Dances With Wolves Indian Quotes

We've searched our database for all the quotes and captions related to Dances With Wolves Indian. Here they are! All 7 of them:

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He did not belong to the Indians. He did not belong to the whites. And it was not time for him to belong to the stars. He belonged right where he was. He belonged nowhere.
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Michael Blake (Dances with Wolves)
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He did not belong to the Indians. He did not belong to the whites. And it was not time for him to belong to the stars. He belonged right where he was now. He belonged nowhere.
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Michael Blake (Dances with Wolves)
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There is no bitterness in Wind In His Hair's heart," he began. "Our minds may choose different paths, but some part of every heart will always be as one. All my life I have been a warrior, and I will not change. I will not die as anything else. "The whites have taken much from me. They have taken my brothers, my wives, my children. Now they want to take me off the earth upon which I walk. Maybe they will kill me now, and if they do, so be it. I will not take their hands. I will keep my ponies' tails tied up for war." - Wind In His Hair
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Michael Blake (The Holy Road (Dances with Wolves, #2))
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Indian Chief dances with Wolves, for the Rain Storm.
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Petra Hermans (Voor een betere wereld)
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Dances with Wolves follows the exploits of an army officer in the American West during the late 1800s. Gradually he is drawn to take up the life of the Sioux Indians he thought were his enemy. The hero’s central moral problem is how he treats another race and culture and how he lives with animals and the land. Each opponent and ally takes a different approach to this problem.
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John Truby (The Anatomy of Story: 22 Steps to Becoming a Master Storyteller)
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Enrique recognized Salomé’s Dance of the Seven Veils, and a depiction of the Indian nymph, Urvashi, performing before the Hindu gods.
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Roshani Chokshi (The Silvered Serpents (The Gilded Wolves, #2))
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If land and religion are what people most often kill each other over, then the West is different only in that the land is the religion. As such, the basic struggle is between the West of possibility and the West of possession. On many days it looks as if the possessors have won. Over the past century and a half, it has been the same crew, whether shod in snakeskin boots or tasseled loafers, chipping away at the West. They have tried to tame it, shave it, fence it, cut it, dam it, drain it, nuke it, poison it, pave it, and subdivide it. They use a false view of history to disguise most of what they are up to. They seem to be afraid of the native Westβ€”the big, cloud-crushing, prickly place. They cannot stand it that green-eyed wolves are once again staring out from behind aspen groves in Yellowstone National Park. They cannot live with the idea that at least one of the seventeen rivers that dance out of the western slopes of the Sierra Nevada remains undammed. They are disgusted that George Armstrong Custer’s name has been removed from the name of the battlefield memorial, the range of the Sioux and Crow and Arapaho, replaced by a name that gives no special favor to either side: the Little Bighorn Battlefield. Worse, the person now in charge of the memorial is an Indian.
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Timothy Egan (Lasso the Wind: Away to the New West)