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Here's one from me: 'You have to be aware that everyone else is thinking far too hard about themselves to be thinking about you, whoever you are.' If you want it, you can have it. Once you know that, you can be free.
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Damien Hirst (On the Way to Work)
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Painting is so poetic, while sculpture is more logical and scientific and makes you worry about gravity.
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Damien Hirst
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On the opposite wall was a Damien Hirst spot painting, bought by Arabella after a decent bonus season. Roger's considered view of the painting, looking at it from aesthetic, art-historical, interior-design, and psychological points of view, was that it had cost forty-seven thousand pounds, plus VAT.
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John Lanchester (Capital)
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Ironically, we were learning that we had to be “free,” but learning to be free meant conforming to the values of the dominant style.
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John Seed (Ten Rather Eccentric Essays on Art: Reflections on Damien Hirst, postmodernism, the art market, food in art and more...)
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If you are an artist who pays too much attention this system and its politics, you are in deep trouble because you have become a follower.
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John Seed (Ten Rather Eccentric Essays on Art: Reflections on Damien Hirst, postmodernism, the art market, food in art and more...)
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Great art, she felt, had a calming effect on the viewer; it made one stop in awe, which is exactly what Damien Hirst and Andy Warhol did not do. You did not stop in awe. They stopped you in your tracks, perhaps, but that was not the same thing; awe was something quite different
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Alexander McCall Smith (The Sunday Philosophy Club (Isabel Dalhousie, #1))
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Because his [Damien Hirst] art is idea art - art drawn on the back of cigarette packets and beer mats, roughed out in airport departure lounges and the back of the taxis, usually delegated to and carried by others - this leaves Damien a lot of time for what might loosely be called socializing. Hanging around.
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Gordon Burn
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I like the confusion you get between science and religion … that’s where belief lies and art as well.
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Damien Hirst
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The teaching of actual painting could be outsourced to China and taught via SKYPE.
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John Seed (Ten Rather Eccentric Essays on Art: Reflections on Damien Hirst, postmodernism, the art market, food in art and more...)
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When it comes to art and culture, I like anything that is good.
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John Seed (Ten Rather Eccentric Essays on Art: Reflections on Damien Hirst, postmodernism, the art market, food in art and more...)
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And what are Andy Warhol’s Campbell’s Soup cans, Jeff Koons’s balloon dogs and Damien Hirst’s pickled sharks if not the appropriation of everyday objects by an artist in order to re-present them in a new, artistic context?
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Will Gompertz (What Are You Looking At?: The Surprising, Shocking, and Sometimes Strange Story of 150 Years of Modern Art)
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Butcher’s Stall with the Flight into Egypt
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John Seed (Ten Rather Eccentric Essays on Art: Reflections on Damien Hirst, postmodernism, the art market, food in art and more...)
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may not deconstruct, but I am a pretty good mimic; a weed who knows how to look like a flower. I keep in mind that over the long haul all styles are period styles. Each style is a carefully cultivated garden that a new chairman will want to uproot when the next Cultural Revolution comes along.
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John Seed (Ten Rather Eccentric Essays on Art: Reflections on Damien Hirst, postmodernism, the art market, food in art and more...)
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Busy, well, and happy.” She smiled at him. He still had the same knack of making everything seem festive. They had always had a good time together. And as she glanced around, she saw that the restaurant was beautiful, with important contemporary art hanging on the walls. There was a Damien Hirst right above their table, which Maddie noticed immediately.
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Danielle Steel (Lost and Found)
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Ten shockingly arty events What arty types like to call a ‘creative tension’ exists in art and music, about working right at the limits of public taste. Plus, there’s money to be made there. Here’s ten examples reflecting both motivations. Painting: Manet’s Breakfast on the Lawn, featuring a group of sophisticated French aristocrats picnicking outside, shocked the art world back in 1862 because one of the young lady guests is stark naked! Painting: Balthus’s Guitar Lesson (1934), depicting a teacher fondling the private parts of a nude pupil, caused predictable uproar. The artist claimed this was part of his strategy to ‘make people more aware’. Music: Jump to 1969 when Jimi Hendrix performed his own interpretation of the American National Anthem at the hippy festival Woodstock, shocking the mainstream US. Film: In 1974 censors deemed Night Porter, a film about a love affair between an ex-Nazi SS commander and his beautiful young prisoner (featuring flashbacks to concentration camp romps and lots of sexy scenes in bed with Nazi apparel), out of bounds. Installation: In December 1993 the 50-metre-high obelisk in the Place Concorde in the centre of Paris was covered in a giant fluorescent red condom by a group called ActUp. Publishing: In 1989 Salman Rushdie’s novel Satanic Verses outraged Islamic authorities for its irreverent treatment of Islam. In 2005 cartoons making political points about Islam featuring the prophet Mohammed likewise resulted in riots in many Muslim cities around the world, with several people killed. Installation: In 1992 the soon-to-be extremely rich English artist Damien Hirst exhibited a 7-metre-long shark in a giant box of formaldehyde in a London art gallery – the first of a series of dead things in preservative. Sculpture: In 1999 Sotheby’s in London sold a urinoir or toilet-bowl-thing by Marcel Duchamp as art for more than a million pounds ($1,762,000) to a Greek collector. He must have lost his marbles! Painting: Also in 1999 The Holy Virgin Mary, a painting by Chris Ofili representing the Christian icon as a rather crude figure constructed out of elephant dung, caused a storm. Curiously, it was banned in Australia because (like Damien Hirst’s shark) the artist was being funded by people (the Saatchis) who stood to benefit financially from controversy. Sculpture: In 2008 Gunther von Hagens, also known as Dr Death, exhibited in several European cities a collection of skinned corpses mounted in grotesque postures that he insists should count as art.
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Martin Cohen (Philosophy For Dummies, UK Edition)