Damn Tired Quotes

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Tired, tired with nothing, tired with everything, tired with the world’s weight he had never chosen to bear.
F. Scott Fitzgerald (The Beautiful and Damned)
Poor bastards," Cole said, his gaze still on the stars. "They must get pretty tired of watching us make the same damn mistakes all the time.
Maggie Stiefvater (Forever (The Wolves of Mercy Falls, #3))
I can't--I can't think about anything or anyone else," he whispered. A hand drifted up, dragging back through his hair. "I can't think straight when you're around. I can't sleep. It feels like I can't breathe--I just--" "Liam, please," I begged. "You're tired. You're barely over being sick. Let's just... Can we just go back to the others?" "I love you." He turned toward me, that agonized expression still on his face. "I love you every second of everyday, and I don't understand why, or how to make it stop--" He looked wild with pain; it pinned me in place, even before what he had said registered in my mind. "I know it's wrong; I know it down to my damn bones. And I feel like I'm sick. I'm trying to be a good person, but I can't. I can't do this anymore.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
Big dreams, are so damn tiring.
Andre Agassi (Open)
Is it time for your period, or something?" With unerring instinct, he'd found a great big red button, and pushed it. Wyatt fights to win, which means he fights dirty. I understand the concept because that's how I fight, too, but understanding it didn't stop me from reacting. I could practically feel my blood bubbling with steam. "What?" He turned around, all controlled aggression, and damned if he didn't push the button again. "What is it about having a period that makes women so bitchy?" ... It was an effort, but I said as sweetly as possible, "It isn't that we're bitchier, it's that having a period makes us feel all tired and achy, so we have less tolerance for all the bullshit we normally SUFFER IN SILENCE." By the time the sentence ended the sweetness was long gone, my jaw was clenched, and I think my eyes were bugging out. Wyatt took a step back, belatedly looking alarmed.
Linda Howard (Drop Dead Gorgeous (Blair Mallory, #2))
His tunic was unbuttoned at the top, and he ran a hand through his blue-black hair before he wordlessly slumped against the wall across from me and slid to the floor. "What do you want?" I demanded. "A moment of peace and quiet," he snapped, rubbing his temples. I paused. "From what?" He massaged his pale skin, making the corners of his eyes go up and down, out and in. He sighed. "From this mess." I sat up farther on my pallet of the hay. I'd never seen him so candid. "That damned bitch is running me ragged," he went on, and dropped his hands from his temples to lean his head against the wall. "You hate me. Imagine how you'd feel if I made you serve in my bedroom. I'm High Lord of the Night Court - not her harlot." So the slurs were true. And I could imagine very easily how much I would hate him - what it would do to me - to be enslaved to someone like that. "Why are you telling me this?" The swagger and nastiness were gone. "Because I'm tired and lonely, and you're the only person I can talk to without putting myself at risk." He let out a low laugh. "How absurd: a High Lord of Prythian and a - " "You can leave if you're just going to insult me." "But I'm so good at it". He flashed one of his grins. I glared at him, but he sighted. "One wrong move tomorrow, Freyre, and we're all doomed.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I get tired of hearing it's a crummy world and that people are no damned good. What kind of talk is that? I know a place in Payette, Idaho, where a cook and a waitress and a manager put everything they've got into laying a chicken-fried steak on you.
Robert Fulghum (All I Really Need to Know I Learned in Kindergarten)
...I’m tired of everyone looking at me with pity in their eyes. I’m tired of feeling like my heart is being ripped out of my chest every damned day. I’m tired of waking up in the morning, and then remembering...
A.B. Shepherd (Lifeboat)
Hey,” Shayne said through the door. “You going to stay in there all night, because we’re getting tired of trying to eavesdrop from out here. Can’t hear a damn thing.
Jill Shalvis (Smart and Sexy (Sky High Air, #1))
Cabel regards Janie and sighs. 'I know you can handle it, Janie. You're such a damn martyr. It's tiring, really, having this same argument with you every time you've got shit happening. Just let it go. I'm not leaving.' He smiles faux-diplomatically.
Lisa McMann (Gone (Wake, #3))
That was some first kiss,” she said with a tired, contented expression. I scanned her face and smiled. “Your last first kiss.” Abby blinked, and then I fell onto the mattress beside her, reaching across her bare middle. Suddenly the morning was something to look forward to. It would be our first day together, and instead of packing in poorly concealed misery, we could sleep in, spend a ridiculous amount of the morning in bed, and then just enjoy the day as a couple. That sounded pretty damn close to heaven to me. Three months ago, no one could have convinced me that I would feel that way. Now, there was nothing else I wanted more. A big, relaxing breath moved my chest up and down, relaxing slowly as I fell asleep next to the second woman I’d ever loved.
Jamie McGuire (Walking Disaster (Beautiful, #2))
I've been noble since they took you to the hospital," he said through his teeth. "I'm tired of it. I don't eat, I don't sleep, I can't even work. I remember your voice moaning in my ear like the cry of the damned while I was having you," he bit off, bending to her mouth. "You couldn't get enough of me. You couldn't get close enough to me. Your face when I fulfilled you....I ache every time I think about it.
Diana Palmer (Lawless (Long, Tall Texans #22))
The first thing you notice about New Orleans are the burying grounds - the cemeteries - and they're a cold proposition, one of the best things there are here. Going by, you try to be as quiet as possible, better to let them sleep. Greek, Roman, sepulchres- palatial mausoleums made to order, phantomesque, signs and symbols of hidden decay - ghosts of women and men who have sinned and who've died and are now living in tombs. The past doesn't pass away so quickly here. You could be dead for a long time. The ghosts race towards the light, you can almost hear the heavy breathing spirits, all determined to get somewhere. New Orleans, unlike a lot of those places you go back to and that don't have the magic anymore, still has got it. Night can swallow you up, yet none of it touches you. Around any corner, there's a promise of something daring and ideal and things are just getting going. There's something obscenely joyful behind every door, either that or somebody crying with their head in their hands. A lazy rhythm looms in the dreamy air and the atmosphere pulsates with bygone duels, past-life romance, comrades requesting comrades to aid them in some way. You can't see it, but you know it's here. Somebody is always sinking. Everyone seems to be from some very old Southern families. Either that or a foreigner. I like the way it is. There are a lot of places I like, but I like New Orleans better. There's a thousand different angles at any moment. At any time you could run into a ritual honoring some vaguely known queen. Bluebloods, titled persons like crazy drunks, lean weakly against the walls and drag themselves through the gutter. Even they seem to have insights you might want to listen to. No action seems inappropriate here. The city is one very long poem. Gardens full of pansies, pink petunias, opiates. Flower-bedecked shrines, white myrtles, bougainvillea and purple oleander stimulate your senses, make you feel cool and clear inside. Everything in New Orleans is a good idea. Bijou temple-type cottages and lyric cathedrals side by side. Houses and mansions, structures of wild grace. Italianate, Gothic, Romanesque, Greek Revival standing in a long line in the rain. Roman Catholic art. Sweeping front porches, turrets, cast-iron balconies, colonnades- 30-foot columns, gloriously beautiful- double pitched roofs, all the architecture of the whole wide world and it doesn't move. All that and a town square where public executions took place. In New Orleans you could almost see other dimensions. There's only one day at a time here, then it's tonight and then tomorrow will be today again. Chronic melancholia hanging from the trees. You never get tired of it. After a while you start to feel like a ghost from one of the tombs, like you're in a wax museum below crimson clouds. Spirit empire. Wealthy empire. One of Napoleon's generals, Lallemaud, was said to have come here to check it out, looking for a place for his commander to seek refuge after Waterloo. He scouted around and left, said that here the devil is damned, just like everybody else, only worse. The devil comes here and sighs. New Orleans. Exquisite, old-fashioned. A great place to live vicariously. Nothing makes any difference and you never feel hurt, a great place to really hit on things. Somebody puts something in front of you here and you might as well drink it. Great place to be intimate or do nothing. A place to come and hope you'll get smart - to feed pigeons looking for handouts
Bob Dylan (Chronicles, Volume One)
Whether I liked her or not, Vivian was my fiancée, and I was getting damn tired of hearing her name leave his mouth. “Don’t worry,” I said. “I’ll treat her exactly the way she deserves.
Ana Huang (King of Wrath (Kings of Sin, #1))
so damn beautiful." She grinned. "So you've said." Perched on his elbow, stretched alongside her body, he'd say it again and again until she tired of hearing it. "You're beautiful." "Uh huh." "So fucking bea-" "All right, Casanova. Enough!
Pam Godwin (Beneath the Burn)
Do you know about the spoons? Because you should. The Spoon Theory was created by a friend of mine, Christine Miserandino, to explain the limits you have when you live with chronic illness. Most healthy people have a seemingly infinite number of spoons at their disposal, each one representing the energy needed to do a task. You get up in the morning. That’s a spoon. You take a shower. That’s a spoon. You work, and play, and clean, and love, and hate, and that’s lots of damn spoons … but if you are young and healthy you still have spoons left over as you fall asleep and wait for the new supply of spoons to be delivered in the morning. But if you are sick or in pain, your exhaustion changes you and the number of spoons you have. Autoimmune disease or chronic pain like I have with my arthritis cuts down on your spoons. Depression or anxiety takes away even more. Maybe you only have six spoons to use that day. Sometimes you have even fewer. And you look at the things you need to do and realize that you don’t have enough spoons to do them all. If you clean the house you won’t have any spoons left to exercise. You can visit a friend but you won’t have enough spoons to drive yourself back home. You can accomplish everything a normal person does for hours but then you hit a wall and fall into bed thinking, “I wish I could stop breathing for an hour because it’s exhausting, all this inhaling and exhaling.” And then your husband sees you lying on the bed and raises his eyebrow seductively and you say, “No. I can’t have sex with you today because there aren’t enough spoons,” and he looks at you strangely because that sounds kinky, and not in a good way. And you know you should explain the Spoon Theory so he won’t get mad but you don’t have the energy to explain properly because you used your last spoon of the morning picking up his dry cleaning so instead you just defensively yell: “I SPENT ALL MY SPOONS ON YOUR LAUNDRY,” and he says, “What the … You can’t pay for dry cleaning with spoons. What is wrong with you?” Now you’re mad because this is his fault too but you’re too tired to fight out loud and so you have the argument in your mind, but it doesn’t go well because you’re too tired to defend yourself even in your head, and the critical internal voices take over and you’re too tired not to believe them. Then you get more depressed and the next day you wake up with even fewer spoons and so you try to make spoons out of caffeine and willpower but that never really works. The only thing that does work is realizing that your lack of spoons is not your fault, and to remind yourself of that fact over and over as you compare your fucked-up life to everyone else’s just-as-fucked-up-but-not-as-noticeably-to-outsiders lives. Really, the only people you should be comparing yourself to would be people who make you feel better by comparison. For instance, people who are in comas, because those people have no spoons at all and you don’t see anyone judging them. Personally, I always compare myself to Galileo because everyone knows he’s fantastic, but he has no spoons at all because he’s dead. So technically I’m better than Galileo because all I’ve done is take a shower and already I’ve accomplished more than him today. If we were having a competition I’d have beaten him in daily accomplishments every damn day of my life. But I’m not gloating because Galileo can’t control his current spoon supply any more than I can, and if Galileo couldn’t figure out how to keep his dwindling spoon supply I think it’s pretty unfair of me to judge myself for mine. I’ve learned to use my spoons wisely. To say no. To push myself, but not too hard. To try to enjoy the amazingness of life while teetering at the edge of terror and fatigue.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Look,” I began, “I get it. You don’t like me, but—” “I don’t like you?” He let out a low, flat laugh. One fell into the next, and it was awful—not at all him. He was half choking on them as he turned around, shaking his head. It almost sounded like a sob, the way his breath burst out of him. “I don’t like you,” he repeated, his face bleak. “I don’t like you?” “Liam—” I started, alarmed. “I can’t—I can’t think about anything or anyone else,” he whispered. A hand drifted up, dragging back through his hair. “I can’t think straight when you’re around. I can’t sleep. It feels like I can’t breathe—I just—” “Liam, please,” I begged. “You’re tired. You’re barely over being sick. Let’s just… Can we just go back to the others?” “I love you.” He turned toward me, that agonized expression still on his face. “I love you every second of every day, and I don’t understand why, or how to make it stop—” He looked wild with pain; it pinned me in place, even before what he had said registered in my mind. “I know it’s wrong; I know it down to my damn bones. And I feel like I’m sick. I’m trying to be a good person, but I can’t. I can’t do it anymore.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
If you can see a thing whole," he said, "it seems that it's always beautiful. Planets, lives. . . . But close up, a world's all dirt and rocks. And day to day, life's a hard job, you get tired, you loose the pattern. You need distance, interval. The way to see how beautiful earth is, is to see it from the moon. The way to see how beautiful life is, is from the vantage point of death." "That's all right for Urras. Let it stay off there and be the moon-I don't want it! But I am not going to stand up on a gravestone and look down on life and say, 'O lovely!' I want to see it whole right in the middle of it, here, now. I don't give a hoot for eternity." "It's nothing to do with eternity," said Shevek, grinning, a thin shaggy man of silver and shadow. "All you have to do to see life as a whole is to see it as mortal. I'll die, you'll die; how could we love each other otherwise? The sun's going to burn out, what else keeps it shining?" "Ah! your talk, your damned philosophy!" "Talk? It's not talk. It's not reason. It's hand's touch. I touch the wholeness, I hold it. Which is moonlight, which is Takver? How shall I fear death? When I hold it, when I hold in my hands the light-" "Don't be propertarian," Takver muttered. "Dear heart, don't cry." "I'm not crying. You are. Those are your tears." "I'm cold. The moonlight's cold." "Lie down." A great shiver went through his body as she took him in her arms. "I'm afraid, Takver," he whispered.
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
How beautiful to dream. But dreams, I tell Gil, in one of our quiet moments are so damned tiring. He laughs. I can't promise you that you won't be tired, he says. But please know this. There's a lot of good waiting for you on the other side of tired. Get yourself tired, Andre. That's where you're going to know yourself. On the other side of tired.
Andre Agassi (Open)
You are tired of being alone. You told me.” “You don’t know,” he said in a low, almost hostile voice. He shook his head. “I don’t even know what I’m doing with you. You’re not like anyone else who’s in my life—” He stopped abruptly. “Did you ever drink too much wine, Alice ?” He held up the glass in his hand and waggled it idly, making the ruby contents swirl. “I’m not one to overindulge.” “No, you wouldn’t be. Allow me to explain, then, that the more you drink, the more thirsty you become. Not all the wine in the world can assuage the thirst for water. Water. Wine makes you merry, but a man needs water to keep him alive. Pure, clean, sweet water. I am parched, Alice, scorched like a wasteland, burning like a damned soul in hell. I thirst.
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
«I am tired,» he said. «I did a lot today. That is, I did something. The only thing I have ever done. I pressed a button. It took the entire will power, the accumulated strength of my entire existence, to press one damned OFF button.» «You have lived well,» the Alien said.
Ursula K. Le Guin (The Lathe of Heaven)
I love you,” he repeated, a determined fire lighting his eyes. “It is one of the worst things I could ever do,” Aldrik confessed. “I swear to the Mother, I have tried not to damn you with it. But you’re a rather persistent, beautiful presence in my life. And, for once, the silver-tongued prince is tired of pretending.
Elise Kova (Fire Falling (Air Awakens, #2))
I'll be damned if I am not getting tired of this. It seems to be the profession of a President simply to hear other people talk.
William Howard Taft
Every time you feel sad and swallow down your tears, you abandon yourself. If somebody hurts you and you pretend that you are fine, you abandon yourself. Every time you don’t eat, or fail to feed yourself, you abandon yourself. If you are tired, but refuse to rest, you abandon yourself. If you drink too much and poison yourself with alcohol, you abandon yourself. If you don’t ask for what you need from somebody with whom you are intimate, you abandon yourself. The times when you resent putting somebody else’s needs before your own are the times when you are abandoning yourself. If you don’t ask for help when you need it, you abandon yourself.
Sally Brampton (Shoot the Damn Dog: A Memoir of Depression)
It hardly mattered. She was tired of waiting for him to acknowledge who he was. Tired of donning a false mask of gaiety when she was so much more—felt so much more—beneath. No one had ever noticed her mask. No one but him. If he couldn’t or wouldn’t make the first move, then damn it, she would.
Elizabeth Hoyt (Thief of Shadows (Maiden Lane, #4))
Public life in this country is too damn dominated by people who’d read more if only their lips didn’t get so tired.
Markham Shaw Pyle
I loved my husband. I loved my kids. I mostly liked my life. But I was so damn tired.
Camille Pagán (I'm Fine and Neither Are You)
For me… it was excruciating.” He closed his eyes for a moment then focused on her. “It is so painful to truly love someone so much and not have them. For years I practiced tolerating that pain. Around the time I was sixteen I could finally stand to look at you. So, I did, all the damn time. I watched you so carefully. I captured every smile, every frown, every tear from you. I wanted you… but I couldn’t have you. Then one day we became friends and the pain came back, but I didn’t care because you were my friend, my best friend. But when you kissed me, I realized the feeling I had before was nothing compared to what I felt when we kissed. I felt alive… and guilty and betrayed, because it’s not fair. It’s not fair for me to go through that… to want to kiss you every day, every hour, every minute for the rest of my miserable life, but I want to. I’m afraid that it will get to a point where I need to. I have been in love with you since I was eight years old. I have hated the way my father has treated me, but nothing has hurt me as much as the pain of my mother’s death except seeing you and my brother in bliss. What I want is for you to stay in this room with me. I want to feel how you feel, taste how you taste, and completely fall in you because I’m just… tired of always wanting what I can’t have. I want to make you smile, make you happy… I want to be inside you… I want to give you pleasure in every way… mind, body, and soul… I am completely, madly… and utterly in love with you… and it hurts… because I can’t have you. And it hurts because if there is a chance that I can then it is possible that it will turn out to be my tragedy and misfortune. And all I can say to that … I accept my tragedy… but I don’t wish it.
Chelsea Ballinger (The Kindness of Kings)
I tell you I'm tired of hearing it. There ain't nothing that happens to a person that ain't that person. The world out there only does what you tell it to do. The world is happening to you the way it is happening because you're telling yourself the story that way. If you want to change the world so damn bad, Ida, then where you got to start is how it is you're looking at it.
Tom Spanbauer (The Man Who Fell in Love with the Moon)
Sure you are," Jack replied. He sashayed up next to me, and yes, it was a sashay, he was far too damn smug for his good looks. Damn me for getting all girly inside at the sight of him coming over to rescue my damsel in distress. Then he became the ultimate man. He picked up the flat spare, looked at it, and said "Yep, it's flat." "What are you, a rocket scientist in your spare time?" "Only on the weekends.
Candice Gilmer (Fantasy Girl)
Where the hell is your guard?" She shouts. Damn if she doesn't sound like Haley. "I'm tired." "Do I look like I care? You're getting the hell pounded out of you. If you want to tap out, then tap out, but don't stand there and let him win.
Katie McGarry (Take Me On (Pushing the Limits, #4))
Trav just shook his head and grinned. “It’s my ring on your finger, Charlie. It’s our daughter asleep down the hall, and it’s me you beg for and my name you whisper.” He sighed, content and sleepy. His accent was always thicker when he was tired. “I know damn well who you belong to. And you do too.
N.R. Walker (Red Dirt Heart Imago (Red Dirt #4.5, Imago #2.5))
You know, Chase, one of these days you're going to need me. You might need help changing a tire, or you can't figure out a gas pump, or, damn," she smacked her forehead, "you bought the wrong brand of spark plugs and need me to get you different ones, and you'll be sorry you were such a prick to me and didn't become my friend.
Harper Bentley
She thought she loved him. What do you have in your pocket?” He smiled, drew out the gray button that had fallen off her very ugly suit the first day they’d met. “See?” She couldn’t say why that stupid button moved her so damn much. “People in love keep things. Sentimental things.” “What do you have?” She pulled the chain, and the tear-shaped diamond from under her shirt. “I wouldn’t wear this for anybody but you. It’s embarrassing. And—” “Ah, something else.” “Shit. I’m tired. It makes me gabby. I have one of your shirts.” His brow creased in absolute bafflement. “My shirts?” “In my drawer, under a bunch of stuff. You lent it to me the morning after our first night together. It still sort of smells like you.” For a moment, the worry on his face simply dissolved. “I believe that’s the sweetest thing you’ve said to me in all our time together.” “Well, I owed you. Besides, you have enough shirts to outfit a Broadway troupe. So, help me toss the room?” “Absolutely.
J.D. Robb (New York to Dallas (In Death, #33))
I figured if I was tired enough, I wouldn’t miss Travis. Which kind of worked, until after the three o’clock fussing-wombat feed and I got back into bed and his side of the bed was cold. Or until I tripped over his laundry that he’d left on the bathroom floor. That he always left on the bathroom floor. Or until I sat at the table at breakfast time and his chair was too damn empty. There was no smartarse comments, no bursts of laughter. His blue eyes didn’t spark with humour and his sandy-blond hair didn't spike out just so. There was no foot-holding under the table.
N.R. Walker (Red Dirt Heart 3 (Red Dirt, #3))
Unerringly locating Riley's dick in his loose dress pants, Jack grabbed it forcefully and leaned close to Riley's ear, hearing the quick indrawn breath from his husband. A spark of lust flashed through his own body as he contemplated what to do next. Finally he decided. He was tired of all the pussy-footing around, and the darkness of the hallway invited sin. He moved his hand on Riley's hard dick, listening to the groan in Riley's throat. Riley, you know who this belongs to? This belongs to me." He gentled the touch, twisting his hand. "I saw you flirting and sharing with those girls out there, and I'm telling you now, I don't share. No one else gets to see this. No one else gets to touch it. No one else gets to taste it. Just me. It's mine for one whole year, and I have the contract to prove it." Riley tried to form a reply as Jack moved his hand again. It was good to see the other man speechless for once. "Don't worry though, husband.I'm gonna treat it so good. I've decided that I'm gonna make it,and you, feel so damn good you'll never look at another woman again. You only have to say the word, and I'll show you what you signed up for." His voice fell into a heated whisper, the words low and drawled. Now do we need to get out of here? I'm thinking I might need to take you home and show you who you belong to." Riley's eyes widened, his dick fully hard, iron in Jack's clever hands. "I can make you scream. You wouldn't even know your name when I finished with you." "Jack—please." Riley's voice was broken. Everything Jack wanted to hear. "Please?" Riley blinked, unconsciously pushing his groin into Jack's hold. Jack knew what followed next was certainly not a decision Riley made with his upstairs brain. "Fuck, Jack. Let's get the hell out of here.
R.J. Scott (The Heart of Texas (Texas, #1))
I don't give a damn about geography, but I'll note that Vance has transcended one of the most authentically Appalachian experiences of them all: watching someone with tired ideas about race and culture get famous by selling cheap stereotypes abou the region.
Elizabeth Catte (What You Are Getting Wrong About Appalachia)
I’m tired of religious people being a loud, loveless noise in the world while supposedly claiming to speak for a God who is love.
John Pavlovitz (Stuff That Needs To Be Said: Essential Words on Life, Death, Faith, Politics, Love, and Giving a Damn)
Yet her tired heart, beating until it shook her breasts, made her sure that there was still life in her, desperately shaken, threatened…
F. Scott Fitzgerald (The Beautiful and Damned)
They awoke, nauseated and tired, dispirited with life, capable only of one pervasive emotion – fear.
F. Scott Fitzgerald (The Beautiful and Damned)
I’m so damn tired of you blaming me for that accident. It happened. Could have been you instead of me. It could have happened to anyone. It just so happen that it happened to us.
Francois Houle (It Happened to Us)
We are bored in the city, to still discover mysteries on the signs along the street, latest state of humor and poetry, requires getting damned tired... Gilles Ivain (aka Ivan Chtcheglov)
Tom McDonough (The Situationists and the City: A Reader)
Finally,” I say, brushing past him as I make my way inside. The heavenly scent of something delicious lights up my senses. “Come in,” he says with a note of sarcasm. Marshall strides over and takes me in with my hair all frizzed out, my sweater torn in two places and I look like I’ve just indulged in a mud bath. A dirty smile slides up the side of his face and I can practically see the pornographic implications playing out in his mind. “You’re absolutely filthy—and I most definitely approve.” His smile blooms into an all-out sexual leer as he comes in close. “I might be moved to bathe you.” He caresses his hand over the side of my cheek. I’m so damn tired I close my eyes and lean into his good vibrations. “Oh, how I’ll scrub,” he whispers.
Addison Moore (Toxic Part Two (Celestra, #7.5))
Man comes into the world a blind, groping mite. He knows hunger and the fear of noise and of falling. His life is spent in flight - flight from hunger and from the thunderbolt of destiny. From his moment of birth he begins to fall through the whistling air of Time: down, down into a chasm of darkness . . . we come like a breath of wind over the fields of morning. We go like a lamp flame caught by a blast from a darkened window. In between we journey from table to table, from battle to bottle, from bed to bed. We suck, we chew, we swallow, we lick, we try to mash life into us like an am-am-amoeba God damn it! Somebody lets us loose like a toad out of a matchbox and we jump and jump and jump and the guy always behind us, and when he gets tired he stomps us to death and our guts squirt out on each side of the boot of All Merciful Providence. The son-of-a-bitch!
William Lindsay Gresham (Nightmare Alley)
Involved. At least that was the right word, Alsana reflected, as she liftes her foot off the pedal, and let the wheel spin a few times alone before coming to a squeaky halt. Sometimes, here in England, especially at bus-stops and on the daytime soaps, you heard people say “We’re involved with each other,” as if this were a most wonderful state to be in, as if one chose it and enjoyed it. Alsana never thought of it that way. Involved happened over a long period of time, pulling you in like quicksand. Involved is what befell the moon-faced Alsana Begum and the handsome Samad Miah one week after they’d been pushed into a Delhi breakfast room together and informed they were to marry. Involved was the result when Clara Bowden met Archie Jones at the bottom of some stairs. Involved swallowed up a girl called Ambrosia and a boy called Charlie (yes, Clara had told her that sorry tale) the second they kissed in the larder of a guest house. Involved is neither good, nor bad. It is just a consequence of living, a consequence of occupation and immigration, of empires and expansion, of living in each other’s pockets… one becomes involved and it is a long trek back to being uninvolved. And the woman was right, one didn’t do it for one’s health. Nothing this late in the century was done with health in mind. Alsana was no dummy when it came to the Modern Condition. She watched the talk shows, all day long she watched the talk shows — My wife slept with my brother, My mother won’t stay out of my boyfriend’s life — and the microphone holder, whether it be Tanned Man with White Teeth or Scary Married Couple, always asked the same damn silly question: But why do you feel the need…? Wrong! Alsana had to explain it to them through the screen. You blockhead; they are not wanting this, they are not willing it — they are just involved, see? They walk IN and they get trapped between the revolving doors of those two v’s. Involved. Just a tired inevitable fact. Something in the way Joyce said it, involved — wearied, slightly acid — suggested to Alsana that the word meant the same thing to hear. An enormous web you spin to catch yourself.
Zadie Smith (White Teeth)
And now it's your turn. You're the only one left, and I know you're here, somewhere. Maybe you're in the back of one of the closets, whimpering a prayer that I won't find you. Maybe you've holed up in some secret hiding place you've known about since childhood and are damning me to hell, hoping I'll grow tired of this game we're playing and just leave you alone. This IS a big house. But I am very thorough. You've been very patient as I've gone around blocking the doors and wedging the windows shut. I didn't hear a peep out of you, even though you must have known that each scrape of wood, each rattle of metal meant another escape route closed off. Maybe you've accepted that there is NO escape.
Stefan R. Dziemianowicz (Bloody Mary and Other Tales for a Dark Night)
He was a drug dealer.” It hurts to say that. “And possibly a gang member.” “Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?” I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it." "Right. Lack of opportunities," Daddy says. "Corporate America don't bring jobs to our communities, and they damn sure ain't quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don't prepare us well enough.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
I'd planned to die at thirty, and then I'd push it on ten years, forty, and then fifty, You always push it on. And then you go on and on and on. It's difficult. Too much trouble. I've thought about death a great deal. One day in the snow I felt so tired. I thought, 'Damn it, I'll sit down. I can't go on. I'm tired of living here in the snow and ice.' So I sat down on the ground. But it was so cold I got up. Oh yes, I used to try to imagine death, but I always come up against a wall.
Jean Rhys
The key is to just get on the bike, and the key to getting on the bike…is to stop thinking about “there are a bunch of reasons I might fall off ” and just hop on and peddle the damned thing. You can pick up a map, a tire pump, and better footwear along the way.
Varun Agarwal (How I Braved Anu Aunty & Co-Founded A Million Dollar Company)
While dragging herself up she had to hang onto the rail. Her twisted progress was that of a cripple. Once on the open deck she felt the solid impact of the black night, and the mobility of the accidental home she was about to leave. Although Lucette had never died before—no, dived before, Violet—from such a height, in such a disorder of shadows and snaking reflections, she went with hardly a splash through the wave that humped to welcome her. That perfect end was spoiled by her instinctively surfacing in an immediate sweep — instead of surrendering under water to her drugged lassitude as she had planned to do on her last night ashore if it ever did come to this. The silly girl had not rehearsed the technique of suicide as, say, free-fall parachutists do every day in the element of another chapter. Owing to the tumultuous swell and her not being sure which way to peer through the spray and the darkness and her own tentaclinging hair—t,a,c,l—she could not make out the lights of the liner, an easily imagined many-eyed bulk mightily receding in heartless triumph. Now I’ve lost my next note. Got it. The sky was also heartless and dark, and her body, her head,and particularly those damned thirsty trousers, felt clogged with Oceanus Nox, n,o,x. At every slap and splash of cold wild salt, she heaved with anise-flavored nausea and there was an increasing number, okay, or numbness, in her neck and arms. As she began losing track of herself, she thought it proper to inform a series of receding Lucettes—telling them to pass it on and on in a trick-crystal regression—that what death amounted to was only a more complete assortment of the infinite fractions of solitude. She did not see her whole life flash before her as we all were afraid she might have done; the red rubber of a favorite doll remained safely decomposed among the myosotes of an un-analyzable brook; but she did see a few odds and ends as she swam like a dilettante Tobakoff in a circle of brief panic and merciful torpor. She saw a pair of new vairfurred bedroom slippers, which Brigitte had forgotten to pack; she saw Van wiping his mouth before answering, and then, still withholding the answer, throwing his napkin on the table as they both got up; and she saw a girl with long black hair quickly bend in passing to clap her hands over a dackel in a half-tom wreath. A brilliantly illumined motorboat was launched from the not-too-distant ship with Van and the swimming coach and the oilskin-hooded Toby among the would-be saviors; but by that time a lot of sea had rolled by and Lucette was too tired to wait. Then the night was filled with the rattle of an old but still strong helicopter. Its diligent beam could spot only the dark head of Van, who, having been propelled out of the boat when it shied from its own sudden shadow, kept bobbing and bawling the drowned girl’s name in the black, foam-veined, complicated waters.
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
tonight this room is smoky and I am alone listening to the silence. I am tired of waiting on life, it was so slow to arrive and so quick to leave. the streets and the cities are empty, love is on the damned cross and death laughs in the back room. at the edge, the edge, the edge.
Charles Bukowski (Sifting Through the Madness for the Word, the Line, the Way: New Poems)
Juniper doesn’t follow all the details—she stopped going to Miss Hurston’s one-room schoolhouse at ten because after her sisters left there was no one to make her go—but she understands what Miss Stone is asking. She’s asking: Aren’t you tired yet? Of being cast down and cast aside? Of making do with crumbs when once we wore crowns? She’s asking: Aren’t you angry yet? And oh, Juniper is. At her mama for dying too soon and her daddy for not dying sooner. At her dumbshit cousin for getting the land that should have been hers. At her sisters for leaving and herself for missing them. At the whole Saints-damned world. Juniper feels like a soldier with a loaded rifle, finally shown something she can shoot. Like a girl with a lit match, finally shown something she can burn.
Alix E. Harrow (The Once and Future Witches)
She would be twenty-nine in February. The month assumed an ominous and inescapable significance—making her wonder, through these nebulous half-fevered hours whether after all she had not wasted her faintly tired beauty, whether there was such a thing as use for any quality bounded by a harsh and inevitable mortality. Years
F. Scott Fitzgerald (The Beautiful and Damned)
You're back early from Chicago," Jim remarked, seemingly oblivious to his friend's cold reserve. "I wonder why?" "You know damned well why," Nick retorted grimly. Jim's brows lifted, but he turned his tawny, appreciative gaze on Lauren. "I'd tell you how gorgeous you look,but at the moment,Nick is already restraining the urge to knock my teeth down my throat. "Why?" Lauren gasped, her own gaze flying to Nick's granite features. Jim answered with a chuckle. "It has something to do with two dozen red roses and a kiss he witnessed.He's forgotten about a girl I was in love with once but couldn't quite get up the nerve to ask to marry me. He got tired of waiting for me to bolster my courage, so he sent Ericka two dozen-" Nick's breath exploded in laughter. "You bastard," he said good-naturedly, and this time his handclasp was sincere.
Judith McNaught (Double Standards)
A’ight, so what do you think it means?” “You don’t know?” I ask. “I know. I wanna hear what YOU think.” Here he goes. Picking my brain. “Khalil said it’s about what society feeds us as youth and how it comes back and bites them later,” I say. “I think it’s about more than youth though. I think it’s about us, period.” “Us who?” he asks. “Black people, minorities, poor people. Everybody at the bottom in society.” “The oppressed,” says Daddy. “Yeah. We’re the ones who get the short end of the stick, but we’re the ones they fear the most. That’s why the government targeted the Black Panthers, right? Because they were scared of the Panthers?” “Uh-huh,” Daddy says. “The Panthers educated and empowered the people. That tactic of empowering the oppressed goes even further back than the Panthers though. Name one.” Is he serious? He always makes me think. This one takes me a second. “The slave rebellion of 1831,” I say. “Nat Turner empowered and educated other slaves, and it led to one of the biggest slave revolts in history.” “A’ight, a’ight. You on it.” He gives me dap. “So, what’s the hate they’re giving the ‘little infants’ in today’s society?” “Racism?” “You gotta get a li’l more detailed than that. Think ’bout Khalil and his whole situation. Before he died.” “He was a drug dealer.” It hurts to say that. “And possibly a gang member.” “Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?” I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it.” “Right. Lack of opportunities,” Daddy says. “Corporate America don’t bring jobs to our communities, and they damn sure ain’t quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don’t prepare us well enough. That’s why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don’t get the resources to equip you like Williamson does. It’s easier to find some crack than it is to find a good school around here. “Now, think ’bout this,” he says. “How did the drugs even get in our neighborhood? This is a multibillion-dollar industry we talking ’bout, baby. That shit is flown into our communities, but I don’t know anybody with a private jet. Do you?” “No.” “Exactly. Drugs come from somewhere, and they’re destroying our community,” he says. “You got folks like Brenda, who think they need them to survive, and then you got the Khalils, who think they need to sell them to survive. The Brendas can’t get jobs unless they’re clean, and they can’t pay for rehab unless they got jobs. When the Khalils get arrested for selling drugs, they either spend most of their life in prison, another billion-dollar industry, or they have a hard time getting a real job and probably start selling drugs again. That’s the hate they’re giving us, baby, a system designed against us. That’s Thug Life.
Angie Thomas (The Hate U Give (The Hate U Give, #1))
There is no getting away from a wave that has got your name on it. The tide will come in whether you want it to or not. And there really is not a damn thing you can do to stop it, reverse it, or even delay it. Forget it. You have to plant your feet solidly in the sand and get yourself anchored. And then you have to be ready to take some direct hits from the water. You loosen your body and move with each wave. You get salt in your nose and mouth, and the ocean racks sand and stones over your feet and legs. Your eyes sting, and you feel so tired. But there is really nothing else to do. The tide will come and go. The sun will be warm again, and the salt on your skin will remind you of what you have done. And you will rest your tired body on the shore, falling into that delicious sleep that comes from knowing you are right.
Martha Manning (Undercurrents: A Life Beneath the Surface)
Laya took him by the shoulders, and the force of her grasp stopped him. "This Jannart - the man you loved," she said, looking him dead think he would want you to give up, or carry on "I don't want to carry on! Do you not understand? Does nobody in this world understand, damn you? Is no one else haunted?" A quiver of wrath entered his voice. "Everything I did - everything I was – everything I am, is because of him. He was someone before me. I am no one without him. I am tired of living without him at my side. He left me for that book and, by the Saint, I resent him for it. I resent him every minute of every day." His voice cracked. "You Lasians believe in an afterlife, don't you?" Laya studied him. "Some of us, yes. The Orchard of Divinities," she said. "He may be waiting for you there, or at the Great Table of the Saint. Or perhaps he is nowhere at all. Whatever has become of him, you are still here. And you are here for a reason.’ She held a callused palm to his cheek. ‘You have a ghost, Niclays. Do not become a ghost yourself.
Samantha Shannon (The Priory of the Orange Tree (The Roots of Chaos, #1))
He was too damn old to run now, too tired of that romantic idea of freedom that infected the heads of the young and later killed most of them with crushing disappointment. The Cassinis had always made sure he was just comfortable enough to want to sit tight and not risk the generosities they’d afforded him, and the older he got, the more comfortable he became. Comfort had a way of killing the romance in just about everybody.
Allison M. Dickson (Strings)
Cradling her to his chest, he cursed himself for taking too much blood. He was certain he hadn't taken enough for her to need a transfusion, but it had clearly left her weak. "I'm so sorry," he whispered, glad she hadn't found the deed in his thoughts. He had feared he wouldn't be able to hide it from her. The dog began to whine again. "It's okay, boy," he murmured. "She's okay. She's just tired." Several minutes passed while he stroked her hair and held her close despite the pain it caused. She was petite and looked as though she only weighed about a hundred pounds. After spending all damned night digging his sorry ass up, no wonder she passed out. "I haven't seen it yet," she mumbled against his neck as consciousness returned, "but I'm willing to bet your ass is actually quite nice." Startled laughter escaped him, inspiring another groan. "Don't make me laugh. It hurts too much." "Sorry. I couldn't resist.
Dianne Duvall (Awaken the Darkness (Immortal Guardians #8))
I don’t want to fucking leave. I don’t want to argue. I don’t want to hate myself. I don’t want to blame you. I’m tired of being angry at them, but damn them and…damn you, Cecelia, you were never supposed to know them, you were never,” his face twists with fury as my heart seizes, “you were…” He jerks me to stand, pulling me against him, anger rolling off his frame, anguish in his eyes. “Yours. I was always supposed to be yours,” I say as he nods and crushes me with his kiss.
Kate Stewart (Exodus (The Ravenhood Duet, #2))
Life kept going no matter what. And I tried to keep up. I really did. I ran and I ran and I ran. Hurdling every obstacle in my way. But I was tired. I was so damn tired of trying to keep up. Of hurdling one obstacle after another, only to find more in my path. And in the end, where did all of that running and jumping get me? Nowhere. My life was a freaking treadmill and it felt like someone kept upping the speed until I was running full sprint just trying not to fall on my face.
Jamie Canosa (Pieces of My Heart (Pieces, #2))
The air of a deposed prince. falsehood as restorative-if they wouldnt do that if they wouldnt do all that they do. the body as traitor the body as foe. she's thinking about mythology,about reluctant daphne/ relentless apollo. if she could, as daphne did, cry out to mother earth for protection. and have every suitors find a laurel tree in his arms. people would still look up to her. misjudge her. misunderstand her. worship her evn[damn druids]. or carve someone elses name into her. 'oh sweetie dont take things so seriously: the world is your oister' just as she thot, the world is something slimy in a shell. he's so proud of his knavery. okay, she's been vainglorious about her sins too but shes tired of that. 'if you love someone you accept him as he is, but if you accept him as he is than you dont really love him because if you did youd want whats best for him and that usually means he should be better than he is. a meadowy susuration that she used to pretend to like. but not anymore. shes sick of 'huh?' too, that interjection of ignorance. 'love in action is a harsh and dreadful thing compared to love in dreams.'-Feodor Dostoyevsky. she wants to kiss him. but just in some neutral way. some agape-not-eros way. like disciples kiss. or brave french freedom fighters. 'for i the Lord thy God am a jealous God, visisting the iniquity of the fathers upon the children'-Exodus 20:5 'its just stuff that i thot was interesting. its not, you know, a rorshach. its not like somebody could read this and figure me out.' 'transylvania has beautiful nights. ill just open the window and slip out of this cumbersome crucfix.' 'like the Torah said, dont just hate somebody in your heart; rebuke him.'" -Margaux with an X
Ron Koertge
Meanwhile, Kev wondered what to do about Win. It seemed that love was working through him inexorably, more erotic and sweet and disorienting than raw opium. More pervasive than oxygen from air. He was so damn tired of trying to resist it. Cam had been right. You could never predict what would happen. All you could do was love her. Very well. He would give in to it, to her, without trying to qualify or control anything. He would surrender. He would come out of the shadows for good. He took a long, slow breath and let it out. I love you, he thought, looking at Win. I love every part of you, every thought and word... the entire complex, fascinating bundle of all the things you are. I want you with ten different kinds of need at once. I love all the seasons of you, the way you are now, the thought of how much more beautiful you'll be in the decades to come. I love you for being the answer to every question my heart could ask. And it seemed so easy, once he capitulated. It seemed natural and right.
Lisa Kleypas (Seduce Me at Sunrise (The Hathaways, #2))
Another suitor you failed to mention?" he asked, only half in jest. Her eyes widened innocently, she started to shake her head - and froze. "Look mister," Jim said tiredly. "I don't know who you are, and I don't care. You're too damn old for her-" "Hi, Daddy.
Connie Brockway (The Other Guy's Bride (Braxton, #2))
How old are you?” “Twenty-seven.” Twenty-seven. Older than she’d thought. But still… “I’m thirty-four.” He lifted a shoulder. “So?” So? Joss sighed. “That’s seven years older than you.” He grinned. “Seven years more experienced.” Joss suppressed the urge to laugh hysterically. If he thought he’d be getting some kind of well-honed tantric experience from her, he’d be sorely let down. She was too damn tired to be some kind of Mrs. Robinson. Like he even needed one. “Look, you’re very sweet—” His dramatic wince interrupted her. “Is there where you pat me on the head and tell me to run along now?” It was Joss’s turn to laugh. “Something like that.” “Are you sure I can’t interest you?” He set his broad grin to stun. “I’m really very good with my hands.” Joss didn’t doubt it. “To which my flat tire can attest. But trust me, there are plenty of pretty girls your age in town who would happily volunteer for a demonstration.” And Joss was blindingly envious of every one of them. He slid his hands into his back pockets and set his jaw. “What if I don’t want a girl? What if I want a woman?
Amy Andrews (Troy (American Extreme Bull Riders Tour, #5))
[...] "I owe you", says "Your shoes are filling with your own damn blood, you must want something, just tell me, and it’s yours." But I can’t look at him, can hardly speak, I took the bullet for all the wrong reasons, I’d just as soon kill you myself, I say. You keep saying "I owe you, I owe…" but you say the same thing every time. Let’s not talk about it, let’s just not talk. Not because I don’t believe it, not because I want it any different, but I’m always saving and you’re always owing and I’m tired of asking to settle the debt. Don’t bother. You never mean it anyway, not really, and it only makes me that much more ashamed. There’s only one thing I want, don’t make me say it, just get me bandages, I’m bleeding, I’m not just making conversation. There’s smashed glass glittering everywhere like stars. It’s a Western, Henry, it’s a downright shoot-em-up. We’ve made a graveyard out of the bone white afternoon. It’s another wrong-man-dies scenario and we keep doing it, Henry, keep saying until we get it right… but we always win and we never quit, see, we’ve won again, here we are at the place where I get to beg for it [...]
Richard Siken (Crush)
You always look so damn happy to see me," he said, low. "And it's like a fist in my gut, every time. I wait for it not to happen, for you to get used to me, or maybe you're tired or you had a bad day, so you're in no mood to shine, but no. There's always that smile." - Ty, Chapter Twenty-One
Ann Aguirre
After watching—with a twinge of satisfaction—the letters burn to ashes in the fireplace, Evie felt sleepy. She went to the master bedroom for a nap. In spite of her weariness, it was difficult to relax while she was worried about Sebastian. Her thoughts chased round and round, until her tired brain put an end to the useless fretting and she dropped off to sleep. When she awakened an hour or so later, Sebastian was sitting on the bed beside her, a lock of her bright hair clasped loosely between a thumb and forefinger. He was watching her closely, his eyes the color of heaven at daybreak. She sat up and smiled self-consciously. Gently Sebastian stroked back her tumbled hair. “You look like a little girl when you sleep,” he murmured. “It makes me want to guard you every minute.” “Did you find Mr. Bullard?” “Yes, and no. First tell me what you did while I was gone.” “I helped Cam to arrange things in the office. And I burned all your letters from lovelorn ladies. The blaze was so large, I’m surprised no one sent for a fire brigade.” His lips curved in a smile, but his gaze probed hers carefully. “Did you read any of them?” Evie lifted a shoulder in a nonchalant half shrug. “A few. There were inquiries as to whether or not you’ve yet tired of your wife.” “No.” Sebastian drew his palm along the line of her thigh. “I’m tired of countless evenings of repetitive gossip and tepid flirtation. I’m tired of meaningless encounters with women who bore me senseless. They’re all the same to me, you know. I’ve never given a damn about anyone but you.” “I don’t blame them for wanting you,” Evie said, looping her arms around his neck. “But I’m not willing to share.” “You won’t have to.” He cupped her face in his hands and pressed a swift kiss to her lips.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
You can take it from me, Averil, that a man who's not doing the work he wants to do—the work he was made to do—is only half a man. I tell you as surely as I'm standing here, that if you take Rupert Cargill away from his work and make it impossible for him to go on with that work, the day will come when you will have to stand by and see the man you love unhappy, unfulfilled—old before his time—tired and disheartened—only living with half his life. And if you think your love, or any woman's love, can make up to him for that, then I tell you plainly that you're a damned sentimental little fool.
Mary Westmacott (Absent in the Spring)
She’s always been beautiful. But her by my side while I battle my demons? It’s a look that can’t compare.  “Focus on the damn road!”  “I’m confused. Did you expect me to go slow?” I push against the accelerator, surging past Noah’s car and cutting him off. I press my foot on the brake and smoke billows from the tires.  “Oh, God. I’m sorry I don’t pray to you enough, but now is the best time. Please don’t let me die.” She presses her palms together.  I chuckle, switching gears to match the curves and straights of the track. “You’ll only die when my tongue is fucking you into oblivion. I promise.
Lauren Asher (Redeemed (Dirty Air, #4))
La différence de ceux qui sont frappés demeure dans la ressemblance des maux qui les frappent ; et pour être exposés aux mêmes tourments, la vertu et le vice ne se confondent pas. Car, comme un même feu fait briller l’or et noircir la paille, comme un même fléau écrase le chaume et purifie le froment, ou encore, comme le marc ne se mêle pas avec l’huile, quoiqu’il soit tiré de l’olive par le même pressoir, ainsi un même malheur, venant à tomber sur les bons et sur les méchants, éprouve, purifie et fait resplendir les uns, tandis qu’il damne, écrase et anéantit les autres. C’est pour cela qu’en une même affliction, les méchants blasphèment contre Dieu, les bons, au contraire, le prient et le bénissent : tant il importe de considérer, non les maux qu’on souffre, mais l’esprit dans lequel on les subit ; car le même mouvement qui tire de la boue une odeur fétide, imprimé à un vase de parfums, en fait sortir les plus douces exhalaisons.
Augustine of Hippo (Saint Augustin: les 9 oeuvres majeures et complètes (Les confessions, La cité de Dieu, De la trinité, Traité du libre arbitre...) (French Edition))
You will not get over your ex all at once. You’ll get over them through a series of tiny, tender moments that bring you quietly back to yourself. And in some ways they’ll never really leave you. The people who change us in those big, irrevocable ways never do. To get over them we’d have to alter ourselves into people so unrecognizable that we’d lose who we are in the process. And so instead we learn to integrate the influence they had – the books you now read because of topics that they turned you on to. The music you now download because of the lyrics they loved. The ways you now look at the world that would never had occurred to you if they had not opened your eyes up to seeing and doing things differently. We don’t ever lose people we love in their entirety and perhaps we never should – we ourselves become bigger, more encompassing people because of it. You’ll get over your ex the day you realize that you damn well may never get over them. That pieces of them are going to live on inside you forever and that discarding them would mean discarding parts of yourself. But the day that you get to move on is the day you simply decide to do so in spite of it – in spite of the tired, restless ache that begs you not to take a chance. In spite of the fearful, self-conscious mind that tells you nobody will ever love you better. In spite of every careless part of you that wants to keep holding on but knows that it needs to let go. The day when you finally move on is the day you decide move forward – with all of your fear, all your pain and all your subtle hesitations. It’s the day you finally get over yourself.
Heidi Priebe (This Is Me Letting You Go)
Brian closed the condition book, pressed his fingers to his tired eyes. Like Paddy, he wasn't quite sure he trusted the computer, but he was willing to fiddle with it a bit. Three times a week he spent an hour trying to figure the damn thing out ith the notion that eventually he could use it to generate his charts. Graphics, they called it, he thought, shifting to give the machine a suspicious glare.Timesaving and efficient, if you believed all the hype. Well,tonight he was to damn tired to spend an hour trying to be timesaving and efficient. He hadn't had a decent night's sleep in a week. Which had nothing to do with his job, he admitted. And everything to do with his boss's daughter.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
But when we go in, watch where you step.” “Why?” Taking her arm, he started for the entrance, again surveying the area all around them. “You have land mines hidden around?” Priss ignored him. “It’s this way.” She took the lead, steering him toward the side entrance. Nearby police sirens screamed, competing with music from the bar next door. “I’m on the second floor.” They passed a hooker fondling a man against the brisk facing of the building. Priss stepped over and around a broken bottle. Tires squealed and someone shouted profanities. Distaste left a sour expression on Trace’s face. “This dive needs to be condemned.” “Maybe, but it’s shady enough that no one asked me any questions when I checked in.” “It’s also shady enough that you could get mugged, raped or murdered in the damned lot and no one would notice.” Priss shook her head. “I’m not worried about that.” They went up the metal stairs, precariously attached to the structure. After muttering a rude sound, Trace said, “There’s a lot you should be worried about, but aren’t.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
And if we don't keep moving, we won't make it to a computer in time to stop the submarine sale because we'll have to spend a second night in the jungle, surrounded by friggin' pit vipers. In the rain. And I am sick and tired of the rain. I want to get a roof over our heads and dry clothes for you because I can see right through your damn shirt and it's driving me crazy.
Melissa Cutler (Tempted into Danger (ICE: Black Ops Defenders, #1))
She could smell the wrongness in the air and it made her wolf nervous. It felt like something was watching them, as if the wrongness had an intelligence— and it didn't help to remember that at least one of the people they were hunting could hide from their senses. Anna fought the urge to turn around, to take Charles's hand or slide under his arm and let his presence drive away the wrongness. Once, she would have, but now she had the uneasy feeling that he might back away as he almost had when she sat on his lap in the boat, before Brother Wolf had taken over. Maybe he was just tired of her. She had been telling everyone that there was something wrong with him...but Bran knew his son and thought the problem was her. Bran was smart and perceptive; she ought to have considered that he was right. Charles was old. He'd seen and experienced so much—next to him she was just a child. His wolf had chosen her without consulting Charles at all. Maybe he'd have preferred someone who knew more. Someone beautiful and clever who... "Anna?" said Charles. "What's wrong? Are you crying?" He moved in front of her and stopped, forcing her to stop walking, too. She opened her mouth and his fingers touched her wet cheeks. "Anna," he said, his body going still. "Call on your wolf." "You should have someone stronger," she told him miserably. "Someone who could help you when you need it, instead of getting sent home because I can't endure what you have to do. If I weren't Omega, if I were dominant like Sage, I could have helped you." "There is no one stronger," Charles told her. "It's the taint from the black magic. Call your wolf." "You don't want me anymore," she whispered. And once the words were out she knew they were true. He would say the things that he thought she wanted to hear because he was a kind man. But they would be lies. The truth was in the way he closed down the bond between them so she wouldn't hear things that would hurt her. Charles was a dominant wolf and dominant wolves were driven to protect those weaker than themselves. And he saw her as so much weaker. "I love you," he told her. "Now, call your wolf." She ignored his order—he knew better than to give her orders. He said he loved her; it sounded like the truth. But he was old and clever and Anna knew that, when push came to shove, he could lie and make anyone believe it. Knew it because he lied to her now—and it sounded like the truth. "I'm sorry," she told him. "I'll go away—" And suddenly her back was against a tree and his face was a hairsbreadth from hers. His long hot body was pressed against her from her knees to her chest—he'd have to bend to do that. He was a lot taller than her, though she wasn't short. Anna shuddered as the warmth of his body started to penetrate the cold that had swallowed hers. Charles waited like a hunter, waited for her to wiggle and see that she was truly trapped. Waited while she caught her breathe. Waited until she looked into his eyes. Then he snarled at her. "You are not leaving me." It was an order, and she didn't have to follow anyone's orders. That was part of being Omega instead of a regular werewolf—who might have had a snowball's chance in hell of being a proper mate. "You need someone stronger," Anna told him again. "So you wouldn't have to hide when you're hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding." She hated crying. Tears were weaknesses that could be exploited and they never solves a damn thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke. Instead of fighting his grip, she tried to slide out of it. "I need to go," she said to his chest. "I need—" His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body. "Me," Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth,...
Patricia Briggs (Fair Game (Alpha & Omega, #3))
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
How are things going with your brothers?” “The judge set a date to hear me out after graduation. Mrs.Collins has been prepping me.” “That is awesome!” “Yeah.” “What’s wrong?” “Carrie and Joe hired a lawyer and I lost visitation.” Echo placed her delicate hand over mine.“Oh, Noah. I am so sorry." I’d spent countless hours on the couch in the basement, staring at the ceiling wondering what she was doing. Her laughter, her smile, the feel of her body next to mine, and the regret that I let her walk away too easily haunted me. Taking the risk, I entwined my fingers with hers. Odds were I’d never get the chance to be this close again. "No, Mrs. Collins convinced me the best thing to do is to keep my distance and follow the letter of the law." "Wow, Mrs. Collins is a freaking miracle worker. Dangerous Noah Hutchins on the straight and narrow. If you don’t watch out she’ll ruin your rep with the girls." I lowered my voice. "Not that it matters. I only care what one girl thinks about me." She relaxed her fingers into mine and stroked her thumb over my skin. Minutes into being alone together, we fell into each other again, like no time had passed. I could blame her for ending us, but in the end, I agreed with her decision. “How about you, Echo? Did you find your answers?” “No.” If I continued to disregard breakup rules, I might as well go all the way. I pushed her curls behind her shoulder and let my fingers linger longer than needed so I could enjoy the silky feel. “Don’t hide from me, baby. We’ve been through too much for that.” Echo leaned into me, placing her head on my shoulder and letting me wrap an arm around her. “I’ve missed you, too, Noah. I’m tired of ignoring you.” “Then don’t.” Ignoring her hurt like hell. Acknowledging her had to be better. I swallowed, trying to shut out the bittersweet memories of our last night together. “Where’ve you been? It kills me when you’re not at school.” “I went to an art gallery and the curator showed some interest in my work and sold my first piece two days later. Since then, I’ve been traveling around to different galleries, hawking my wares.” “That’s awesome, Echo. Sounds like you’re fitting into your future perfectly. Where did you decide to go to school?” “I don’t know if I’m going to school.” Shock jolted my system and I inched away to make sure I understood. “What the fuck do you mean you don’t know? You’ve got colleges falling all over you and you don’t fucking know if you want to go to school?” My damned little siren laughed at me. “I see your language has improved.” Poof—like magic, the anger disappeared. “If you’re not going to school, then what are your plans?” "I’m considering putting college off for a year or two and traveling cross-country, hopping from gallery to gallery.” “I feel like a dick. We made a deal and I left you hanging. I’m not that guy who goes back on his word. What can I do to help you get to the truth?” Echo’s chest rose with her breath then deflated when she exhaled. Sensing our moment ending, I nuzzled her hair, savoring her scent. She patted my knee and broke away. “Nothing. There’s nothing you can do.” "I think it’s time that I move on. As soon as I graduate, this part of my life will be over. I’m okay with not knowing what happened.” Her words sounded pretty, but I knew her better. She’d blinked three times in a row.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I love you, Kate,” he whispered, his lips brushing the words against her mouth. “I love you so much.” She nodded, unable to make a sound. “And right now I wish . . . I wish . . .” And then the strangest thing happened. Laughter bubbled up inside of him. He was overtaken by the pure joy of the moment, and it was all he could do not to pick her up and twirl her grandly through the air. “Anthony?” she asked, sounding equal parts confused and amused. “Do you know what else love means?” he murmured, planting his hands on either side of her body and letting his nose rest against hers. She shook her head. “I couldn’t possibly even hazard a guess.” “It means,” he grumbled, “that I’m finding this broken leg of yours a damned nuisance.” “Not half so much as I, my lord,” she said, casting a rueful glance at her splinted leg. Anthony frowned. “No vigorous exercise for two months, eh?” “At least.” He grinned, and in that moment he looked every inch the rake she’d once accused him of being. “Clearly,” he murmured, “I shall have to be very, very gentle.” “Tonight?” she croaked. He shook his head. “Even I haven’t the talent to express myself with that light a touch.” Kate giggled. She couldn’t help herself. She loved this man and he loved her and whether he knew it or not, they were going to grow very, very old together. It was enough to make a girl— even a girl with a broken leg— positively giddy. “Are you laughing at me?” he queried, one of his brows arching arrogantly as he slid his body into place next to her. “I wouldn’t dream of it.” “Good. Because I have some very important things to tell you.” “Really?” He nodded gravely. “I may not be able to show you how much I love you this eve, but I can tell you.” “I should never tire of hearing it,” she murmured. “Good. Because when I’m done telling you, I’m going to tell you how I’d like to show you.” “Anthony!” she squeaked. “I think I’d start with your earlobe,” he mused. “Yes, definitely the earlobe. I’d kiss it, and then nibble it, and then . . .” Kate gasped. And then she squirmed. And then she fell in love with him all over again.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
There is only so much one person may give before it exhausts your shallow well of courage and leaves you damned and dry. Before outrage becomes commonplace, and you grow used to the horrors of this life. They count on it, the Nazis—and other villains, too. Mussolini in Italy and Baky in Hungary, Ion Antonescu, purging the streets of Old Romania—and those who, in some future time when civilized people think themselves beyond the reach of moral failings, may rise to stand on foreign soil. They want you tired and distracted. They plan to burn this world down—our old ways of being. From the ashes they will build the world anew, after a fearful pattern, after their own bleak design. But the flames can only devour what we leave unguarded. So they will force you inward, if they can, to huddle over whatever small treasures the Lord has given you. When your back is turned, that’s when they’ll strike the match.
Olivia Hawker (The Ragged Edge of Night)
Where is everybody?” “Hiding,” she said. “Except for Doolittle. He was excused from the chewing-out due to having been kidnapped. He’s napping now like he doesn’t have a care in the world. I got to hear all sorts of interesting stuff through the door.” “Give.” She shot me a sly smile. “First, I got to listen to Jim’s ‘it’s all my fault; I did it all by myself’ speech. Then I got to listen to Derek’s ‘it’s all my fault and I did it all by myself’ speech. Then Curran promised that the next person who wanted to be a martyr would get to be one. Then Raphael made a very growling speech about how he was here for a blood debt. It was his right to have restitution for the injury caused to the friend of the boudas; it was in the damn clan charter on such and such page. And if Curran wanted to have an issue with it, they could take it outside. It was terribly dramatic and ridiculous. I loved it.” I could actually picture Curran sitting there, his hand on his forehead above his closed eyes, growling quietly in his throat. “Then Dali told him that she was sick and tired of being treated like she was made out of glass and she wanted blood and to kick ass.” That would do him in. “So what did he say?” “He didn’t say anything for about a minute and then he chewed them out. He told Derek that he’d been irresponsible with Livie’s life, and that if he was going to rescue somebody, the least he could do is to have a workable plan, instead of a poorly thought-out mess that backfired and broke just about every Pack law and got his face smashed in. He told Dali that if she wanted to be taken seriously, she had to accept responsibility for her own actions instead of pretending to be weak and helpless every time she got in trouble and that this was definitely not the venue to prove one’s toughness. Apparently he didn’t think her behavior was cute when she was fifteen and he’s not inclined to tolerate it now that she’s twenty-eight.” I was cracking up. “He told Raphael that the blood debt overrode Pack law only in cases of murder or life-threatening injury and quoted the page of the clan charter and the section number where that could be found. He said that frivolous challenges to the alpha also violated Pack law and were punishable by isolation. It was an awesome smackdown. They had no asses left when he was done.” Andrea began snapping the gun parts together. “Then he sentenced the three of them and himself to eight weeks of hard labor, building the north wing addition to the Keep, and dismissed them. They ran out of there like their hair was on fire.” “He sentenced himself?” “He’s broken Pack law by participating in our silliness, apparently.” That’s Beast Lord for you. “And Jim?” “Oh, he got a special chewing-out after everybody else was dismissed. It was a very quiet and angry conversation, and I didn’t hear most of it. I heard the end, though—he got three months of Keep building. Also, when he opened the door to leave, Curran told him very casually that if Jim wanted to pick fights with his future mate, he was welcome to do so, but he should keep in mind that Curran wouldn’t come and rescue him when you beat his ass. You should’ve seen Jim’s face.” “His what?” “His mate. M-A-T-E.” I cursed. Andrea grinned. “I thought that would make your day. And now you’re stuck with him in here for three days and you get to fight together in the Arena. It’s so romantic. Like a honeymoon.” Once again my mental conditioning came in handy. I didn’t strangle her on the spot.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
He took two quick steps forward, wrapped a hand around the back of my neck, and held me for his kiss. I hadn’t expected it—not while he was still so close to changing. I’m sure that’s why I didn’t pull out of his hold. The first touch of his lips was soft, tentative, asking where his hands had demanded. The man was diabolical. I could have resisted force, but the question of his kiss was an entirely different matter. I leaned into him because he asked with the light touch and the gentle withdrawal of his lips that begged me to follow where he led. The heat of his body, welcome in the over-cooled house, rewarded me as I leaned closer to him, as did the hard planes of his body, so I was drawn to press even tighter against him. He danced like that, too. Leading instead of pulling. It had to have been deliberate, something he worked at, because he was as dominant as they came—Alphas are. But Adam was more than just dominant: he was smart, too. And he didn’t play fair. Which is how he ended up against the wall with me plastered all over him when someone . . . Darryl, quietly cleared his throat. I jerked free and hopped back to the middle of the hallway. “I’ll just get Jesse’s clothes now,” I told the carpet on the floor and then took my red face into Jesse’s room and shut the door. I didn’t mind getting caught kissing, but that had been a lot more carnal than a kiss. Sometimes good hearing isn’t a blessing. “Sorry,” Daryl said, though his voice carried more amusement than apology. “I bet,” growled Adam. “Damn it. This has got to stop.” Darryl gave a full-throated laugh that lasted quite a while. I’d never heard him laugh like that. Darryl was pretty uptight usually. “Sorry,” he said again, sounding more apologetic this time. “Looked to me like you’d rather it not stop.” “Yeah.” Adam sounded tired. “I should have gone after her a long time ago.
Patricia Briggs (Iron Kissed (Mercy Thompson, #3))
who could blame them if they said "the hell with the rest of the world." Let somebody else buy the bonds. Let somebody else build or repair foreign dams, or design foreign buildings that won't shake apart in earthquakes." When the railways of France, and Germany, and India were breaking down through age, it was the Americans who rebuilt them. When the Pennsylvania Railroad and the New York Central went broke, nobody loaned them an old caboose. Both of 'em are still broke. I can name to you 5,000 times when the Americans raced to the help of other people in trouble. Can you name to me even one time when someone else raced to the Americans in trouble? I don't think there was outside help even during the San Francisco earthquake. Our neighbors have faced it alone, and I am one Canadian who is damned tired of hearing them kicked around. They'll come out of this thing with their flag high. And when they do, they're entitled to thumb their noses at the lands that are gloating over their present troubles. I hope Canada is not one of these. But there are many smug, self-righteous Canadians. And finally, the American Red Cross was told at its 48th Annual meeting in New Orleans this morning that it was broke. This year's disasters -- with the year less than half-over -- has taken it all. And nobody, but nobody, has helped. -  Gordon Sinclair via Radio Broadcast June 5, 1973 from Ontario, Canada
David Nordmark (America: Understanding American Exceptionalism (America, democracy in america, politics in america Book 1))
Stop staring at Kevin so much. You're making me fear for your life over here." "What do you mean?" "Andrew is scary territorial of him. He punched me the first time I said I'd like to get Kevin too wasted to be straight." Nicky pointed at his face, presumably where Andrew had decked him. "So yeah, I'm going to crush on safer targets until Andrew gets bored of him. That means you, since Matt's taken and I don't hate myself enough to try Seth. Congrats." "Can you take the creepy down a level?" Aaron asked. "What?" Nikcy asked. "He said he doesn't swing, so obviously he needs a push." "I don't need a push," Neil said. "I'm fine on my own." "Seriously, how are you not bored of your hand by now?" "I'm done with this conversation," Neil said. "This and every future variation of it. [...]" The stadium door slammed open as Andrew showed up at last. He swept them with a wide-eyed look as if surprised to see them all there. "Kevin wants to know what's taking you so long. Did you get lost?" "Nicky's scheming to rape Neil," Aaron said. "There are a couple flaws in his plan he needs to work out first, but he'll get there sooner or later." [...] "Wow, Nicky," Andrew said. "You start early." "Can you really blame me?" Nicky glanced back at Neil as he said it. He only took his eyes off Andrew for a second, but that was long enough for Andrew to lunge at him. Andrew caught Nicky's jersey in one hand and threw him hard up against the wall. [...] "Hey, Nicky," Andrew said in stage-whisper German. "Don't touch him, you understand?" "You know I'd never hurt him. If he says yes-" "I said no." "Jesus, you're greedy," Nicky said. "You already have Kevin. Why does it-" He went silent, but it took Neil a moment to realize why. Andrew had a short knife pressed to Nicky's Jersey. [...] Neil was no stranger to violence. He'd heard every threat in the book, but never from a man who smiled as bright as Andrew did. Apathy, anger, madness, boredom: these motivators Neil knew and understood. But Andrew was grinning like he didn't have a knife point where it'd sleep perfectly between Nicky's ribs, and it wasn't because he was joking. Neil knew Andrew meant it. If Nicky so much as breathed wrong right now, Andrew would cut his lungs to ribbons, any and all consequences be damned. Neil wondered if Andrew's medicine would let him grieve, or if he'd laugh at Nicky's funeral too. Then he wondered if a sober Andrew would act any different. Was this Andrew psychosis or his medicine? Was he flying too high to understand what he was doing, or did his medicine only add a smile to Andrew's ingrained violence? [...] Andrew let go of Nicky and spun away. [...] Aaron squized Nicky's shoulder on his way out. Nicky looked shaken as he stared after the twins, but when he realized Neil was watching him he rallied with a smile Neil didn't believe at all. "On second thought, you're not my type after all,” Nicky said [...]. "Don't let him get away with things like that." Nicky considered him for a moment, his smile fading into something small and tired. "Oh, Neil. You're going to make this so hard on yourself. Look, [...] Andrew is a little crazy. Your lines are not his lines, so you can get all huff and puff when he tramps across yours but you'll never make him understand what he did wrong. Moreover, you'll never make him care. So just stay out of his way." "He's like this because you let him get away with it," Neil said. [...] "That was my fault. [...] I said something I shouldn't have, and got what I deserved.
Nora Sakavic (The Foxhole Court (All for the Game, #1))
were listening to Tupac right before . . . you know.” “A’ight, so what do you think it means?” “You don’t know?” I ask. “I know. I wanna hear what you think.” Here he goes. Picking my brain. “Khalil said it’s about what society feeds us as youth and how it comes back and bites them later,” I say. “I think it’s about more than youth though. I think it’s about us, period.” “Us who?” he asks. “Black people, minorities, poor people. Everybody at the bottom in society.” “The oppressed,” says Daddy. “Yeah. We’re the ones who get the short end of the stick, but we’re the ones they fear the most. That’s why the government targeted the Black Panthers, right? Because they were scared of the Panthers?” “Uh-huh,” Daddy says. “The Panthers educated and empowered the people. That tactic of empowering the oppressed goes even further back than the Panthers though. Name one.” Is he serious? He always makes me think. This one takes me a second. “The slave rebellion of 1831,” I say. “Nat Turner empowered and educated other slaves, and it led to one of the biggest slave revolts in history.” “A’ight, a’ight. You on it.” He gives me dap. “So, what’s the hate they’re giving the ‘little infants’ in today’s society?” “Racism?” “You gotta get a li’l more detailed than that. Think ’bout Khalil and his whole situation. Before he died.” “He was a drug dealer.” It hurts to say that. “And possibly a gang member.” “Why was he a drug dealer? Why are so many people in our neighborhood drug dealers?” I remember what Khalil said—he got tired of choosing between lights and food. “They need money,” I say. “And they don’t have a lot of other ways to get it.” “Right. Lack of opportunities,” Daddy says. “Corporate America don’t bring jobs to our communities, and they damn sure ain’t quick to hire us. Then, shit, even if you do have a high school diploma, so many of the schools in our neighborhoods don’t prepare us well enough. That’s why when your momma talked about sending you and your brothers to Williamson, I agreed. Our schools don’t get the resources to equip you like Williamson does. It’s easier to find some crack than it is to find a good school around here.
Angie Thomas (The Hate U Give)
How long have you known about him?” I asked Jesse, using my free hand to gesture toward his guest. “Forever. Nearly as long as I did about you.” “God, Jesse. Why didn’t you say anything?” “He was a shadow of you.” Jesse shrugged. “His background is diluted, his dragon blood les strong. Even with you in his proximity, I wasn’t certain any of his drakon traits would emerge. He hasn’t anywhere near your potential.” “Pardon me,” Armand said, freezingly polite, “but he is still right here with you in this room.” “Do you mean…I did it?” I asked. “I made him figure it out? What he is?” Jesse gave me an assessing look. “Like is drawn to like. We’re all three of us thick with magic now, even if it’s different kinds. It’s inevitable that we’ll feed off one another. The only way to prevent that would be to separate. And even then it might not be enough. Too much has already begun.” “I don’t want to separate from you,” I said. “No.” Jesse lifted our hands and gave mine a kiss. “Don’t worry about that.” Armand practically rolled his eyes. “If you two are quite done, might we talk some sense tonight? It’s late, I’m tired, and your ruddy chair, Holms, is about as comfortable as sitting on a tack. I want to…” But his voice only faded into silence. He closed his eyes and raised a hand to his face and squeezed the bridge of his nose. I noted again those shining nails. The elegance of his bones beneath his flawless skin. Skin that was marble-pale, I realized. Just like mine. “Yes?” I said, more gently than I’d intended. “Excuse me. I’m finding this all a bit…impossible to process. I’m beginning to believe that this is the most profoundly unpleasant dream I’ve ever been caught in.” “Allow me to assure you that you’re awake, Lord Armand,” I retorted, all gentleness gone. “To wit: You hear music no one else does. Distinctive music from gemstones and all sorts of metals. That day I played the piano at Tranquility, I was playing your father’s ruby song, one you must have heard exactly as I did. Exactly as your mother would have. You also have, perhaps, something like a voice inside you. Something specific and base, stronger than instinct, hopeless to ignore. Animals distrust you. You might even dream of smoke or flying.” He dropped his arm. “You got that from the diary.” “No, I got that from my own life. And damned lucky you are to have been brought into this world as a pampered little prince instead of spending your childhood being like this and still having to fend for yourself, as I did.” “Right. Lucky me.” Armand looked at Jesse, his eyes glittering. “And what are you? Another dragon? A gargoyle, perchance, or a werecat?” “Jesse is a star.” The hand went up to conceal his face again. “Of course he is. The. Most. Unpleasant. Dream. Ever.” I separated my hand from Jesse’s, angling for more bread. “I think you’re going to have to show him.” “Aye.” A single blue eye blinked open between Armand’s fingers. “Show me what?
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
A month from now, in early April, at the time when far away, outside the city, the water hyacinths would be covering every inch of bayou, lagoon, creek, and backwater with a spiritual-mauve to obscene-purple, violent, vulgar, fleshy, solid, throttling mass of bloom over the black water, and the first heartbreaking, misty green, like girlhood dreams, on the old cypresses would have settled down to be leaf and not a damned thing else, and the arm-thick, mud-colored, slime-slick mocassins would heave out of the swamp and try to cross the highway and your front tire hitting one would give a slight bump and make a sound like kerwhush and a tinny thump when he slapped heavily up against the underside of the fender, and the insects would come boiling out of the swamps and day and night the whole air would vibrate with them with a sound like an electric fan, and if it was night the owls back in the swamps would be whoo-ing and moaning like love and death and damnation, or one would sail out of the pitch dark into the rays of your headlights and plunge against the radiator to explode like a ripped feather bolster, and the fields would be deep in that rank, hairy or slick, juicy, sticky grass which the cattle gorge on and never get flesh over their ribs for that grass is in that black soil and no matter how far the roots could ever go, if the roots were God knows how deep, there would never be anything but that black, grease-clotted soil and no stone down there to put calcium into that grass—well, a month from now, in early April, when all those things would be happening beyond the suburbs, the husks of the old houses in the street where Anne Stanton and I were walking would, if it were evening, crack and spill out onto the stoops and into the street all that life which was now sealed up within.
Robert Penn Warren (All The King's Men)
Needless to say he had a newfound respect for that blind vampire. There were very few things iAm hadn’t been able to move in his adult life. He’d changed a tire while acting as his own tire iron. Had been known to walk vats of sauce big as washing machines around a kitchen. Hell, he’d even actually relocated a washer and dryer without thinking much about it. And then he’d had to lift that truck off his brother about two years ago. Another example of Trez’s love life getting out of control. But down in the training center with Wrath? There’d been no budging that fucker. The King had been bulldog-locked on—and the expression on his face? No emotion, not even a grimace of effort. And that body—viciously strong. iAm shook his head as he crossed that apple tree in full bloom. Trying to budge Wrath had been like pulling on a boulder. Nothing moved; nothing gave. That canine had gotten through, though. Thank God. Now, ordinarily, iAm didn’t like animals in the house—and he definitely wasn’t a dog person. They were too big, too dependent, the shedding—too much. But he respected that golden whatever it was now— Meeeeeeeeeeeerowwwwwwwwwwwwww. “Fuck!” Speak of the devil. As the queen’s black cat wound its way around his feet, he was forced to Michael Jackson it over the damn thing so he didn’t step on it. “Damn it, cat!” The feline followed him all the way into the kitchen, always with the in-and-out around the ankles—almost like it knew he’d been thinking benes about the dog and was establishing dominance. Except cats couldn’t read minds, of course. He stopped and glared at the thing. “What the hell do you want.” Not really a question, as he didn’t care to give the feline an opening. One black paw lifted and then . . . Next thing he knew, the g*dd*mn cat was leaping into his arms, rolling over onto its back . . . and purring like a Ferrari. “Are you fucking kidding me,” he muttered. -iAm & Boo
J.R. Ward (The King (Black Dagger Brotherhood, #12))
Spearing a quail egg with her fork, Evie popped it into her mouth. “What is to be done about Mr. Egan?” His shoulders lifted in a graceful shrug. “As soon as he is sober enough to walk, he’ll be dismissed.” Evie brushed away a stray lock of hair that had fallen over her cheek. “There is no one to replace him.” “Yes, there is. Until a suitable manager can be found, I’ll run the club.” The quail egg seemed to stick in her throat, and Evie choked a little. Hastily she reached for her wine, washed it down, and regarded him with bulging eyes. How could he say something so preposterous? “You can’t.” “I can hardly do worse than Egan. He hasn’t managed a damned thing in months… before long, this place will be falling down around our ears.” “You said you hated work!” “So I did. But I feel that I should try it at least once, just to be certain.” She began to stammer in her anxiety. “You’ll pl-play at this for a few days, and then you’ll tire of it.” “I can’t afford to tire of it, my love. Although the club is still profitable, its value is in decline. Your father has a load of outstanding debt that must be settled. If the people who owe him can’t muster the cash, we’ll have to take property, jewelry, artwork… whatever they can manage. Having a good idea of the value of things, I can negotiate some acceptable settlements. And there are other problems I haven’t yet mentioned… Jenner has a string of failing Thoroughbreds that have lost a fortune at Newmarket. And he’s made some insane investments— ten thousand pounds he put into an alleged gold mine in Flintshire— a swindle that even a child should have seen through.” “Oh God,” Evie murmured, rubbing her forehead. “He’s been ill— people have taken advantage—” “Yes. And now, even if we wanted to sell the club, we couldn’t without first putting it in order. If there were an alternative, believe me, I would find it. But this place is a sieve, with no one who is capable or willing to stop the holes. Except for me.” “You know nothing about filling holes!” she cried, appalled by his arrogance. Sebastian responded with a bland smile and the slightest arch of one brow. Before he could open his mouth to reply, she clapped her hands over her ears. "Oh, don't say it, don't!" When she saw that he was obligingly holding his silence-though a devilish gleam remained in his eyes-she lowered her hands cautiously.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I wanted to go home, to Velaris, but I had to stay, to make sure things were set in motion, that you were all right. So I waited as long as I could, then I sent a tug through the bond. Then you came to find me. 'I almost told you then, but... You were so sad. And tired. And for once, you looked at me like... like I was worth something. So I promised myself that the next time I saw you, I'd free you of the bargain. Because I was selfish, and knew that if I let go right then, he'd lock you up and I'd never get to see you again. When I went to leave you... I think transforming you into Fae made the bond lock into place permanently. I'd known it existed, but it hit me then- hit me so strong that I panicked. I knew if I stayed a second longer, I'd damn the consequences and take you with me. And you'd hate me forever. 'I landed at the Night Court, right as Mor was waiting for me, and I was so frantic, so... unhinged, that I told her everything. I hadn't seen her in fifty years, and my first words to her were, "She's my mate." And for three months... for three months I tried to convince myself that you were better off without me. I tried to convince myself that everything I'd done had made you hate me. But I felt you through the bond, through your open mental shields. I felt your pain, and sadness, and loneliness. I felt you struggling to escape the darkness of Amarantha the same way I was. I heard you were going to marry him, and I told myself you were happy. I should you let you be happy, even if it killed me. Even if you were my mate, you'd earned that happiness. 'The day of your wedding, I'd planned to get rip-roaring drunk with Cassian, who had no idea why, but... But then I felt you again, I felt your panic, and despair, and heard you beg someone- anyone- to save you. I lost it. I winnowed to the wedding, and barely remembered who I was supposed to be, the part I was supposed to play. All I could see was you, in your stupid wedding dress- so thin. So, so thin, and pale. And I wanted to kill him for it, but I had to get you out. Had to call in that bargain, just once, to get you away, to see if you were all right.' Rhys looked at me, eyes desolate. 'It killed me, Feyre, to send you back. To see you waste away, month by month. It killed me to know he was sharing your bed. Not just because you were my mate, but because I...' He glanced down, then up at me again. 'I knew... I knew I was in love with you that moment I picked up the knife to kill Amarantha.' 'When you finally came here... I decided I wouldn't tell you. Any of it. I wouldn't let you out of the bargain, because your hatred was better than facing the two alternatives: that you felt nothing for me, or that you... you might feel something similar, and if I let myself love you, you would be taken from me. The way my family was- the way my friends were. So I didn't tell you. I watched as you faded away. Until that day... that day he locked you up. 'I would have killed him if he'd been there. But I broke some very, very fundamental rules in taking you away. Amren said if I got you to admit that we were mates, it would keep any trouble from our door, but... I couldn't force the bond on you. I couldn't try to seduce you into accepting the bond, either. Even if it gave Tamlin license to wage war on me. You had been through so much already. I didn't want you to think that everything I did was to win you, just to keep my lands safe. But I couldn't... I couldn't stop being around you, and loving you, and wanting you. I still can't stay away.' He leaned back, loosing a long breath.
Sarah J. Maas
Certain things seeped into his memory. Like how Jane had called him “Saint Dominick” three months ago, which he’d thought odd at the time for a woman who should have believed him a fortune hunter. Or how she’d spoken of being tired of “waiting” for her “life to begin.” Good God. She really might have been talking about him then. About waiting for him to come after her. All this time… No, he couldn’t believe that. She’d only been seventeen when they’d ended things, and women that age were still feeling their way in life. She couldn’t possibly have been carrying a torch for him all these years. Why not? You’ve been carrying one for her. He stifled a curse. Nonsense. He’d cut her out of his heart. God, he was such a liar. They were now well out of the city. She sat quietly beside him, obviously uncomfortable after what had happened between them. She couldn’t be any more uncomfortable than he was. He could still taste her mouth, still feel the moment when she’d turned to putty in his arms. He was aware of every inch of her that touched him now. Her hand lay in her lap, so close he could reach over and take it. Or perhaps not. The last thing he needed was her shoving him off the phaeton, which she was liable to do if she took a mind to it. She was damned angry. Though he wasn’t entirely sure why. She was engaged to a very rich, very well-connected earl, all because Dom had set her free. So why did she look as if she wanted to throttle him?
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Syn pulled his boxers on and quietly left the bedroom, walking angrily to the kitchen. He turned the corner and wanted to throw a shit-fit at the sight before him. Day was standing at his stove loading some type of egg dish onto a plate before turning and setting it in front of God. God folded down one side of his newspaper, peering at Syn from behind it. “Well good morning, sunshine,” Day said way too cheerily for five-fucking-a.m. “We brought breakfast.” Syn clenched his jaw, trying not to yell at his superior officers. “Have you two lost your fuckin’ minds? Come on. It’s, it’s ... early.” Syn turned his wrist, forgetting he didn’t have his watch on yet. “Damn, you guys are always at the office, or at a crime scene, or over fucking here at god-awful hours.” “Oh, it’s early?” Day said disbelievingly. God shrugged like he hadn’t realized either. “Seriously. When the fuck do you guys sleep?” “Never,” God said nonchalantly. “When do you fuck?” Syn snapped. “Always,” Day quipped. “Just did thirty minutes ago. Nice couch by the way, real comfy, sorry for the stain.” Syn tiredly flipped Day off. “Don’t be pissed,” Day sing-songed. “A dab of Shout will get that right out.” Syn rubbed angrily at his tired eyes, growling, “Day.” “He’s not in a joking mood, sweetheart,” God said from behind his paper. “You know we didn’t fuck on your couch so calm the hell down. Damn you’re moody in the morning. Unless ... We weren’t interrupting anything, were we? So, how’s porn boy?” God’s gruff voice filled the kitchen, making Syn cringe. “First of all. Don’t fucking call him that, ever, and damnit God. Lower your voice. Shit. He’s still asleep,” Syn berated his Lieutenant, who didn’t look the slightest bit fazed by Syn’s irritation. “You guys could let him sleep, he’s had a rough night, ya know.” Day leaned his chest against God’s large back, draping his arms over his shoulders. “Oh damn, what kind of friends are we? It was rough, huh?” Day looked apologetic. “Yes, it was, Day. He just–” “Try water-based lube next time,” Day interrupted, causing God to choke on his eggs. “Day, fuck.” Syn tried not to grin, but when he thought about it, it really was funny. “I knew I’d get you to smile. Have some breakfast Sarge, we gotta go question the crazy chicks. You know how much people feel like sharing when they’ve spent a night in jail.” “Damn. Alright, just let me–” “Wow. Something smells great.” Furi’s deep voice reached them from down the hall as he made his way to the kitchen. “You cook babe? Who knew? I’ll have the Gladiator portion.” Furi used his best Roman accent as he sauntered into the kitchen with his hands on hips and his head high. Syn turned just as Furi noticed God and Day. “Oh, fuck, shit, Jesus Christ!” Furi stumbled, his eyes darting wildly between all of them. “Damn, I’m so sorry.” Furi looked at Syn trying to gauge exactly how much he’d fucked up just now. Syn smiled at him and Furi immediately lost the horrified expression. Syn held his hand out and mouthed to him 'it's okay.
A.E. Via
This could get a little hairy,” I tell them in interruption. Seriously, I don’t want to know this secret. I’ve got too much other shit going on. I grimace at the very questionable intestines that belong to some fabled creature that surely can’t exist under the radar if all that fit inside it. “If you’re a respawner instead of an unkillable being, get out of the kitchen and at least a mile from the house.” Mom assured me there’s a five mile seclusion radius. Damien starts speaking to me, almost as though he’s too tired to deal with my tinkering right now. “Violet, that potion has to be fresh. There’s no need-" ... There’s a loud, bubbling, sizzling noise that cracks through the air, and I drop to the floor, as a pulse shoots from the pot. Damien yelps, as he and Emit are thrown into one wall, and Mom curses seconds before she and Arion are launched almost into each other, hitting opposing walls instead, when they manage to twist in the air to avoid touching. Everyone crashes to the ground at almost the same time. Groans and grunts and coughs of pain all ring out in annoyed unison. “I warned you,” I call out, even as most of them narrow their eyes in my direction. Damien shoots me a look of exasperation, and I shrug a shoulder. “She did warn us,” Mom grumbles as she remains lying on the floor, while everyone else pushes to their feet. “No one fucks up a potion better than I do. If I fuck it up enough, less power will be needed to raise them,” I go on, smiling over at Emit…who is just staring at me like he’s confused. “But it’s the exact right ingredients,” he says warily, as he stands. “She’s apples and oranges. You can’t compare her to anyone else using those ingredients for that reason,” Mom says dismissively, as I gesture to Vance. “Take him with you; I’m going to be a while. That was just the first volatile ingredient. I don’t think you want to be here for the yacktite—” “Ylacklatite,” they all correct in unison. “You don’t want to be here for those gross, possibly toxic, hard-to-say, fabled-creature intestines. It’s going to probably get crazy up in here,” I say as I twirl my finger around, staying on the floor for a minute longer. Sometimes there’s an echo. “Raise your heartbeat. You’re not taking this seriously enough,” Mom scolds. “What are you doing letting your heartbeat drop so much?” “You really should go. It gets unpredictable when—” The echo pulse I worried would come knocks Arion, Emit, and Damien to the ceiling this time, and I cringe when I hear things crack. When they drop, Arion and Emit land in a crouch, and Damien lands hard on his back, cursing the pot on the stove like it’s singled him out and has it in for sexual deviants. Arion’s lips twitch as he stares over at me, likely thinking what sort of punch a pencil could pack with this concoction. But I’ll be damned if Shera steals any of this juice for his freaky pencils. “Do you rip up those dolls to use them as a timer?” the vampire asks, as he stays on the floor, causing Mom to sneer in his direction. Another pulse cracks some glass, but everyone is under the reach of it now. Damien just shakes his head. “You have drawers full of toxic pencils I don’t even want to know the purpose of,” I tell him dryly. “You don’t get to judge.” His grin grows like he’s pleased with something. I think Mom is seconds away from a brain aneurism
Kristy Cunning (Gypsy Moon (All The Pretty Monsters, #4))
But whether I’m on deck or below it, I’ll never be far.” “Shall I take that as a promise? Or a threat?” She sauntered toward him, hands cocked on her hips in an attitude of provocation. His eyes swept her body, washing her with angry heat. She noted the subtle tensing of his shoulders, the frayed edge of his breath. Even exhausted and hurt, he still wanted her. For a moment, Sophia felt hope flicker to life inside her. Enough for them both. And then, with the work of an instant, he quashed it all. Gray stepped back. He gave a loose shrug and a lazy half-smile. If I don’t care about you, his look said, you can’t possibly hurt me. “Take it however you wish.” “Oh no, you don’t. Don’t you try that move with me.” With trembling fingers, she began unbuttoning her gown. “What the devil are you doing? You think you can just hike up your shift and make-“ “Don’t get excited.” She stripped the bodice down her arms, then set to work unlacing her stays. “I’m merely settling a score. I can’t stand to be in your debt a moment longer.” Soon she was down to her chemise and plucking coins from the purse tucked between her breasts. One, two, three, four, five… “There,” she said, casing the sovereigns on the table. “Six pounds, and”-she fished out a crown-“ten shillings. You owe me the two.” He held up open palms. “Well, I’m afraid I have no coin on me. You’ll have to trust me for it.” “I wouldn’t trust you for anything. Not even two shillings.” He glared at her a moment, then turned on his heel and exited the cabin, banging the door shut behind him. Sophia stared at it, wondering whether she dared stomp after him with her bodice hanging loose around her hips. Before she could act on the obvious affirmative, he stormed back in. “Here.” A pair of coins clattered to the table. “Two shillings. And”-he drew his other hand from behind his back-“your two leaves of paper. I don’t want to be in your debt, either.” The ivory sheets fluttered as he released them. One drifted to the floor. Sophia tugged a banknote from her bosom and threw it on the growing pile. To her annoyance, it made no noise and had correspondingly little dramatic value. In compensation, she raised her voice. “Buy yourself some new boots. Damn you.” “While we’re settling scores, you owe me twenty-odd nights of undisturbed sleep.” “Oh, no,” she said, shaking her head. “We’re even on that regard.” She paused, glaring a hole in his forehead, debating just how hateful she would make this. Very. “You took my innocence,” she said coldly-and completely unfairly, because they both knew she’d given it freely enough. “Yes, and I’d like my jaded sensibilities restored, but there’s no use wishing after rainbows, now is there?” He had a point there. “I suppose we’re squared away then.” “I suppose we are.” “There’s nothing else I owe you?” His eyes were ice. “Not a thing.” But there is, she wanted to shout. I still owe you the truth, if only you’d care enough to ask for it. If only you cared enough for me, to want to know. But he didn’t. He reached for the door. “Wait,” he said. “There is one last thing.” Sophia’s heart pounded as he reached into his breast pocket and withdrew a scrap of white fabric. “There,” he said, unceremoniously casting it atop the pile of coins and notes and paper. “I’m bloody tired of carrying that around.” And then he was gone, leaving Sophia to wrap her arms over her half-naked chest and stare numbly at what he’d discarded. A lace-trimmed handkerchief, embroidered with a neat S.H.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
That means we don’t exist in one place. Instead, everything we do is left in … like a trail out there, a big ring of decisions. Every action we take—” “And mistake.” He nodded and dabbed at his forehead with his sleeve. “And every mistake. But every good thing we do as well. They are immortal, every single touch we leave behind. Even if nobody sees them or remembers them, that doesn’t matter. That trail will always be what happened, what we did, every choice. The past lives on forever. There’s no changing it.” “Makes you not want to fuck up,” Juliette said, thinking on all the times she had, wondering if this box between them was one more mistake. She saw images of herself in a great loop of space: fighting with her father, losing a lover, going out to clean, a great spiral of hurts like a journey down the stairs with a bleeding foot. And the stains would never wash out. That’s what Lukas was saying. She would always have hurt her father. Was that the way to phrase it? Always have had. It was immortal tense. A new rule of grammar. Always have had gotten friends killed. Always have had a brother die and a mother take her own life. Always have had taken that damn job as sheriff. There was no going back. Apologies weren’t welds; they were just an admission that something had been broken. Often between two people. “You okay?” Lukas asked. “Ready to go on?” But she knew he was asking more than if her arm was tired. He had this ability to spot her secret worries. He had a keen vision that allowed him to glimpse the smallest pinprick of hurt through heavy clouds. “I’m fine,” she lied. And she searched her past for some noble deed, for a bloodless tread, for any touch on the world that had left it a brighter place. But when she had been sent to clean, she had refused. Always have had refused. She had turned her back and walked off, and there was no chance of going back and doing it any other way. ••••
Hugh Howey (Dust (Silo, #3))
Another howl ruptured the quiet, still too far away to be a threat. The Beast Lord, the leader, the alpha male, had to enforce his position as much by will as by physical force. He would have to answer any challenges to his rule, so it was unlikely that he turned into a wolf. A wolf would have little chance against a cat. Wolves hunted in a pack, bleeding their victim and running them into exhaustion, while cats were solitary killing machines, designed to murder swiftly and with deadly precision. No, the Beast Lord would have to be a cat, a jaguar or a leopard. Perhaps a tiger, although all known cases of weretigers occurred in Asia and could be counted without involving toes. I had heard a rumor of the Kodiak of Atlanta, a legend of an enormous, battle-scarred bear roaming the streets in search of Pack criminals. The Pack, like any social organization, had its lawbreakers. The Kodiak was their Executioner. Perhaps his Majesty turned into a bear. Damn. I should have brought some honey. My left leg was tiring. I shifted from foot to foot . . . A low, warning growl froze me in midmove. It came from the dark gaping hole in the building across the street and rolled through the ruins, awakening ancient memories of a time when humans were pathetic, hairless creatures cowering by the weak flame of the first fire and scanning the night with frightened eyes, for it held monstrous hungry killers. My subconscious screamed in panic. I held it in check and cracked my neck, slowly, one side then another. A lean shadow flickered in the corner of my eye. On the left and above me a graceful jaguar stretched on the jutting block of concrete, an elegant statue encased in the liquid metal of moonlight. Homo Panthera onca. The killer who takes its prey in a single bound. Hello, Jim. The jaguar looked at me with amber eyes. Feline lips stretched in a startlingly human smirk. He could laugh if he wanted. He didn’t know what was at stake. Jim turned his head and began washing his paw. My saber firmly in hand, I marched across the street and stepped through the opening. The darkness swallowed me whole. The lingering musky scent of a cat hit me. So, not a bear after all. Where was he? I scanned the building, peering into the gloom. Moonlight filtered through the gaps in the walls, creating a mirage of twilight and complete darkness. I knew he was watching me. Enjoying himself. Diplomacy was never my strong suit and my patience had run dry. I crouched and called out, “Here, kitty, kitty, kitty.” Two golden eyes ignited at the opposite wall. A shape stirred within the darkness and rose, carrying the eyes up and up and up until they towered above me. A single enormous paw moved into the moonlight, disturbing the dust on the filthy floor. Wicked claws shot forth and withdrew. A massive shoulder followed, its gray fur marked by faint smoky stripes. The huge body shifted forward, coming at me, and I lost my balance and fell on my ass into the dirt. Dear God, this wasn’t just a lion. This thing had to be at least five feet at the shoulder. And why was it striped? The colossal cat circled me, half in the light, half in the shadow, the dark mane trembling as he moved. I scrambled to my feet and almost bumped into the gray muzzle. We looked at each other, the lion and I, our gazes level. Then I twisted around and began dusting off my jeans in a most undignified manner. The lion vanished into a dark corner. A whisper of power pulsed through the room, tugging at my senses. If I did not know better, I would say that he had just changed. “Kitty, kitty?” asked a level male voice. I jumped. No shapechanger went from a beast into a human without a nap. Into a midform, yes, but beast-men had trouble talking. “Yeah,” I said. “You’ve caught me unprepared. Next time I’ll bring cream and catnip toys.” “If there is a next time.
Ilona Andrews (Magic Bites (Kate Daniels, #1))
Shrugging, I glanced at Judd who was watching someone in the corner. When I looked back at Cooper, he was studying the hair in my eyes. “You look tired,” he said, reaching out to brush away the hair. Cooper’s hand never reached my face before Judd grabbed his wrist and yanked it away. In that instant, everything shifted. The men stepped closer, eyeballing each other as the heat of their anger became palatable. I thought to step between them and calm things before violence broke out. Then, I remembered when I tried to break up a fight between my uncle’s dogs. If Farah hadn’t pulled me out of the way, I’d have been mauled. That day, I learned if predators wanted to fight, you let them while staying as far back as possible. “I’ll let this go because it’s your woman,” Cooper muttered, dark eyes still angry. “If you pull this shit again and it’s not your woman, you and I will have a problem.” Once Cooper walked away, Judd finally relaxed. I just stared at him as he led me to a booth because a group of old timers were at his table. Sitting next to him, I caressed his face, soothing him. He finally gave me a little grin. Suddenly, Vaughn appeared and took the spot across from us. “Why do you look so pissed off?” “He almost went feral on Cooper for trying to touch me.” Vaughn gave us a lazy grin. “So losing his balls makes a man stupid, eh? Good to know. Just another reason to keep mine attached.” Judd exhaled hard. “You wouldn’t want anyone touching your woman. One day, you’ll know that despite your love affair with your balls.” “A man should love his balls,” Vaughn said, still grinning. “What if I touch her?” he asked, his hand moving slowly towards my face. “I’ll stab you in the fucking eye.” Grinning, Vaughn put down his hand. “You’re pretty damn sexy when you go drama queen, O’Keefe.” “He is, isn’t he?” I said, sliding closer to Judd. “I wish we were naked right now.” Both men frowned at me, but I only smiled and Judd adjusted in the booth as his jeans grew too tight. “Stop,” he warned. “I’m not afraid of you.” “I could make a liar of you.” “You won’t though because you wish you were inside me.” Judd exhaled hard like a pissed bull and adjusted in the booth again. I just laughed and rested my head against his shoulder. “I so own you.” Vaughn nodded. “He’s a keeper. I remember how poetic he was when I asked him if he could imagine himself as an old man. He turned to me and grunted. Real profound grunt too. Oh, and once I asked if he ever imagined himself as a father. I kid you not, he burped. The man is fucking Shakespeare.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
I am like God, Codi? Like GOD? Give me a break. If I get another letter that mentions SAVING THE WORLD, I am sending you, by return mail, a letter bomb. Codi, please. I've got things to do. You say you're not a moral person. What a copout. Sometime, when I wasn't looking, something happened to make you think you were bad. What, did Miss Colder give you a bad mark on your report card? You think you're no good, so you can't do good things. Jesus, Codi, how long are you going to keep limping around on that crutch? It's the other way around, it's what you do that makes you who you are. I'm sorry to be blunt. I've had a bad week. I am trying to explain, and I wish you were here so I could tell you this right now, I am trying to explain to you that I'm not here to save anybody or any thing. It's not some perfect ideal we're working toward that keeps us going. You ask, what if we lose this war? Well, we could. By invasion, or even in the next election. People are very tired. I don't expect to see perfection before I die. Lord, if I did I would have stuck my head in the oven back in Tucson, after hearing the stories of some of those refugees. What keeps you going isn't some fine destination but just the road you're on, and the fact that you know how to drive. You keep your eyes open, you see this damned-to-hell world you got born into, and you ask yourself, "What life can I live that will let me breathe in & out and love somebody or something and not run off screaming into the woods?" I didn't look down from some high rock and choose cotton fields in Nicaragua. These cotton fields chose me. The contras that were through here yesterday got sent to a prison farm where they'll plant vegetables, learn to read and write if they don't know how, learn to repair CB radios, and get a week-long vacation with their families every year. They'll probably get amnesty in five. There's hardly ever a repeat offender. That kid from San Manuel died. Your sister, Hallie "What's new with Hallie?" Loyd asked. "Nothing." I folded the pages back into the envelope as neatly as I could, trying to leave its creases undisturbed, but my fingers had gone numb and blind. With tears in my eyes I watched whatever lay to the south of us, the land we were driving down into, but I have no memory of it. I was getting a dim comprehension of the difference between Hallie and me. It wasn't a matter of courage or dreams, but something a whole lot simpler. A pilot would call it ground orientation. I'd spent a long time circling above the clouds, looking for life, while Hallie was living it.
Barbara Kingsolver (Animal Dreams)
Mikhail didn’t flinch away from the blade. His black eyes snapped open, blazing with power. Slovensky fell backward, scrambling away on all fours to crouch against the far wall. Fumbling in his coat, he jerked out the gun and held it pointed at Mikhail. The ground rolled almost gently, seemed to swell so that the concrete floor bulged, then cracked. Slovensky grabbed for the wall behind him to steady himself and lost the gun in the process. Above his head a rock fell from the wall, bounced dangerously close, and rolled to a halt beside him. A second rock, and a third, fell, so that Slovensky had to cover his head as the rocks rained down in a roaring shower. Slovensky’s cry of fear was high and thin. He made himself even smaller, peering through his fingers at the Carpathian. Mikhail had not moved to protect himself. He lay exactly as Slovensky had positioned him, those dark eyes, two black holes, windows to hell, staring at him. Swearing, Slovensky tried to lunge for the gun. The floor bucked and heaved under him, sending the gun skittering out of reach. A second wall swayed precariously, and rocks cascaded down, striking the man about the head and shoulders, driving him to the floor. He watched a curious, frightening pattern form. Not one rock touched the priest’s body. Not one came close to Mikhail. The Carpathian simply watched him with those damn eyes and that faint mocking smile as the rocks buried Slovensky’s legs, then fell on his back. There was an ominous crack, and Slovensky screamed under the heavy load on his spine. “Damn you to hell,” Slovensky snarled. “My brother will track you down.” Mikhail said nothing, simply watching the havoc Gregori created. Mikhail would have killed James Slovensky outright, without the drama Gregori had such a flair for, but he was tired, his body in a precarious state. He had no wish to drain his energy further. Raven would be in the vampire’s hands for the time it took Gregori to heal him. He couldn’t allow himself to think of what Andre might do to her. For the first time in centuries of living, Mikhail was forced to rely on another being. Gregori. The dark one. A royal pain in the neck. I read your thoughts, my friend. Mikhail stirred, pain shafting through him. More rocks fell on Slovensky in retaliation, covering him like a blanket, beginning to form a macabre grave. As you were meant to. Gregori moved into the room with his familiar silent glide, grace and power clinging to him as he strode through the wreckage of the wall. “This is becoming a bad habit.” “Oh, shut up,” Mikhail said without rancor.
Christine Feehan (Dark Prince (Dark, #1))
I worry about you too,” I said softly as I caressed her head resting against my chest. “You look tired.” Lark didn’t speak for a minute. When she finally looked at me, I saw a lot of different emotions swirling in those bright green eyes. “I feel like shit. I’m tired and dizzy. I can’t eat ninety percent of the food I used to eat. I feel awful, but I’m afraid to complain.” “Why?” “Maddy just had her baby and she was so tough about the whole thing. I’m surprised she didn’t give birth in the middle of the grocery store then go back to picking up things for dinner. Next to her, I’m a weakling. Also, Farah is going to be all brave and awesome too. I don’t want to be the whiner.” “First of all, Maddy’s got that natural breeder look about her. Some chicks are like that and you can’t let the exception be your rule. Besides, you’re having twins. You have more baby cooking to do than she did, so screw comparisons.” “I just don’t want people to think less of me.” “By people, do you mean Aaron?” “We barely met and got married and now I’m getting fat and I’m tired all the time. I don’t want him to lose interest.” “Oh, Lark, you’re so fucking stupid sometimes.” “Yeah, I know,” she said, grinning. “We have that in common.” “So true.” “Mom said that I’m like her and she had a guy like Aaron and she suffocated him and he ditched her. I know Mom sucks, but what if she’s right and I wear down Aaron and he stops loving me?” “Any man who would want Mom must be shit. Aaron isn’t shit.” “I know, but I get scared of messing up everything I have.” Kissing her forehead, I stood up and walked to the bedroom door. “Hey, Mister Clean, get over here.” Laughing, Lark followed me into the hallway where Aaron appeared, clearly loving his new nickname. “Listen up, Yul Brynner,” I said, sending Lark into giggles. “My sister is cooking up two kids that you stuck inside her. She needs more damn love than you’re giving. If you don’t do a better job of babying her, I’m going to have to replace you. Hmm, I just saw this guy Jake that I knew from high school. He’s ripped and works at the gym. The gym, Aaron.” My brother-in-law stared unaffected until I finished then he gazed down at his wife. Lark must have known what was coming because she started giggling. “My sweet muse,” he murmured and she laughed harder, “do you need more love than I’m giving?” Aaron swept Lark into his arms and cradled her like a kid. “Poor thing. I’ll just need to pay more attention.” As he kissed all over her, Lark stopped giggling and began moaning affirmations. “Good thing you obeyed because I think Jake might be gay.” After giving me a wink, Aaron gestured for me to go away. I was the one to obey this time. Leaving them to cuddle and more in the bedroom, I watched television and finished the popcorn. Professor joined me, but Pollack was wary. I think it was because I was always barking at her. In my defense, she started it.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))