High School Musical Quotes

We've searched our database for all the quotes and captions related to High School Musical. Here they are! All 100 of them:

Well my music was different in high school; I was singing about love—you know, things I don't care about anymore.
Lady Gaga
This is real, this is me,' I said. She blinked. 'Did you just quote Camp Rock at me? That's not very pop punk." 'I've gotta go my own way.' 'Okay, firstly, that's High School Musical...
Alice Oseman (Radio Silence)
Here's to the kids. The kids who would rather spend their night with a bottle of coke & Patrick or Sonny playing on their headphones than go to some vomit-stained high school party. Here's to the kids whose 11:11 wish was wasted on one person who will never be there for them. Here's to the kids whose idea of a good night is sitting on the hood of a car, watching the stars. Here's to the kids who never were too good at life, but still were wicked cool. Here's to the kids who listened to Fall Out boy and Hawthorne Heights before they were on MTV...and blame MTV for ruining their life. Here's to the kids who care more about the music than the haircuts. Here's to the kids who have crushes on a stupid lush. Here's to the kids who hum "A Little Less 16 Candles, A Little More Touch Me" when they're stuck home, dateless, on a Saturday night. Here's to the kids who have ever had a broken heart from someone who didn't even know they existed. Here's to the kids who have read The Perks of Being a Wallflower & didn't feel so alone after doing so. Here's to the kids who spend their days in photobooths with their best friend(s). Here's to the kids who are straight up smartasses & just don't care. Here's to the kids who speak their mind. Here's to the kids who consider screamo their lullaby for going to sleep. Here's to the kids who second guess themselves on everything they do. Here's to the kids who will never have 100 percent confidence in anything they do, and to the kids who are okay with that. Here's to the kids. This one's not for the kids, who always get what they want, But for the ones who never had it at all. It's not for the ones who never got caught, But for the ones who always try and fall. This one's for the kids who didnt make it, We were the kids who never made it. The Overcast girls and the Underdog Boys. Not for the kids who had all their joys. This one's for the kids who never faked it. We're the kids who didn't make it. They say "Breaking hearts is what we do best," And, "We'll make your heart be ripped of your chest" The only heart that I broke was mine, When I got My Hopes up too too high. We were the kids who didnt make it. We are the kids who never made it.
Pete Wentz
The top two movies at the box office this weekend were 'High School Musical 3' and 'Saw V.' One movie features gruesome onscreen torture that is difficult to watch and the other is about a guy with a saw.
Conan O'Brien
I had died and woken up in High School Musical
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
We could argue in front of our lockers all dramatically," I said. "That's something I saw a lot at human high schools." He squeezed me in a quick hug. "Yes! Now that sounds like a good time. And then I could come to your house in the middle of the night and play music really loudly under your window until you took me back." I chuckled. "You watch too many movies. Ooh, we could be lab partners!" "Isn't that kind of what we were in Defense?" "Yeah, but in normal high school, there would be more science, less kicking each other in the face." "Nice.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Is it wrong, wanting to be at home with your record collection? It's not like collecting records is like collecting stamps, or beermats, or antique thimbles. There's a whole world in here, a nicer, dirtier, more violent, more peaceful, more colorful, sleazier, more dangerous, more loving world than the world I live in; there is history, and geography, and poetry, and countless other things I should have studied at school, including music.
Nick Hornby (High Fidelity)
I see you like to study,” I said. “Well done.” Percy snorted. “I hate to study. I’ve been guaranteed admission with a full scholarship to New Rome University, but they’re still requiring me to pass all my high school courses and score well on the SAT. Can you believe that? Not to mention I have to pass the DSTOMP.” “The what?” Meg asked. “An exam for Roman demigods,” I told her. “The Demigod Standard Test of Mad Powers.” Percy frowned. “That’s what it stands for?” “I should know. I wrote the music and poetry analysis sections.” “I will never forgive you for that,” Percy said.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
He jumped to the adjacent table and America squealed and clapped, elbowing me. I shook my head; I had died and woken up in High School Musical.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
And I understood why he didn’t need friends or to be accepted at our shitty racist high school, because he had his music, and that was so much better than anything we had to offer.
Matthew Quick (Forgive Me, Leonard Peacock)
This should be the most homoerotically charged baseball dance number since “I Don't Dance” in High School Musical 2.
David Levithan (Hold Me Closer: The Tiny Cooper Story)
What grinds me the most is we're sending kids out into the world who don't know how to balance a checkbook, don't know how to apply for a loan, don't even know how to properly fill out a job application, but because they know the quadratic formula we consider them prepared for the world` With that said, I'll admit even I can see how looking at the equation x -3 = 19 and knowing x =22 can be useful. I'll even say knowing x =7 and y= 8 in a problem like 9x - 6y= 15 can be helpful. But seriously, do we all need to know how to simplify (x-3)(x-3i)?? And the joke is, no one can continue their education unless they do. A student living in California cannot get into a four-year college unless they pass Algebra 2 in high school. A future psychologist can't become a psychologist, a future lawyer can't become a lawyer, and I can't become a journalist unless each of us has a basic understanding of engineering. Of course, engineers and scientists use this shit all the time, and I applaud them! But they don't take years of theater arts appreciation courses, because a scientist or an engineer doesn't need to know that 'The Phantom of the Opoera' was the longest-running Broadway musical of all time. Get my point?
Chris Colfer (Struck By Lightning: The Carson Phillips Journal (The Land of Stories))
That might be the problem. A lot of the good stuff is from the past. The Jonas Brothers, High School Musical, our shared grief. Our friendship is based on memories. What do we have now?
Angie Thomas (The Hate U Give (The Hate U Give, #1))
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.” “Yeah?” I leaned my forehead against his chest. “What about you?” “Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her. “Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.” “Ouch,” I said with a light laugh. “Sounds painful.” “Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—” “—and Chubs makes fun of you for it,” I added. “Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—” “—but who’s the coolest little girl on the planet,” I manage to squeeze out.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Gee, You're so Beautiful That It's Starting to Rain Oh, Marcia, I want your long blonde beauty to be taught in high school, so kids will learn that God lives like music in the skin and sounds like a sunshine harpsicord. I want high school report cards to look like this: Playing with Gentle Glass Things A Computer Magic A Writing Letters to Those You Love A Finding out about Fish A Marcia's Long Blonde Beauty A+!
Richard Brautigan (The Pill vs. the Springhill Mine Disaster)
I don't do 'black music,' I don't do 'white music'...I make fight music, for high school kids.
Eminem
I also feared boredom and mediocrity much more than I feared failure. For me, great is better than terrible, and terrible is better than mediocre, because terrible at least gives life flavor. The high school yearbook quote my friends chose for me was from Thoreau: “If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.
Ray Dalio (Principles: Life and Work)
Designer clothes, bubblegum pop music, celebrity heartthrobs - I couldn't give a fat rat's hairy ass. Just give me my hotdog and Jane Austen, and I'm good.
Kristin Walker (A Match Made in High School)
Grit, persistence, adaptability, financial literacy, interview skills, human relationships, conversation, communication, managing technology, navigating conflicts, preparing healthy food, physical fitness, resilience, self-regulation, time management, basic psychology and mental health practices, arts, and music—all of these would help students and also make school seem much more relevant. Our fixation on college readiness leads our high school curricula toward purely academic subjects and away from life skills. The purpose of education should be to enable a citizen to live a good, positive, socially productive life independent of work.
Andrew Yang (The War on Normal People: The Truth About America's Disappearing Jobs and Why Universal Basic Income Is Our Future)
He said, “So . . . do you like music?” It was a pretty stupid question. I mean, who doesn’t like music? Okay, maybe some puritanical zealot out in Hicksville. But really. It was kind of like asking, “Do you like food?” “Isn’t oxygen great?” “Have you got skin? I do.” I knew what he meant, though.
Kristin Walker (A Match Made in High School)
The world needs great inspires, who will encourage every living soul to reach their highest potential. You can be one.
Lailah Gifty Akita (Think Great: Be Great! (Beautiful Quotes, #1))
You, Chris. You stop. I get hassled enough. I need my job. I don’t need to be in the middle of some version of West Side Story meets High School Musical.
Brigid Kemmerer (Storm (Elemental, #1))
Petunia Temminnick’s coming-out ball was pronounced a resounding success by all in attendance. There had been highly intoxicating punch, a variety of dances, good music, and intermission entertainment. No one knew why the beautiful Miss Pelouse had stripped, rolled about in the garden, and then chucked a cheese pie at the youngest Temminnick girl before being taken away in floods of tears, but it was surely the highlight of a most enjoyable evening.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
People will look at the burning ashes of Westerberg High and think, "Now there's a school that self-destructed, not because society didn't care, but because that school was society.
Lawrence O'Keefe
Hairspray is the only really devious movie I ever made. The musical based on it is now being performed in practically every high school in America—and nobody seems to notice it’s a show with two men singing a love song to each other that also encourages white teen girls to date black guys. Pink Flamingos was preaching to the converted. But Hairspray is a Trojan horse: it snuck into Middle America and never got caught. You can do the same thing.
John Waters (Make Trouble)
Being an outsider doesn't necessarily indicate any sort of social failing. We do not view a tuba player as musically challenged if he cannot play the violin.
Alexandra Robbins (The Geeks Shall Inherit the Earth: Popularity, Quirk Theory and Why Outsiders Thrive After High School)
Now whenever I left class to go to the boys' room, I worried that I would end up on the blue tiled floor in a puddle of piss and blood.
Kenneth Logan (True Letters from a Fictional Life)
This is real, this is me,” I said. She blinked. “Did you just quote Camp Rock at me? That’s not very pop punk.” “I’ve gotta go my own way.” “Okay, firstly, that’s High School Musical 2. . . .
Alice Oseman (Radio Silence)
Let me put it another way. Most people are what they sense and if all you see day after day is a mat on a floor that belongs to the rats and four walls with tiny piles of plaster at the bottom, and all you eat is starch, and all you hear is continuous music, you smell garbage and piss which drips through the walls continually, and all the people you know live like you, it's not horrible, it's just... Who they are.
Kathy Acker (Blood and Guts in High School)
My group has to do the Eighth Amendment, which is the one about cruel and unusual punishment. I'm not sure why group work isn't counted in that amendment.
Kirstin Cronn-Mills (Beautiful Music for Ugly Children)
I hate dancing. I mean, I don't hate it. I just - I'm terrible. I'm totally into music, but I really can't dance." Phew. Relief. "Yeah, you said that this morning. Neither can I." I hitched my thumb at the couples on the dance floor. "Not that I'd call that dancing." "Heh. Yeah." "Sometimes I wish I lived back when people had balls." Oh God. That did not come out right.
Kristin Walker (A Match Made in High School)
I don't really know how dating works," Jared told her. "High school for me was mostly musical numbers. That's how it is in the States, you've seen the movies. Every time someone had an emotional dilemma or epiphany, they would burst into song, and we would all have to break out into perfectly choreographed dance sequences. It took a lot of intensive training. So many jazz squares, no time for love.
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
Johnny made me feel like I was clever without trying to be. And pretty. And valued. He made everything about me seem more special. Like, say I was a song. Well, Johnny made me feel as though I’d been remixed. The melody didn’t change, but it wasn’t just the same one-dimensional sequence of notes anymore. Instead, he brought out all these harmonies — these low and high notes — that made the music fuller. No more discord or dissonance. Around Johnny, I was the best possible rendition of myself.
Kristin Walker (A Match Made in High School)
But are you glad you went to college? Was it a good experience?” I suppose it was. Althought I can’t remember a single thing I learned. Except for Latin, and that’s only because the nuns literally beat it into us and I use it sometimes for the crossword.” There were nuns at Radcliffe?” Yes, it was all nuns.” Are you sure? At Radcliffe?” Maybe it was high school.” But you aren’t Catholic,” I said. “I don’t think you ever went to a parochial school.” Well, I distinctly remember nuns with sticks walking up and down the aisles as we recited Latin. Maybe it was a show I was in, but I doubt it because nuns don’t beat children in musicals.
Peter Cameron (Someday This Pain Will Be Useful to You)
We knew each other to our fingertips. No, that's not right. We only knew each other in our fingertips, and that was nothing at all, and for a while that was okay. We could have been a love story, a fairy tale, an indie film about high school and selective insanity featuring a boy of angel parts and a girl made of dreaming. We could have been all the best things: bracelets sliding down arms while shots slid down throats, laughter and crashing music in dark and flashing rooms, kisses that started hesitant but didn't stay that way.
Amy Zhang (This Is Where the World Ends)
Taylor sighed. Going head-to-head with Sharpay on a school assignment was really beneath her. But the more Taylor considered it, the more she liked the idea of seeing her own poem in the paper. After all, the words "published poet" would look awfully good on those Ivy League college applications. "You know what?" Taylor said. "What?" Sharpay snapped. Hands on hips, Taylor stepped forward till the girls were nose-to-nose. "Bring it on.
Alice Alfonsi (Poetry in Motion (High School Musical: Stories from East High, #3))
Most high school students have hobbies. Some play music. Some play sports. Some write , or draw or make things. Stephanie ( Stevie ) Bell solves CRIME
Maureen Johnson (The Box in the Woods (Truly Devious, #4))
They’re clearly all in this together, and not in a fun High School Musical clap-it-high kind of way.
Jennette McCurdy (I'm Glad My Mom Died)
This should be the most homoerotically charged baseball dance number since “I Don’t Dance” in High School Musical 2.
David Levithan (Hold Me Closer: The Tiny Cooper Story)
there was a sort of embarrassment about storytelling that struck home powerfully about one hundred years ago, at the beginning of modernism. We see a similar reaction in painting and in music. It's a preoccupation suddenly with the surface rather than the depth. So you get, for example, Picasso and Braque making all kinds of experiments with the actual surface of the painting. That becomes the interesting thing, much more interesting than the thing depicted, which is just an old newspaper, a glass of wine, something like that. In music, the Second Viennese School becomes very interested in what happens when the surface, the diatonic structure of the keys breaks down, and we look at the notes themselves in a sort of tone row, instead of concentrating on things like tunes, which are sort of further in, if you like. That happened, of course, in literature, too, with such great works as James Joyce's Ulysses, which is all about, really, how it's told. Not so much about what happens, which is a pretty banal event in a banal man's life. It's about how it's told. The surface suddenly became passionately interesting to artists in every field about a hundred years ago. In the field of literature, story retreated. The books we talked about just now, Middlemarch, Bleak House, Vanity Fair -- their authors were the great storytellers as well as the great artists. After modernism, things changed. Indeed, modernism sometimes seems to me like an equivalent of the Fall. Remember, the first thing Adam and Eve did when they ate the fruit was to discover that they had no clothes on. They were embarrassed. Embarrassment was the first consequence of the Fall. And embarrassment was the first literary consequence of this modernist discovery of the surface. "Am I telling a story? Oh my God, this is terrible. I must stop telling a story and focus on the minute gradations of consciousness as they filter through somebody's..." So there was a great split that took place. Story retreated, as it were, into genre fiction-into crime fiction, into science fiction, into romantic fiction-whereas the high-art literary people went another way. Children's books held onto the story, because children are rarely interested in surfaces in that sort of way. They're interested in what-happened and what-happened next. I found it a great discipline, when I was writing The Golden Compass and other books, to think that there were some children in the audience. I put it like that because I don't say I write for children. I find it hard to understand how some writers can say with great confidence, "Oh, I write for fourth grade children" or "I write for boys of 12 or 13." How do they know? I don't know. I would rather consider myself in the rather romantic position of the old storyteller in the marketplace: you sit down on your little bit of carpet with your hat upturned in front of you, and you start to tell a story. Your interest really is not in excluding people and saying to some of them, "No, you can't come, because it's just for so-and-so." My interest as a storyteller is to have as big an audience as possible. That will include children, I hope, and it will include adults, I hope. If dogs and horses want to stop and listen, they're welcome as well.
Philip Pullman
This is Tiny’s number, but everybody’s going to be looking at the boys in uniform. This should be the most homoerotically charged baseball dance number since “I Don’t Dance” in High School Musical 2.
David Levithan (Hold Me Closer: The Tiny Cooper Story)
While they talk, I spot a magazine on a rack by the wall, a shirtless Zac Efron on the cover. I throb again, an ache that grows at the sight of two-dimensional abs. When did the star of High School Musical look like that? Jeez.
Krista Ritchie (The Addicted Series Box Set (Addicted #1-5))
Because isn’t that what eternity is? It’s your own high school. Where the good girls are always good, the stupid boys are always stupid, the marching band always plays some lame tribute to whatever Broadway musical was big twenty-five years ago...
Mary Crockett and Madelyn Rosenberg
Only I still had a problem. The problem was my parents. Of the many things I was afraid of in those days - spiders, insomnia, fish hooks, school dances, hardball, heights, bees, urinals, puberty, music teachers, dogs, the school cafeteria, censure, older teenagers, jellyfish, locker rooms, boomerangs, popular girls, the high dive - I was probably most afraid of my parents.
Jonathan Franzen (The Discomfort Zone: A Personal History)
James, you’d like Lou Reed,” Michael insisted. “He was bisexual.” Their laughter turned to coughs. They were all staring at me when I turned around. I told myself to relax. “Oh, yeah?” I said. “He doesn’t sound bisexual.” Michael just shook his head, but Ronan and Glenn smiled. “They did electroshock therapy on him when he was a teenager,” Michael said. “Electro-what?” said Glenn. “They electrocuted people?” “Kind of. They zapped their brains to alter their personalities. That’s how they tried to make gay people straight back then.” They all looked at me for a response. I shrugged. “So, he was bisexual? It worked halfway?
Kenneth Logan (True Letters from a Fictional Life)
To your party I'll bring my World-Famous Leftover Duck Meatloaf. It's from 1999, and the only reason I have it in my possession is because my old high-school math teacher called me up to come remove it from my old locker, because it was making his class smell like Savage Garden.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
That’s what high school does for you: gives you some art and music and history so that even if you spend your life raising kids and writing computer programs, still there was a time when you argued about the First Amendment and talked about the Civil War and read Romeo and Juliet.
Garrison Keillor (The Keillor Reader)
Some people owe everything they have to the bank accounts of their parents. I owe the state. Put simply, the state educated me, fixed my leg when it was broken, and gave me a grant that enabled me to go to university. It fixed my teeth (a bit) and found housing for my veteran father in his dotage. When my youngest brother was run over by a truck it saved his life and in particular his crushed right hand, a procedure that took half a year, and which would, on the open market—so a doctor told me at the time—have cost a million pounds. Those were the big things, but there were also plenty of little ones: my subsidized sports centre and my doctor’s office, my school music lessons paid for with pennies, my university fees. My NHS glasses aged 9. My NHS baby aged 33. And my local library. To steal another writer’s title: England made me. It has never been hard for me to pay my taxes because I understand it to be the repaying of a large, in fact, an almost incalculable, debt. ....The charming tale of benign state intervention described above is now relegated to the land of fairy tales: not just naïve but actually fantastic. Having one’s own history so suddenly and abruptly made unreal is an experience of a whole generation of British people, who must now wander around like so many ancient mariners boring foreigners about how they went to university for free and could once find a National Health dentist on their high street.
Zadie Smith
How could Flannery be so old and still not know herself? For this seventeen-year-old did feel old. Those private years of intense adolescent reading and music-fueled writing in her journal had made her sure she was full of maturity—of a certain unusual, and in its way impressive, emotional self-assurance. She had an alert awareness of what people were like. She’d talked two of her high-school friends through the loss of their virginity, even as she’d held on easily to her own.
Sylvia Brownrigg (Pages for You (Pages for You, #1))
Zeke stood up. He held the Tater Tot up to the sunlight streaming in through the cafeteria window. Some kids sitting at tables nearby took notice. They listened in as Zeke began to recite: "Oh, Tater Tot, oh, Tater Tot, so tiny and round, What an amazing potato taste in you I have found! Crispy on the outside, soft and mushy inside - What kind of mysterious potato do you hide? Russet, white, Yukon gold or Idaho? Are you mashed or baked or fried - I really don't know! Mystery spud so tasty and round, What an amazing lunchtime treat in you I have found." Everyone at the table applauded, and Zeke bowed. The kids around him clapped and whooped and laughed.
Alice Alfonsi (Poetry in Motion (High School Musical: Stories from East High, #3))
Revisiting the music of one’s youth is part of the reunion with self. Whatever your parents may have thought of the music, however the music may survive the test of time, if it was the music you listened to in high school or college days, then it plays forever in some ballroom of your mind. You can still mouth the words and do the dances.
Robert Fulghum (From Beginning to End: The Rituals of Our Lives)
For the rest of the plane ride, she sat as far from me as she could, her face turned out the window. She didn’t speak when we landed. She didn’t speak when I dropped her off. And she didn’t speak when I asked her, like a fucking High School Musical reject, when I’d see her next. I had my chance—two chances, in fact—and I’d ruined them both. I ruined her
Parker S. Huntington (Ranieri Andretti)
I had never considered what it would be like to be in love until I was in it.
Tegan Quin (High School)
Your high school guidance counselor was right: A college degree is the path to success. The fact that everyone else has one also only makes it that much more valuable.
Jarod Kintz (Powdered Saxophone Music)
Life without strife is a rose without thorns. Alive as one is thriving today towards tomorrow, Nowhere is the past but simply a school of memory. Dreams, wishes, goals then becomes a wheel of “wills,” Spirit of a unique being on each soul breathing. Care to ponder some matter or another? Awareness sliding towards discovery gliding… Peace, contentment, fulfillment, Enwrapped like a mirage enchantment. Soaring freely, excitingly, happily home-love-bound! Over precious moments in a breathing of a soul, Flowing high emotions, feelings, hearts in bliss. All around any season of one's existence, one asks: “Anyone out there? A heart of a soul that didn’t harden? A touch of a soul that didn’t hurt? A life of a soul that didn't love?” Sands of time, rough, warm, indefinite, simply spreading, transforming, mounting. Oasis of a soul from a desert journey, flourishing with endless beauty and security. Utmost bliss, fulfillment and contentment, under covers a struggling, hopeful soul, Laboring service, living justice, loving peace and tranquillity passed on to humanity!�
Angelica Hopes (Rhythm of a Heart, Music of a Soul)
The Beatles were bubblegum cards and Help at the Saturday morning cinema and toy plastic guitars and singing 'Yellow Submarine' at the top of my voice in the back row of the coach on school trips. They belong to me, not to me and Laura, or me and Charlie, or me and Alison Ashworth, and though they'll make me feel something, they won't make me feel anything bad.
Nick Hornby (High Fidelity)
The myth that if you don't start early, you might as well not start, tends to be a self-fulfilling prophecy. The music-making world that young people confront reminds me a lot of the world of school sports. After a lot of weeding out, in the end you've got a varsity with a few performers and an awful lot of people on the sidelines thinking, "Gee, it's too bad I wasn't good enough." We need to be careful about that. There seems to be an unspoken idea, in instruction of the young, that the people who start the fastest will go the farthest. But that's not only an unproven theory; it's not even a tested theory. The assumption that the steeper the learning curve, the higher it will go, is also unfounded. If we did things a little differently, we might find out that people whose learning curves were much slower might later on go up just as high or higher.
John C. Holt (Learning All the Time)
I watched the light flicker on the limestone walls until Archer said, "I wish we could go to the movies." I stared at him. "We're in a creepy dungeon. There's a chance I might die in the next few hours. You are going to die in the next few hours. And if you had one wish, it would be to catch a movie?" He shook his head. "That's not what I meant. I wish we weren't like this. You know, demon, demon-hunter. I wish I'd met you in a normal high school, and taken you on normal dates, and like, carried your books or something." Glancing over at me, he squinted and asked, "Is that a thing humans actually do?" "Not outside of 1950s TV shows," I told him, reaching up to touch his hair. He wrapped an arm around me and leaned against the wall, pulling me to his chest. I drew my legs up under me and rested my cheek on his collarbone. "So instead of stomping around forests hunting ghouls, you want to go to the movies and school dances." "Well,maybe we could go on the occasional ghoul hunt," he allowed before pressing a kiss to my temple. "Keep things interesting." I closed my eyes. "What else would we do if we were regular teenagers?" "Hmm...let's see.Well,first of all, I'd need to get some kind of job so I could afford to take you on these completely normal dates. Maybe I could stock groceries somewhere." The image of Archer in a blue apron, putting boxes of Nilla Wafers on a shelf at Walmart was too bizarre to even contemplate, but I went along with it. "We could argue in front of our lockers all dramatically," I said. "That's something I saw a lot at human high schools." He squeezed me in a quick hug. "Yes! Now that sounds like a good time. And then I could come to your house in the middle of the night and play music really loudly under your window until you took me back." I chuckled. "You watch too many movies. Ooh, we could be lab partners!" "Isn't that kind of what we were in Defense?" "Yeah,but in a normal high school, there would be more science, less kicking each other in the face." "Nice." We spent the next few minutes spinning out scenarios like this, including all the sports in which Archer's L'Occhio di Dio skills would come in handy, and starring in school plays.By the time we were done, I was laughing, and I realized that, for just a little while, I'd managed to forget what a huge freaking mess we were in. Which had probably been the point. Once our laughter died away, the dread started seeping back in. Still, I tried to joke when I said, "You know, if I do live through this, I'm gonna be covered in funky tattoos like the Vandy. You sure you want to date the Illustrated Woman, even if it's just for a little while?" He caught my chin and raised my eyes to his. "Trust me," he said softly, "you could have a giant tiger tattooed on your face, and I'd still want to be with you." "Okay,seriously,enough with the swoony talk," I told him, leaning in closer. "I like snarky, mean Archer." He grinned. "In that case, shut up, Mercer.
Rachel Hawkins (Demonglass (Hex Hall, #2))
Four high school girls in, but one of them was completely, completely different. She pulsed, invisibly, like a quasar. I know that sounds stupid, but she did... She was listening to the music! She was afraid she'd scare the music away if she moved.
David Mitchell (Ghostwritten)
Becca shoved out of the chair and tucked her hair behind her ears. She should never have come here. “Forget it.” She felt Chris behind her when she made it to the stairs. “Wait a minute,” he said. She didn’t. “Whatever your mess is with that guy Tyler, get me out of it, okay?” “Stop. Wait. Just tell me—” “You stop.” She whirled on him at the door. “You, Chris. You stop. I get hassled enough. I need my job. I don’t need to be in the middle of some version of West Side Story meets High School Musical.
Brigid Kemmerer (Storm (Elemental, #1))
Want my advice? Go to class, focus on time management, and try to workout at least three days a week. It helps to destress, plus it’s a good excuse to listen to music for an hour. Try to get good grades, but don’t beat yourself up over bad ones. Reach to do better.
Bryant A. Loney (Sea Breeze Academy)
Except Caitlyn. High school dating, drill team, school spirit—it all seemed silly to her. Why did it feel like high school was crushing her soul? She had nothing concrete she could point to. All she knew was that she didn’t belong here. She preferred old, used clothes to new ones; her iPod was full of classical music; and photos of castles and reproductions of old European art covered her bedroom walls, including a Renaissance painting of a young girl in white, named Bia. It should have been pop singers on her wall, or movie stars
Lisa Cach (Wake Unto Me)
Musical intelligence. Agent attends a concert and receives his instructions. Information and directives in and out through street singers, musical broadcasts, jukeboxes, records, high school bands, whistling boys, cabaret performers, singing waiters, transistor radios.
William S. Burroughs (The Western Lands (The Red Night Trilogy,. #3))
The slasher cycle is a dance, see? Imagine a dance floor in a high school gym, the lights are down, crinkled paper everywhere, spiked punch, fancy handed down jackets and dresses, shoes it's impossible to even walk in, I know you've chaperoned some. Now who the slasher WANTS to dance with is this one quiet girl way on the other side of the gym floor, but he can't cross to her yet, instead he has to work his way across TO her, dancing with this person and then that person, the back of his hand sometimes touching the final girl's sleeve during a slow song, their eyes locking like fate, but he's waiting for the last dance, sir. The slow (MOTION) one. That's the one that matters. You don't go home with who you dance your 3rd dance with. You go home with who you're holding hands with when the music's over.
Stephen Graham Jones (My Heart Is a Chainsaw (The Indian Lake Trilogy, #1))
The United States is a conceited nation with shallow roots, and what happened before living memory doesn't seem to interest most people I know at home. We like living in our houses with our new furniture, on our new streets in new neighborhoods. Everything is disposable and everything is replaceable. Personal family history can feel simply irrelevant in our new world, beyond the simplest national identifications, and even those who can get sort of vague for people. I remember a boy in high school who told the history teacher he was 'half Italian, half Polish, half English, half German, and one-quarter Swedish.' I think one of the reasons so many of us are disconnected from our histories is because none of it happened where we live in the present; the past, for so many, is a faraway place across an ocean.
Katharine Weber (The Music Lesson)
Sometime in high school it dawned on me that perhaps I was a little different...I realized music wasn't swirling in the minds of my friends drowning out conversations and making it difficult to concentrate in class. I concluded I had a some sort of mental illness and that it was best to keep it to myself.
Robin Spielberg (Naked on the Bench: My Adventures in Pianoland)
my best friend tell me that to her the concert wasn’t about the band—it was about us, it was about the fact that we were there together, that the music itself was secondary to our world, merely something that colored it, spoke to it. That’s why all those records from high school sound so good. It’s not that the songs were better—it’s that we were listening to them with our friends, drunk for the first time on liqueurs, touching sweaty palms, staring for hours at a poster on the wall, not grossed out by carpet or dirt or crumpled, oily bedsheets. These songs and albums were the best ones because of how huge adolescence felt then, and how nostalgia recasts it now.
Carrie Brownstein (Hunger Makes Me a Modern Girl: A Memoir)
One problem was that we were now attracting the same people who used to kick our asses in high school for being different, who called us “faggots” and “queers” for the clothes we wore and the music we listened to. Our fanbase was changing to include macho monster-truck homophobes and meathead jocks whose worlds revolved around beer and football
Dave Grohl (The Storyteller: Tales of Life and Music)
Except for my net, everything I have need of in the world is contained in that bag—including a second hat and a rather sizable jar of cold cream of roses. Do not tell me you couldn’t travel with as little. I have faith that men can be as reasonable and logical as women if they but try.” He shook his head. “I cannot seem to formulate a clear thought in the face of such original thinking, Miss Speedwell. You have a high opinion of your sex.” I pursed my lips. “Not all of it. We are, as a gender, undereducated and infantilized to the point of idiocy. But those of us who have been given the benefit of learning and useful occupation, well, we are proof that the traditional notions of feminine delicacy and helplessness are the purest poppycock.” “You have large opinions for so small a person.” “I daresay they would be large opinions even for someone your size,” I countered. “And where did you form these opinions? Either your school was inordinately progressive or your governess was a Radical.” “I never went to school, nor did I have a governess. Books were my tutors, Mr. Stoker. Anything I wished to learn I taught myself.” “There are limits to an autodidactic education,” he pointed out. “Few that I have found. I was spared the prejudices of formal educators." “And neither were you inspired by them. A good teacher can change the course of a life,” he said thoughtfully. “Perhaps. But I had complete intellectual freedom. I studied those subjects which interested me—to the point of obsession at times—and spent precious little time on things which did not.” “Such as?” “Music and needlework. I am astonishingly lacking in traditional feminine accomplishments.” He cocked his head. “I am not entirely astonished.” But his tone was mild, and I accepted the statement as nothing like an insult. In fact, it felt akin to a compliment. “And I must confess that between Jane Austen and Fordyce’s Sermons, I have developed a general antipathy for clergymen. And their wives,” I added, thinking of Mrs. Clutterthorpe. “Well, in that we may be agreed. Tell me, do you find many people to share your views?” “Shockingly few,” I admitted.
Deanna Raybourn (A Curious Beginning (Veronica Speedwell, #1))
Ask a random kid today if she wants to be popular and she'll tell you no, even if the truth is that if she was in a desert dying of thirst and had the choice between a glass of water and instant popularity, she'd probably choose the latter. See, you can't admit to wanting it, because that makes you less cool. To be truly popular, it has to look like it's something you are, when in reality, it's what you make yourself. I wonder if any works harder at anything than kids do at being popular. I mean, even air-traffic controllers and the president of the United States take vacations, but look at your average high school student and you'll see someone who's putting in time twenty-four hours a day, for the entire length of the school year. So how do you crack the inner sanctum? Well, here's the catch: it's not up to you. What's important is what everyone else thinks of how you dress, what you eat for lunch, what shows you TiVo, what music is on your iPod. I've always sort of wondered though: If everyone else's opinion is what matters, then do you ever really have one of your own?
Jodi Picoult (Nineteen Minutes)
As his rhetoric and reading life matured, he grew intensely scornful of what passed at his high school for 'education' - the mania for testing; the intolerance of real dissent; and the conformist celebration of the honed and polished 'all-rounder' student destined for high income, who was deferent and well-spoken, invariably good-looking, and proficient in music as well as in one summer and one winter sport.
Eleanor Catton (Birnam Wood)
All of us believe you belong here,” I’d said to the Elizabeth Garrett Anderson girls as they sat, many of them looking a little awestruck, in the Gothic old-world dining hall at Oxford, surrounded by university professors and students who’d come out for the day to mentor them. I said something similar anytime we had kids visit the White House—teens we invited from the Standing Rock Sioux Reservation; children from local schools who showed up to work in the garden; high schoolers who came for our career days and workshops in fashion, music, and poetry; even kids I only got to give a quick but emphatic hug to in a rope line. The message was always the same. You belong. You matter. I think highly of you. An economist from a British university would later put out a study that looked at the test performances of Elizabeth Garrett Anderson students, finding that their overall scores jumped significantly after I’d started connecting with them—the equivalent of moving from a C average to an A. Any credit for improvement really belonged to the girls, their teachers, and the daily work they did together, but it also affirmed the idea that kids will invest more when they feel they’re being invested in. I understood that there was power in showing children my regard.
Michelle Obama (Becoming)
A porpoise sounded twenty yards away from us in an explosion of breath, startling us. . . . Then another porpoise broke the water and rolled toward us. A third and a fourth porpoise neared the board and we could feel great secret shapes eyeing us from below. I reached out to touch the back of one, its skin the color of jade, but as I reached the porpoise dove and my hand touched moonlight where the dorsal fin had been cutting through the silken waters. The dolphins had obviously smelled the flood tide of boyhood in the sea and heard the hormones singing in the boy0scented water. None of us spoke as the porpoises circled us. The visitation was something so rare and perfect that we knew by instinct not to speak – and then, as quickly as they had come, the porpoises moved away from us, moved south where there were fish to be hunted. “Each of us would remember that night floating on the waves all during our lives. It was the year before we went to high school when we were poised on the slippery brink between childhood and adulthood, admiring our own daring as we floated free from the vigilance and approval of adult eyes, ruled only by the indifference of stars and fate. It was the purest moment of freedom and headlong exhilaration that I had ever felt. A wordless covenant was set among us the night of the porpoises.
Pat Conroy (Beach Music)
Is it so wrong, wanting to be at home with your record collection? It’s not like collecting records is like collecting stamps, or beermats, or antique thimbles. There’s a whole world in here, a nicer, dirtier, more violent, more peaceful, more colorful, sleazier, more dangerous, more loving world than the world I live in; there is history, and geography, and poetry, and countless other things I should have studied at school, including music.
Nick Hornby (High Fidelity)
New Rule: Conservatives have to stop rolling their eyes every time they hear the word "France." Like just calling something French is the ultimate argument winner. As if to say, "What can you say about a country that was too stupid to get on board with our wonderfully conceived and brilliantly executed war in Iraq?" And yet an American politician could not survive if he uttered the simple, true statement: "France has a better health-care system than we do, and we should steal it." Because here, simply dismissing an idea as French passes for an argument. John Kerry? Couldn't vote for him--he looked French. Yeah, as a opposed to the other guy, who just looked stupid. Last week, France had an election, and people over there approach an election differently. They vote. Eighty-five percent turned out. You couldn't get eighty-five percent of Americans to get off the couch if there was an election between tits and bigger tits and they were giving out free samples. Maybe the high turnout has something to do with the fact that the French candidates are never asked where they stand on evolution, prayer in school, abortion, stem cell research, or gay marriage. And if the candidate knows about a character in a book other than Jesus, it's not a drawback. The electorate doesn't vote for the guy they want to have a croissant with. Nor do they care about private lives. In the current race, Madame Royal has four kids, but she never got married. And she's a socialist. In America, if a Democrat even thinks you're calling him "liberal," he grabs an orange vest and a rifle and heads into the woods to kill something. Royal's opponent is married, but they live apart and lead separate lives. And the people are okay with that, for the same reason they're okay with nude beaches: because they're not a nation of six-year-olds who scream and giggle if they see pee-pee parts. They have weird ideas about privacy. They think it should be private. In France, even mistresses have mistresses. To not have a lady on the side says to the voters, "I'm no good at multitasking." Like any country, France has its faults, like all that ridiculous accordion music--but their health care is the best in the industrialized world, as is their poverty rate. And they're completely independent of Mid-East oil. And they're the greenest country. And they're not fat. They have public intellectuals in France. We have Dr. Phil. They invented sex during the day, lingerie, and the tongue. Can't we admit we could learn something from them?
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Jason stood up. "I can do this. I know I can. I think I've actually got something." "That's the spirit," said Troy. "Go ahead." Jason nodded and began to speak: "When I'm feeling down and kind of crazy, I come down here to the cafeteria lady, Sloppy joes, burgers, fries and spaghetti, When I have a problem, she make me forget-ee." Some groans came from the next table. "What?" Jason asked, blinking blankly. "What's wrong with that poem?" "Sorry to break the news," said Chad, "but there's no such word as 'forget-ee',
Alice Alfonsi (Poetry in Motion (High School Musical: Stories from East High, #3))
I was on my way to college with two friends from high school, Sidney Jacobs and Tom Steiner, both of whom I knew quite well. But our going out to the Midwest together was unplanned, sheer chance. They were part of a local, self-made club they called the Phalanx—a group of superbright, geeky teenagers who banded together for mutual company and entertainment. I knew them from the Maryland Chess Club, though, being several years younger, I was tolerated to a degree but had never been a part of their highly introverted and intellectual group.
Philip Glass (Words Without Music: A Memoir)
My parents didn't settle for the lives their parents lived. They stepped out and up, my father lying his way into the Navy when he was too young to enlist, my mother marrying this fugitive from the mills when she was too young for marriage. A smart guy, he took every course the Navy offered, aced them all, becoming the youngest chief warrant officer in the service. After Pearl Harbor the Navy needed line officers fast and my dad was suddenly wearing gold stripes. My mother watched and learned, getting good at the ways of this new world. She dressed beautifully. Our quarters were always handsomely fitted out. She and Dad were gracious, well-spoken. They were far from rich, but there were books and there was music and sometimes conversations about the world. We even listened to the Metropolitan Opera broadcasts on Saturdays. Still, when I finished high school, their attitudes and the times said that there was little point in further educating a girl. I would take a clerical job until I could find the right junior officer to marry and pursue his career, as helpmeet. If I picked well and worked hard, I might someday be an admiral's wife.
Ann Medlock
There were, inevitably, children’s clothing stores, furniture shops still offering bedroom sets by layaway, and dollar stores whose awnings teemed with suspended inflatable dolls, beach chairs, laundry carts, and other impulse purchases a mom might make on a Saturday afternoon, exhausted by errand running with her kids. There was the sneaker store where Olga used to buy her cute kicks, the fruit store Prieto had worked at in high school, the little storefront that sold the kind of old-lady bras Abuelita used to wear. On the sidewalks, the Mexican women began to set up their snack stands. Mango with lime and chili on this corner, tamales on that. Until the Mexicans had come to Sunset Park, Olga had never tried any of this food, and now she always tried to leave a little room to grab a snack on her way home. Despite the relatively early hour, most of the shops were open, music blasting into the streets, granting the avenue the aura of a party. In a few more hours, cars with their stereos pumping, teens with boom boxes en route to the neighborhood’s public pool, and laughing children darting in front of their mothers would add to the cacophony that Olga had grown to think of as the sound of a Saturday.
Xóchitl González (Olga Dies Dreaming)
As a general observation, I think our high school and college-age students are wonderful, that they’re striving collectively, I think, to be as fine a generation of young people as we have ever had in this Church. But even as I say that, I am quick to acknowledge--and I don’t want to minimize that compliment, but I am quick to acknowledge what you already know--that exceptions to that rule are too many and often far too serious. When our youth sin now, they can do so in such flagrantly offensive ways with ever more serious consequences in their lives. That is the world we are in and it is, by scriptural definition, a world that is getting progressively more wicked. So over time we will continue to see a steady deterioration of what is acceptable in movies, on television, in pop music (which, in the case of rap lyrics, isn’t even music at all), and, perhaps in our most dangerous contemporary foe, abuse of the Internet. I have learned what you have learned--that the door to permissiveness, the door to promiscuity and lewdness, swings only one way. It only opens farther and farther; it never swings back. Individuals can choose to close it, but it is quite certain, historically speaking, that public appetite and public policy will never close it.
Jeffrey R. Holland
Now, isn’t that neat.” Midwestern sarcasm, when it’s done correctly, can be a thing of rare beauty. It’s like performance art. Everywhere else in the world, you can identify sarcasm if you’re paying attention. Even if the hostility isn’t overt, you can read the signs. There’ll be slightly elongated syllables or a pitch that’s just a little off. It’s like a trombone player with a plunger head. There’s that slight “wah-wah” tone-bending to let you know not to take this too seriously. Midwestern sarcasm plays it straight and makes you listen more closely. You have to treat every conversation like a safecracker. Unless your ears have been trained to recognize it, you’ll miss the hint of a minor key. Sometimes you don’t realize what’s happened until hours later, when it’s 3:00 a.m. and you’re half-asleep, and it suddenly hits you. “Aw, crap, they didn’t mean any of that, did they?” Midwestern sarcasm becomes even more deadly when it’s combined with small-town isolationism. These women had been cheerleaders at our high school, they weren’t indie rock aficionados, and Wilco isn’t exactly a household name. So on the one hand, it wasn’t surprising that they hadn’t followed every turn in my career. It’s shocking that they even remembered I played music at all.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)
As for the world beyond my family—well, what they would see for most of my teenage years was not a budding leader but rather a lackadaisical student, a passionate basketball player of limited talent, and an incessant, dedicated partyer. No student government for me; no Eagle Scouts or interning at the local congressman’s office. Through high school, my friends and I didn’t discuss much beyond sports, girls, music, and plans for getting loaded. Three of these guys—Bobby Titcomb, Greg Orme, and Mike Ramos—remain some of my closest friends. To this day, we can laugh for hours over stories of our misspent youth. In later years, they would throw themselves into my campaigns with a loyalty for which I will always be grateful, becoming as skilled at defending my record as anyone on MSNBC. But there were also times during my presidency—after they had watched me speak to a big crowd, say, or receive a series of crisp salutes from young Marines during a base tour—when their faces would betray a certain bafflement, as if they were trying to reconcile the graying man in a suit and tie with the ill-defined man-child they’d once known. That guy? they must have said to themselves. How the hell did that happen? And if my friends had ever asked me directly, I’m not sure I’d have had a good answer.
Barack Obama (A Promised Land)
Albert Einstein, considered the most influential person of the 20th century, was four years old before he could speak and seven before he could read. His parents thought he was retarded. He spoke haltingly until age nine. He was advised by a teacher to drop out of grade school: “You’ll never amount to anything, Einstein.” Isaac Newton, the scientist who invented modern-day physics, did poorly in math. Patricia Polacco, a prolific children’s author and illustrator, didn’t learn to read until she was 14. Henry Ford, who developed the famous Model-T car and started Ford Motor Company, barely made it through high school. Lucille Ball, famous comedian and star of I Love Lucy, was once dismissed from drama school for being too quiet and shy. Pablo Picasso, one of the great artists of all time, was pulled out of school at age 10 because he was doing so poorly. A tutor hired by Pablo’s father gave up on Pablo. Ludwig van Beethoven was one of the world’s great composers. His music teacher once said of him, “As a composer, he is hopeless.” Wernher von Braun, the world-renowned mathematician, flunked ninth-grade algebra. Agatha Christie, the world’s best-known mystery writer and all-time bestselling author other than William Shakespeare of any genre, struggled to learn to read because of dyslexia. Winston Churchill, famous English prime minister, failed the sixth grade.
Sean Covey (The 6 Most Important Decisions You'll Ever Make: A Guide for Teens)
Do you want my jacket?” Jared asked. He was taking it off as he spoke, a little awkwardly as he still had to hang onto her. “Yes,” said Kami instantly. He drew it close around her shoulders. “Also your pin and your class ring. That’s how you do dating in America, isn’t it? You see, I know the ways of your people.” “I don’t really know how dating works,” Jared told her. “High school for me was mostly musical numbers. That’s how it is in the States, you’ve seen the movies. Every time someone had an emotional dilemma or epiphany, they would burst into song, and we would all have to break out into perfectly choreographed dance sequences. It took a lot of intensive training. So many jazz squares, no time for love.
Sarah Rees Brennan (Unmade (The Lynburn Legacy, #3))
Honesty," she announced. Her slightly shaky voice echoed through the dark assembly hall. the single word and the long silence after it made the students in the audience sit up a little straighter in their seats. Then Gabriella began to recite: "I see you there in front of me- Your face, your hands, your eyes. I hear you talk, I hear you tell Your hopes, your dreams, your lies. I walked with you, a sunlit trail, Together hand in hand. Then twilight came, and you were gone, And now alone I stand. The woods are cold, the trees are black, The dark is closing in. And you have gone away from me, Your faultless light has dimmed. Betrayal is an empty space, Raw night, cold room, alone. And no one can redeem your face, Sweet knight, safe light, you're gone."
Alice Alfonsi (Poetry in Motion (High School Musical: Stories from East High, #3))
I consider myself a Chicagoan now, having lived in the city since I graduated from the University of Illinois at Urbana-Champaign with a degree in accounting. I came here often when I went to Maine West High School out in Des Plaines, which is a short drive west on the Kennedy or a short Blue Line ride toward O’Hare airport, the next-to-last stop in fact. My friends and I would take the Blue Line downtown and then transfer to the Red or Brown Line up to Belmont and Clark, our favorite part of the city when we were 16 and 17, mainly because of The Alley—a store that sold concert shirts, posters, spiked bracelets and stuff like that—and Gramophone Records, the electronic music store that took my virginity, so to speak. - 1st paragraph from Sophomoric Philosophy
Victor David Giron (Sophomoric Philosophy)
I wondered if we would have to choose music for his funeral or would we get to celebrate his high school graduation, his wedding, or even his next birthday." "I needed to focus on the daily victories without peering too far ahead to a potential dismal future for my beautiful boy." "God didn’t do this to us, but I do know He was using it for His glory." "Yes, there has been loss, but right behind it come gifts we would never have expected amid such trials: peace in the midst of chaos, joy within sorrow, and even a path of light surrounded by darkness." "I was not happy, but still, I had a great deal of joy." "When I focus on all He has given me, it’s difficult to see what I don’t have." "As uncomfortable as I often am through this journey, I welcome the chance to honor God through it." "I am so thankful God meets us where we are, then walks us the rest of the way." "While I wholeheartedly believed God would put the pieces back together, I also knew He might not put them together the same way they were before.
Christina Custodio (When God Changed His Mind)
Like all Freed musicals and all Astaire musicals, The Band Wagon believes that high and low, art and entertainment, elite and popular aspirations meet in the American musical. The Impressionist originals in Tony’s hotel room, which eventually finance his snappier vision of the show, draw not only a connection to An American in Paris but to painters, like Degas, who found art in entertainers. The ultimate hymn to this belief is the new Dietz and Schwartz song for the film, “That’s Entertainment,” which is to filmusicals what Berlin’s “There’s No Business Like Show Business” is to the stage.11 Whether a hot plot teeming with sex, a gay divorcée after her ex, or Oedipus Rex, whether a romantic swain after a queen or “some Shakespearean scene (where a ghost and a prince meet and everything ends in mincemeat),” it’s all one world of American entertainment. “Hip Hooray, the American way.” Dietz’s lyrics echo Mickey’s theorem in Strike Up the Band. What’s American? Exactly this kind of movie musical from Mount Hollywood Art School.
Gerald Mast (CAN'T HELP SINGIN': THE AMERICAN MUSICAL ON STAGE AND SCREEN)
I want a love like me thinking of you thinking of me thinking of you type love or me telling my friends more than I've ever admitted to myself about how I feel about you type love or hating how jealous you are but loving how much you want me all to yourself type love or seeing how your first name just sounds so good next to my last name. and shit- I wanted to see how far I could get without calling you and I barely made it out of my garage. See, I want a love that makes me wait until she falls asleep then wonder if she's dreaming about us being in love type love or who loves the other more or what she's doing at this exact moment or slow dancing in the middle of our apartment to the music of our hearts. Closing my eyes and imagining how a love so good could just hurt so much when she's not there and shit I love not knowing where this love is headed type love. And check this- I wanna place those little post-it notes all around the house so she never forgets how much I love her type love then not have enough ink in my pen to write all the love type love and hope I make her feel as good as she makes me feel and I wanna deal with my friends making fun of me the way I made fun of them when they went through the same kind of love type love. The only difference is this is one of those real type loves and just like in high school I wanna spend hours on the phone not saying shit and then fall asleep and then wake up with her right next to me and smell her all up in my covers type love and I wanna try counting the ways I love her then lose count in the middle just so I could start all over again and I wanna celebrate one of those one-month anniversaries even though they ain't really anniversaries but doing it just 'cause it makes her happy type love and check this- I wanna fall in love with the melody the phone plays when our numbers dial in type love and talk to you until I lose my breath, she leaves me breathless, but with the expanding of my lungs I inhale all of her back into me. I want a love that makes me need to change my cell phone calling plan to something that allows me to talk to her longer 'cause in all honesty, I want to avoid one of them high cell phone bill type loves and I don't want a love that makes me regret how small my hands are I mean the lines on my palms don't give me enough time to love you as long as I'd like to type love and I want a love that makes me st-st-st-stutter just thinking about how strong this love is type love and I want a love that makes me want to cut off all my hair. Well maybe not all of the hair, maybe like I'd cut the split ends and trim the mustache but it would still be a symbol of how strong my love is for her. I kind of feel comfortable now so I even be fantasize about walking out on a green light just dying to get hit by a car just so I could lose my memory, get transported to some third world country just to get treated and somehow meet up again with you so I could fall in love with you in a different language and see if it still feels the same type love. I want a love that's as unexplainable as she is, but I'm married so she is gonna be the one I share this love with.
Saul Williams
The show was chaos--moshing, shattered bottles, and music so loud that it didn't even feel like music but just a thumping in her chest, a wailing guitar, and Billy Corgan, who screamed until his throat sounded blood-gargled. After an hour, Maggie lost Uncle Kevin and stumbled through the crowd, fighting the urge not to panic, and then she found him in a corner making out with a blond woman whose shirt was all cut up so that Maggie could see not just the woman's cleavage but the cleavage _under_ her boobs--she had not known this was possible. He pulled away from the woman, wrapped Maggie in a sweaty hug, and took her up to the bar and bought her a pop. She drank it, fighting the feeling of exhaustion and fever that had descended on her brain and sinuses, and when it was over and the lights were turned on to reveal a shiny-eyed crowd wafting animal smells and trembling down from whatever high they'd been on, the music had latched hold of her. She felt half-crazed, elated, having forever transcended the world of high school, where she was noteworthy only for her ability to diagram sentences faster and more accurately than anyone else in Mr. Blackwell's English class. One thing was for sure: she would never diagram another sentence, at least not willingly, for as long as she lived.
Jessie Ann Foley (The Carnival at Bray)
I’m sorry,' [Marty] said unexpectedly. “Huh?” “That we never got to perform that duet together. Don’t you remember? For the Spring Concert?” “Oh, yeah. What was that song we were going to sing?” I asked. She placed her right hand on her hip and mock-pouted at me. “James Garraty, don’t tell me you forgot.” I gave her an impish who, me look. When she smiled, I said in a more serious tone: “‘Somewhere,’ from West Side Story.” I hummed the song’s first measure; it sounded a half-octave off key. Marty frowned. “You haven’t practiced lately,” she said disapprovingly. “No, I haven’t,” I said, and as I said it waves of melancholy washed over me like a cold dark tide. Marty saw my expression change; she walked up to me and placed her arm around my shoulder comfortingly. “I know,” she said softly, “how much you were looking forward to it, Jim. I was looking forward to singing that duet with you, too.” “Really?” I asked. “Really. You’re a terrific singer. Who wouldn’t want to sing a duet with you?” “I bet,” I said, “you say that to all the boys.” She laughed. My heart jumped as it usually did when she laughed. A thought clicked in my brain: What was it I’d written just a while ago? You are the one person who has the ability to brighten up a sour day. You have always managed to make me return a smile to someone else.
Alex Diaz-Granados (Reunion: A Story: A Novella (The Reunion Duology Book 1))
Violent atrocities by teenagers against one another have become the stuff of headlines: at Columbine High School in Colorado; in Tabor, Alberta; in Liverpool, England. But to focus on the grim statistics and media stories of bloody violence is to miss the full impact of children's aggression in our society. The most telling signs of the groundswell of aggression and violence are not in the headlines but in the peer culture — the language, the music, the games, the art, and the entertainment of choice. A culture reflects the dynamics of its participants, and the culture of peer-oriented children is increasingly a culture of aggression and violence. The appetite for violence is reflected in the vicarious enjoyment of it not only in music and movies but in the schoolyards and school halls. Children fuel hostilities among their peers rather than defuse them, encourage others to fight rather than dissuade them from violence. The perpetrators are only the tip of the iceberg. In one schoolyard study, researchers found that most schoolchildren were likely to passively support or actively encourage acts of bullying and aggression; fewer than one in eight attempted to intervene. So ingrained have the culture and psychology of violence become that peers in general expressed more respect and liking for the bullies than for the victims.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
Translating how that latter fact came to life in the studio, engineer Chuck Zwicky explained from his own observations during the recording of the album that “the way that Prince’s music comes together has everything to do with how he views the individual instruments, and for example, when he’s sitting down at the drums, he’s derivatively thinking about Dave Gerbaldi, the drummer from Tower of Power, and that’s a real fascile and funky drummer; and when he plays keyboards, he’s thinking about James Brown’s horn player, on one aspect; and when he’s playing guitar, other elements creep in, because he loves Carlos Santana, and Jimi Hendrix, and this other guitar player named Bill Nelson, a rock guitar player from the 70s. And so these aspects all come together to make this unique sound that is Prince, and it’s not rock, it’s not funk, it’s not jazz, it’s not blues—it’s just his own kind of music. I remember there was one particular moment when he started playing this keyboard line, and I’m thinking ‘He can’t play that, that’s Gary Newman.’ And at that moment, he stops the tape, and turns and looks at me and asks ‘Do you like Gary Newman?’ And I said ‘You know, the album Replica never left my turntable in Jr. High School after my sister bought it for me. I listened to it until it wore out.’ And he said ‘There are people still trying to figure out what a genius he is.
Jake Brown (Prince 'in the Studio' 1975 - 1995)
Early in a career that began in 1912 when he was 19 years old, Romain de Tirtoff, the Russian-born artists who called himself Erté after the french pronunciation of his initials, was regarded as a 'miraculous magician,' whose spectacular fashions transformed the ordinary into the outstanding, whose period costumes made the present vanish mystically into the past, and whose décors converted bare stages into sparkling wonderlands of fun and fancy. When his career ended with his death in 1990, Erté was considered as 'one of the twentieth-century's single most important influences on fashion,' 'a mirror of fashion for 75 years,' and the unchallenged 'prince of the music hall,' who had been accorded the most significant international honors in the field of design and whose work was represented in major museums and private collections throughout the world. It is not surprising that Erté's imaginative designs for fashion, theater, opera, ballet, music hall, film and commerce achieved such renown, for they are as crisp and innovative in their color and design as they are elegant and extravagant in character, and redolent of the romance of the pre- and post-Great War era, the period when Erté's hand became mature, fully developed and representative of its time. Art historians and scholars define Ertés unique style as transitional Art Deco, because it bridges the visual gab between fin-de-siècle schools of Symbolism, with its ethereal quality, Art Nouveau, with its high ornament, and the mid-1920s movement of Art Deco, with its inspirational sources and concise execution.
Jean Tibbetts (Erte)
Being raised evangelical in the Midwest gave me a personal experience of the phenomenon called “religious fundamentalism.” A story illustrates. When I was a boy in high school, I was interested in a girl from our church. It was an evangelical church, although some might have called it a bit fundamentalist—taking a hard line on cultural issues. But I took a chance and invited her to a movie, which was certainly frowned upon back then in our church culture (though my own parents snuck us out to Walt Disney movies at the drive-in, where we were unlikely to be spotted). I chose The Sound of Music, thinking it was “safe.” Who could object to Julie Andrews, I confidently thought? I was wrong. As we left the house, my girlfriend’s father stood in the doorway, blocking our exit, and said to his daughter, “If you go to this film, you’ll be trampling on everything that we’ve taught you to believe.” She fled downstairs to her bedroom in tears. We missed the movie, and the evening was a disaster. A year later, the fundamentalist father watched The Sound of Music on his television—and liked it. Fundamentalism is essentially a revolt against modernity. It is a reaction usually based on profound fear and defensiveness against “losing the faith.” My girlfriend’s father instinctively knew that his religion should make him different than the world. That is a fair religious point, and to be honest, there is much about modernity that deserves some revolting against. But I wish he had chosen to break with America at the point of its materialism, racism, poverty, or violence. Instead, he chose Julie Andrews.
Jim Wallis (God's Politics: Why the Right Gets It Wrong and the Left Doesn't Get It)
The Deliverator's car has enough potential energy packed into its batteries to fire a pound of bacon into the Asteroid Belt. Unlike a bimbo box or a Burb beater, the Deliverator's car unloads that power through gaping, gleaming, polished sphincters. When the Deliverator puts the hammer down, shit happens. You want to talk contact patches? Your car's tires have tiny contact patches, talk to the asphalt in four places the size of your tongue. The Deliverator's car has big sticky tires with contact patches the size of a fat lady's thighs. The Deliverator is in touch with the road, starts like a bad day, stops on a peseta. Why is the Deliverator so equipped? Because people rely on him. He is a role model. This is America. People do whatever the fuck they feel like doing, you got a problem with that? Because they have a right to. And because they have guns and no one can fucking stop them. As a result, this country has one of the worst economies in the world. When it gets down to it -- talking trade balances here -- once we've brain-drained all our technology into other countries, once things have evened out, they're making cars in Bolivia and microwave ovens in Tadzhikistan and selling them here -- once our edge in natural resources has been made irrelevant by giant Hong Kong ships and dirigibles that can ship North Dakota all the way to New Zealand for a nickel -- once the Invisible Hand has taken all those historical inequities and smeared them out into a broad global layer of what a Pakistani brickmaker would consider to be prosperity -- y'know what? There's only four things we do better than anyone else: * music * movies * microcode (software) * high-speed pizza delivery The Deliverator used to make software. Still does, sometimes. But if life were a mellow elementary school run by well-meaning education Ph.D.s, the Deliverator's report card would say: "Hiro is so bright and creative but needs to work harder on his cooperation skills." So now he has this other job. No brightness or creativity involved -- but no cooperation either. Just a single principle: The Deliverator stands tall, your pie in thirty minutes or you can have it free, shoot the driver, take his car, file a class-action suit. The Deliverator has been working this job for six months, a rich and lengthy tenure by his standards, and has never delivered a pizza in more than twenty-one minutes.
Neal Stephenson (Snow Crash)
Sitting with some of the other members of the Scholastic Decathlon team, quiet, studious Martha Cox heard snatches of the lunchtime poetry. Her ears instantly pricked up. "What's going on?" she asked, her eyes bright. Betty Hong closed her book and leaned close. "Taylor McKessie told me all about it," she whispered. Betty told Martha about next week's poetry-reading assembly and how Taylor was trying to help half the starting basketball team locate their muse. "That's totally fresh!" Martha cried. "Too bad I'm not in Ms Barrington's English class." Betty made a face. "You like poetry stuff? I thought you were into maths and science." "I like it all," Martha replied. "I love astronomy and hip-hop-" Betty rolled her eyes. "Not hip-hop again." "Word, girl," Martha replied. "You know I've been bustin' out kickin' rhymes for years. It helps me remember lessons, like last night's astronomy lecture." "No," Betty said. "You didn't make up a rap to that." "Just watch," Martha cried. Leaping out of her chair, she began to chant, freestyle: "At the centre of our system is the molten sun, A star that burns hot, Fahrenheit two billion and one. But the sun, he ain't alone in the heavenly sphere, He's got nine homeys in orbit, some far, some near. Old Mercury's crowding in 'bout as close as he can, Yo, Merc's a tiny planet who loves a tan.... Some kids around Martha heard her rap. They really got into it, jumping up from their tables to clap and dance. The beat was contagious. Martha started bustin' some moves herself. She kept the rap flowing, and more kids joined the party.... "Venus is next. She's a real hot planet, Shrouded by clouds, hot enough to melt granite. Earth is the third planet from the sun, Just enough light and heat to make living fun. Then comes Mars, a planet funky and red. Covered with sand, the place is pretty dead. Jupiter's huge! The largest planet of all! Saturn's big, too, but Uranus is small. So far away, the place is almost forgotten, Neptune's view of Earth is pretty rotten. And last but not least, Pluto's in a fog, Far away and named after Mickey's home dog. Yo, that's all the planets orbiting our sun, But the Milky Way galaxy is far from done!" When Martha finished her freestyle, hip-hop flow, the entire cafeteria burst into wild applause. Troy, Chad, Zeke, and Jason had been clapping and dancing, too. Now they joined in the whooping and hollering. "Whoa," said Chad. "Martha's awesome.
Alice Alfonsi (Poetry in Motion (High School Musical: Stories from East High, #3))
Interestingly enough, creative geniuses seem to think a lot more like horses do. These people also spend a rather large amount of time engaging in that favorite equine pastime: doing nothing. In his book Fire in the Crucible: The Alchemy of Creative Genius, John Briggs gathers numerous studies illustrating how artists and inventors keep their thoughts pulsating in a field of nuance associated with the limbic system. In order to accomplish this feat against the influence of cultural conditioning, they tend to be outsiders who have trouble fitting into polite society. Many creative geniuses don’t do well in school and don’t speak until they’re older, thus increasing their awareness of nonverbal feelings, sensations, and body language cues. Einstein is a classic example. Like Kathleen Barry Ingram, he also failed his college entrance exams. As expected, these sensitive, often highly empathic people feel extremely uncomfortable around incongruent members of their own species, and tend to distance themselves from the cultural mainstream. Through their refusal to fit into a system focusing on outside authority, suppressed emotion, and secondhand thought, creative geniuses retain and enhance their ability to activate the entire brain. Information flows freely, strengthening pathways between the various brain functions. The tendency to separate thought from emotion, memory, and sensation is lessened. This gives birth to a powerful nonlinear process, a flood of sensations and images interacting with high-level thought functions and aspects of memory too complex and multifaceted to distill into words. These elements continue to influence and build on each other with increasing ferocity. Researchers emphasize that the entire process is so rapid the conscious mind barely registers that it is happening, let alone what is happening. Now a person — or a horse for that matter — can theoretically operate at this level his entire life and never receive recognition for the rich and innovative insights resulting from this process. Those called creative geniuses continuously struggle with the task of communicating their revelations to the world through the most amenable form of expression — music, visual art, poetry, mathematics. Their talent for innovation, however, stems from an ability to continually engage and process a complex, interconnected, nonlinear series of insights. Briggs also found that creative geniuses spend a large of amount of time “doing nothing,” alternating episodes of intense concentration on a project with periods of what he calls “creative indolence.” Albert Einstein once remarked that some of his greatest ideas came to him so suddenly while shaving that he was prone to cut himself with surprise.
Linda Kohanov (The Tao of Equus: A Woman's Journey of Healing and Transformation through the Way of the Horse)
Knock, knock. Who's there? A: Lettuce Q: Lettuce who? A: Lettuce in, it's freezing out here.. . 2. Q: What do elves learn in school? A: The elf-abet . 3. Q: Why was 6 afraid of 7? A: Because: 7 8 9 . . 4. Q. how do you make seven an even number? A. Take out the s! . 5. Q: Which dog can jump higher than a building? A: Anydog – Buildings can’t jump! . 6. Q: Why do bananas have to put on sunscreen before they go to the beach? A: Because they might peel! . 7. Q. How do you make a tissue dance? A. You put a little boogie in it. . 8. Q: Which flower talks the most? A: Tulips, of course, 'cause they have two lips! . 9. Q: Where do pencils go for vacation? A: Pencil-vania . 10. Q: What did the mushroom say to the fungus? A: You're a fun guy [fungi]. . 11. Q: Why did the girl smear peanut butter on the road? A: To go with the traffic jam! . 11. Q: What do you call cheese that’s not yours? A: Nacho cheese! . 12. Q: Why are ghosts bad liars? A: Because you can see right through them. . 13. Q: Why did the boy bring a ladder to school? A: He wanted to go to high school. . 14. Q: How do you catch a unique animal? A: You neak up on it. Q: How do you catch a tame one? A: Tame way. . 15. Q: Why is the math book always mad? A: Because it has so many problems. . 16. Q. What animal would you not want to pay cards with? A. Cheetah . 17. Q: What was the broom late for school? A: Because it over swept. . 18. Q: What music do balloons hate? A: Pop music. . 19. Q: Why did the baseball player take his bat to the library? A: Because his teacher told him to hit the books. . 20. Q: What did the judge say when the skunk walked in the court room? A: Odor in the court! . 21. Q: Why are fish so smart? A: Because they live in schools. . 22. Q: What happened when the lion ate the comedian? A: He felt funny! . 23. Q: What animal has more lives than a cat? A: Frogs, they croak every night! . 24. Q: What do you get when you cross a snake and a pie? A: A pie-thon! . 25. Q: Why is a fish easy to weigh? A: Because it has its own scales! . 26. Q: Why aren’t elephants allowed on beaches? A:They can’t keep their trunks up! . 27. Q: How did the barber win the race? A: He knew a shortcut! . 28. Q: Why was the man running around his bed? A: He wanted to catch up on his sleep. . 29. Q: Why is 6 afraid of 7? A: Because 7 8 9! . 30. Q: What is a butterfly's favorite subject at school? A: Mothematics. Jokes by Categories 20 Mixed Animal Jokes Animal jokes are some of the funniest jokes around. Here are a few jokes about different animals. Specific groups will have a fun fact that be shared before going into the jokes. 1. Q: What do you call a sleeping bull? A: A bull-dozer. . 2. Q: What to polar bears eat for lunch? A: Ice berg-ers! . 3. Q: What do you get from a pampered cow? A: Spoiled milk.
Peter MacDonald (Best Joke Book for Kids: Best Funny Jokes and Knock Knock Jokes (200+ Jokes) : Over 200 Good Clean Jokes For Kids)
Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.
Michael Cunningham (Land's End: A Walk in Provincetown)