Dangers Of The Tongue Quotes

We've searched our database for all the quotes and captions related to Dangers Of The Tongue. Here they are! All 100 of them:

Zane glanced toward the stairwell, then back to Nick. "How close are you?" he finally blurted out. "I have no frame of reference, other than the oorah and your tongue down his throat.
Abigail Roux (Armed & Dangerous (Cut & Run, #5))
Faerie is a perilous land, and in it are pitfalls for the unwary and dungeons for the overbold...The realm of fairy-story is wide and deep and high and filled with many things: all manner of beasts and birds are found there; shoreless seas and stars uncounted; beauty that is an enchantment, and an ever-present peril; both joy and sorrow as sharp as swords. In that realm a man may, perhaps, count himself fortunate to have wandered, but its very richness and strangeness tie the tongue of a traveller who would report them. And while he is there it is dangerous for him to ask too many questions, lest the gates should be shut and the keys be lost.
J.R.R. Tolkien (On Fairy-Stories)
Death and life are in the power of the tongue, and those who love it will eat its fruit. Proverbs 18:21 NASB
John Ramirez (Armed and Dangerous: The Ultimate Battle Plan for Targeting and Defeating the Enemy (A Biblical & Practical Guide to Spiritual Warfare))
Pleasure. This is what true pleasure feels like. It's not just the softness of a kiss. It's not just the delicate touch of hands on breasts and tongues on skin. It's the bite of pain, the threat of danger, the risk taken in dancing wit h the devil
Callie Hart (Fracture (Blood & Roses, #2))
You need to get your head out of the clouds and see the reality right in front of your face, Kara. My enemies have become yours which means you aren’t going anywhere.” Before she could reply, he crashed his mouth over hers, plunging his tongue into her mouth when she gasped, and he finally kissed her the way he’d been dreaming about.
Becky Wilde (Bratva Connection: Maxim (Whimsical Words Publishing))
Seth laughed when he saw me. “Hey,” I said, poking him with my foot, “be nice.” “I think this is the first time I’ve ever seen you look anything less than…” He paused, playing with word choice. “Well-planned.” “Why, you silver-tongued romantic devil. That is the look I usually go for. Other women go for sexy or chic or beautiful. But me? Well-planned all the way.” “You know what I mean. Besides, unplanned isn’t a bad look for you. Not bad at all.” His voice sounded deliciously low and dangerous, and something ignited between us as we held each other’s eyes.
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
The taste of rotting, waxen oranges slid across my tongue, paying no attention to the fact that I was chewing on a wad of spearmint gum. Gran called it arrah-an aura. I was calling it danger candy nowadays. I always felt like spitting it out, but spitting would only make it worse. Plus, spitting on a dance floor is damn rude. I was raised better.
Lili St. Crow (Defiance (Strange Angels, #4))
We modern human beings are looking at life, trying to make some sense of it; observing a 'reality' that often seems to be unfolding in a foreign tongue--only we've all been issued the wrong librettos. For a text, we're given the Bible. Or the Talmud or the Koran. We're given Time magazine, and Reader's Digest, daily papers, and the six o'clock news; we're given schoolbooks, sitcoms, and revisionist histories; we're given psychological counseling, cults, workshops, advertisements, sales pitches, and authoritative pronouncements by pundits, sold-out scientists, political activists, and heads of state. Unfortunately, none of these translations bears more than a faint resemblance to what is transpiring in the true theater of existence, and most of them are dangerously misleading. We're attempting to comprehend the spiraling intricacies of a magnificently complex tragicomedy with librettos that describe the barrom melodramas or kindergarten skits. And when's the last time you heard anybody bitch about it to the management?
Tom Robbins (Half Asleep in Frog Pajamas)
Jamie let go of me. "Shut your mucky gob, man." He stepped close to our fearless leader in the dark, took hold of his jacket by the collar, and in a dead quiet voice that had gone dangerously Scots, threatened heatedly, "Talk like that again wi' these brave lassies listenin' an' Ah'll tear the filthy English tongue frae yer heid, so Ah will.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
Let the liberal turn to the course of action, the course of all radicals, and the amused look vanishes from the face of society as it snarls, “That’s radical!” Society has good reason to fear the radical. Every shaking advance of mankind toward equality and justice has come from the radical. He hits, he hurts, he is dangerous. Conservative interests know that while liberals are most adept at breaking their own necks with their tongues, radicals are most adept at breaking the necks of conservatives.
Saul D. Alinsky (Reveille for Radicals)
A dangerous flicker of energy passes between us, and I see his pupils dilate as arousal floods his body. His mouth finds me aggressively, and his lips close around mine, pushing his tongue inside my mouth; claiming me. I melt into the kiss, aware that his hungry cock will soon be mirroring the actions of his hot tongue, but this time in my tight arsehole.
Felicity Brandon (The Abduction)
You have a minute and a half left." "Fine," she snapped. "Then I'll reduce this conversation to one single fact. Today I had six callers. Six! Can you recall the last time I had six callers?" Anthony just stared at her blankly. "I can't," Daphne continued, in fine form now. "Because it has never happened. Six men marched up our steps, knocked on our door, and gave Humboldt their cards. Six men brought me flowers, engaged me in conversation, and one even recited poetry." Simon winced. "And do you know why?" she demanded, her voice rising dangerously. "Do you?" Anthony, in his somewhat belatedly arrived wisdom, held his tongue. "It is all because he"—she jabbed her forefinger toward Simon—"was kind enough to feign interest in me last night at Lady Danbury's ball.
Julia Quinn (The Duke and I (Bridgertons, #1))
No one should deny the danger of the descent, but it can be risked. No one need risk it, but it is certain that someone will. And let those who go down the sunset way do so with open eyes, for it is a sacrifice which daunts even the gods. Yet every descent is followed by an ascent; the vanishing shapes are shaped anew, and a truth is valid in the end only if it suffers change and bears new witness in new images, in new tongues, like a new wine that is put into new bottles.
C.G. Jung (Symbols of Transformation (Collected Works 5))
We were not meant for this. We were meant to live and love and play and work and even hate more simply and directly. It is only through outrageous violence that we come to see this absurdity as normal, or to not see it at all. Each new child has his eyes torn out so he will not see, his ears removed so he will not hear, his tongue ripped out so he will not speak, his mind juiced so he will not think, and his nerves scraped so he will not feel. Then he is released into a world broken in two: others, like himself, and those to be used. He will never realize that he still has all of his senses, if only he will use them. If you mention to him that he still has ears, he will not hear you. If he hears, he will not think. Perhaps most dangerously of all, if he thinks he will not feel. And so on, again.
Derrick Jensen (The Culture of Make Believe)
You would do well to guard your tongue, lest it be stricken from you.
Nenia Campbell (Bleeds My Desire (Blood Bonds, #1))
She kisses him, lips parted, slow and sexy, lightly touching his lips with her tongue, offering wonders that would rock his world, while delivering nothing. Open mouthed, seductive, warm, inviting and … dangerous. Even I can feel the explosive sexual energy held in check behind her bare feather of a touch. She’s making sure he feels it, slapping him in the face with all she could offer—but isn’t.
Karen Marie Moning (Burned (Fever #7))
A spark of fiery hunger shot through her as he took over, completely dominating the kiss, his tongue invading her mouth. His hand slid back and cupped her head in that way she loved. Craved.
Katie Reus (Bound to Danger (Deadly Ops, #2))
There will always be good white people who love him and want the best for him but who are more afraid of other white people than of letting him down. It is easier for them to let it happen and to triage the wound later than to introduce an element of the unknown into the situation. No matter how good they are, no matter how loving, they will always be complicit, a danger, a wound waiting to happen. There is no amount of loving that will ever bring Miller closer to him in this respect. There is no amount of desire. There will always remain a small space between them, a space where people like Roman will take root and say ugly, hateful things to him. It’s the place in every white person’s heart where their racism lives and flourishes, not some vast open plain but a small crack, which is all it takes. Wallace presses his tongue flat. “Good white people,” he says.
Brandon Taylor (Real Life)
Because you, Miss Kamali,” Dalton promised her with a flick of his tongue, “are the most dangerous thing in every world, including this one.
Olivie Blake (The Atlas Complex (The Atlas, #3))
How horrifying. Is there anything more dangerous to a woman than to be beautiful when weeping?
Johanna van Veen (Blood on Her Tongue)
This is what true pleasure feels like. It’s not just the softness of a kiss. It’s not just the delicate touch of hands on breasts and tongues on skin. It’s the bite of pain, the threat of danger, the risk taken in dancing with the devil.
Callie Hart (Fracture (Blood & Roses, #2))
Dammit, I couldn't stop her from following me into danger, but I sure as hell was going to protect her while she was here. I would throw myself in front of the dragon if it came down to that. My heart pounded, and I kissed her deeper, my stomach twisting as she parted her lips, letting me in. Her tongue teased mine, and everything that had brought us here — Keirran, Annwyl, the Fade — rushed out of my head. I'd never felt anything like this before: these crazy, swirling emotions, all centered around the girl in my arms. Kenzie scared me, infuriated me, challenged me, and faeries or no, I couldn't imagine a world without this girl. I loved her more than anything else in my life. My heart turned over, and the air caught in my throat. I pulled back, breathless with the realization. I... was in love.
Julie Kagawa (The Iron Traitor (The Iron Fey: Call of the Forgotten, #2))
Sticking your tongue in an electrical socket is dangerous- not to mention painful." -Marco
Katherine Applegate
He thought: Oh, I have fed on honey-dew. On wine and whiskey and champagne and the tender white meat of women and fine clothes and the respect of strong men and the fear of weak and the turn of a card and good horses and the crisp of greenbacks and the cool of mornings and all the elbow room that God or man could ask for. I have had high times. But the best times of all were afterward, just afterward, with the gun warm in my hand, the bite of smoke in my nose, the taste of death on my tongue, my heart high in my gullet, the danger past, and then the sweat, suddenly, and the nothingness, and the sweet clean feel of being born.
Glendon Swarthout (The Shootist)
...she wanted him to feel like she did, like he'd done something forbidden, wanted to give him something he'd like and really wasn't supposed to have, something that would feel wrong, something he wanted. "Kiss me again," she whispered, reaching up, her fingers sliding through his hair. She almost didn't know herself as she moved against him. He bent helplessly toward her. She bit her tongue. Bit it hard, the pain chasing through her nerve endings and alchemizing into something close to pleasure. When her mouth opened under his, it was flooded with welling blood. He groaned at the taste of it, red eyes going wide with surprise and something like fear. His hand gripped her arms as he pushed her body back against the brick of the wall, holding her in place. He'd been careful before, but he wasn't being careful now as he licked her mouth; and it amazed her as much as it terrified her. He kissed her ferociously, savagely, their lips sliding together with bruising fervor. The pain in her tongue became a distant throbbing. Her fingers dug into the muscles of his back, their bodies pressed so close that he must have felt every hitch in her breath, every shuddering beat or her heart. And as scared of him as she had been, right then she was more frightened of herself. Gavriel reeled back from her, lips ruddy. He wiped his mouth against the back of his hand, her blood smearing over his skin. Gazing at her for a long moment with something like horror, as though he was seeing her for the first time, he spoke. "You are more dangerous than daybreak.
Holly Black (The Coldest Girl in Coldtown)
The crunch of the mustard-spiked crust somehow brings the unctuous smooth richness of the liver into sharp relief. It's like the silky soul of steak. You have to close your eyes, let the meat melt on your tongue, into your corpuscles.
Julie Powell (Julie & Julia: My Year of Cooking Dangerously)
I am the dangerous daughter, thigh-stroking, soft-tongued lover, the pit, the well, and the well of horniness, laughter rolling up out of me like gravy boiling over the edge of a pan. I become the romantic, the mystic, the one without shame, rocking myself on the hip of a rock, a woman as sharp as coral. I make in my mind the muscle that endures, tame rage and hunger to spirit and blood. I become the rock. I become the knife. I am myself the mystery. The me that will be waits for me. If I cannot dream myself new, how will I find my true self?
Dorothy Allison (Trash)
I woke up horribly early the next morning to the sound of some sadistic bastard operating an electric hedge-trimmer just outside the window. I lay for a while hoping this prat would be struck by lightning or washed away in a bizarre flash flood. Neither happened, so I groaned and rolled out of bed. My skull had shrunk so that my brain was in imminent danger of being squeezed out of my ears, my teeth seemed to be covered in wool and my tongue was far too big for my mouth.
Danielle Hawkins (Dinner at Rose's)
This is what true pleasure feels like. It’s not just the softness of a kiss. It’s not just the delicate touch of hands on breasts and tongues on skin. It’s the bite of pain, the threat of danger, the risk taken in dancing with the devil. I come hard against Zeth’s mouth. He leans into it, growling and sucking and licking as I scream out my release, hands locked on my hips, pulling me into his face.  “Fuck, Zeth! Stop! Please stop!” His back hitches as he laughs, still teasing me with his tongue. My legs scrabble against the bed, desperately trying to escape the intense post-orgasm rushes. He gets up after that, raising one eyebrow at me.
Callie Hart (Fracture (Blood & Roses, #2))
I am not a lost cause." Denial was automatic and a waste of time. Andrew put his hand over Neil's mouth to shut him up and said, "Liar. But that's what makes you interesting. It's also what makes you dangerous. I should know better by now. Maybe I'm not as smart as I thought I was. Should I be disappointed or amused?" The perfect retort burned Neil's tongue, but he kept quiet in case Andrew wasn't done rambling. The answer was there, right out of reach, close enough Neil could feel it, but too far for him to make sense of. Maybe Andrew felt it too, because even in his drugged haze he knew to shut up. The smile he flashed Neil mocked them both at that near-miss. He withdrew completely, leaving just the memory of his heartbeat against Neil's mouth, and spun away.
Nora Sakavic (The Raven King (All for the Game, #2))
I’m going to make you come all over my tongue. You got any objections, Mouse? Or will you be a good girl and let Daddy taste his favorite dessert?
Mila Crawford (The Mask (Dangerous Sinners, #4))
What if peace was my mother tongue, but violence was my second language? I’d be safer, surer certainly than I’d ever felt before.
Giana Darling (Dangerous Temptation (Dark Dream, #1))
Do it, Octavian” She ghosted the tips of her fingers along the hem of his shirt. “Touch me.” He growled low in his throat, his forehead dropping another inch toward her shoulder, his hair tickling the side of her face. “Be my angel, Riley, not my siren. Don’t tempt me.” Moistening her lips with a sweep of her tongue, Riley glided her fingers over his belt, tracing the strip of leather to the silver buckle in the center. She felt rather than heard his deep inhalation and the tremor that raked his powerful body. Driven by his surrender, she used two fingers to walk over the square carvings etched into his abdomen, biting her lip to stop the grin that pulled when he groaned. “I want to be both for you, Octavian,” she whispered, letting her lips brush the curve of his shoulder.
Airicka Phoenix (Octavian's Undoing)
Didn't Mary Magdalene wash Jesus' feet with her hair at some point? I don't see why I can't wash yours with my tongue." "I didn't know you knew this much about the Bible." "I know enough to be dangerous.
Annabeth Leong (Devout)
Morning is the time to hide. They wake up, hale and hearty, their tongues hanging out for order, beauty and justice, baying for their due. Yes, from eight or nine till noon is the dangerous time. But towards noon things quiet down, the most implacable are sated, they go home, it might have been better but they've done a good job, there have been a few survivors but they'll give no more trouble, each man counts his rats.
Samuel Beckett (Molloy)
The city was new again, and newly dangerous, and I would walk the streets quickly, eyes averted from those of passersby, like a spy in the employ of lust and happiness, carrying the secret deep within me but always on the tip of my tongue.
Michael Chabon (The Mysteries of Pittsburgh)
Is she pleasing to the eye?" Gabriel went to an inset sideboard to pour himself a brandy. "She's bloody ravishing," he muttered. Looking more and more interested, his father asked, "What is the problem with her, then?" "She's a perfect little savage. Constitutionally incapable of guarding her tongue. Not to mention peculiar: She goes to balls but never dances, only sits in the corner. Two of the fellows I went drinking with last night said they'd asked her to waltz on previous occasions. She told one of them that a carriage horse had recently stepped on her foot, and she told the other that the butler had accidentally slammed her leg in the door." Gabriel took a swallow of brandy before finishing grimly, "No wonder she's a wallflower." Sebastian, who had begun to laugh, seemed struck by that last comment. "Ahhh," he said softly. "That explains it." He was silent for a moment, lost in some distant, pleasurable memory. "Dangerous creatures, wallflowers. Approach them with the utmost caution. They sit quietly in corners, appearing abandoned and forlorn, when in truth they're sirens who lure men to their downfall. You won't even notice the moment she steals the heart right out of your body- and then it's hers for good. A wallflower never gives your heart back." "Are you finished amusing yourself?" Gabriel asked, impatient with his father's flight of fancy. "Because I have actual problems to deal with." Still smiling, Sebastian reached for some chalk and applied it to the tip of his cue stick. "Forgive me. The word makes me a bit sentimental.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Suddenly, she was complicated again. Complicated, getting dangerously attached. She was not fine. She wanted to kiss him. They hadn't actually done that. And she knew why she'd avoided it. Because she was afraid he might taste her feelings on her tongue. Because she was tumbling headfirst into a connection that probably wasn't as deep on his end. She wondered why he hadn't kissed her. He stepped closer, cradling her jaw in his hands, "Hey button, what's wrong?" Her breath hitched like she might cry, which she absolutely would not do. Instead, she would take a breath and tell him calmly that they should forget about tonight because it was already messing with her head. That he should stop holding her like someone precious.
Talia Hibbert (Get a Life, Chloe Brown (The Brown Sisters, #1))
She knew Jacks was far too dangerous a person to truly fall for. But she could no longer deny that it was happening. She couldn’t deny that she wanted him. Just enough to keep her from pulling away every time he touched her. Enough to keep his name near the tip of her tongue even when he wasn’t in the room. The physical attraction had always been there, but her pull toward him had been increasing ever since the night they’d jumped off that cliff together. Because she’d never actually stopped falling.
Stephanie Garber (The Ballad of Never After (Once Upon a Broken Heart, #2))
None other than the Skeptic’s Dictionary points out an obvious and troubling irony: “When spoken by schizophrenics, glossolalia is recognized as gibberish. In charismatic Christian communities glossolalia is sacred and referred to as ‘speaking in tongues’ or having ‘the gift of tongues.
John F. MacArthur Jr. (Strange Fire: The Danger of Offending the Holy Spirit with Counterfeit Worship)
Standing on your own feet, naturally, is as tiresome and dangerous as standing your ground; and when the wild dogs begin to circle grinning round you with their dripping tongues hanging out and you know that with mock servility they like to go for your toes first, why, then, you should stand on someone else’s feet, or head if necessary. It is a point of faith for me never to be Hitler; he stood his ground in his own two shoes in his own little hole almost to the end, the fool. But I may disguise myself as any other animate or inanimate object in what follows. I can be eight lame women with falsies, eight cracked chamber pots, or -- let’s get right to the point -- a gladiator who is actually constructed of old clothes, brooms, and a paper plate with a face daubed on in finger-paints, not to mention two vagrants inside each shirt-sleeve and pant-leg, moving Goliath’s limbs at my say-so; but as long as you believe in the gladiator, you are whipped, and the Museum people will set out on your track, and then once they catch you, don’t think I won’t come study your exhibit until I can convince your own sweetheart that I am you come back from the dead. For I am Big George, the eternal winner.
William T. Vollmann (You Bright and Risen Angels (Contemporary American Fiction))
Since the days of Descartes it has been a conception familiar to philosophers that every visible event in nature might be explained by previous visible events, and that all the motions, for instance, of the tongue in speech, or of the hand in painting, might have merely physical causes. If consciousness is thus accessory to life and not essential to it, the race of man might have existed upon the earth and acquired all the arts necessary for its subsistence without possessing a single sensation, idea, or emotion. Natural selection might have secured the survival of those automata which made useful reactions upon their environment. An instinct would have been developed, dangers would have been shunned without being feared, and injuries avenged without being felt.
George Santayana (Little Essays Drawn from the Writings of George Santayana)
I will do whatever you want me to on my knees, princess. You want me to breathe all the wicked fucking truths to you against your thighs? I will. You want lies? I’ll worship you with my tongue while I tell you I don’t linger over your curves like a man starved. I’ll lie and say that your soft little moans don’t torture me at night when I try to rest. I’ll whisper a lie against your skin and make sure you know that my desire for you isn’t the most dangerous weapon that anyone can use against me.
Holly Renee (A Kingdom of Blood and Betrayal (Stars and Shadows, #2))
Jules Feiffer once drew a strip cartoon in which the down-at-heel character observed that first he was called poor, then needy, then deprived, then underprivileged, and then disadvantaged, and concluded that although he still didn’t have a dime he sure had acquired a fine vocabulary. There is something in that. A rich vocabulary carries with it a concomitant danger of verbosity,
Bill Bryson (The Mother Tongue: English and How it Got that Way)
The night was fading. It was too early to be called dawn yet, but Taylor could just make out the outline of Will's weary, unshaven face. His deep blue eyes were the only color in the gray world of rain and shadows. Will leaned in, and his mouth covered Taylor's, rough but sweet, his tongue seeking Taylor's. Taylor opened willingly to that kiss, forgetting for a second his scratched, scraped hands and the rain running down the back of his neck. They kissed a lot these days, especially for men who had never been much for kissing. Taylor had become expert in all Will's kisses, from the hungry, lustful kisses that always made his own cock rise so fast it hurt, to the tender, almost cherishing kisses that Will generally saved for when he thought Taylor was sleeping. That dawn kiss beneath the pine trees rippled through him like an electric shock, a reminder that, tired, wet, and lost as they might be, so long as they were together, they were all right.
Josh Lanyon (Blood Heat (Dangerous Ground, #3))
Last night, at a press conference, the City Council reminded everyone that the Dog Park is there for our community enjoyment and use, and so it is important that no one enter, look at, or think about the Dog Park. They are adding a new advanced camera system to keep an eye on the great black walls of the Dog Park at all times, and if anyone is caught trying to enter it, they will be forced to enter it, and will never be heard from again. If you see hooded figures in the Dog Park, no you didn’t. The hooded figures are perfectly safe, and should not be approached at any costs. The City Council ended the conference by devouring a raw potato in quick, small bites of their sharp teeth and rough tongues. No follow-up questions were asked, although there were a few follow-up screams. We have also received word via encrypted radio pulses about the opening of a new store: Lenny’s Bargain House of Gardenwares and Machine Parts, which until recently was that abandoned warehouse the government was using for the highly classified and completely secret tests I was telling you about last week. Lenny’s will serve as a helpful new source for all needs involving landscaping and lawn-decorating materials and also as a way for the government to unload all the machines and failed tests and dangerous substances that otherwise would be wasted on things like “safe disposal” or “burying in a concrete tomb until the sun goes out.” Get out to Lenny’s for their big grand opening sale. Find eight government secrets and get a free kidnapping and personality reassignment so that you’ll forget you found them!
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
I slide my tongue along her plump lips and groan at how fucking stupid I am that I fell in love with this woman. She brings me to my knees. She disarms me, and for a guy in my line of work, that’s fucking dangerous.
Emilia Finn (Pawns in the Bishop's Game (Checkmate #1))
Why did you run away last time?” William asks quietly, so quietly that at first, I think I’m imagining it... “Because you are dangerous for me,” I say in the same tone so that he is the only one who can hear me... “Because,” I say, but then I stop, my throat suddenly too dry. 7…6… My tongue darts out to wet my lips before continuing in a hurry. “Because…” 5… “You could be everything I ever wanted.” 4…3… “Everything and so much more.
Anna B. Doe (Lost & Found: Anabel & William #1 (New York Knights, #1))
Promethea has awakened in me dreams extinguished for thousands of years; sometimes one catches on fire even through so many icy layers. Promethea has rekindled dreams of fire in me, dreams of abysses, they are terribly dangerous dreams: as long as they are dreams alone, as long as one dreams alone, one can fool around with dreaming, because afterward one forgets. But now, ever since I learned how Promethea brings the fire of all dreams up into reality, how she climbs back up through the shaft of the Red Cows, bearing the first fire, how she crosses the Chamber of the Mares, how she goes through every epoch of existence reawakening along the walls memories of times so fragile and so inflammable, and comes out in 1982 still carrying in her hands the primitive spark, I feel myself wavering between exultation and terror. Formerly, I too sucked satiny coals. Once I burned my tongue. (That only happens if someone makes you lose faith.) Ever since I have no longer dared suck real fire; for a long time I lived on electricity. But I have never forgotten the fiery taste of eternity. I just was sure that I could live with my tongue extinguished until the end of my days. I was not even tempted. I was calm. I had firm definitions. I called happiness the absence of unhappiness. I wrote in ink and I dedicated my dreams to the Moons.
Hélène Cixous (The Book of Promethea)
Words. I had always loved them. I collected them, like I had collected pretty stones as a child. I liked to roll words over my tongue like a lump of molten honeycomb, savoring the sweetness, the crackle, the crunch. Cerulean, azure, blue. Shadowy, sombre, secret. Voluptuous, sensuous, amorous. Kiss, hiss, abyss. Some words sounded dangerous. Pagan. Tiger. Some words seemed to shine. Crystal. Glissade. Some words changed their meaning as I grew older. Ravishing.
Kate Forsyth (Bitter Greens)
No one should deny the danger of the descent, but it can be risked. No one need to risk it, but it is certain that someone will. And let those who go down the sunset way do so with open eyes, for it is a sacrifice which daunts even the gods. Yet every descent is followed by an ascent; the vanishing shapes are shaped anew, and a truth is valid in the end only if it suffers change and bears new witness in new images, in new tongues, like a new wine that is put into new bottles.
C.G. Jung
She breathed in quivering sobs as he kissed her mouth again. Her body, filled with unfamiliar pulses and rhythms, no longer seemed her own. “Westcliff…” Her mouth wandered unsteadily over the masculine scrape of his cheek, the edge of his jaw, and back to the softness of his lips. When the kiss ended, she turned her face to the side and gasped, “What do you want?” “Don’t ask that.” His lips moved to her ear, and his tongue stroked into the tiny hollow behind the fragile lobe. “The answer…” Hearing the way her breath hastened, he lingered at her ear, tracing the fine edge with his tongue, nibbling at the folds within. “The answer is dangerous,” he finally managed to say. Wrapping her arms around his neck, she brought his mouth back to hers in a fiery open kiss that seemed to unravel his self-control. “Lillian,” he said unsteadily, “tell me not to touch you. Tell me it’s enough now. Tell me—” She kissed him again, greedily absorbing the heat and flavor of his mouth.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Only this morning when I had seen her in the canyon, I was tongue-tied. She’d looked just like any other girl out gathering berries. Her hair braided back, loose strands brushing her neck, her cheeks flushed with heat. No pretense. No royal airs. No secrets that I didn’t already know. Words had run through my mind trying to describe her, but none seemed quite right. I had sat like a witless fool on the back of my horse, just staring. And then she invited me to stay. As we walked, I knew I was going down a dangerous path, but that didn’t stop me. At first I kept all my words in check, carefully doled out, but then in an uncanny way, she pulled them from me anyway. It all seemed very easy and innocent. Until it wasn’t. I should have known. Up
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
In 1 Corinthians 14:13–17, Paul mentioned that the gift of tongues was used in public prayer for the purpose of edification. Charismatics, however, have tried to redefine the gift of tongues as a special mode of supernatural expression for their personal devotions and private prayers. But notice how different Paul’s description is from that of modern tongues-speakers. First, Paul was not commending any form of gibberish, since he had already established that the real gift consisted of speaking in translatable foreign languages (vv. 10–11). Second, Paul would never extol prayers that bypass the mind, as many charismatics do. That was—and still is today—a pagan practice. In the Greco-Roman mystery religions, ecstatic utterances were commonly employed as a way to circumvent the mind in order to commune with demonic entities. So it is likely that Paul’s words in these verses include a sarcastic tone, as he rebuked the Corinthian Christians for their attempt to imitate the mindless practices of their pagan neighbors.
John F. MacArthur Jr. (Strange Fire: The Danger of Offending the Holy Spirit with Counterfeit Worship)
I put the withered leaf in my mouth first. Then I place the bone on the cut root where my tongue used to be, close my eyes, and concentrate. Immediately, I feel as though my chest is being squeezed, as though my ribs are cracking. Something is wrong. Something is wrong with me. I fall to my knees, palms pressed against the ice of the floor. Something seems to twist inside my chest, then split, like a fissure opening in a glacier. The hard knot of my magic, the part of me that has felt in danger of unravelling when I push myself too hard, splits completely apart. I gasp, because it hurts. It hurts so much my mouth opens on a scream I cannot make. It hurts so much that I black out. ... With astonishment, I realise my tongue is in my mouth. It feels odd to have it there. Thick and heavy. I cannot decide if it is swollen of if I am just oddly conscious of it. 'I'm scared,' I whisper to myself. Because it's true. Because I need to know if my tongue belongs to me and will say the things I mean it to. 'I'm so tired. I'm so tired of being scared.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
There is a theory of space and time embedded in the way we use words. There is a theory of matter and a theory of causality, too. Our language has a model of sex in it (actually, two models), and conceptions of intimacy and power and fairness. Divinity, degradation, and danger are also ingrained in our mother tongue, together with a conception of well-being and a philosophy of free will. These conceptions vary in their details from language to language, but their overall logic is the same. They add up to a distinctively human model of reality, which differs in major ways from the objective understanding of reality eked out by our best science and logic. Though these ideas are woven into language, their roots are deeper than language itself. They lay out the ground rules for how we understand our surroundings, how we assign credit and blame to our fellows, and how we negotiate our relationships with them. A close look at our speech-our conversations, our jokes, our curses, our legal disputes, the names we give our babies-can therefore give us insight into who we are.
Steven Pinker (The Stuff of Thought: Language as a Window into Human Nature)
Ty caught his breath, nearly gasping when Zane finally touched their lips together. He shivered and his lips parted tentatively, but his wary eyes never closed. Giving in, Zane pulled him closer and lifted one hand to cup Ty’s cheek as he increased the pressure of his lips against Ty’s. Ty groaned softly and finally relaxed against the kiss, returning it tentatively. He knew he’d regret this just as soon as they parted, but he couldn’t bring himself to stop it. Tension cramped Zane’s gut as Ty’s lips moved, and he deepened the kiss, all the itch and urge heating inside him as his traced Ty’s lips with his tongue. Oh, this was going to be an absolute fucking mess, he just knew it. He pulled his fingers out of the waistband and curled that arm around Ty’s waist as he leaned into the dangerous kiss. His hand on Ty’s cheek trembled. Ty indulged himself in the deeper kiss for a long, horribly tantalizing moment before he pulled his head back just enough to break the contact and pushed gently at Zane’s chest. “That’s what I thought,” he rasped as his breath gusted against Zane’s lips.
Abigail Roux
(...)'Of all the human body parts, the tongue is the most dangerous to one's soul and well being', to which quote, the priest would add, 'And to one's survival in this shitty world.' He would elaborate, 'Silence can hide both ignorance and knowledge; the second is the more dangerous.
Adriana Renescu (The Wolves of Pavlava)
Damien considered her, the way the tip of her tongue poked out from between her teeth and how her freckles bunched up as she grinned, and there was a moment, however brief and absolutely mad, he would have given her anything she asked for then. Well, that’s bloody dangerous, he thought,
A.K. Caggiano (Throne in the Dark (Villains & Virtues, #1))
His dark eyes were hot. "Drink the coffee," he growled. Coffee. Right. She had to hold the cup with both hands, otherwise she'd spill the hot coffee all over herself and all over this beautiful bed. She tipped her head back against the headboard and sipped. God, it was delicious. Sharp, yet with a smooth smoky taste. Some outrageously expensive blend, no doubt. She took another sip. Perfect. His hand continued stroking her breast, movements lazy. "Good?" he asked. "Wonderful." "Give me a taste," he said suddenly, stretching over to cover her mouth with is. Oh lord, she could simply sink into his kisses. This one was long, languid, the strokes of his hand on her breast echoed by his tongue in her mouth. He lifted his head for a second, then moved in more closely, tongue deeper in her mouth. He lifted his head again and smiled down at her. "It is delicious.
Lisa Marie Rice (Dangerous Passion (Dangerous, #3))
Yes, a friend.” You and me, you and me, you and me, Aldo, Aldo, Rinaldo, I am more addicted to the thought of your name on my tongue than I am to any other form of vice. The thought of having you is more dangerous than any cocktail of drugs, the idea of belonging to you endlessly destructive.
Olivie Blake (Alone with You in the Ether)
She fell in love with freedom. In the Sommers' home she had lived shut up within four walls, in a stagnant atmosphere where time moved in circles and where she could barely glimpse the horizon through distorted windowpanes. She had grown up clad in the impenetrable armor of good manners and conventions, trained from girlhood to please and serve, bound by corset, routines, social norms, and fear. Fear had been her companion: fear of God and his unpredictable justice, of authority, of her adoptive parents, of illness and evil tongues, of anything unknown or different; fear of leaving the protection of her home and facing the dangers outside; fear of her own fragility as a woman, of dishonor and truth. Hers had been a sugar-coated reality built on the unspoken, on courteous silences, well-guarded secrets, order, and discipline. She had aspired to virtue but now she questioned the meaning of the word.
Isabel Allende (Daughter of Fortune)
No, take more! What may be sworn by, both divine and human, Seal what I end withal! This double worship, Where [one] part does disdain with cause, the other Insult without all reason; where gentry, title, wisdom, Cannot conclude but by the yea and no Of general ignorance— it must omit Real necessities, and give way the while To unstable slightness. Purpose so barr’d, it follows Nothing is done to purpose. Therefore beseech you— You that will be less fearful than discreet; That love the fundamental part of state More than you doubt the change on’t; that prefer A noble life before a long, and wish To jump a body with a dangerous physic That’s sure of death without it— at once pluck out The multitudinous tongue; let them not lick The sweet which is their poison. Your dishonor Mangles true judgment, and bereaves the state Of that integrity which should become’t; Not having the power to do the good it would, For th’ ill which doth control’t.
William Shakespeare (Coriolanus)
Because I deserve more,” she said. “I deserve a man who loves me above all else. I deserve a family and happiness.” “Then go!” he growled. “Go off and find this mythical man and spread your legs for him if it’ll give you what you want.” She took two strides toward him and slapped him, quick and hard, and then her eyes widened as she realized what she’d done. “Oh, I’m sorry.” He turned his face back to her slowly, almost lazily. “I’m not.” And then she was in his arms, his mouth on hers, wild and hot and dangerously close to out of control. He thrust his hand into her hair, holding her head immobile, and ravished her mouth, biting, tonguing, thrusting.
Elizabeth Hoyt (Sweetest Scoundrel (Maiden Lane, #9))
On May 13, he met the official announcement that England recognized the belligerency of the Confederacy. This beginning of a new education tore up by the roots nearly all that was left of Harvard College and Germany. He had to learn—the sooner the better—that his ideas were the reverse of truth; that in May, 1861, no one in England—literally no one—doubted that Jefferson Davis had made or would make a nation, and nearly all were glad of it, though not often saying so. They mostly imitated Palmerston who, according to Mr. Gladstone, “desired the severance as a diminution of a dangerous power, but prudently held his tongue.” The sentiment of anti-slavery had disappeared.
Henry Adams (The Education of Henry Adams)
Anney makes the best gravy in the county, the sweetest biscuits, and puts just enough vinegar in those greens. Glenn nodded, though the truth was he’d never had much of a taste for greens, and his well-educated mama had always told him that gravy was bad for the heart. So he was not ready for the moment when Mama pushed her short blond hair back and set that big plate of hot food down in front of his open hands. Glenn took a bite of gristly meat and gravy, and it melted between his teeth. The greens were salt sweet and fat rich. His tongue sang to his throat; his neck went loose, and his hair fell across his face. It was like sex, that food, too good to waste on the middle of the day and a roomful of men too tired to taste. He chewed, swallowed began to come alive himself. He began to feel for the first time like one of the boys, a grown man accepted by the notorious and dangerous Earle Boatwright, staring across the counter at one of the prettiest woman he’d ever seen. His face went hot, and he took a big drink of ice tea to cool himself.
Dorothy Allison (Bastard Out of Carolina)
You mean his kisses." Hannah corrected her. Jonas narrowed his gaze. "You seem obsessed with his kisses, Hannah." She shrugged. "It's been a while. I'm looking for a little action." His eyebrow shot up. "Oh, really?" Jonas leaned down, his hand twisting in her hair, holding her head perfectly still as his mouth took possession of hers. Libby gasped in shock. The kiss seemed to go on and on forever. And there was definitely tongue. Hannah not only wasn't struggling, she seemed to be kissing him back. Jonas pulled away just as abruptly, shoving his hat on his head and turning toward the living room. "That should hold you for a while. Next time you're feeling a little hard up, give me a call." He strode out of the room.
Christine Feehan (Dangerous Tides (Drake Sisters, #4))
Oh, but my netherling side did, and she casts my human armor aside. She guides my hands, knots my fingers through his hair, teases his tongue with hers. She won’t let me pull away, because she wants to be there again. In Wonderland, where his tobacco-flavored kisses always take us . . . Because the things I loathe are the things she adores: His snark, his infuriating condescension. His menacing mastery of half-truths and riddles. The way he shoves me into the face of danger, forces me to look beyond my fears and reach for my full potential. Most of all, because he encourages me to believe in the madness ...in her . . . the darker side of myself: the queen who was born to reign over the Red kingdom and to give Wonderland a legacy of dreams and imagination. His gloved palms seek the bend of my waist, the bow of my hips. He moves me on top of him, so close there’s not enough space for a blade of grass between us. His kisses grow insistent, desperate. His flavor winds through me, fruit and smoke and earth, and other things born of shadows and storms . . . things I can’t put a name to.
A.G. Howard (Ensnared (Splintered, #3))
What are you two doing?” Her uncle’s teasing voice came into the room before he did. But his voice was the second warning that they were no longer alone, since Violet had tasted his presence long before he’d actually stepped into her house. Ever since saving her and Jay at Homecoming, her uncle carried an imprint of his own. The bitter taste of dandelions still smoldered on Violet’s tongue whenever he was near. A taste that Violet had grown to accept. And even, to some degree, to appreciate. “Nothing your parents wouldn’t approve of, I hope,” he added. Violet flashed Jay a wicked grin. “We were just making out, so if you could make this quick, we’d really appreciate it.” Jay jumped up from beside her. “She’s kidding,” he blurted out. “We weren’t doing anything.” Her uncle Stephen stopped where he was and eyed them both carefully. Violet could’ve sworn she felt Jay squirming, even though every single muscle in his body was frozen in place. Violet smiled at her uncle, trying her best to look guilty-as-charged. Finally he raised his eyebrows, every bit the suspicious police officer. “Your parents asked me to stop by and check on you on my way home. They won’t be back until late. Can I trust the two of you here . . . alone?” “Of course you can—” Jay started to say. “Probably not—“ Violet answers at the same time. And then she caught a glimpse of the horror-stricken expression on Jay’s face, and she laughed. “Relax, Uncle Stephen, we’re fine. We were just doing homework.” Her uncle looked at the pile of discarded books on the table in front of the couch. Not one of them was open. He glanced skeptically at Violet but didn’t say a word. “We may have gotten a little distracted,” she responded, and again she saw Jay shifting nervously. After several warnings, and a promise from Violet that she would lock the doors behind him, Uncle Stephen finally left the two of them alone again. Jay was glaring at Violet when she peeked at him as innocently as she could manage. “Why would you do that to me?” “Why do you care what he thinks we’re doing?” Violet had been trying to get Jay to admit his new hero worship of her uncle for months, but he was too stubborn—or maybe he honestly didn’t realize it himself—to confess it to her. “Because, Violet,” he said dangerously, taking a threatening step toward her. But his scolding was ruined by the playful glint in his eyes. “He’s your uncle, and he’s the police chief. Why poke the bear?” Violet took a step back, away from him, and he matched it, moving toward her. He was stalking her around the coffee table now, and Violet couldn’t help giggling as she retreated. But it was too late for her to escape. Jay was faster than she was, and his arms captured her before she’d ever had a chance. Not that she’d really tried. He hauled her back down onto the couch, the two of them falling into the cushions, and this time he pinned her beneath him. “Stop it!” she shrieked, not meaning a single word. He was the last person in the world she wanted to get away from. “I don’t know . . .” he answered hesitantly. “I think you deserve to be punished.” His breath was balmy against her cheek, and she found herself leaning toward him rather than away. “Maybe we should do some more homework.” Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone. But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her. Jay growled from deep in his throat. “Okay, homework it is.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Marian was suddenly overcome by an appalling crippling panic. She was very frightened at the idea of arriving. But it was more than that. She feared the rocks and the cliffs and the grotesque dolmen and the ancient secret things. Her two companions seemed no longer reassuring but dreadfully alien and even sinister. She felt, for the first time in her life, completely isolated and in danger. She became in an instant almost faint with terror. She said, as a cry for help, ‘I’m feeling terribly nervous’. ‘I know you are,’ said Scottow. (…) Marian was appalled at the sudden quietness. But the insane panic had left her. She was frightened now in an ordinary way, sick in her stomach, shy, tongue-tied, horribly aware of the onset of a new world.
Iris Murdoch (The Unicorn)
A tongue can move the world A tongue is a defensive devise A tongue is a offensive A tongue is sharper than a razor A tongue is faster than a bullet A tongue is stronger than a racket A tongue can make you a hero A tongue can make you a criminal A tongue can move a trigger A tongue is as dangerous as all above so please control your tongue because it can Destroy the world!
Beta Metani'Marashi
They had met one another, at first not very often, throughout the heady autumn of the first London air raids. Never had a season been more felt; one bought the poetic sense of it with the sense of death. Out of mists of morning charred by the smoke from ruins each day rose to a height of unmisty glitter; between the last of sunset and first note of the siren the darkening glassy tenseness of evening was drawn fine. From the moment of waking you tasted the sweet autumn not less because of an acridity on the tongue and nostrils; and as the singed dust settled and smoke diluted you felt more and more called upon to observe daytime as a pure and curious holiday from fear. All through London the ropings-off of dangerous tracts of streets made islands of exalted if stricken silence, and people crowded against the ropes to admire the sunny emptiness on the other side. The diversion of traffic out of blocked main thoroughfares into byways, the unstopping phatasmagoric streaming of lorries, buses, vans, drays, taxis past modest windows and quiet doorways set up an overpowering sense of London’s organic power – somewhere there was a source from which heavy motion boiled, surged and, not to be damned up, force itself into new channels.
Elizabeth Bowen (The Heat of the Day)
I think we must only a few of us go," Laurence said, low. "I will take a few volunteers - " "Oh, the devil you will!" Granby exclaimed furiously. "No, this time I damned well put my foot down, Laurence. Send you off to go scrambling about in that warren with no notion where you are going, and nothing more likely than running into a dozen guards round every corner; I should like to see myself do it. I am not going back to England to tell them I sat about twiddling my thumbs whilst you got yourself cut to pieces. Temeraire, you are not to let him go, do you hear me? He is sure to be killed; I give you my word." "If the party are sure to be killed, I am not going to let anyone go!" Temeraire said, in high alarm, and sat up sharp, quite prepared to physically hold anyone back who made an attempt to leave. "Temeraire, this is plain exaggeration," Laurence said. "Mr. Granby, you overstate the case, and you overstep your bounds." "Well, I don't," Granby said defiantly. "I have bit my tongue a dozen times over, because I know it is wretched hard to sit about watching and you haven't been trained up to it, but you are a captain, and you must be more careful of your neck. It isn't only your own but the Corps' affair if you snuff it, and mine too." "If I may," Tharkay said quietly, interrupting when Laurence would have remonstrated further with Granby, "I will go; alone I am reasonably sure I can find a way to the eggs, without rousing any alarm, and then I can return and guide the rest of the party there." "Tharkay," Laurence said, "this is no service you owe us; I would not order even a man under oath of arms to undertake it, without he were willing." "But I am willing," Tharkay gave his faint half-smile, "and more likely to come back whole from it than anyone else here." "At the cost of running thrice the risk, going and coming back and going again," Laurence said, "with a fresh chance of running into the guards every time through." "So it is very dangerous, then," Temeraire said, overhearing to too much purpose, and pricking up his ruff further. "You are not to go, at all, Granby is quite right; and neither is anyone else." "Oh, Hell," Laurence said, under his breath. "It seems there is very little alternative to my going," Tharkay said. "Not you either!" Temeraire contradicted, to Tharkay's startlement, and settled down as mulish as a dragon could look; and Granby had folded his arms and wore an expression very similar. Laurence had ordinarily very little inclination to profanity, but he was sorely tempted on this occasion. An appeal to Temeraire's reason might sway him to allow a party to make the attempt, if he could be persuaded to accept the risk as necessary for the gain, like a battle; but he would surely balk at seeing Laurence go, and Laurence had not the least intention of sending men on so deadly an enterprise if he were not going himself, Corps rules be damned.
Naomi Novik (Black Powder War (Temeraire, #3))
...it was not considered right for a man not to drink, although drink was a dangerous thing. On the contrary, not to drink would have been thought a mark of cowardice and of incapacity for self-control. A man was expected even to get drunk if necessary, and to keep his tongue and his temper no matter how much he drank. The strong character would only become more cautious and more silent under the influence of drink; the weak man would immediately show his weakness. I am told the curious fact that in the English army at the present day officers are expected to act very much after the teaching of the old Norse poet; a man is expected to be able on occasion to drink a considerable amount of wine or spirits without showing the effects of it, either in his conduct or in his speech. "Drink thy share of mead; speak fair or not at all" - that was the old text, and a very sensible one in its way.
Eoghan Odinsson (Northern Lore: A Field Guide to the Northern Mind-Body-Spirit)
Don't misunderstand, but how dare you risk your life? What the devil did you think, to leap over like that? You could have stayed safe on this side and just helped me over." Even to her ears, her tone bordered on the hysterical. Beneath her fingers, the white lawn started to redden. She sucked in a shaky breath. "How could you risk your life-your life, you idiot!" She leaned harder on the pad, dragged in another breath. He coughed weakly, shifted his head. "Don't you dare die on me!" His lips twisted, but his eyes remained closed. "But if I die"-his words were a whisper-"you won't have to marry, me or anyone else. Even the most censorious in the ton will consider my death to be the end of the matter. You'll be free." "Free?" Then his earlier words registered. "If you die? I told you-don't you dare! I won't let you-I forbid you to. How can I marry you if you die? And how the hell will I live if you aren't alive, too?" As the words left her mouth, half hysterical, all emotion, she realized they were the literal truth. Her life wouldn't be worth living if he wasn't there to share it. "What will I do with my life if you die?" He softly snorted, apparently unimpressed by-or was it not registering?-her panic. "Marry some other poor sod, like you were planning to." The words cut. "You are the only poor sod I'm planning to marry." Her waspish response came on a rush of rising fear. She glanced around, but there was no one in sight. Help had yet to come running. She looked back at him, readjusted the pressure on the slowly reddening pad. "I intend not only to marry you but to lead you by the nose for the rest of your days. It's the least I can do to repay you for this-for the shock to my nerves. I'll have you know I'd decided even before this little incident to reverse my decision and become your viscountess, and lead you such a merry dance through the ballrooms and drawing rooms that you'll be gray within two years." He humphed softly, dismissively, but he was listening. Studying his face, she realized her nonsense was distracting him from the pain. She engaged her imagination and let her tongue run free. "I've decided I'll redecorate Baraclough in the French Imperial style-all that white and gilt and spindly legs, with all the chairs so delicate you won't dare sit down. And while we're on the subject of your-our-country home, I've had an idea about my carriage, the one you'll buy me as a wedding gift..." She rambled on, paying scant attention to her words, simply let them and all the images she'd dreamed of come tumbling out, painting a vibrant, fanciful, yet in many ways-all the ways that counted-accurate word pictures of her hopes, her aspirations. Her vision of their life together. When the well started to run dry, when her voice started to thicken with tears at the fear that they might no longer have a chance to enjoy all she'd described, she concluded with, "So you absolutely can't die now." Fear prodded; almost incensed, she blurted, "Not when I was about to back down and agree to return to London with you." He moistened his lips. Whispered, "You were?" "Yes! I was!" His fading voice tipped her toward panic. Her voice rose in reaction. "I can't believe you were so foolish as to risk your life like this! You didn't need to put yourself in danger to save me." "Yes, I did." The words were firmer, bitten off through clenched teeth. She caught his anger. Was anger good. Would temper hold him to the world? A frown drew down his black brows. "You can't be so damned foolish as to think I wouldn't-after protecting you through all this, seeing you safely all this way, watching over you all this time, what else was I going to do?
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
O holy and blessed dame, the perpetuall comfort of humane kind, who by thy bounty and grace nourishest all the world, and hearest a great affection to the adversities of the miserable, as a loving mother thou takest no rest, neither art thou idle at any time in giving thy benefits, and succoring all men, as well on land as sea; thou art she that puttest away all stormes and dangers from mans life by thy right hand, whereby likewise thou restrainest the fatall dispositions, appeasest the great tempests of fortune and keepest backe the course of the stars: the gods supernall doe honour thee: the gods infernall have thee in reverence: thou environest all the world, thou givest light to the Sunne, thou governest the world, thou treadest downe the power of hell: By thy meane the times returne, the Planets rejoyce, the Elements serve: at thy commandment the winds do blow, the clouds increase, the seeds prosper, and the fruits prevaile, the birds of the aire, the beasts of the hill, the serpents of the den, and the fishes of the sea, do tremble at thy majesty, but my spirit is not able to give thee sufficient praise, my patrimonie is unable to satisfie thy sacrifice, my voice hath no power to utter that which I thinke, no if I had a thousand mouths and so many tongues: Howbeit as a good religious person, and according to my estate, I will alwaies keepe thee in remembrance and close thee within my breast.
Apuleius (The Golden Asse)
And what do we do to fit our English-speaking Chinese, our docile and happy, our truly loyal servants, for the Asia of the future? We teach them English history: Henry the VIII, Elizabeth and Victoria, English geography, three-quarters of the book the British Isles, one quarter the rest of the world. literature, Lamb's Tales from Shakespeare and The Mill on the Floss, all in Basic, as they aren't to know the complexities of our tongue. We cut them from their own learning, their traditions; if that were cutting them off merely from the past, it wouldn't matter, but also and more dangerously, it cuts them from the present, and perhaps the future of Asia. With these happy eunuchs who are bound to us by their knowledge of English we run this country well as our colonial preserve. But we cannot pretend to think we can leave it to them to run it for themselves. All the revolutionaries in India were people who went back to their own literature and language. We'll see the same phenomenon here.
Han Suyin (And the Rain My Drink)
ultimately, most of us would choose a rich and meaningful life over an empty, happy one, if such a thing is even possible. “Misery serves a purpose,” says psychologist David Myers. He’s right. Misery alerts us to dangers. It’s what spurs our imagination. As Iceland proves, misery has its own tasty appeal. A headline on the BBC’s website caught my eye the other day. It read: “Dirt Exposure Boosts Happiness.” Researchers at Bristol University in Britain treated lung-cancer patients with “friendly” bacteria found in soil, otherwise known as dirt. The patients reported feeling happier and had an improved quality of life. The research, while far from conclusive, points to an essential truth: We thrive on messiness. “The good life . . . cannot be mere indulgence. It must contain a measure of grit and truth,” observed geographer Yi-Fu Tuan. Tuan is the great unheralded geographer of our time and a man whose writing has accompanied me throughout my journeys. He called one chapter of his autobiography “Salvation by Geography.” The title is tongue-in-cheek, but only slightly, for geography can be our salvation. We are shaped by our environment and, if you take this Taoist belief one step further, you might say we are our environment. Out there. In here. No difference. Viewed that way, life seems a lot less lonely. The word “utopia” has two meanings. It means both “good place” and “nowhere.” That’s the way it should be. The happiest places, I think, are the ones that reside just this side of paradise. The perfect person would be insufferable to live with; likewise, we wouldn’t want to live in the perfect place, either. “A lifetime of happiness! No man could bear it: It would be hell on Earth,” wrote George Bernard Shaw, in his play Man and Superman. Ruut Veenhoven, keeper of the database, got it right when he said: “Happiness requires livable conditions, but not paradise.” We humans are imminently adaptable. We survived an Ice Age. We can survive anything. We find happiness in a variety of places and, as the residents of frumpy Slough demonstrated, places can change. Any atlas of bliss must be etched in pencil. My passport is tucked into my desk drawer again. I am relearning the pleasures of home. The simple joys of waking up in the same bed each morning. The pleasant realization that familiarity breeds contentment and not only contempt. Every now and then, though, my travels resurface and in unexpected ways. My iPod crashed the other day. I lost my entire music collection, nearly two thousand songs. In the past, I would have gone through the roof with rage. This time, though, my anger dissipated like a summer thunderstorm and, to my surprise, I found the Thai words mai pen lai on my lips. Never mind. Let it go. I am more aware of the corrosive nature of envy and try my best to squelch it before it grows. I don’t take my failures quite so hard anymore. I see beauty in a dark winter sky. I can recognize a genuine smile from twenty yards. I have a newfound appreciation for fresh fruits and vegetables. Of all the places I visited, of all the people I met, one keeps coming back to me again and again: Karma Ura,
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
There are three groups of people. There are the rich who are never satisfied because their wealth is never enough for them—these citizens are totally useless for the city. Then there are the poor who, because their daily bread is never enough, are dangerous because they are deceived by the tongues of crooked politicians and by their own envy and so they aim the arrows of their hatred towards the rich. And then, between these two, there is a third. This one is between them. It’s there to keep the order, it’s there to keep the city safe. —EURIPIDES, Suppliants
Victor Davis Hanson (The Dying Citizen: How Progressive Elites, Tribalism, and Globalization Are Destroying the Idea of America)
He had thought himself, so long as nobody knew, the most disinterested person in the world, carrying his concentrated burden, his perpetual suspense, ever so quietly, holding his tongue about it, giving others no glimpse of it nor of its effect upon his life, asking of them no allowance and only making on his side all those that were asked. He hadn't disturbed people with the queerness of their having to know a haunted man, though he had had moments of rather special temptation on hearing them say they were forsooth "unsettled." If they were as unsettled as he was—he who had never been settled for an hour in his life—they would know what it meant. Yet it wasn't, all the same, for him to make them, and he listened to them civilly enough. This was why he had such good—though possibly such rather colourless—manners; this was why, above all, he could regard himself, in a greedy world, as decently—as in fact perhaps even a little sublimely—unselfish. Our point is accordingly that he valued this character quite sufficiently to measure his present danger of letting it lapse, against which he promised himself to be much on his guard. He was quite ready, none the less, to be selfish just a little, since surely no more charming occasion for it had come to him. "Just a little," in a word, was just as much as Miss Bartram, taking one day with another, would let him. He never would be in the least coercive, and would keep well before him the lines on which consideration for her—the very highest—ought to proceed. He would thoroughly establish the heads under which her affairs, her requirements, her peculiarities—he went so far as to give them the latitude of that name—would come into their intercourse. All this naturally was a sign of how much he took the intercourse itself for granted. There was nothing more to be done about that. It simply existed; had sprung into being with her first penetrating question to him in the autumn light there at Weatherend. The real form it should have taken on the basis that stood out large was the form of their marrying. But the devil in this was that the very basis itself put marrying out of the question. His conviction, his apprehension, his obsession, in short, wasn't a privilege he could invite a woman to share; and that consequence of it was precisely what was the matter with him. Something or other lay in wait for him, amid the twists and the turns of the months and the years, like a crouching Beast in the Jungle. It signified little whether the crouching Beast were destined to slay him or to be slain. The definite point was the inevitable spring of the creature; and the definite lesson from that was that a man of feeling didn't cause himself to be accompanied by a lady on a tiger-hunt. Such was the image under which he had ended by figuring his life.
Henry James (The Beast in the Jungle)
After being introduced by President Sproul, Oppenheimer got up and spoke without notes for three-quarters of an hour. Cherniss was stunned by his hold on the audience: “From the moment he began to speak until the end, not a whisper in the whole place. This was the kind of magic that he exercised.” Cherniss, indeed, thought his friend perhaps spoke too well for his own good. “The ability to speak in public like that is a poison—it’s very dangerous for the person who has it.” Such a talent might lead a man to think his velvet tongue was an effective political armor.
Kai Bird (American Prometheus)
What do we have here?” Grant slurs at me. He seems different and it raises flags in my mind. His fingers wrap around a section of my hair and it scares me. His face is flushed red and his eyes are glassy and bright. I can smell the smoky scent of whiskey or scotch rolling off his tongue as he speaks and breathes heavily. “I’m lost and I need a ride home.” My voice wavers as I speak and I hate it. I fist my hands in the hem of my blazer. “I’ll get Albert for you, but first spend some time with me,” he slurs again, sounding like his tongue is too large for his mouth. As if sensing my attention, the tip of his tongue sneaks out and slides along his supple bottom lip. He smiles as he tastes the alcohol that’s staining his mouth. His eyes are bright and shiny and glazed over. He has a smirk on his face that shows off his dimple. It no longer reminds me of Whitt. It seems sinister and dangerous- promising something I’m not ready to experience. The feel of his fingers playing with my hair gives me goosebumps and I shiver as my scalp tightens, sucking up the pleasant attention. I do my first stupid-girl moment of my life. I shameless crush on a guy and let it turn my thoughts to mush. “Okay, if you promise to call Albert first.” I try to negotiate with him and he gives me a naughty smirk for agreeing. He backs me up with his physical presence. His front touches mine- chest-to-chest. His lips part and breathes the smoky, whiskey scent onto my chin. My back hits the door behind me with an audible thump. He reaches around me and I don’t wince. I anticipate him touching me and crave it. Instead, his hand twists the doorknob by my hip and I fall backwards. I’m pushed into a dark room until my legs connect with the edge of a bed. I can’t see anything, and the only sound is our combined breathing. I feel alive with caution. I’m aware of every hair, every nerve on my flesh. My senses are so in-tuned that I can feel my system pumping the blood through my veins nourishing my whole body.
Erica Chilson (Jaded (Mistress & Master of Restraint, #5))
Shelby..." Her tongue skimmed over his while he cupped the back of her neck more firmly. "Shelby," he repeated a moment later, "there was something I wanted to talk to you about earlier, and I'm in danger of becoming as ditracted now as I was then." "Promise?" She moved her lips to his throat. "I have a command performance this weekend." "Oh?" She switched to his ear. In self-defense, Aan rolled over and pinned her beneath him. "I got a call from my father this afternoon." "Ah" Humor danced in her eyes. "The laird." "The title would appeal to him." Alan grasped her wrists to prevent her from clouding his mind as she seemed bent on doing. "It seems he's planned one of his famous family weekends. Come with me." One brow lifted. "To the MacGregor fortress in Hyannis Port? Unarmed?" "We'll hoist the white flag." She wanted to go.She wanted to say no. A visit to his family home came perilously close to that final commitment she was so carefully sidestepping. Questions, speculation-there'd be no avoiding them. Alan heard her thoughts as clearly as if it had been spoken.Pushng back frustration, he changed tactics. "I have orders to bring that girl-" he watched her eyes narrow- "-that daughter of the thieving, murdering Campbells,with me." "Oh,is that so?" "Just so," Alan returned mildly. Shelby lifted her chin. "When do we leave?
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Damn it, Jacob, I’m freezing my butt off.” “I came as fast as I could, considering I thought it would be wise to walk the last few yards.” Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection. “I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’” “Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?” “Well, I’m fifty percent sure.” “Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.” “As Legna tells it, that’s what you’re supposed to do.” “Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck. “Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.” “This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.” “Jacob!” she gasped, laughing. “Some traditions are not necessarily publicized,” he teased. “You people are outrageous.” “Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?” Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so. “Have I ever said no to you?” “No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled. “How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair. His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet. “If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.” “Okay,” she agreed, her tongue touching his pulse. “Bella . . .” “Jacob, I want to spend the entire night making love to you,” she murmured. Jacob stopped in his tracks, taking a moment to catch his breath. “Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?” “You started it,” she reminded him, laughing softly. “I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.” “I’m sorry, you’re right.” She turned her face away from his neck. Jacob resumed his ritual walk for all of thirty seconds before he stopped again. “Bella . . .” he warned dangerously. “I’m sorry! It just popped into my head!” “What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace. “Well, in about an hour, I hope it will be me.
Jacquelyn Frank (Jacob (Nightwalkers, #1))
And, finally, about silence—An idle or unnecessary word is the same thing as excessive speech; hence, Augustine says in the first book of his Retractions, “I cannot call it excessive speech when what is said is needed, no matter how many words are used.” 12 Solomon tells us, “In excessive speech sin shall not be wanting, but he that refraineth his lips is most wise.” 13 Where sin shall not be wanting, we must especially beware and guard against the condition all the more when it is so dangerous and difficult to avoid. This is what Saint Benedict did, saying, “Monks should study silence at all times.” 14 Studying silence is something more than simply keeping silent, for study is the pointed application of the mind to accomplish a given task. We do many things in negligence or even against our will, but we cannot study a thing without acting with purpose and will The apostle James, however, tells us how difficult it is to curb the tongue, but also how beneficial it will be. “We all offend in many things,” he says, but if any man offend not in word, then he is a perfect man. . . . For every nature of beasts and birds and serpents and the rest is tamed, and hath been tamed, by the nature of man, but the tongue no man can tame. . . . The tongue is indeed a small part of the body . . . but see how small a fire can kindle a great wood. . . . It is a world of iniquity . . . , an unquiet evil, full of deadly poison.
Pierre Abélard (The Letters of Abélard and Héloïse)
In these moments I hate language. I hate what words are like. I hate the idea of putting these preformed gestures on the tip of my tongue or through my lips or through the inside of my mouth, forming sounds to approximate something that’s like a cyclone, or something that’s like a flood, or something that’s like a weather system that’s out of control, that’s dangerous, that’s alarming. I hate language in this moment because it seems like so much bullshit. It just seems like sounds that have been uttered back and forth now over centuries. And it always boils down to the same meaning within those sounds, unless you’re more intense in uttering them, or you precede them or accompany them with certain forms of violence.
David Wojnarowicz (Weight of the Earth: The Tape Journals of David Wojnarowicz)
There is something in the contemplation of the mode in which America has been settled, that, in a noble breast, should forever extinguish the prejudices of national dislikes. Settled by the people of all nations, all nations may claim her for their own. You can not spill a drop of American blood without spilling the blood of the whole world. Be he Englishman, Frenchman, German, Dane, or Scot; the European who scoffs at an American, calls his own brother Raca, and stands in danger of the judgment. We are not a narrow tribe of men, with a bigoted Hebrew nationality—whose blood has been debased in the attempt to ennoble it, by maintaining an exclusive succession among ourselves. No: our blood is as the flood of the Amazon, made up of a thousand noble currents all pouring into one. We are not a nation, so much as a world; for unless we may claim all the world for our sire, like Melchisedec, we are without father or mother. For who was our father and our mother? Or can we point to any Romulus and Remus for our founders? Our ancestry is lost in the universal paternity; and Caesar and Alfred, St. Paul and Luther, and Homer and Shakespeare are as much ours as Washington, who is as much the world's as our own. We are the heirs of all time, and with all nations we divide our inheritance. On this Western Hemisphere all tribes and people are forming into one federated whole; and there is a future which shall see the estranged children of Adam restored as to the old hearthstone in Eden. The other world beyond this, which was longed for by the devout before Columbus' time, was found in the New; and the deep-sea-lead, that first struck these soundings, brought up the soil of Earth's Paradise. Not a Paradise then, or now; but to be made so, at God's good pleasure, and in the fullness and mellowness of time. The seed is sown, and the harvest must come; and our children's children, on the world's jubilee morning, shall all go with their sickles to the reaping. Then shall the curse of Babel be revoked, a new Pentecost come, and the language they shall speak shall be the language of Britain. Frenchmen, and Danes, and Scots; and the dwellers on the shores of the Mediterranean, and in the regions round about; Italians, and Indians, and Moors; there shall appear unto them cloven tongues as of fire.
Herman Melville (Redburn)
Please,' she says, her head bent. 'Please. You must try to break the curse. I know that you are the queen by right and that you may not want him back, but-' If anything could have increased my astonishment, it was that. 'You think that I'd-' 'I didn't know you, before,' she says, the anguish clear in her voice. There is a hitch in her breath that comes with weeping. 'I thought you were just some mortal.' I have to bite my tongue at that, but I don't interrupt her. 'When you became his seneschal, I told myself that he wanted you for your lying tongue. Or because you'd become biddable, although you never were before. I should have believed you when you told him he didn't know the least of what you could do. 'While you were in exile, I got more of the story out of him. I know you don't believe this, but Cardan and I were friends before we were lovers, before Locke. He was my first friend when I came here from the Undersea. And we were friends, even after everything. I hate that he loves you.' 'He hated it, too,' I say with a laugh that sounds more brittle than I'd like. Nicasia fixes me with a long look. 'No, he didn't.' To that, I can only be silent. 'He frightens the Folk, but he's not what you think he is,' Nicasia says. 'Do you remember the servants that Balekin had? The human servants?' I nod mutely. Of course I remember. I will never forget Sophie and her pockets full of stones. 'They'd go missing sometimes, and there were rumours that Cardan hurt them, but it wasn't true. He'd return them to the mortal world.' I admit, I'm surprised. 'Why?' She throws up a hand. 'I don't know! Perhaps to annoy his brother. But you're human, so I thought you'd like that he did it. And he sent you a gown. For the coronation.' I remember it- the ball gown in the colours of the night, with the stark outlines of trees stitched on it and the crystals for stars. A thousand times more beautiful than the dress I commissioned. I had thought perhaps it came from Prince Dain, since it was his coronation and I'd sworn to be his creature when I'd joined the Court of Shadows. 'He never told you, did he?' Nicasia says. 'So see? Those are two nice things about him you didn't know. And I saw the way you used to look at him when you didn't think anyone was watching you.' I bite the inside of my cheek, embarrassed despite the fact that we were lovers, and wed, and it should hardly be a secret that we like each other. 'So promise me,' she says. 'Promise me you'll help him.' I think of the golden bridle, about the future the stars predicted. 'I don't know how to break the curse,' I say, all the tears I haven't shed welling up in my eyes. 'If I could, do you think i would be at this stupid banquet? Tell me what I must slay, what I must steal, tell me the riddle I must solve or the hag I must trick. Only tell me the way, and I will do it, no matter the danger, no matter the hardship, no matter the cost.' My voice breaks. She gives me a steady look. Whatever else I might think of her, she really does care for Cardan. And as tears roll down my cheeks, to her astonishment, I think she realises I do, too. Much good it does him.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
The tulips are too excitable, it is winter here. Look how white everything is, how quiet, how snowed-in. I am learning peacefulness, lying by myself quietly As the light lies on these white walls, this bed, these hands. I am nobody; I have nothing to do with explosions. I have given my name and my day-clothes up to the nurses And my history to the anesthetist and my body to surgeons. They have propped my head between the pillow and the sheet-cuff Like an eye between two white lids that will not shut. Stupid pupil, it has to take everything in. The nurses pass and pass, they are no trouble, They pass the way gulls pass inland in their white caps, Doing things with their hands, one just the same as another, So it is impossible to tell how many there are. My body is a pebble to them, they tend it as water Tends to the pebbles it must run over, smoothing them gently. They bring me numbness in their bright needles, they bring me sleep. Now I have lost myself I am sick of baggage—— My patent leather overnight case like a black pillbox, My husband and child smiling out of the family photo; Their smiles catch onto my skin, little smiling hooks. I have let things slip, a thirty-year-old cargo boat stubbornly hanging on to my name and address. They have swabbed me clear of my loving associations. Scared and bare on the green plastic-pillowed trolley I watched my teaset, my bureaus of linen, my books Sink out of sight, and the water went over my head. I am a nun now, I have never been so pure. I didn’t want any flowers, I only wanted To lie with my hands turned up and be utterly empty. How free it is, you have no idea how free—— The peacefulness is so big it dazes you, And it asks nothing, a name tag, a few trinkets. It is what the dead close on, finally; I imagine them Shutting their mouths on it, like a Communion tablet. The tulips are too red in the first place, they hurt me. Even through the gift paper I could hear them breathe Lightly, through their white swaddlings, like an awful baby. Their redness talks to my wound, it corresponds. They are subtle : they seem to float, though they weigh me down, Upsetting me with their sudden tongues and their color, A dozen red lead sinkers round my neck. Nobody watched me before, now I am watched. The tulips turn to me, and the window behind me Where once a day the light slowly widens and slowly thins, And I see myself, flat, ridiculous, a cut-paper shadow Between the eye of the sun and the eyes of the tulips, And I have no face, I have wanted to efface myself. The vivid tulips eat my oxygen. Before they came the air was calm enough, Coming and going, breath by breath, without any fuss. Then the tulips filled it up like a loud noise. Now the air snags and eddies round them the way a river Snags and eddies round a sunken rust-red engine. They concentrate my attention, that was happy Playing and resting without committing itself. The walls, also, seem to be warming themselves. The tulips should be behind bars like dangerous animals; They are opening like the mouth of some great African cat, And I am aware of my heart: it opens and closes Its bowl of red blooms out of sheer love of me. The water I taste is warm and salt, like the sea, And comes from a country far away as health. --"Tulips", written 18 March 1961
Sylvia Plath (Ariel)
In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
Before the troops left Rome, the consul Varro made a number of extremely arrogant speeches. The nobles, he complained, were directly responsible for the war on Italian soil, and it would continue to prey upon the country's vitals if there were any more commanders on the Fabian model. He himself, on the contrary, would bring it to an end on the day he first caught sight of the enemy. His colleague Paullus spoke only once before the army marched, and in words which though true were hardly popular. His only harsh criticism of Varro was to express his surprise about how any army commander, while still at Rome, in his civilian clothes, could possibly know what his task on the field of battle would be, before he had become acquainted either with his own troops or the enemy's or had any idea of the lie and nature of the country where he was to operate--or how he could prophesy exactly when a pitched battle would occur. As for himself, he refused to recommend any sort of policy prematurely; for policy was moulded by circumstance, not circumstance by policy. . . . [T]o strengthen [Paullus'] determination Fabius (we are told) spoke to him at his departure in the following words. 'If, Lucius Aemilius, you were like your colleague, or if--which I should much prefer--you had a colleague like yourself, anything I could now say would be superfluous. Two good consuls would serve the country well in virtue of their own sense of honour, without any words from me; and two bad consuls would not accept my advice, nor even listen to me. But as things are, I know your colleague's qualities and I know your own, so it is to you alone I address myself, understanding as I do that all your courage and patriotism will be in vain, if our country must limp on one sound leg and one lame one. With the two of you equal in command, bad counsels will be backed by the same legal authority as good ones; for you are wrong, Paullus, if you think to find less opposition from Varro than from Hannibal. Hannibal is your enemy, Varro your rival, but I hardly know which will prove the more hostile to your designs; with the former you will be contending only on the field of battle, but with the latter everywhere and always. . . . [I]t is not the enemy who will make it difficult and dangerous for you to tread, but your fellow-countrymen. Your own men will want precisely what the enemy wants; the wishes of Varro, the Roman consul, will play straight into the hands of Hannibal, commander-in-chief of the Carthaginian armies. You will have two generals against you; but you will stand firm against both, if you can steel yourself to ignore the tongues of men who will defame you--if you remain unmoved by the empty glory your colleague seeks and the false infamy he tries to bring upon yourself. . . . Never mind if they call your caution timidity, your wisdom sloth, your generalship weakness; it is better that a wise enemy should fear you than that foolish friends should praise. Hannibal will despise a reckless antagonist, but he will fear a cautious one. Not that I wish you to do nothing--all I want is that your actions should be guided by a reasoned policy, all risks avoided; that the conduct of the war should be controlled by you at all times; that you should neither lay aside your sword nor relax your vigilance but seize the opportunity that offers, while never giving the enemy a chance to take you at a disadvantage. Go slowly, and all will be clear and sure. Haste is always improvident and blind.
Livy (The History of Rome, Books 21-30: The War with Hannibal)
After placing everything in the backseat, Nadia buckled her seat belt and turned to him. “Corvon,” she addressed him by his in-game persona. “If I were to tell you that you get a prize for besting me, what would you want?” He slid closer, dragging his gaze over her without hiding it. Caleb could see her nipples peaking under her bra. She was as turned on as he was. “Anything I want?” “Perhaps. What would it be?” She wouldn’t commit, which meant she didn’t trust him. It was time to drop the asshole persona. He couldn’t help but let her in. She was his One. “I would want …” He reached for her chin. “...a kiss.” Caleb leaned in so far he could feel her breath on his face. Her pupils were dilated wide, and he ran his thumb over her plush bottom lip. “Would you award me such a prize, Asteria?” She nodded. Closing the distance between them, he claimed her lips. This kiss was even hotter than the one at laser tag, slow and languid, like they had all the time in the world. He wrapped his hand around the base of her head and leaned her body back as her arms wrapped around his waist. Her tongue slid along his in a tantalizing dance that stoked the fire within. She sighed softly into his mouth as he felt the walls between them melt away from the heat. One kiss, that’s all he’d asked for. But he never wanted it to end. This felt dangerous. But so right. Finally, he forced himself to break the kiss, moaning Nadia’s name. She looked dazed, like she was just waking up — or just had the most incredible orgasm. What he wouldn’t give to see Nadia’s afterglow. “Can you drive?” His mouth was bone dry but he managed to get the words out eventually. She nodded and started the motor. He buckled himself in but didn’t stop looking at her. That had been no ordinary kiss. He needed another. As she backed out to turn the truck around, Nadia looked over at him shyly. “I wanna do that again.” “Me, too.” Licking his lips at the idea of tasting her again, he broke the first of his rules. “Come upstairs when we get to my place and we can.
Jasmine C. Caldwell (The Geek Girl Squad: Nadia (The Geek Girl Squad #2))
Arin watched the fire flare crimson. Then he went outside and surveyed the grounds, saw through leafless trees that no one was near. He could steal a few minutes. When he stepped back inside the forge, he leaned against the anvil. With one hand he pulled a book from its hiding place behind the kindling box, and in the other he held a hammer so that, if in danger of being caught, he could more quickly pretend to have been working. He began to read. It was a book he had seen in Kestrel’s possession, one on the history of the Valorian empire. He had taken it from the library after she had returned it, weeks ago. What would she say, if she saw him reading a book about his enemy, in his enemy’s tongue? What would she do? Arin knew this: her gaze would measure him, and he would sense a shift of perception within her. Her opinion of him would change as daylight changed, growing or losing shadow. Subtle. Almost indiscernible. She would see him differently, though he wouldn’t know in what way. He wouldn’t know what it meant. This had happened, again and again, since he had come here. Sometimes he wished he had never come here. Well. Kestrel couldn’t see him in the forge, or know what he read, because she couldn’t leave her rooms. She couldn’t even walk. Arin shut the book, gripped it between rigid fingers. He nearly threw it into the fire. I will have you torn limb from limb, the general had said. That wasn’t why Arin stayed away from her. Not really. He forced his thoughts from his head. He hid the book where it had been. He busied himself with quiet work, heating iron and charcoal in a crucible to produce steel. It took some time before Arin realized he was humming a dark tune. For once, he didn’t stop himself. The pressure of song was too strong, the need for distraction too great. Then he found that the music caged behind his closed teeth was the melody Kestrel had played for him months ago. He felt the sensation of it, low and alive, on his mouth. For a moment, he imagined it wasn’t the melody that touched his lips, but Kestrel. The thought stopped his breath, and the music, too.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Cursing himself, he glided his fingertips from her shoulder inward along the elegant line of her collarbone. She responded to him with a sigh of intoxicated pleasure, arching her head back, lifting her breasts slightly as her body rose to his touch. His eyes glazed over as he realized then that she was awake enough to know what she wanted. He leaned down at once and kissed her shoulder softly, whispering her name. "Wake to me." She touched his head in answer, draping her arm weakly over his neck. He moved onto the bed with her, his heart pounding. He lay beside her, close enough to consume with his lips the small, heady sigh that escaped hers. He watched the dreamy smile that curved her lips as he began caressing her with seductive reassurance, letting her get accustomed to his touch. "That's right. You just relax," he breathed. He skimmed his palm down her arm, but at her elbow, he diverted his explorations to her slender waist. From there, he ran his hand down lower, to her hip. She stretched a little like a pampered cat under his patient stroking. He bent his head at length and pressed a kiss to the white line of her tender neck. He was rewarded with another enticing undulation of her body, drawing him closer. As his lips worked his way higher, Kate turned her mouth to his invitingly. She met his gaze for a fleeting instant before he kissed her; her glittering, heavy-lidded eyes teemed with feverish desire. "Hullo there," he whispered, then he bent his head and claimed her mouth. Her low moan passed from her lips to his. Rohan answered in kind as he deepened the kiss, capturing her chin between his finger and thumb. She clutched two fistfuls of his shirt for a passing instant. Her mouth tasted of red wine. He drank deeper. As she opened her mouth to his hungry kiss, he skimmed his fingertips down her throat to her chest. He slipped his hand into her gown and cupped her breast. With tingling hands, he took her nipple between his finger and thumb and held it lightly as he kissed her. Her approving groan asked wordlessly for more. She touched his shoulders, arms, and chest as he moved downward over her body to indulge himself in sampling her breasts. She made no move to stop him, no longer cold or shivering as she had been in the great hall, but panting, her skin aglow with newfound heat as he undid the bodice of her skimpy gown and bared her lovely breasts. Closing his eyes, he took her nipple into his mouth and sucked until it swelled to glorious fullness against his tongue. The kiss went on and on, for she was even sweeter than he had already fantasized in the great hall. Now that he had her nipple in his mouth, he could not get enough of her. But when she began to writhe hungrily beneath him, her moans climbing, he obliged her, taking his hand down slowly over her quivering stomach through her gown. She was wanton, but he stoked her fire by keeping a leisurely pace for now. He put his hand between her legs, giving her a taste of what she craved. She began rubbing restlessly against the snug hold of his hand cupping her mound. He was rock hard, and enjoyed pleasuring her for a while further, feeling the dampness of her core permeating the thin cloth of her gown
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
He was a child when he went away: he was a child who had looked much on pain and evil, and remained a fantasist of the Ideal. Walled up in his great city of visions, his tongue had learned to mock, his lip to sneer, but the harsh rasp of the world had worn no grooving in the secret life. Again and again he had been bogged in the gray slough of factuality. His cruel eyes had missed the meaning of no gesture, his pocked and bitter heart had sweltered in him like a hot ingot, but all his hard wisdom melted at the glow of his imagination. He was not a child when he reflected, but when he dreamt, he was; and it was the child and dreamer that governed his belief. He belonged, perhaps, to an older and simpler race of men: he belonged with the Mythmakers. For him, the sun was a lordly lamp to light him on his grand adventuring. He believed in brave heroic lives. He believed in the fine flowers of tenderness and gentleness he had little known. He believed in beauty and in order, and that he would wreak out their mighty forms upon the distressful chaos of his life. He believed in love, and in the goodness and glory of women. He believed in valiance, and he hoped that, like Socrates, he would do nothing mean or common in the hour of danger. He existed in his youth, and he believed that he could never die.
Thomas Wolfe (Look Homeward, Angel)
Dear Wildfire, Ember, you are a wildfire that is out of control. It doesn’t matter because nobody sees it; they only feel it. I burn and set fire to everyone who crosses me because they deserve it. If they don’t deserve it, so what, fuck it. Nobody deserves my kindness. My kindness to them is a weakness, so I created a wildfire in my mind and around me. My skin is brass, and I do not burn easily. I am a human hazard because I destroy everything and everyone who gets in my way. They made me this way. Every time they neglected me, I was slowly fuming with heat. Every time they ignored me the fumes grew hotter from the smoke. Therefore, I became a human being gone bad because I was a dangerous person. Every time they inhaled my fumes, I would cut them with my tongue's quadruple swords and kill them with my words. My fumes surrounded everyone with darkness because they couldn’t ever figure me out. They couldn’t read my thoughts; I became fearless in the worst way ever. When I was born, I was a wildfire, but the flames were smothered by me, always having to find a way to survive. Wildfire defines me perfectly because, just like a wildfire, I was unplanned, unwanted, and now I am uncontrollable. Everyone says, Ember, you’ve come so far, and they are shocked by my actions. I don’t know why they are surprised. After all, it is not my fault. I was born this way. I have officially exploded
Charlena E. Jackson (Pinwheels and Dandelions)
I have noticed that many intellectuals turn themselves off the instant they are confronted with the words witchcraft, magic, occultism, and religion, as if such ideas exert a dangerous power that might weaken their rational faculties. Yet many of these people maintain a generous openness about visionaries, poets, and artists, some of whom may be quite mad according to “rational” standards. They are fascinated by people of diverse professions and lifestyles who have historical ties with, let us say, the Transcendentalists or the Surrealists, as long as the word occult is not mentioned. If Neo-Paganism were presented as an intellectual and artistic movement whose adherents have new perceptions of the nature of reality, the place of whose adherents have new perceptions of the nature of reality, the place of sexuality, and the meaning of community, academics would flock to study it. Political philosophers would write articles on the Neo-Pagans’ sense of wonder and the minority vision they represent. Literary critics would compare the poetic images in the small magazines published and distributed by the groups with images in the writings of Blake and Whitman. Jungian psychologists would rush to study the Neo-Pagans’ use of ancient archetypes and their love of the classics and ancient lore. But words like witch and pagan do not rest easily in the mind or on the tongue. Although reporting on Paganism and Wicca has improved in the last decade, pop journalists often still present a Neo-Paganism composed of strange characters and weird rites.
Margot Adler (Drawing Down the Moon: Witches, Druids, Goddess-Worshippers, and Other Pagans in America)
He returned to the table with a pile of pastries and two coffees. “Hungry?” she asked. “Let’s figure out what you like.” He waved at the pastries. How thoughtful. She picked up a small biscuit cookie to nibble but shook her head. “Too crunchy.” “Try the scone,” he recommended. One bite. “Nope. No scones. Maybe I’m not a pastry person.” “I’m taking notes over here.” He almost spit out his sip of coffee from laughter when she had to empty her mouth into a small napkin after biting into a cheesy sweet concoction. “Sorry.” Her face went hot. “I’ll stick with croissants. What about you? What do you like?” He shrugged. “I’m not picky.” “Is it bad to be picky? Does it mean I’m high maintenance?” “Maybe you’re not into sweets.” “If I dribbled chocolate all over you, I’d lick it off and like it.” She slapped a hand over her mouth. “Did I just say that out loud? Forget I said that.” “No undoing that. It’s stuck in here.” He tapped his head. “Moon madness.” “It’s mid-morning. There’s no moon in the sky.” He peeked out the window. “Maybe not a full moon, but there’s one in the sky. This insanity is our bodies cranking up for the main event later today.” His eyes traveled down her body and back up; he wet his lips with his tongue. Her mind flashed back to the moment his lips were on hers, the way his fingers had dug into her, the desperation flowing from his fingertips. Things were about to get a lot more interesting as the day wore on. In silence, they ate for a while. She leaned back and stared at him. “You may have to answer to someone, but you like what you do most of the time. Why do you do it? Save humans against things that bump in the night?” “I’m cursed to follow orders.” “Sure, you’re forced into some things, but that only goes so far.” He wiped a few crumbs off the table. “Perhaps so. It’s a good cause. Most of the time. Occasionally, the missions we’re ordered on are based on erroneous information.” She reached out and put her hand over his. “I might be as bad as they made me out. I don’t remember. I appreciate you trying to help me figure it out, but if I start to show an inclination toward evil or world domination, do your job.” He rotated his hand to hold hers and stared at their connection. “The fact you considered it means you’re not someone I should kill.” “We don’t know.” She removed her hand from his. “Tell me something about yourself. What pastry do you like? Are you a scones person?” He shook his head. “I’m not into a lot of sweets, but I’ve realized I like chocolate.
Zoe Forward (Bad Moon Rising (Crown's Wolves, #1))
My little undomesticated pornstar pushed me so hard between her legs, my oxygen levels plummeted. She clenched around my fingers through her panties as an orgasm rolled through her in waves. The gush of warmth soaked the cotton. I kissed her through the fabric, again and again, knowing tomorrow everything would return to its proper position—my boundaries, my limits, my hang-ups, my demons. “Can I return the favor?” Dallas sat half up. “But not through your briefs. Men’s briefs always smell like old cheese that’s been sitting in a crockpot for days. I know because whenever my housekeeper went on vacation, we all took turns doing the laundry. And, well, I really shouldn’t say, but Dadd—” Not wanting the moment to be ruined with a conversation about her father’s underwear, I pulled forward, shutting her smart mouth with a kiss that tasted like her sweet pussy. At first, she pinched her lips and made a face, unsure what she thought about her own taste. But when I dragged the tip of my hard cock along her slit through our clothes, she went wild and kissed me back, shoving her tongue so deep down my throat I thought she would fish out my dinner. “Yes.” She wiggled against me. “Please, sir, may I have some more?” She’d quoted Oliver Twist while getting fucked. Truly, the woman was one of a kind. Knowing it was idiotic, and dangerous, and deranged, I pushed my tip through her slit. She was tight—tighter, still, through the tattered, stretched cotton of her ruined panties—but wet and sleek, ready for what was coming. The sensation, how warm and taut she felt, completely undid me. I thrust harder and deeper, entering her through our underwear, fucking her slowly with only flimsy fabric between us. I tore my mouth from hers, eyes glued to my cock each time it sank into her. I could barely fit inside, she was so tight. This was, by far, the best fuck I’d ever had. She panted. “Is this what people call dry-humping?” No. Nothing about this was dry. I was basically fucking her through our underwear. Only, explaining to her that this was full-blown sex with a side order of my issues was not in my plans for tonight. Or ever. “Sure.” Each push brought me closer to a climax. From slow, controlled, teasing thrusts designed to drive her mad with desire, I quickly derailed to jerky, manic, need-to-be-inside-this-woman plunges. Of a man so hungry for human connection, for affection, for carnal needs to be met and satisfied. My head grew dizzy. I’d taken into consideration the possibility that Dallas couldn’t come through penetration. It merely placed her in the same majority as most females on Planet Earth. But she shook, clawed, and reached for me, looking ready to climax. Her tits bounced and jiggled each time I slammed into her. Her mouth opened in awe, probably because this orgasm felt different from the first two. Deeper and more violent. She clutched the lapels of my shirt, shoving her face in mine. “Lose the underwear.” She met my thrust, groaning when my crown peeked past the slot in my boxer briefs. “I want you to come inside me. I want to feel you.” I was about two seconds from fulfilling her demand. Luckily, my logic grabbed the steering wheel, which my cock had seized sometime this evening, and derailed the situation from full-blown calamity. I managed to wait until she came, just barely, before pulling out, flipping her onto her stomach, and jerking off. I aimed for her bare ass but somehow came on her hair. No matter. She had plenty of time to wash it. Her agenda wasn’t exactly full. Dallas fell back onto the pillows, a lopsided grin on her face. (Chapter 31)
Parker S. Huntington (My Dark Romeo (Dark Prince Road, #1))
Deprive a cat of sleep and it would die in two weeks. Deprive a human and he would become psychotic. His work was killing people. How was he supposed to frighten these guys? Run up behind them in a halloween mask and shout boo? He never saw the point of views -- what did it matter if it was an ocean or a brick wall you were looking at? People travelled hundreds, sometimes thousands of miles to commit suicide someplace with a beautiful view. Did a view matter when oblivion beckoned? They could put him in a garbage bin after he was gone, for all he cared. That's all the human race was anyway. Garbage with attitude. A cutting word is worse than a bowstring. A cut may heal but a cut of the tongue does not. The Sakawa students were all from poor, underprivileged backgrounds. Sakawa was a mix of religious juju and modern internet technology. They were taught, in structured classes, the art of online fraud as well as arcane African rituals -- which included animal sacrifice -- to have a voodoo effect on their victims, ensuring the success of each fraud. of which there was a wide variety. The British Empire spend five hundred years plundering the world. The word is 'thanks'. 'That's what it is, Roy! He won't come out, he has locked the doors! What if he self-harms, Roy! I mean -- what if he kills himself?' 'I will have to take him off my Christmas list.' "Any chance you can recover any of it?' 'You sitting near a window, Gerry?' 'Near a window? Sure, right by a window?' 'Can you see the sky?' 'Uh-huh. Got a clear view.' 'See any pigs flying past?' To dream of death is good for those in fear, for the death have no more fears. '...Cleo took me to the opera once. I spent the whole time praying for a fat lady to come on stage and start singing. Or a heart attack --whichever come sooner.' '..there is something strongly powerful -- almost magnetic -- about internet romances. A connection that is far stronger than a traditional meeting of two people. Maybe because on the internet you can lie all the time, each person gives the other their good side. It's intoxicating. That's one of the things which makes it so dangerous -- and such easy pickings for fraudsters.' He was more than a little pleased that he was about to ruin his boss's morning -- and, with a bit of luck, his entire day. ..a guy who had been born angry and had just got even angrier with each passing year. '...Then at some point in the future, I'll probably die in an overcrowded hospital corridor with some bloody hung-over medical student jumping up and down on my chest because they couldn't find a defibrillator. 'Give me your hand, bro,' the shorter one said. 'That one, the right one, yeah.' On the screen the MasterChef contestant said, 'Now with a sharp knife...' Jules de Copland drove away from Gatwick Airport in.a new car, a small Kia, hired under a different name and card, from a different rental firm, Avis. 'I was talking about her attitude. But I'll tell you this, Roy. The day I can't say a woman -- or a man -- is plug ugly, that's the day I want to be taken out and shot.' It seems to me the world is in a strange place where everyone chooses to be offended all the time. 'But not too much in the way of brains,' GlennBranson chipped in. 'Would have needed the old Specialist Search Unite to find any trace of them.' 'Ever heard of knocking on a door?' 'Dunno that film -- was it on Netflix?' 'One word, four letters. Begins with an S for Sierra, ends with a T for Tango. Or if you'd like the longest version, we've been one word, six letters, begins with F for Foxtrot, ends with D for Delta.' No Cop liked entering a prison. In general there was a deep cultural dislike of all police officers by the inmates. And every officer entering.a prison, for whatever purposes, was always aware that if a riot kicked off while they were there, they could be both an instant hostage and a prime target for violence.
Peter James (Dead at First Sight (Roy Grace, #15))