Dark Academia Quotes

We've searched our database for all the quotes and captions related to Dark Academia. Here they are! All 100 of them:

β€œ
It always makes me a little sad when you laugh," Julian went on. "The way it sort of takes you by surprise. I love it, it has that sweet sincerity that's the best part of you, but it still kills me how you never seem to expect it. All I want to do is make you happy, and you're the unhappiest person I've ever met.
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Micah Nemerever (These Violent Delights)
β€œ
I hope you looked west while I was looking east, and that for a moment you met my eyes without knowing it. I know you never look away, ever when your eyes are closed, but I'm never certain you can see what's really there. I miss you to pieces. Yours Always - J
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Micah Nemerever (These Violent Delights)
β€œ
The question isn't whether magic is real. It's whether I can touch it without being consumed by it.
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Victoria Lee (A Lesson in Vengeance)
β€œ
You have to ration sympathy and grief in here the way you ration school supplies.
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Naomi Novik (A Deadly Education (The Scholomance, #1))
β€œ
Ambition was such a dirty word, so tainted, but she had it. She was enslaved by it. There was so much ego to the concept of fate, but she needed to cling to it. She needed to believe she was meant for enormity; that the fulfillment of a destiny could make for the privilege of salvation, even if it didn't feel that way right now.
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Olivie Blake (The Atlas Six (The Atlas, #1))
β€œ
I always think of a passage from the Symposium, this allegory about people who started off as two halves of a whole, but then something cut them apart, and they spend their whole lives looking for their other half so they can fit themselves back together. And that's how it feels, it hurts, it's like I lost you before I was born.
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Micah Nemerever (These Violent Delights)
β€œ
One thing at a time. Murder first and then scholarly pursuits.
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Olivie Blake (The Atlas Paradox (The Atlas, #2))
β€œ
He is all my art to me now.
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Oscar Wilde (The Picture of Dorian Gray)
β€œ
This girl who was soft at heart, who was both the vast, dark woods and the glorious light of a full moon, who was angry at all the thousand tiny ways she’d been hurt in her life.
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Laura Steven (The Society For Soulless Girls)
β€œ
She no longer feared what brewed within her, and she was done making apologies for who she was. Signa would not just burn; she would ignite.
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Adalyn Grace (Belladonna (Belladonna, #1))
β€œ
Don't resent me when I've only just gotten you, please, for I am what makes this world beautiful.
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Adalyn Grace (Belladonna (Belladonna, #1))
β€œ
Autumn is a poem - while you fall for everything, you remember that there is something worth dying for.
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Laura Chouette
β€œ
Time heals all wounds, but not the ones you leave infected.
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Laura Steven (The Society For Soulless Girls)
β€œ
Sleep crawled on top of me like an affectionate, purring pet-
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M.L. Rio (If We Were Villains)
β€œ
One reads poetry because he is a member of the human race, and the human race is filled with passion! Medicine, law, banking- these are necessary to sustain life. But poetry, romance, love, beauty? These are what we stay alive for!
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N.H. Kleinbaum (Dead Poets Society)
β€œ
You are not cursed-you are a reaper. You are the night incarnate, the ferrier of souls. You are the bridge between the living and the deadβ€”a caged bird that's ready to fly. So spread your wings, Signa Farrow, because you are limitless. Spread your wings, and oh, how we'll fly.
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Adalyn Grace (Belladonna (Belladonna, #1))
β€œ
There are stars inside the universe nobody ever wrote about.
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Laura Chouette
β€œ
A flaw of humanity: the compulsion to be unique, which is at war with the desire to belong to a single identifiable sameness.
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Olivie Blake (The Atlas Six (The Atlas, #1))
β€œ
We were never supposed to be in love; for everything that exists inside a heart eventually dies.
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Laura Chouette (Profound Reverie)
β€œ
She wouldn't understand that magic can be a metaphor, like Ellis said. That magic doesn't have to be magic for it to mean something. That sometimes magic is a salve over a burn, and it's the only way you can heal.
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Victoria Lee (A Lesson in Vengeance)
β€œ
They danced wildly in the forest, swaying with the tall trees and the howling wind.
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N.H. Kleinbaum (le cercle des poetes disparus"")
β€œ
They danced wildly in the forest, swaying with the tall trees and the howling wind.
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Tom Schulman (Dead Poets Society)
β€œ
Women's liberation is one thing, but the permeation of anti-male sentiment in post-modern popular culture - from our mocking sitcom plots to degrading commercial story lines - stands testament to the ignorance of society. Fair or not, as the lead gender that never requested such a role, the historical male reputation is quite balanced. For all of their perceived wrongs, over centuries they've moved entire civilizations forward, nurtured the human quest for discovery and industry, and led humankind from inconvenient darkness to convenient modernity. Navigating the chessboard that is human existence is quite a feat, yet one rarely acknowledged in modern academia or media. And yet for those monumental achievements, I love and admire the balanced creation that is man for all his strengths and weaknesses, his gifts and his curses. I would venture to say that most wise women do.
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Tiffany Madison
β€œ
I think about it quite a bit, actually, that look on his face. I think about a lot of things. I think about the first time I ever saw a birch tree; about the last time I saw Julian; about the first sentence that I ever learned in Greak. χαλΡπὰ Ο„α½° καλά... Beauty is harsh...
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Donna Tartt (The Secret History)
β€œ
Looking down on their glossy heads, I realized that they were indeed threatened; they were simply unaware of it. We are all vulnerable.
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Elizabeth Kostova (The Historian)
β€œ
I promise to see you, exactly as you are, as often as you let me.
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Jasmine Silvera (Binding Shadows (Tooth & Spell #1))
β€œ
I knew you better than you knew yourself. I was terrified you’d do exactly what you did.
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M.L. Rio (If We Were Villains)
β€œ
This is the man who thinks too much, who stands back from his life and never lives it. He is caught in a web of pros and cons about his decisions and lost in a labyrinth of reflective meanderings from which he cannot extricate himself. He is afraid to live, to β€˜leap into battle.’ He can only sit on his rock and think. The years pass. He wonders where the time has gone. And he ends by regretting a life of sterility. He is a voyeur, an armchair adventurer. In the world of academia, he is a hairsplitter. In the fear of making the wrong decision, he makes none. In his fear of living, he also cannot participate in the joy and pleasure that other people experience in their lived lives. If he is withholding from others, and not sharing what he knows, he eventually feels isolated and lonely. To the extent that he has hurt others with his knowledge and technologyβ€”in whatever field and in whatever wayβ€”by cutting himself off from living relatedness with other human beings, he has cut off his own soul.” Refering the the dark magician energy.
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Robert L. Moore (King, Warrior, Magician, Lover: Rediscovering Masculinity Through the Lens of Archetypal Psychology - A Journey into the Male Psyche and Its Four Essential Aspects)
β€œ
She was so much like me that it often felt like talking to myself. There was a unique kind of comfort in that.
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Laura Steven (The Society For Soulless Girls)
β€œ
Don't let me wake up alone.
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Olivie Blake (The Atlas Six (The Atlas, #1))
β€œ
medicine, law, banking- these are necessary to sustain life. but poetry, romance, love, beauty? these are what we stay alive for!
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N.H. Kleinbaum (Dead Poets Society)
β€œ
In the end, there wasn’t any difference between trusting someone and underestimating them.
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Micah Nemerever (These Violent Delights)
β€œ
I felt sure…that these creatures were never threatened by the grimness of history, either.
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Elizabeth Kostova (The Historian)
β€œ
...that means we’re in love,” His eyes were never leaving her lips, β€œmadly so.” The spirits waltzed across the leaves, enclosing two lovers, singing their own melody as the bodies became one.
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Ezgi Yücebaş (Curse of the Stars)
β€œ
How easy was it to just grab a handful of you before you dissolved? If someone asks you tell them loving you was the closest I came to seeing God.
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Ayushee Ghoshal
β€œ
Aren’t we all straving - just for different hearts?
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Laura Chouette
β€œ
Why didn't these people over get it? Protect your own. Pay your debts. There was no other way to live, not if you wanted to live right. - Alex Stern
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Leigh Bardugo (Hell Bent (Alex Stern, #2))
β€œ
Because at Warren, the Body is all the rage. As though everyone in the academic world has just now discovered that they are vesseled in precarious, fastly decaying houses of bone and flesh and my god, what material.
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Mona Awad (Bunny (Bunny, #1))
β€œ
I still feel ghosts around me: the ghosts of the five Dalloway girls who defied the boxes and coffins the world tried to put them in. The ghosts of other women who attended or worked at this school, but whose legacies were forgotten instead of deified. The ghosts of every girl who came here and felt history beneath her feet. But I'm not haunted anymore. Maybe I never was.
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Victoria Lee (A Lesson in Vengeance)
β€œ
What if it was my imagination that could open this long-sealed door? And if that key let the terror walk right into my own life, so be it.
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Laura Steven (The Society For Soulless Girls)
β€œ
In the grim, dark hellscape of academia, graduate students were the lowliest of creatures and therefore had to convince themselves that they were the best.
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Ali Hazelwood (The Love Hypothesis)
β€œ
That's when he realized, Academia was rather dark here in L'adademie.
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R.C. Waldun (L'AcadΓ©mie)
β€œ
Anger was a constant current. It felt fundamental to me as a person; a force of nature I couldn’t live without, like gravity.
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Laura Steven (The Society For Soulless Girls)
β€œ
Though not untidy, exactly, it verged on being so. Books were stacked on every available surface; the tables were cluttered papers, ashtrays, bottles of whiskey, boxes of chocolates; umbrellas and galoshes made passage difficult in the narrow hall… Camilla’s night table was littered with empty teacups, leaky pens, dead marigolds in a water glass, and at the foot of her bed was a half-played game of solitaire… everywhere I looked was some fresh oddity: an old stereopticon, arrowheads in a dusty glass case, a staghorn fern, a bird’s skeleton…
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Donna Tartt (The Secret History)
β€œ
Alice reminded me of the woods: vast and beautiful and dark, but overgrown with defence mechanisms; thistles and hogweed, poisonous mushrooms and gnarled roots. Talking to her was like grabbing a fistful of nettles.
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Laura Steven (The Society For Soulless Girls)
β€œ
what type of jam would i be? I’d like to think I’m a strawberry or raspberry jam, but I think it would be really cool to be pine cone jam or smth my mom said that they had it in Russia. But what if I was a poison berry jam, that would be so dark academia aesthetic! I know that carrot and tomato jams exist, but I was one of those stubborn picky kids who hated vegetables so I’m probably not that. I know I’d be a natural jam tho, non of that artificial flavoring around here
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✧ jasmine ✧
β€œ
We always hide something of ourselves whenever we create something.
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Laura Chouette
β€œ
You can't break my heart and call the lines you write on art.
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Laura Chouette
β€œ
The body remembers everything the mind wants to forget.
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Fiona McPhillips (When We Were Silent)
β€œ
As early as she could remember, she was escaping into books, falling into stories, cloaking herself from the great summer storms with silken words.
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Tori Bovalino (In These Hallowed Halls: A Dark Academia Anthology)
β€œ
I think about it quite a bit, actually, that look on his face. I think about a lot of things. I think about the first time I ever saw a birch tree; about the last time I saw Julian; about the first sentence that I ever learned in Greak. χαλΡπὰ Ο„α½° καλά. Beauty is harsh. ― Donna Tartt, The Secret History
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Donna Tartt (The Secret History)
β€œ
A human life is a beautiful thing," he said. "You humans.... you feel. You feel so deeply that it consumes you. There were humans I kept a watch over, though I would blink and they'd be fifty, sixty years olderβ€”and the time would come for me to meet them. For the longest time, I pitied them for their short lives. And I admit, Signa, that I have grown more callous with my age. But I have also grown to admire humans. They've such a short time to experience their lives, and so they must feel deeply. They must experience in one life-time things it's taken me an eternity to experience. When I see men like Elijah, rather than feel guilt for what I've done, I remember that he feels sorrow because he loved so deeply. And were I not real, Little Bird, were I not Death, he would never have experienced that love. So which is better? To live forever, or to live and love?
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Adalyn Grace (Belladonna (Belladonna, #1))
β€œ
The past gathered out of the darkness where it stayed, and the dead raised themselves to live before him; and the past and the dead flowed into the present among the alive, so that he had for an intense instant a vision of denseness into which he was compacted and from which he could not escape, and had no wish to escape. Tristan, Iseult the fair, walked before him; Paolo and Francesca whirled in the glowing dark; Helen and bright Paris, their faces bitter with consequence, rose from the gloom. And he was with them in a way that he could never be with his fellows who went from class to class.
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John Williams (Stoner)
β€œ
Everything was bleak and gray, the lake dull and lusterless under a thin layer of ice. From so far and so high, it looked like a fogged mirror, and I imagined God reaching down to smear the glass clean with his sleeve.
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M.L. Rio (If We Were Villains)
β€œ
Either way, there was the clear sense that we were no longer just background characters in each other’s lives, passing through the periphery with mutual disdain. Our roots had suddenly and irrevocably knotted together.
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Laura Steven (The Society For Soulless Girls)
β€œ
You killed them," he said. "All of them. Leonard Beacon. Mitchell Betts. Helen Watson. Hellie." The silence stretched. But all she said was, "Not Hellie.
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Leigh Bardugo (Ninth House (Alex Stern, #1))
β€œ
I can not be a part of myself - for everything that creates my soul incompletes my heart.
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Laura Chouette
β€œ
Beautiful things are quiet beings.
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Laura Chouette (When Dusk Falls)
β€œ
Autumn is the place to be - once you fell for everything yet know that there is something worth dying for.
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Laura Chouette
β€œ
There is a part of you I can't quite forget - where my memories grow flowers and the past outreaches my gardens gate; where the words I rather forget become a book of regret.
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Laura Chouette
β€œ
cubitum eamus
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Donna Tartt (The Secret History)
β€œ
Irrationality is the absolute absence of ones mind and the full consciousness of every feeling.
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Laura Chouette
β€œ
While we kept on dancing our souls delicately embraced.
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Laura Chouette
β€œ
Aren’t we all starving - just for different hearts?
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Laura Chouette
β€œ
Julian pulled himself closer and rested his head in the crook of Paul's arm. "It's that what we call 'love' is actually letting your identify fill in around the shape of the other person - you love someone by defining yourself against them. It says loss hurts because there's nothing holding that part of you in place anymore. But your outline still holds, and it keeps holding. The thing you shaped yourself into by loving them, you never stop being that. The marks are permanent, so the idea of the person you loved is permanent, too". Only as permanent as I am, Paul wanted to say.
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Micah Nemerever (These Violent Delights)
β€œ
It's not protection, little dragon. It's a claim." His gray eyes darkened as they flicked down to my exposed neck, an unspoken reminder hanging between us. "You're mine. No one touches what belongs to me.
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Briar Boleyn (On Wings of Blood (Bloodwing Academy, #1))
β€œ
His words were a brief flash of ringing clarity; a moment of calm in perfect chaos, like the eye of a storm.
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Hannah Mathewson (Witherward (Witherward, #1))
β€œ
As they descended through the portal underneath the abbey, she shed Jeanie's skin and became Ilsa again; the Ilsa who had never belonged in the world above.
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Hannah Mathewson (Witherward (Witherward, #1))
β€œ
For the ink is the same each day - but the words are blooming in colours no one has ever seen; for my words are flowers, and your love is a garden.
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Laura Chouette
β€œ
DecidΓ­ que Orion debΓ­a morir cuando me salvΓ³ la vida por segunda vez.
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Naomi Novik (A Deadly Education (The Scholomance, #1))
β€œ
I am nothing but a soul in grief - a gravestone yet not set but wit flowers in mind.
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Laura Chouette
β€œ
His hands that bore pain, brought death, milked blood were tracing over her skin like it was made out of crystal glass.
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Ezgi Yücebaş (Curse of the Stars)
β€œ
A reverie is one soul's river - a word is one heart's vein.
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Laura Chouette
β€œ
Maybe we are living already inside our own graves.
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Laura Chouette
β€œ
For we've all carried too much - maybe that's why, when we all lay down something, it feels like everything is leaving, and yet - too much remains.
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Laura Chouette
β€œ
What we outlive becomes our cage eventually.
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Laura Chouette
β€œ
She'd attacked me with murder in her heart. And yet, idiot that I was, it was her I couldn't take my eyes off.
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Briar Boleyn (On Wings of Blood (Bloodwing Academy, #1))
β€œ
We die by loving something that the world created.
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Laura Chouette
β€œ
I will never let you leave me. You can never run, and you can never hide because there is nowhere in this fucking world that I wouldn't find you and drag your ass back to me.
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Jasmine Rov (Deadly Deception)
β€œ
What defines a romance? All scholars seem to converge on a single point: it is a story that must have a happy ending. And why is that? I say, it is because a romance is a belief in the impossible: that anything ends happily. For the only true end is death - and in this way, is romance not a rebuke of mortality? When love is here, I am not. When love is not, I am gone. Perhaps a romance is a story with no end at all; where the end is but a wardrobe with a false back, leading to stranger and more merciful words. From an epistemological theory of romance by Dr. Edmund Huber, collected in the Llyrian Journal of Literary Criticism, 199 AD
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Ava Reid (A Study in Drowning (A Study in Drowning, #1))
β€œ
One reads poetry because he is a member of the human race, and the human race is filled with passion! Medicine, law, banking- these are necessary to sustain life. But poetry, romance, love, beauty? These are what we stay alive for!
”
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N.H. Kleinbaum, Dead Poets Society
β€œ
Enter the players. There were seven of us, seven bright young things with wide precious futures ahead of us, though we saw no farther than the books in front of our faces. We were always surrounded by books and words and poetry, all the fierce passions of the world bound in leather and vellum. The castle library was an airy octagonal room, walled with bookshelves, crowed with sumptuous old furniture, and kept drowsily warm by a monumental fireplace that burned almost constantly, regardless of the temperature outside. The clock on the mantel struck twelve, and we stirred, one by one, like seven statues coming to life.
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M.L. Rio
β€œ
We shouldn’t be doing this,” β€œNo, we shouldn’t,” he agreed, thankfully not stopping. β€œI need to stay away from you. I don’t know what sorcery this is,” he whispered to her, his words floating over her face as he leaned closer, β€œbut I have to stop.
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RuNyx (Gothikana)
β€œ
Friendship, for me, was a long game. Something that could not be rushed or fast tracked. My affections were not the quick flint or a forest fire, but rather grew like ivy; a slow creep over many years, difficult to destroy with a barbed comment or a careless joke.
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Laura Steven (The Society For Soulless Girls)
β€œ
For years, I tried not to think about Highfield Manor. The pompous rise of its granite walls, the secrets hidden in its stone-cold shadows. The dark veil of cedars shrouding the school from the outside world. But still the memories fester in me, real as a disease.
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Fiona McPhillips (When We Were Silent)
β€œ
You can not create something without love and expect it to be great.
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Laura Chouette
β€œ
Melancholy skies and empty fields of gold grey clouds and emerald days our love in pieces captured only by poems (of mine).
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Laura Chouette
β€œ
People seemed to live so differently in the past, with real purpose and romanceβ€”true romanceβ€”born of suffering and sacrifice and courage, not this modern-day idea of romance made up of cheap words, alcohol, and trivial gestures….yet she also knew this was a stupid desire, a product of her peaceful, privileged life that romanticized suffering as a way to feel something deep and meaningful.
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Susie Yang (In These Hallowed Halls: A Dark Academia Anthology)
β€œ
A Tom Sawyerish figure she imagined growing up on some widwestern farm, reading adventure books and butchering chickens, pulling the braids of milkmaids and leaving his hometown to travel the world; a more devout and sober Hemingway, in search of a deeper meaning, but never losing sight of where he came from.
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Susie Yang (In These Hallowed Halls: A Dark Academia Anthology)
β€œ
As she listened to her girlfriend's exclamations of awe for the stars and planets, Sonja watched the sky that stretched out like a wing of an iridescent starling, and she realized how small she was in the universe. But beside Crystal, Sonja also felt mightier.
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Ana K. Wrenn (Strange Attractors)
β€œ
He had a theory that pupils learned better in a pleasant, non-scholastic atmosphere; and that luxurious hothouse of a room, flowers everywhere in the dead of winter, was some sort of Platonic microcosm of what he thought a schoolroom should be. ("Work?" he said to me once, astonished, when I referred to our classroom activities as such. "Do you really think that what we do is work?" "What else should I call it?" "
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Donna Tartt (The Secret History)
β€œ
Let it be known that this bond is unbreakable, as enduring as the strength of our realm. By my will and the power of our ancient rites, Blake Drakharrow and Medra Pendragon are now bound together in fate and duty, forever unyielding, irrevocably united. As the dragon flies and the blood endures, so shall your destinies be intertwined. Your bond is forged. Through fire and shadows, you shall be one. What is spoken is unbroken. What is bound cannot be unbound.
”
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Briar Boleyn (On Wings of Blood (Bloodwing Academy, #1))
β€œ
You are in the house and the house in the woods. The woods are in the house. The stairs are in the house. Down the stairs is the hallway, and at the end of the hallway is the ballroom. You are in the ballroom. The ballroom is in the house. You are in the house and the house is in you. The house is in the woods. You are in the woods. You can be good. In the house. You are in the house and the house is in today. Today is not a moment. Today is not a point. Today is an infinite area. Today is forever. Everything that has happened and will happen is now. Everything that has been and will be is here. And everything is good. Everything is fine. You are not sad. You are not afraid. You are not hateful. Because you are here. You are here. You are inside. And you are ready. You are here. You are in. And doesn’t it feel good? You are in the house and the house is in the woods. You are in the house and the house is in you.
”
”
Elisabeth Thomas (Catherine House)
β€œ
Bro, we're living in the Kali Yuga, a Dark Age of petite bourgeoisie ideology, a petite bourgeoisie ideology whose resources and ruses are infinite and which ubiquitously permeates the world -- high culture, low culture, bienpensant media, prestige literature, pop music, commerce, sports, academia, you name it. The only reasonable response to this situation is to maintain an implacable antipathy toward everything. Denounce everyone. Make war against yourself. Guillotine all groveling intellectuals. That said, I think it's important to maintain a cheery disposition. This will hasten the restoration of Paradise. I've memorized this line from Andre Breton's magnificent homage to Antonin Artaud -- "I salute Antonin Artaud for his passionate, heroic negation of everything that causes us to be dead while alive." Given the state of things, that's what we need to be doing, all the time -- negating everything that causes us to be dead while alive.
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”
Mark Leyner
β€œ
They fall silently the steps of her arrival - crossing snow so paleΒ  even the morning sky would fallΒ  into nights amber (if it knew of her ways & worth);Β  for she has entered the palace of goldΒ  - her hair braided with hope tainted with autumn leaves that seem like a hanged man's rope - for her name is war andΒ  her crown is crafted out of grief.
”
”
Laura Chouette
β€œ
It was a beautiful room, not an office at all, and much bigger than it looked from outside--airy and white, with a high ceiling and a breeze fluttering in the starched curtains. In the corner, near a low bookshelf, was a big round table littered with teapots and Greek books, and there were flowers everywhere, roses and carnations and anemones, on his desk, on the table, in the windowsills. The roses were especially fragrant; their smell hung rich and heavy in the air, mingled with the smell of bergamot, and black China tea, and a faint inky scent of camphor. Breathing deep, I felt intoxicated. Everywhere I looked was something beautiful--Oriental rugs, porcelains, tiny paintings like jewels--a dazzle of fractured color that struck me as if I had stepped into one of those little Byzantine churches that are so plain on the outside; inside, the most paradisal painted eggshell of gilt and
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Donna Tartt (The Secret History)
β€œ
But the Wisconsin tradition meant more than a simple belief in the people. It also meant a faith in the application of intelligence and reason to the problems of society. It meant a deep conviction that the role of government was not to stumble along like a drunkard in the dark, but to light its way by the best torches of knowledge and understanding it could find.
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Adlai E. Stevenson II
β€œ
While I was washing my face, I began to cry. The tears mingled easily with the cold water, in the luminous, dripping crimson of my cupped fingers, and at first I wasn't aware that I was crying at all. The sobs were regular and emotionless, as mechanical as the dry heaves which had stopped only a moment earlier; there was no reason for them, they had nothing to do with me. I brought my head up and looked at my weeping reflection in the mirror with a kind of detached interest. What does this mean? I thought. I looked terrible. Nobody else was falling apart; yet here I was, shaking all over and seeing bats like Ray Milland in The Lost Weekend. A cold draft was blowing in the window. I felt shaky but oddly refreshed. I ran myself a hot bath, throwing in a good handful of Judy's bath salts, and when I got out and put on my clothes I felt quite myself again. Nihil sub sole novum, I thought as I walked back down the hail to my room. Any action, in the fullness of time, sinks to nothingness...
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Donna Tartt (The Secret History)
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The real enemies, he suggested, were β€œthe college campus, the pulpit, the media, the intellectual and literary journals, the arts and sciences,” and β€œpoliticians.” Powell called on corporate America to fight back. He urged America’s capitalists to wage β€œguerilla warfare” against those seeking to β€œinsidiously” undermine them. Conservatives must capture public opinion, he argued, by exerting influence over the institutions that shape it, which he identified as academia, the media, the churches, and the courts.
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Jane Mayer (Dark Money: The Hidden History of the Billionaires Behind the Rise of the Radical Right)
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We're living in a world in which we're all survived, targeted, herded, and indoctrinated to an unprecedented degree. Our fallen, debased state is ghastly. Our bodies have been transformed into profit-optimized enterprise zones, our minds have been hacked and neutered, our social milieus have been completely leached of authenticity.... [...] Bro, we're living in the Kali Yuga, a Dark Age of petite bourgeoisie ideology whose resources and ruses are infinite and which ubiquitously permeates the world -- high culture, low culture, bienpensant media, prestige literature, pop music, commerce, sports, academia, you name it. The only reasonable response to the situation is to maintain an implacable antipathy toward everything. Denounce everyone. Make war against yourself. Guillotine all groveling intellectuals. That said, I think it's important to maintain a cheery disposition. This will hasten the restoration of Paradise. I've memorized this line from Andre Breton's magnificent homage to Antonin Artaud -- "I salute Antonin Artaud for his passionate, heroic negation of everything that causes us to be dead while alive." Given the state of things, that's what we need to be doing all the time -- negating everything that causes us to be dead while alive.
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Mark Leyner