Dance Practise Quotes

The idea of Zen is to catch life as it flows. There is nothing extraordinary or mysterious about Zen. I raise my hand ; I take a book from the other side of the desk ; I hear the boys playing ball outside my window; I see the clouds blown away beyond the neighbouring wood: — in all these I am practising Zen, I am living Zen. No wordy discussions is necessary, nor any explanation. I do not know why — and there is no need of explaining, but when the sun rises the whole world dances with joy and everybody’s heart is filled with bliss. If Zen is at all conceivable, it must be taken hold of here.

I’ll make a quick exit. A needleful or two of morphine will do it. Best that way: if I allowed myself to live, I would disgorge too much truth. Torture is like dancing: I’m too old for it. Let the younger ones practise their bravery. Though they may not have a choice about that, since they lack my privileges.

Torture is like dancing: I’m too old for it. Let the younger ones practise their bravery. Though they may not have a choice about that, since they lack my privileges.

[The Edwardian era] was a time of booming trade, of great prosperity and wealth in which the pageant of London Society took place year after year in a setting of traditional dignity and beauty. The great houses—Devonshire, Dorchester, Grosvenor, Stafford and Lansdowne House—had not yet been converted into museums, hotels and flats, and there we danced through the long summer nights till dawn. The great country-houses still flourished in their glory, and on their lawns in the green shade of trees the art of human intercourse was exquisitely practised by men and women not yet enslaved by household cares and chores who still had time to read, to talk, to listen and to think.

I do rather like birds,’ Abdullah Unul says. ‘They’re busy, active little things. They make do. Have you ever thought, if Istanbul were to have an official bird, what would it be? I bet you’d think stork straight away. Maybe a sparrow. Me, the official bird of Istanbul would have to be the seagull. What do you see dancing around the Ramazan lights, what’ s following the ships up and down the Bosphorus, what’s facing into the wind on the rocks down by the water side. The common or garden gull, that’s what. For all those reasons, the seagull for me is Istanbul, but mostly because it practises kleptoparasitism. You may not have heard of that. I’ll explain. It’s a behaviour when one animal takes prey from another that has the job of catching or killing it. In seagulls it’s letting some other bird do all the hard work of catching the fish or a bit of bread and then taking it off them as they’re about to eat it. It’s the reason they’re the success they are. So, I’ll have that Koran. Both parts. To be honest, I’d prefer cash, but I imagine there’s a market for that gadgetry you have out there in Fenerbahçe.

His woolly grey hair, short thick body, air of perpetual busyness, suggested an industrious gnome conscripted into the service of the army; a gnome who also liked to practise considerable malice against the race of men with whom he mingled, by making as complicated as possible every transaction they had to execute through himself.

That was a good straightforward point of view, no pretence that games were anything but an outlet for power and aggression; no stuff about their being enjoyable as such. You played a game to demonstrate that you did it better than someone else. If it came to that, I thought how few people do anything for its own sake, from making love to practising the arts.

There are things I can confess only after swallowing a bottle of ink. How i crushed a moth between my palms before it rushed to the fireplace. These hands that are used to killing things midflight. Like my mother tongue. Before I can roll out my rounded R and O. Because women like me are believed to practise witchcraft and blackmagic. We swallow men and spit out their bones. These hands that danced with your ghosts on the bluest 4 AMs. These hands that raised a knife to its throat. How deep was the longing to be nothing more than an empty bed, an empty room. If someone asks you tell them writing was the closest I came to witchcraft. Poetry was the closest I came to being possessed. I wanted to leave behind more than emptiness so I wrote. . They say it takes 7 seconds for the eyes to become accustomed to the darkness. I glide across the dark room like the light was never here. Your body imprint on the mattress lost to the frenzied waltz of sunray and dust. How easy was it to just grab a handful of you before you dissolved. If someone asks tell them loving you was the closest I came to seeing god. . On some nights I open the curtains and you are the moon. I am the darkness surrounding it. Which is to say I don't know how to love without being consumed. If they ask you tell them remembrance was the closest I came to being sick. . Once I met a homeless man who spoke in madness because he had forgotten his mother tongue. How long do you hide yourself from the world before you forget your beginning. Like him - I too am full of silence. My beloved - a handful of you, your body. There are things I could only tell the moths but they no longer visit. I have put off the fireplace. Which is to say they too don't know how to love something that won't kill them. . My phone always autocorrects I love you to I live you and what is love if not living the other person. One summer afternoon our bodies turned into each other's. Your breath played lye strings on my neck. If they ask you tell them that was the closest I came to being alive.

The colonists took advantage of the Aboriginal cultural beliefs to further their own gains. The Nyungar people who once walked tall and proud, now hung their head in sorrow. They had become dispossessed; these teachers and keepers of the traditional Law were prevented from practising it. They had to fight to find ways to return to their secret and sacred sites to perform their dances and other ceremonies that were crucial to their culture and whole way of life. Their pain and suffering remained hidden and repressed, silent and deep. They remembered the corroborrees and songs that they were forbidden to dance and sing unless commanded by government officials. No longer would the corroborrees be shared and danced by scores of feet, kicking up the dust in the moonlight around the glowing fires. Warriors with painted bodies and plumes of feathers on their ochre-covered heads would become faded images, buried in the past. The important dates on their seasonal calendars would be forgotten.

When worst comes to worst—as it will very soon—I’ll make a quick exit. A needleful or two of morphine will do it. Best that way: if I allowed myself to live, I would disgorge too much truth. Torture is like dancing: I’m too old for it. Let the younger ones practise their bravery. Though they may not have a choice about that, since they lack my privileges.

] The real trouble is not the mere difference of opinion, as between one scholar and another, but the fact that Graves (like myself) refuses to treat his subject as dead. A scholar only feels secure if he is sure that the subject of his study is not one day going to get up and look him between the eyes; and nothing could be in worse taste than a suggestion that anything more is required of him than a chaste rational disinterestedness. Both the Buddha and the White Goddess, it is felt, have been safely dead these two thousand years and more, and the professors of these subjects congratulate themselves on having chosen such admirably extinct fields of study. (Quite the last thing that a professor of Buddhism would dream of doing is to profess Buddhism—that is left to mere amateurs like myself.) But what happens? Here comes Graves and myself shouting out one, that you cannot know the Goddess unless you worship her—and in the flesh, to boot (or, should I say, to buskin?)—, and, the other, that you cannot understand the Buddha unless you practise his teaching—in the jungle, preferably, and barefoot. If I have my way, these comfortable scholars will have to exchange the fleshpots of Oxford for the almsbowl of India; and if Graves has his, their dutiful wives will become Bassarids, dancing naked with Dionysian fury on Boar's Hill, and tearing the Vice-Chancellor to pieces and devouring him raw at the summer solstice. And that would never do, would it?

[Intuition doesn't necessarily lead you to the "one path that will be your path forever", because energy shifts, and when it does, your path shifts with it.] [Intuition] is a moment to moment reading of the energy. That's why [when your intuition tells you to dance] you get up and dance as fast as you can so that when the energy shifts, you're practised and prepared to shift with it.

Inside, the club is built like a baroque theatre, with a dance floor in the centre and rows of loggias up the walls. The Forbeses sit in the darkened loggias (they pay tens of thousands of dollars for the pleasure), while Oliona and hundreds of other girls dance below, throwing practised glances up at the loggias, hoping to be invited up. The loggias are in darkness. The girls have no idea who exactly is sitting there; they’re flirting with shadows.

Come on stub-ears, you can do better than that!" Steel danced and shone before Elly as she desperately blocked strike after strike, her attacker toying with her, relentless in aggression both physical and verbal. He was taller than her, lighter than her, and he moved with true elven grace, gliding around her with his elegantly curved and vicious sword. He lashed out with a practised flick of his wrist that she struggled to read and barely caught with her blade, but he was already moving on, his sword flowing around, a killing blow coming straight for her neck if she did not move– "Sorry stub-ears, I'll try to slow down…" A feint! He could have ended it there, and yet it wasn't enough; no, he had to humiliate her. Before her cheeks could redden he was on her again, thrusting, striking at her thighs, her shoulders, the sting of the metal slowing her down and throwing her off-balance. Elly focused on protecting what she could, guarding her head and torso, anger building in her, wrestling with her for control of the light sword that was her best defence against– "Death!" The tip of his blade was under her raised arm, against the gap in her breastplate beside her triceps. And at once he sprang back, swung his nimble weapon in a lazy figure-of-eight, rolled his shoulders less from tension and more to perform his ease, his casualness, the lack of challenge in fighting her. Where the flat of his blade had stung, she throbbed. "Good showing. How about best of three?

From the mid-1940s, ‘existentialist’ was used as shorthand for anyone who practised free love and stayed up late dancing to jazz music.

To those who actually practise it, morris dance has an elemental quality, an ancient ritual magic comparable to the whirling dervish dance of Sufism, the Native American ghost dance or the spiritual movements developed by G. I. Gurdjieff. Its gestures are designed to act as a lightning conductor for spiritual energies to unite the universe with the earth and replicate the seasonal cycles of growth, death and rebirth. Morris dancers’ tatter jackets act as symbolic antennae; clogs dash against the ground, awakening slumbering earth gods. The EFDSS had gentrified the dance in the 1930s and 40s, slowing the pace and draining its erotic vigour. More recently, morris has become the anvil round the revival’s neck, its boisterous moves, outlandish costumes and trite musical accompaniment treated as a national joke. To dive into the music of this much-ridiculed custom shows how giddily Ashley Hutchings had fallen under the spell of English traditional music. Morris was the last locked cupboard of the entire post-war folk revival. By unsealing it, he was prepared to stake a hard-won reputation and credibility on a music that appeared to be unredeemable.

Back home, as well as rap, Zitao’s passion had been for wushu, a Chinese martial art. He had won competitions in Qingdao and his dancing and fighting skills became a feature of EXO shows. Xiumin, who excelled in the Korean martial art taekwondo, and Tao would practise together in the dorm (Luhan said he got used to hearing Xiumin shout out in pain!).

As was typical in those days, if you weren’t playing the Test, you didn’t get to bat in the nets the day before the match, like I didn’t ahead of the second Test in Kolkata. I still went down to Eden in the evening to practise on my own, and it was Harsha Bhogle who bowled to me! The next morning, I was told that I was playing the Test. Harsha must have given me a good workout, for I danced to 95 and had a big opening stand with Sidhu, but fell with a century beckoning.

From the mid-1940s, ‘existentialist’ was used as shorthand for anyone who practised free love and stayed up late dancing to jazz music. As the actor and nightclubber Anne-Marie Cazalis remarked in her memoirs, ‘If you were twenty, in 1945, after four years of Occupation, freedom also meant the freedom to go to bed at 4 or 5 o’clock in the morning.’ It meant offending your elders and defying the order of things. It could also mean mingling promiscuously with different races and classes. The philosopher Gabriel Marcel heard a lady on a train saying, ‘Sir, what a horror, existentialism! I have a friend whose son is an existentialist; he lives in a kitchen with a Negro woman!’ The