Dark Side Of Dimensions Quotes

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There are limits to the dimension of fear. Until one meets the unknown. Then terror has no boundaries, no walls to keep it contained.
Carol Hedges (Dark Side Of Midnight (Spy Girl, #1))
The longer you live by the dark, the better you come to understand its dark nature. It takes darkness to see darkness. Maybe they are suspicious for a reason, or for no reason other than they know what the Dark has a tendency to be. Maybe their human side trusts you more than their dark side trusts him.
Marie Montine (Mourning Grey: Part Three The Guardians Of The Temple Saga)
Then the anguish increased to unendurable massivity and nightmare dimensions, making her scream and vomit. She wanted...to have her dark curls shaved to an aquamarine prickle, because they grew into her porous skull and curled inside. Jigsaw pieces of sky or wall came apart, no matter how delicately put together, but a careless jolt or a nurse's elbow can disturb so easily those lightweight fragments which became incomprehensible blancs of anonymous objects, or the blank backs of 'Scrabble' counters, which she could not turn over sunny side up, because her hands had been tied by a male nurse with Demon's black eyes.
Vladimir Nabokov
Whole dimensions lie glistening on the dark side of even the most dull and commonplace thought.
Mark Booth (The Secret History of the World)
Like our IQ, talent is a gift from our ancestors. If we're lucky, we inherit it. In the fortunate talented few, the dark dimension of their natures will first resist the labor that creativity demands, but once they commit to the task, their talented side stirs to action and rewards them with astonishing feats. These flashes of creative genius seem to arrive from out of the blue for the obvious reason: They come from the unconscious mind. In short, if the Muse exists, she does not whisper to the untalented.
Steven Pressfield (The War of Art)
When you enter the woods of a fairy tale and it is night, the trees tower on either side of the path. They loom large because everything in the world of fairy tales is blown out of proportion. If the owl shouts, the otherwise deathly silence magnifies its call. The tasks you are given to do (by the witch, by the stepmother, by the wise old woman) are insurmountable - pull a single hair from the crescent moon bear's throat; separate a bowl's worth of poppy seeds from a pile of dirt. The forest seems endless. But when you do reach the daylight, triumphantly carrying the particular hair or having outwitted the wolf; when the owl is once again a shy bird and the trees only a lush canopy filtering the sun, the world is forever changed for your having seen it otherwise. From now on, when you come upon darkness, you'll know it has dimension. You'll know how closely poppy seeds and dirt resemble each other. The forest will be just another story that has absorbed you, taken you through its paces, and cast you out again to your home with its rattling windows and empty refrigerator - to your meager livelihood, which demands, inevitably, that you write about it.
Elizabeth Jarrett Andrew (On The Threshold: Home, Hardwood, and Holiness)
The room was dark. Nina Fawcett sat on one side of a table; on the other was a woman peering into a crystal ball. Nina, after years of searching for her husband and son in this world, had begun to look in another dimension.
David Grann (The Lost City of Z: A Tale of Deadly Obsession in the Amazon)
Okay, do you guys feel protected?” “I do,” Archer said. “Also, a little violated, but that’s neither here nor there.” I rolled my eyes. “You two?” “Yeah,” Cal said. “Whatever you did, I think it worked.” “Same,” Jenna added. “Awesome.” I started walking forward, the other following. “Archer, any helpful factoids about demonglass you’d like to offer up?” “Um, okay. Well, after the war in heaven, the angels who fought on the wrong side were stripped down to just their most basic level.” “Right,” I nodded. “Dad told me that. Demons are just pure dark magic, nothing more. Until they’re put in a body, obviously.” “I don’t know, there are times when you seem like you’re just pure dark-ow.” Archer broke off as I poked him in the ribs. “Anyway, the demons were forced into another dimension. What people call hell, or the Underworld, or whatever. Supposedly-and for us, hopefully-that’s where you find demonglass. Which, really, is nothing more than rock that’s been permeated with all that dark magic. Demon Kryptonite, basically.” “So we’re going into another dimension?” Jenna asked, her voice wavering a little. “Like what the Itineris does?” “That’s the idea,” Archer replied. Seeing as how the Itineris almost always left Jenna trying not to cough out her inner organs, I understood why she sounded a little freaked out. “This doesn’t feel like another dimension, though,” I said. “It just feels like-“ “A cave,” Cal said. “Yeah, a cave.” As soon as I said that, my heart started to pound. Ugh, this new claustrophobia thing was highly annoying.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
Azrael raised his finger to a face that filled the sky, lit by the faint glow of dying galaxies. There are a billion Deaths, but they are all aspects of the one Death: Azrael, the Great Attractor, the Death of Universes, the beginning and end of time. Most of the universe is made up of dark matter, and only Azrael knows who it is. Eyes so big that a supernova would be a mere suggestion of a gleam on the iris turned slowly and focused on the tiny figure on the immense whorled plains of his fingertips. Beside Azrael the big Clock hung in the center of the entire web of the dimensions, and ticked onward. Stars glittered in Azrael's eyes. The Death of the Discworld stood up. LORD I ASK FOR - Three of the servants of oblivion slid into existence alongside him. One said, Do not listen. He stands accused of meddling. One said, And morticide. One said, And pride. And living with intent to survive. One said, And siding with chaos against good order. Azrael raised an eyebrow. The servants drifted away from Death, expectantly. LORD, WE KNOW THERE IS NO GOOD ORDER EXCEPT THAT WHICH WE CREATE.... Azrael's expression did not change. THERE IS NO HOPE BUT US. THERE IS NO MERCY BUT US. THERE IS NO JUSTICE. THERE IS JUST US. The dark, sad face filled the sky. ALL THINGS THAT ARE ARE OURS. BUT WE MUST CARE. FOR IF WE DO NOT CARE, WE DO NOT EXIST. IF WE DO NOT EXIST, THEN THERE IS NOTHING BUT BLIND OBLIVION. AND EVEN OBLIVION MUST END SOMEDAY. LORD, WILL YOU GRANT ME JUST A LITTLE TIME? FOR THE PROPER BALANCE OF THINGS. TO RETURN WHAT WAS GIVEN. FOR THE SAKE OF PRISONERS AND THE FLIGHT OF BIRDS. Death took a step backwards. It was impossible to read expression in Azrael's features. Death glanced sideways at the servants. LORD, WHAT CAN THE HARVEST HOPE FOR, IF NOT FOR THE CARE OF THE REAPER MAN? He waited. LORD? said Death. In the time it took to answer, several galaxies unfolded, whirled around Azrael like paper streamers, impacted, then were gone. Then Azrael said: Yes.
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
You.” Hard thrust. “Go.” Another thrust directly to my spot, my pussy walls clenching and holding his fingers but he doesn’t let me. “When. I. Say. So.” He fucks me with his fingers so hard and I come just as hard, so loud with a scream that pierces my ears. I literally hear a buzz and see color behind my eyes. Maybe it’s the bitter taste of the truth on my tongue, or the answering silent, yet volcanic anger from Ace. Maybe it’s the grief that slices the room into uneven dimensions of breathless agony—but for whatever reason, my orgasm is hard and intense. It’s the type of climax that I knew Ace could easily give me, but we both knew it was heightened by misery and grief. A kind of grief that we both refused to face. Grief heightened by orgasm. Orgasm heightened by grief. . . My entire body shakes, Ace flips me over to my side and somehow in the darkness of my room, our gazes connect and I can see the blues like I do in my nightmares and my dreams. I see them as much as they see me. I know these eyes belong to the devil, the spawn of my hate. But they still see me. It’s all I’ve ever wanted. To be seen and he has, since the very first day we met. “You will fucking die when I say so.” He growls, like a solemn vow. “You will fade away like the kind of nothing that you think you are, when I say so. But for now, you fucking stay here and you fight that shit for me. I fucking need you to fight it.
Thandiwe Mpofu (Reckless Hate (Westbrook Blues, #1))
What you’re saying makes no sense. At least, it doesn’t make sense to lower spatial dimensions as a weapon. In the long run, that’s the sort of attack that would kill the attacker as well as the target. Eventually, the side that initiated attack would also see their own space fall into the two-dimensional abyss they created.” Nothing but silence. After a long while, Cheng Xin called out, “Dr. Guan?” “You’re too … kind-hearted,” Guan Yifan said softly. “I don’t understand—” “There’s a way for the attacker to avoid death. Think about it.” Cheng Xin pondered and then said, “I can’t figure it out.” “I know you can’t. Because you’re too kind. It’s very simple. The attacker must first transform themselves into life forms that can survive in a low-dimensional universe. For instance, a four-dimensional species can transform itself into three-dimensional creatures, or a three-dimensional species can transform itself into two-dimensional life. After the entire civilization has entered a lower dimension, they can initiate a dimensional strike against the enemy without concern for the consequences.” Cheng Xin was silent again. “Are you reminded of anything?” Yifan asked. Cheng Xin was thinking of more than four hundred years ago, when Blue Space and Gravity had stumbled into the four-dimensional fragment. Yifan had been a member of the small expedition that conversed with the Ring. Did you build this four-dimensional fragment? You told me that you came from the sea. Did you build the sea? Are you saying that for you, or at least for your creators, this four-dimensional space is like the sea for us? More like a puddle. The sea has gone dry. Why are so many ships, or tombs, gathered in such a small space? When the sea is drying, the fish have to gather into a puddle. The puddle is also drying, and all the fish are going to disappear. Are all the fish here? The fish responsible for drying the sea are not here. We’re sorry. What you said is really hard to understand. The fish that dried out the sea went onto land before they did this. They moved from one dark forest to another dark forest. “Is it worth it to pay such a price for victory in war?” Cheng Xin asked. She could not imagine how it was possible to live in a world of one fewer dimension. In two-dimensional space, the visible world consisted of a few line segments of different lengths. Could anyone who was born in three-dimensional space willingly live in a thin sheet of paper with no thickness? Living in three dimensions must be equally confining and unimaginable for those born to a four-dimensional world. “It’s better than death,” said Yifan. While
Liu Cixin (Death's End (Remembrance of Earth’s Past, #3))
Similarly, we look for echoes from the tenth and eleventh dimension. Perhaps evidence for string theory is hidden all around us, but we have to listen for its echoes, rather than try to observe it directly. For example, one possible signal from hyperspace is the existence of dark matter. Until recently, it was widely believed that the universe is mainly made of atoms. Astronomers have been shocked to find that only 4.9 percent of the universe is made of atoms like hydrogen and helium. Actually, most of the universe is hidden from us, in the form of dark matter and dark energy. (We recall that dark matter and dark energy are two distinct things. Twenty-six point eight percent of the universe is made of dark matter, which is invisible matter that surrounds the galaxies and keep them from flying apart. And 68.3 percent of the universe is made of dark energy, which is even more mysterious, the energy of empty space that is driving the galaxies apart.) Perhaps evidence for the theory of everything lies hidden in this invisible universe. Search for Dark Matter Dark matter is strange, it is invisible, yet it holds the Milky Way galaxy together. But since it has weight and no charge, if you tried to hold dark matter in your hand it would sift through your fingers as if they weren’t there. It would fall right through the floor, through the core of the Earth, and then to the other side of the Earth, where gravity would eventually cause it to reverse course and fall back to your location. It would then oscillate between you and the other side of the planet, as if the Earth weren’t there. As strange as dark matter is, we know it must exist. If we analyze the spin of the Milky Way galaxy and use Newton’s laws, we find that there is not enough mass to counteract the centrifugal force. Given the amount of mass we see, the galaxies in the universe should be unstable and they should fly apart, but they have been stable for billions of years. So we have two choices: either Newton’s equations are incorrect when applied to galaxies, or else there is an unseen object that is keeping the galaxies intact. (We recall that the planet Neptune was found in the same way, by postulating a new planet that explained Uranus’s deviations from a perfect ellipse.) At present, one leading candidate for dark matter is called the weakly interacting massive particles (WIMPs). Among them, one likely possibility is the photino, the supersymmetric partner of the photon. The photino is stable, has mass, is invisible, and has no charge, which fits precisely the characteristics of dark matter. Physicists believe the Earth moves in an invisible wind of dark matter that is probably passing through your body right now. If a photino collides with a proton, it may cause the proton to shatter into a shower of subatomic particles that can then be detected.
Michio Kaku (The God Equation: The Quest for a Theory of Everything)
Vasana is determinism that feels like free will. I’m reminded of my friend Jean, whom I’ve known for almost twenty years. Jean considers himself very spiritual and went so far in the early nineties as to walk way from his job with a newspaper in Denver to live in an ashram in western Massachusetts. But he found the atmosphere choking. “They’re all crypto Hindus,” he complained. “They don’t do anything but pray and chant and meditate.” So Jean decided to move on with his life. He’s fallen in love with a couple of women but has never married. He doesn’t like the notion of settling down and tends to move to a new state every four years or so. (He once told me that he counted up and discovered that he’s lived in forty different houses since he was born.) One day Jean called me with a story. He was on a date with a woman who had taken a sudden interest in Sufism, and while they were driving home, she told Jean that according to her Sufi teacher, everyone has a prevailing characteristic. “You mean the thing that is most prominent about them, like being extroverted or introverted?” he asked. “No, not prominent,” she said. “Your prevailing characteristic is hidden. You act on it without seeing that you’re acting on it.” The minute he heard this, Jean became excited. “I looked out the car window, and it hit me,” he said. “I sit on the fence. I am only comfortable if I can have both sides of a situation without committing to either.” All at once a great many pieces fell into place. Jean could see why he went into an ashram but didn’t feel like he was one of the group. He saw why he fell in love with women but always saw their faults. Much more came to light. Jean complains about his family yet never misses a Christmas with them. He considers himself an expert on every subject he’s studied—there have been many—but he doesn’t earn his living pursuing any of them. He is indeed an inveterate fence-sitter. And as his date suggested, Jean had no idea that his Vasana, for that’s what we’re talking about, made him enter into one situation after another without ever falling off the fence. “Just think,” he said with obvious surprise, “the thing that’s the most me is the thing I never saw.” If unconscious tendencies kept working in the dark, they wouldn’t be a problem. The genetic software in a penguin or wildebeest guides it to act without any knowledge that it is behaving much like every other penguin or wildebeest. But human beings, unique among all living creatures, want to break down Vasana. It’s not good enough to be a pawn who thinks he’s a king. We crave the assurance of absolute freedom and its result—a totally open future. Is this reasonable? Is it even possible? In his classic text, the Yoga Sutras, the sage Patanjali informs us that there are three types of Vasana. The kind that drives pleasant behavior he calls white Vasana; the kind that drives unpleasant behavior he calls dark Vasana; the kind that mixes the two he calls mixed Vasana. I would say Jean had mixed Vasana—he liked fence-sitting but he missed the reward of lasting love for another person, a driving aspiration, or a shared vision that would bond him with a community. He displayed the positives and negatives of someone who must keep every option open. The goal of the spiritual aspirant is to wear down Vasana so that clarity can be achieved. In clarity you know that you are not a puppet—you have released yourself from the unconscious drives that once fooled you into thinking that you were acting spontaneously.
Deepak Chopra (The Book of Secrets: Unlocking the Hidden Dimensions of Your Life)
How can one produce something of beauty or goodness without doing an equal amount of wreckage? Is it possible to live one’s ideals, do one’s best, be courteous, do well at work, and live a decent civilized life if we ritually acknowledge this other dimension of reality. The unconscious cannot her tell the difference between a real act and a symbolic one. This means that we can aspire to beauty and goodness and any out that darkness in a symbolic way. This enables us to do the upkeep of the left side of the balance.
Robert A. Johnson (Owning Your Own Shadow: Understanding the Dark Side of the Psyche)
Loving the shadow may begin with carrying it, but even that is not enough. At one moment something else must break through, that laughing insight at the paradox of one's own folly which is also everyman's. Then may come the joyful acceptance of the rejected and inferior, a going with it and even a partial living of it. This love may even lead to an identification with and acting-out of the shadow, falling into its fascination. Therefore the moral dimension can never be abandoned. Thus is cure a paradox requiring two incommensurables: the moral recognition that these parts of me are burdensome and intolerable and must change, and the loving laughing acceptance which takes them just as they are, joyfully, forever. One both tries hard and lets go, both judges harshly and joins gladly. Western moralism and Eastern abandon: each holds only one side of the truth.
Sheldon B. Kopp (Meeting the Shadow: The Hidden Power of the Dark Side of Human Nature)
The dramatic strategy of the show provides a simple and effective means to blend melodrama with farce (which Sondheim claims as his “two favorite forms of theatre because … they are obverse sides of the same coin”).37 Starkly put, the show develops a pattern of first scaring the hell out of its audience and then rescuing the situation through humor, each time by introducing Mrs. Lovett into a situation saturated with Sweeney Todd’s wrenching angst. This scare-rescue pattern happens twice to great effect, at the beginning and end of Act I, but its real payoff is the devastating conclusion, where there is no comic rescue. The denial of this previous pattern greatly intensifies the darkness of the supremely bleak ending, making the show’s musical profile seem operatic to Broadway audiences even though, ironically in this respect, the denouement unfolds with only intermittent singing.38 But the musical dimension of the show is also deliberately operatic, as it interweaves, Wagner-like, a host of recurring motives, mostly related to each other through a common origin in the Dies Irae, from the Catholic requiem mass. The Dies Irae (literally, “Day of Wrath”; see example 7.1) was taken up as a symbol of death and retribution in music throughout the nineteenth century and continuing into the twentieth (the most important early such use was by Berlioz in his 1830 Symphonie fantastique). Most scene changes bring back “The Ballad of Sweeney Todd,” which includes both fast and slow versions of the Dies Irae (example 7.1) and builds up to a frenetic, obsessive chorus of “Sweeney, Sweeney.
Raymond Knapp (The American Musical and the Performance of Personal Identity)
It is a huge slab of dark stone, square and rough, like the rocks at the bottom of the chasm. A large crack runs through the middle of it, and there are streaks of lighter rock near the edges. Suspended above the slab is a glass tank of the same dimensions, full of water. A light placed above the center of the tank shines through the water, refracting as it ripples. I hear a faint noise, a drop of water hitting the stone. It comes from a small tube running through the center of the tank. At first I think the tank is just leaking, but another drop falls, then a third, and a fourth, at the same interval. A few drops collect, and then disappear down a narrow channel in the stone. They must be intentional. “Hello.” Zoe stands on the other side of the sculpture. “I’m sorry, I was about to go to the dormitory for you, then saw you heading this way and wondered if you were lost.” “No, I’m not lost,” I say. “This is where I meant to go.” “Ah.” She stands beside me and crosses her arms. She is about as tall as I am, but she stands straighter, so she seems taller. “Yeah, it’s pretty weird, right?” As she talks I watch the freckles on her cheeks, dappled like sunlight through dense leaves. “Does it mean something?” “It’s the symbol of the Bureau of Genetic Welfare,” she says. “The slab of stone is the problem we’re facing. The tank of water is our potential for changing that problem. And the drop of water is what we’re actually able to do, at any given time.” I can’t help it—I laugh. “Not very encouraging, is it?” She smiles. “That’s one way of looking at it. I prefer to look at it another way—which is that if they are persistent enough, even tiny drops of water, over time, can change the rock forever. And it will never change back.” She points to the center of the slab, where there is a small impression, like a shallow bowl carved into the stone. “That, for example, wasn’t there when they installed this thing.” I nod, and watch the next drop fall. Even though I’m wary of the Bureau and everyone in it, I can feel the quiet hope of the sculpture working its way through me. It’s a practical symbol, communicating the patient attitude that has allowed the people here to stay for so long, watching and waiting. But I have to ask. “Wouldn’t it be more effective to unleash the whole tank at once?” I imagine the wave of water colliding with the rock and spilling over the tile floor, collecting around my shoes. Doing a little at once can fix something, eventually, but I feel like when you believe that something is truly a problem, you throw everything you have at it, because you just can’t help yourself.
Veronica Roth (The Divergent Library: Divergent; Insurgent; Allegiant; Four)
Celebrate yourself. Confess the person whom you are becoming in Christ. This is the confession of your light side. Many people find it easier to dig and probe the dark dimension of life than to come to grips with the resources that are theirs. When we do not recognize our gifts and strengths, our lives fail to sound notes of gratitude. the whole growth process is blocked. We are responsible and free only when we acknowledge our resources and the fact that light has actually penetrated our darkness and made us children of light. Where sin did abound, grace does much more abound. Our fundamental confession is who we are in Christ. the deepest confession anyone will ever make is this: I am a person in Christ Jesus. He has confronted me. His power has begun to flow into my life. I am a changed and changing creation. I am his, and I can witness to his grace and power, and to the strength and possibilities that are mine because of him.
Elizabeth O'Connor (Search for Silence)
Prince Arjuna, though born into the warrior estate, was at heart a peace-loving man. When the two colossal armies lined up on opposite sides, he began to have serious doubts about his task. It was not so much personal fear of death that swayed his heart but, rather, acute moral qualms. Has anyone the right, he wondered, to use force in order to promote the larger good? His dilemma was greatly aggravated by the fact that among those whom he was supposed to fight—maim and possibly kill—were kinsmen and revered teachers. Arjuna’s duty as a warrior was clear enough; he had to fight. But the moment he contemplated the larger implications of this action, he was terrified to abide by his decision to reconquer his lost kingdom. Arjuna’s attitude is typical of human life itself. We are all the time engaged in decision-making or in decision-avoidance. The more consciously we live, the more we realize that life is really an incessant stream of potential decisions. Arjuna, as we know, did fight his war and also emerged victorious. But first he had to learn an important spiritual lesson. Lord Krishna, who acted as his charioteer, convinced the prince that his whole confusion was the result of a faulty perspective. The God-man demonstrated to the prince that the problem that caused him such anxiety was a problem conjured up by the ego. It had no existence apart from the ego. The divine teacher made Arjuna understand that we can never transcend our circumstances merely by closing our eyes, by avoiding action, by dropping out. Even avoidance is an action, which will have its inevitable repercussions since avoidance is rooted in the ego. What Lord Krishna recommended instead was a cognitive shift, a new view of the whole matter: away from the delimiting, anxious ego and toward the boundless Self. All action must be sacrifice, he explained. We must not hold on to any conventional ego-derived scheme. Only when we abandon the delusion that we, as ego-personalities, are the ultimate initiators of actions can we have knowledge of what is truly right and good. That is to say, when we discover the “witness,” the transcendental Self, we realize that life unfolds spontaneously and mysteriously, and that the ego is merely one of the countless forms arising within the flux of life. For the Hindu authorities, the general deterioration of spirituality and the decline of humanity’s psychological health in no way precludes the possibility of spiritual aspiration and success. It is nowhere denied that contemporary humanity, feeble as it may be in comparison to its ancestors, can swim against the stream. On the contrary, all spiritual teachings affirm that we must do our utmost to cultivate spiritual values in the midst of the great darkness surrounding us.
Georg Feuerstein (The Deeper Dimension of Yoga: Theory and Practice)
Holy shit.” Glasses runs to my side, analyzing my arm.
January Rayne (Honeysuckles (Shallow Cove Dark Dimensions, #1))
The thesis that we need to address the dangerous implications of the UFO and alien abduction phenomenon as a “psychic and symbolic reality,” as well as a “control system which acts on humans and uses humans,” contradicts certain trends in contemporary spiritual and New Age thought. These days, we find a strong tendency in many spiritual communities to focus single-mindedly on the power of positivity and affirmations of the light, based on ideas such as “The Law of Manifestation” or “The Secret.” The underlying belief is that each of us creates our own reality through our thoughts and intentions. Therefore, if we simply avoid anything dark or malevolent, nothing negative will be able to enter our field. But unfortunately, reality is not that simple, and this approach is a blatant form of spiritual bypassing. Paul Levy explores the idea that modern Anglo-European culture is infected by what the Algonquins call “wetiko,” a cannibalistic spirit driven by greed, excess, and selfish consumption. “Spiritual/New Age practitioners who endlessly affirm the light while ignoring the shadow” fall “under the spell of wetiko,” he writes. By seeking to turn away from and hide their darkness, these practitioners unwittingly reinforce “the very evil from which they are fleeing. Looking away from darkness, thus keeping it unconscious, is what evil depends upon for its existence. If we unconsciously react … to evil by turning a blind eye toward it – “seeing no evil” – we are investing the darkness with power over us.” The alternative is to permeate evil with awareness, “stalking” the shadow so we can catch and assimilate it. Carl Jung wrote, “One does not become enlightened by imagining figures of light, but by making the darkness conscious.” If the thesis developed in this essay has validity, then New Age spiritual practitioners will have to overcome their bypassing and confront the dark side of the psyche, reckoning with the occult control system. At the same time, political and ecological activists will need to interrogate their inveterate bias toward a purely materialist analysis, to acknowledge the existence of occult, hyper-dimensional, forces at work behind the scenes, influencing the course of events. And conspiracy theorists who believe in an incredibly evil, highly organized and intelligent cabal of human controllers working to bring about a New World Order surveillance society of enslavement will have to recognize that the controllers operating behind the scenes are not humans at all. Here and there, the Bible gets this right - as in Ephesians: “For we wrestle not against flesh and blood, but against principalities, against powers, against the rulers of the darkness of this world, against spiritual wickedness in high places.” If we aren’t aiming at the proper targets, we will never hit the mark.
Daniel Pinchbeck (The Occult Control System: UFOs, Aliens, Other Dimensions, and Future Timelines)
Two things go wrong if we project our shadow: First, we do damage to another by burdening him with our darkness—or light, for it is as heavy a burden to make someone play hero for us. Second, we sterilize ourselves by casting off our shadow. We then lose a chance to change and miss the fulcrum point, the ecstatic dimension of our own lives.
Robert A. Johnson (Owning Your Own Shadow: Understanding the Dark Side of the Psyche)
Across the Reich, the Gestapo recorded increased the activity of anti-state elements. It’s kind of a helpless protest by those wretches against our celebration of victory. They organize bomb attacks against representatives of the Reich or against the civilian German population. We’ve also noticed murder-suicides. Eighty-seven civilians killed have been reported during the last week. From the Protectorate of Bohmen und Mahren, the destruction of Peter Brezovsky’s long-sought military cell was announced. From Ostmark…” “Enough,” Beck interrupted him, “I’m interested only in Brezovsky.” That name caused him discomfort. In his mind, he returned to the Bohemian Forest in 1996. It was in a different dimension, before he had used time travel. At the time, Peter Brezovsky was the only man who had passed through the Time Gate. He’d offered him a position by his side during the building of the Great German Reich. He’d refused. Too bad, he could have used a man like him. These dummies weren’t eager enough to fulfill his instructions. He also remembered Werner Dietrich, who had died in the slaughter during an inspection in the Protectorate. “… in the sector 144-5. It was a temporary base of the group. There were apparently targeted explosions of the surrounding buildings,” the man continued. “This area interests me. I want to know everything that’s happening there. Go on,” he ordered the man. He was flattered at the leader’s sudden interest. Raising his head proudly, he stretched his neck even more and continued, “For your entertainment, Herr Führer, our two settlers, living in this area from 1960, on June the twenty first, met two suspect men dressed in leather like savages. The event, of course, was reported to the local department of the Gestapo. It’s funny because during the questioning of one of Brezovsky’s men we learnt an interesting story related to these men.” He relaxed a little. The atmosphere in the room was less strained, too. He smiled slightly, feeling self-importance. “In 1942, a certain woman from the Bohemian Forest made a whacky prophecy. Wait a minute.” He reached into the jacket and pulled out a little notebook. “I wrote it down, it’ll certainly amuse you. Those Slavic dogs don’t know what to do, and so they take refuge in similar nonsense.” He opened the notebook and began to read, “Government of darkness will come. After half a century of the Devil’s reign, on midsummer’s day, on the spot where he came from, two men will appear in flashes. These two warriors will end the dominance of the despot and will return natural order to the world.” During the reading, men began to smile and now some of them were even laughing aloud. “Stop it, idiots!” screamed Beck furiously. In anger, he sprang from behind his desk and severely hit the closest man’s laughing face. A deathly hush filled the room. Nobody understood what had happened. What could make the Führer so angry? This was the first time he had hit somebody in public. Beck wasn’t as angry as it might look. He was scared to death. This he had been afraid of since he had passed through the Time Gate. Since that moment, he knew this time would come one day. That someone would use the Time Gate and destroy everything he’d built. That couldn’t happen! Never! “Do you have these men?” he asked threateningly. Reich Gestapo Commander regretted he’d spoken about it. He wished he’d bitten his tongue. This innocent episode had caused the Führer’s unexpected reaction. His mouth went dry. Beck looked terrifying. “Herr Führer,” he spoke quietly, “unfortunately…” “Aloud!” yelled Beck. “Unfortunately we don’t, Herr Führer. But they probably died during the action of the Gestapo against Brezovsky. His body, as well as the newcomers, wasn’t found. The explosion probably blew them up,” he said quickly. “The explosion probably blew them up,” Beck parodied him viciously, “and that was enough for you, right?
Anton Schulz
turn to see a Gray woman my height, but built like a snub-nosed boxer with the physical dimensions of a concrete building block. Freckles, made dark by her time under the harsh Mercurian sun, maul an ugly, broad nose, while her hair, shaved on the sides of the head, shoots up from the top of her head like a surfacing great white. Her military uniform is all black, but every eye, wary bartender to dazed whore, scans the red flying-horse standard on the forearms of her jacket and the matted wolfcloak that hangs from her left shoulder. Pegasus Legion, Howler Battalion. One of the Reaper’s own.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
I was no longer afraid of death, because I died enough times to understand that death and life are two sides of the same page. Just like Estrella’s light and darkness. Death could not harm me here on this lake. I was already dead. The dead can never die!
Ben Benyamin (A Journal of Cosmic Memories: The Dimension of Trees)
I find that a Christian view of history is clarified if one considers reality as more or less like the world portrayed in the works of J. R. R. Tolkien. We live in the midst of contests between great and mysterious spiritual forces, which we understand only imperfectly and whose true dimensions we only occasionally glimpse. Yet, frail as we are, we do play a role in this history, on the side either of the powers of light or of the powers of darkness. It is crucially important then, that, by God’s grace, we keep our wits about us and discern the vast difference between the real forces for good and the powers of darkness disguised as angels of light.2
George M. Marsden (Fundamentalism and American Culture)
we should not give up on the aesthetic dimension, which is, ultimately, the reverberation of sentience (pain). If, as Derrida observes, there are only different forms of narcissism rather than narcissism and something else, the true escape from narcissism would be a dive further into it, and an extension of it (Derrida's word) to include as many other beings as possible.12l By heightening the dilemma of a body and a material world haunted by mind(s), we care for the ecosystem, which in sum is interconnectedness. The ecological thought, the thinking of interconnectedness, has a dark side embodied not in a hippie aesthetic of life over death, or a sadistic sentimental Bambification of sentient beings, but in a "goth" assertion of the contingent and necessarily queer idea that we want to stay with a dying world: dark ecology.
Timothy Morton (Ecology without Nature: Rethinking Environmental Aesthetics)
The enclosure next to the dingoes held Graham the crocodile. Wes, Steve, and other staff battled the flood in Graham’s home. One man stood on the fence to spot the croc. He had to shout to Wes and Steve as they cleared the fence line inside the enclosure in waist-deep, dark waters. With the vehicle spotlights casting weird shadows, he had to scope out the murky water and try to discern the crocodile from among the floating bits of debris. Once the backup man had the crocodile pegged, he kept a close eye on him. If Graham submerged, Wes and Steve had to be warned immediately. The spotter worked hard to keep a bead on Graham. Steve and Wes were synchronized with their every move. They had worked together like this for years. They didn’t even have to speak to each other to communicate. There was no room for error as the amount of time spent in Graham’s enclosure was kept to a minimum. They jumped into the enclosure, cleared on, two, three armloads of debris, then jumped back out and re-evaluated the situation. Graham’s fence line had a bow in it, but it wasn’t in any danger of buckling. Steve and Wes were doing a good job, and there was no need for me to be there with them. It was more urgent for me to keep the dingo fence line intact next door. Graham’s female, named Bindi, was nesting, and this added another dangerous dimension to the job, since Graham was feeling particularly protective. The men were also keenly aware that nighttime meant croc time--and Graham would be stalking them with real intent. They reached down for their three armloads of debris. Steve scooped up his first load, flung it out, and gathered his second. Suddenly, Wes slammed into the fence with such force that his body was driven in an arc right over the top of Steve. It only took a split second for Steve to realize what had happened. As Wes had bent over to reach for an armload of debris, he had been hit from behind by more than twelve feet of reptile, weighing close to nine hundred pounds. Graham grabbed Wes, his top teeth sinking into Wes’s bum, his bottom teeth hooking into the back of Wes’s thigh, just above his knee. The croc then closed his mouth, exerting that amazing three thousand pounds per square inch of jaw pressure, pulling and tearing tissue as he did. The croc hit violently. Wes instinctively twisted away and rolled free of Graham’s jaws, but two fist-sized chunks were torn from his backside. The croc instantly swung in for another grab. Wes pushed the lunging croc’s head away, but not before Graham’s teeth crushed through his finger. They crashed back down into the water. Wes screamed out when he was grabbed, but no one could hear him because of the roar of the storm. In almost total darkness, Steve seized a pick handle that rested near the fence. He turned toward the croc as Graham was lining Wes up for another bite. Wes was on his side now, in water that was about three feet deep. He could see the crocodile in the lights of a Ute spotlight that shone over the murk--the dark outline of the osteodermal plates along the crocodile’s back. As Graham moved in, Wes knew the next bite would be to his skull. It would be all over. Wes braced himself for the inevitable, but it didn’t come. Steve reached into the water and grabbed Graham’s back legs. He didn’t realize that Graham had released Wes in preparation for that final bite. He thought Graham was holding Wes under the water. Steve pulled with all his strength, managing to turn the crocodile around to focus on him. As Graham lunged toward Steve, Steve drove the pick handle into the crocodile’s mouth and started hammering at his head. Wes saw what was happening and scrambled up the fence. “I’m out mate, I’m out,” Wes yelled, blood pouring down his leg. Steve looked up to see Wes on the top of the fence. He realized that even though Wes was wounded, he was poised to jump back down into the water to try to rescue his best mate.
Terri Irwin (Steve & Me)
Stocks can often begin an overall topping phase with the formation of a big, ugly pattern whose dimensions are so exaggerated as to resemble something outlandish, which we might refer to as “Clown's Foot Syndrome.” They're like the oversized shoes that clowns typically wear and which look woefully out-of-place within the context of the overall picture.
Gil Morales (Short-Selling with the O'Neil Disciples: Turn to the Dark Side of Trading)
Breaking, burning. Sidney danced harder, aware of how the movement blended her into everyone dancing in the street. And the riling felt so very good. To cry, scream, sweat, and laugh through the physicality. Remaking her in the therapy of something primal. The more she danced, the more a tremendous lump inside her gave way, The beat bopped in her bones. Her muscles swelled of joy. Freedom. Laughter as a form of movement that popped, rocked, allowed her to slip free of herself and be gone into the rhythm. Burning up. Boiling. Steaming. So hot she spiraled upward. They all did. Far away from everything. Hot and bright as stars. Together in cosmic unity. A constellation right there in the streets of Mobile. Sidney welcomed the sensation. That she could be both alone and together. Down to the core. Down where everything and everyone blended into the dimension behind her eyelids connected, finally, in a living darkness. While the rhythm lasted there were no sides. No lines in the sand. No walls. No them. No they. Only us. Alone and together. Like the fine molecules of a mountain.
Cebo Campbell (Sky Full of Elephants)