D Scott Quotes

We've searched our database for all the quotes and captions related to D Scott. Here they are! All 100 of them:

I fell in love with her courage, her sincerity, and her flaming self respect. And it's these things I'd believe in, even if the whole world indulged in wild suspicions that she wasn't all she should be. I love her and it is the beginning of everything.
F. Scott Fitzgerald
You'll find another.' God! Banish the thought. Why don't you tell me that 'if the girl had been worth having she'd have waited for you'? No, sir, the girl really worth having won't wait for anybody.
F. Scott Fitzgerald (This Side of Paradise)
I don’t want just words. If that’s all you have for me, you’d better go
F. Scott Fitzgerald (The Beautiful and Damned)
Last night I was seriously considering whether I was a bisexual or not but I don’t think so though I’m not sure if I’d like to be and argh I don’t think there’s anything wrong with that, if you like a person, you like the person, not their genitals.
Jess C. Scott (Tongue-Tied)
I cut off his fingers to get him to talk, and when he'd confessed everything I wanted to hear, I had his fucking tongue cut out, and the stump cauterized." Everyone in the room stared at him. "I called him an asshole, too," said Locke. "He didn't like that.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
She’s got an indiscreet voice,” I remarked. “It’s full of–” I hesitated. “Her voice is full of money,” he said suddenly. That was it. I’d never understood before. It was full of money–that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it.
F. Scott Fitzgerald (The Great Gatsby)
When you can't cheat the game, you'd best find a means to cheat the players.
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
If money’s the god people worship, I’d rather go worship the devil instead.
Jess C. Scott (Rockstar (BDSM bromance))
Know something? I'd lay even odds that between the people following us and the people hunting us, we've become this city's principle means of employment. Tal Verrar's entire economy is now based on fucking with us.
Scott Lynch (Red Seas Under Red Skies (Gentleman Bastard, #2))
How I feel is that if I wanted anything I'd take it. That's what I've always thought all my life. But it happens that I want you, and so I just haven't room for any other desires.
F. Scott Fitzgerald (The Beautiful and Damned)
I'd forgotten how much feelings hurt.
Elizabeth Scott (Living Dead Girl)
I'd watched too many schoolmates graduate into mental institutions, into group homes and jails, and I knew that locking people up was paranormal - against normal, not beside it. Locks didn't cure; they strangled.
Scott Westerfeld (The Last Days (Peeps, #2))
I totally carpe-d the snot out of this diem!
Jerry Scott
You deserve someone better than me. Someone young and idealistic…someone who can experience things for the first time along with you. I'm not always kind, and I have more faults than I'd care to name. All I can promise is that I'll want you until my last breath.
Lisa Kleypas (Because You're Mine (Capitol Theatre, #2))
I didn't want to see you." "They told me." "I was afraid that I'd still love you." "I hoped that you would.
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
I’m so damn glad I love you – I wouldn’t love any other man on earth – I b’lieve if I had deliberately decided on a sweetheart, he’d have been you.
Zelda Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
What else should you be? Human beings didn't evolve brains in order to lie around on lakes. Killing's the first thing we learned. And a good thing we did, or we'd be dead, and the tigers would own the earth.
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
Stick your dick in’?” I asked, my brows probably touching. “Did you actually just say that?” “Make love. I meant make love … of course. I would never just stick my dick in you. I would make mad, passionate love to this sweet, sweet body of yours for days, no, weeks. It would be beautiful, pumpkin. There’d be little angels, and birdies, and you know … all just hanging around, watching. Perverts.
Kylie Scott (Play (Stage Dive, #2))
...I want those perfect eyes and lips, and for everyone to look at me and gasp. And for everyone who sees me to think Who's that? and want to get to know me, and listen to what I say." "I'd rather have something to say.
Scott Westerfeld (Uglies (Uglies, #1))
He had an intrusive gaze and quietly confident manner, that seemed to strip away the layers of protective deception Scott would usually adopt around strangers.
R.D. Ronald (The Elephant Tree)
Please. If you were mostly dead in the middle of the road I'd obviously stop. And then I'd watch you die." Kate to Will
Elizabeth Scott (Perfect You)
It was Brian's blood, and for some reason I knew it was pure. No other man I'd held in my arms -and now, not even I- had blood this pure.
Scott Heim (Mysterious Skin)
Deryn felt brilliant, rising through the air at the center off everyone's attention, like an acrobat aloft on a swing. She wanted to make a speech: Hey, all you sods, I can fly and you can't! A natural airman, in case you haven't noticed. And in conclusion, I'd like to add that I'm a girl and you can all get stuffed!
Scott Westerfeld (Leviathan (Leviathan, #1))
All I wanted was what I'd already had. That exultation, that love. It was my one real home; I was a visitor everywhere else.
Scott Spencer (Endless Love)
The early summer sky was the color of cat vomit. Of course, Tally thought, you’d have to feed your cat only salmon-flavored cat food for a while, to get the pinks right.
Scott Westerfeld (Uglies (Uglies, #1))
You'd think that in a fight, NOT MOVING would be a bad habit!
Scott Westerfeld
Scott's mind was racing, struggling to comprehend the events unfolding around him. They were talking about disposing of Twinkle like he was a rusty old bike that no-one rode anymore.
R.D. Ronald (The Elephant Tree)
Maybe it's like free-falling. You feel like you'd rather do anything than face it, but once you do it you realize it's the best feeling you've ever had.
Mindi Scott (Freefall)
I knew I was having a panic attack. I hadn't had one in a while, though, and I'd forgotton how they made everything like it- and I- was going to fall apart. How they reminded me of how trapped I was.
Elizabeth Scott (Love You Hate You Miss You)
That's why Twinkle likes the place so much, Scott thought, looking around at the faded wood veneer tables, and the faded souls drinking at them. Misery was soaked through the place like the old beer soaked through its carpets.
R.D. Ronald (The Elephant Tree)
I felt him in every pore, every breath and beat of our hearts. I’d never experienced anything like this in my life. He was a universe. My love for him was just as boundless.
Emma Scott (Full Tilt (Full Tilt, #1))
His smile was sexy and warned of trouble, but I'd made up my mind that not all trouble was bad.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
You suck, surprising no one!!!! If bad was a boot, you'd fit it!!!! You're a stupid poo-poo head! I had sexual relations with your mother! Your mother was not that good in bed! You, sir, are a wretched soul! I am rubber, you are glue!
Bryan Lee O'Malley (Scott Pilgrim vs. The World (Scott Pilgrim, #2))
Soooo.” Mal smacked a kiss on the top of my head. “You weren’t just a little into me. You’re my biggest fan. You love me.” “I don’t love you.” “You totally love me.” He gave me a squeeze. “I’m your everything. You’d be lost without me.
Kylie Scott (Play (Stage Dive, #2))
The girl was holding out her hand, bit I could only give a pathetic shrug. I had nothing to give her. I'd finally faded away.
Scott Heim
The world only exists in your eyes-- your conception of it. You can make it as big or as small as you want to. And you're trying to be a little puny individual. By God, if I ever cracked, I'd try to make the world crack with me.
F. Scott Fitzgerald (The Crack-Up)
He summoned you into the circle, Scott. For whatever reason, I don't know. But now you've left, you've become a loose thread. He won't sit back with the possibility you might cause his whole world to unravel around him.
R.D. Ronald (The Elephant Tree)
I thought I could let you go I thought that you could leave and know The time we took would fade But I’m colder than the bed where we lay You let go if you like, I’ll hold on Say no all you want, I’m not done Baby, I promise you Did you think I’d let you go? That’s never happening and now you know Take your time, I’ll wait Regretting every last thing I said
Kylie Scott (Lick (Stage Dive, #1))
There’s nothing in all the world I want but you and your precious love. All the material things are nothing. I’d just hate to live a sordid, colorless existence because you’d soon love me less and less and I’d do anything — anything — to keep your heart for my own. I don’t want to live—I want to love first, and live incidentally… Don’t—don’t ever think of the things you can’t give me. You’ve trusted me with the dearest heart of all—and it’s so damn much more than anybody else in all the world has ever had.
Zelda Fitzgerald (Dear Scott, Dearest Zelda: The Love Letters of F. Scott and Zelda Fitzgerald)
He simply had to be different and like me the way I was now that I'd fallen in love with him.
Jayde Scott (A Job From Hell (Ancient Legends, #1))
Scott glanced at his watch but didn't register what it said. The notion of time had become as absurd as the quietly glowing trees.
R.D. Ronald (The Elephant Tree)
If you asked me to marry you all over again today I'd say yes, said Valentine. And if I had only met you for the first time today, I'd ask.
Orson Scott Card (Xenocide (Ender's Saga, #3))
How about her?” Ben pointed to a sleek blonde who smiled and preened in response. “I bet she’d like to meet you.” “Ooh, she’s shiny.” “Why don’t you go ask her what her name is?” suggested Ben, patting him on the back. “Do I need to know her name?” “I’ve heard it helps.” “Maybe for you,” Mal scoffed. “I just call out my own name during sex.
Kylie Scott (Play (Stage Dive, #2))
If you put Durant's brains in a thimble full of water they'd look like a ship lost in the middle of the sea.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
The girl was holding out her hand, but I could only give a pathetic shrug. I had nothing to give her. I'd finally faded away.
Scott Heim (We Disappear)
Aidan said he'd never hurt me. Maybe he wouldn't do it on purpose, but vampires drink blood. Sooner or later, he'd want a midnight snack.
Jayde Scott (A Job From Hell (Ancient Legends, #1))
I’d like to just get one of those pink clouds and put you in it and push you around.
F. Scott Fitzgerald (The Great Gatsby)
I don’t want just words. If that’s all you have for me, you’d better go.
F. Scott Fitzgerald (The Beautiful and Damned)
How in the world can you think a queer is cute? I mean, you can tell he’s a freak. You can just tell.” I advised Zelda that if she didn’t shut up, I’d gouge out her eyes and force her to swallow them.
Scott Heim (Mysterious Skin: A Novel)
...'if the girl had been worth having she'd have waited for you'? No, sir, the girl really worth having won't wait for anybody.
F. Scott Fitzgerald
She looked up, her face pink as a Christmas ham. “You ever try chasing down a car?” she gasped. “I’ll one-up you. I gave Scott my hot dog and asked if he’d go to Summer Solstice with me.” “What does the hot dog have to do with anything?” “I said he’d be a wiener if he didn’t go with me.” Vee wheezed laughter. “I’d have run harder had I known I’d get to see you call him a wiener.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
How different it all was from what you'd planned.
F. Scott Fitzgerald (The Last Tycoon)
My lips move against hers, and the kiss says everything I'd hoped to hear. It tells me she loves me, and that she's in this forever.
Victoria Scott (The Collector (Dante Walker, #1))
What am I now, Alai?" "Still good." "At what?" "At--anything. There's a million soldiers who'd follow you to the end of the universe." "I don't want to go to the end of the universe." "So where do you want to go? They'll follow you." I want to go home, thought Ender, but I don't know where it is.
Orson Scott Card (Ender’s Game (Ender's Saga, #1))
sometimes i wish i'd been an englishman; american life is so damned dumb and stupid and healthy
F. Scott Fitzgerald (This Side of Paradise)
The townspeople took the prince for dead When he never returned with the dragon’s head When with her, he stayed She thought he’d be too afraid But he loved her too much instead.
Jess C. Scott (Piety, Dragon Poems)
They'll be fine," Wickersham said. "Practice makes perfect." I had to ask. "You practice running away?" "We knew we'd make enemies. Other organizations have fire drills; we have oh-shit-someone-found-our-ass drills.
Scott Westerfeld (So Yesterday)
Since the primary motive of the evil is disguise, one of the places evil people are most likely to be found is within the church. What better way to conceal one's evil from oneself as well as from others than to be a deacon or some other highly visible form of Christian within our culture
M. Scott Peck
If the onset of wrinkles in middle age were referred to as laughter lines, then to look at him, Scott thought, Twinkle's life must have been hilarious. He had sharp eyes that often seemed to visually contradict the lack of intelligence that could be derived from listening to him talk. There might not be a lot to respect in Twinkle, but Scott liked him. He just didn't want to end up like him.
R.D. Ronald (The Elephant Tree)
Deciding to wait, Scott sat down with a pint away from the bar at a corner table and lit a cigarette. The clientele in there on Sunday afternoon were the same as most other afternoons. From middle-aged to old men, drinking and cursing at the world like it was the last bus which had just left the stop without them.
R.D. Ronald (The Elephant Tree)
I stared at his cock, mesmerized. Even encased in rubber it remained a thing of true beauty. Had I any talent with a pen, I’d have written it poems. A haiku perhaps … I was hypnotized, helpless. Cock-struck.
Kylie Scott (Lead (Stage Dive, #3))
Thanks from keeping me from being a liar," said Nikolai. "What?" "About your having diarrhea." "For you I'd get dysentery." "Now that's friendship.
Orson Scott Card (Ender's Shadow (The Shadow Series, #1))
Research had given him the basics, Tab A into Slot B using Product C after ensuring Product D is firmly in place. The mechanics of it were simple. The prospect, however, of having an A that big anywhere near his B was mildly worrying
R.J. Scott (The Christmas Throwaway)
I walked to Scott, each step heavy, tears hot on my face, my hands hovering uselessly over his rapidly decaying body. I shut my eyes, forcing myself to recall his lopsided grin. Not his vacant eyes. In my mind, I played back his teasing laugh. Not the gurgling, gasping sounds he'd made right before dying. I remembered his warmth in accidental touches and playful jabs, knowing his body was rotting even as I clung to the memory. "Thank you," I choked out, telling myself that somewhere nearby, he could still hear my voice. "You saved my life. Good-bye, Scott. I'll never forget you, that's my oath to you. Never." I vowed.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
If I liked food and disliked exercise as much as a 400 pound guy, I'd be a 400 pound guy.
Scott Adams
The Rusty Ruins were the remains of an old city, a hulking reminder of back when there'd been way too many people, and everyone was incredibly stupid. And ugly.
Scott Westerfeld (Uglies (Uglies, #1))
Nervy little Shades' Hill purse-clutcher, thinking you can keep me in the dark. What plan?" "The plan to steal a corpse." "Ahem. Anything else you'd like to tell me about it?" "It's brilliant.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
Dona Crista laughed a bit. "Oh, Pip, I'd be glad for you to try. But do believe me, my dear friend, touching her heart is like bathing in ice." I imagine. I imagine it feels like bathing in ice to the person touching her. But how does it feel to her? Cold as she is, it must surely burn like fire.
Orson Scott Card (Speaker for the Dead (Ender's Saga, #2))
I'd dressed up and hoped and I was so tired of doing that, so tired of dreaming and being unable to stop it despite the fact that I'd seen, maybe better than anyone here, what dreams could do to you.
Elizabeth Scott (Perfect You)
At the end of the walkway is a cat. It struts with arrogance. You'd think it just won the Nobel Prize. But it didn't. Know why? Because it's a freakin' cat. In case you mossed the memo, I. Hate. Cats. I loathe them. They're built with creepy little teeth and finger blades. I don't know about you, but I'll pass on that freak show.
Victoria Scott (The Collector (Dante Walker, #1))
Patch’s eyes made a slow assessment of me, sharpening to vivid black. “I’m going to have a hard time sending you off with Scott in that dress. Just a heads-up: If you come home and the dress looks even slightly tampered with, I will track Scott down, and when I find him, it won’t be pretty.” “I’ll relay the message.” “If you tell me where he’s hiding, I’ll relay it myself.” I had to work not to smile. “Something tells me your message would be a lot more direct.” “Let’s just say he’d get the point.
Becca Fitzpatrick (Silence (Hush, Hush, #3))
Josh pulls me aside. "Hey, About before, I just... I wanted to say ... well, I think you're pretty special." He says, kind of stumbling over the words a little. Like he's hesitant to say them, now i wish he'd hug me again. And then kiss me. But he doesn't. He just waves and walks off. I sigh. "Hannah, I just... I want you to know if I pause alot when I tell you how special you are I want you to think that I'm... very... very... deep," Finn says
Elizabeth Scott (Something, Maybe)
Hell, Grace. I’d go to Australia to visit you. I don’t care about the job, or where you lay your head down at night, as long as your heart’s mine.
Jill Shalvis (Forever and a Day (Lucky Harbor, #6))
When I first saw the sand, I thought it was beautiful. Like maybe it'd be fun to just roll around in and make sand angels. Now I know the truth, that sand is actually the love child of proud parents Marie Antoinette and Joseph Stalin.
Victoria Scott (Fire & Flood (Fire & Flood, #1))
I fell in love with her courage, her sincerity and her flaming self respect and it’s these things I’d believe in even if the whole world indulged in wild suspicions that she wasn’t all that she should be. . . . I love her and that’s the beginning and end of everything. —F. SCOTT FITZGERALD
Robyn Schneider (The Beginning of Everything)
There used to be two kinds of kisses: First when girls were kissed and deserted; second, when they were engaged. Now there's a third kind, where the man is kissed and deserted. If Mr. Jones of the nineties bragged he'd kissed a girl, everyone knew he was through with her. If Mr. Jones of 1919 brags the same, everyone knows it's because he can't kiss her any more. Given a decent start any girl can beat a man nowadays.
F. Scott Fitzgerald (This Side of Paradise)
You don't need meat at every meal," Riley offered, forking another bite of salad into his mouth and inwardly agreeing with Jack that it was certainly lacking something. Jack was quiet for all of ten seconds, and then he couldn't hold in his opinion one second more. "Are you really a Texan? I mean, really? Riley, if I have a headache, I'd put bacon around an aspirin before I take it.
R.J. Scott (The Heart of Texas (Texas, #1))
Can you take me back into town?" I say. "I can't get my voicemails." "Why don't you calm down, D-Dub. I know you're menstruating, but everything's going to be fine. Once we get inside, I'll explain all about maxi pads, personal hygiene and the feel of a man's penis.
Victoria Scott (The Liberator (Dante Walker, #2))
[Poem: Slates of Grey] Sullen faces like slates of grey— What I’d seen on a walk today. Bodies rushing bodies bolting Time for life a disregarding. Money to make and to grow old What about the hands to hold? Deadlines, projects, people to meet What about our own two feet. Sullen faces like slates of grey... What I’d see most anyday.
Jess C. Scott (Trouble)
If these things are alchemical," said Sofia, "I'd better be the one to have a look at them." "If it could be dangerous, I'm going as well," said Lorenzo. "And me," said Conte "Great! We can all go! It'll be fun!" Locke waved his tied hands at the door. "But hurry it up, for fucks sake.
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
When Vanity kissed Vanity, a hundred happy Junes ago, he pondered o'er her breathlessly, and, that all men might ever know, he rhymed her eyes with life and death: "Thru Time I'll save my love!" he said. . . yet Beauty vanished with his breath, and, with her lovers, she was dead. . . -Ever his wit and not her eyes, ever his art and not her hair: "Who'd learn a trick in rhyme, be wise and pause before his sonnet there". . . So all my words, however true, might sing you to a thousandth June, and no one ever know that you were Beauty for an afternoon.
F. Scott Fitzgerald (This Side of Paradise)
Ask a deeply religious Christian if he’d rather live next to a bearded Muslim that may or may not be plotting a terror attack, or an atheist that may or may not show him how to set up a wireless network in his house. On the scale of prejudice, atheists don’t seem so bad lately.
Scott Adams
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
I loved him because I knew him. Because I'd seen the man he truly was inside, and it never failed to amaze me. I loved him for his heart and his strength. For his endless compassion and his unbreakable spirit even in the face of everything he'd been trough. I loved him because he was the person I wanted to be, and I was a better person just trough the privilege of knowing him.
Julianna Scott (The Holders (Holders, #1))
We were in the gondolas at The Venetian. You said you couldn't swim, that I'd have to save you if we capsized." His Adam's apple jumped. "Yeah." "I was terrified for you." "I know. You hung onto me so tight I could barely breathe." I drew back so I could see his face. "Why do you think we stayed on them for so long?" he asked. "You were practically sitting in my lap." "Can you swim?" He laughed quietly. "Of course I can swim. I don't even think the water was that deep." "It was all a ruse. You're tricky, David Ferris." "And you're funny, Evelyn Thomas." His face relaxed, his eyes softening again.
Kylie Scott (Lick (Stage Dive, #1))
The city centre was still crawling with Christmas shoppers looking to add to their already burgeoning piles of gifts. To Scott they were like ants at a picnic, teeming from store to store, trailing oversized carrier bags and infants behind them as they went. Scott felt alien in this environment; pulling up his hood he hurried through the crowds, dodging pushchairs, lit cigarettes and charity collection tins.
R.D. Ronald (The Elephant Tree)
I can't describe to you how surprised I was to find out I loved her, old sport. I even hoped for a while that she'd throw me over, but she didn't, because she was in love with me too. She thought I knew a lot because I knew different things from her. . . . Well, there I was, 'way off my ambitions, getting deeper in love every minute, and all of a sudden I didn't care. What was the use of doing great things if I could have a better time telling her what I was going to do?" On the last afternoon before he went abroad, he sat with Daisy in his arms for a long, silent time. It was a cold fall day, with fire in the room and her cheeks flushed. Now and then she moved and he changed his arm a little, and once he kissed her dark shining hair. The afternoon had made them tranquil for a while, as if to give them a deep memory for the long parting the next day promised. They had never been closer in their month of love, nor communicated more profoundly one with another, than when she brushed silent lips against his coat's shoulder or when he touched the end of her fingers, gently, as though she were asleep.
F. Scott Fitzgerald (The Great Gatsby)
When someone you love...when they die, you want it undone. You'd do anything to have them back, and it's easy to believe that if only this had happened or that had happened, everything would be fine. And that's what makes you angry. What makes you hate. You don't want to believe that sometimes bad things happen just because they do.
Elizabeth Scott (Heartbeat)
Scott could feel the contents of his stomach flip over and over on themselves. He turned to the side and retched, frothy yellow bile spilled out onto the newspaper covered floor, filling the room with the putrid stench of previously ingested alcohol. 'Look's like someone can't hold their drink,' McBlane said, and Dominic and Shugg laughed. Scott was still staring at the steam rising from his evacuated stomach contents as he heard the hammer fall. The dull crack of bone splintering under its weight.
R.D. Ronald (The Elephant Tree)
Ah, man,” he sighed, shaking his head slowly, mournfully. “I’m not sure I can stick my dick in a woman who doesn’t even know who John Bonham is.” “‘Stick your dick in’?” I asked, my brows probably touching. “Did you actually just say that?” “Make love. I meant make love … of course. I would never just stick my dick in you. I would make mad, passionate love to this sweet, sweet body of yours for days, no, weeks. It would be beautiful, pumpkin. There’d be little angels, and birdies, and you know … all just hanging around, watching. Perverts.
Kylie Scott (Play (Stage Dive, #2))
This car was speically ordered for you, Mr. Flamel." There was a pause and the voice added, "The author of one of the most boring books I have ever read, The Philosophic Summary." Boring?" Nicholas yanked the door open and pushed the twins into the gloom. "It's been acknowledged for centuires as a work of a genius!" Climbing in, he slammed the door. Franis probably told you to say that." You'd better buckel up," the driver commanded. "We've got all sorts of company heading this way, none of it friendly and all of it unpleasant.
Michael Scott (The Sorceress (The Secrets of the Immortal Nicholas Flamel, #3))
Maybe what I told her was a lie. Maybe I could be what she deserved. Maybe I could make the same teeth-clenching, sweat-pouring effort I’d put into my PT, and channel that into living blind, so that she wouldn’t have to constantly be cleaning up after me, or dragging my ass out of the house. My endless black was never going to go away. That was certainty. But kissing Charlotte had been a burst of light streaking across it, like a comet. Maybe. Maybe is gradations of darkness. The sweetest torture. Maybe is hope.
Emma Scott (Rush (City Lights Series, #3))
BILLY: Did you ever watch Star Trek? MACHIAVELLI: Do I look like I watch Star Trek? BILLY: It's hard to tell who's a Trekkie. MACHIAVELLI: Billy, I ran one of the most sophisticated secret service organizations in the world. I did not have time for Star Trek. (pause) I was more of a Star Wars fan. Why do you ask? BILLY: Well, when Captain Kirk and Mr. Spock beamed down to a planet, usually with Dr. McCoy and sometimes with Scotty from engineering... MACHIAVELLI: Wait a minute--what's Mr. Spock again? BILLY: A Vulcan. MACHIAVELLI: His rank. BILLY: The first officer. MACHIAVELLI: So the captain, the first officer, the ship's doctor, and sometimes the engineer all beam down to a planet. Together. The entire complement of the senior officers? BILLY: (nods) MACHIAVELLI: And who has command of the ship? BILLY: (shrug) I don't know. Junior officers, I guess. MACHIAVELLI: If they worked for me I'd have them court-martialed. That sounds like a gross dereliction of duty. BILLY: I know. I always thought it was a little odd myself.
Michael Scott (The Enchantress (The Secrets of the Immortal Nicholas Flamel, #6))
We're free agents. We can do what we want." Free agents. When my mother used those words she'd wave her keys. "We're like two bachelorettes," she'd say as we backed out of the drive. The road she took was always by the sea. Floods never put her off. "It'll pass" she'd say when I braced myself in the seat. If a wave hit the car, she'd drive on, floating sometimes for seconds. The wipers could clear off the sand and small stones. Seaweed was the problem. Not the one with poppers. That landed with a thud and rolled like a body off the windscreens. No, the problem was the smaller stuff, bright green and fine that wrapped itself like a feather boa around the side mirror. Usually, with one hand, she could throw it off. But sometimes, it took both her hands as if it were a scarf around Isadora Duncan's neck.
Georgia Scott (American Girl: Memories That Made Me)
What to go out with me tonight after work, Vaughan?” … “You asking me out on a date, Lydia?” “Yes,” I said. “I am.” “Babe, I’d love to.” His hand rose to the back of my neck, stroking, drawing me closer. Hot damn, did he have the moves. The man turned my mind to mush. “Something you need to know,” he said. “Before tonight.” “What’s that?” “I put out on the first date,” he told me with a perfectly straight face. “That okay with you?” “Oh, I’m counting on it” … “I mean…it would have been so awkward if you expected me to respect you for your mind or something. Yikes, how embarrassing. Between you and me, I’m really only interested in getting into your pants.” The corner of his mouth twitched. “I’m sure you’re a nice guy and all, but, priorities, you know?” “I know.” The man’s smile would have made a nun think twice. I never stood a chance.
Kylie Scott (Dirty (Dive Bar, #1))
There was music from my neighbor's house through the summer nights. In his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At high tide in the afternoon I watched his guests diving from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor-boats slit the waters of the Sound, drawing aquaplanes over cataracts of foam. On week-ends his Rolls-Royce became an omnibus, bearing parties to and from the city between nine in the morning and long past midnight, while his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before. Every Friday five crates of oranges and lemons arrived from a fruiterer in New York--every Monday these same oranges and lemons left his back door in a pyramid of pulpless halves. There was a machine in the kitchen which could extract the juice of two hundred oranges in half an hour if a little button was pressed two hundred times by a butler's thumb. At least once a fortnight a corps of caterers came down with several hundred feet of canvas and enough colored lights to make a Christmas tree of Gatsby's enormous garden. On buffet tables, garnished with glistening hors-d'oeuvre, spiced baked hams crowded against salads of harlequin designs and pastry pigs and turkeys bewitched to a dark gold. In the main hall a bar with a real brass rail was set up, and stocked with gins and liquors and with cordials so long forgotten that most of his female guests were too young to know one from another. By seven o'clock the orchestra has arrived, no thin five-piece affair, but a whole pitful of oboes and trombones and saxophones and viols and cornets and piccolos, and low and high drums. The last swimmers have come in from the beach now and are dressing up-stairs; the cars from New York are parked five deep in the drive, and already the halls and salons and verandas are gaudy with primary colors, and hair shorn in strange new ways, and shawls beyond the dreams of Castile. The bar is in full swing, and floating rounds of cocktails permeate the garden outside, until the air is alive with chatter and laughter, and casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each other's names. The lights grow brighter as the earth lurches away from the sun, and now the orchestra is playing yellow cocktail music, and the opera of voices pitches a key higher. Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. The groups change more swiftly, swell with new arrivals, dissolve and form in the same breath; already there are wanderers, confident girls who weave here and there among the stouter and more stable, become for a sharp, joyous moment the centre of a group, and then, excited with triumph, glide on through the sea-change of faces and voices and color under the constantly changing light. Suddenly one of the gypsies, in trembling opal, seizes a cocktail out of the air, dumps it down for courage and, moving her hands like Frisco, dances out alone on the canvas platform. A momentary hush; the orchestra leader varies his rhythm obligingly for her, and there is a burst of chatter as the erroneous news goes around that she is Gilda Gray's understudy from the FOLLIES. The party has begun.
F. Scott Fitzgerald (The Great Gatsby)
I don't know why, but I didn't want her to call me Dick anymore. It was feeling kind of fake. 'Maybe we should use our real names outside of class. Yours is Rosetta, right?' 'Yes. Rosetta Vaughn.' 'All right,' I said. 'Well, mine is - ' 'Seth McCoy. I know.' She kind of wrapped her arms around herself like she was getting cold. 'I've known since February fourteenth, actually.' She's memorized the date she found out my name? What the hell? She laughed. 'Don't freak out! I only remember because it was Valentine's Day.' As if that explained it. 'And why do you remember learning my name on Valentine's Day?' 'Kendall Eckman was running after you in the hall screaming, "Seth McCoy, if you don't buy a rose from me, I'll kill you!" She was doing that Valentine's drama club fundraiser. Remember?' 'Actually, yes.' What I remembered was getting stoned with Isaac before school, and Kendall harshing my mellow the minute we walked in the door. Rosetta was looking like there was more to this story. 'And after she kept asking, you bought a red one?' 'Right. And I passed it off to -' I'd been about to say 'some chick,' but with how intently she was watching me, I was getting a different idea. '-you, right?' She extended her arm to pass me an imaginary rose in the same way I must have handed her a real one. Then she imitated the corny voice I must have used. 'Here, beautiful. Have a wonderful Valentine's Day.' Oh, Christ. The stupid shit I said sometimes.
Mindi Scott (Freefall)
But I thought we might get naked, just like Adam and Eve, so natural...” I gasped. I'd forgotten all about that part of my conversation with Scott! Utter humiliation. I curled into a tighter ball. “Oh, come on. You haven't even thanked me yet.” “For what?” I asked, still not looking. “For saving you from snogging that plonker. You didn't really fancy him, did you?” My cheeks burned, and I was glad to be turned away from him. I kept my mouth shut. “So that's it, then?” he asked. I ignored him. “I always wondered what it would feel like.” That made me curious enough to turn to him. “What what would feel like?” I asked. “Rejection.” He seemed in the midst of a revelation. “What are you saying? That no girl has ever told you no?” “Not one.” Well, that explained a lot. “And what about you?” I asked. "Haven't you ever stopped or said no to a girl?” He laughed as if I'd said something ridiculous. "Why would I do that?” “Lots of reasons,” I said. “Never mind, just go to sleep. We have a long day tomorrow.” I turned away from him again, punching the thick pillow and laying my head down. “I suppose I did refuse one, but she doesn't count,” he said. “Why not?” “Because she was Neph.” Discomfort gnawed at me. “This must be the part where I take a cold shower?” he asked. “Good idea.” When he was in the bathroom with the water running, I jumped down and changed into my pajamas. Then I leaped back into bed and chanted to myself, Don't think about the kiss. Don't think about the kiss. Impossible.
Wendy Higgins (Sweet Evil (Sweet, #1))
Men, Kellhus had once told her, were like coins: they had two sides. Where one side of them saw, the other side of them was seen, and though all men were both at once, men could only truly know the side of themselves that saw and the side of others that was seen—they could only truly know the inner half of themselves and the outer half of others. At first Esmenet thought this foolish. Was not the inner half the whole, what was only imperfectly apprehended by others? But Kellhus bid her to think of everything she’d witnessed in others. How many unwitting mistakes? How many flaws of character? Conceits couched in passing remarks. Fears posed as judgements … The shortcomings of men—their limits—were written in the eyes of those who watched them. And this was why everyone seemed so desperate to secure the good opinion of others—why everyone played the mummer. They knew without knowing that what they saw of themselves was only half of who they were. And they were desperate to be whole. The measure of wisdom, Kellhus had said, was found in the distance between these two selves. Only afterward had she thought of Kellhus in these terms. With a kind of surpriseless shock, she realized that not once—not once!—had she glimpsed shortcomings in his words or actions. And this, she understood, was why he seemed limitless, like the ground, which extended from the small circle about her feet to the great circle about the sky. He had become her horizon. For Kellhus, there was no distance between seeing and being seen. He alone was whole. And what was more, he somehow stood from without and saw from within. He made whole …
R. Scott Bakker (The Warrior Prophet (The Prince of Nothing, #2))
Instructions for Dad. I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you. I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me. Don't put make-up on me. It looks stupid on dead people. I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums. I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements. I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave. I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy). I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals. Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare. Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it). Afterwards, go to a pub for lunch. I've got £260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money. And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream. Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that. OK. That's it. I love you. Tessa xxx
Jenny Downham