D Corleone Quotes

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Brando said he'd noticed that powerful people spoke quietly, and Don Corleone's quiet calm and nearly inaudible speaking voice are key to the character. When Corleone speaks, you have to be quiet to hear him. What can we learn from Don Corleone (that doesn't involve killing people)? That quiet does have its own power, if we harness it.
Sophia Dembling (The Introvert's Way: Living a Quiet Life in a Noisy World (Perigee Book))
Like Don Corleone, I don’t judge a man for how he makes his living. What I judge a man for is something else: Not the desire to have an audience, to make money, all that sort of thing, but the abject, craven, humiliating need to be loved by strangers. I mean the emptiness that a certain kind of man or woman tries to fill with adulation, characteristic of the man who cannot stand in front of a crowd without being possessed to deliver corny prepackaged applause lines, who will kiss the collective ass of the mob—and any mob will do—because that mob ass simply must be kissed.
Kevin D. Williamson (The Smallest Minority: Independent Thinking in the Age of Mob Politics)
The astronaut Edgar D. Mitchell said of his experience of viewing Earth from the moon: “You develop an instant global consciousness, a people orientation, an intense dissatisfaction with the state of the world, and a compulsion to do something about it. From out there on the moon, international politics look so petty. You want to grab a politician by the scruff of the neck and drag him a quarter of a million miles and say, ‘Look at that, you son of a bitch.’ ” I love this quote for many reasons. One, because it illustrates that all the well-meaning talk of oneness, such as you have found in this book, is built upon an empirical reality. We’re all one, the human family; when you pull back to outer space or dive within to inner space, that becomes clear. I like that traveling to the moon was such an emotional and spiritual experience for Edgar, as I have always thought that astronauts would be tough military types that wouldn’t be given to such profound pronouncements. Mostly, though, I love his violent conclusion that he’d like to grab a politician by the scruff of the neck and take him to the moon. Firstly because to grab anyone by the scruff of the neck is an animal and implausible thing to do. I just felt the back of my neck and there’s barely any scruff to grab. Unless this politician had a particularly fat neck, Edgar would have to be content with an inch of skin between his thumb and forefinger, like he was holding a teacup; he might as well have his pinkie finger extended. Then he’d have to kidnap the bloke, presumably from Washington, drag him all the way to Cape Canaveral, Florida, into the NASA HQ, presumably give him some basic space training, put him in a suit, a rocket, strap him in, spend a few days getting to the moon, then finally march him out and admonish him for his lack of perspective. I don’t think he could sustain his indignation for that long. I reckon he’d start to feel a connection to the terrified politician at some point during that journey, possibly in the training section, where they’d have to acclimatize to zero gravity in a swimming pool. Also, surely once Edgar got back to the moon and he looked back to Earth, his love of all the members of the human family would kick back in and he might feel too guilty to lay into the sobbing and vertiginous, undisclosed politician. Among the small number of people who have seen our planet from space this sense of enlightenment is seemingly common. There are loads of comparable quotes that illustrate this strong sense of connection and fraternity. I chose Edgar D. Mitchell’s one because he’s the only astronaut who saw his epiphany as an impetus to snatch a senator and beat him up on the moon like an intergalactic Vito Corleone.
Russell Brand (Revolution)
I’d expected a Mexican drug lord to look like Danny Trejo or a Hispanic Don Corleone, anything but a Latin soap star. It was disappointing.
Katie Graykowski (Rest In Pieces (PTO Murder Club Mystery, #1))
It wasn't Glen's jealousy that surprised him. "You owe Roy money?" "Yep. Borrowed it to get my truck painted." "Roy's a loan shark, too?" "You ever see JAWS?" Snakebite asked. Glen said he had. "How 'bout THE GODFATHER?" "Yeah." "Well, if Michael Corleone waded out in the ocean and fucked that shark, then you'd have old Roy." from the Tom Franklin short story "Grit" (page 31) from POACHERS:STORIES
Tom Franklin (Poachers: Stories)