Dads Death Quotes

We've searched our database for all the quotes and captions related to Dads Death. Here they are! All 100 of them:

My dad used to say that life's a journey, but somebody screwed up and lost the map.
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
Do you want a cookie? - What? - A cookie. Like an Oreo. Do you want one? - No. - How can you not want a cookie? - I just don't. - Okay, fine,let's say you did want a cookie. Let's say you were dying for a cookie, and there were cookies in the cupboard. What would you do? - I'd eat a cookie? - Exactly. That's all I'm saying. - What are you saying? - That if people want cookies, they should get a cookie. It's what people do. - Let me guess. Dad won't let you have a cookie? - No. Even though I'm practically starving to death, he won't even consider it. He says I have to have a sandwich first. - And you don't think that's fair. - You just said you'd get a cookie if you wanted one. So why can't I? I'm not a little kid. I can make my own decisions. - Hmm. I can see why this bothers you so much. - It's not fair. If he wants a cookie, he can have one. If you want a cookie, you can have one. But if I want a cookie, the rules don't count. Like you said, it's not fair. - So what are you going to do? - I'm going to eat a sandwich. Because I have to. Because the world isn't fair to ten-year-olds.
Nicholas Sparks (The Last Song)
It is said that the fear of public speaking is a fear greater than death for most people. According to psychiatrists, the fear of public speaking is caused by the fear of ostracism, the fear of standing out, the fear of criticism, the fear of ridicule, the fear of being an outcast. THE FEAR OF BEING DIFFERENT PREVENTS MOST PEOPLE FROM SEEKING NEW WAYS TO SOLVE THEIR PROBLEMS.
Robert T. Kiyosaki (Rich Dad, Poor Dad)
If I love you more than you love me, I'm as good as dead. Yet I can't make myself take it back. I can't just walk away from you, because every time you pass by me without smiling, without touching my hand, or at least making eye contact, it feels like I'm dying inside. And I'm pretty sure that hurts worse than whatever Marc would do to me. Whatever your dad would do. Hell, Faythe, I'm pretty sure that never touching you again would hurt worse than the nastiest death Calvin could think up for me.
Rachel Vincent (Shift (Shifters, #5))
You should have called us. Desmond would have picked you up.' 'No I wouldn't,' Valkyrie's dad said, stepping into earshot. 'Sorry, Fletcher, but I had important fatherly duties to take care of, which included eating breakfast, showering, and finding my trousers. Of those three, I only managed two. Without looking down, can you guess which one I missed?'... Fletcher smiled back. 'I just want to borrow Stephanie for a moment.' 'Take our daughter,' Valkryie's dad said, waving a hand airily. 'We have another one now.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
Harry, despite your privileged insight into Voldemort’s world (which, incidentally, is a gift any Death Eater would kill to have), you have never been seduced by the Dark Arts, never, even for a second, shown the slightest desire to become one of Voldemort’s followers!” “Of course I haven’t!” said Harry indignantly. “He killed my mum and dad!” “You are protected, in short, by your ability to love!” said Dumbledore loudly.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Shh." I squeeze his hand. His palm feels clammy. "We have to keep it down, okay? We don't want my dad coming in." He grits his teeth against more shivers. "Always knew I'd end up in your bed . . . and hear you say those words one day." He manages a smirk. Jeb snarls. "Unbelievable. Even when he's at death's door he's a tool." He arranges a pillow beneath Morpheus's neck. "Why don't you keep your mouth shut while we help you." Morpheus laughs weakly, his skin flashing with blue light. "What say Alyssa"--his breath rattles--"give my mouth something else to do?
A.G. Howard (Unhinged (Splintered, #2))
Sorry to hear about your Dad." He shrugged. "He was seventy, and we always told him fast food would kill him." "Heart attack?" "He was hit by a Pizza Express truck.
J.A. Konrath (Whiskey Sour (Jack Daniels #1))
Barry, you're over thirty years old. You owe it to your mum and dad not to sing in a group called Sonic Death Monkey.
Nick Hornby (High Fidelity)
I thought about how my great-grandparents had starved to death. I thought about their wasted bodies being fed to incinerators because people they didn’t know hated them. I thought about how the children who lived in this house had been burned up and blown apart because a pilot who didn’t care pushed a button. I thought about how my grandfather’s family had been taken from him and how because of that my dad grew up feeling like he didn’t have a dad. And how I had acute stress and nightmares and was sitting alone in a falling down house and crying hot stupid tears all over my shirt. All because of a seventy year old hurt that had somehow been passed down to me like some poisonous heirloom.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
Assuming I survive our hunt for the Horcruxes, I’ll find Mum and Dad and lift the enchantment. If I don’t – well, I think I’ve cast a good enough charm to keep them safe and happy. Wendell and Monica Wilkins don’t know that they’ve got a daughter, you see.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I kept a picture of me kissing my dad’s corpse on the forehead in my wallet for years. I’d break it out any time someone showed me a baby picture, just so they would know how it ends.
Doug Stanhope (Digging Up Mother: A Love Story)
You want to see safe hands?' her dad asked. He went to the fruit bowl on the side of the table, took two apples and proceeded to juggle them. 'See? Safe as anything.' 'Are you proposing you juggle our newborn child?' 'Of course not,' he said. 'I'd only be able to juggle her if you'd had twins. Otherwise it would just be throwing.' (...) 'From this moment on, I will be the best father the world has ever seen. Wifey, may I please hold my child?' Valkyrie's mum looked at him suspiciously. 'When you hold a baby, what's the most important thing to remember?' 'Not to drop it,' he said proudly. 'Well, yes, well done dear, but I was thinking more about how you hold the baby.' 'Ah,' he said, 'Of course. The secret to holding a baby is to pick it up by the scruff of its neck.' 'You're thinking of kittens.' 'Pick it up by the ears, then.' 'You're thinking of nothing.' 'Can I please just hold her?' 'I don't think that's wise.' 'A lot of things aren't wise, Melissa. Is crossing the road with your eyes closed wise? No, but I do it anyway.' His wife nodded. 'Stephanie, you are in charge of teaching Alice how to cross the road.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
Did she say anything before she died?" he asked. "Yes," the surgeon said. "She said, 'Forgive him'" "Forgive him?" my father asked. "I think she was referring to the drunk driver who killed her." Wow. My grandmother's last act on earth was a call for forgiveness, love and tolerance. She wanted us to forgive Gerald, the dumb-ass Spokane Indian alcoholic who ran her over and killed her. I think My Dad wanted to go find Gerald and beat him to death. I think my mother would have helped him. I think I would have helped him, too. But my grandmother wanted us to forgive her murderer. Even dead, she was a better person than us.
Sherman Alexie (The Absolutely True Diary of a Part-Time Indian)
Need I remind you that this Selection was your idea?” She sighed. “Listen to your daughter,” Dad said. “Very smart girl. Gets it from me.” “Don’t you want some more sleep?” she asked flatly. “No, I’m feeling very refreshed,” he said. I wasn’t sure if it was because he wanted to continue the conversation or if he felt he needed to keep his attention on Mom. Either way, he was clearly lying. “Dad, you look like death punched you in the face.” “You must get that from me, too.” “Dad!
Kiera Cass (The Crown (The Selection, #5))
Where are you heading, if you’ve got the choice?” James lifted an invisible sword. “‘Gryffindor, where dwell the brave at heart!’ Like my dad.” Snape made a small, disparaging noise. James turned on him. “Got a problem with that?” “No,” said Snape, though his slight sneer said otherwise. “If you’d rather be brawny than brainy —” “Where’re you hoping to go, seeing as you’re neither?” interjected Sirius.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Die," I repeated. "Yeah." "Not disappear, not wouldn't come back, not suffer defeat." "Nope. Die. Or more accurately, three letters, starts with D." "Not dad then," I suggested. "Or dog.
Rick Riordan (The Burning Maze (The Trials of Apollo, #3))
I don't give a shit, Dad!" "Well I do! I absolutely give a shit! This will completely exhaust you." "It's my body. I can do what I like!" "So you don't care about your body now?" "No, I'm sick of it! I'm sick of doctors and needles and blood tests and transfusions. I'm sick of being stuck in a bed day after day while the rest of you get on with your lives. I hate it! I hate all of you! Adam's gone for a university interview, did you know that? He's going to be here for years doing whatever he likes and I'm going to be under the ground in a couple of weeks!
Jenny Downham (Before I Die)
My life is over. My one forever love has been snatched away, condemned by my own father's rules to die, just because he loved me. I am without a home, without a single person to love. And after having discovered love, lived for a short while surrounded by love, that is to much to bear. I am a pariah, at church, at school. The few people I once called friends have betrayed me and caused the death of my husband, our innocent child. And so they should die too. All of them. Dad. Bishop Crandall. Trevor, Becca, Emily. With the pull of a 10mm hair trigger, their lives will end at sacrament meeting. Such lovely irony! And when I finish there, I'll hide in the desert, reload, and go in search of Carmen and Tiffany, who started the rumors. And Derek, just because.
Ellen Hopkins
If you love your dad, it’s tough when he dies. If you don’t like your dad, it’s tough when he dies. Because you lose that guy. Whatever you didn’t get, you miss. And what you did get, you miss.
Jimmy Iovine
Grief does strange things to people’s minds. This I know. One morning a couple of weeks after my mother died, my dad said he thought he could smell her cheesy grits cooking on the stove—my favorite and my mother’s specialty. Once, I heard her humming down the hall from my bedroom. Something so mundane and simple, so regular and small, that for a moment, the prior weeks were just a nightmare, and I was awake now and she was alive. Death moves faster than brains do.
Tracy Deonn (Legendborn (Legendborn, #1))
I’m telling you this, not as her dad but as your friend. She will leave when the summer is over. I love my daughter to death, but she’s a runner and the last thing she wants is to get caught.
Liz Tomforde (Caught Up (Windy City, #3))
and that makes him wish all over again that his dad would stop crying, so he can have a turn.
Nick Cave (The Death of Bunny Munro)
Anna: Ash, I don't have anything planned with my Mother... She's dead. Ashley: What? Anna: She died when I was seven. She drowned. It's just my Dad and me. I didn't tell you before because I just wanted a fresh start here, because before I moved, everybody knew about it and... I'm sorry. Ashley: ....... You're like a Disney Princess!
Jessi Kirby (Moonglass)
Patrick had asked why people wanted to kill Mr. Sonnier. "Because they say he killed people," Bill had answered. "But, Dad"," Patrick had asked, "then who is going to kill them for killing him?" (p. 60)
Helen Prejean (Dead Man Walking: The Eyewitness Account Of The Death Penalty That Sparked a National Debate)
They teach you how to handle life in England, but they don’t teach you a thing about death. There’s no book telling you what to do when your mum or dad dies.
Ozzy Osbourne (I Am Ozzy)
My real mom died when I was born—hemorrhaged to death while giving birth to me, which has never been one of my favorite memories—and Dad married Denise before I’d turned a year. Without even asking my opinion on the matter. Denise and I never really clicked.
Darynda Jones (First Grave on the Right (Charley Davidson, #1))
Diana: You are everything we dreamed you would one day become. Life is the strong warp of time. Death is only the weft. It will be because of your children, and your children’s children, that I will live forever. Dad   P.S. Every time you read “something is rotten in the state of Denmark” in Hamlet, think of me.
Deborah Harkness (Shadow of Night (All Souls Trilogy, #2))
Dad leapt over the garden wall instead of going through the gate. Sadly he didn‘t do himself a severe injury, and so he lives to embarrass me to death another day.
Louise Rennison (Knocked Out by My Nunga-Nungas (Confessions of Georgia Nicolson, #3))
It was strange how in that moment of tragedy, it had seemed so unreal, like an old-fashioned movie reel playing on a screen for my eyes only. The pain and broken heart were blocked off for a little while, leaving me numb with disbelief. Shock is what Dad called it. But after a while, the cruel reality started to seep into my tissues, and my body became a sponge, just sucking it all up until, finally, there was so much grief inside, I couldn't help feeling it. That's how it happened for me. First, the numbness right after she died, next the agonising pain and then the place I was at now—the land of perpetual depression.
Karen Ann Hopkins (Temptation (Temptation, #1))
Suddenly I realized, horrified, that Darry was crying. He didn’t make a sound, but tears were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay.
S.E. Hinton (The Outsiders)
Eventually, 'Dad is dead' turned into 'I will die', which was my introduction to the fear. The fear of gone. The fear of nothing at all, of what happens to me, of I am the main character and the story will crumble if I'm not there to see it through.
Savannah Brown (The Truth About Keeping Secrets)
But now--it's like God has it out for us. Why both of them? Wasn't my dad enough? It's like death came and punched us square in the face.
Colleen Hoover (Slammed (Slammed, #1))
Will your dad freak if I kiss you good-bye?” he asked.
Kim Harrison (Early to Death, Early to Rise (Madison Avery, #2))
Pip couldn’t escape death, even on this bright late August morning in an unguarded moment with her dad. It seemed to be all she lived for now.
Holly Jackson (As Good As Dead (A Good Girl's Guide to Murder, #3))
In the fifty years my parents were married, in the thousands of conversations my dad had with me, it had just never come up. And so there I was, weeks after his death, getting another lesson from him about the meaning of sacrifice—and about the power of humility
Randy Pausch (The Last Lecture)
When I knew my mother would be dead in a few months, I had two choices . . .” She looked at him. “I could distance myself from the pain or get closer to it. Maybe because I’d lost my dad without getting a chance to tell him what he meant to me, I decided to get closer. I got so close, her pain and fear became my own. We shared everything and loved each other like we never had when death was some distant thing. In the end, part of me died with her. I’m not recovered from it even now, but I made the conscious choice to enter the darkness with her. Everyone I know who’s lost someone they love has voiced regrets—they wish they’d done this or that or loved them more. I have no regrets. None.
Glendy Vanderah (Where the Forest Meets the Stars)
My dad was nothing but a bingo call.
Ripley Patton (Ghost Hand (The PSS Chronicles, #1))
The gifts and the lessons my father left me will last forever: Never take yourself too seriously, never miss a chance to laugh long and hard, speak out about political and social issues you believe in, use the written word as often as you can to make yourself and the world a better place, and love your children with all you've got. My dad's death had a seismic effect on me but so did his life.
Anne Serling (As I Knew Him: My Dad, Rod Serling)
You know, I told Dad not to tell you about that whole near-death thing. I said that you'd overreact, and I was right." There was a long pause, and then the shouting got somewhat louder.
Brittany Cavallaro (The Last of August (Charlotte Holmes, #2))
He heard bombs exploding like fireworks, and as if in a dream his father's face flashed before him, wanting to know what Alexander was doing near death's door before it was his time. He said, "Dad, I'm going for her.
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
My Dad is everywhere and he is nowhere. My world tilts on a different axis, orbiting the sun of my own family- but still, I feel his warmth.
Elisabeth Egan
Because Dad told you he'd be here forever. Because I thought forever was like Mars -- far away.
Kwame Alexander
I will one day accept death with gratitude if I meet it having lived a life that became truly my own.
Dan Pearce (Single Dad Laughing: The Best of Year One)
Maybe I should off myself right now and come join you." Cordy frowned. "Why?" "Well," said Lex, "it's no picnic over here in the land of the living. The whole town hates me, Mom and Dad probably despise me, there's an angry, murderous bitch tearing up the country, I've got your death to avenge and no one's offering ME any hard candy.
Gina Damico (Scorch (Croak, #2))
Was Fergus Urvill anywhere, still? Apart from the body - whatever was left of him physically, down there in that dark, cold pressure - was there anything else? Was his personality intact somehow, somewhere? I found that I couldn't believe that it was. Neither was dad's, neither was Rory's, nor Aunt Fiona's, nor Darren Watt's. There was no such continuation; it just didn't work that way, and there should even be a sort of relief in the comprehension that it didn't. We continue in our children, and in our works and in the memories of others; we continue in our dust and ash. To want more was not just childish, but cowardly, and somehow constipatory, too. Death was change; it led to new chances, new vacancies, new niches and opportunities; it was not all loss.
Iain Banks (The Crow Road)
This is how it essentially is for Bunny Junior. He loves his dad. He thinks there is no dad better, cleverer, or more capable, and he stands there beside him with a sense of pride — he's my dad — and he also, of course, stands beside him because he has nowhere else to go.
Nick Cave
Then he smiles because he knows deep in his bones that his dad has gone and said something really funny probably. He kicks off his sheet and slides his feet into his slippers. Bunny sits in the living room, slumped low on the sofa, full of Geoffrey's Scotch and Poodle's cocaine.
Nick Cave (The Death of Bunny Munro)
If/when I die, do not want Pam lonely. Want her to remarry, have full life. As long as new husband is nice guy. Gentle guy. Religious guy. Very caring + good to kids. But kids not fooled. Kids prefer dead dad (i.e., me) to religious guy. Pale, boring, religious guy, with no oomph, who wears weird sweaters and is always a little sad, due to, cannot get boner, due to physical ailment. Ha ha. Death very much on my mind tonight, future reader. Can it be true? That I will die? That Pam, kids will die? Is awful. Why were we put here, so inclined to love, when end of our story = death? That harsh. That cruel. Do not like. Note to self: try harder, in all things, to be better person.
George Saunders (Tenth of December)
Harry: "Have you…" he began. "I mean, who … has anyone you known ever died?" "Yes," said Luna simply, "my mother. She was a quite extraordinary witch, you know, but she did like to experiment and one of her spells went rather badly wrong one day. I was nine." "I’m sorry," Harry mumbled. "Yes, it was rather horrible," said Luna conversationally. "I still feel very sad about it sometimes. But I’ve still got Dad. And anyway, it’s not as though I’ll never see Mum again, is it?" "Er – isn’t it?" said Harry uncertainly. She shook her head in disbelief. "Oh, come on. You heard them, just behind the veil, didn’t you?" " You mean…" "In that room in the archway. They were just lurking out of sight, that’s all, you heard them.
J.K. Rowling
Today is Father's Day. Until my stroke, we had felt no need to fit this made-up holiday into our emotional calendar. But today we spend the whole of the symbolic day together, affirming that even a rough sketch, a shadow, a tiny fragment of a dad is still a dad.
Jean-Dominique Bauby (The Diving Bell and the Butterfly: A Memoir of Life in Death)
Connor places his jacket on a wooden table. “I apologize for hurting you.” “I accept,” I say, “but Janie’s gonna need more than that.” Connor nods. “I’m aware. She already asked her mom and me to write a three-thousand word essay on why we love her. His lips pull upward, admiration for his daughter clear in his eyes. My dad flashes a dry smile. “That’s what happens when you raise a bunch of geniuses and make your family motto: loyalty to the death.” Connor grins a billion-dollar grin.
Krista Ritchie (Lovers Like Us (Like Us, #2))
Sam was your brother, and Trick was your friend, but what they did had nothing to do with you. You don't have to choose. Just because me and your dad couldn't live together, didn't mean you had to stop loving one of us, did it? Doesn't work like that. Love doesn't work like that.
C.J. Flood (Infinite Sky (Infinite Sky, #1))
Do we not see the influence we have when we say we believe in one thing, but our children see us living something else? Do we not realize how little we encourage our children to actually decide what they believe, declare what they believe, and then live by it? Whether it’s religion, politics, sports, or societal norms. It is not our place to tell our kids what to think. It is our place to teach our kids to think correctly. If we do this, we need have no fear of what they will decide for themselves and how strongly they’ll stand behind it. A man will follow his own convictions to his death, but he’ll only follow another man’s convictions until he steps in manure.
Dan Pearce (Single Dad Laughing: The Best of Year One)
Dads are just men who have babies but I know he loved me because I felt it go out of me when he crashed. It was like air or blood or bones or something that made me me and it wasnt there any more and I had only half of it now and I didn't know if that was enough.
Matt Haig (The Dead Fathers Club)
I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins. Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went. Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now
Tim Tharp (The Spectacular Now)
I was a fool!" Percy roared,so loudly that Lupin nearly dropped his photograph. "I was a pompous prat, I was a- a-" "Ministry loving, family-disowning, power-hungry moron," said Fred. Percy swallowed. "Yes, I was!" "Well, you can't say fairer than that," said Fred, holding out his hand to Percy. Mrs Weasley burst into tears. She ran forwards, pushed Fred aside and pulled Percy into a strangling hug, while he patted her on the back, his eyes on his father. "I'm sorry, Dad," Percy said. Mr Weasley blinked rather rapidly, then he, too, hurried to hug his son. "What made you see sence, Perce?" enquired George. " It's been coming on for a while," said Percy, mopping his eyes under his glasses with a corner of his travelling cloak. "But I had to find a way out and it's not so easy at the Ministry, they're imprisoning traitors all the time. I managed to make contact with Aberforth and he tipped me off ten minutes ago that Hogwarts was going to make a fight of it, so here I am." "Well, we do look to our prefects to take a lead at times such as these," said George, in a good imitation of Percy's most pompous manner. "Now let's get upstairs and fight, or all the good Death Eaters''ll be taken.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Dad wants to talk about her death—he needs to—but unlike the rest of us, who yak incessantly about our feelings, he has no vocabulary for it and is reduced to the clichés you’d find on a sympathy card. It’s like not knowing a language.
David Sedaris (Theft by Finding: Diaries (1977-2002))
He'd been too late for Sin. He'd been too weak for Lou. He'd been too young for his dad. They'd all lived and loved and fallen, one by one, leaving deeper imprints on his soul each time. He couldn't change their deaths nor could he change that Sin was now in the same category as Lou and his father. People who he would have done anything for, lost to him in situations where that 'anything' had not been enough.
Ais (Fade (In the Company of Shadows, #4))
You know, I have to tell you"--I tried to make my voice bright to lighten the moo--"this ring of yours has got to be the ugliest thing I have ever seen." "I'm insulted." He held his hand up to the moonlight and straightened the monstrosity on his finger. "My dad gave this to me when we moved to Michigan.'To remember the old life' he said. I've never taken it off. I look at it and see California." "Remind me never to visit California.
Linda Gerber (Death by Bikini (Death By Mysteries, #1))
I almost turned around right there. Stupid, yeah, but PTSADS doesn’t care how stupid a trigger is. If you need me to spell that out, it’s Post-Traumatic Stuffed Animal Death Syndrome. I thought it was pretty funny. Mom and the psychologist did not. The psychologist said I had substituted George for Dad and I actually had post-dad syndrome. I told her George was a fucking bunny.
Leah Raeder (Unteachable)
Trent was positively smug. Showing me his back, he rifled through a rack of earth charms and watched his hair shift color. “And whereas I might otherwise object—” “Bairn did the investigation on your parents’ deaths,” I interrupted, thoughts scrambling. “And my dad’s.” Bairn is supposed to be dead. Why is he across the road pretending to be a kind old man named Keasley? And how did Trent know who he was? His hair now an authoritative gray, Trent frowned. “And whereas I might otherwise object,” he tried again, “Quen assures me that between Bairn and two pixies—” “Two!” I blurted. “Jih took a husband?” “Damn it, Rachel, will you shut up!
Kim Harrison (The Outlaw Demon Wails (The Hollows, #6))
Dad's death didn't hollow me out the way Helen's had. After all, everyone had assumed Dad was a goner back when he got kicked in the head as a child. Instead, he had cheated death and, despite his gimp and speech impediment, lived a long life doing pretty much what he wanted. He hadn't drawn the best of cards, but he'd played his hand darned well, so what was there to grieve over?
Jeannette Walls (Half Broke Horses)
We all need something: The blood needs the red The sky needs the blue The grass needs the green The good need the best The last needs the first The bye needs the same The air needs the light The light needs the sun The moon needs the stars The night needs the awake The you need the all But then you lose’em all The lies need the truth The love needs the care The mom needs the son The son needs the dad The parents need the both In the end they disappear The self needs the ego The body needs the soul The death needs the breath The grave needs you there.
Aya Sabrine Soussi
I remember the day when my seventh-grade teacher called my parents to tell them I’d been crying in the bathrooms at lunchtime after Sukey died—how disappointed Dad was that I was using Sukey’s death as an excuse to get attention from my teachers; how delicately Mom suggested that Sukey would have wanted me to be happy; my humiliation at letting them down.
Hilary T. Smith (Wild Awake)
If the whole world seems like it's against you, it helps to know that you've still got home. A safe place. It just takes one person—a teacher, a friend, a parent. If I didn't have you and Dad, if you hadn't made it so clear you loved me as much as you did, or if you'd said, 'yeah, why don't you do it, and put yourself out of our misery, just shut up,' I would have killed myself. I really would have. I spent most of those days wishing I were dead anyway, and what always stopped me was the fact that doing so would destroy the lives of the only people who ever cared about me.
Nenia Campbell (Freaky Freshman)
Before I die, I want to be completely myself. Soon the idea spawned over a thousand such walls all over the world: Before I die, I would like to have a relationship with my sister. Be a great dad. Go skydiving. Make a difference in someone’s life. I don’t know if people followed through, but based on what I’ve seen in my office, a good number may have had momentary awakenings, done a little soul-searching, added more to their lists—and then neglected to tick things off. People tend to dream without doing, death remaining theoretical.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
The person I'm most thankful for this Thanksgiving is Lieutenant Eve Dallas. She kept me safe when I was scared and I was sad. She took me to her house with Roarke and Summerset and Galahad so nobody could hurt me, not even the bad people who killed my family and my friend. She told me the truth. She promised me she would find the bad people and make sure they were punished. And Roarke said she would never stop until she did that. He told me the truth too. She helped me find Richard and Elizabeth and Kevin. They're not my mother, my father, and my brother. But they're my family now, and I know it's okay to love them. It doesn't mean I don't love my mom and dad and my brother. Dallas didn't treat me like a baby. She told me I was a survivor, and that's important. She worked hard, and she even got hurt, but she found the bad people, and she made sure they got punished. She told me the truth. She kept her promise. So she is the person I'm most thankful for this Thanksgiving. Nixie Swisher.
J.D. Robb (Thankless in Death (In Death, #37))
Anyway, I'm afraid to ask about Reed, where he is, because I'm afraid I can't handle the answer. The way people come and go in your life, where they're present and alive one minute, and missing or dead the next, is an idea that's too big for me to grasp. Life just seems way too fragile all of a sudden, and everybody seems to take it so lightly, as if they think we're all made like army tanks, big and strong and able to roll over anything in our way. And it's not just our bodies that are fragile; our minds are even more so. I don't know what fine membrane separates sanity from insanity, but after watching my dad slip-sliding around on the border between the two all my life, I know how easy it is to cross, and this scares me. This scares me to death. I've just been wondering, what if I had had the switchblade in my hand? What if Reed had dared me and I was the one with the switchblade? Maybe I would have used it. Then I'd be the one missing. It could have been me. I could have been Reed. Reed is me and I am Reed is Dad is Reed is me.
Han Nolan (Crazy)
Clyde, she said it’s fine. What? Really?” Mom huffed. “Your dad wants to know if ‘fine’ is code for ‘please come home, I’m being held hostage by hormonal maniacs.’” Pause. “And if said hormonal maniacs are listening he wants them to know he will cut off vital body parts and watch them bleed out a slow and torturous death then bury said body parts on different continents throughout the world so he will never be brought to justice and will revel in their excruciating demise for the rest of his life because they had the nerve to cause his daughter any discomfort whatsoever.” I grinned. “Mom, Dad didn’t say that.” “I may have ad-libbed that last part. But he did ask about the hormonal maniacs.
A. Kirk
On April 11, 1945, my father’s infantry company was attacked by German forces, and in the early stages of battle, heavy artillery fire led to eight casualties. According to the citation: “With complete disregard for his own safety, Private Pausch leaped from a covered position and commenced treating the wounded men while shells continued to fall in the immediate vicinity. So successfully did this soldier administer medical attention that all the wounded were evacuated successfully.” In recognition of this, my dad, then twenty-two years old, was issued the Bronze Star for valor. In the fifty years my parents were married, in the thousands of conversations my dad had with me, it had just never come up. And so there I was, weeks after his death, getting another lesson from him about the meaning of sacrifice—and about the power of humility.
Randy Pausch (The Last Lecture)
Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx
Jenny Downham
Well, I'm sorry you couldn't make it either. I'm sorry I had to sit there in that church--which, by the way, had a broken air conditioner--sweating, watching all those people march down the aisle to look in my mother's casket and whisper to themselves all this mess about how much she looked like herself, even though she didn't. I'm sorry you weren't there to hear the lame choir drag out, song after song. I'm sorry you weren't there to see my dad try his best to be upbeat, cracking bad jokes in his speech, choking on his words. I'm sorry you weren't there to watch me totally lose it and explode into tears. I'm sorry you weren't there for me, but it doesn't matter, because even if you were, you wouldn't be able to feel what I feel. Nobody can. Even the preacher said so.
Jason Reynolds (The Boy in the Black Suit)
Dr. R scratches out a note on his pad. "Losing you both was only the practice pain, wasn't it? For my mum and dad..." He puts his finger on his lips, his elbow at his chest, not racked with cancer. "Yes." "And when that happens, this will seem like nothing." He nods. "When it happens," he asks me, "what will get you through?" "Friends who love me." "And if your friends weren't there?" "Music through headphones." "And if the music stopped?" "A sermon by Rabbi Wolpe." "If there was no religion?" "The mountains and the sky." "If you leave California?" "Numbered streets to keep me walking." "If New York falls into the ocean?" Your voice in my head.
Emma Forrest
Was James bipolar?” The tears returned, and I watched her battle them. “We don’t use that word in our family.” I stared at her for a moment. “Why not?” “Mum and Dad don’t believe in it.” She kept walking. “James was always … troubled. But there was nothing wrong with him, nothing more than anyone else anyway, everyone feels a bit down sometimes.” “Olivia! It was more than feeling down.” She laughed, bitterly. “I know, Dee, fuck, do I know that. I’m just telling you how it goes. The party line—what we told people when they asked.
Hazel Butler (Chasing Azrael (Deathly Insanity #1))
When my grandpa died, I had this same fear. I love Grandpa so much. He was Mom's dad, and he was my favorite person in the whole world. He lived up north, between Grayling and the Mackinaw Bridge. He had, like, twenty acres. He had horses and dirt bike and all this awesome stuff. I'd go up there for weeks at a time during the summers, and he'd let me do whatever I wanted. We'd go hunting and fishing and four-wheeling, and I'd stay up till midnight every night. Then one day, he died. All of a sudden, just like that that. I cried for days. Dad kicked the shit out of me for crying, but I didn't care. I loved Grandpa, and he was gone. Then, like a month after he'd died, I had this panic attack. I couldn't remember what he looked like. I thought it meant I didn't love him, or that I'd forgotten about him. It was the only time Dad was anything like helpful. He told me you have to forget what they look like. Otherwise, you can't learn to live without them. Forgetting is your brain's way of telling you it's time to try and move on. Not forget who they were, just...keep living.
Jasinda Wilder (Falling into Us (Falling, #2))
I pull the skull off my head. Even though it's made of papier-mache it's really hard. I smash it against Jimmy Snyder's head, and I smash it again. He falls to the ground, because he is unconscious, and I can't believe how strong I actually am. I smash his head again with all my force and blood starts to come out of his nose and ears. But I still don't feel any sympathy for him. I want him to bleed, because he deserves it. And nothing else makes any sense. Dad doesn't make sense.Mom doesn't make sense. The Audience doesn't make sense. The folding chairs and fog machine don't make sense. Shakespeare doesn't make sense. The stars that I know are on the other side of the gym ceiling don't make sense. The only thing that makes any sense right then is my smashing Jimmy Snyder's face. His blood. I knock a bunch of his teeth into his mouth, and I think they go down his throat. There is blood everywhere, covering everything. I keep smashing the skull against his skull, which is also Ron's skull (for letting Mom get on with life) and Mom's skull (for getting on with life) and Dad's skull (for dying) and Grandma's skull (for embarrassing me so much) and Dr. Fein's skull (for asking if any good could come out of Dad's death) and the skulls of everyone else I know. The Audience is applauding, all of them, because I am making so much sense. They are giving me a standing ovation as I hit him again and again.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
By attempting to kill you, Voldemort himself singled out the remarkable person who sits here in front of me, and gave him the tools for the job! It is Voldemort's fault that you were able to see into his thoughts, his ambitions, that you even understand the snakelike language in which he gives orders, and yet, Harry, despite your privileged insight into Voldemort's world (which, incidentally, is a gift any Death Eater would kill to have), you have never been seduced by the Dark Arts, never, even for a second, shown the slightest desire to become one of Voldemort's followers!" "Of course I haven't!" said Harry indignantly. "He killed my mum and dad!" "You are protected, in short, by your ability to love!" said Dumbledore loudly. "The only protection that can possibly work against the lure of power like Voldemort's! In spite of all the temptation you have endured, all the suffering, you remain pure of heart, just as pure as you were at the age of eleven, when you stared into a mirror that reflected your heart's desire, and it showed you only the way to thwart Lord Voldemort, and not immortality or riches. Harry, have you any idea how few wizards could have seen what you saw in that mirror? Voldemort should have known then what he was dealing with, but he did not!
J.K. Rowling
Six months It been six months since you passed How long must these feelings of loss last ? It's been six months since you died, on the surface it appears I never really cried. I hide away my tears, my sorrow, my fears. They say time heals all wounds Wounds may heal, but scars remain. No one really sees the pain that hides behind my eyes. A heart of gold stopped beating two twinkling eyes closed to rest God broke our hearts that day to prove he only took the best Never a day goes by that you’re not in our hearts, our minds and in our souls. We miss you dad.
Michael Tianias
Noah didn’t walk, he stalked and I loved the mischievous glint in his eye when he stalked me. He placed his hands on my hips and nuzzled my hair. “I love the way you smell.” I swallowed and tried to reign in the mutant pterodactyls having a roller derby in my stomach as I dared to think about a future for the two of us. The moment Aires’ car rumbled beneath me, I’d known that I needed Noah in my life. Aires’ death had left a gaping hole in my heart. I thought all I needed was that car to run. Wrong. A car would never fill the emptiness, but love could. “I hope your future includes me. I mean, someone has to continue to kick your butt in pool.” Noah laughed as he snagged his fingers around my belt loops and dragged me closer. “I was letting you win.” “Please.” His eyes had about fallen out of his head when I’d sunk a couple of balls off the break. “You were losing. Badly.” I wondered if he also reveled in the warmth of being this close again. “Then I guess I’ll have to keep you around. For good. You’ll be useful during a hustle.” He lowered his forehead to mine and his brown eyes, which had been laughing seconds ago, darkened as he got serious. “I have a lot I want to say to you. A lot I want to apologize for.” “Me, too.” And I touched his cheek again, this time letting my fingers take their time. Noah wanted me, for good. “But can we hash it all out some other time? I’m sort of talked out and I’ve still gotta go see my dad. Do you think we can just take it on faith right now that I want you, you want me, and we’ll figure out the happy ending part later?” His lips curved into a sexy smile and I became lost in him. “I love you, Echo Emerson.” I whispered the words as he brought his lips to mine. “Forever.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Long Distance II Though my mother was already two years dead Dad kept her slippers warming by the gas, put hot water bottles her side of the bed and still went to renew her transport pass. You couldn’t just drop in. You had to phone. He’d put you off an hour to give him time to clear away her things and look alone as though his still raw love were such a crime. He couldn’t risk my blight of disbelief though sure that very soon he’d hear her key scrape in the rusted lock and end his grief. He knew she’d just popped out to get the tea. I believe life ends with death, and that is all. You haven’t both gone shopping; just the same, in my new black leather phone book there’s your name and the disconnected number I still call.
Tony Harrison (Selected Poems)
But maybe my expression isn’t as bad as I think it is. Maybe Galen’s just really good at reading me. Or maybe he’s just being overly mushy himself. He is a tad protective, after all. I glance at Toraf, who’s sitting on the other full-size bed next to Rayna. And Toraf is already looking at me. When our eyes meet, he shakes his head ever so slightly. As if to say, “Don’t do it.” As if to say, “You really don’t want to do it.” As if to say, “I know you really want to do it, but I’m asking you not to. As a friend.” I huff, then adjust myself in Galen’s death grip. It’s not fair that Galen and Toraf silently ask me to accept this. That my mother is putty in Grom’s proficient hands. That her temperature barely raised a degree around my dad, yet Grom, within an hour of reunion, has her titanium exterior dissolving like Alka-Seltzer in hot water. I can’t accept it. Won’t. Will. Not.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Why haven't you told me the truth about you and Archer?" "We were just friends," I said. "How many times do I have to say it?" When he didn't say anything, I rolled my eyes. "Okay,so I liked him. I had a crush on him,and-" I wasn't sure if the heat in my face was from embarrassment or anger. "And yes, one time we kissed. But it was just the once,and about ten seconds afterward,I found out he was an Eye." Dad nodded. "And that's it.That's the whole story." Why oh why wasn't there a giant hole in the floor that I could plummet through, perferably to my death? "That,that's it." "Well,that's something," Dad said, running a hand through his hair. "At some point, I want you to add that to your original statement." We were quiet for a long time before I wiped my sweaty palms on my dress and said, "Is there anything else horrible happening that I need to know about?" Dad gave a humorless laugh as he ushered me toward the door. "I believe that covers all the current horror.
Rachel Hawkins (Demonglass (Hex Hall, #2))
The memory of human blood manifests now as a kind of visceral reaction to seeing people's veins and their necks. The skin on a neck appears to me as different from the skin anywhere else on a body. It seems as thin and consumable as rice paper wrapped around a sweet. It is too blank compared with skin everywhere else, as though it is asking to have marks made on it, like very expensive calligraphy paper, or cold-pressed Fabriano. Often, I wonder whether the urge I have to make art is the same as the urge to consume and destroy the blankness of a human neck. While at art college, I read that the best paper used by artists in the seventeenth century was made from the skins of lamb fetuses. This skin was soft and absorbent, and had an even texture right across its surface. For a long time, the process of creating art has been linked to the killing of living things. My dad, even, used fine silk stretched across wooden frames in his own work as a painter. Once, when we still had some of his pieces, I looked at the odd geometric shapes he created on a huge sheet and thought about all the silkworms who had had their cocoons torn open before they were able to become moths.
Claire Kohda (Woman, Eating)
I couldn't stop myself, so I thought about all the bad things and I fed it and fed it until I was crying so hard I had to gasp for breath between sobs. I thought about how my great-grandparents had starved to death. I thought about their wasted bodies being fed to incinerators because people they didn't know hated them. I thought about how the children who lived in this house had been burned up and blown apart because a pilot who didn't care pushed a button. I thought about how my grandfather's family had been taken from him, and how because of that my dad grew up feeling like he didn't have a dad, and now I had acute stress and nightmares and was sitting alone in a falling-down house and crying hot, stupid tears all over my shirt. All because of a seventy-year-old hurt that had somehow been passed down to me like some poisonous heirloom, and monsters I couldn't fight because they were all dead, beyond killing or punishing or any kind of reckoning. At least my grandfather had been able to join the army and go fight them. What could I do?
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
Any time I found myself wavering- thinking about death or dying or ends or Dad or the ToD -I'd force myself to think about June instead... Think about June. Flip my mind overtop of itself, push everything else out until she's all that's left. June laughing at a joke I'd made, or June speaking, or June existing. This didn't serve, exactly, to balance me on the tightrope; it disintegrated the tightrope. It made it so the tightrope had never existed at all. There was no gravity. I could float there, comfortable, and never worry about the fall ever again. What's the point of living it- June. We're all going to die and the universe is indifferent and- June. Her hands on me and her face close to mine but what does it matter if she, if Dad- June. June sitting in the driver's seat. Dad decomposing in the driver's seat- June. Heaven is June in the driver's seat. Hell is June in the driver's seat. There is only June in the driver's seat. And at night, my consciousness would slip away, repeating that smooth, delicious mantra in my head. There is only June in the driver's seat.
Savannah Brown (The Truth About Keeping Secrets)
It's like this, Bunny Boy, if you walk up to an oak tree or a bloody elm or something - you know, one of those big bastards - one with a thick, heavy trunk with giant roots that grow deep in the soil and great branches that are covered in leaves, right, and you walk up to it and give the tree a shake, well, what happens?' (...) 'I really don't know, Dad,' (...) 'Well, nothing bloody happens, of course!' (...) 'You can stand there shaking it till the cows come home and all that will happen is your arms will get tired. Right?' (...) 'Right, Dad,' he says. (...) 'But if you go up to a skinny, dry, fucked-up little tree, with a withered trunk and a few leaves clinging on for dear life, and you put your hands around it and shake the shit out of it - as we say in the trade - those bloody leaves will come flying off! Yeah?' 'OK, Dad,' says the boy (...) 'Now, the big oak tree is the rich bastard, right, and the skinny tree is the poor cunt who hasn't got any money. Are you with me?' Bunny Junior nods. 'Now, that sounds easier than it actually is, Bunny Boy. Do you want to know why?' 'OK, Dad.' 'Because every fucking bastard and his dog has got hold of the little tree and is shaking it for all that it's worth - the government, the bloody landlord, the lottery they don't have a chance in hell of winning, the council, their bloody exes, their hundred snotty-nosed brats running around because they are too bloody stupid to exercise a bit of self-control, all the useless shit they see on TV, fucking Tesco, parking fines, insurance on this and insurance on that, the boozer, the fruit machines, the bookies - every bastard and his three-legged, one-eyed, pox-riden dog are shaking this little tree,' says Bunny, clamping his hands together and making like he is throttling someone. 'So what do you go and do, Dad?' says Bunny Junior. 'Well, you've got to have something they think they need, you know, above all else.' 'And what's that, Dad?' 'Hope... you know... the dream. You've got to sell them the dream.
Nick Cave (The Death of Bunny Munro)
Jesus was stoned, but no rock hit him. He slipped into the crowd and was found later teaching on a hill somewhere. History tells us that he did nothing wrong, and we sacrificed him anyway. The day my father died, I assured him he was headed for heaven, though I had a hard time believing in something that floated so aimlessly through the minds of children. The concept seemed fair and unfair in such equal amounts that it appeared to cancel itself out. I’d never met someone so deserving of eternal bliss, yet from the time I was a child I was taught we all deserve hell. I wondered if heaven existed at all. But I wanted everlasting life to be real for the man who let me lie on his chest on a hammock in the backyard and taught me not to fear thunder. One of the many things my father taught me not to fear. His breaths were labored and aided by machines. He wore a white hospital gown. I remember thinking, “I can’t believe my father’s going to die in a gown.” “Are you afraid?” I asked. “Not at all,” he strained. “I’m going to be with the Lord.” I wished I shared his confidence. For him, it was a priceless thing no one could take. I wished the fear of death was like the fear of a passing storm cloud—something we outgrow with understanding. For men like my dad, I guess it was.
Christopher Hawke (Unnatural Truth)
Evan stares at me. I try to hug him. He takes a step back. I pause, my heart in my throat. I’ve got to reach out to him, let myself be vulnerable. I find the courage, but he backs up again. “You can’t go to Iraq anymore.” “I know.” He looks up at Deanna, then back to me. “Did you fight bad guys? You told me you weren’t.” His voice is suspicious, full of accusation. He doesn’t trust me, and I don’t blame him for that. “No, Evan. I didn’t fight bad guys.” I can’t bring myself to tell him the complete truth. I want so desperately to go back into this fight. I miss it every day. I always felt I could change the world with a rifle in my hands and our flag on my shoulder. “Did you get shot?” he looks me over, apparently searching for bullet wounds. I grin a little. “No, Bud, I didn’t get shot.” “People get shot in Iraq.” “Yes, they do.” It strikes me then that Evan for the first time has a grasp on the dangers that are faced over there. He’s six now, and the world is coming into focus for him. “People get shot, Daddy. They die. Bad guys kill them.” I think of Edward Iwan and Sean Sims. “Yeah, I know they do, Evan.
David Bellavia (House to House: An Epic Memoir of War)
Those clothes are Susie's,' my father said calmly when he reached him. Buckley looked down at my blackwatch dress that he held in his hand. My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked. I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red. Why can't I use them?' he asked. It landed in my father's back like a fist. Why can't I use those clothes to stake my tomatoes?' My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?' You have to choose. It's not fair,' my brother said. Buck?' My father held my clothes against his chest. I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death. I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?' Is Keesha a girl at school?' Yes!' My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility. I'm sorry. When did this happen?' That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot. Buck, stop!' my father cried. My brother turned. You don't get it, Dad,' he said. I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.' ... You act like she was yours only!' Tell me what you want to say. What's this about your friend Keesha's dad?' Put the clothes down.' My father laid them gently on the ground. It isn't about Keesha's dad.' Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.' She's dead.' It never ceased to hurt. 'I know that.' But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.' She will,' my father said. But what about us?' Who?' Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.' Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said. I didn't say anything.' Let go. Let go. Let go. I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go. My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him. Dad?' Son.' There was a quaver in his voice and a grasping outward toward my brother. I'll get Grandma.' And Buckley ran. My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.
Alice Sebold
were running down his cheeks. I hadn’t seen him cry in years, not even when Mom and Dad had been killed. (I remembered the funeral. I had sobbed in spite of myself; Soda had broken down and bawled like a baby; but Darry had only stood there, his fists in his pockets and that look on his face, the same helpless, pleading look that he was wearing now.) In that second what Soda and Dally and Two-Bit had been trying to tell me came through. Darry did care about me, maybe as much as he cared about Soda, and because he cared he was trying too hard to make something of me. When he yelled “Pony, where have you been all this time?” he meant “Pony, you’ve scared me to death. Please be careful, because I couldn’t stand it if anything happened to you.” Darry looked down and turned away silently. Suddenly I broke out of my daze. “Darry!” I screamed, and the next thing I knew I had him around the waist and was squeezing the daylights out of him. “Darry,” I said, “I’m sorry . . .” He was stroking my hair and I could hear the sobs racking him as he fought to keep back the tears. “Oh, Pony, I thought we’d lost you . . . like we did Mom and Dad . . .” That was his silent fear then—of losing another person he loved. I remembered how close he and Dad had been, and I wondered how I could ever have thought him hard and unfeeling. I listened to his heart pounding through his T-shirt and knew everything was going to be okay now. I had taken the long way around, but I was finally home. To stay. Chapter 7
S.E. Hinton (The Outsiders)
You could hear the wind in the leaves, and on that wind traveled the screams of the kids on the playground in the distance, the little kids figuring out how to be alive, how to navigate a world that was not built for them by navigating a playground that was. Dad saw me watching the kids and said, "You miss running around like that?" "Sometimes, I guess." But that wasn't what I was thinking about. I was just trying to notice everything: the light on the ruined Ruins, this little kid who could barely walk discovering a stick at the corner of the playground, my indefatigable mother zigzagging mustard across her turkey sandwich, my dad patting his handheld in his pocket and resisting the urge to check it, a guy throwing a Frisbee that his dog kept running under and catching and returning to him. Who am I to say that these things might not be forever? Who is Peter Van Houten to assert as fact the conjecture that our labor is temporary? All I know of heaven and all I know of death is in this park: an elegant universe in ceaseless motion, teeming with ruined ruins and screaming children.
John Green (The Fault in Our Stars)
Ritual abuse is highly organised and, obviously, secretive. It is often linked with other major crimes such as child pornography, child prostitution, the drugs industry, trafficking, and many other illegal and heinous activities. Ritual abuse is organised sexual, physical and psychological abuse, which can be systematic and sustained over a long period of time. It involves the use of rituals - things which the abusers 'need' to do, or 'need' to have in place - but it doesn't have to have a belief system. There doesn't have to be God or the Devil, or any other deity for it to be considered 'ritual'. It involves using patterns of learning and development to keep the abuse going and to make sure the child stays quiet. There has been, and still is a great deal of debate about whether or not such abuse exists anywhere in the world. There are many people who constantly deny that there is even such a thing as ritual abuse. All I can say is that I know there is. Not only have I been a victim of it myself, but I have been dealing with survivors of this type of abuse for almost 30 years. If there are survivors, there must be something that they have survived. The things is, most sexual abuse of children is ritualised in some way. Abusers use repetition, routine and ritual to forced children into the patterns of behaviour they require. Some abusers want their victims to wear certain clothing, to say certain things. They might bathe them or cut them, they might burn them or abuse them only on certain days of the week. They might do a hundred other things which are ritualistic, but aren't always called that - partly, I think because we have a terror of the word and of accepting just how premeditated abuse actually is. Abusers instill fear in their victims and ensure silence; they do all they can to avoid being caught. Sexual abuse of a child is rarely a random act. It involves thorough planning and preparation beforehand. They threaten the children with death, with being taken into care, with no one believing them, which physical violence or their favourite teddy being taken away. They are told that their mum will die, or their dad will hate them, the abusers say everyone will think it's their fault, that everyone already knows they are bad. Nothing is too big or small for an abuser to use as leverage. There is unmistakable proof that abusers do get together in order to share children, abuse more children, and even learn from each other. As more cases have come into the public eye in recent years, this has become increasingly obvious. More and more of this type of abuse is coming to light. I definitely think it is the word ritual which causes people to question, to feel uncomfortable, or even just disbelieve. It seems almost incredible that such things would happen, but too many of us know exactly how bad the lives of many children are. A great deal of child pornography shows children being abused in a ritualised setting, and many have now come forward to share their experiences, but there is a still tendency to say it just couldn't happen. p204-205
Laurie Matthew (Groomed)
Hey! Let my little sister go!” This almost stupefies Don into releasing the rope a second time, but good ole Dad catches it and pulls. “Get it together, Don! Do you know how rich we are right now? Pull her in! I’ll get the other one.” Nice. The Syrena thinks I’m human and the humans think I’m Syrena. “Let her go or I’m calling the coast guard,” I say with more confidence than I feel. After all, this young girl and I look nothing alike. She has the beautiful Syrena coloring, while I probably look like a cadaver floating in the water. But it’s worth a shot, right? “And our parents prosecute.” This is enough to season their enthusiasm with a pinch of doubt. It all unfolds in their expressions: Do mermaids talk? Do they know how to call the coast guard? Do they prosecute offenders? Did that really just happen? Don shakes his head as if he’s come out of a trance. “Don’t listen to her, Paw. That’s what mermaids do, remember? They sing fishermen to their death! Haven’t you heard the stories? And don’t look her in the eye, neither, Paw. They hypnotize you with their eyes.” Well, crap.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Most people love with a guarded heart, only if certain things happen or don’t happen, only to a point. If the person we love hurts us, betrays us, abandons us, disappoints us, if the person becomes hard to love, we often stop loving. We protect our delicate hearts. We close off, retreat, withhold, disconnect, and withdraw. We might even hate. Most people love conditionally. Most people are never asked to love with a whole and open heart. They only love partway. They get by. Autism was my gift to you. My autism didn’t let me hug and kiss you, it didn’t allow me to look into your eyes, it didn’t let me say aloud the words you so desperately wanted to hear with your ears. But you loved me anyway. You’re thinking, Of course I did. Anyone would have. This isn’t true. Loving me with a full and accepting heart, loving all of me, required you to grow. Despite your heartache and disappointment, your fears and frustration and sorrow, despite all I couldn’t show you in return, you loved me. You loved me unconditionally. You haven’t experienced this kind of love with Dad or your parents or your sister or anyone else before. But now, you know what unconditional love is. I know my death has hurt you, and you’ve needed time alone to heal. You’re ready now. You’ll still miss me. I miss you, too. But you’re ready. Take what you’ve learned and love someone again. Find someone to love and love without condition. This is why we’re all here.
Lisa Genova (Love Anthony)
Have you ever been in a demon rumble before, Jenna?” I asked. Hoisting her own demonglass dagger, she shook her head. “Nope. I have a feeling it’s going to be super violent.” “Maybe we can talk to them,” I said, rubbing my nose with the back of my hand. “Have a little sit-down chat.” “With tea.” “Ooh, yeah, with the nice china, and those little sandwiches that don’t have crusts.” Cal came to stand with us. Aislinn and Finley were getting to their feet, but I could tell they were far away from optimum Brannick strength. “I don’t want to kill these kids,” Cal said. “Neither do I. But I don’t want them to kill me, either.” “Not sure what we want is going to matter that much,” Jenna said. I stared out into the trees, hearing my fate move closer. And here’s the thing: I knew I was supposed to be courageous. I was supposed to use my magic for as long as I could, and be all Braveheart about it. But I didn’t want to. I wanted to cry. I wanted to hug my mom and dad again. I wanted to see Archer. And I wanted to know that I’d done more here than just delay Aislinn’s and Finley’s deaths by a few minutes. So there was no stoic badass facing down the demon hordes. There was just a teenage girl with tears streaming down her face, her two best friends on either side of her, as all kinds of hellish creatures rushed forward.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
have always been fascinated by relationships. I grew up in Britain, where my dad ran a pub, and I spent a lot of time watching people meeting, talking, drinking, brawling, dancing, flirting. But the focal point of my young life was my parents’ marriage. I watched helplessly as they destroyed their marriage and themselves. Still, I knew they loved each other deeply. In my father’s last days, he wept raw tears for my mother although they had been separated for more than twenty years. My response to my parents’ pain was to vow never to get married. Romantic love was, I decided, an illusion and a trap. I was better off on my own, free and unfettered. But then, of course, I fell in love and married. Love pulled me in even as I pushed it away. What was this mysterious and powerful emotion that defeated my parents, complicated my own life, and seemed to be the central source of joy and suffering for so many of us? Was there a way through the maze to enduring love? I followed my fascination with love and connection into counseling and psychology. As part of my training, I studied this drama as described by poets and scientists. I taught disturbed children who had been denied love. I counseled adults who struggled with the loss of love. I worked with families where family members loved each other, but could not come together and could not live apart. Love remained a mystery. Then, in the final phase of getting my doctorate in counseling psychology at the University of British Columbia in Vancouver, I started to work with couples. I was instantly mesmerized by the intensity of their struggles and the way they often spoke of their relationships in terms of life and death.
Sue Johnson (Hold Me Tight: Seven Conversations for a Lifetime of Love (The Dr. Sue Johnson Collection Book 1))
I know you,” he added, helping to arrange the blanket over my shoulders. “You won’t drop the subject until I agree to check on your cousin, so I’ll do it. But only under one condition.” “John,” I said, whirling around to clutch his arm again. “Don’t get too excited,” he warned. “You haven’t heard the condition.” “Oh,” I said, eagerly. “Whatever it is, I’ll do it. Thank you. Alex has never had a very good life-his mother ran away when he was a baby, and his dad spent most of his life in jail…But, John, what is all this?” I swept my free hand out to indicate the people remaining on the dock, waiting for the boat John had said was arriving soon. I’d noticed some of them had blankets like the one he’d wrapped around me. “A new customer service initiative?” John looked surprised at my change of topic…then uncomfortable. He stooped to reach for the driftwood Typhon had dashed up to drop at his feet. “I don’t know what you mean,” he said, stiffly. “You’re giving blankets away to keep them warm while they wait. When did this start happening?” “You mentioned some things when you were here the last time….” He avoided meeting my gaze by tossing the stick for his dog. “They stayed with me.” My eyes widened. “Things I said?” “About how I should treat the people who end up here.” He paused at the approach of a wave-though it was yards off-and made quite a production of moving me, and my delicate slippers, out of its path. “So I decided to make a few changes.” It felt as if one of the kind of flowers I liked-a wild daisy, perhaps-had suddenly blossomed inside my heart. “Oh, John,” I said, and rose onto my toes to kiss his cheek. He looked more than a little surprised by the kiss. I thought I might actually have seen some color come into his cheeks. “What was that for?” he asked. “Henry said nothing was the same after I left. I assumed he meant everything was much worse. I couldn’t imagine it was the opposite, that things were better.” John’s discomfort at having been caught doing something kind-instead of reckless or violet-was sweet. “Henry talks too much,” he muttered. “But I’m glad you like it. Not that it hasn’t been a lot of added work. I’ll admit it’s cut down on the complaints, though, and even the fighting amongst our rowdier passengers. So you were right. Your suggestions helped.” I beamed up at him. Keeper of the dead. That’s how Mr. Smith, the cemetery sexton, had referred to John once, and that’s what he was. Although the title “protector of the dead” seemed more applicable. It was totally silly how much hope I was filled with by the fact that he’d remembered something I’d said so long ago-like maybe this whole consort thing might work out after all. I gasped a moment later when there was a sudden rush of white feathers, and the bird he’d given me emerged from the grizzly gray fog seeming to engulf the whole beach, plopping down onto the sand beside us with a disgruntled little humph. “Oh, Hope,” I said, dashing tears of laughter from my eyes. Apparently I had only to feel the emotion, and she showed up. “I’m sorry. I didn’t mean to leave you behind. It was his fault, you know.” I pointed at John. The bird ignored us both, poking around in the flotsam washed ashore by the waves, looking, as always, for something to eat. “Her name is Hope?” John asked, the corners of his mouth beginning to tug upwards. “No.” I bristled, thinking he was making fun of me. Then I realized I’d been caught. “Well, all right…so what if it is? I’m not going to name her after some depressing aspect of the Underworld like you do all your pets. I looked up the name Alastor. That was the name of one of the death horses that drew Hades’s chariot. And Typhon?” I glanced at the dog, cavorting in and out of the waves, seemingly oblivious of the cold. “I can only imagine, but I’m sure it means something equally unpleasant.
Meg Cabot (Underworld (Abandon, #2))
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.
Cecelia Ahern (Thanks for the Memories)
A second later, Ron had snatched his arm back from around her shoulders; she had dropped The Monster Book of Monsters on his foot. The book had broken free from its restraining belt and snapped viciously at Ron’s ankle. “I’m sorry, I’m sorry!” Hermione cried as Harry wrenched the book from Ron’s leg and retied it shut. “What are you doing with all those books anyway?” Ron asked, limping back to his bed. “Just trying to decide which ones to take with us,” said Hermione. “When we’re looking for the Horcruxes.” “Oh, of course,” said Ron, clapping a hand to his forehead. “I forgot we’ll be hunting down Voldemort in a mobile library.” “Ha ha,” said Hermione, looking down at Spellman’s Syllabary. “I wonder…will we need to translate runes? It’s possible…I think we’d better take it, to be safe.” She dropped the syllabary onto the larger of the two piles and picked up Hogwarts, A History. “Listen,” said Harry. He had sat up straight. Ron and Hermione looked at him with similar mixtures of resignation and defiance. “I know you said after Dumbledore’s funeral that you wanted to come with me,” Harry began. “Here he goes,” Ron said to Hermione, rolling his eyes. “As we knew he would,” she sighed, turning back to the books. “You know, I think I will take Hogwarts, A History. Even if we’re not going back there, I don’t think I’d feel right if I didn’t have it with--” “Listen!” said Harry again. “No, Harry, you listen,” said Hermione. “We’re coming with you. That was decided months ago--years, really.” “But--” “Shut up,” Ron advised him. “--are you sure you’ve thought this through?” Harry persisted. “Let’s see,” said Hermione, slamming Travels with Trolls onto the discarded pile with a rather fierce look. “I’ve been packing for days, so we’re ready to leave at a moment’s notice, which for your information has included doing some pretty difficult magic, not to mention smuggling Mad-Eye’s whole stock of Polyjuice Potion right under Ron’s mum’s nose.” “I’ve also modified my parents’ memories so that they’re convinced they’re really called Wendell and Monica Wilkins, and that their life’s ambition is to move to Australia, which they have now done. That’s to make it more difficult for Voldemort to track them down and interrogate them about me--or you, because unfortunately, I’ve told them quite a bit about you. “Assuming I survive our hunt for the Horcruxes, I’ll find Mum and Dad and lifted the enchantment. If I don’t--well, I think I’ve cast a good enough charm to keep them safe and happy. Wendell and Monica Wilkins don’t know that they’ve got a daughter, you see.” Hermione’s eyes were swimming with tears again. Ron got back off the bed, put his arm around her once more, and frowned at Harry as though reproaching him for lack of tact. Harry could not think of anything to say, not least because it was highly unusual for Ron to be teaching anyone else tact.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))