Damaged Heart Quotes

We've searched our database for all the quotes and captions related to Damaged Heart. Here they are! All 100 of them:

Anger, resentment and jealousy doesn't change the heart of others-- it only changes yours.
Shannon L. Alder (300 Questions to Ask Your Parents Before It's Too Late)
I have never understood how people can blithely disregard the damage they do by following their hearts.
Paula Hawkins (The Girl on the Train)
Damaged people recognize other damaged people.
Colleen Hoover (Heart Bones)
How many times can a heart be shattered and still be pieced back together? How many times before the damage is irreparable?
Gwenn Wright (The BlueStocking Girl (The Von Strassenberg Saga, #2))
I have never understood how people can blithely disregard the damage they do by following their hearts. Who was it said that following your heart is a good thing? It is pure egotism, a selfishness to conquer all.
Paula Hawkins (The Girl on the Train)
Sometimes I believe personalities are shaped more by damage than kindness. Kindness doesn’t sink as deep into your skin as the damage does. The damage stains your soul so bad, you can’t scrub it off. It stays there forever, and I feel like people can see all my damage just by looking at me.
Colleen Hoover (Heart Bones)
Damaged people recognize other damaged people. It’s like a club you don’t want a membership to.
Colleen Hoover (Heart Bones)
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
I want karma to drive stakes into the dark hearts that keep me bitter.
Corey Taylor (Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good)
Come at me, world. You can’t damage the impermeable.
Colleen Hoover (Heart Bones)
When I was fifteen, all I wanted was to go off to some other world, a place beyond anybody’s reach. A place beyond the flow of time.” - But there’s no place like that in this world. - Exactly. Which is why I’m living here, in this world where things are continually damaged, where the heart is fickle, where time flows past without a break.
Haruki Murakami (Kafka on the Shore)
I loved you both with all of my damaged heart.
Kristin Hannah (The Nightingale)
Everyone is so afraid of death, but the real sufis just laugh: nothing tyrannizes their hearts. What strikes the oyster shell does not damage the pearl
Rumi (Jalal ad-Din Muhammad ar-Rumi)
Unconditional love. That's what this is. I love him, as is, fully. I've had to stop arm wrestling with the facts. Why me? Didn't I already have a big love once? And lost it? So why should I get it again? I've had to stop trying to look for cracks and flaws to prove that it's not as good as it seems. Because it's as good as it seems. Even when we fight, we fight inside the container of good. Somehow, through a flip of the coin, I ended up here. Feeling like somebody at the top of the heart-lung transplant recipient list. Damaged but invigorated and fucking lucky.
Augusten Burroughs (Magical Thinking: True Stories)
She fit her head under his chin, and he could feel her weight settle into him. He held her tight and words spilled out of him without prior composition. And this time he made no effort to clamp them off. He told her about the first time he had looked on the back of her neck as she sat in the church pew. Of the feeling that had never let go of him since. He talked to her of the great waste of years between then and now. A long time gone. And it was pointless, he said, to think how those years could have been put to better use, for he could hardly have put them to worse. There was no recovering them now. You could grieve endlessly for the loss of time and the damage done therein. For the dead, and for your own lost self. But what the wisdom of the ages says is that we do well not to grieve on and on. And those old ones knew a thing or two and had some truth to tell, Inman said, for you can grieve your heart out and in the end you are still where you are. All your grief hasn't changed a thing. What you have lost will not be returned to you. It will always be lost. You're left with only your scars to mark the void. All you can choose to do is go on or not. But if you go on, it's knowing you carry your scars with you. Nevertheless, over all those wasted years, he had held in his mind the wish to kiss her on the back of her neck, and now he had done it. There was a redemption of some kind, he believed, in such complete fulfillment of a desire so long deferred.
Charles Frazier (Cold Mountain)
His dear face, dear to her, dearer still. how could she love his face more for its damage? What kind of person saw someone's suffering and felt her heart crack open even wider, even more sweetly than before? There was something wrong with her. It was wrong to want to touch a scar and call it beautiful.
Marie Rutkoski (The Winner's Crime (The Winner's Trilogy, #2))
Athena called, "Annabeth Chase, my own daughter." Annabeth squeezed my arm, then walked forward and knelt at her mother's feet. Athena smiled. "You, my daughter, have exceeded all expectations. You have used your wits, your strength, and your courage to defend this city, and our seat of power. It has come to our attention that Olympus is...well, trashed. The Titan lord did much damage that will have to be repaired. We could rebuild it by magic, of course, and make it just as it was. But the gods feel that the city could be improved. We will take this as an opportunity. And you, my daughter, will design these improvements." Annabeth looked up, stunned. "My...my lady?" Athena smiled wryly. "You are an architect, are you not? You have studied the techniques of Daedalus himself. Who better to redesign Olympus and make it a monument that will last for another eon?" "You mean...I can design whatever I want?" "As your heart desires," the goddess said. "Make us a city for the ages." "As long as you have plenty of statues of me," Apollo added. "And me," Aphrodite agreed. "Hey, and me!" Ares said. "Big statues with huge wicked swords and-" All right!" Athena interrupted. "She gets the point. Rise, my daughter, official architect of Olympus.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
Your body is not a first aid kit for broken people and damaged souls and hearts that are too tired to fix themselves.
Nikita Gill (Wild Embers)
There are boys so enraptured by love that they can't get their hearts to slow down enough to get some rest, and other boys so damaged by love that they can't stop picking at their pain.
David Levithan (Two Boys Kissing)
Johnny and Marissa, sitting in a tree, K-I-S-S-I-N-G. First comes love, then comes marriage. Then comes an abrupt, tragic miscarriage. Then comes blame, then comes despair. Two hearts damaged beyond repair... Johnny leaves Marissa, and takes the tree. D-I-V-O-R-C-E.
Kris Wilson (Ice Cream & Sadness)
Love couldn’t be moved by circumstance, poor choices, or even blatant lies—skewed and damaged, yes, but the heart couldn’t deny what it wanted most once the desire was planted. Whether in bliss or affliction, love owned you all the same.
Rachael Wade (The Tragedy of Knowledge (Resistance, #3))
Some of us can begin to heal the damage people have done to us by escaping the situation, but some of us need more than that. Tattoos make statements that need to be made. Or hide things that are no one's business. Your scars are battle wounds, but you don't see them that way. Yet.
Tammara Webber (Breakable (Contours of the Heart, #2))
It is not your passing thoughts or brilliant ideas so much as your plain everyday habits that control your life....Live simply. Don’t get caught in the machine of the world— it is too exacting. By the time you get what you are seeking your nerves are gone, the heart is damaged, and the bones are aching. Resolve to develop your spiritual powers more earnestly from now on. Learn the art of right living. If you have joy you have everything,so learn to be glad and contented....Have happiness now.
Paramahansa Yogananda
No amount of soul searching would fix my past. There was no magical Band-Aid I could stick on my heart, no special glue I could use to make myself whole again. I had shattered to pieces like a fragile vase on concrete; some fragments could be roughly cobbled back together, but many of my vital parts had simply turned to dust, pulverized and scattered by the first gust of wind.
Julie Johnson (Like Gravity)
Sometimes I believe personalities are shaped more by damage than kindness.
Colleen Hoover (Heart Bones)
And certain things around us will change, become easier or harder, one thing or the other, but nothing will ever really be any different. I believe that. We have made our decisions, our lives have been set in motion, and they will go on and on until they stop. But if that is true, then what? I mean, what if you believe that, but you keep it covered up, until one day something happens that should change something, but then you see nothing is going to change after all. What then? Meanwhile, the people around you continue to talk and act as if you were the same person as yesterday, or last night, or five minutes before, but you are really undergoing a crisis, your heart feels damaged…
Raymond Carver (Short Cuts: Selected Stories)
I don’t want my mistakes to affect everyone else in the room,” I said after a moment. “I want to keep to myself and do as little damage as possible.
Jenn Bennett (The Anatomical Shape of a Heart)
If only you would realize some day, how much have you hurt me, If only your heart ever, craves for me or my presence… If only you feel that love again someday for me, If only you are affected someday by my absence… Only you can end all my suffering and this unbearable pain, If only you would know what you could never procure… If only you go through the memories of past once again, Since the day you left my heart has bled, no one has its cure… If only you would bring that love, those showers and that rain… If only you would come back and see what damage you create, I’ve been waiting for your return since forever more… If only you would see the woman that you have made, You said we cannot sail through, how were you so sure? If only you can feel the old things that can never fade, You may have moved on, but a piece of my heart is still with you… I know how I’ve come so far alone; I know how I’m able to wade, People say that I’m insane and you won’t ever come back again… Maybe you would have never made your separate way, Maybe you would have stayed with me and proved everyone wrong… If only you would know the pain of dying every day, If only you would feel the burden of smiling and being strong…
Mehek Bassi (Chained: Can you escape fate?)
...the heart of a child can take forty-nine blows before it’s damaged for ever and what’s done can never be undone.
Paul Hoffman (The Last Four Things (The Left Hand of God, #2))
Men know the damage a few words can do to girls’ hearts, and, idiots that we are, we swoon away and fall into the trap, excited because at last a man has set one for us
Grégoire Delacourt (La liste de mes envies)
The hatred you're carrying is a live coal in your heart - far more damaging to yourself than to them.
Lawana Blackwell (Catherine's Heart (Tales of London #2))
If you love someone, truly love them, you’ll bear your soul to them and let them be the keeper of your heart no matter how fragile or damaged it might be. And if they love you then they’ll do everything in their power to keep it safe, to nurture and protect it and heal over all the old wounds.
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
That throbbing thing in my chest can hardly be called a heart. It has been wrung out and deformed into something merely functional. Nothing can revive it.
Anna Jae
I always thought that love would feel like something gentle, but this isn’t. I feel a clawing, desperate need to hold his heart in my hand and to fend off anything that might damage it.
Sally Thorne (Second First Impressions)
But hard bitten cynicism leaves one feeling peevish, and too much of it can do lasting damage to your heart.
Julie Powell (Julie and Julia: My Year of Cooking Dangerously)
Standing there in-between two disgusting Dumpsters in some crappy alley with the whole world crumbling down around me, and hearing Alex say those words, all the fear I have carried with me since I learned to sit, stand, breathe— since I was told that at the very heart of me was something wrong, something rotten and diseased, something to be suppressed—since I was told that I was always just a heartbeat away from being damaged—all of it vanishes at once. That thing—the heart of hearts of me, the core of my core—stretches and unfurls even further, soaring like a flag: making me feel stronger than I ever have before.
Lauren Oliver (Delirium (Delirium, #1))
The damage and invisible scars of emotional abuse are very difficult to heal, because memories are imprinted on our minds and hearts and it takes time to be restored. Imprints of past traumas do not mean a person cannot change their future beliefs and behaviors. as people, we do not easily forget. However, as we heal, grieve, and let go, we become clear-minded and focused to live restore and emotionally healthy.
Dee Brown (Breaking Passive-Aggressive Cycles)
Per-haps every can of cashews has a fake snake lurking, but you keep opening them, stupidly, because in your heart of hearts you still believe in cashews.
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
The wound made by hurting with fire will heal but the wound created by harsh words uttered using out tongue leaves an indelible scar.
Thiruvalluvar (Thirukkural)
Kindness doesn’t sink as deep into your skin as the damage does. The damage stains your soul so bad, you can’t scrub it off.
Colleen Hoover (Heart Bones)
The people we love get under our skin and crawl through our veins and fine their way into our heart. They choke up our blood flow and mess up our breathing and tangle themselves through our bodies like wire. Like razors, like fire. We remember them even when we don't remember them. We try and forget, but it's pointless. Even amnesia. Even comas and brain damage and traumatic shock. Whatever makes us not remember, we still remember. Our minds flounder like fish but our bodies... Our bodies remember.
Katrina Leno (The Half Life of Molly Pierce)
If you try to find a replacement, you'll be sadly disappointed, I can't be replaced. I'm the only man in all the world who possesses the right combination of qualities for you.You can turn your Ballister stare upon me all you like, but you can't petrify me. You can knock me about to your heart's content without worrying about doing any damage. You can perpetrate any sort of outrage your wicked mind conceives and be sure I'll join in, with a will. You're a troublemaker, Lydia. A Ballister devil. Nothing less than a Mallory hellion would ever suit you." - Vere Mallory -
Loretta Chase (The Last Hellion (Scoundrels, #4))
Be willing to give, but only when you aren't expecting anything in return.
Criss Jami (Healology)
Storytelling can heal broken hearts and damaged minds.
Dean Koontz (Ashley Bell (Ashley Bell, #1))
That’s the thing about hearts. They don’t get put back together, not really. They just get patched. But the damage is still there.
Lauren Oliver (Broken Things)
They never got you, don't you know that? You irritating, charming, stubborn, evolved, intolerable, sweet, complex, caring, melodramatic bastard with your heart of gold. They never got you. You're wholly you, and you're perfect.
Dianna Hardy (Rise Of The Wolf (Eye Of The Storm, #5))
She'd never broken a bone, had surgery. But the worst damage didn't leave a mark. When Hellie died, it was as if someone had cut into Alex's chest, cracked her open like balsa wood. What if it really had been like that and she'd had to walk down the street bleeding, trying to hold her ribs together, her heart and her lungs and every part of her open to the world? Instead, the thing that had broken her had left no mark, no scar for her to point to and say, This is where I ended.
Leigh Bardugo (Ninth House (Alex Stern, #1))
We were rough around the edges, but that didn’t make us worthless. Being a little damaged does not make someone broken. It just means they have better stories to tell and cooler scars. It
A.J. Mendez Brooks (Crazy Is My Superpower: How I Triumphed by Breaking Bones, Breaking Hearts, and Breaking the Rules)
For Longing Blessed be the longing that brought you here And quickens your soul with wonder. May you have the courage to listen to the voice of desire That disturbs you when you have settled for something safe. May you have the wisdom to enter generously into your own unease To discover the new direction your longing wants you to take. May the forms of your belonging—in love, creativity, and friendship— Be equal to the grandeur and the call of your soul. May the one you long for long for you. May your dreams gradually reveal the destination of your desire. May a secret Providence guide your thought and nurture your feeling. May your mind inhabit life with the sureness with which your body inhabits the world. May your heart never be haunted by ghost-structures of old damage. May you come to accept your longing as divine urgency. May you know the urgency with which God longs for you.
John O'Donohue (To Bless the Space Between Us: A Book of Blessings)
Sometimes I think people were meant to be strangers. Not to get to know one another, not to get close enough to damage the heart made older by each new encounter.
Rod McKuen (Stanyan Street and Other Sorrows: Poems)
Doing nothing can cause as much damage as doing something.
Jenn Bennett (The Anatomical Shape of a Heart)
Though sometimes, first love cauterises the heart, and all any searcher will find thereafter is scar tissue.
Julian Barnes (The Only Story)
Sahara knew she should be worried about the fact that she’d been in bed with a man who’d caused that kind of damage with a momentary and, according to him, minor loss of telekinetic control during intimacy, but she felt her lips kick up at the corners. So we literally made the earth move? A slight pause, before Kaleb said, I suggest we don’t engage in sex in populated areas. The cool comment made her burst into laughter.
Nalini Singh (Heart of Obsidian (Psy-Changeling, #12))
And it was pointless...to think how those years could have been put to better use, for he could hardly have put them to worse. There was no recovering them now. You could grieve endlessly for the loss of time and for the damage done therein. For the dead, and for your own lost self. But what the wisdom of the ages says is that we do well not to grieve on and on. And those old ones knew a thing or two and had some truth to tell...for you can grieve your heart out and in the end you are still where you were. All your grief hasn't changed a thing. What you have lost will not be returned to you. It will always be lost. You're left with only your scars to mark the void. All you can choose to do is to go on or not. But if you go on, it's knowing you carry your scars with you.
Charles Frazier (Cold Mountain)
It is not a single crime when a child is photographed while sexually assaulted (raped.) It is a life time crime that should have life time punishments attached to it. If the surviving child is, more often than not, going to suffer for life for the crime(s) committed against them, shouldn't the pedophiles suffer just as long? If it often takes decades for survivors to come to terms with exactly how much damage was caused to them, why are there time limits for prosecution?
Sierra D. Waters (Debbie.)
The damage done through abuse is awful and heinous, but minor compared to the dynamics that distort the victim’s relationship with God and rob her of the joy of loving and being loved by others.
Dan B. Allender (The Wounded Heart: Hope for Adult Victims of Childhood Sexual Abuse)
You are pure-hearted, Branza, and lovely, and you have never done a moment's wrong. But you are a living creature, born to make a real life, however it cracks your heart. However sweet that other place was, it was not real. It was an artifact of your mam's imagination; it was a dream of hers and a desire; you could not have stayed there forever and called yourself alive. Now you are in the true world, and a great deal more is required of you. Here you must befriend real wolves, and lure real birds down from the sky. Here you must endure real people around you, and we are not uniformly kind; we are damaged and impulsive, each in our own way. It is harder. It is not safe. But it is what you were born to.
Margo Lanagan (Tender Morsels)
Remember, it isn't the snake bite that does the serious damage; it's chasing the snake that drives the poison to the heart.
Stephen R. Covey
From her dubious tone alone, I could see how Karin had no idea how terrifying words spoken quietly could be. How words chosen precisely to wreak maximum damage ticked like a bomb in your head, but exploded in your heart hours later, leaving you scarred and changed.
Justina Chen (North of Beautiful)
Anam is the Irish word for “soul” and Ċara is the word for “friend.” In the Anam-Ċara friendship, you were joined in an ancient way with the friend of your soul. This was a bond that neither space nor time could damage. The friendship awakened an eternal echo in the hearts of the friends; they entered into a circle of intimate belonging with each other. The Anam-Ċara friendship afforded a spiritual space to all the other longings of the human heart.
John O'Donohue (Eternal Echoes: Celtic Reflections on Our Yearning to Belong)
The greatest gift anyone could give anyone is for the other to feel worthy, adored and more than enough for all that they are. This is a gentle reminder that the people you surround yourself with in every direction should feel both uplifting and safe to your mind and heart. Not confusing, not draining, not controlling, not vague, not calculating, not unreliable, not cold, not dismissive, and not manipulative. Don’t mess around with the energy you take into your body and being, work wise, friendship wise, and relationship wise. Life is too short and delicate for these damaging things. It’s really that simple.
Victoria Erickson
Hearts that have been stopped without being damaged can sometimes start again, under the right circumstances. When the right circumstances cannot be arranged, lightning can make a surprisingly good substitute.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
Men cheat because it’s in their genetic code. A woman does it because she doesn’t have enough dignity; in addition to handing over her body, she always ends up handing over a bit of her heart. A true crime. A theft. It’s worse than robbing a bank, because if one day she is discovered (and she always is), she will cause irreparable damage to her family. For men it is just a “stupid mistake.” For women, it feels like a spiritual crime against all those who surround her with affection and support her as a mother and wife.
Paulo Coelho (Adultery)
I didn’t have to look at him to know I’d just lost everything I’d ever wanted because I felt it. I felt the loss seep into bone and tissue. I felt it settle between the cracks in my heart and the empty holes in my soul.
Julie Bale (The Stillness of You (Beautifully Damaged, #1))
..I always recognize the foces that will shape my life. I let them do their work. Sometimes they tear through my life like a hurricane. Sometimes they simply shift the ground under me, so that I stand on different earth, and something or someone has been swallowed up. I steady myself, in the earthquate. I lie down, and let the hurricane pass over me. I never fight. Afterwards I look around me, and I say, 'Ah, so this at least is left for me. And that dear person has also survived.' I quietly inscribe on the stone tablet of my heart the name which has gone forever. Th inscription is a thing of agony. Then I start on my way again.
Josephine Hart (Damage)
Reinvent yourself. Over and over again. Plant new wildflowers into your spirit. Set a wildfire inside yourself and then regrow. Take the wildest thing about you and nurture it till it blossoms. Tend to the sea that resides inside your heart and listen to its storms, wash you anew. How else will you let go of everything that causes you such terrible harm if you are still living inside the old you, the person who was so damaged by it all?
Nikita Gill (Wild Embers: Poems of Rebellion, Fire and Beauty)
Sometimes I can feel my darkness, like a fragment of nerves inside of me somewhere, sparking my hate. I picture it moving throughout my body, the other cells letting it pass by, yielding to its master. It moves to my tongue when it wants me to spew beautiful, damaging words, it moves to my hands when it wants me to feel all it can take away, and it moves to my eyes to blind me from truly seeing the destruction I’ve done.
Piper Payne (Breathing Black (The Black and White Duet, #1))
It is the devil's greatest triumph when he can deprive us of the joy of the Spirit. He carries fine dust with him in little boxes and scatters it through the cracks in our conscience in order to dim the soul's pure impulses and its luster. But the joy that fills the heart of the spiritual person destroys the deadly poison of the serpent. But if any are gloomy and think that they are abandoned in their sorrow, gloominess will continuously tear at them or else they will waste away in empty diversions. When gloominess takes root, evil grows. If it is not dissolved by tears, permanent damage is done.
Francis of Assisi
Loving you is no more a beautiful memory, but now just a pain, I cry and weep every time I walk down the memory lane, Your love always completed me in every sense as a whole, But now it’s just emptiness and sorrow in my heart that drains, Of all the people in the world, you choose me to be hurt, Of all the hearts in the world, you choose mine to break… Why did you leave me I ask myself every morning and dawn? Why my love was incomplete tell me why you were gone? A silence surrounds my heart and fills it again with despair, Oh this pain is just too much, and the damage beyond repair, Please come back baby, just come back and bring that old smile, Or just come to see me every once in a while, So my heart no more bleeds, and no more my soul aches, So I can be peaceful after my death, in my ashes and burnt flakes…
Mehek Bassi (Chained: Can you escape fate?)
Ouch,' my dad says in mock hurt. 'Right in the heart, Lil' 'Its the only place I can reach,' she refutes. 'I'm not sure about that...' Their voices soften. Too quiet. Which means they're lip-locked. 'Mom! Dad!' I shout, and Farrow and I reach the base of the stairs first.
Krista Ritchie (Damaged Like Us (Like Us, #1))
You can have the best intentions in the world, but if you do nothing, you are nothing. It is a harsh glare to shed that kind of light, but in my heart that is pure reality for me. How does the quote go? “Evil triumphs when good men do nothing.” This is the downside to the longevity of sloth. It is an exit on a highway that leads to the worst parts of town.
Corey Taylor (Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good)
Marriage, in what is evidently its most popular version, is now on the one hand an intimate 'relationship' involving (ideally) two successful careerists in the same bed, and on the other hand a sort of private political system in which rights and interests must be constantly asserted and defended. Marriage, in other words, has now taken the form of divorce: a prolonged and impassioned negotiation as to how things shall be divided. During their understandably temporary association, the 'married' couple will typically consume a large quantity of merchandise and a large portion of each other. The modern household is the place where the consumptive couple do their consuming. Nothing productive is done there. Such work as is done there is done at the expense of the resident couple or family, and to the profit of suppliers of energy and household technology. For entertainment, the inmates consume television or purchase other consumable diversion elsewhere. There are, however, still some married couples who understand themselves as belonging to their marriage, to each other, and to their children. What they have they have in common, and so, to them, helping each other does not seem merely to damage their ability to compete against each other. To them, 'mine' is not so powerful or necessary a pronoun as 'ours.' This sort of marriage usually has at its heart a household that is to some extent productive. The couple, that is, makes around itself a household economy that involves the work of both wife and husband, that gives them a measure of economic independence and self-employment, a measure of freedom, as well as a common ground and a common satisfaction. (From "Feminism, the Body, and the Machine")
Wendell Berry (The Art of the Commonplace: The Agrarian Essays)
There is nothing so annoying as to be fairly rich, of a fairly good family, pleasing presence, average education, to be "not stupid," kindhearted, and yet to have no talent at all, no originality, not a single idea of one's own—to be, in fact, "just like everyone else." Of such people there are countless numbers in this world—far more even than appear. They can be divided into two classes as all men can—that is, those of limited intellect, and those who are much cleverer. The former of these classes is the happier. To a commonplace man of limited intellect, for instance, nothing is simpler than to imagine himself an original character, and to revel in that belief without the slightest misgiving. Many of our young women have thought fit to cut their hair short, put on blue spectacles, and call themselves Nihilists. By doing this they have been able to persuade themselves, without further trouble, that they have acquired new convictions of their own. Some men have but felt some little qualm of kindness towards their fellow-men, and the fact has been quite enough to persuade them that they stand alone in the van of enlightenment and that no one has such humanitarian feelings as they. Others have but to read an idea of somebody else's, and they can immediately assimilate it and believe that it was a child of their own brain. The "impudence of ignorance," if I may use the expression, is developed to a wonderful extent in such cases;—unlikely as it appears, it is met with at every turn. ... those belonged to the other class—to the "much cleverer" persons, though from head to foot permeated and saturated with the longing to be original. This class, as I have said above, is far less happy. For the "clever commonplace" person, though he may possibly imagine himself a man of genius and originality, none the less has within his heart the deathless worm of suspicion and doubt; and this doubt sometimes brings a clever man to despair. (As a rule, however, nothing tragic happens;—his liver becomes a little damaged in the course of time, nothing more serious. Such men do not give up their aspirations after originality without a severe struggle,—and there have been men who, though good fellows in themselves, and even benefactors to humanity, have sunk to the level of base criminals for the sake of originality)
Fyodor Dostoevsky (The Idiot)
Little brother, I don’t mean to be a downer, but we’re talking about War here. There’s no way to mitigate damages. He won’t let us. I was there with twenty-five Chthonians to fight him and he spanked our hides like we were Lemurian slave women. Two of us had our hearts ripped out and shoved down our throats while he laughed, then he licked the blood clean from his fingers and came at the rest of us. (Savitar)
Sherrilyn Kenyon (One Silent Night (Dark-Hunter, #15))
When I’m with you, I feel like a different kind of man. I feel better than I’ve ever felt, but a man with all that good in his heart can’t do what needs to be done. So I returned to the man who doesn’t feel. I know I hurt you by doing that, but it was what needed to be done for me to survive. What I do for Cooper is about making people bleed before they do the same to us. That kind of job won’t allow for mistakes just cause my heart belongs to a beautiful angel.
Bijou Hunter (Damaged and the Knight (Damaged, #2))
Why do you suppose the poets talk about hearts?' he asked me suddenly. 'When they discuss emotional damage? The tissue of hearts is tough as a shoe. Did you ever sew up a heart?' I shook my head. 'No, but I've watched. I know what you mean.' The walls of a heart are thick and strong, and the surgeons use heavy needles. It takes a good bit of strength, but it pulls together neatly. As much as anything it's like binding a book. The seat of human emotion should be the liver,' Doc Homer said. 'That would be an appropriate metaphor: we don't hold love in our hearts, we hold it in our livers.' I understood exactly. Once in ER I saw a woman who'd been stabbed everywhere, most severely in the liver. It's an organ with the consistency of layer upon layer of wet Kleenex. Every attempt at repair just opens new holes that tear and bleed. You try to close the wound with fresh wounds, and you try and you try and you don't give up until there's nothing left.
Barbara Kingsolver
As she bends for a Kleenex in the dark, I am thinking of other girls: the girl I loved who fell in love with a lion--she lost her head over it--we just necked a lot; of the girl who fell in love with the tightrope, got addicted to getting high wired and nothing else was enough; all the beautiful, damaged women who have come through my life and I wonder what would have happened if I'd met them sooner, what they were like before they were so badly wounded. All this time I thought I'd been kissing, but maybe I'm always doing mouth-to-mouth resuscitation, kissing dead girls in hopes that the heart will start again. Where there's breath, I've heard, there's hope.
Daphne Gottlieb (Kissing Dead Girls)
There are boys lying awake, hating themselves. There are boys screwing for the right reasons and boys screwing for the wrong ones. There are boys sleeping on benches and under bridges, and luckier unlucky boys sleeping in shelters, which feel like safety but not like home. There are boys so enraptured by love that they can't get their hearts to slow down enough to get some rest, and other boys so damaged by love that they can't stop picking at their pain. There are boys who clutch secrets at night in the same way they clutch denial in the day. There are boys who do not think of themselves at all when they dream. There are boys who will be woken in the night. There are boys who fall asleep with phones to their ears.
David Levithan (Two Boys Kissing)
Gawk? What is gawk?" he asked. "You tell me. You're the one that does it." I said... "My definition of gawking would be..." He paused as if to hold back what he was going to say. But he couldn't any longer. "...when you look at her, your heart starts slamming uncontrollably in your chest. So much that it scares you. And every other noise that surrounds you slowly fades away into absolute silence. You only hear the sounds she makes. And when she looks back at you, when her eyes meet yours, it's as if she is looking deep inside your soul. And she can see all of the hatred you're consumed in. Her eyes quench the thirst of your soul, gently soothing your damaged heart in the most alluring way... a way you could only dream of.
E.M. Jade (Captivated (Affliction, #1))
Children with multiple ACEs are more likely to struggle with anxiety and depression, to suffer from heart disease and obesity, and to contract certain types of cancers. They’re also more likely to underperform in school and suffer from relationship instability as adults. Even excessive shouting can damage a kid’s sense of security and contribute to mental health and behavioral issues down the road. Harvard
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
Special Logan Kiss... Yeah, but you didn't know that I'd recited how i felt for you right then, in that moment, in my mins. The words flowed silently, so easily. There's no mistaking them. When I gave you those kisses, I was telling myself and you.... He peck my nose "I..." He kisses my forehead "..LOVE.." My heart swells as He presses his lips to my chin, then he whispers " YOU...
E.L. Montes (Perfectly Damaged)
Let us also acknowledge that the hearts which suffer the most from our wars are those of mothers. Their vital voices have been left out of the political equation for too long. An Iraqi or American mother cries the same as an Israeli or Afghan mother. The eyes of a mother who has suffered the loss of a child can destroy the soul of anyone who gazes upon them. More souls become casualties of war than physical bodies. War is a soul-shattering experience for the innocent.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
And I imagined that if I were in some other, better universe, there'd be someone who could tell me, it's okay, or you'll get 'em next time, tiger. Someone would tell me that all the stupid things I'd done, all my mistakes, they didn't matter. This someone would say that, no matter what, she was proud of me, that I filled her heart with warmth, and that that's really the most you could hope for in life - to just for an instant make somebody else just a little bit happier. She would tell me that - guess what, - everything was going to be all right.
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
My definition of gawking would be when you look at her, your heart starts slamming uncontrollably in your chest. So much that it scares you. And every other noise that surrounds you slowly fades away into absolute silence. You only hear the sounds she makes. And when she looks back at you, when her eyes meet yours, it's as if she is looking deep inside your soul. And she can see all of the hatred you're consumed in. Her eyes quench the thirst of your soul, gently soothing your damaged heart in the most alluring way... a way you could only dream of. Then those magical eyes start to look away. The time-freeze you were caught in starts to wear off. And fear takes over. You want to pull those eyes to yours again so that you could once again feel the fascinating sensations of happiness. Then, when she's out of your sight, you feel empty inside. Your heart is back to normal. Only this time, it's left with an aching worse than before. But you can never tell her. You can never be with her. You are alone in your pitiful existence.
E.M. Jade (Captivated (Affliction, #1))
Sometimes I think, were I just a little rougher made, I would go altogether to the woods—to my work entirely, and solitude, a few friends, books, my dogs, all things peaceful, ready for meditation and industry—if for no other reason than to escape the heart-jamming damages and discouragements of the worlds mean spirits. But, no use. Even the most solitudinous of us is communal by habit, and indeed by commitment to the bravest of our dreams, which is to make a moral world. The whirlwind of human behavior is not to be set aside.
Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)
A delicate scent hung in the air as we strolled down the long boulevard toward the Opera House holding hands. Paris had come to life in a very special way, the lights of the Eiffel Tower a gentle reminder that nothing mattered once that starry blanket covered the great city, except love. Love was the reason Paris existed. For those lonely in their soul, their heart a barren wasteland starving for nourishment, she offered hope. For those like Caroline and I, lucky enough to have found each other and begin the healing process to repair our brokenness, Paris was a bastion to love's transforming power. A year ago I could not have pictured myself holding hands with someone as nice as Caroline, as lovely and unpretentious. She was pretty, but her soul made her beautiful. I loved everything about her, including her damage.
Bobby Underwood (The Long Gray Goodbye (Seth Halliday #2))
For there is merely bad luck in not being loved; there is misfortune in not loving. All of us, today, are dying of this misfortune. For violence and hatred dry up the heart itself; the long fight for justice exhausts the love that nevertheless gave birth to it. In the clamor in which we live, love is impossible and justice does not suffice. This is why Europe hates daylight and is only able to set injustice up against injustice. But in order to keep justice from shriveling up like a beautiful orange fruit containing nothing but a bitter, dry pulp, I discovered once more at Tipasa that one must keep intact in oneself a freshness, a cool wellspring of joy, love the day that escapes injustice, and return to combat having won that light. Here I recaptured the former beauty, a young sky, and I measured my luck, realizing at last that in the worst years of our madness the memory of that sky had never left me. This was what in the end had kept me from despairing. I had always known that the ruins of Tipasa were younger than our new constructions or our bomb damage. There the world began over again every day in an ever new light. O light! This is the cry of all the characters of ancient drama brought face to face with their fate. This last resort was ours, too, and I knew it now. In the middle of winter I at last discovered that there was in me an invincible summer.
Albert Camus
I have met only a very few people - and most of these were not Americans - who had any real desire to be free. Freedom is hard to bear. It can be objected that I am speaking of political freedom in spiritual terms, but the political institutions of any nation are always menaced and are ultimately controlled by the spiritual state of that nation. We are controlled here by our confusion, far more than we know, and the American dream has therefore become something much more closely resembling a nightmare, on the private, domestic, and international levels. Privately, we cannot stand our lives and dare not examine them; domestically, we take no responsibility for (and no pride in) what goes on in our country; and, internationally, for many millions of people, we are an unmitigated disaster. Whoever doubts this last statement has only to open his ears, his heart, his mind, to the testimony of - for example - any Cuban peasant or any Spanish poet, and ask himself what he would feel about us if he were the victim of our performance in pre-Castro Cuba or in Spain. We defend our curious role in Spain by referring to the Russian menace and the necessity of protecting the free world. It has not occurred to us that we have simply been mesmerized by Russia, and that the only real advantage Russia has in what we think of as a struggle between the East and the West is the moral history of the Western world. Russia's secret weapon is the bewilderment and despair and hunger of millions of people of whose existence we are scarecely aware. The Russian Communists are not in the least concerned about these people. But our ignorance and indecision have had the effect, if not of delivering them into Russian hands, of plunging them very deeply in the Russian shadow, for which effect - and it is hard to blame them - the most articulate among them, and the most oppressed as well, distrust us all the more... We are capable of bearing a great burden, once we discover that the burden is reality and arrive where reality is. Anyway, the point here is that we are living in an age of revolution, whether we will or no, and that America is the only Western nation with both the power, and, as I hope to suggest, the experience that may help to make these revolutions real and minimize the human damage.
James Baldwin (The Fire Next Time)
Dear Pliny,” Sevro sings over the com. If your heart beats like a drum, and your leg’s a little wet, it’s ’cause the Reaper’s come to collect a little debt. He sings this three times until Ragnar throws a table into the console. Sparks shower out. Sevro looks up slowly at the table hanging over his head. It missed by inches. He wheels around. “What the gorypissandshit is your damage, you overreacting mountain troll!” “Rhyming … nnnngh.” Ragnar makes an uncomfortable groaning sound. “You found him,” Mustang mutters as we share a look. “Which one?” I ask as Sevro curses the Stained out in every compound manner he knows. Adding the crux for good measure. “You squawk like a … like a chicken,” Ragnar says
Pierce Brown (Golden Son (Red Rising Saga, #2))
That's what love is. It's taking a leap of faith. It's opening yourself up and letting your walls down and allowing someone to see every dark and broken corner of your soul. It's truth and honesty with yourself and them. It's raw and brutal and terrifying and real. You can't just claim to want it, but refuse to allow yourself to be vulnerable to it. That's not how it works. If you love someone, truly love them, you'll bear your soul to them and let them be the keeper of your heart no matter how fragile or damaged it might be. And if they love you then they'll do everything in their power to keep it safe, to nurture and protect it and heal over all the old wounds.
Caroline Peckham
Sister, why do you do that?" "Do what?" "Cage the animals at night?" "Well..." She looked up and out through the barred window before answering me."We don't want to, Jennings, but we have to. You see, the animals that are given to us we have to take care of. If we didn't cage them up in one place, we might lose them, they might get hurt or damaged. It's not the best thing, but it's the only way we have to take care of them." "But if somebody loved one them," I asked, "wouldn't it be a good idea to let them have one? To keep, I mean?" "Yes, it would be. But not everyone would love them and take care of them as you would. I wish I could give them all away tomorrow." She looked at me. There were tears in her eyes. "But I can't. My heart would break if I saw just one of those animals lying by the wayside uncared for, unloved. No, Jennings. It's better if we keep them together.
Jennings Michael Burch (They Cage the Animals at Night: The True Story of an Abandoned Child's Struggle for Emotional Survival)
There are parts of a woman’s heart that are reserved for certain types of love. Experiencing the love of a father figure in an appropriate way is essential in paving the way for the love of a man to be experienced in the right way. The love of a father is vital in ensuring that a woman’s heart is kept open in this area. If this area is not kept open, it produces problems later on in a woman’s life, for that area is also reserved for the romantic love that comes in the form of a marriage relationship. This is an extremely sensitive area of the heart for a woman, and has plenty of opportunity to be easily bruised. When that does occur, she will put up a protective barrier to try and avoid any such pain occurring again. If this barrier isn’t dismantled fairly soon, a woman’s heart becomes accustomed to its protective barrier, and the heart shielded inside gradually becomes hardened. As women, we may be able to function like this for awhile. But there will come a time in your life where God will begin to peel away those hard layers surrounding your heart, and you probably won’t like that sensation. But you have to fight your natural instinct to run away. This is where many Christian women may get stuck. They view every man through the lens of what their father was to them, or what he was not. Their perception of men is shaded, and often damaged, by the very people who should have been modeling the world of adult relationships to their daughters. As a result, their judgement is often clouded, and women find themselves settling for less than what they truly deserve. Many marriages, even Christian marriages, have been damaged and even terminated because one or both partners refused to sit down and deal with their past issues.
Corallie Buchanan (Watch Out! Godly Women on the Loose)
Love is the devil in disguise. He sweeps in and seduces you when you’re at your weakest, when you’ve lost all hope. But he gives you a sense of want and desire. He whispers sweet words, wrapping you into a world of existence, because before Love, you didn’t exist. Then, when you give in fully, when you’re lost in Love and when he has you exactly where he wants you, he takes over completely, possessing your mind, body, and soul. That’s when he snatches your heart, rips it to shreds, and leaves you with nothing left to give.
E.L. Montes (Perfectly Damaged)
My body is a political battlefield. It is a place of war, of death and suffering, of triumph and victory, of damage and repair, of blood and tears and sweat. It is a place where memories go to find purpose for their existence. It is a place where humans cast all inhibitions aside to discover what exists at their very core. It is a place of growth wearing a mask of destruction. It is a challenge, not for the faint of heart, beckoning us to face it with eyes wide open. The only war is within. When you are ready to fight it, the field awaits.
Agnostic Zetetic
This has been a novel about some people who were punished entirely too much for what they did. They wanted to have a good time, but they were like children playing in the street; they could see one after another of them being killed--run over, maimed, destroyed--but they continued to play anyhow. We really all were very happy for a while, sitting around not toiling but just bullshitting and playing, but it was for such a terrible brief time, and then the punishment was beyond belief: even when we could see it, we could not believe it. For example, while I was writing this I learned that the person on whom the character Jerry Fabin is based killed himself. My friend on whom I based the character Ernie Luckman died before I began the novel. For a while I myself was one of these children playing in the street; I was, like the rest of them, trying to play instead of being grown up, and I was punished. I am on the list below, which is a list of those to whom this novel is dedicated, and what became of each. Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error,a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory. It is, then, only a speeding up, an intensifying, of the ordinary human existence. It is not different from your life-style, it is only faster. It all takes place in days or weeks or months instead of years. "Take the cash and let the credit go," as Villon said in 1460. But that is a mistake if the cash is a penny and the credit a whole lifetime. There is no moral in this novel; it is not bourgeois; it does not say they were wrong to play when they should have toiled;it just tells what the consequences were. In Greek drama they were beginning, as a society, to discover science, which means causal law. Here in this novel there is Nemesis: not fate, because any one of us could have chosen to stop playing in the street, but, as I narrate from the deepest part of my life and heart, a dreadful Nemesis for those who kept on playing. I myself,I am not a character in this novel; I am the novel. So, though, was our entire nation at this time. This novel is about more people than I knew personally. Some we all read about in the newspapers. It was, this sitting around with our buddies and bullshitting while making tape recordings, the bad decision of the decade, the sixties, both in and out of the establishment. And nature cracked down on us. We were forced to stop by things dreadful. If there was any "sin," it was that these people wanted to keep on having a good time forever, and were punished for that, but, as I say, I feel that, if so, the punishment was far too great, and I prefer to think of it only in a Greek or morally neutral way, as mere science, as deterministic impartial cause-and-effect. I loved them all. Here is the list, to whom I dedicate my love: To Gaylene deceased To Ray deceased To Francy permanent psychosis To Kathy permanent brain damage To Jim deceased To Val massive permanent brain damage To Nancy permanent psychosis To Joanne permanent brain damage To Maren deceased To Nick deceased To Terry deceased To Dennis deceased To Phil permanent pancreatic damage To Sue permanent vascular damage To Jerri permanent psychosis and vascular damage . . . and so forth. In Memoriam. These were comrades whom I had; there are no better. They remain in my mind, and the enemy will never be forgiven. The "enemy" was their mistake in playing. Let them all play again, in some other way, and let them be happy.
Philip K. Dick (A Scanner Darkly)
Ironically, the tattoo represents the opposite for me today. It reminds me that it's important to let yourself be vulnerable, to lose control and make a mistake. It reminds me that, as Whitman would say, I contain multitudes and I always will. I'm a level-one introvert who headlined Madison Square Garden—and was the first woman comic to do so. I'm the ‘overnight success’ who's worked her ass off every single waking moment for more than a decade. I used to shoplift the kind of clothing that people now request I wear to give them free publicity. I'm the SLUT or SKANK who's only had one one-night stand. I'm a ‘plus-size’ 6 on a good day, and a medium-size 10 on an even better day. I've suffered the identical indignities of slinging rib eyes for a living and hustling laughs for cash. I'm a strong, grown-ass woman who's been physically, sexually, and emotionally abused by men and women I trusted and cared about. I've broken hearts and had mine broken, too. Beautiful, ugly, funny, boring, smart or not, my vulnerability is my ultimate strength. There's nothing anyone can say about me that's more permanent, damaging, or hideous than the statement I have forever tattooed upon myself. I'm proud of this ability to laugh at myself—even if everyone can see my tears, just like they can see my dumb, senseless, whack, lame lower back tattoo.
Amy Schumer (The Girl with the Lower Back Tattoo)
Roarke didn't quite make it to Eve's office. He found her down the corridor, in front of one of the vending machines. She and the machine appeared to be in the middle of a vicious argument. "I put the proper credits in, you blood-sucking, money-grubbing son of a bitch." Eve punctuated this by slamming her fist where the machine's heart would be, if it had one. ANY ATTEMPT TO VANDALIZE, DEFACE, OR DAMAGE THIS UNIT IS A CRIMINAL OFFENSE. The machine spoke in a prissy, singsong voice Roarke was certain was sending his wife's blood pressure through the roof. THIS UNIT IS EQUIPPED WITH SCANEYE, AND HAS RECORDED YOUR BADGE NUMBER. DALLAS, LIEUTENANT EVE. PLEASE INSERT PROPER CREDIT, IN COIN OR CREDIT CODE, FOR YOUR SELECTION. AND REFRAIN FROM ATTEMPTING TO VANDALIZE, DEFACE, OR DAMAGE THIS UNIT. "Okay, I'll stop attempting to vandalize, deface, or damage you, you electronic street thief. I'll just do it." She swung back her right foot, which Roarke had cause to know could deliver a paralyzing kick from a standing position. But before she could follow through he stepped up and nudged her off balance. "Please, allow me, Lieutenant." "Don't put any more credits in that thieving bastard," she began, then hissed when Roarke did just that. "Candy bar, I assume. Did you have any lunch?" "Yeah, yeah, yeah. You know it's just going to keep stealing if people like you pander to it." "Eve, darling, it's a machine. It does not think." "Ever hear of artificial intelligence, ace?" "Not in a vending machine that dispenses chocolate bars.
J.D. Robb (Betrayal in Death (In Death, #12))
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
You are protected, in short, by your ability to love!" said Dum-bledore loudly. "The only protection that can possibly work against the lure of power like Voldemort's! In spite of all the temptation you have endured, all the suffering, you remain pure of heart, just as pure as you were at the age of eleven, when you stared into a mir-ror that reflected your heart's desire, and it showed you only the way to thwart Lord Voldemort, and not immortality or riches. Harry, have you any idea how few wizards could have seen what you saw in that mirror? Voldemort should have known then what he was dealing with, but he did not! But he knows it now. You have flitted into Lord Voldemort's mind without damage to yourself, but he cannot possess you with-out enduring mortal agony, as he discovered in the Ministry. I do not think he understands why, Harry, but then, he was in such a hurry to mutilate his own soul, he never paused to understand the incomparable power of a soul that is untarnished and whole." "But, sir," said Harry, making valiant efforts not to sound argu-mentative, "it all comes to the same thing, doesn't it? I've got to try and kill him, or —" "Got to?" said Dumbledore. "Of course you've got to! But not because of the prophecy! Because you, yourself, will never rest until you've tried! We both know it! Imagine, please, just for a moment, that you had never heard that prophecy! How would you feel about Voldemort now? Think!" Harry watched Dumbledore striding up and down in front ol him, and thought. He thought of his mother, his father, and Sinus. He thought of Cedric Diggory. He thought of all the terrible deeds he knew Lord Voldemort had done. A flame seemed to leap inside his chest, searing his throat. "I'd want him finished," said Harry quietly. "And I'd want to do it." "Of course you would!" cried Dumbledore. "You see, the prophecy does not mean you have to do anything! But the prophecy caused Lord Voldemort to mark you as his equal. ... In other words, you are free to choose your way, quite free to turn your back on the prophecy! But Voldemort continues to set store by the prophecy. He will continue to hunt you . . . which makes it certain, really, that —" "That one of us is going to end up killing the other," said Harry. "Yes." But he understood at last what Dumbledore had been trying to tell him. It was, he thought, the difference between being dragged into the arena to face a battle to the death and walking into the arena with your head held high. Some people, perhaps, would say that there was little to choose between the two ways, but Dumble-dore knew — and so do I, thought Harry, with a rush of fierce pride, and so did my parents — that there was all the difference in the world.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Long black hair and deep clean blue eyes and skin pale white and lips blood red she's small and thin and worn and damaged. She is standing there. What are you doing here? I was taking a walk and I saw you and I followed you. What do you want. I want you to stop. I breathe hard, stare hard, tense and coiled. There is still more tree for me to destroy I want that fucking tree. She smiles and she steps towards me, toward toward toward me, and she opens he r arms and I'm breathing hard staring hard tense and coiled she puts her arms around me with one hand not he back of my head and she pulls me into her arms and she holds me and she speaks. It's okay. I breathe hard, close my eyes, let myself be held. It's okay. Her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and my heart slows and I stop shaking an the Fury melts into her safety an she holds me and she says. Okay. Okay. Okay. Something else comes and it makes me feel weak and scared and fragile and I don't want to be hurt and this feeling is the feeling I have when I know I can be hurt and hurt deeper and more terribly than anything physical and I always fight it and control it and stop it but her voice calms me and her arms warm me and her smell lightens me and I can feel her heart beat and if she let me go right now I would fall and the need and confusion and fear and regret and horror and shame and weakness and fragility are exposed to the soft strength of her open arms and her simple word okay and I start to cry. I start to cry. I want to cry. It comes in waves. THe waves roll deep and from deep the deep within me and I hold her and she holds me tighter and i let her and I let it and I let this and I have not felt this way this vulnerability or allowed myself to feel this way this vulnerability since I was ten years old and I don't know why I haven't and I don't know why I am now and I only know that I am and that it is scary terrifying frightening worse and better than anything I've ever felt crying in her arms just crying in her ams just crying. She guides me to the ground, but she doesn't let me go. THe Gates are open and thirteen years of addiction, violence, hell and their accompaniments are manifesting themselves in dense tears and heavy sobs and a shortness of breath and a profound sense of loss. THe loss inhabits, fills and overwhelms me. It is the loss of a childhood of being a Teeenager of normalcy of happiness of love of trust anon reason of God of Family of friends of future of potential of dignity of humanity of sanity f myself of everything everything everything. I lost everything and I am lost reduced to a mass of mourning, sadness, grief, anguish and heartache. I am lost. I have lost. Everything. Everything. It's wet and Lilly cradles me like a broken Child. My face and her shoulder and her shirt and her hair are wet with my tears. I slow down and I start to breathe slowly and deeply and her hair smells clean and I open my eyes because I want to see it an it is all that I can see. It is jet black almost blue and radiant with moisture. I want to touch it and I reach with one of my hands and I run my hand from the crown along her neck and her back to the base of her rib and it is a thin perfect sheer and I let it slowly drop from the tips of my fingers and when it is gone I miss it. I do it again and again and she lets me do it and she doesn't speak she just cradles me because I am broken. I am broken. Broken. THere is noise and voices and Lilly pulls me in tighter and tighter and I know I pull her in tighter and tighter and I can feel her heart beating and I know she can feel my heart beating and they are speaking our hearts are speaking a language wordless old unknowable and true and we're pulling and holding and the noise is closer and the voices louder and Lilly whispers. You're okay. You're okay. You're okay.
James Frey