power to hold to faith. We can still embrace hope. And although we may ourselves feel unloved we can still stand steadfast in our love for others and for God. All this is in our control. God gave us these gifts and he does not take them back. It is we who choose to discard them. “In your dark night, I urge you to hold to your faith, to embrace hope, and to bear your love before you like a burning candle, for I promise that it will light your way. “And whether you believe in miracles or not, I can guarantee that you will experience one. It may not be the miracle you’ve prayed for. God probably won’t undo what’s been done. The miracle is this: that you will rise in the morning and be able to see again the startling beauty of the day. “Jesus suffered the dark night and death and on the third day he rose again through the grace of his loving father. For each of us, the sun sets and the sun also rises and through the grace of our Lord we can endure our own dark night and rise to the dawning of a new day and rejoice. “I invite you, my brothers and sisters, to rejoice with me in the divine grace of the Lord and in the beauty of this morning, which he has given us.

People think blood red, but blood don't got no colour. Not when blood wash the floor she lying on as she scream for that son of a bitch to come, the lone baby of 1785. Not when the baby wash in crimson and squealing like it just depart heaven to come to hell, another place of red. Not when the midwife know that the mother shed too much blood, and she who don't reach fourteen birthday yet speak curse 'pon the chile and the papa, and then she drop down dead like old horse. Not when blood spurt from the skin, on spring from the axe, the cat-o'-nine, the whip, the cane and the blackjack and every day in slave life is a day that colour red. It soon come to pass when red no different from white or blue or black or nothing. Two black legs spread wide and mother mouth screaming. A black baby wiggling in blood on the floor with skin darker than midnight but the greenest eyes anybody ever done seen. I goin' call her Lilith. You can call her what they call her.

We live in hope that the good we do here on earth will be rewarded in heaven. We also hope to win the war. We hope that right and goodness will triumph, and that when the war is won, we shall have a better world. And we work toward that end. We buy war bonds and put out incendiaries and knit stockings---" And pumpkin-colored scarves, Polly thought. "---and volunteer to take in evacuated children and work in hospitals and drive ambulances" - here Alf grinned and nudged Eileen sharply in the ribs - "and man anti-aircraft guns. We join the Home Guard and the ATS and the Civil Defence, but we cannot know whether the scrap metal we collect, the letter we write to a solider, the vegetables we grow, will turn out in the end to have helped win the war or not. We act in faith. "But the vital thing is that we act. We do not rely on hope alone, thought hope is our bulwark, our light through dark days and darker nights. We also work, and fight, and endure, and it does not matter whether the part we play is large or small. The reason that God marks the fall of the sparrow is that he knows that it is as important to the world as the bulldog or the wolf. We all, all must do 'our bit'. For it is through our deeds that the war will be won, through our kindness and devotion and courage that we make that better world for which we long.

The poet’s life is just so much crenellated waste, nights and days whipping swiftly or laboriously past the cinematic window. We’re hunched and weaving over the keys of our green our grey or pink blue manual typewriter maybe a darker stone cold thoritative selectric with its orgasmic expectant hum and us popping pills and laughing over what you or I just wrote, wondering if that line means insult or sex. Or both. Usually both.

And I knew too well the loneliness that clamps around one’s heart when loved ones have passed on before. To have that companionship, the comfort of someone being at home for you for years, and then suddenly not to have it anymore—well, every day can seem darker after that, and the vise clutches tighter in your chest every night you spend in a lonely bed. Unless you find someone to spend some time with (and that time is sunlight, golden minutes when you forget you’re alone), that vise will eventually crush your heart.

Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.

The moon grew plump and pale as a peeled apple, waned into the passing nights, then showed itself again as a thin silver crescent in the twilit western sky. The shed of leaves became a cascade of red and gold and after a time the trees stood skeletal against a sky of weathered tin. The land lay bled of its colors. The nights lengthened, went darker, brightened in their clustered stars. The chilled air smelled of woodsmoke, of distances and passing time. Frost glimmered on the morning fields. Crows called across the pewter afternoons. The first hard freeze cast the countryside in ice and trees split open with sounds like whipcracks. Came a snow flurry one night and then a heavy falling the next day, and that evening the land lay white and still under a high ivory moon.

And What Good Will Your Vanity Be When The Rapture Comes” says the man with a cart of empty bottles at the corner of church and lincoln while I stare into my phone and I say I know oh I know while trying to find the specific filter that will make the sun’s near-flawless descent look the way I might describe it in a poem and the man says the moment is already right in front of you and I say I know but everyone I love is not here and I mean here like on this street corner with me while I turn the sky a darker shade of red on my phone and I mean here like everyone I love who I can still touch and not pass my fingers through like the wind in a dream but I look up at the man and he is a kaleidoscope of shadows I mean his shadows have shadows and they are small and trailing behind him and I know then that everyone he loves is also not here and the man doesn’t ask but I still say hey man I’ve got nothing I’ve got nothing even though I have plenty to go home to and the sun is still hot even in its endless flirt with submission and the man’s palm has a small river inside I mean he has taken my hand now and here we are tethered and unmoving and the man says what color are you making the sky and I say what I might say in a poem I say all surrender ends in blood and he says what color are you making the sky and I say something bright enough to make people wish they were here and he squints towards the dancing shrapnel of dying light along a rooftop and he says I love things only as they are and I’m sure I did once too but I can’t prove it to anyone these days and he says the end isn’t always about what dies and I know I know or I knew once and now I write about beautiful things like I will never touch a beautiful thing again and the man looks me in the eyes and he points to the blue-orange vault over heaven’s gates and he says the face of everyone you miss is up there and I know I know I can’t see them but I know and he turns my face to the horizon and he says we don’t have much time left and I get that he means the time before the sun is finally through with its daily work or I think I get that but I still can’t stop trembling and I close my eyes and I am sobbing on the corner of church and lincoln and when I open my eyes the sun is plucking everyone who has chosen to love me from the clouds and carrying them into the light-drunk horizon and I am seeing this and I know I am seeing this the girl who kissed me as a boy in the dairy aisle of meijer while our parents shopped and the older boy on the basketball team who taught me how to make a good fist and swing it into the jaw of a bully and the friends who crawled to my porch in the summer of any year I have been alive they were all there I saw their faces and it was like I was given the eyes of a newborn again and once you know what it is to be lonely it is hard to unsee that which serves as a reminder that you were not always empty and I am gasping into the now-dark air and I pull my shirt up to wipe whatever tears are left and I see the man walking in the other direction and I chase him down and tap his arm and I say did you see it did you see it like I did and he turns and leans into the glow of a streetlamp and he is anchored by a single shadow now and he sneers and he says have we met and he scoffs and pushes his cart off into the night and I can hear the glass rattling even as I watch him become small and vanish and I look down at my phone and the sky on the screen is still blood red.

Perhaps loneliness—it is that loneliest time of the night, the predawn darkness when the worst dreams come, the sunrise seems far off, and the creatures that inhabit both the real world and the darker edges of the unconscious prowl with the impunity of predators who know that their prey is helpless and alone.

He lived then before me, he lived as much as he had ever lived---a shadow insatiable of splendid appearances, of frightful realities, a shadow darker than the shadow of the night, and draped nobly in the folds of a gorgeous eloquence. The vision seemed to enter the house with me---the stretcher, the phantom-bearers, the wild crowd of obedient worshipers, the gloom of the forests, the glitter of the reach between the murky bends, the beat of the drum regular and muffled like the beating of a heart, the heart of a conquering darkness.

It ends, he thought—no fear, only relief, and sadness. He had tried. Had given everything he could. But he was so tired. The rustle of leaves in his ears was getting louder, and he felt himself sinking against the tree, into the embrace of something softer than metal, darker than night. His heart slowed, winding down like a music box, a season at its end. The last air left Holland’s lungs. And then, at last, the world breathed in.

He has two antagonists: the first presses him from behind, from the origin. The second blocks the road ahead. He gives battle to both. To be sure, the first supports him in his fight with the second, for he wants to push him forward, and in the same way the second supports him in his fight with the first, since he drives him back. But it is only theoretically so. For it is not only the two antagonists who are there, but he himself as well, and who really knows his intentions? His dream, though, is that some time in an unguarded moment and this would require a night darker than any night has ever been yet he will jump out of the fighting line and be promoted, on account of his experience in fighting, to the position of umpire over his antagonists in their fight with each other.

The old house had a thousand doors in it. All old houses do. You can see them if you know how to look: the noontime shadow of a windowpane crawling with intent across a floor; unmeasured angles of wall meeting wall; fireplaces grown chill with unused years. Archways with unseen contours you can trace with a finger in the cracks as brick grinds against brick in settling walls. Some nights, and some houses are doorways entire, silhouettes against the evening's last light black on black like an opening into a darker sky. You just have to look. An eye-corner glance will do, if you don't turn and stare and explain it away.

But the vital thing is that we act. We do not rely on hope alone, though hope is our bulwark, our light through dark days and darker nights. We also work, and fight, and endure, and it does not matter whether the part we play is large or small. The reason that God marks the fall of the sparrow is that he knows that it is as important to the world as the bulldog or the wolf. We all, all must do ‘our bit.’ For it is through our deeds that the war will be won, through our kindness and devotion and courage that we make that better world for which we long. “So it is with heaven,” the vicar said. “By our deeds here on earth, in this world so far from the one we long for, we make heaven possible. We not only live in the hope of heaven but, by each doing our bit, we bring it to pass.

In the violent scorn of her revolted pride, of her indignant honor, had she forgotten a lowlier yet harder duty left undone? In her contempt and dread of yielding to mere amorous weakness had she stifled and denied the cry of pity, the cry of conscience? To suffer woes which hope thinks infinite. To forgive wrongs darker than death or night. To defy power which seems omnipotent. To love and live to hope till hope creates from it's own wreck the thing it contemplates. Neither to change, nor falter, nor repent. This had been the higher, diviner way which she had missed, this obligation from the passion of the past which she had left unfulfilled, unaccepted. Now the misgiving arose in her whether she had mistaken arrogance for duty; whether, cleaving so closely to honor she had forgotten the obligation of mercy.

Sometimes I dream about it, I’m walking down this long empty hall. My voice echoes all around, but no one answers, so I walk faster, opening doors, shouting names. I don’t even know who I’m looking for. Most nights it’s my father, but sometimes it’s Robb instead, or my little sister Arya, or my uncle. Even the ravens are gone from the rookery, and the stables are full of bones. That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It’s black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don’t want to. I’m afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it’s not them I’m afraid of. I scream that I’m not a Stark, that this isn’t my place, but it’s no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream” -Jon Snow

She managed a bored sigh. “I suppose we could do one picture, but a group shot won’t work. Nyx, how about one of you with your favorite child? Which one is that?” The brood rustled. Dozens of horrible glowing eyes turned toward Nyx. The goddess shifted uncomfortably, as if her chariot were heating up under her feet. Her shadow horses huffed and pawed at the void. “My favorite child?” she asked. “All my children are terrifying!” Percy snorted. “Seriously? I’ve met the Fates. I’ve met Thanatos. They weren’t so scary. You’ve got to have somebody in this crowd who’s worse than that.” “The darkest,” Annabeth said. “The most like you.” “I am the darkest,” hissed Eris. “Wars and strife! I have caused all manner of death!” “I am darker still!” snarled Geras. “I dim the eyes and addle the brain. Every mortal fears old age!” “Yeah, yeah,” Annabeth said, trying to ignore her chattering teeth. “I’m not seeing enough dark. I mean, you’re the children of Night! Show me dark!” The horde of arai wailed, flapping their leathery wings and stirring up clouds of blackness. Geras spread his withered hands and dimmed the entire abyss. Eris breathed a shadowy spray of buckshot across the void. “I am the darkest!” hissed one of the demons. “No, I!” “No! Behold my darkness!” If a thousand giant octopuses had squirted ink at the same time, at the bottom of the deepest, most sunless ocean trench, it could not have been blacker. Annabeth might as well have been blind. She gripped Percy’s hand and steeled her nerves. “Wait!” Nyx called, suddenly panicked. “I can’t see anything.” “Yes!” shouted one of her children proudly. “I did that!” “No, I did!” “Fool, it was me!” Dozens of voices argued in the darkness. The horses whinnied in alarm. “Stop it!” Nyx yelled. “Whose foot is that?” “Eris is hitting me!” cried someone. “Mother, tell her to stop hitting me!” “I did not!” yelled Eris. “Ouch!” The sounds of scuffling got louder. If possible, the darkness became even deeper. Annabeth’s eyes dilated so much, they felt like they were being pulled out of their sockets. She squeezed Percy’s hand. “Ready?” “For what?” After a pause, he grunted unhappily. “Poseidon’s underpants, you can’t be serious.” “Somebody give me light!” Nyx screamed. “Gah! I can’t believe I just said that!” “It’s a trick!” Eris yelled. “The demigods are escaping!” “I’ve got them,” screamed an arai. “No, that’s my neck!” Geras gagged. “Jump!” Annabeth told Percy. They leaped into the darkness, aiming for the doorway far, far below.

There was no clear-cut moment of victory for the British. They really won when Sea Lion was called off, but this Hitler backdown was a secret. The Luftwaffe kept up heavy night raids on the cities, and this with the U-boat sinkings made the outlook for England darker and darker until Hitler attacked the Soviet Union. But the Luftwaffe never recovered from the Battle of Britain. This was one reason why the Germans failed to take Moscow in 1941. The blitzkrieg ran out of blitz in Russia because it had dropped too much of it on the fields of Kent and Surrey, and in the streets of London.—V.H.

It had grown darker now; it was full night already, with the swiftness of the mountainous latitudes. The square of sky over the patio was soft and dark as indigo velour, with magnificent stars like many-legged silver spiders festooned on its underside. Below them the white roses gleamed phosphorescently in the starlight, with a magnesium-like glow. There was a tiny splash from the depths of the well as a pebble or grain of dislodged earth fell in. ("The Moon Of Montezuma")

Back in Henrietta, night proceeded. Richard Gansey was failing to sleep. When he closed his eyes: Blue’s hands, his voice, black bleeding from a tree. It was starting, starting. No. It was ending. He was ending. This was the landscape of his personal apocalypse. What was excitement when he was wakeful melted into dread when he was tired. He opened his eyes. He opened Ronan’s door just enough to confirm that Ronan was inside, sleeping with his mouth ajar, headphones blaring, Chainsaw a motionless lump in her cage. Then, leaving him, Gansey drove to the school. He used his old key code to get into Aglionby’s indoor athletic complex, and then he stripped and swam in the dark pool in the darker room, all sounds strange and hollow at night. He did endless laps as he used to do when he had first come to the school, back when he had been on the rowing team, back when he had sometimes come earlier than even rowing practice to swim. He had nearly forgotten what it felt like to be in the water: It was as if his body didn’t exist; he was just a borderless mind. He pushed himself off a barely visible wall and headed towards the even less visible opposite one, no longer quite able to hold on to his concrete concerns. School, Headmaster Child, even Glendower. He was only this current minute. Why had he given this up? He couldn’t remember even that. In the dark water he was only Gansey, now. He’d never died, he wasn’t going to die again. He was only Gansey, now, now, only now. He could not see him, but Noah stood on the edge of the pool and watched. He had been a swimmer himself, once.

How they are all about, these gentlemen In chamberlains' apparel, stocked and laced, Like night around their order's star and gem And growing ever darker, stony-faced, And these, their ladies, fragile, wan, but propped High by their bodice, one hand loosely dropped, Small like its collar, on the toy King-Charles: How they surround each one of these who stopped To read and contemplate the objects d'art, Of which some pieces still are theirs, not ours. Whit exquisite decorum they allow us A life of whose dimensions we seem sure And which they cannot grasp. They were alive To bloom, that is be fair; we, to mature, That is to be of darkness and to strive.

Have you ever heard of the madman who on a bright morning lighted a lantern and ran to the market-place calling out unceasingly: "I seek God! I seek God!"—As there were many people standing about who did not believe in God, he caused a great deal of amusement. Why! is he lost? said one. Has he strayed away like a child? said another. Or does he keep himself hidden? Is he afraid of us? Has he taken a sea-voyage? Has he emigrated?—the people cried out laughingly, all in a hubbub. The insane man jumped into their midst and transfixed them with his glances. "Where is God gone?" he called out. "I mean to tell you! We have killed him,—you and I! We are all his murderers! But how have we done it? How were we able to drink up the sea? Who gave us the sponge to wipe away the whole horizon? What did we do when we loosened this earth from its sun? Whither does it now move? Whither do we move? Away from all suns? Do we not dash on unceasingly? Back-wards, sideways, forewards, in all directions? Is there still an above and below? Do we not stray, as through infinite nothingness? Does not empty space breathe upon us? Has it not become colder? Does not night come on continually, darker and darker? Shall we not have to light lanterns in the morning? Do we not hear the noise of the grave-diggers who are burying God? Do we not smell the divine putrefaction?—for even Gods putrefy! God is dead! God remains dead! And we have killed him! How shall we console ourselves, the most murderous of all murderers? The holiest and the mightiest that the world has hitherto possessed, has bled to death under our knife,—who will wipe the blood from us? With what water could we cleanse ourselves? What lustrums, what sacred games shall we have to devise? Is not the magnitude of this deed too great for us? Shall we not ourselves have to become Gods, merely to seem worthy of it? There never was a greater event,—and on account of it, all who are born after us belong to a higher history than any history hitherto!"—Here the madman was silent and looked again at his hearers; they also were silent and looked at him in surprise. At last he threw his lantern on the ground, so that it broke in pieces and was extinguished. "I come too early," he then said, "I am not yet at the right time. This prodigious event is still on its way, and is travelling,—it has not yet reached men's ears. Lightning and thunder need time, the light of the stars needs time, deeds need time, even after they are done, to be seen and heard. This deed is as yet further from them than the furthest star,—and yet they have done it!"—It is further stated that the madman made his way into different churches on the same day, and there intoned his Requiem æternam deo. When led out and called to account, he always gave the reply: "What are these churches now, if they are not the tombs and monuments of God?

Xaden's head snaps in my direction. 'Violence?' I take a step and then another, holding my frame upright with muscle memory I didn't have last year, and begin to cross. Xaden swings his legs up and then fucking jumps to his feet. 'Turn around right now!' he shouts. 'Come with me,' I call over the wind, bracing myself as gust whips my skirt against my legs. 'Should have gone with the pants,' I mutter and keep walking. He's already coming my way, his strides just as long and confident as if he was on solid ground, eating up the distance between us as I move forward slowly until we meet. 'What the fuck are you doing out here?' he asks, locking his hands on my waist. He's in riding leathers, not a dress uniform, and he's never looked better. What am I doing out here? I'm risking everything to reach him. And if he rejects me... No. There's no room for fear on the parapet. 'I could ask you the same thing.' His eyes widen. 'You could have fallen and died!' 'I could say the same thing.' I smile, but it's shaky. The look in his eyes is wild, like he's been driven past the point where he can contain himself in the neat, apathetic façade he usually wears in public. It doesn't scare me. I like him better when he's real with me, anyway. 'And did you stop to think that if you fall and die, then I can die?' He leans in and my pulse jumps. 'Again,' I say softly, resting my hands on his firm chest, right above his heartbeat, 'I could say the same thing.' Even if Xaden's death wouldn't kill Sgaeyl, I'm not sure I could survive it.' Shadows rise, darker than the night that surrounds us. 'You're forgetting that I wield shadows, Violence. I'm just as safe out here as I am in the courtyard. Are you going to wield lightning to break your fall?' Fine. That's a good point. 'I... perhaps did not think that part through as thoroughly as you,' I admit. I wanted to be close to him, so I got close, parapet be damned.' 'You're seriously going to be the death of me.' His fingers flex at my waist. 'Go back.' It's not a rejection, not with the way he's looking at me. We've been sparring emotionally for the past month, hell, even longer than that, and one of us has to expose our jugular. I finally trust him enough to know he won't go for the kill. 'Only if you do. I want to be whereever you are.' And I mean it. Everyone else- everything else in the world can fall away and I won't care as long as I'm with him.

To him who in the love of Nature holds Communion with her visible forms, she speaks A various language; for his gayer hours She has a voice of gladness, and a smile And eloquence of beauty, and she glides Into his darker musings, with a mild And healing sympathy, that steals away Their sharpness, ere he is aware. When thoughts Of the last bitter hour come like a blight Over thy spirit, and sad images Of the stern agony, and shroud, and pall, And breathless darkness, and the narrow house, Make thee to shudder, and grow sick at heart;— Go forth, under the open sky, and list To Nature’s teachings, while from all around— Earth and her waters, and the depths of air— Comes a still voice— Yet a few days, and thee The all-beholding sun shall see no more In all his course; nor yet in the cold ground, Where thy pale form was laid, with many tears, Nor in the embrace of ocean, shall exist Thy image. Earth, that nourished thee, shall claim Thy growth, to be resolved to earth again, And, lost each human trace, surrendering up Thine individual being, shalt thou go To mix for ever with the elements, To be a brother to the insensible rock And to the sluggish clod, which the rude swain Turns with his share, and treads upon. The oak Shall send his roots abroad, and pierce thy mould. Yet not to thine eternal resting-place Shalt thou retire alone, nor couldst thou wish Couch more magnificent. Thou shalt lie down With patriarchs of the infant world—with kings, The powerful of the earth—the wise, the good, Fair forms, and hoary seers of ages past, All in one mighty sepulchre. The hills Rock-ribbed and ancient as the sun,—the vales Stretching in pensive quietness between; The venerable woods—rivers that move In majesty, and the complaining brooks That make the meadows green; and, poured round all, Old Ocean’s gray and melancholy waste,— Are but the solemn decorations all Of the great tomb of man. The golden sun, The planets, all the infinite host of heaven, Are shining on the sad abodes of death, Through the still lapse of ages. All that tread The globe are but a handful to the tribes That slumber in its bosom.—Take the wings Of morning, pierce the Barcan wilderness, Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound, Save his own dashings—yet the dead are there: And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep—the dead reign there alone. So shalt thou rest, and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee. As the long train Of ages glide away, the sons of men, The youth in life’s green spring, and he who goes In the full strength of years, matron and maid, The speechless babe, and the gray-headed man— Shall one by one be gathered to thy side, By those, who in their turn shall follow them. So live, that when thy summons comes to join The innumerable caravan, which moves To that mysterious realm, where each shall take His chamber in the silent halls of death, Thou go not, like the quarry-slave at night, Scourged to his dungeon, but, sustained and soothed By an unfaltering trust, approach thy grave, Like one who wraps the drapery of his couch About him, and lies down to pleasant dreams.

'how then does soul differ from spirit?' you're probably asking yourself. although he must have been reasonably sure nobody was. "Well, soul is darker of color, denser of volume, saltier of flavor, rougher of texture, and tends to be more maternalistic than paternalistic: soul is connected to Mother Earth just as spirit is connected to Father Sky. Of course, mothers and fathers are prone to copulation, and in their commingled state, soul and spirit often can be difficult to distinguish the one from the other. Generally, if spirit is the fresh air cent and ambient lighting in the house of consciousness, if the spirit is the electrical system that illuminates that house, then soul is the smoky fireplace, the fragrant oven, the dusty wine cellar, the strange creeks we hear in the floorboards late at night. "It's a bit of a cliche to say it, but when you think of soul, you should think of things that are authentic and things that are deep. Anything superficial is not soulful. Anything artificial, imitative, or overly refined is not soulful. Wood has a stronger connection to soul than does plastic, although, paradoxically, thanks to human interface, a funky wooden table or chair can sometimes exceed in soulfulness the soul that may be invoked by a living tree.

It's all there, it's all waiting. Of course it can be done; it depends upon ourselves. You say: "But again, we're scattered individuals. Everything's against us. Governments, money, press, television - all the new forces are used against us." All the great forces, all the material powers of the world, you say, are against you. And so they are - you're quite right to feel that. And I don't underrate them, but I don't despair and you shouldn't despair. Because you, like I, have read something of history. You know something of the record of the achievement of Europeans. And dark as this hour is, it's no darker, it's not as dark as some of the hours you've known in European history. When everything was cowardice, treachery, and betrayal. And when the Saracen hordes from far outside Europe swept right across that continent, and would've come on over our own Britain too, if they hadn't been stopped. And it didn't only happen once, it's happened more than once. Small bands of men in resolution, in absolute determination, giving themselves completely and saying "Europe shall live!" And they stood firm and faced the menace to Europe: its values, its civilizations, the glory of its achievement - all those things in mortal danger. And they stood firm, they faced it, they came together, and more and more ran it to their standards, and those hordes were thrown back. Again and again and again, our Europe lived in triumph because the will of Europe still endured! We've got other forces against us - not those particular forces, but the power of money, the power of press. All those things are against us. And how can you stop it? My friends, by an act of will, an act of the European will. My friends, today, just as much as in the past, we can meet the dark forces which in another way threaten our European life with eternal night. We can rally those forces, and in the end, we can prevail and we can triumph!

Where mermaids live looks a bit like your pool.' said Bernard. 'Except they build houses out of whale bones and the wreckage of sunken ships. They play chess with seahorses. They wear capes of fish scales and sleep on beds made from seaweed.' As we listened, I thought I heard a slight splashing from the far end of the pool. 'At night,' Bernard continued, 'they turn on an electric eel for a night-light, and they light a fire, and the smoke goes up a chimney made from coral.' 'Wait a minute,' interupted Zoe, clearly immersed in Bernard's description. 'If they live underwater, how could they have a fire?' 'You should ask them,' said Bernard. Zoe and I open our eyes. Now, look, I know the light was just playing tricks on us. And I know we'd all probably inhaled too much sequin glue. But for the briefest moment, the blue of Zoe's pool gave way to deeper, darker aqua-colored water. The few plants and rocks were replaced with a lagoon and a waterfall where several mermaids lounged half in the water, half in the sun. They splashed and dove, their laughter making the same sound as the water.

We want so much from those who love us: friendship, understanding, conversation, and kindness—and companionship, and sex, and children, and even money or someone to cook dinner or mow the grass. Sometimes, at the bottom of things, when we are most in love, we want our partners to be for us the same as God. But only in our deepest part are we divine, and most of us live within our smaller selves most of the time. And so who can be the all and everything for another? Who can be the sun that lights up the soul and drives away despair, depression, and fear, not just for a night of love or a season of romance, but for a whole long lifetime until death do part? I have often wondered at the relationship between splendor and love. It seems to me that love is the very heart of splendor, its deepest purpose, while splendor gives fire and brilliance to love. I know that just as we can place too great a demand on love and the one we fall in love with, so we can want too much of splendor. In this, I think, we make a great mistake. We should want to shine as an expression of our true nature, not because splendor itself will save us from our darker side.

How can we expect the world to change if we are unwilling to change ourselves? We hate the haters, judge the judgers, and refuse to forgive the supposed unforgivable. We are hypocrites, most of us, comfortable condemning others for the same things we do. Like sheep we follow, like wolves we attack, like fools we listen to the loudest voices, even when they scream nothing but hate. We are lost in our desire to be like everyone else, and paralyzed in our fear to be ourselves. We are desperate to feel safe amidst our cries for retaliation and more wars. Where is the common sense? If we want to end war, then be peaceful. If we want to know love, then stop hating. if we want to find happiness, then let go of negativity, and befriend gratitude. real change isn’t born from making the same choices over and over, especially choices muddied with insecurity and fear. we can’t wrest ourselves from darkness by turning out our light. everything just gets darker then. Let's worry less about changing the world and more about changing ourselves. That, we can do, each one of us. With commitment and work. And a single candle does wonders in even the darkest of nights.

Down through this verdant land Carter walked at evening, and saw twilight float up from the river to the marvelous golden spires of Thran. And just at the hour of dusk he came to the southern gate, and was stopped by a red-robed sentry till he had told three dreams beyond belief, and proved himself a dreamer worthy to walk up Thran's steep mysterious streets and linger in the bazaars where the wares of the ornate galleons were sold. Then into that incredible city he walked; through a wall so thick that the gate was a tunnel, and thereafter amidst curved and undulant ways winding deep and narrow between the heavenward towers. Lights shone through grated and balconied windows, and, the sound of lutes and pipes stole timid from inner courts where marble fountains bubbled. Carter knew his way, and edged down through darker streets to the river, where at an old sea tavern he found the captains and seamen he had known in myriad other dreams. There he bought his passage to Celephais on a great green galleon, and there he stopped for the night after speaking gravely to the venerable cat of that inn, who blinked dozing before an enormous hearth and dreamed of old wars and forgotten gods.

I locate the ladies' room. Luckily, it's empty, no one to see the vacant-eyed girl, staring in the mirror. Staring at a stranger who doesn't care if she dies. Maybe she wants to die. Who would care if I died? My face is hollow-cheeked, spiced with sores--the places where I stab at bugs. Tiny bugs, almost invisible, but irritating. Usually they come out at night, when I'm lying there, begging for sleep. I've been meaning to tell the manager that the apartment needs to be sprayed. Sprayed. Steam cleaned. Deodorized. My hair looks odd too. It used to be darker. Shinier. Prettier. Can hair lose color when you're only eighteen? What if I go all the way gray? Will Trey still love me? Will anyone? That is, if I fool them all and don't die.

On a long journey to Glen-Stone Isailed into its shade there before me she proudly shone my decision was already made. A lass who bore the light of the town her fur of ivory thread how she danced is stuck in my crown and back to this glen my boat led. Twenty some seasons have since passed since her eyes and mine both met through lands unnamed and wildly vast my blade slaying every threat Wolf, hawk, fox, and snake can't stand in my way my body is weak and it may break, but not today. Living in blackness wrought with fright my steel shattered facing the foes dusks and dawns darker than night my fallen companions in rows Life spilled past me staining the ground mylimbs growing ever so cold above villians let out a cackiling sound telling me i'd never grow old One dance and one mouse played in my mind calling me back from the doom the courage to carry on i did find to raise me out of my tomb Wolf, hawk, fox, and snake can't stand in my way my body is weak and it may break though not today Battered and bruised i stood to my paws raised what little i owned predators growled caring not for my cause of the mouse that shone light off Glen-stone Wolf, hawk, fox, and snake can't tand in my way my body is weak and it may break though not today. -The Ballad Of The Ivory Lass

It was darker in the tower than any place Devnee had ever been. The dark had textures, some velvet, some satin. The dark shifted positions. The dark continued to breathe. The breath of the tower lifted her clothing like the flaps of a tent, and sounded in her ears like falling snow. It's the wind coming through the double shutters, Devnee told herself. But how could the wind come through? There were glass windows between the inside and outside shutters. Or were there? The windows weren't just holes in the wall, were they? What if there was no glass? What if things crawled through those open louvers, crept into the room, blew in with the cold that fingered her hair? What creatures of the night could slither through those slats? She had not realized how wonderful glass was, how it protected you and kept you inside. She knew something was out there.

I didn’t until I was older and she was diagnosed and the possibility of her leaving us became real. But she used to tell me how the moment I was born, she knew she had found her light in the dark. That one lighthouse that, no matter what, was always up. Lighting up the night and signaling her way home. And as a kid, I thought that was either corny or very dramatic.” A low and humorless chuckle left him. My heart broke all over again for him, hurting and begging me to turn around and give him any comfort I could. But I stayed put. “You must miss her so much.” “I do, every day. When she passed and my nights got a little darker, I started to understand what she’d meant.” That was a loss I hoped I wouldn’t experience in a long time. “But what your dad said—about you having this fire inside, that lightness and life, and how it dulled for a period of time …” He paused, and I swore I heard him swallow. “It just …” He trailed off, as if he was scared of his next words. And Aaron never feared speaking his mind. Aaron was never scared. “You are all that, Catalina. You are light. And passion. Your laughter alone can lift my mood and effortlessly turn my day around in a matter of seconds. Even when it’s not aimed at me. You … can light up entire rooms, Catalina. You hold that kind of power. And it’s because of all the different things that make you who you are. Each and every one of them, even the ones that drive me crazy in ways you can’t imagine. You should never forget that.

A swaddled silence would be over the island, nights like that: if they complained, or had to cry for some lesion or cramp, it was baffled by the thick mists and all you heard was the tide, slapping ever sideways along the strand, viscous, reverberating; then seltzering back to sea, violently salt, leaving a white skin on the sand it hadn't taken. And only occasionally above the mindless rhythm, from across the narrow strait, over on the great African continent itself, a sound would arise to make the fog colder, the night darker, the Atlantic more menacing: if it were human it could have been called laughter, but it was not human. It was a product of alien secretions, boiling over into blood already choked and heady; causing ganglia to twitch, the field of night-vision to be grayed into shapes that threatened, putting an itch into every fiber, an unbalance, a general sensation of error that could only be nulled by those hideous paroxysms, those fat, spindle-shaped bursts of air up the pharynx, counter-irritating the top of the mouth cavity, filling the nostrils, easing the prickliness under the jaw and down the center-line of the skull: it was the cry of the brown hyena called the strand wolf, who prowled the beach singly or with companions in search of shellfish, dead gulls, anything flesh and unmoving.

One night, around the campfire after a dinner of bully-beef stew, someone opened an extra bottle of rum. ‘As it grew darker, the men began to sing, at first slightly self-conscious and shy, but picking up confidence as the song spread.’ Their songs were not the martial chants of warriors, but the schmaltzy romantic popular tunes of the time: ‘I’ll Never Smile Again’, ‘My Melancholy Baby’, ‘I’m Dancing with Tears in My Eyes’. The bigger and burlier the singer, Pleydell noted, the more passionate and heartfelt the singing. Now the French contingent struck up, with a warbling rendition of ‘Madeleine’, the bittersweet song of a man whose lilacs for his lover have been left to wilt in the rain. Then it was the turn of the German prisoners who, after some debate, belted out ‘Lili Marleen’, the unofficial anthem of the Afrika Korps, complete with harmonies: ‘Vor der Kaserne / Vor dem grossen Tor / Stand eine Laterne / Und steht sie noch davor …’ (Usually rendered in English as: Underneath the lantern, by the barrack gate, darling I remember, how you used to wait.) As the last verse died away, the audience broke into loud whistles and applause. To his own astonishment, Pleydell was profoundly moved. ‘There was something special about that night,’ he wrote years later. ‘We had formed a small solitary island of voices; voices which faded and were caught up in the wilderness. A little cluster of men singing in the desert. An expression of feeling that defied the vastness of its surroundings … a strange body of men thrown together for a few days by the fortunes of war.’ The doctor from Lewisham had come in search of authenticity, and he had found it deep in the desert, among hard soldiers singing sentimental songs to imaginary sweethearts in three languages.

The finished clock is resplendent. At first glance it is simply a clock, a rather large black clock with a white face and a silver pendulum. Well crafted, obviously, with intricately carved woodwork edges and a perfectly painted face, but just a clock. But that is before it is wound. Before it begins to tick, the pendulum swinging steadily and evenly. Then, then it becomes something else. The changes are slow. First, the color changes in the face, shifts from white to grey, and then there are clouds that float across it, disappearing when they reach the opposite side. Meanwhile, bits of the body of the clock expand and contract, like pieces of a puzzle. As though the clock is falling apart, slowly and gracefully. All of this takes hours. The face of the clock becomes a darker grey, and then black, with twinkling stars where the numbers had been previously. The body of the clock, which has been methodically turning itself inside out and expanding, is now entirely subtle shades of white and grey. And it is not just pieces, it is figures and objects, perfectly carved flowers and planets and tiny books with actual paper pages that turn. There is a silver dragon that curls around part of the now visible clockwork, a tiny princess in a carved tower who paces in distress, awaiting an absent prince. Teapots that pour into teacups and minuscule curls of steam that rise from them as the seconds tick. Wrapped presents open. Small cats chase small dogs. An entire game of chess is played. At the center, where a cuckoo bird would live in a more traditional timepiece, is the juggler. Dressed in harlequin style with a grey mask, he juggles shiny silver balls that correspond to each hour. As the clock chimes, another ball joins the rest until at midnight he juggles twelve balls in a complex pattern. After midnight the clock begins once more to fold in upon itself. The face lightens and the clouds return. The number of juggled balls decreases until the juggler himself vanishes. By noon it is a clock again, and no longer a dream. A

Samwell Tarly looked at him for a long moment, and his round face seemed to cave in on itself. He sat down on the frost-covered ground and began to cry, huge choking sobs that made his whole body shake. Jon Snow could only stand and watch. Like the snowfall on the barrowlands, it seemed the tears would never end. It was Ghost who knew what to do. Silent as shadow, the pale direwolf moved closer and began to lick the warm tears off Samwell Tarly's face. The fat boy cried out, startled... and somehow, in a heartbeat, his sobs turned to laughter. Jon Snow laughed with him. Afterward they sat on the frozen ground, huddled in their cloaks with Ghost between them. Jon told the story of how he and Robb had found the pups newborn in the late summer snows. It seemed a thousand years ago now. Before long he found himself talking of Winterfell. "Sometimes I dream about it," he said. "I'm walking down this long empty hall. My voice echoes all around, but no one answers, so I walk faster, opening doors, shouting names. I don't even know who I'm looking for. Most nights it's my father, but sometimes it's Robb instead, or my little sister Arya, or my uncle." The thought of Benjen Stark saddened him; his uncle was still missing. The Old Bear had sent out rangers in search of him. Ser Jaremy Rykker had led two sweeps, and Quorin Halfhand had gone forth from the Shadow Tower, but they'd found nothing aside from a few blazes in the trees that his uncle had left to mark his way. In the stony highlands to the northwest, the marks stopped abruptly and all trace of Ben Stark vanished. "Do you ever find anyone in your dream?" Sam asked. Jon shook his head. "No one. The castle is always empty." He had never told anyone of the dream, and he did not understand why he was telling Sam now, yet somehow it felt good to talk of it. "Even the ravens are gone from the rookery, and the stables are full of bones. That always scares me. I start to run then, throwing open doors, climbing the tower three steps at a time, screaming for someone, for anyone. And then I find myself in front of the door to the crypts. It's black inside, and I can see the steps spiraling down. Somehow I know I have to go down there, but I don't want to. I'm afraid of what might be waiting for me. The old Kings of Winter are down there, sitting on their thrones with stone wolves at their feet and iron swords across their laps, but it's not them I'm afraid of. I scream that I'm not a Stark, that this isn't my place, but it's no good, I have to go anyway, so I start down, feeling the walls as I descend, with no torch to light the way. It gets darker and darker, until I want to scream." He stopped, frowning, embarrassed. "That's when I always wake." His skin cold and clammy, shivering in the darkness of his cell. Ghost would leap up beside him, his warmth as comforting as daybreak. He would go back to sleep with his face pressed into the direwolf s shaggy white fur.