Dahlia Flower Quotes

She stood with her perfect profile turned to the glittering night sky, her hood sliding back. Snow was beginning to fall, and it caught in the dark waves of her hair. “I plant something new for every Grisha lost. Heartleaf for Marie. Yew for Sergei. Red Sentinel for Fedyor. Even Ivan has a place.” She touched her fingers to a frozen stalk. “This will blossom bright orange in the summer. I planted it for Harshaw. These dahlias were for Nina when I thought she’d been captured and killed by Fjerdans. They bloom with the most ridiculous red flowers in the summer. They’re the size of dinner plates.” Now she turned and he could see tears on her cheeks. She lifted her hands, the gesture half-pleading, half-lost. “I’m running out of room.

Planting a flower's like opening a book, because either way you're starting something. And your garden's your library.

Dahlias are the symbol of beauty, wealth and prosperity. Like attracts like. Dahlia attracts prosperity.

The torchlit garden was redolent with the colors and scents of autumn... gold and copper foliage, thick borders of roses and dahlias, flowering grasses and beds of fresh mulch that made the air pleasantly pungent.

At first, as the months went by, it was shameful to me when I would realize that without my consent, almost without my knowledge, something had made me happy. And then I learned to think, when those times would come, 'Well, go ahead. If you're happy, then be happy.' No big happiness came to me yet, but little happinessess did come, and they came from ordinary pleasures in ordinary things; the baby, sunlight, breezes, animals and birds, daily work, rest when I was tired, food, strands of fog in the hollows early in the morning, butterflies, flowers. The flowers didn't have to be dahlias and roses either, but just the weeds blooming in the fields, the daisies and the yarrow. I began to trust the world again, not to give me what I wanted, for I saw that it could not be trusted to do that, but to give unforeseen goods and pleasures that I had not thought to want.

Over the past seven years she had managed to push his memory so far back in her mind that he could’ve been a figment of her imagination.

The largest dahlia in her mother’s collection was called the Dauntless, a bright red flower shaped like a pom-pom and the size of a dinner plate.

She set the bouquet of dahlias- a most harmonious flower, the vivid petals springing from its center like a work of art- at the base of the headstone, the pink and white blooms cheery against the day's overcast dreariness. Dahlias were long bloomers (Nellie had even seen them survive an early frost) and signified an unbreakable commitment between two people. While Nellie found the flower too gay for such a profound meaning, Elsie had insisted that was why dahlias were so enchanting. "Just as powerful as they are pretty. Like you, my sweet girl.

Better a crust of black bread than a mountain of paper confections, Better a daisy in earth than a dahlia cut and gathered, Better a cowslip with root than a prize carnation without it

She is surrounded by stalks of dahlias, orange and yellow and pale red, with leaves so big you could write your life story on each one. She looks like a flower in the garden, just like her mother said.

There was her way with flowers, for instance. At Bourton they always had stiff little vases all the way down the table. Sally went out, picked hollyhocks, dahlias — all sorts of flowers that had never been seen together — cut their heads off, and made them swim on the top of water in bowls

Roses climbed the shed, entwined with dark purple clematis, leaves as glossy as satin. There were no thorns. Patience's cupboard was overflowing with remedies, and the little barn was often crowded with seekers. The half acre of meadow was wild with cosmos and lupine, coreopsis, and sweet William. Basil, thyme, coriander, and broad leaf parsley grew in billowing clouds of green; the smell so fresh your mouth watered and you began to plan the next meal. Cucumbers spilled out of the raised beds, fighting for space with the peas and beans, lettuce, tomatoes, and bright yellow peppers. The cart was righted out by the road and was soon bowed under glass jars and tin pails of sunflowers, zinnias, dahlias, and salvia. Pears, apples, and out-of-season apricots sat in balsa wood baskets in the shade, and watermelons, some with pink flesh, some with yellow, all sweet and seedless, lined the willow fence.

These Oscars bore the names, one of Felix Tholomyes, of Toulouse; the second, Listolier, of Cahors; the next, Fameuil, of Limoges; the last, Blachevelle, of Montauban. Naturally, each of them had his mistress. Blachevelle loved Favourite, so named because she had been in England; Listolier adored Dahlia, who had taken for her nickname the name of a flower; Fameuil idolized Zephine, an abridgment of Josephine; Tholomyes had Fantine, called the Blonde, because of her beautiful, sunny hair.

I’m trying to think…are you the florist?” Malcolm’s voice was slightly off, as if it were coming from someplace other than his own throat. ... She took a sip from her own drink. “Nope. I like flowers as much as the next woman, but I can’t tell a dahlia from a daisy.” “Or a lupine from a lobelia?” Hugh Parteger said. “Or a carnation from a chrysanthemum.” “You’re obviously not into floral sects,” he said. She almost spit out a mouthful of kir royale laughing. ... “Mr. Parteger, I don’t discuss what I do in my garden bed with anyone.” “It’s nothing to be ashamed of,” he said. “For most women, it’s just a matter of finding the right tool.” She took another drink, enjoying herself immensely. ... “Yes, but it’s such a tedious process, finding one that fits and works really well. Better just stick to hand weeding. Fewer complications that way.” “Ah, so you’re a master gardener.” She actually giggled. How mortifying. She took a long swallow from her drink. “As Voltaire said, we must cultivate our garden.” “I believe he also said, ‘Once, a philosopher, twice, a pervert.

Blue pencils, blue noses, blue movies, laws, blue legs and stockings, the language of birds, bees and flowers as sung by longshoremen, that lead-like look the skin has when affected by cold, contusion, sickness, fear; the rotten rum or gin they call blue ruin and the blue devils of its delirium; Russian cats and oysters, a withheld or imprisoned breath, the blue they say that diamonds have, deep holes in the ocean and the blazers which English athletes earn that gentlemen may wear; afflictions of the spirit--dumps, mopes, Mondays--all that's dismal--low-down gloomy music, Nova Scotians, cyanosis, hair rinse, bluing, bleach; the rare blue dahlia like the blue moon shrewd things happen only once in, or the call for trumps in whist (but who remembers whist or what the death of unplayed games is like?), and correspondingly the flag, Blue Peter, which is our signal for getting under way; a swift pitch, Confederate money, the shaded slopes of clouds and mountains, and so the constantly increasing absentness of Heaven (ins Blaue hinein, the Germans say), consequently the color of everything that's empty: blue bottles, bank accounts, and compliments, for instance.

Plant a cactus dahlia and a marguerite bush side by side in rich mellow land for a season; they will both give noble return - generous wealth of blossom, splendid growth. Change the same plants another year into starved, sandy soil and what happens? The dahlia shows a warped altered nature at once - the plant grows awry, the flowers, if it flowers at all, come sickly and sullen-looking. Look at the marguerite; it is dismayed for a little time and then adapts itself cheerily to place; it makes a bush as large as ever, it flowers again with all its heart - not quite such fine flowers perhaps, but to make up it gives them in greater profusion.

But it wasn't their separation that was consuming my mind just then; it was Evelyn's garden. Bee had taken us there when we were children, and it was all rushing back: a magical world of hydrangeas, roses, and dahlias, and lemon shortbread cookies on Evelyn's patio. It seemed like only yesterday that my sister and I sat on the little bench under the trellis while Bee hovered over her easel, capturing on her canvas whatever flower was in bloom in the lush beds. "Your garden," I said, "I remember your garden." "Yes," Evelyn said, smiling. I nodded, a little astonished that this memory, buried so deep in my mind, had risen to the surface just then like a lost file from my subconscious. It was as if the island had unlocked it somehow.

BLUE pencils, blue noses, blue movies, laws, blue legs and stockings, the language of birds, bees, and flowers as sung by longshoremen, that lead-like look the skin has when affected by cold, contusion, sickness, fear; the rotten rum or gin they call blue ruin and the blue devils of its delirium; Russian cats and oysters, a withheld or imprisoned breath, the blue they say that diamonds have, deep holes in the ocean and the blazers which English athletes earn that gentlemen may wear; afflictions of the spirit—dumps, mopes, Mondays—all that’s dismal—low-down gloomy music, Nova Scotians, cyanosis, hair rinse, bluing, bleach; the rare blue dahlia like that blue moon shrewd things happen only once in, or the call for trumps in whist (but who remembers whist or what the death of unplayed games is like?), and correspondingly the flag, Blue Peter, which is our signal for getting under way; a swift pitch, Confederate money, the shaded slopes of clouds and mountains, and so the constantly increasing absentness of Heaven (ins Blaue hinein, the Germans say), consequently the color of everything that’s empty: blue bottles, bank accounts, and compliments, for instance, or, when the sky’s turned turtle, the blue-green bleat of ocean (both the same), and, when in Hell, its neatly landscaped rows of concrete huts and gas-blue flames; social registers, examination booklets, blue bloods, balls, and bonnets, beards, coats, collars, chips, and cheese . . . the pedantic, indecent and censorious . . . watered twilight, sour sea: through a scrambling of accidents, blue has become their color, just as it’s stood for fidelity.

My eye keeps escaping towards the big blue lacquered door that I've had painted in a trompe-l'oeil on the back wall. I would like to call Mrs. Cohen back and tell her there's no problem for her son's bar mitzvah, everything's ready: I would like to go through that door and disappear into the garden my mind's eye has painted behind it. The grass there is soft and sweet, there are bulrushes bowing along the banks of a river. I put lime trees in it, hornbeams, weeping elms, blossoming cherries and liquidambars. I plant it with ancient roses, daffodils, dahlias with their melancholy heavy heads, and flowerbeds of forget-me-nots. Pimpernels, armed with all the courage peculiar to such tiny entities, follow the twists and turns between the stones of a rockery. Triumphant artichokes raise their astonished arrows towards the sky. Apple trees and lilacs blossom at the same time as hellebores and winter magnolias. My garden knows no seasons. It is both hot and cool. Frost goes hand in hand with a shimmering heat haze. The leaves fall and grow again. row and fall again. Wisteria climbs voraciously over tumbledown walls and ancient porches leading to a boxwood alley with a poignant fragrance. The heady smell of fruit hangs in the air. Huge peaches, chubby-cheeked apricots, jewel-like cherries, redcurrants, raspberries, spanking red tomatoes and bristly cardoons feast on sunlight and water, because between the sunbeams it rains in rainbow-colored droplets. At the very end, beyond a painted wooden fence, is a woodland path strewn with brown leaves, protected from the heat of the skies by a wide parasol of foliage fluttering in the breeze. You can't see the end of it, just keep walking, and breathe.

The hill between the manor and forest displayed layers of Lady Croft's prized gardens. Paved pathways wove through a formal Italian garden, rose garden, water garden, lily pond, and a tulip garden built around Roman ruins. Maggie stood beside a statue of the goddess Hemera and a row of yew bushes that had been neatly pruned into a wall to form the perimeter of the Croft family maze. Walter sat nearby on a picnic blanket as she scanned the hillside above the maze to see if she could find Libby's copper-streaked hair among the immaculate gardens and all the people dressed in their finest for this entree into Ladenbrooke's gardens. The Croft family opened the front gate to the public once each summer. Hundreds of people from around the Cotswolds came to peruse Lady Croft's magnificent displays- the golden heather, purple dahlias, peach lilies floating on the pond.

Joe had always pretended indifference to flowers. He preferred fruit trees, herbs and vegetables, things to be picked and harvested, stored, dried, pickled, bottled, pulped, made into wine. But there were always flowers in his garden all thee same. Planted as if on an afterthought: dahlias, poppies, lavender, hollyhocks. Roses twined among the tomatoes. Sweet peas among the bean poles. Part of it was camouflage, of course. Part of it a lure for bees. But the truth was that Joe liked flowers, and was reluctant even to pull weeds. Jay would not have seen the rose garden if he had not known where to look. The wall against which the roses had once been trained had been partly knocked down, leaving an irregular section of brick about fifteen feet long. Greenery had shot up it, almost reaching the top, creating a dense thicket in which he hardly recognized the roses themselves. With the shears he clipped a few briars free and revealed a single large red rose almost touching the ground. "Old rose," remarked Joe, peering closer. "Best kind for cookin'. You should try makin' some rose petal jam. Champion." Jay wielded the shears again, pulling the tendrils away from the bush. He could see more rosebuds now, tight and green away from the sun. The scent from the open flower was light and earthy.

He’s rougher than he’s ever been, his anger and hurt driving them further in their pleasure.

She doesn’t want to feel pathetic or weak or broken in front of people anymore.

A daffodil, a dahlia, and a daisy. In the language of flowers, a message of new beginnings, joy, and forever love.

River! Don’t yell at me! Got it? I’m doing this for you. For your new girlfriend, my new friend, and you should be appreciative about it. Not an ass**le!” Then pointing her finger at me she continues, “And yell at me again, I’m so telling Mom.” Shaking my head, I just apologize so we can move on. “I’m sorry Bell, darling,” I say in a drawn out mock tone. “Really, we’re a little old to threaten to tell Mom, aren’t we?” Then I remember I wanted to ask her something. “And by the way, how do you even know Dahlia likes purple?” I, myself, have no idea if she likes it or not. She gloats for a few seconds before answering. “River really,” she says in a rather tsk-tsk tone. “She’s named after a flower, and everyone knows Dahlias are purple.” “Bell, are you drunk?" I have to ask this because that has to be one of the dumbest things she has ever said, and now my annoyance is back.

Round shapes do just the opposite. A circular or elliptical coffee table changes a living room from a space for sedate, restrained interactions to a lively center for conversation and impromptu games. A large rubber exercise ball used instead of a desk chair does more than improve core strength and posture. It can also create a sense of playfulness in an office, especially if several workers choose to use them. Pom-poms sewn along the edges of curtains or pillows make them irresistibly playful and tactile, while polka dots and penny tiles do double duty, mixing play with abundance. Even flowers can be playful: a bouquet of pom-pom dahlias or yellow, ball-shaped billy buttons brings play together with the natural textures of the freedom aesthetic.

All dahlias are beautiful in their own way! I love them because they have the most perfect symmetry and come in a rainbow of color options.

There was always a little difficulty as to who should decorate what, all the ladies having the lowest opinion of each other's decorative powers. There was especial difficulty over the side chapel vases . . . If there is one thing in the world that every woman is quite sure no other woman but herself can do it is vases. . . The vases on the high altar were of course, as always, the duty of the wife or daughter of the Canon in residence (though goodness knew that poor Nell Roderick could no more make dahlia stick upright than fly), but the side chapel vases were only filled on benefactors' day and there was no real precedence as to who did them. Mrs Elphinstone, as wife of the Senior Canon, naturally thought she should, and Miss Roderick thought she should because she was doing the high altar vases and might as well do the lot together, and Mrs Allenby thought she should because she had once been to the Scilly Isles and therefore must know more about flowers than anyone else, and no one knew why Mrs Phillips, who was only the organists's wife, thought she should . . . The Archdeacon had no female dependents.

« No water so still as the dead fountains of Versailles ». No swan, with swart blind look askance and gondoliering legs, so fine as the chintz china one with fawn- brown eyes and toothed gold collar on to show whose bird it was. Lodged in the Louis Fifteenth candelabrum-tree of cockscomb- tinted buttons, dahlias, sea-urchins, and everlastings, it perches on the branching foam of polished sculpture flowers - at ease and tall. The king is dead.

There truly aren't enough words to describe the exquisiteness of dahlias. They're simply stunning with their grand size---I have dinner plates smaller! And those rich colors---they're absolutely drenched in beauty. It's little wonder that they represent dignity and elegance.

Front and center, Dahlia kept her Volkswagen bus, a time capsule from an era rooted in flower power and anti-war sit-ins.

Thank you for your call yesterday,” she said shyly. “And for the beautiful posy.” “Hardly enough to convey my gratitude,” he said. She had not, of course, supposed the flowers were meant as anything more than an expression of thanks. “We’ll inquire about the Bromyard woman at the Antlers,” she said, grasping at a practical topic. “I have high hopes of her.” “The dahlias reminded me of your hair,” he said pensively. “That deep copper color. Only a little darker.” “Oh,” Callie said. She lifted her skirt and stepped over a tuft of grass. “I do hope she knows how to cook. Truly cook, you know. Something that your mother would like.” “And the roses—pretty and pale, with a flush of pink. Very like your cheeks when you blush.” “A blancmange, perhaps,” Callie said brightly. “Or a custard.” “Your cheeks are nothing like a blancmange, I assure you, my lady. And certainly not a custard.” “A blancmange would be the true test of her skill,” Callie said with difficulty. “I think we should ask her to make a blancmange.” “They’re the classic strawberries and cream. Very English.” “Any sort of fruit trifle would make a good test, I agree,” she said hastily. “But strawberries are out of season.” “Indeed, but they aren’t,” he said.