D.o Quotes

Little Alice fell d o w n the hOle, bumped her head and bruised her soul

raid your library. read everything you can get your hands on & then some.   go on, collect words & polish them up until they shine like starlight in your palm.   make words your finest weapons— a gold-hilted sword to cut your enemies d o w n.   - a survival plan of sorts.

The ugly parts of love can’t lift you up. They bring you D O W N. They hold you under. Drown you. You look up and think, I wish I was up there. But you’re not. Ugly love becomes you. Consumes you. Makes you hate it all. Makes you realize that all the beautiful parts aren’t even worth it. Without the beautiful, you’ll never risk feeling this. You’ll never risk feeling the ugly. So you give it up. You give it all up. You never want love again, no matter what kind it is, because no type of love will ever be worth living through the ugly love again. I’ll never let myself love anyone again, Rachel. Ever.

Solitude is the natural dwelling place of truth…It is there you will wrestle. It is there you will be tested by fire and by darkness.

...life without coffee is not really life.

We can't help but to be human & get hurt.

As a matter of fact," the other voice went on, "if you do tie her up from time to time, or whip her just a little, and she begins to like it, that’s no good either. You have to get past the pleasure stage, until you reach the stage of tears.

Life without coffee is not really life.

Man projects his wounds upon the world, my friend. He judges everything, and in the judging he reveals himself.

The kind of woman who could pleasantly instruct you to fuck off, dear, and you immediately would because you’d just hate to disappoint her.

Finally a woman confesses! Confess what? What women never allowed themselves to confess. What men always criticized on them: they only obey the blood and everything is sex on them, even the spirit.

Forget all your regrets. Just mover on and be fearless.

If you rush ahead, you will miss the important things.

Make New FrNdS But Keep D oLd , One iS silVer The Other is Gold.

As an unperfect actor on the stage, Who with his fear is put besides his part, Or some fierce thing replete with too much rage, Whose strength's abundance weakens his own heart; So I, for fear of trust, forget to say The perfect ceremony of love's rite, And in mine own love's strength seem to decay, O'ercharg'd with burden of mine own love's might. O, let my books be then the eloquence And dumb presagers of my speaking breast; Who plead for love, and look for recompense, More than that tongue that more hath more express'd. O, learn to read what silent love hath writ: To hear with eyes belongs to love's fine wit.

In this world are many people who do not master their bodies. Such people say that no one can tell them what to do, not even God, and they think that in this way they have no master. In the end they become slaves to anything.

The pain in itself is not joy. It is simply pain. But the meaning of the pain, that is joy.

The only indestructible palace is in the heart.

I made it into Wikipedia,” sang Erszebet. “I’ll bet none of my enemies ever made it into Wikipedia.

Reluctant though you may be, Noah, you are the embodiment of the Hero. You don’t have to learn to become good at anything. You simply are the best at everything. Your telomeres don’t stop replicating. If you aren’t killed, you might actually live forever. You have every gift, Noah.” I D O N ’ T W A N T T H E M.

When I do count the clock that tells the time, And see the brave day sunk in hideous night; When I behold the violet past prime, And sable curls all silver'd o'er with white; When lofty trees I see barren of leaves Which erst from heat did canopy the herd, And summer's green all girded up in sheaves Borne on the bier with white and bristly beard, Then of thy beauty do I question make, That thou among the wastes of time must go, Since sweets and beauties do themselves forsake And die as fast as they see others grow; And nothing 'gainst Time's scythe can make defence Save breed, to brave him when he takes thee hence.

Real love is a long apprenticeship.

You can't just sit there hating the wound, Tan, or indulging in bitterness. Whatever you become in life, always ask yourself, am I making more life or am I making more death?

Reader, if you don’t know what a database is, rest assured that an explanation of the concept would in no way increase your enjoyment in reading this account.

If we do not play in the dangerous surf, we will drown in puddles.

A rare objectivity and insight can be imparted regarding this world's struggle for spiritual integrity. In the land of Faerie, the reader may see his small battles writ large in the wars of titans or elves and understand for the first time, his own worth.

[About the main character approaching death in old age, observed by her husband . . .] He saw that she had already laid down a large portion of her life long ago. Piece by piece she had given it away as she wrestled with existence, as her self was absorbed as nourishment into his life and the life of the children and the community. And laid down most piercingly, as she abandoned, one by one, the shapes of the dreams she had planned. Only to take them up again in other forms.

We came to know that love is the soul of the world, though its body bleeds, and we must learn to bleed with it.

Automobiles are unreliable and dangerous slaves. They frequently revolt and kill their masters. I hate them.

Old G.K. knew when to fast and when to down a good ale. It's the timing. It's all in the timing. [On G.K. Chesterton]

The Fourth Crusade was an epic clusterfuck a comic-opera misadventure a tragic saga with farcical elements.

Así se prueba a un hombre. Si es honesto, intelectualmente hablando, reexamina sus opiniones y comienza de nuevo.

And, what is more, we know how an all-consuming passion for freedom in the world never fails to lead to conflicts and wars which are no less consuming.

You know, up until later on today, I never really knew how to drink.

Happy Christmas" was their version of "Merry Christmas," and a better version, it seemed to him, for making merry was different from making happiness.

Actually, I’ve been thinking about that,” Tristan said, and finally sat down again. “It’s the dog that didn’t bark.

No true love is possible, Lewis demonstrates, until we abandon our claims, our rights, our grievances. Until then we will be trapped in the obscurity of our heart's mixed motives, our will to possess, to control, to be our own gods.

We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong. I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling" It's much harder to lie to someone's face. But. It is also much harder to tell the truth to someone's face. The indefatigable pursuit of an unattainable perfection, even though it consist in nothing more than in the pounding of an old piano, is what alone gives a meaning to our life on this unavailing star. (Logan Pearsall Smith) Being alone has nothing to do with how many people are around. (J.R. Moehringer) You could be standing a few feet away...I could have sat next to you on the subway, or brushed beside you as we went through the turnstiles. But whether or not you are here, you are here- because these words are for you, and they wouldn't exist is you weren't here in some way. At last I had it--the Christmas present I'd wanted all along, but hadn't realized. His words. The dream was obviously a sign: he was too enticing to resist. Wow. You must have a lot of faith in me. Which I appreciate. Even if I'm not sure I share it. I could do this on my own, and not freak out that I had no idea what waited for me on the other side of this night. Hope and belief. I'd always wanted hope, but never believed that I could have such an adventure on my own. That I could own it. And love it. But it happened. Because I'm So uncool and so afraid. If there was a clue, that meant the mystery was still intact I fear you may have outmatched me, because not I find these words have nowhere to go. It's hard to answer a question you haven't been asked. It's hard to show that you tried unless you end up succeeding. This was not a haystack. We were people, and people had ways of finding eachother. It was one of those moments when you feel the future so much that is humbles the present. Don't worry. It's your embarrassment at not having the thought that counts. You think fairy tales are only for girls? Here's ahint- ask yourself who wrote them. I assure you, it wasn't just the women. It's the great male fantasy- all it takes is one dance to know that she's the one. All it takes is the sound of her song from the tower, or a look at her sleeping face. And right away you know--this is the girl in your head, sleeping or dancing or singing in front of you. Yes, girls want their princes, but boys want their princesses just as much. And they don't want a very long courtship. They want to know immediately. Be careful what you;re doing, because no one is ever who you want them to be. And the less you really know them, the more likely you are to confuse them with the girl or boy in your head You should never wish for wishful thinking

That golden pin ball of a hare must be fresh dead! Thirty eight rabbits, seven squirrels, and one kitty cat D.O.A--MEEEEOOOWWW! Bippity bop-bop-bop bippity boo! I’m not no swineherd, my flocks a dead zoo! Won’t crunch on no crumpets, I slurp bacon stew! Ain’t dyin’ in one life, “my brothaaaa”, I’m livin’ two! Yo! Everything melts like grilled cheese in the grease of Old Blue! Old Blue! Old Blue! Everything melts like grilled cheese in the grease of Old Blue!” The Old Blue the character raps of…is money.

We must all make the mental leap from the pious histories we have read in the martyrologies to the reality of living flesh and blood. Our early martyrs were real men and women, with their own personalities, their flaws and their greatness. We are no different.

Do not hate them. They do not know they are evil. They are blind. If you hate them, if you kill them in your heart, they will not die. They will rise up again and again within you, and they will kill your heart.

raid your library. read everything you can get your hands on & then some. go on, collect words & polish them up until they shine like starlight in your palm. make words your finest weapons— a gold-hilted sword to cut your enemies d o w n. - a survival plan of sorts.

Yet he saw that in all places there was originality, resulting from the human efforts at decoration and ingenious methods of survival.

Modern people are calibrated for a whole different level of danger acceptance.

un hombre que ama puede ver cosas que los demás no ven. La fe abre puertas.

Human relationships were so complicated and always veering in the direction of the irrational.

It is about a dragon and a prince and a princess.” “Oh, lovely! Does it end happily?” “Happily for the humans. Not so well for the dragon.” “Just as it should be. Commence.

Religion is spelled 'D-O', because it consists of the things people do try to somehow gain God's forgiveness and favor. But the problem is that you never know when you've done enough. But thankfully, Christianity is spelled differently. It's spelled 'D-O-N-E', which means that what we could never for ourselves, Christ has already done for us. To become a real Christian is to humbly receive God's gift of forgiveness and to commit to following His leadership.

Love is the soul of the world, though its body bleeds, and we must learn to bleed with it. Love is also the seed and milk and the fruit of the world, though we can partake of it in greed or reverence. We are born, we eat, and learn, and die. We leave a tracery of messages in the lives of others, a little shifting of the soil, a stone moved from here to there, a word uttered, a song, a poem left behind. I was here, each of these declare. I was here.

The mountains are intimations of transcendence, which he is now free to pursue, and the walking writes messages in every cell of his body, telling him that he is not locked inside a cement box, nor in a water drum, but is moving forward.

When you just wing it, you are aware of the risk and the uncertainty, and inclined to be more cautious. When you have a high-tech tool giving you an illusion of omniscience, I am concerned that it will lead to greater risk-taking. LYONS:

He moved forward cautiously. He circled it, sniffed it, whapped it with a paw. Then he found the product tag and stared at it for a minute. Turning toward her, he lifted a lip in something that might have been a sneer. "I know it says it's a dog bed, but I'm sure a Wolf can use it," Meg said. Nothing but grumbly sounds from the Wolf. "Fine. If you want to lie on a cold, hard floor instead of something comfy and warm just because Wolf is spelled d-o-g, you go right ahead.

I don’t think meaning is something that can be explained. You have to understand hopeful and selectively blind as the next guy, but because I don’t think meaning is something that can be explained. You have to understand it on your own. It’s like when you’re starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the “cat” is connected to an actual cat, and that “dog” is connected to an actual dog. It’s that leap, that understanding, that leads to meaning. And a lot of the time in life, we’re still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that’s only spelling.

O, let my books be then the eloquence And dumb presagers of my speaking breast; Who plead for love, and look for recompense, More than that tongue that more hath more express'd. O, learn to read what silent love hath writ: To hear with eyes belongs to love's fine wit.

The haves and have-nots can often be traced back to the dids and did-nots. D. O. FLYNN

Tell me, Anna, if man is capable of projecting his belief onto the cosmos, isn't it possible by the same token, that he can project his unbelief onto the cosmos?

Words are gold, split and shared as coinage, small pebbles, emblems offered back and forth-given, received; given, received-expanding the vocabulary of the soul.

Be number 1.

Every sin is a choice to turn a miraculous being into an object for consumption. It flattens the human person, one’s self and one’s victim, into a one-dimensional universe.

with disgust. ‘You know what mothers are like,’ Nosh shrugged. ‘Yeah, but your mum doesn’t go round showing you up,’ I pointed out.

Insubordinate/undisciplined witch—murders colleagues, not on board with mission objectives, declines to disclose functionality

As the saying goes, when you have a hammer, everything looks like a nail.

Way to pronoun," Saunders says.

o , the Pe lican . so smoothly d o th he cr est . a wi nd go d !

Men are accustomed to making objective assessments of devastating situations, as long as they are not immersed in them. Rare is he who maintains objectivity in the midst of personal affliction.

[T]he reason why Shakespeare and Pushkin were great writers was because from the time when they were boys they stood like policemen over their thoughts and didn't allow one small insincerity to creep in.

While that thing was on, we ran a ridiculous amount of data through our servers.” “How much?” I asked. He looked exasperated. “Enough that I could make up some kind of strained analogy involving the contents of the Library of Congress and the number of pixels in all of the Lord of the Rings movies put together and how many phone calls the NSA intercepts in a single day and you would be like, ‘Holy shit, that’s a lot.’” “Holy shit, that’s a lot!” I exclaimed dutifully.

is a MYTHical MANchild Of rather dubious distinction Always AGITATING COMBINATING and ELEVATING his game He dribbles fakes then takes the ROCK to the glass, fast, and on BLAST But watch out when he shoots or you’ll get SCHOOLed FOOLed UNCOOLed ’Cause when FILTHY gets hot He has a SLAMMERIFIC SHOT It’s Dunkalicious CLASSY Supersonic SASSY and D O W N right in your face mcNASTY

raid your library. read everything you can get your hands on & then some. go on, collect words & polish them up until they shine like starlight in your palm. make words your finest weapons— a gold-hilted sword to cut your enemies d o w n. - a survival plan of sorts.

raid your library. read everything you can get your hands on & then some. go on, collect words & polish them up until they shine like starlight in your palm. make words your finest weapons— a gold-hilted sword to cut your enemies d o w n. –a survival plan of sorts

FAUSTUS. Ah, Faustus, Now hast thou but one bare hour to live, And then thou must be damn'd perpetually! Stand still, you ever-moving spheres of heaven, That time may cease, and midnight never come; Fair Nature's eye, rise, rise again, and make Perpetual day; or let this hour be but A year, a month, a week, a natural day, That Faustus may repent and save his soul! O lente,172 lente currite, noctis equi! The stars move still, time runs, the clock will strike, The devil will come, and Faustus must be damn'd. O, I'll leap up to my God!—Who pulls me down?— See, see, where Christ's blood streams in the firmament! One drop would save my soul, half a drop: ah, my Christ!— Ah, rend not my heart for naming of my Christ! Yet will I call on him: O, spare me, Lucifer!— Where is it now? 'tis gone: and see, where God Stretcheth out his arm, and bends his ireful brows! Mountains and hills, come, come, and fall on me, And hide me from the heavy wrath of God! No, no! Then will I headlong run into the earth: Earth, gape! O, no, it will not harbour me! You stars that reign'd at my nativity, Whose influence hath allotted death and hell, Now draw up Faustus, like a foggy mist. Into the entrails of yon labouring cloud[s], That, when you173 vomit forth into the air, My limbs may issue from your smoky mouths, So that my soul may but ascend to heaven! [The clock strikes the half-hour.] Ah, half the hour is past! 'twill all be past anon O God, If thou wilt not have mercy on my soul, Yet for Christ's sake, whose blood hath ransom'd me, Impose some end to my incessant pain; Let Faustus live in hell a thousand years, A hundred thousand, and at last be sav'd! O, no end is limited to damned souls! Why wert thou not a creature wanting soul? Or why is this immortal that thou hast? Ah, Pythagoras' metempsychosis, were that true, This soul should fly from me, and I be chang'd Unto some brutish beast!174 all beasts are happy, For, when they die, Their souls are soon dissolv'd in elements; But mine must live still to be plagu'd in hell. Curs'd be the parents that engender'd me! No, Faustus, curse thyself, curse Lucifer That hath depriv'd thee of the joys of heaven. [The clock strikes twelve.] O, it strikes, it strikes! Now, body, turn to air, Or Lucifer will bear thee quick to hell! [Thunder and lightning.] O soul, be chang'd into little water-drops, And fall into the ocean, ne'er be found! Enter DEVILS. My God, my god, look not so fierce on me! Adders and serpents, let me breathe a while! Ugly hell, gape not! come not, Lucifer! I'll burn my books!—Ah, Mephistophilis! [Exeunt DEVILS with FAUSTUS.]

The world is full of hatred because it refuses to be poor. It wants to conquer fear with power. But you will conquer in another way, the unknown way. First, perhaps, you will forget. You will not see. You will not understand. Later you may see, and then you will know that the false self must die in order for the true self to be born.

So is it short for Doreen?” he asked. “What?” “Your name.” “No. It’s just Door.” “How do you spell it?” “D-o-o-r. Like something you walk through to go places.” “Oh.” He had to say something, so he said: “What kind of a name is Door, then?” And she looked at him with her odd-colored eyes, and she said, “My name.” Then she went back to Jane Austen.

Of course it's not right. The Cross isn't right. But our Lord took it and turned it into the great sign that the devil hates above all other signs. Each time we accept to bear that cross and be nailed to it, believing against all believing - when it's impossible any longer to believe because of our pain - that's when we defeat him. By the blood of the Lamb!

Abstract academic discussions have a way of leaving their mark on entire civilizations, as the events of this century have proved all too well.

I’m a great fan of Chesterton, you know. He once said that he became a Catholic because we’re the only religion that sees no contradiction between a pint, a pipe, and a cross.

i am n0t aFraiD oV deaTh , I juX dun waNna Be thEre weN iT haPpeNZ !

Y es que René la dejaba libre y ella detestaba su libertad. Su libertad era peor que cualquier cadena.

¿Que no era libre? Ah, gracias a Dios, no lo era. Pero se sentía ligera, una diosa sobre las nubes, un pez en el agua, colmada de felicidad.

The ugly parts of love can’t lift you up. They bring you D O W N. They hold you under. Drown you. You look up and think, I wish I was up there. But you’re not. Ugly love becomes you. Consumes you. Makes you hate it all. Makes you realize that all the beautiful parts aren’t even worth it. Without the beautiful, you’ll never risk feeling this. You’ll never risk feeling the ugly. So you give it up. You give it all up. You never want love again, no matter what kind it is, because no type of love will ever be worth living through the ugly love again.

The hand of Heaven is on me, be it far from me to struggle, if my secret sins have pull'd this curse upon me, lend me tears now to wash me white, that I may feel a child-like innocence within my breast; which once perform'd, O give me leave to stand as fix'd as constancy her self, my eyes set here unmov'd, regardless of the world though thousand miseries incompass me.

Children need to see that they are part of a history and that the story of their family is a living thing. God tells it, a new story in each generation, and each must hold hands across the sea of time, joining together the ones who went before and the ones who come after. It is given from above. Little do we understand this in the beginning, but time teaches us many things we did not expect to learn. That is life. It is the same everywhere.

[D}o not ask me to choose classical philology over industrial catering when they both seem such powerful fun; I want to be a forensic epidemiologist and a floorwalker in men's hosiery-look at how those size l0-to-13's drape over their tiny 2-shaped hangers...

The conventionally accepted explanation for this is that storytellers have a power of imagination that makes them good at inventing counterfactual narratives. In the light of everything we’ve learned about Strands at DODO, however, we can now see an alternate explanation, which is that storytellers are doing a kind of low-level magic. Their “superpower” isn’t imagining counterfactuals, but rather seeing across parallel Strands and perceiving things that actually did (or might) happen in alternate versions of reality.

La plecare m-a cunondus Dinu [Noica] (...) Și, cu toate că îi recunosc lui D. o anumită inteligență și încă alte câteva calități, este totuși un om pe care-l consider (...) străin de mine. De fapt, ceea ce mi-l face antipatic nu este faptul că judecă strâmb, nici faptul că are înclinare spre și credință în lucruri pe care eu le consider cu totul superficiale. Cunosc atâția oameni care au creierul construit alandala, atâția cu credințe primitive, dar care, indiferent de asta, îmi sunt foarte dragi. Îmi este antipatic pentru că simt în el o ipocrizie cum rar am mai întâlnit la o creatură umană, la acest nivel. N-are niciun grăunte de sinceritate, nici măcar față de el însuși. Mă gândesc uneori că poate să fie patologic... dar asta să fie oare o scuză? Poate cel mult o explicație.

O were my love yon Lilac fair, Wi' purple blossoms to the Spring, And I, a bird to shelter there, When wearied on my little wing! How I wad mourn when it was torn By Autumn wild, and Winter rude! But I wad sing on wanton wing, When youthfu' May its bloom renew'd. O gin my love were yon red rose, That grows upon the castle wa'; And I myself a drap o' dew, Into her bonie breast to fa'! O there, beyond expression blest, I'd feast on beauty a' the night; Seal'd on her silk-saft faulds to rest, Till fley'd awa by Phoebus' light!

sweetness on the tongue and a promise of scent on the night air. It was sensual in the best meaning of that word, saturating every sense at once, so that the flesh was known, finally, as a thing of such goodness that man blessed his Creator from morning to night for having made him. Here in this medieval town where once an extraordinary little fellow had burst forth with songs to God, as a passionate lover speaks to his bride, here the restoration of man to his own true home was no longer the dream of saints. It was the wedding feast. It was a word made flesh.

To feel safe, you need to control what the people around you are going to say and do. This is not achieved by going after the root causes of violence. This is not even achieved by working to slowly improve social conditions. It is achieved through silence and disappearance, by moving the offending object or person out of sight. . . . [However] [d]o we want to live in a world that is safe? Do we want to push the homeless out of our cities and call that a victory over poverty? . . . Or do we want to do the very hard work of recognizing and addressing the actual causes of harm to women? Safety is a short-term goal and it is unsustainable. Eventually, the unaddressed causes will find new ways of manifesting themselves as problems. Pull up the dandelions all you want, but unless you dig up that whole goddamn root it's just going to keep showing back up.

We believe in the wrong things. That's what frustrates me the most . Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong. It's not going to be explained to you in a prayer. And I'm not going to be able to explain it to you. Not because I'm as ignorant and hopeful and selectively blind as the next guy, but because I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat, and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. but that's only spelling. I don't mean this to sound hopeless. Because in the same way that a kid can realise what "c-a-t" means, I think we can find the truths that live behind our words. I wish that I could remember the moment when I was a kid and I discovered that the letters linked into words, and that the words linked to real things. What a revelation that must have been. We don't have the words for it, since we hadn't yet learnt the words. It must have been astonishing, to be given the key to the kingdom and see it turn in our hands so easily.

The poet who sees himself as a hero or a prophet, or a priest of the socio-political forces to which he is loyal, which he believes are the historical necessities of his times, too easily becomes a puppet. He has no external measure with which to assess reality. Whether he submits to the forces or rejects them, he becomes a parody of himself, and then without knowing it submits his gifts to the demons of his era. He loses his place in the continuity of time. He becomes dependent on social affirmation and the drug of exalted feelings common to all revolutionaries. He destroys, even as he thinks he creates.

It’s no coincidence that the man who contributed the most to the study of human anatomy, the Belgian Andreas Vesalius, was an avid proponent of do-it-yourself, get-your-fussy-Renaissance-shirt-dirty anatomical dissection. Though human dissection was an accepted practice in the Renaissance-era anatomy class, most professors shied away from personally undertaking it, preferring to deliver their lectures while seated in raised chairs a safe and tidy remove from the corpse and pointing out structures with a wooden stick while a hired hand did the slicing. Vesalius disapproved of this practice, and wasn’t shy about his feelings. In C. D. O’Malley’s biography of the man, Vesalius likens the lecturers to “jackdaws aloft in their high chair, with egregious arrogance croaking things they have never investigated but merely committed to memory from the books of others. Thus everything is wrongly taught,…and days are wasted in ridiculous questions.

I HAD TO GO to America for a while to give some talks. Going to America always does me good. It’s where I’m from, after all. There’s baseball on the TV, people are friendly and upbeat, they don’t obsess about the weather except when there is weather worth obsessing about, you can have all the ice cubes you want. Above all, visiting America gives me perspective. Consider two small experiences I had upon arriving at a hotel in downtown Austin, Texas. When I checked in, the clerk needed to record my details, naturally enough, and asked for my home address. Our house doesn’t have a street number, just a name, and I have found in the past that that is more deviance than an American computer can sometimes cope with, so I gave our London address. The girl typed in the building number and street name, then said: “City?” I replied: “London.” “Can you spell that please?” I looked at her and saw that she wasn’t joking. “L-O-N-D-O-N,” I said. “Country?” “England.” “Can you spell that?” I spelled England. She typed for a moment and said: “The computer won’t accept England. Is that a real country?” I assured her it was. “Try Britain,” I suggested. I spelled that, too—twice (we got the wrong number of T’s the first time)—and the computer wouldn’t take that either. So I suggested Great Britain, United Kingdom, UK, and GB, but those were all rejected, too. I couldn’t think of anything else to suggest. “It’ll take France,” the girl said after a minute. “I beg your pardon?” “You can have ‘London, France.’ ” “Seriously?” She nodded. “Well, why not?” So she typed “London, France,” and the system was happy. I finished the check-in process and went with my bag and plastic room key to a bank of elevators a few paces away. When the elevator arrived, a young woman was in it already, which I thought a little strange because the elevator had come from one of the upper floors and now we were going back up there again. About five seconds into the ascent, she said to me in a suddenly alert tone: “Excuse me, was that the lobby back there?” “That big room with a check-in desk and revolving doors to the street? Why, yes, it was.” “Shoot,” she said and looked chagrined. Now I am not for a moment suggesting that these incidents typify Austin, Texas, or America generally or anything like that. But it did get me to thinking that our problems are more serious than I had supposed. When functioning adults can’t identify London, England, or a hotel lobby, I think it is time to be concerned. This is clearly a global problem and it’s spreading. I am not at all sure how we should tackle such a crisis, but on the basis of what we know so far, I would suggest, as a start, quarantining Texas.

Why then I do but dream on sovereignty, Like one that stands upon a promontory And spies a far-off shore where he would tread, Wishing his foot were equal with his eye, And chides the sea that sunders him from thence, Saying, he'll lade it dry to have his way: So do I wish the crown, being so far off, And so I chide the means that keeps me from it, And so, I say, I'll cut the causes off, Flattering me with impossibilities, My eye's too quick, my hear o'erweens too much, Unless my hand and strength could equal them. Well, say there is no kingdom then for Richard; What other pleasure can the world afford? I'll make my heaven in a lady's lap, And deck my body in gay ornaments, And witch sweet ladies with my words and looks. O miserable thought! and more unlikely Than to accomplish twenty golden crowns! Why, love forswore me in my mother's womb; And for I should not deal in her soft laws, She did corrupt frail nature with some bribe, To shrink mine arm up like a wither'd shrub, To make an envious mountain on my back, Where sits deformity to mock my body; To shape my legs of an unequal size, To disproportion me in every part, Like to a chaos, or an unlick'd bear-whelp That carries no impression like the dam. And am I then a man to be belov'd? O monstrous fault, to harbor such a thought! Then since this earth affords no joy to me But to command, to check, to o'erbear such As are of better person than myself, I'll make my heaven to dream upon the crown, And whiles I live, t' account this world but hell, Until my misshap'd trunk that bears this head Be round impaled with a glorious crown. And yet I know not how to get the crown, For many lives stand between me and home; And I - like one lost in a thorny wood, That rents the thorns, and is rent with the thorns, Seeking a way, and straying from the way, Not knowing how to find the open air, But toiling desperately to find it out - Torment myself to catch the English crown; And from that torment I will free myself, Or hew my way out with a bloody axe. Why, I can smile, and murther whiles I smile, And cry "Content" to that which grieves my heart, And wet my cheeks with artificial tears, And frame my face to all occasions. I'll drown more sailors than the mermaid shall, I'll slay more gazers than the basilisk, I'll play the orator as well as Nestor, Deceive more slily than Ulysses could, And like a Simon, take another Troy. I can add colors to the chameleon, Change shapes with Proteus for advantages, And set the murtherous Machevil to school. Can I do this, and cannot get a crown? Tut, were it farther off, I'll pluck it down.

How can [people] be expected to take in a totally unfamiliar line of thought, which goes against all their deepest prejudices? … [S]uch philosophizing [which says what it thinks irrespective of circumstances] would be completely out of place. But there is a more civilized form of philosophy which knows the dramatic context, so to speak, tries to fit in with it, and plays an appropriate part in the current performance. … [D]o the best you can to make the present production a success – don’t spoil the entire play just because you happen to think of another one that you’d enjoy rather more. … If you can’t completely eradicate wrong ideas, or deal with inveterate vices as effectively as you could wish, that’s not reason for turning your back on public life altogether. You wouldn’t abandon ship in a storm just because you couldn’t control the winds.

If you are a true logos and I am a true logos, then there is the possibility of the dia-logos—a true dialogue...What is true dialogue in a world like ours? Our world is drowning in communication, but starving for genuine communio—the union of true communion...Profound communion, the flow of celestial language, becomes possible when we are speaking on the firm foundation of the Logos, the Word who became flesh, the One who redeemed the universe.

I felt that readerly desire achieves its lastingness, its pleasurable sense of suspended duration, in a complicitous nilling, a charged refusal. That is to say that in reading, I undo a text, as I resist my own autonomy. The undoing animates passivity, all that negates and resists rather than insists. It is a slightly unpleasant thought, and it pertains to the ambivalent discomfort of pornography.   That the descriptive representation of erotic pleasure could produce discomfort is partly the unfortunate result of a reader’s embodiment of sociomoral anti-corporeal values. But the discomfort has to do with other difficulties too. If the pornographic text is specifically a work of the imaginary, we could ask where that imaginary works, what it works upon. I’d like to consider the possibility that Histoire d’O is less the signifier for genital eroticism, than it is the song of inconspicuousness, the place where will and its self-negation twist and enlace.

... but I love language. It is a living, breathing, evolving thing, and language has power. Whether in a song lyric, a poem, a speech, or a simple conversation, we’ve all experienced words that resonate with us. They may make us recall a powerful moment, inspire us, move us, or perhaps, comfort us…. But at the same time, we don’t think in words. We think in pictures. If I say the word ‘dog’ to you, you aren’t picturing the letters, d-o-g, you’re picturing a dog from your memory...

We believe in the wrong things. That's what frustrates me the most. Not the lack of belief, but the belief in the wrong things. You want meaning? Well, the meanings are out there. We're just so damn good at reading them wrong. I don't think meaning is something that can be explained. You have to understand it on your own. It's like when you're starting to read. First, you learn the letters. Then, once you know what sounds the letters make, you use them to sound out words. You know that c-a-t leads to cat and d-o-g leads to dog. But then you have to make that extra leap, to understand that the word, the sound, the "cat" is connected to an actual cat , and that "dog" is connected to an actual dog. It's that leap, that understanding, that leads to meaning. And a lot of the time in life, we're still just sounding things out. We know the sentences and how to say them. We know the ideas and how to present them. We know the prayers and which words to say in what order. But that's only spelling.

The human mind is stimulated by change, motivated by meeting the challenge of novelty or threat or pleasure, rewarded with the sensations of being instrumental in altering environments, and will persevere in this as long as there is some degree of perceivable progress. People turn to knitting baby booties, doing crossword puzzles, collecting rare coins; they may even make an effort to understand E=mc2 or to study the genetic adaptations of cacti, but in all cases, they need to see some fruit of their labors.

You are a fertile God. Many seeds are dropped into the soil. Many do not sprout. Yet beneath the appearance of waste nothing is wasted, nothing lost. Giant trees crash to the forest floor, decompose, and become the soil out of which the saplings arise. Similarly, in human affairs, movements are created, rise, do Your work in the world, decline, go back into the soil, and provide the rich humus out of which new life springs. Generations come and go. Sun and rain, winter and summer, seed time and harvest. Always Your Word remains constant. Your people are called over and over, generation after generation, back into this constancy, back to this mysterious fluid stability—the only security worth having. Can You not waste a little more time on us?