Daring Women Quotes

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When I dare to be powerful, to use my strength in the service of my vision, then it becomes less and less important whether I am afraid.
Audre Lorde
If you knew what was going to happen, if you knew everything that was going to happen next—if you knew in advance the consequences of your own actions—you'd be doomed. You'd be ruined as God. You'd be a stone. You'd never eat or drink or laugh or get out of bed in the morning. You'd never love anyone, ever again. You'd never dare to.
Margaret Atwood (The Blind Assassin)
You think fairy tales are only for girls? Here's a hint - ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy - all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know - this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtships. They want to know immediately.
David Levithan (Dash & Lily's Book of Dares (Dash & Lily, #1))
I am lonely, sometimes, but I dare say it's good for me…
Louisa May Alcott (Little Women (Little Women, #1))
Even to me the issue of "stay small, sweet, quiet, and modest" sounds like an outdated problem, but the truth is that women still run into those demands whenever we find and use our voices.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
I am one of the searchers. There are, I believe, millions of us. We are not unhappy, but neither are we really content. We continue to explore life, hoping to uncover its ultimate secret. We continue to explore ourselves, hoping to understand. We like to walk along the beach, we are drawn by the ocean, taken by its power, its unceasing motion, its mystery and unspeakable beauty. We like forests and mountains, deserts and hidden rivers, and the lonely cities as well. Our sadness is as much a part of our lives as is our laughter. To share our sadness with one we love is perhaps as great a joy as we can know - unless it be to share our laughter. We searchers are ambitious only for life itself, for everything beautiful it can provide. Most of all we love and want to be loved. We want to live in a relationship that will not impede our wandering, nor prevent our search, nor lock us in prison walls; that will take us for what little we have to give. We do not want to prove ourselves to another or compete for love. For wanderers, dreamers, and lovers, for lonely men and women who dare to ask of life everything good and beautiful. It is for those who are too gentle to live among wolves.
James Kavanaugh (There are men too gentle to live among wolves)
When I was growing up we didn't have a massive house and there were five women running around, so my dad and I had to stick together!
Louis Tomlinson (Dare to Dream: Life as One Direction (100% Official))
Miss Cecily," she gasped, and then her eyes went to Will. She clapped a hand over her mouth, turned, and bolted back into the house. "Oh, dear," said Tessa. "I have that effect on women," Will said. " I probably should have warned you before you agreed to marry me." "I can still change my mind," Tessa said sweetly. "Don't you dare-," he began with a breathless half laugh.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I was going to die, sooner or later, whether or not I had even spoken myself. My silences had not protected me. Your silences will not protect you.... What are the words you do not yet have? What are the tyrannies you swallow day by day and attempt to make your own, until you will sicken and die of them, still in silence? We have been socialized to respect fear more than our own need for language." I began to ask each time: "What's the worst that could happen to me if I tell this truth?" Unlike women in other countries, our breaking silence is unlikely to have us jailed, "disappeared" or run off the road at night. Our speaking out will irritate some people, get us called bitchy or hypersensitive and disrupt some dinner parties. And then our speaking out will permit other women to speak, until laws are changed and lives are saved and the world is altered forever. Next time, ask: What's the worst that will happen? Then push yourself a little further than you dare. Once you start to speak, people will yell at you. They will interrupt you, put you down and suggest it's personal. And the world won't end. And the speaking will get easier and easier. And you will find you have fallen in love with your own vision, which you may never have realized you had. And you will lose some friends and lovers, and realize you don't miss them. And new ones will find you and cherish you. And you will still flirt and paint your nails, dress up and party, because, as I think Emma Goldman said, "If I can't dance, I don't want to be part of your revolution." And at last you'll know with surpassing certainty that only one thing is more frightening than speaking your truth. And that is not speaking.
Audre Lorde
The history of progress is written in the blood of men and women who have dared to espouse an unpopular cause, as, for instance, the black man's right to his body, or woman's right to her soul.
Emma Goldman
What men and women need is encouragement. Their natural resisting powers should be strengthened, not weakened ... Instead of always harping on a man's faults, tell him of his virtues. Try to pull him out of his rut ... Hold up to him his better self, his real self that can dare and do and win out! ... People radiate what is in their minds and in their hearts.
Eleanor H. Porter (Pollyanna (Pollyanna, #1))
Every woman knows what I’m talking about. It’s the presumption that makes it hard, at times, for any woman in any field; that keeps women from speaking up and from being heard when they dare; that crushes young women into silence by indicating, the way harassment on the street does, that this is not their world. It trains us in self-doubt and self-limitation just as it exercises men’s unsupported overconfidence.
Rebecca Solnit (Men Explain Things to Me)
She had wandered, without rule or guidance, into a moral wilderness... Her intellect and heart had their home, as it were, in desert places, where she roamed as freely as the wild Indian in his woods... The scarlet letter was her passport into regions where other women dared not tread. Shame, Despair, Solitude! These had been her teachers—stern and wild ones—and they had made her strong, but taught her much amiss.
Nathaniel Hawthorne (The Scarlet Letter)
There are many things from which I might have derived good, by which I have not profited, I dare say,' returned the nephew. 'Christmas among the rest. But I am sure I have always thought of Christmas time, when it has come round—apart from the veneration due to its sacred name and origin, if anything belonging to it can be apart from that—as a good time; a kind, forgiving, charitable, pleasant time; the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys. And therefore, uncle, though it has never put a scrap of gold or silver in my pocket, I believe that it has done me good, and will do me good; and I say, God bless it!
Charles Dickens (A Christmas Carol)
You're growing and that scares people, it frightens the shit out of them because they know if they don't step up within themselves you'll move forward with out them. When this happens, don't you dare settle to suit the mould - have courage to live without one.
Nikki Rowe
You think fairy tales are only for girls? Here’s a hint—ask yourself who wrote them. I assure you, it wasn’t just the women. It’s the great male fantasy—all it takes is one dance to know that she’s the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know—this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don’t want a very long courtship. They want to know immediately.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Sometimes he wondered if women were all lawyers, with an extensive code of Romantic Law that they kept stubbornly hidden from men.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
My scars teach me that I am stronger than what caused them.
Manal Al-Sharif (Daring to Drive: A Saudi Woman's Awakening)
[Y]ou [man] are fool enough, it seems, to dare to war with [woman=] me, when for your faithful ally you might win me easily.
Aristophanes (Lysistrata)
She cursed her gender. Nobody would have dared attack her if she had been a man.
Stieg Larsson (The Girl Who Played With Fire (Millennium #2))
oh, dear," said Tessa. "I have that effect on women," Will said. "I probably should have warned you before you agreed to marry me." "I can still change my mind," Tessa said sweetly. "Don't you dare -," He began with a breathless half laugh, [...]
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
I think I may boast myself to be, with all possible vanity, the most unlearned and uninformed female who ever dared to be an authoress.
Jane Austen
Any woman who dares to make her own destiny will always put herself in danger.
Philippa Gregory (The Lady of the Rivers (The Plantagenet and Tudor Novels, #1))
I deciced if I were ever to get into booze and women, my line would be, 'Excuse me, madam, but I would really love to bed and muss you. . . . Are you perchance free this evening?
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Who dares not speak his free thought is a slave.
Euripides (The Phoenician Women)
He dared to do what men and women don't even dare to think. And look what he's done already: he's torn open the sky, he's opened the way to another world. Who else has ever done that? Who else could think of it?
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
One year from now, a decade, a century, half a millennium, will things be different? Dare we dream it? When we are seen for ourselves, not just as the conduit of progeny, heirs, lineage, not just as beautiful objects to be protected, inspected, appreciated, but for who we are at the core . . .
Gina Buonaguro (The Virgins of Venice)
Oh, but this gift isn’t the same as an ermine. This is property. Don’t you understand how rare that is for a woman? Property always belongs to our fathers, brothers, husbands, sons. We never get to own anything.” “Don’t tell me you’re one of those women with radical ideas.” “No,” she returned. “I’m one of those women with nothing. There are a great many of us.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
The best protection against rape, stalking, and domestic violence is to raise men who both understand that women are different, and would never dare take advantage of this difference.
Wendy Shalit (A Return to Modesty: Discovering the Lost Virtue)
Ô, the wine of a woman from heaven is sent, more perfect than all that a man can invent.
Roman Payne (The Love of Europa: Limited Time Edition (Only the First Chapters))
It’s all right,” she said. “You’re through.” “Jesus,” he finally managed, pushing water off his face. “Jesus Christ and John the Baptist. For that matter, Matthew, Mark, Luke, John.” Still not enough. He needed to reach back to the Old Testament for this. “Obadiah. Nebuchadnezzar. Methuselah and Job.” “Be calm,” she said, taking him by the shoulders. “Be calm. And there are women in the Bible, you know.” “Yes. As I recall it, they were trouble, every last one.
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
Do ye dare to draw arms against the justice of God?" snapped the tubby little judge. Jamie drew the sword completely, with a flash of steel, then thrust it point-first into the ground, leaving the hilt quivering with the force of the blow. "I draw it in defense of this women, and the truth," he said "If any here be against those two they'll answer to me, and then God, in that order.
Diana Gabaldon (Outlander (Outlander, #1))
There are many of them in the world, I think, good men and women with their frail deeds. Wondering what might have been, how things might have danced, if we had only dared to be bright.
Ally Condie (Reached (Matched, #3))
Are you afraid?" Volker questioned while sitting at the table and getting comfortable. "No. But I have incredible luck with dice and I am ruthless. You will lose, gentlemen. I will destroy your lands, take your women, ravish your men, and make your children my slave labor. I will own every castle, house, and farm that is within my reach. I won't be satisfied until I own all of it and you. I will destroy you all, gentlemen, and, to be quite blunt, I don't think you can handle it." Van covered his mouth to keep from laughing out loud and he didn't dare look at his sister. Verner stepped back, motioning to the table. "Now I must insist." "As you wish." Irene sighed and stood. She glanced at Van and gave him a quick wink before turning back to his uncle. "I do hope you're a 'sobber,' Mr. Van Holtz. Nothing I love more than the lamenting of the men I annihilate." "I can't believe you made him cry." "I did not. He just teared up a little." "Yeah. I think it was when you told him, 'I now control your ports and own your manhood.'" "His wife laughed.
Shelly Laurenston (When He Was Bad (Magnus Pack, #3.5; Pride, #0.75; Smith's Shifter World, #3.5))
So odd. Most women of his acquaintance relied on physical beauty and charm to mask their less-pleasant traits. This girl did the opposite, hiding everything interesting about herself behind a prim, plain facade. What other surprises was she concealing?
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
realized that this country has gone so flabby that any gang daring enough and unscrupulous enough, and smart enough not to seem illegal, can grab hold of the entire government and have all the power and applause and salutes, all the money and palaces and willin’ women they want.
Sinclair Lewis (It Can't Happen Here)
Every woman knows what I'm talking about. It’s the presumption that makes it hard, at times, for any woman in any field; that keeps women from speaking up and from being heard when they dare; that crushes young women into silence by indicating, the way harassment on the street does, that this is not their world. It trains us in self-doubt and self-limitation just as it exercises men’s unsupported overconfidence.
Rebecca Solnit
An obstacle which would frighten discreet men is nothing to determined women. They dare what men avoid, and sometimes they achieve an unusual success.
Ōgai Mori (The Wild Geese)
I am persuaded that feminism is not at the root of political correctness. The actual source is much nastier and dares not speak its name, which is simply hatred for old people. The question of domination between men and women is relatively secondary—important but still secondary—compared to what I tried to capture in this novel, which is that we are now trapped in a world of kids. Old kids. The disappearance of patrimonial transmission means that an old guy today is just a useless ruin. The thing we value most of all is youth, which means that life automatically becomes depressing, because life consists, on the whole, of getting old.
Michel Houellebecq
Some of the New York Radical Women shortly afterward formed WITCH (Women's International Terrorist Conspiracy from Hell) and its members, dressed as witches, appeared suddenly on the floor of the New York Stock Exchange. A leaflet put out by WITCH in New York said: WITCH lives and smiles in every woman. She is the free part of each of us, beneath the shy smiles, the acquiescence to absurd male domination, the make-up or flesh-suffocating clothes our sick society demands. There is no "joining" WITCH. If you are a woman and dare to look within yourself, you are a WITCH. You make your own rules.
Howard Zinn (A People’s History of the United States: 1492 - Present)
Freedom is to live with dignity
Manal Al-Sharif (Daring to Drive: A Saudi Woman's Awakening)
How dare a person tell a woman, how to dress, how to talk, how to behave! Any being who does that, is no human.
Abhijit Naskar (The Bengal Tigress: A Treatise on Gender Equality (Humanism Series))
I dare to dream of a world where people can dress, speak and behave how they want, free from mockery, derision, judgement, harassment and danger. This is what I want. Who’s with me?
Juno Dawson (The Gender Games: The Problem With Men and Women, From Someone Who Has Been Both)
People love to ogle pretty girls, but they love to hate them even more. There's no one the masses are more obsessed with railing at than the women who dare to stray from the docile ideal of wives and mothers.
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles, Volume One)
Any self-respecting rake had two kinds of women in his life: those he took to bed at night and those who made him a pancake in the morning. If he suddenly wanted both from the same woman, it was a warning flag. One big and red enough for even a blind man to see.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
All right, sweetheart; here's your last question, and it's a real challenge, so don't let yourself get distracted by these jealous women. To make sure all twelve of our future children are going to be legitimate, what New York City football team did Joe Namath play for?" Gracie's face fell. Lord. Any fool should know the answer to this one. New York City... What football team was from New York City? Her expression brightened. "The New York City YANKEES!" A roar of laughter went up from the crowd, accompanied by more than a few loud groans. Bobby Tom silenced them all with a glare. At the same time, the glitter in his eyes dared any of them to contradict her. When he was certain everyone understood the message, he turned back to Gracie and gathered her into his arms. With a tender look and a gentle brush of his lips, he said "Exactly right, sweetheart. I had no idea you knew so much about football" And that was how every last person in Telarosa, Texas, came to understand that Bobby Tom Denton had finally and forever fallen head over heels in love.
Susan Elizabeth Phillips (Heaven, Texas (Chicago Stars, #2))
For the love of ammonites, man! That's just stupid. Why on earth would the Society need to protect unmarried women from bone-dry lectures regarding soil composition? Do your members find themselves whipped into some sort of dusty frenzy, from which no delicate lass would be safe?" Mr. Barrington tugged on his coat. "Sometimes the debate does get heated." Colin turned to her. "Min, Can I just hit him?" "I think that's a bad idea." "run him through with something sharp?
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
My face is my identity. No one will cover it. I’m proud of my face. If my face bothers you, don’t look. Turn your own face away, take your eyes off me. If you are seduced by merely looking at my face, that is your problem. Do not tell me to cover it. You cannot punish me simply because you cannot control yourself.
Manal Al-Sharif (Daring to Drive: A Saudi Woman's Awakening)
What is the world coming to, with these modern women? A man can't tell them what to do.
Tessa Dare (Twice Tempted by a Rogue (Stud Club, #2))
I think that you appreciate that there are extraordinary men and women and extraordinary moments when history leaps forward on the backs of these individuals, that what can be imagined can be achieved, that you must dare to dream, but that there's no substitute for perseverance and hard work and teamwork because no one gets there alone; and that, while we commemorate the... the greatness of these events and the individuals who achieve them, we cannot forget the sacrifice of those who make these achievements and leaps possible.
Chris Carter
The best I can say, it's like this. A man's in his skin, see, like a nut in its shell ... It's hard and strong, that shell, and it's all full of him. Full of grand man-meat, man-self. And that's all. That's all there is. A woman's a different thing entirely. Who knows where a woman begins and ends? Listen mistress, I have roots, I have roots deeper than this island. Deeper than the sea, older than the raising of the lands. I go back into the dark ... I go back into the dark! Before the moon I am, what a woman is, a woman of power, a woman's power, deeper than the roots of trees, deeper than the roots of islands, older than the Making, older than the moon. Who dares ask questions of the dark? Who'll ask the dark its name?
Ursula K. Le Guin (Tehanu (Earthsea Cycle, #4))
Seven Ways To Get Ahead in Business: 1. Be forward thinking 2. Be inventive, and daring 3. Do the right thing 4. Be honest and straight forward 5. Be willing to change, to learn, to grow 6. Work hard and be yourself 7. Lead by example
Germany Kent
Only in hindsight can we see that out fears and worries were unwarranted, that insecurities and doubts were just illussions, or that we should have taken a risk or dared something new sooner.
Ellyn Spragins
The tendency of her fate and fortunes had been to set her free. The scarlet letter was her passport into regions where other women dared not tread. Shame, Despair, Solitude! These had been her teachers,—stern and wild ones,—and they had made her strong, but taught her much amiss.
Nathaniel Hawthorne (The Scarlet Letter)
Pity, if one can generalize, is at the bottom of woman. When men like us, it is for our better qualities, and however tender their liking, we dare not be unworthy of it, or they will quietly let us go. But unworthiness stimulates woman. It brings out her deeper nature, for good or for evil.
E.M. Forster (Howards End)
What men and women need is encouragement. Their natural resisting powers should be strengthened, not weakened…. Instead of always harping on a man’s faults,tell him of his virtues. Try to pull him out of his rut of bad habits. Hold up to him his better self, his REAL self that can dare and do and win out! … The influence of a beautiful, helpful, hopeful character is contagious, and may revolutionize a whole town…. People radiate what is in their minds and in their hearts. If a man feels kindly and obliging, his neighbors will feel that way, too, before long.But if he scolds and scowls and criticizes—his neighbors will return scowl for scowl, and add interest! … When you look for the bad, expecting it, you will get it. When you know you will find the good—you will get that…
Eleanor H. Porter (Pollyanna (Pollyanna, #1))
God bids you not to commit lechery, that is, not to have sex with any woman except your wife. You ask of her that she should not have sex with anyone except you -- yet you are not willing to observe the same restraint in return. Where you ought to be ahead of your wife in virtue, you collapse under the onset of lechery. ... Complaints are always being made about men's lechery, yet wives do not dare to find fault with their husbands for it. Male lechery is so brazen and so habitual that it is now sanctioned [= permitted], to the extent that men tell their wives that lechery and adultery are legitimate for men but not for women.
Augustine of Hippo (Sermons 1-19 (Vol. III/1) (The Works of Saint Augustine: A Translation for the 21st Century))
Westcliff thinks that St. Vincent is in love with you.” Evie choked a little and didn’t dare look up from her tea. “Wh-why does he think that?” “He’s known St. Vincent from childhood, and can read him fairly well. And Westcliff sees an odd sort of logic in why you would finally be the one to win St. Vincent’s heart. He says a girl like you would appeal to…hmm, how did he put it?…I can’t remember the exact words, but it was something like… you would appeal to St. Vincent’s deepest, most secret fantasy.” Evie felt her cheeks flushing while a skirmish of pain and hope took place in the tired confines of her chest. She tried to respond sardonically. “I should think his fantasy is to consort with as many women as possible.” A grin crossed Lillian’s lips. “Dear, that is not St. Vincent’s fantasy, it’s his reality. And you’re probably the first sweet, decent girl he’s ever had anything to do with.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Women are raising children, picking up socks, and making sure you feel like a man by supporting you when you need it and looking sexy (but not trying too hard, because that would be pathetic). We're being independent and bad bitches while wearing fucking lipstick and heels so as not to offend your delicate aesthetic sensibility, yet even just the word "feminist" pisses you off. How dare we.
Jessica Valenti (Sex Object: A Memoir)
King Edmund of East Anglia is now remembered as a saint, as one of those blessed souls who live forever in the shadow of God. Or so the priests tell me. In heaven, they say, the saints occupy a privileged place, living on the high platform of God’s great hall where they spend their time singing God’s praises. Forever. Just singing. Beocca always told me that it would be an ecstatic existence, but to me it seems very dull. The Danes reckon their dead warriors are carried to Valhalla, the corpse hall of Odin, where they spend their days fighting and their nights feasting and swiving, and I dare not tell the priests that this seems a far better way to endure the afterlife than singing to the sound of golden harps. I once asked a bishop whether there were any women in heaven. “Of course there are, my lord,” he answered, happy that I was taking an interest in doctrine. “Many of the most blessed saints are women.” “I mean women we can hump, bishop.” He said he would pray for me. Perhaps he did.
Bernard Cornwell (The Last Kingdom (The Saxon Stories, #1))
My dear young friends, I want to invite you to "dare to love". Do not desire anything less for your life than a love that is strong and beautiful and that is capable of making the whole of your existence a joyful undertaking of giving yourselves as a gift to God and your brothers and sisters, in imitation of the One who vanquished hatred and death for ever through love (cf. Rev 5:13). Love is the only force capable of changing the heart of the human person and of all humanity, by making fruitful the relations between men and women, between rich and poor, between cultures and civilizations. (Message for the 22nd World Youth Day: Palm Sunday, 1 April 2007)
Pope Benedict XVI
She’d always envied beautiful women. Not solely for the beauty itself but because when attributes were parceled out by whatever deity assigned them, beauty seemed to come tethered to confidence. She craved that more than anything.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
You’re not really mad that I’m not having children. In fact, I would probably love to one day. You’re mad that I’m expressing autonomy of choice. You’re mad that I’m considering other options. You’re mad that I don’t view that as my ultimate potential. You’re mad that I dare be selfish enough to make choices based on my best interest, something women are not supposed to do. You’re mad that I consider it a choice, and that I, a woman, am exercising choice. You’re not mad that I’m not having babies. You’re mad because I’m acting like a man.
Alice Minium
They said no man was an island, and Anita figured that was probably true. But women were; they had to be. And even if someone bothered to sail over and disembark, he'd soon discover that there was always a castle at the center of the island, surrounded by a deep moat, with a rickety drawbridge and archers manning the battlements and a big pot of oil posed above the gate, ready to boil alive anyone who dared to cross the threshold.
Tommy Wallach (We All Looked Up)
They will want you seated, conformed and quiet but don't you dare fit in. Scream the house down if it's what it will take to make your noise heard. The divine feminine has been shamed and shunned for self expression for far too long, we aren't here to silence ourselves anymore.
Nikki Rowe
She always had a headache, or it was too hot, always, or she pretended to be asleep, or she had her period again, her period, always her period. So much so that Dr. Urbino had dared to say in class, only for the relief of unburdening himself without confession, that after ten years of marriage women had their periods as often as threes times a week.
Gabriel García Márquez (Love in the Time of Cholera)
And those women were sneaky. They understood that including fantastical elements in their tales- golden eggs, signing harps, talking frogs- worked to mask a deeper purpose....it made the stories look on the surface like 'a mere bubble of nonsense' within which it was possible to 'utter harsh truths, to say what you dare' about the state of women's lives. Because they were just stories, right? Harmless little fantasies?
Christine Heppermann (Poisoned Apples: Poems for You, My Pretty)
Self-esteem is earned! When you dare to dream, dare to follow that dream, dare to suffer through the pain, sacrifice, self-doubts, and friction from the world--when you show such courage and tenacity--you will genuinely impress yourself. And most important, you will treat yourself accordingly and not settle for less from others--at least, not for long.
Laura Schlessinger (Ten Stupid Things Women Do to Mess Up Their Lives)
(Vaughn said)"I'm serious. There was a speech and everything. She told me that I run around with my 'obviously healthy ego' and compared me to a kid in a candy store when it comes to women-trying to get my hands on as many 'shiny treats' as possible." Cade's mouth twitched. "How dare she. That's just so..." He trailed off, as if thinking about how best to respond. "Dead-on balls accurate," Huxley finished. The two of them began laughing.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
So if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life's work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I'll bet you can't tell me what it smells like in the Sistine Chapel. You've never actually stood there and looked up at that beautiful ceiling; seen that. If I ask you about women, you'd probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman and feel truly happy. You're a tough kid. And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. And look at you... I don't see an intelligent, confident man... I see a cocky, scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my fucking life apart. You're an orphan right? [Will nods] Sean: You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some fuckin' book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.
Robin Williams
Gabby couldn't believe what he had just said. Her mouth gaped open and a flirty smile came over her. She slowly peeled her half wet white t-shirt over her head and then slowly shimmied out of her shorts. What had gotten into her? She had never acted like this before, but she suddenly felt playful, fun and daring. If he wanted to play, so could she.
J.B. McGee (Broken (This, #1))
Before I found Minerva, I'd passed nights with more than my share of women." Thorne groaned. Don't. Just don't. "I've passed time with duchesses and farm girls, and it doesn't matter whether their skirts are silk or homespun. Once you get them bare--" Thorne drew up short. "If you start in on rivers of silk and alabaster orbs, I will have to hit you.
Tessa Dare (A Lady by Midnight (Spindle Cove, #3))
Far back in the mists of ancient time, in the great and glorious days of the former Galactic Empire, life was wild, rich and largely tax free. Mighty starships plied their way between exotic suns, seeking adventure and reward among the furthest reaches of Galactic space. In those days spirits were brave, the stakes were high, men were real men, women were real women and small furry creatures from Alpha Centauri were real small furry creatures from Alpha Centauri. And all dared to brave unknown terrors, to do mighty deeds, to boldly split infinitives that no man had split before--and thus was the Empire forged. ...In these enlightened days, of course, no one believes a word of it.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
As far as cosmetics are used for adornment in a conscious and creative way, they are not emblems of inauthenticity: it is when they are presented as the real thing, covering unsightly blemishes, disguising a repulsive thing so that it is acceptable to the world that their function is deeply suspect. The women who dare not go out without their false eyelashes are in serious psychic trouble.
Germaine Greer (The Female Eunuch)
We are all women you assure me? Then I may tell you that the very next words I read were these – ‘Chloe liked Olivia …’ Do not start. Do not blush. Let us admit in the privacy of our own society that these things sometimes happen. Sometimes women do like women. ‘Chloe liked Olivia,’ I read. And then it struck me how immense a change was there. Chloe liked Olivia perhaps for the first time in literature. Cleopatra did not like Octavia. And how completely Antony and Cleopatra would have been altered had she done so! As it is, I thought, letting my mind, I am afraid, wander a little from Life’s Adventure, the whole thing is simplified, conventionalized, if one dared say it, absurdly. Cleopatra’s only feeling about Octavia is one of jealousy. Is she taller than I am? How does she do her hair? The play, perhaps, required no more. But how interesting it would have been if the relationship between the two women had been more complicated. All these relationships between women, I thought, rapidly recalling the splendid gallery of fictitious women, are too simple. So much has been left out, unattempted. And I tried to remember any case in the course of my reading where two women are represented as friends. There is an attempt at it in Diana of the Crossways. They are confidantes, of course, in Racine and the Greek tragedies. They are now and then mothers and daughters. But almost without exception they are shown in their relation to men.
Virginia Woolf (A Room of One’s Own)
The greatest barrier preventing us from fully challenging sexism is the pervasive antifeminine sentiment that runs wild in both the straight and queer communities, targeting people of all genders and sexualities. The only realistic way to address this issue is to work toward empowering femininity itself. We must rightly recognize that feminine expression is strong, daring, and brave - that it is powerful - and not in an enchanting, enticing, or supernatural sort of way, but in a tangible, practical way that facilitates openness, creativity, and honest expression. We must move beyond seeing femininity as helpless and dependent, or merely as masculinity's sidekick, and instead acknowledge that feminine expression exists of its own accord and brings its own rewards to those who naturally gravitate toward it. By embracing femininity, feminism will finally be able to reach out to the vast majority of feminine women who have felt alienated by the movement in the past.
Julia Serano (Whipping Girl: A Transsexual Woman on Sexism and the Scapegoating of Femininity)
Even the Raven King - who was not a fairy, but an Englishman - had a somewhat regrettable habit of abducting men and women and taking them to live with him in his castle in the Other Lands. Now, had you and I the power to seize by magic any human being that took our fancy and the power to keep that person by our side through all eternity, and had we all the world to chuse from, then I dare say our choice might fall on someone a little more captivating than a member of the Learned Society of York Magicians, but this comforting thought did not occur to the gentlemen inside York Cathedral
Susanna Clarke (Jonathan Strange & Mr Norrell)
Yes, people of both genders pop up at events to hold forth on irrelevant things and conspiracy theories, but the out-and-out confrontational confidence of the totally ignorant is, in my experience, gendered. Men explain things to me, and other women, whether or not they know what they’re talking about. Some men. Every woman knows what I’m talking about. It’s the presumption that makes it hard, at times, for any woman in any field; that keeps women from speaking up and from being heard when they dare; that crushes young women into silence by indicating, the way harassment on the street does, that this is not their world. It trains us in self-doubt and self-limitation just as it exercises men’s unsupported overconfidence.
Rebecca Solnit (Men Explain Things to Me)
We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong. I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling" It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face. The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith) Being alone has nothing to do with how many people are around. (J.R. Moehringer) You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way. At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words. The dream was obviously a sign: he was too enticing to resist. Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it. I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night. Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened. Because I'm So uncool and so afraid. If there was a clue, that meant the mystery was still intact I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding. This was not a haystack. We were people, and people had ways of finding eachother. It was one of those moments when you feel the future so much that is humbles the present. Don't worry. It's your embarrassment at not having the thought that counts. You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately. Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head You should never wish for wishful thinking
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Women are raising children, picking up socks, and making sure you feel like a man by supporting you when you need it and looking sexy (but not trying too hard, because that would be pathetic). We are being independent and bad bitches while wearing fucking lipstick and heels so as not to offend your delicate aesthetic sensibility, yet even just the word 'feminist' pisses you off. How dare we. Still, no name for the men who kill women because we have the audacity not to do what we are supposed to do: fuck you, accept you, want you, let you hurt us, be blank slates for your desires. You are entitled to us but we are not even allowed to call you what you are.
Jessica Valenti (Sex Object: A Memoir)
If it’s a wife you want,” she said, “surely you could find many women—many well-bred ladies—who would be willing to marry you.” “Yes, but I’d have to find them. This saves me so much effort.” She threw him a sidelong glance. “Can you not hear yourself? Do you truly not know how insulting that sounds?” “I should think it sounds beneficent. I’m offering you a title and fortune. All you have to do is lie back in the dark, then spend nine months swelling up like a tick. What could possibly deter any woman from accepting?
Tessa Dare (The Duchess Deal (Girl Meets Duke, #1))
If indeed it's a race Then the chicks do the most It isn't a brag Or an estrogen boast It's the women who've led me With big open hearts If not for their love I'd have failed at the start. And it's not just the mothers I speak of them ALL It's a woman there first When somebody falls. The multi of tasking That's easy to tease I dare a great man To try it all, PLEASE! So this is my shout out My rallying cry To women all over I hold you up high And though there are others Who'll think this poem strange It's the women who plant The root of big change.
Jamie Lee Curtis
When we set about accounting for a Napoleon or a Shakespeare or a Raphael or a Wagner or an Edison or other extraordinary person, we understand that the measure of his talent will not explain the whole result, nor even the largest part of it; no, it is the atmosphere in which the talent was cradled that explains; it is the training it received while it grew, the nurture it got from reading, study, example, the encouragement it gathered from self-recognition and recognition from the outside at each stage of its development: when we know all these details, then we know why the man was ready when his opportunity came.
Mark Twain (How Nancy Jackson Married Kate Wilson and Other Tales of Rebellious Girls and Daring Young Women)
But how nice it would be to know that some good Yankee woman - And there must be SOME good Yankee women. I don’t care what people say, they can’t all be bad! How nice it would be to know that they pulled weeds off our men’s graves and brought flowers to them, even if they were enemies. If Charlie were dead in the North it would comfort me to know that someone - And I don’t care what you ladies think of me,” her voice broke again, “I will withdraw from both clubs and I’ll — I’ll pull up every weed off every Yankee’s grave I can find and I’ll plant flowers, too — and — I just dare anyone to stop me!
Margaret Mitchell (Gone with the Wind)
It is true that women have seldom been aggressive in de- manding their rights and so have cooperated in their own enslavement. This was true of the black population for many years. They submitted to oppression, and even condoned it. But women are becoming aware, as blacks did, that they can have equal treatment if they will fight for it, and they are starting to organize. To do it, they have to dare the sanctions that society imposes on anyone who breaks with its traditions. This is hard, and especially hard for women, who are taught not to rebel from infancy, from the time they are first wrapped in pink blankets, the color of their caste.
Shirley Chisholm (Unbought and Unbossed)
...we've told men for so long that we're equal, we can open our own doors, carry our own bags, pay our own way, that now they're afraid to offer in case we accuse them of sex discrimination. If you were a man would you buy a woman underwear? I wouldn't dare. What if she throws it back in your face and calls you a sexist pig? So they've tried to turn into new men, but that's no good either, because now we're telling them to be masculine. We don't just want them in a pair of Marigolds cleaning the oven, that's not good enough. We want them to take control, to whisk us off hotels, buy us dinner, and make mad passionate love to us all night. We want it all ways. We want them heroes and handy with the vacuum. No wonder the poor guys are confused
Alexandra Potter (Calling Romeo)
Tonight," he announced, "is the night we take back that village. And we're not going to do it by marching in lines or committing acts of brave idiocy. We're going to do it by being men. Manly men. The kind of men a woman wants to take control." Brows wrinkled in confusion. "But . . ." The blacksmith looked around the group. "We are men. Last I checked, anyhow." "It's not just a matter of having the proper equipment. It's using the equipment properly." Leaping up on a crate, Colin spread his arms wide. "Look at me. Now look at yourselves. Now look back at me. I am the man you want to be like." Dawes crossed his arms. "Why is that, precisely?" "Do you know how many women I've bedded?" When Rufus and Finn perked, he waved at them. "Have a guess, boys." "Seventeen," offered Finn. "More." "Eighteen." "Still more." "Er . . . nineteen?" "Oh, for the love of God," he muttered. "We'll be here all day. Let's just call the number more than you can imagine. Because clearly, that is the case." Under his breath, he added, "Perhaps higher than you know how to count.
Tessa Dare (A Night to Surrender (Spindle Cove, #1))
A great empire cannot bring freedom by its own decay to those corners in it where a subject people are prevented from discussing the fundamentals of life. The people feel like children turned adrift to fend for themselves when the imperial routine breaks down; and they wander to and fro, given up to instinctive fears and antagonisms and exaltation until reason dares to take control. I had come to Yugoslavia to see what history meant in flesh and blood. I learned now that it might follow, because an empire passed, that a world full of strong men and women and rich food and heady wine might nevertheless seem like a shadow-show: that a man of every excellence might sit by a fire warming his hands in the vain hope of casting out a chill that lived not in the flesh.
Rebecca West (Black Lamb and Grey Falcon)
When we dare to speak in a liberatory voice, we threaten even those who may initially claim to want our words. In the act of overcoming our fear of speech, of being seen as threatening, in the process of learning to speak as subjects, we participate in the global struggle to end domination. When we end our silence, when we speak in a liberated voice, our words connect us with anyone, anywhere who lives in silence. Feminist focus on women finding a voice, on the silence of black women, of women of color, has led to increased interest in our words. This is an important historical moment. We are both speaking of our own volition, out of our commitment to justice, to revolutionary struggle to end domination, and simultaneously called to speak, "invited" to share our words. It is important that we speak. What we speak about is more important. It is our responsibility collectively and individually to distinguish between mere speaking that is about self-aggrandizement, exploitation of the exotic "other," and that coming to voice which is a gesture of resistance, an affirmation of struggle.
bell hooks
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution... "Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?" "I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
Charlotte Brontë (Jane Eyre)
Jahan took a breath and composed herself. “When I was a little sort of girl and I would see a gentleman or a lady with good, clean clothes I would run and hide my face. But after I graduated from the Korphe School, I felt a big change in my life. I felt I was clear and clean and could go before anybody and discuss anything. And now that I am already in Skardu, I feel that anything is possible. I don’t want to be just a health worker. I want to be such a woman that I can start a hospital and be an executive, and look over all the health problems of all the women in the Braldu. I want to become a very famous woman of this area,” Jahan said, twirling the hem of her maroon silk headscarf around her finger as she peered out the window, past a soccer player sprinting through the drizzle toward a makeshift goal built of stacked stones, searching for the exact word with which to envision her future. “I want to be a… ‘Superlady’” she said, grinning defiantly, daring anyone, any man, to tell her she couldn’t. p. 313
Greg Mortenson (Three Cups of Tea: One Man's Mission to Promote Peace ... One School at a Time)
I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid's mind to tell an adult to fuck off. There was plenty of bad there, I don't forget that, but we all knew exactly where we stood and we didn't break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old-fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero. Sometime since then, we started turning feral. Wild got into the air like a virus, and it's spreading. Watch the packs of kids roaming inner-city estates, mindless and brakeless as baboons, looking for something or someone to wreck. Watch the businessmen shoving past pregnant women for a seat on the train, using their 4x4s to force smaller cars out of their way, purple-faced and outraged when the world dares to contradict them. Watch the teenagers throw screaming stamping tantrums when, for once, they can't have it the second they want it. Everything that stops us being animals is eroding, washing away like sand, going and gone.
Tana French (Broken Harbour (Dublin Murder Squad, #4))
You know the drill "don't wear revealing clothes,don't drink too much, in fact don't drink at all. Don't talk to strange men, but don't ignore men who are probably just trying to have a conversation with you. Can't a man even have a conversation with a woman these days without being accused of being a rapist? How dare you unfairly malign all men with your paranoia and man hating, don't you know that 99% of men are good and decent and would never harm a woman? What do you mean you let him walk you home? What were you thinking? Don't you know how dangerous that is? You girls have to learn to take better care of yourselves. You can't just go walking around with strange men it's not safe. You never know what might happen. You'll give them the wrong idea. What do you mean you won't let me walk you home? But I'm just trying to get you home safely, I'm not a threat to you. How dare you make me feel like I might be a threat to you. You know you're the reason men are giving up on even trying to be polite to women anymore. . . .
Clementine Ford (Fight Like a Girl)
Most people are afflicted with an inability to say what they see or think. They say there’s nothing more difficult than to define a spiral in words; they claim it is necessary to use the unliterary hand, twirling it in a steadily upward direction, so that human eyes will perceive the abstract figure immanent in wire spring and a certain type of staircase. But if we remember that to say is to renew, we will have no trouble defining a spiral; it’s a circle that rises without ever closing. I realize that most people would never dare to define it this way, for they suppose that defining is to say what others want us to say rather than what’s required for the definition. I’ll say it more accurately: a spiral is a potential circle that winds round as it rises, without ever completing itself. But no, the definition is still abstract. I’ll resort to the concrete, and all will become clear: a spiral is a snake without a snake, vertically wound around nothing. All literature is an attempt to make life real. All of us know, even when we act on what we don’t know, life is absolutely unreal in its directly real form; the country, the city and our ideas are absolutely fictitious things, the offspring of our complex sensation of our own selves. Impressions are incommunicable unless we make them literary. Children are particularly literary, for they say what they feel not what someone has taught them to feel. Once I heard a child, who wished to say that he was on the verge of tears, say not ‘I feel like crying’, which is what an adult, i.e., an idiot, would say but rather, ’ I feel like tears.’ And this phrase -so literary it would seem affected in a well-known poet, if he could ever invent it - decisively refers to the warm presence of tears about to burst from eyelids that feel the liquid bitterness. ‘I feel like tears’! The small child aptly defined his spiral. To say! To know how to say! To know how to exist via the written voice and the intellectual image! This is all that matters in life; the rest is men and women, imagined loves and factitious vanities, the wiles of our digestion and forgetfulness, people squirming- like worms when a rock is lifted - under the huge abstract boulder of the meaningless blue sky.
Fernando Pessoa (The Book of Disquiet)
A change in direction was required. The story you finished was perhaps never the one you began. Yes! He would take charge of his life anew, binding his breaking selves together. Those changes in himself that he sought, he himself would initiate and make them. No more of this miasmic, absent drift. How had he ever persuaded himself that his money-mad burg would rescue him all by itself, this Gotham in which Jokers and Penguins were running riot with no Batman (or even Robin) to frustrate their schemes, this Metropolis built of Kryptonite in which no Superman dared set foot, where wealth was mistaken for riches and the joy of possession for happiness, where people lived such polished lives that the great rough truths of raw existence had been rubbed and buffed away, and in which human souls had wandered so separately for so long that they barely remembered how to touch; this city whose fabled electricity powered the electric fences that were being erected between men and men, and men and women, too? Rome did not fall because her armies weakened but because Romans forgot what being Roman meant. Might this new Rome actually be more provincial than its provinces; might these new Romans have forgotten what and how to value, or had they never known? Were all empires so undeserving, or was this one particularly crass? Was nobody in all this bustling endeavor and material plenitude engaged, any longer, on the deep quarry-work of the mind and heart? O Dream-America, was civilization's quest to end in obesity and trivia, at Roy Rogers and Planet Hollywood, in USA Today and on E!; or in million-dollar-game-show greed or fly-on-the-wall voyeurism; or in the eternal confessional booth of Ricki and Oprah and Jerry, whose guests murdered each other after the show; or in a spurt of gross-out dumb-and-dumber comedies designed for young people who sat in darkness howling their ignorance at the silver screen; or even at the unattainable tables of Jean-Georges Vongerichten and Alain Ducasse? What of the search for the hidden keys that unlock the doors of exaltation? Who demolished the City on the Hill and put in its place a row of electric chairs, those dealers in death's democracy, where everyone, the innocent, the mentally deficient, the guilty, could come to die side by side? Who paved Paradise and put up a parking lot? Who settled for George W. Gush's boredom and Al Bore's gush? Who let Charlton Heston out of his cage and then asked why children were getting shot? What, America, of the Grail? O ye Yankee Galahads, ye Hoosier Lancelots, O Parsifals of the stockyards, what of the Table Round? He felt a flood bursting in him and did not hold back. Yes, it had seduced him, America; yes, its brilliance aroused him, and its vast potency too, and he was compromised by this seduction. What he opposed in it he must also attack in himself. It made him want what it promised and eternally withheld. Everyone was an American now, or at least Americanized: Indians, Uzbeks, Japanese, Lilliputians, all. America was the world's playing field, its rule book, umpire, and ball. Even anti-Americanism was Americanism in disguise, conceding, as it did, that America was the only game in town and the matter of America the only business at hand; and so, like everyone, Malik Solanka now walked its high corridors cap in hand, a supplicant at its feast; but that did not mean he could not look it in the eye. Arthur had fallen, Excalibur was lost and dark Mordred was king. Beside him on the throne of Camelot sat the queen, his sister, the witch Morgan le Fay.
Salman Rushdie (Fury)
Thornton Wilder’s one-act play “The Angel That Troubled the Waters,” based on John 5:1-4, dramatizes the power of the pool of Bethesda to heal whenever an angel stirred its waters. A physician comes periodically to the pool hoping to be the first in line and longing to be healed of his melancholy. The angel finally appears but blocks the physician just as he is ready to step into the water. The angel tells the physician to draw back, for this moment is not for him. The physician pleads for help in a broken voice, but the angel insists that healing is not intended for him. The dialogue continues—and then comes the prophetic word from the angel: “Without your wounds where would your power be? It is your melancholy that makes your low voice tremble into the hearts of men and women. The very angels themselves cannot persuade the wretched and blundering children on earth as can one human being broken on the wheels of living. In Love’s service, only wounded soldiers can serve. Physician, draw back.” Later, the man who enters the pool first and is healed rejoices in his good fortune and turning to the physician says: “Please come with me. It is only an hour to my home. My son is lost in dark thoughts. I do not understand him and only you have ever lifted his mood. Only an hour.… There is also my daughter: since her child died, she sits in the shadow. She will not listen to us but she will listen to you.”13 Christians who remain in hiding continue to live the lie. We deny the reality of our sin. In a futile attempt to erase our past, we deprive the community of our healing gift. If we conceal our wounds out of fear and shame, our inner darkness can neither be illuminated nor become a light for others. We cling to our bad feelings and beat ourselves with the past when what we should do is let go. As Dietrich Bonhoeffer said, guilt is an idol. But when we dare to live as forgiven men and women, we join the wounded healers and draw closer to Jesus.
Brennan Manning (Abba's Child: The Cry of the Heart for Intimate Belonging with Bonus Content)
I think about Rilke, who said that it's the questions that move us, not the answers. As a writer I believe it is our task, our responsibility, to hold the mirror up to social injustices that we see and to create a prayer of beauty. The questions serve us in that capacity. Pico Iyer describes his writing as "intimate letters to a stranger," and I think that is what the writing process is. It begins with a question, and then you follow this path of exploration. ... I write out of my questions. Hopefully, if we write out of our humanity, our vulnerable nature, then some chord is struck with a reader and we touch on the page. I know that is why I read, to find those parts of myself in a story that I cannot turn away from. The writers who move me are the ones who create beauty and truth out of their sufferings, their yearnings, their discoveries. It is what I call the patience of words born out of the search. ... Perhaps as writers we are really storytellers, finding that golden thread that connects us to the past, present, and future at once. I love language and landscape. For me, writing is the correspondence between these two passions. It is difficult to ever see yourself. I don't know how I've developed or grown as a writer. I hope I am continuing to take risks on the page. I hope I am continuing to ask the hard questions of myself. If we are attentive to the world and to those around us, I believe we will be attentive on the page. Writing is about presence. I want to be fully present wherever I am, alive to the pulse just beneath the skin. I want to dare to speak "the language women speak when there's no one around to correct them".
Terry Tempest Williams
Milton's Eve! Milton's Eve! ... Milton tried to see the first woman; but Cary, he saw her not ... I would beg to remind him that the first men of the earth were Titans, and that Eve was their mother: from her sprang Saturn, Hyperion, Oceanus; she bore Prometheus" -- "Pagan that you are! what does that signify?" "I say, there were giants on the earth in those days: giants that strove to scale heaven. The first woman's breast that heaved with life on this world yielded the daring which could contend with Omnipotence: the stregth which could bear a thousand years of bondage, -- the vitality which could feed that vulture death through uncounted ages, -- the unexhausted life and uncorrupted excellence, sisters to immortality, which after millenniums of crimes, struggles, and woes, could conceive and bring forth a Messiah. The first woman was heaven-born: vast was the heart whence gushed the well-spring of the blood of nations; and grand the undegenerate head where rested the consort-crown of creation. ... I saw -- I now see -- a woman-Titan: her robe of blue air spreads to the outskirts of the heath, where yonder flock is grazing; a veil white as an avalanche sweeps from hear head to her feet, and arabesques of lighting flame on its borders. Under her breast I see her zone, purple like that horizon: through its blush shines the star of evening. Her steady eyes I cannot picture; they are clear -- they are deep as lakes -- they are lifted and full of worship -- they tremble with the softness of love and the lustre of prayer. Her forehead has the expanse of a cloud, and is paler than the early moon, risen long before dark gathers: she reclines her bosom on the ridge of Stilbro' Moor; her mighty hands are joined beneath it. So kneeling, face to face she speaks with God. That Eve is Jehova's daughter, as Adam was His son.
Charlotte Brontë (Shirley)
Do you think, little flower, that there will ever come a day when you regret meeting me?” he asked quietly. “Yes,” she said simply. “I see,” he said tightly. “Would you like a specific date?” “You are teasing me,” he realized suddenly. “No, I’m dead serious. I have an exact date in mind.” Jacob pulled back to see her eyes, looking utterly perplexed as her pupils sparkled with mischief. “What date is that? And why are you thinking of pink elephants?” “The date is September 8, because, according to Gideon, that’s possibly the day I will go into labor. I say ‘possibly,’ because combining all this human/Druid and Demon DNA ‘may make for a longer period of gestation than usual for a human,’ as the Ancient medic recently quoted. Now, as I understand it, women always regret ever letting a man touch them on that day.” Jacob lurched to his feet, dropping her onto her toes, grabbing her by the arms, and holding her still as he raked a wild, inspecting gaze over her body. “You are pregnant?” he demanded, shaking her a little. “How long have you known? You went into battle with that monster while you are carrying my child?” “Our child,” she corrected indignantly, her fists landing firmly on her hips, “and Gideon only just told me, like, five seconds ago, so I didn’t know I was pregnant when I was fighting that thing!” “But . . . he healed you just a few days ago! Why not tell you then?” “Because I wasn’t pregnant then, Jacob. If you recall, we did make love between then and now.” “Oh . . . oh Bella . . .” he said, his breath rushing from him all of a sudden. He looked as if he needed to sit down and put a paper bag over his head. She reached to steady him as he sat back awkwardly on the altar. He leaned his forearms on his thighs, bending over them as he tried to catch his breath. Bella had the strangest urge to giggle, but she bit her lower lip to repress to impulse. So much for the calm, cool, collected Enforcer who struck terror into the hearts of Demons everywhere. “That is not funny,” he grumbled indignantly. “Yeah? You should see what you look like from over here,” she teased. “If you laugh at me I swear I am going to take you over my knee.” “Promises, promises,” she laughed, hugging him with delight. Finally, Jacob laughed as well, his arm snaking out to circle her waist and draw her back into his lap. “Did you ask . . . I mean, does he know what it is?” “It’s a baby. I told him I didn’t want to know what it is. And don’t you dare find out, because you know the minute you do I’ll know, and if you spoil the surprise I’ll murder you.” “Damn . . . she kills a couple of Demons and suddenly thinks she can order all of us around,” he taunted, pulling her close until he was nuzzling her neck, wondering if it was possible for such an underused heart as his to contain so much happiness.
Jacquelyn Frank (Jacob (Nightwalkers, #1))