Daisy Johnson Quotes

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But sometimes I wonder if you are right and if all of our choices are remnants of all the choices we made before. As if decisions were shards from the bombs of our previous actions.
Daisy Johnson (Everything Under)
The places we are born come back to us. They disguise themselves as words, memory loss, nightmares. They are the way we sometimes wake with a pressure on our chests that is animal-like or turn on a light and see someone we'd thought was long gone standing there looking at us.
Daisy Johnson (Everything Under)
You cannot lie down behind your badly made decisions and call them fate or determinism or god.
Daisy Johnson (Everything Under)
I was the same as you: less a person and more a hole cut away from everything.
Daisy Johnson (Everything Under)
Forgetting is, I think, a form of protection.
Daisy Johnson (Everything Under)
Yes. I think then, as I have so many times, she is the person I have always wanted to be. I am a shape cut out of the universe, tinged with ever-dying stars- and that she is the creature to fill the gap I leave in the world.
Daisy Johnson (Sisters)
I am a shape cut out of the universe, tinged with ever-dying stars—and that she is the creature to fill the gap I leave in the world.
Daisy Johnson (Sisters)
She has always known that houses are bodies and that her body is a house in more ways than most.
Daisy Johnson (Sisters)
The places we are born come back. They disguise themselves as migraines, stomach aches, insomnia. They are the way we sometimes wake falling, fumbling for the bedside lamp, certain everything we’ve built has gone in the night. We become strangers to the places we are born. They would not recognize us but we will always recognize them. They are marrow to us; they are bred into us. If we were turned inside out there would be maps cut into the wrong side of our skin. Just so we can find our way back. Except, cut wrong side into my skin are not canals and train tracks and a boat, but always: you.
Daisy Johnson (Everything Under)
Memory had a habit of erasing, leaving only the most necessary.
Daisy Johnson (Everything Under)
Had she never been hungry enough to eat a flower? Did she not know that you could eat daisies, daylilies, pansies, and marigolds? That hungry enough, a person could consume the bright faces of violas, even the stems of dandelions and the bitter hips of roses?
Adam Johnson (The Orphan Master's Son)
Death has worn you smooth as a stone.
Daisy Johnson (Everything Under)
the thought stays with me through the quiet night. That we are determined by our landscape, that our lives are decided by the hills and the rivers and the trees.
Daisy Johnson (Everything Under)
Grief is a house with no windows or doors and no way of telling the time.
Daisy Johnson (Sisters)
The understanding pity of others is a hole.
Daisy Johnson (Everything Under)
Her parents. Her genetic parents. All their genes inside her wreaking secret havoc. People give more to their children than hair and eye colour, don't they? Children are a map of genes.
Daisy Johnson (Everything Under)
If I was kidnapped would you offer yourself in my place? If a double was here would you know it wasn't me? If I lost a limb would you cut off one of yours? There is only ever, of course, one answer. Yes, I say. I know I would.
Daisy Johnson (Sisters)
I'd always understood that the past did not die just because we wanted it to. The past signed to us: clicks and cracks in the night, misspelled words, the jargon of adverts, the bodies that attracted us or did not, the sounds that reminded us of this or that. The past was not a thread trailing behind us but an anchor. That was why I looked for you all these years, Sarah. Not for answers, condolences; not to ply you with guilt or set you up for a fall. But because – a long time ago – you were my mother and you left.
Daisy Johnson (Everything Under)
I am vulnerable to superstitions and fairy tales, the pockets of weirdness smattering the land.
Daisy Johnson (Hag: Forgotten Folktales Retold)
Anything can be lost if you try hard enough.
Daisy Johnson (Everything Under)
Mostly she is just a mother to us and she is in rooms the way chairs and tables are.
Daisy Johnson (Sisters)
We can’t always win and we can’t always be happy. But the one thing that we can always do is try. There will always be Baylee-Trashcan Johnsons”—a twitch of a smile crossed Daisy’s face—“ and you can’t change that. But you can change how she makes you feel.
Ruth Hogan (The Keeper of Lost Things)
I’d always understood that the past did not die just because we wanted it to. The past signed to us: clicks and cracks in the night, misspelled words, the jargon of adverts, the bodies that attracted us or did not, the sounds that reminded us of this or that. The past was not a thread trailing behind us but an anchor.
Daisy Johnson (Everything Under)
Die in one universe and yet in another go on without a hitch. If this were true, the person who understood it would have conquered death. Would be invulnerable. Would be the Superman. There's a dizzying thrill in a philosophy that can only be tested by suicide -- and then never proven, only tested again by another attempt. And the person embarked on that series of tests, treading that trail of lives as if from boulder to boulder across the river of time -- no, out into the burning ocean of eternity -- what a mutant! Some new genesis, like a pale, poisonous daisy.
Denis Johnson
Your attention is the same as the ray from a lighthouse. I am struck dumb beneath it.
Daisy Johnson (Everything Under)
She was alive; she was so alive then that she stole living from those around her.
Daisy Johnson (Sisters)
My sister is a black hole my sister is a falling tree my sister is the sea.
Daisy Johnson (Sisters)
She could feel how much she wanted it even through the distance of the sadness.
Daisy Johnson (Sisters)
I wondered, in that moment, what it was like to be a mother to children who did not need you.
Daisy Johnson (Sisters)
I know who you are though in a moment I will not. It is getting. I do not remember the word. Soon it will be. How easily they go again. There is no loyalty in language. There is no.
Daisy Johnson (Fen)
She has always known that houses are bodies and that her body is a house in more ways than most. She housed those beautiful daughters, didn’t she, and she has housed depression all through her life like a smaller, weightier child, and she housed excitement and love and despair and in the Settle House she houses an unsettling worry that she finds difficult to shake, an exhaustion that smothers the days out of her.
Daisy Johnson (Sisters)
The Settle House is load bearing. Here is what it bears: Mum's endless sadness, September's fitful wrath, my quiet failure to ever do quite what anyone needs me to do, the seasons, the death of small animals in the scrublands around it, every word that we say in love or anger to one another.
Daisy Johnson (Sisters)
Virginity was a half-starved dog you were looking after, wanted to give away as quickly as possible so you could forget it ever existed.
Daisy Johnson (Fen: Stories)
The places we are born come back. They disguise themselves as migraines, stomach aches, insomnia.
Daisy Johnson (Everything Under)
If brains are houses with many rooms then I live in the basement.
Daisy Johnson (Sisters)
51.7519°N 1.2578°W
Daisy Johnson (Fen: Stories)
I have felt tired too, since we left school; some days it is as if I am carrying a second body draped over my shoulders.
Daisy Johnson (Sisters)
nothing you remember about me exists any more.
Daisy Johnson (Everything Under)
You crouch by the water and drop your hands into its cold rush until you touch the stony bottom. People, you tell me one day, who grow up around water are different to other people.
Daisy Johnson (Everything Under)
My sister is a black hole my sister is a bricked-up window my sister is a house on fire my sister is a car crash my sister is a long night my sister is a battle my sister is here. September
Daisy Johnson (Sisters)
Inherent in retelling is – at first – destruction. Breaking down from the inside out. Suggested is respect but what is really there is vengeance, violence, retribution, the allure of denigration.
Daisy Johnson (Hag: Forgotten Folktales Retold)
Her love for them was like carrying shopping bags up a hill and at times she became convinced they wanted the very foundations of her, wanted to break the bricks of her body apart and climb back in. And earlier,
Daisy Johnson (Sisters)
In this world, Daisy, we are tiny. We can’t always win and we can’t always be happy. But the one thing that we can always do is try. There will always be Baylee-Trashcan Johnsons”—a twitch of a smile crossed Daisy’s face—“and you can’t change that. But you can change how she makes you feel.
Ruth Hogan (The Keeper of Lost Things)
She had us with a man she had been afraid of, although she would not tell us why. There were months when she spoke little, only wanted to often be holding us, ordered takeaways, had baths that lasted all afternoon. There were months when she told us she was living in a sadness the color of rust and leather.
Daisy Johnson (Sisters)
This year something else is the terror. The road edging away and then dropping from sight, the judder judder judder as we move from tarmac to dirt. Is Mum crying? I don’t know. Should we ask? No answer to that and, anyway, the house is there now and no time to go back or try again or do things over. This the year we are houses, lights on in every window, doors that won’t quite shut. When one of us speaks we both feel the words moving on our tongues. When one of us eats we both feel the food slipping down our gullets. It would have surprised neither of us to have found, slit open, that we shared organs, that one’s lungs breathed for the both, that a single heart beat a doubling, feverish pulse.
Daisy Johnson (Sisters)
People, you tell me one day, who grow up around water are different to other people. What do you mean by that? I say. But you won't answer or have forgotten you said anything to begin with. Still, the thought stays with me through the quiet night. That we are determined by our landscape, that our lives are decided by the hills and the rivers and the trees.
Daisy Johnson (Everything Under)
Now Van Ness claimed already to have died, more than once, in various other universes. Who can refute that? Is there any proof otherwise? Imagine a slight revision in Nietzsche’s myth of eternal return: not that at history’s end all matter collapses back to the center, Big-Bangs, and starts again identically; but that it starts again with one infinitesimal difference in the action of a single molecule— every time, and an endless number of times. When you die, your consciousness blanks out, but it resumes eons later, when the history of molecules has been revised enough to preclude your death due to those particular circumstances: the bullet hits your brain in this world, but in a later one merely tickles your earlobe. You die in one universe and yet in another go on without a hitch. You don’t mark the intervening ages—subjectively you experience nothing other than almost having died. But in fact you’ve edged into another kingdom, ruled by another king, engaging other potentialities. If this were true, the person who understood it would have conquered death. Would be invulnerable. Would be the Superman. There’s a dizzying thrill in a philosophy that can only be tested by suicide— and then never proven, only tested again by another attempt. And the person embarked on that series of tests, treading that trail of lives as if from boulder to boulder across the river of time— no, out into the burning ocean of eternity— what a mutant! Some new genesis, like a pale, poisonous daisy.
Denis Johnson (Already Dead: A California Gothic)
One of the remarkable things about Life After Life is the way that this formal experimentation is combined with a consistently involving plot. It is as if the writing of B. S. Johnson had been crossed with the better novels of Anthony Trollope. An entire world emerges but shows itself again and again in different lights. It’s an unusual book in many ways: in part a tribute to England and to the resilience of the English character revealed under the stress of wartime; in part a book about love that doesn’t contain a love story but instead celebrates the bond between siblings. It’s a book full of horror vividly described, as in the repeated image of a dress with human arms still inside it, seen in a bombed building. Yet the most memorable passages are those which describe the prewar English countryside before suburbia encroached upon “the flowers that grew in the meadow beyond the copse—flax and larkspur, buttercups, corn poppies, red campion and oxeye daisies.” Above all, it’s a book about the act of reading itself. As you read it, it asks you to think about your expectations of plot and outcome. The reader desires happiness for certain characters, and Atkinson both challenges and rewards that tendency.
Kate Atkinson (Life After Life)
Salma had read books where couples kissed, spoke in platitudes or come-ons; something about to happen, hinted at. Beyond that there was always only a white space on the page. A gap between paragraphs. She had thought often about what went on there. On the other side, when the letters appeared once more, couples smoke and drank tea or dressed one another or themselves. If there was a book to be written about Margot it should be blank; it would be those sex spaces between lines, sucked clean of words.
Daisy Johnson (Fen)
traditional tales are neither so simplistic nor so predictable. They give generous space to the subaltern voice: to the powerless, to the poor, to girls and wives, even to animals, all those creatures who need to find ways not only to survive in this difficult world, but to live well in it, despite the dark forces ranged against them. These stories compel, seizing our attention with their strangeness while at the same time speaking clearly to shared themes of human existence. They explore huge questions: of love and loss, and of the conditions under which we do our everyday work and how we might thrive in it. They patrol the shadowy borderlands between life and death and they tease out our hopes and fears for our children. They demand we consider issues such as migration, asking who belongs here, who can make a home here, who can find the strength to begin all over again in a strange new land – and who might have been here for much longer than you think. Folktales pick fights about disability and aging, about women and men, and, crucially, they hold out to us the environments in which we live – our much-loved British countryside – and show how it might slip through our fingers.
Daisy Johnson (Hag: Forgotten Folktales Retold)
American DEWAR FAMILY Cameron Dewar Ursula “Beep” Dewar, his sister Woody Dewar, his father Bella Dewar, his mother PESHKOV-JAKES FAMILY George Jakes Jacky Jakes, his mother Greg Peshkov, his father Lev Peshkov, his grandfather Marga, his grandmother MARQUAND FAMILY Verena Marquand Percy Marquand, her father Babe Lee, her mother CIA Florence Geary Tony Savino Tim Tedder, semiretired Keith Dorset OTHERS Maria Summers Joseph Hugo, FBI Larry Mawhinney, Pentagon Nelly Fordham, old flame of Greg Peshkov Dennis Wilson, aide to Bobby Kennedy Skip Dickerson, aide to Lyndon Johnson Leopold “Lee” Montgomery, reporter Herb Gould, television journalist on This Day Suzy Cannon, gossip reporter Frank Lindeman, television network owner REAL HISTORICAL CHARACTERS John F. Kennedy, thirty-fifth U.S. president Jackie, his wife Bobby Kennedy, his brother Dave Powers, assistant to President Kennedy Pierre Salinger, President Kennedy’s press officer Rev. Dr. Martin Luther King Jr., president of the Southern Christian Leadership Conference Lyndon B. Johnson, thirty-sixth U.S. president Richard Nixon, thirty-seventh U.S. president Jimmy Carter, thirty-ninth U.S. president Ronald Reagan, fortieth U.S. president George H. W. Bush, forty-first U.S. president British LECKWITH-WILLIAMS FAMILY Dave Williams Evie Williams, his sister Daisy Williams, his mother Lloyd Williams, M.P., his father Eth Leckwith, Dave’s grandmother MURRAY FAMILY Jasper Murray Anna Murray, his sister Eva Murray, his mother MUSICIANS IN THE GUARDSMEN AND PLUM NELLIE Lenny, Dave Williams’s cousin Lew, drummer Buzz, bass player Geoffrey, lead guitarist OTHERS Earl Fitzherbert, called Fitz Sam Cakebread, friend of Jasper Murray Byron Chesterfield (real name Brian Chesnowitz), music agent Hank Remington (real name Harry Riley), pop star Eric Chapman, record company executive German FRANCK FAMILY Rebecca Hoffmann Carla Franck, Rebecca’s adoptive mother Werner Franck, Rebecca’s adoptive father Walli Franck, son of Carla Lili Franck, daughter of Werner and Carla Maud von Ulrich, née Fitzherbert, Carla’s mother Hans Hoffmann, Rebecca’s husband OTHERS Bernd Held, schoolteacher Karolin Koontz, folksinger Odo Vossler, clergyman REAL HISTORICAL PEOPLE Walter Ulbricht, first secretary of the Socialist Unity Party (Communist) Erich Honecker, Ulbricht’s successor Egon Krenz, successor to Honecker Polish Stanislaw “Staz” Pawlak, army officer Lidka, girlfriend of Cam Dewar Danuta Gorski, Solidarity activist REAL HISTORICAL PEOPLE Anna Walentynowicz, crane driver Lech Wałesa, leader of the trade union Solidarity General Jaruzelski, prime minister Russian DVORKIN-PESHKOV FAMILY Tanya Dvorkin, journalist Dimka Dvorkin, Kremlin aide, Tanya’s twin brother Anya Dvorkin, their mother Grigori Peshkov, their grandfather Katerina Peshkov, their grandmother Vladimir, always called Volodya, their uncle Zoya, Volodya’s wife Nina, Dimka’s girlfriend OTHERS Daniil Antonov, features editor at TASS Pyotr Opotkin, features editor in chief Vasili Yenkov, dissident Natalya Smotrov, official in the Foreign Ministry
Ken Follett (Edge of Eternity (The Century Trilogy, #3))
Sage. The sage in the pot had the same name as the wild plant that grew prolifically in New Mexico, on the Navajo Nation and throughout the Southwest. She knew the culinary sage in the kitchen was cousin to peppermint, catnip, and oregano—all characterized by square stems and aromatic leaves. The sagebrush outside had daisies, asters, and ragweed in its close family ties. Same name, but different genetics. Then she thought of the new FBI person, Sage Johnson. Were her parents thinking of sagebrush or cooking when they named her? Or did they expect that she’d be a wise woman, a different sort of sage. The name made her curious.
Anne Hillerman (Cave of Bones (Leaphorn & Chee, #22))
I don't remember much of what happened on the river. Forgetting is, I think, a form of protection.
Daisy Johnson
The places we are born come back. They disguise themselves as migraines, stomach aches, insomnia. They are the way we sometimes wake falling, fumbling for the bedside lamp, certain everything we've built has gone in the night. We become strangers to the places we are born. They would not recognise us but we will always recognise them. They are marrow to us; they are bred into us. If we were turned inside out there would be maps cut into the wrong side of our skin. Just so we could find our way back. Except, cut wrong side into my skin are not canals and train tracks and a boat, but always: you.
Daisy Johnson (Everything Under)
do you need me to imply she was a distant relative of mine to have your interest piqued? And should that pique then be used to encourage an emotional investment in her? And for you to be emotionally invested in the well-being of an unknown woman, must she be someone you like? You know, she might not have been but, sure, I also might not be and you might be absolutely horrific. Let’s face it, we can never know. So,
Daisy Johnson (Hag: Forgotten Folktales Retold)
got used to not telling them these stories.
Daisy Johnson (Hag: Forgotten Folktales Retold)
In this world, Daisy, we are tiny. We can’t always win and we can’t always be happy. But the one thing that we can always do is try. There will always be Trashcan Johnsons”—a twitch of a smile crossed Daisy’s face—“ and you can’t change that. But you can change how she makes you feel.” Daisy wasn't convinced. "How?" "By climbing this tree with me." It was the scariest thing Daisy had ever done. But somewhere before they reached the top a strange thing happened. Daisy's fear flew away like feathers in the world. At the bottom of the tree she was tiny, and the tree an invincible giant. At the top, the tree was still huge, but tiny though she was, she had climbed it.
Ruth Hogan (The Keeper of Lost Things)
After she’d given birth she felt emptied out, like a beloved house closed up for the winter. For such a long time the sense that her body did not belong to her continued. It had been that way in the later days with the girls’ father and she felt it again with them inside her, swelling her, unstoppable, using her body as a resting stop.
Daisy Johnson (Sisters)
it was a form of worshipping. And, yes, there was something church-like in the risen struts of Margot’s body, the flesh in between. Something, even, in the slow act of it, secretive enough perhaps it was a thing you would only ever talk about in a confessional.
Daisy Johnson (Fen)
I wanted to tell you everything that had happened to me but you were a sieve and anything you retained was peppered with holes or formed of debris.
Daisy Johnson (Everything Under)
American DEWAR FAMILY Cameron Dewar Ursula “Beep” Dewar, his sister Woody Dewar, his father Bella Dewar, his mother PESHKOV-JAKES FAMILY George Jakes Jacky Jakes, his mother Greg Peshkov, his father Lev Peshkov, his grandfather Marga, his grandmother MARQUAND FAMILY Verena Marquand Percy Marquand, her father Babe Lee, her mother CIA Florence Geary Tony Savino Tim Tedder, semiretired Keith Dorset OTHERS Maria Summers Joseph Hugo, FBI Larry Mawhinney, Pentagon Nelly Fordham, old flame of Greg Peshkov Dennis Wilson, aide to Bobby Kennedy Skip Dickerson, aide to Lyndon Johnson Leopold “Lee” Montgomery, reporter Herb Gould, television journalist on This Day Suzy Cannon, gossip reporter Frank Lindeman, television network owner REAL HISTORICAL CHARACTERS John F. Kennedy, thirty-fifth U.S. president Jackie, his wife Bobby Kennedy, his brother Dave Powers, assistant to President Kennedy Pierre Salinger, President Kennedy’s press officer Rev. Dr. Martin Luther King Jr., president of the Southern Christian Leadership Conference Lyndon B. Johnson, thirty-sixth U.S. president Richard Nixon, thirty-seventh U.S. president Jimmy Carter, thirty-ninth U.S. president Ronald Reagan, fortieth U.S. president George H. W. Bush, forty-first U.S. president British LECKWITH-WILLIAMS FAMILY Dave Williams Evie Williams, his sister Daisy Williams, his mother Lloyd Williams, M.P., his father Eth Leckwith, Dave’s grandmother MURRAY FAMILY Jasper Murray Anna Murray, his sister Eva Murray, his mother MUSICIANS IN THE GUARDSMEN AND PLUM NELLIE Lenny, Dave Williams’s cousin Lew, drummer Buzz, bass player Geoffrey, lead guitarist OTHERS Earl Fitzherbert, called Fitz Sam Cakebread, friend of Jasper Murray Byron Chesterfield (real name Brian Chesnowitz), music agent Hank Remington (real name Harry Riley), pop star Eric Chapman, record company executive German FRANCK FAMILY Rebecca Hoffmann Carla Franck, Rebecca’s adoptive mother Werner Franck, Rebecca’s adoptive father Walli Franck, son of Carla Lili Franck, daughter of Werner and Carla Maud von Ulrich, née Fitzherbert, Carla’s mother Hans Hoffmann, Rebecca’s husband OTHERS Bernd Held, schoolteacher Karolin Koontz, folksinger Odo Vossler, clergyman REAL HISTORICAL PEOPLE Walter Ulbricht, first secretary of the Socialist Unity Party (Communist) Erich Honecker, Ulbricht’s successor Egon Krenz, successor to Honecker Polish Stanislaw “Staz” Pawlak, army officer Lidka, girlfriend of Cam Dewar Danuta Gorski, Solidarity activist REAL HISTORICAL PEOPLE Anna Walentynowicz, crane driver Lech Wałesa, leader of the trade union Solidarity General Jaruzelski, prime minister Russian DVORKIN-PESHKOV FAMILY Tanya Dvorkin, journalist Dimka Dvorkin, Kremlin aide, Tanya’s twin brother Anya Dvorkin, their mother Grigori Peshkov, their grandfather Katerina Peshkov, their grandmother Vladimir, always called Volodya, their uncle Zoya, Volodya’s wife Nina, Dimka’s girlfriend OTHERS Daniil Antonov, features editor at TASS Pyotr Opotkin, features editor in chief Vasili Yenkov, dissident Natalya Smotrov, official in the Foreign Ministry Nik Smotrov, Natalya’s husband Yevgeny Filipov, aide to Defense Minister Rodion Malinovsky Vera Pletner, Dimka’s secretary Valentin, Dimka’s friend Marshal Mikhail Pushnoy REAL HISTORICAL CHARACTERS Nikita Sergeyevitch Khrushchev, first secretary of the Communist Party of the Soviet Union Andrei Gromyko, foreign minister under Khrushchev Rodion Malinovsky, defense minister under Khrushchev Alexei Kosygin, chairman of the Council of Ministers Leonid Brezhnev, Khrushchev’s successor Yuri Andropov, successor to Brezhnev Konstantin Chernenko, successor to Andropov Mikhail Gorbachev, successor to Chernenko Other Nations Paz Oliva, Cuban general Frederik Bíró, Hungarian politician Enok Andersen, Danish accountant
Ken Follett (Edge of Eternity Deluxe (The Century Trilogy #3))
Settembre è la persona che avrei sempre voluto essere. Io sono una forma ritagliata dall'universo, trapunta di stelle che continuano a morire - e lei è la creatura che riempie il vuoto che io lascio nel mondo.
Daisy Johnson (Sisters)
La Casa ha muri portanti. Ecco cosa portano: l'infinita tristezza di mamma, gli scatti d'ira di Settembre, la mia muta incapacità di fare tutto quello che gli altri mi chiedono di fare, le stagioni, la morte dei piccoli animali nella macchia qui intorno, ogni parola d'amore o di rabbia che ci diciamo l'un l'altra.
Daisy Johnson (Sisters)
A volte penso alle tracce dei nostri ricordi. mi chiedo se restano sempre uguali o se le riscriviamo, col tempo.
Daisy Johnson (Everything Under)
I luoghi dove siamo nati ci diventano estranei. Non ci riconoscono più, anche se noi li riconosceremo per sempre. Ci sono cresciuti dentro, sono il nostro midollo. Se ci rovesciassero come un guanto, troverebbero delle mappe incise dietro la pelle.
Daisy Johnson (Everything Under)
The baby was there whether you had wished for it or not. And you still believing it was not possible until it was too late to do anything about it. You grew so fast it felt like something wolfing through you, stealing space... You did not tell him that you had never wanted a child. You would do it, if for nothing else then for him. People did it all the time. People did it daily, thoughtlessly. Couples had babies because it was something made of the two of them. You would have a baby because it was made of a part of him.
Daisy Johnson (Everything Under)
Yes. I think then, as I have so many times, she is the person I have always wanted to be. I am a shape cut out of the universe, tinged with ever-dying stars—and that she is the creature to fill the gap I leave in the world.
Daisy Johnson (Sisters)
I tried to find you but instead found someone else who wears your face.
Daisy Johnson (Everything Under)