Ha Ha Moment Quotes

We've searched our database for all the quotes and captions related to Ha Ha Moment. Here they are! All 100 of them:

The reason I want you to put a shirt on is, well, because, um..." "You've never seen a guy with his shirt off?" "Ha, ha. Very funny. Believe me, you don't have anything I haven't seen before." "Wanna bet?" he says, then moves his hands to the button on his jeans and pops it open. Isabel walks in at that exact moment. "Whoa, Alex. Please keep your pants on.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
But I think the first real change in women’s body image came when JLo turned it butt-style. That was the first time that having a large-scale situation in the back was part of mainstream American beauty. Girls wanted butts now. Men were free to admit that they had always enjoyed them. And then, what felt like moments later, boom—Beyoncé brought the leg meat. A back porch and thick muscular legs were now widely admired. And from that day forward, women embraced their diversity and realized that all shapes and sizes are beautiful. Ah ha ha. No. I’m totally messing with you. All Beyonce and JLo have done is add to the laundry list of attributes women must have to qualify as beautiful. Now every girl is expected to have Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.
Tina Fey (Bossypants)
There's a kind of Ah-ha! Somebody at least for a moment feels about something or sees something the way that I do. It doesn't happen all the time. It's these brief flashes or flames, but I get that sometimes. I feel unalone—intellectually, emotionally, spiritually. I feel human and unalone and that I'm in a deep, significant conversation with another consciousness in fiction and poetry in a way that I don't with other art.
David Foster Wallace
Well, I suppose I could follow his advice. Are you hungry?” “Surprisingly enough, not at the moment.” “Will miracles never cease?” “Ha,” I said
Chloe Neill (Twice Bitten (Chicagoland Vampires, #3))
Novels are food for the leftover hours of life, the in-between times, the moments of waiting.
Kim Young-ha (I Have The Right To Destroy Myself)
Chronicler shook his head and Bast gave a frustrated sigh. "How about plays? Have you seen The Ghost and the Goosegirl or The Ha'penny King?" Chronicler frowned. "Is that the one where the king sells his crown to an orphan boy?" Bast nodded. "And the boy becomes a better king than the original. The goosegirl dresses like a countess and everyone is stunned by her grace and charm." He hesitated, struggling to find the words he wanted. "You see, there's a fundamental connection between seeming and being. Every Fae child knows this, but you mortals never seem to see. We understand how dangerous a mask can be. We all become what we pretend to be." Chronicler relaxed a bit, sensing familiar ground. "That's basic psychology. You dress a beggar in fine clothes, people treat him like a noble, and he lives up to their expectations." "That's only the smallest piece of it," Bast said. "The truth is deeper than that. It's..." Bast floundered for a moment. "It's like everyone tells a story about themselves inside their own head. Always. All the time. That story makes you what you are. We build ourselves out of that story." Frowning, Chronicler opened his mouth, but Bast held up a hand to stop him. "No, listen. I've got it now. You meet a girl: shy, unassuming. If you tell her she's beautiful, she'll think you're sweet, but she won't believe you. She knows that beauty lies in your beholding." Bast gave a grudging shrug. "And sometimes that's enough." His eyes brightened. "But there's a better way. You show her she is beautiful. You make mirrors of your eyes, prayers of your hands against her body. It is hard, very hard, but when she truly believes you..." Bast gestured excitedly. "Suddenly the story she tells herself in her own head changes. She transforms. She isn't seen as beautiful. She is beautiful, seen." "What the hell is that supposed to mean?" Chronicler snapped. "You're just spouting nonsense now." "I'm spouting too much sense for you to understand," Bast said testily. "But you're close enough to see my point.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Oh, this is a real emergency?” Alec exclaimed, and brightened immeasurably. For a moment Magnus felt pleased that a maddened werewolf was ravaging downtown Manhattan, if it made Alec look like that. “I figured it was one of those things where you arranged to have a friend call you so that you could get out of a sucky date.” “Ha ha,” said Magnus. “I didn’t know people did that.
Cassandra Clare (The Bane Chronicles)
Where's my cell phone?" I ask. "And please put a shirt on." He reaches down and grabs my phone off the floor. "Why?" "The reason I need my cell," I say as I take it from him, "is to call a cab and the reason I want you to put a shirt on is, well, because, urn . . ." "You've never seen a guy with his shirt off?" "Ha, ha. Very funny. Believe me, you don't have anything I haven't seen before." "Wanna bet?" he says, then moves his hands to the button on his jeans and pops it open. Isabel walks in at that exact moment. "Whoa, Alex. Please keep your pants on.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
Schrödinger's cat has far more than nine lives, and far fewer. All of us are unknowing cats, alive and dead at once, and of all the might-have-beens in between, we record only one.
Yoon Ha Lee (Conservation of Shadows)
Beyond even any teaching, though, the aspect of spiritual life that is the most profound is the element of grace. Grace is something that comes to us when we somehow find ourselves completely available, when we become openhearted and open-minded, and are willing to entertain the possibility that we may not know what we think we know. In this gap of not knowing, in the suspension of any conclusion, a whole other element of life and reality can rush in. This is what I call grace. It’s that moment of “ah-ha!”—a moment of recognition when we realize something that previously we never could quite imagine.
Adyashanti (Falling Into Grace)
I don’t know how to live.” “But you do,” she said. “It’s all about the distinguishing moments. It’s about going from one to the next, no matter how small the interval of time, or how long.
Yoon Ha Lee (Conservation of Shadows)
Teela turned to Severn. "I'm having trouble remembering why I haven't strangled her yet." Severn shrugged. "I have that problem myself some days. At the moment, though, the only betting pool in the office seems to be on the Sergeant." "Ha-ha." Kaylin said with a distinct lack of cheer. And then, because she was a fiefling, "What odds?" He cuffed the top of her head.
Michelle Sagara West (Cast in Courtlight (Chronicles of Elantra, #2))
When I came out of the wagon, he had her in a dramatic dip and was giving her a kiss. I set the needle and thread next to my shirt and waited. It seemed like a good kiss. I watched with a calculating eye, dimly aware that at some point in the future I might want to kiss a lady. If i did, I wanted to do a decent job of it. After a moment my father noticed me and stood my mother back on her feet."That will be ha'penny for the show, Master Voyeur,"he laughed. "What are you still here for, boy? I'll bet you the same ha'penny that a question slowed you down.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Use your imagination. Trust me, your lives are not interesting. Don't write them down.
W.B. Kinsella
Y aunque no había transcurrido, yo percibía inmensos espacios de tiempo entre mi ayer taciturno y mi hoy vaciloso. Pensé: Ahora que todo ha cambiado, ¿quién soy yo dentro del amplio uniforme?
Roberto Arlt
It was funny, Grey thought. Not funny ha-ha, but funny strange, the whole idea of time. He'd thought it was one thing but it was actually another. It wasn't a line but a circle, and even more; it was a circle made of circles made of circles, each lying on top of the other, so that every moment was next to every other moment, all at once. And once you knew this you couldn't unknow it. Such as now the way he could see events as they were about to unfold, as if they'd already happened, because in a way they had.
Justin Cronin (The Passage (The Passage, #1))
Hush!’ said the Cabby. They all listened. In the darkness something was happening at last. A voice had begun to sing. It was very far away and Digory found it hard to decide from what direction it was coming. Sometimes it seemed to come from all directions at once. Sometimes he almost thought it was coming out of the earth beneath them. Its lower notes were deep enough to be the voice of the earth herself. There were no words. There was hardly even a tune. But it was, beyond comparison, the most beautiful noise he had ever heard. It was so beautiful he could hardly bear it… ‘Gawd!’ said the Cabby. ‘Ain’t it lovely?’ Then two wonders happened at the same moment. One was that the voice was suddenly joined by other voices; more voices than you could possibly count. They were in harmony with it, but far higher up the scale: cold, tingling, silvery voices. The second wonder was that the blackness overhead, all at once, was blazing with stars. They didn’t come out gently one by one, as they do on a summer evening. One moment there had been nothing but darkness; next moment a thousand, thousand points of light leaped out – single stars, constellations, and planets, brighter and bigger than any in our world. There were no clouds. The new stars and the new voices began at exactly the same time. If you had seen and heard it , as Digory did, you would have felt quite certain that it was the stars themselves who were singing, and that it was the First Voice, the deep one, which had made them appear and made them sing. ‘Glory be!’ said the Cabby. ‘I’d ha’ been a better man all my life if I’d known there were things like this.’ …Far away, and down near the horizon, the sky began to turn grey. A light wind, very fresh, began to stir. The sky, in that one place, grew slowly and steadily paler. You could see shapes of hills standing up dark against it. All the time the Voice went on singing…The eastern sky changed from white to pink and from pink to gold. The Voice rose and rose, till all the air was shaking with it. And just as it swelled to the mightiest and most glorious sound it had yet produced, the sun arose. Digory had never seen such a sun…You could imagine that it laughed for joy as it came up. And as its beams shot across the land the travellers could see for the first time what sort of place they were in. It was a valley through which a broad, swift river wound its way, flowing eastward towards the sun. Southward there were mountains, northward there were lower hills. But it was a valley of mere earth, rock and water; there was not a tree, not a bush, not a blade of grass to be seen. The earth was of many colours: they were fresh, hot and vivid. They made you feel excited; until you saw the Singer himself, and then you forgot everything else. It was a Lion. Huge, shaggy, and bright it stood facing the risen sun. Its mouth was wide open in song and it was about three hundred yards away.
C.S. Lewis (The Magician’s Nephew (Chronicles of Narnia, #6))
As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower. "Mmm," I say.He's kissing my neck. "That's it," Rashmi says. "I'm outta here.Enjoy your hormones." Josh and Mer follow her exit,and we're alone.Just the way I like it. "Ha!" Ettiene says. "Just the way I like it." He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say. "I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want." I lace my fingers through his. "I want to stay right here,in this moment." "Isn't that the name of the latest James Ashley bestseller? In This Moment?" "Careful.Someday you'll meet him, and he won't be nearly as amusing in person." Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing." "I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run." "I'm not most people." I smile. "I know.But you still have to promise." His eyes lock on mine. "Anna,I promise that I will never leave you." My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says. I'm still dazed. "My what?" He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him." I pause. "Do you think he'll object to me?" "Oh,I'm sure he will." Okay.Not the answer I was looking for. Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you." "So....that's a good thing?" "I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails." "You've worn your pinkies to nubs," I say cheerfully. "Or if I need to start ironing my bedspread." "I DO NOT IRON MY BEDSPREAD." "You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you." "She goes?" "You're the only thing I've talked about all year.She's ecstatic we're together." I'm smiling inside and out. "I can't wait to meet her.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Wise people throughout history have been those who saw that while life is real, life’s problems are an illusion, they are thought-created. These people know that we manufacture and blow problems way out of proportion through our own ability to think. They also know that if we can step outside the boundaries of our own thinking, we can find the answer we are looking for. This, in a nutshell, is wisdom: the ability to see an answer without having to think of an answer. Wisdom is the ‘ah ha, that’s so obvious’ experience most of us have had many times. Few people seem to understand that this voice is always available to us. Wisdom is indeed your inner sense of knowing. It is true mental health, a peaceful state of mind where answers to questions are as plentiful as the problems you see when you aren’t experiencing wisdom. It’s as if wisdom lies in the space between your thoughts, in those quiet moments when your ‘biological computer’ is turned off.
Richard Carlson (Stop Thinking, Start Living: Discover Lifelong Happiness)
Ha. Admit it: you don't have the slightest idea what you are doing, you never ever did. With all the nets in the world, real or unreal. You swam around in a flashing confused school following the tail of the fish in front. Pretty much. Nibbling at whatever passed, in whatever current you swam into. Even the love of your life felt like luck, like she might vanish in the finning crowd at any moment. Which she did.
Peter Heller (The Dog Stars)
There’s a kind of Ah-ha! Somebody at least for a moment feels about something or sees something the way that I do. It doesn’t happen all the time. It’s these brief flashes or flames, but I get that sometimes. I feel unalone—intellectually, emotionally, spiritually. I feel human and unalone and that I’m in a deep, significant conversation with another consciousness in fiction and poetry in a way that I don’t with other art.
David Foster Wallace (David Foster Wallace: The Last Interview: and Other Conversations (The Last Interview Series))
So,Batman,eh?" Effing St. Clair. I cross my arms and slouch into one of the plastic seats. I am so not in the mood for this.He takes the chair next to me and drapes a relaxed arm over the back of the empty seat on his other side. The man across from us is engrossed in his laptop,and I pretend to be engrossed in his laptop,too. Well,the back of it. St. Clair hums under his breath. When I don't respond,he sings quietly. "Jingle bells,Batman smells,Robin flew away..." "Yes,great,I get it.Ha ha. Stupid me." "What? It's just a Christmas song." He grins and continues a bit louder. "Batmobile lost a wheel,on the M1 motorway,hey!" "Wait." I frown. "What?" "What what?" "You're singing it wrong." "No,I'm not." He pauses. "How do you sing it?" I pat my coat,double-checking for my passport. Phew. Still there. "It's 'Jingle bells, Batman smells,Robin laid an egg'-" St. Clair snorts. "Laid an egg? Robin didn't lay an egg-" "'Batmobile lost a wheel,and the Joker got away.'" He stares at me for a moment,and then says with perfect conviction. "No." "Yes.I mean,seriously,what's up with the motorway thing?" "M1 motorway. Connects London to Leeds." I smirk. "Batman is American. He doesn't take the M1 motorway." "When he's on holiday he does." "Who says Batman has time to vacation?" "Why are we arguing about Batman?" He leans forward. "You're derailing us from the real topic.The fact that you, Anna Oliphant,slept in today." "Thanks." "You." He prods my leg with a finger. "Slept in." I focus on the guy's laptop again. "Yeah.You mentioned that." He flashes a crooked smile and shrugs, that full-bodied movement that turns him from English to French. "Hey, we made it,didn't we? No harm done." I yank out a book from my backpack, Your Movie Sucks, a collection of Roger Ebert's favorite reviews of bad movies. A visual cue for him to leave me alone. St. Clair takes the hint. He slumps and taps his feet on the ugly blue carpeting. I feel guilty for being so harsh. If it weren't for him,I would've missed the flight. St. Clair's fingers absentmindedly drum his stomach. His dark hair is extra messy this morning. I'm sure he didn't get up that much earlier than me,but,as usual, the bed-head is more attractive on him. With a painful twinge,I recall those other mornings together. Thanksgiving.Which we still haven't talked about.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Hi ha moments en què un se sent inferior a si mateix. Quina forma més subtil, més recargolada, de vanitat!
Joan Fuster (Consells, proverbis i insolències)
SHINING is how you become BRIGHTER!
Trilby D. Johnson (A-Ha Moments: Inspirational Quotes to Shift Your Thinking)
Ha arribat l'esperat moment de la veritat. Però de debò està segura de voler conèixer-la? Cada vegada que la veritat apareix, hi ha alguna cosa que s'enfonsa.
Antonio Iturbe (The Librarian of Auschwitz)
L'ha enyorat tot aquest temps, i compren que en aquesta enyorança hi ha, malgrat la nosa que significa en un moment professional clau, alguna cosa ja del tot irreversible
Marta Orriols (Anatomia de les distàncies curtes)
Ara la vida s'ha convertit en el futur. Cada moment de la teva vida es viu pel futur.
John Green (Paper Towns)
There are fears that are worth facing and there are fears that are not. You don't have to face all fears, only the ones that are relevant to you at that moment in time.
Kim Ha Campbell (Inner Peace Outer Abundance)
En algun moment has d'arrencar-te la tireta, i fa mal, sí, però llavors el pitjor ja ha passat i és un alleujament.
John Green (Looking for Alaska)
Online dating,” he mumbled dryly. “Oh, like before? That makes sense then. It’s actually kind of sweet you still have each other through all this craziness.” It was like an ah-ha moment. They were gay. “I was kidding,” his eyes snapped up to mine again and flashed with annoyance. “I’m not judging you,” I quickly said. “I think it’s great. Seriously!” “We’re not gay,” he growled. “We’re brothers.
Rachel Higginson (Love and Decay, Episode One (Love and Decay, #1))
Le bronze... (Il le caresse.) Eh bien, voici le moment. Le bronze est là, je le contemple et je comprends que je suis en enfer. Je vous dis que tout était prévu. Ils avaient prévu que je me tiendrais devant cette cheminée, pressant ma main sur ce bronze, avec tous ces regards sur moi. Tous ces regards qui me mangent... (ll se retourne brusquement.) Ha! vous n'êtes que deux? Je vous croyais beaucoup plus nombreuses. (Il rit.) Alors, c'est ça l'enfer. Je n'aurais jamais cru... Vous vous rappelez: le soufre, le bûcher, le gril... Ah! quelle plaisanterie. Pas besoin de gril: l'enfer, c'est les Autres.
Jean-Paul Sartre (No Exit)
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
In one of his newsletters, Halbert taught that if something can be solved by money, then it is no longer a problem. It becomes a mere inconvenience. I remember having another of those ah-ha moments when I read this.
Richard Dotts (Dissolve The Problem: by Shifting Physical Reality)
So that’s the secret,” the Beast Lord said. I froze with the spoon halfway to my mouth. That was it. He had figured out what I was and now he was playing with me. “You okay?” he asked. “Gone a bit pale there.” In a moment he would drop the charade and rip me to pieces. If I was lucky. “Secret to what?” “Secret to shutting you up,” he said. “I just have to beat you till you’re half-dead, then give you chicken soup and”—he raised his hands—“blessed silence.” I went back to the soup. Ha-ha. Very funny. “What did you think I meant?” “I don’t know,” I mumbled. “The ways of the Beast Lord are a mystery to a humble merc like me.” “You don’t do humble.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Ha! Listen, this guy walks into a bar, with a shopping bag, right? He sits down, puts the bag on the bar. Something in the bag is moving, and the bartender says ‘Hey, buddy, no animals in here’. You with me, Jones?” “Yah.” “The guy is looking real unhappy, totally down in the dumps, he reaches in the bag. He pulls out a brass lantern, then a small piano, a little stool, and finally a little guy in a tuxedo, about a foot tall. The little guy sits on the stool and starts playing the piano. Playing the piano, right?” “Yah. Got, it.” “Bartender says,” Williams’ grasp on a handhold slipped for a heart-stopping moment before the suit gloves restored their sticky grip. He could see the problem was some sort of fluid leaking from the access hatch above had coated the handhold. He moved his hand to the left to avoid the slippery fluid, and continued climbing down. “Bartender says, ‘That’s amazing, where’d you get him?’ Guy points to the lamp. ‘Magic genie granted me a wish, But he don’t hear so well-’ Before the guy can stop him, the bartender grabs the lamp, rubs it and shouts ‘I want a million bucks!’. POOF! The bar is filled with ducks! Ducks everywhere, under the tables, in the street outside, feathers flying all over the place. The bartender says ‘What the hell?’ So the guy says ‘I told you the genie don’t hear so well. You really think I asked for a twelve inch pianist?
Craig Alanson (Black Ops (Expeditionary Force, #4))
We go quiet as the next episode picks up exactly where it left off. Antoine manages to subdue Marie-Thérèse, and the two proceed to argue for ten minutes. Don’t ask me about what, because it’s in French, but I do notice that the same word—héritier—keeps popping up over and over again during their fight. “Okay, we need to look up that word,” I say in aggravation. “I think it’s important.” Allie grabs her cell phone and swipes her finger on the screen. I peek over her shoulder as she pulls up a translation app. “How do you think you spell it?” she asks. We get the spelling wrong three times before we finally land on a translation that makes sense: heir. “Oh!” she exclaims. “They’re talking about the father’s will.” “Shit, that’s totally it. She’s pissed off that Solange inherited all those shares of Beauté éternelle.” We high five at having figured it out, and in the moment our palms meet, pure clarity slices into me and I’m able to grasp precisely what my life has become. With a growl, I snatch the remote control and hit stop. “Hey, it’s not over yet,” she objects. “Allie.” I draw a steady breath. “We need to stop now. Before my balls disappear altogether and my man-card is revoked.” One blond eyebrow flicks up. “Who has the power to revoke it?” “I don’t know. The Man Council. The Stonemasons. Jason Statham. Take your pick.” “So you’re too much of a manly man to watch a French soap opera?” “Yes.” I chug the rest of my margarita, but the salty flavor is another reminder of how low I’ve sunk. “Jesus Christ. And I’m drinking margaritas. You’re bad for my rep, baby doll.” I shoot her a warning look. “Nobody can ever know about this.” “Ha. I’m going to post it all over the Internet. Guess what, folks—Dean Sebastian Kendrick Heyward-Di Laurentis is over at my place right now watching soaps and drinking girly drinks.” She sticks her tongue out at me. “You’ll never get laid again.” She’s right about that. “Can you at least add that the night ended with a blowjob?” I grumble. “Because then everyone will be like, oh, he suffered through all that so he could get his pole waxed.” “Your pole waxed? That’s such a gross description.” But her eyes are bright and she’s laughing as she says it.
Elle Kennedy (The Score (Off-Campus, #3))
Doncs sí, dic. Els humans perdem més o menys vint quilos de pell durant tota la vida, la renovem completament cada mes. […] L'Ona […] diu que si el que he explicat jo és cert, la pell que elles, les dones, tenien en el moment dels assalts, ara ja ha desaparegut, ja ha mudat. Somriu.
Miriam Toews (Women Talking)
...and there is such honesty and innocence to her voice I want to hold her. The bedside lamplight is a rich golden color, and it is falling on her face in a way that makes it seem gilded. For a moment, L.D. looks to me like an angel. Another case of illusion only being the larger truth.
Elizabeth Berg (Talk Before Sleep)
I'm jittery.It's like the animatronic band from Chuck E. Cheese is throwing a jamboree in my stomach. I've always hated Chuck E. Cheese. Why am I thinking about Chuck E. Cheese? I don't know why I'm nervous.I'm just seeing my mom again. And Seany.And Bridge! Bridge said she'd come. St. Clair's connecting flight to San Francisco doesn't leave for another three hours,so we board the train that runs between terminals,and he walks me to the arrivals area.We've been quiet since we got off the plane. I guess we're tired. We reach the security checkpoint,and he can't go any farther. Stupid TSA regulations.I wish I could introduce him to my family.The Chuck E. Cheese band kicks it up a notch,which is weird, because I'm not nervous about leaving him. I'll see him again in two weeks. "All right,Banana.Suppose this is goodbye." He grips the straps of his backpack,and I do the same. This is the moment we're supposed to hug. For some reason,I can't do it. "Tell your mom hi for me. I mean, I know I don't know her. She just sounds really nice. And I hope she's okay." He smiles softly. "Thanks.I'll tell her." "Call me?" "Yeah,whatever. You'll be so busy with Bridge and what's-his-name that you'll forget all about your English mate, St. Clair." "Ha! So you are English!" I poke him in the stomach. He grabs my hand and we wrestle, laughing. "I claim....no...nationality." I break free. "Whatever,I totally caught you. Ow!" A gray-haired man in sunglasses bumps his red plaid suitcase into my legs. "Hey,you! Apologize!" St. Clair says,but the guy is already too far away to hear. I rub my shins. "It's okay, we're in the way. I should go." Time to hug again. Why can't we do it? Finally, I step forward and put my arms around him. He's stiff,and it's awkward, especially with our backpacks in the way.I smell his hair again. Oh heavens. We pull apart. "Have fun at the show tonight" he says. "I will.Have a good flight." "Thanks." He bites his thumbnail,and then I'm through security and riding down the escalator. I look back one last time. St. Clair jumps up and down, waving at me.I burst into laughter, and his face lights up.The escalator slides down. He's lost from view. I swallow hard and turn around.And then-there they are.Mom has a gigantic smile, and Seany is jumping and waving, just like St. Clair.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Zoe returned her attention to the map of southern Argentina on the computer. “What on earth could possibly be worth using that much nuclear power on? There’s nothing around there but mountains and sea.” “There’s guanacos,” Murray said helpfully. “What the heck’s a guanaco?” Zoe asked. “It’s a relative of the camel,” Murray explained. “It kind of looks like an anorexic llama. From what I understand, the pampas down there are full of them.” “And you think SPYDER wants to nuke them all?” Zoe said. “What good is a whole bunch of vaporized guanacos?” “Suppose they only nuked one,” Murray said ominously. “What if they focused all that nuclear energy on it? If a single irradiated iguana could turn into Godzilla, just imagine what a giant guanaco would look like. It’d be terrifying!” Zoe gave him a withering look. “The only terrifying thing about this plan is that you actually think it’s possible. Godzilla never existed!” “But maybe he could,” Murray countered. “Or worse . . . Guanacazilla!” He gave a roar that was probably supposed to be half llama, half monster, but it sounded more like an angry hamster. We all considered him for a moment. “Moving on,” Erica said. “Does anyone have a suggestion that isn’t completely idiotic?” “Ha ha,” Murray said petulantly. “You mock me now, but we’ll see who’s laughing when there’s a thirty-story guanaco running rampant through Buenos Aires.
Stuart Gibbs (Spy School Goes South)
Ara la vida s'ha convertit en el futur. Cada moment de la teva vida es viu pel futur; vas a l'institut per anar a la universitat per poder tenir una bona feina per poder tenir una casa maca per poder enviar els fills a la universitat perquè puguin tenir una bona feina perquè puguin tenir una casa maca i així puguin enviar els seus fills a la universitat.
John Green (Paper Towns)
Az a lány, aki szeretetet és támogatást kap, képes lesz megváltoztatni azt a negatív énképet, amelyet az ellenséges környezete beléje plántált. Ha sikerül egy kis önbizalomra szert tennie, ráébred, hogy mennyi mindenre képes. A tanulás során felismeri a képességeit, és miközben a képességei fejlesztésén dolgozik, ráébred az erejére is. És ha egyszer megtapasztalja az erejét, ki fog állni a jogaiért is.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
La primera lliçó que qualsevol veterà dóna a algú que acaba d'arribar és que sempre s'ha de tenir clar l'objectiu: sobreviure. Sobreviure unes quantes hores més, i així sumar un dia més, que afegit a altres podrà convertir-se en una setmana més. I així successivament: no fer mai grans plans, no tenir mai grans objectius, tan sols sobreviure a cada moment. Viure és un verb que només es pot conjugar en present.
Antonio Iturbe (The Librarian of Auschwitz)
The two women would ‘put up’ the preserves over a couple of days and invariably Marthe would ask, ‘When does a cucumber become a pickle?’ At first he’d tried to answer that question as though she genuinely wanted to know. But over the years he realised there was no answer. At what point does change happen? Sometimes it’s sudden. The ‘ah ha’ moments in our lives, when we suddenly see. But often it’s a gradual change, an evolution.
Louise Penny (Still Life (Chief Inspector Armand Gamache, #1))
Writing is the way I process the world. When I was given the opportunity to write this book, whatever God was up there said, You got your dream. I said, Actually I was hoping for a lighter topic, and God was like, Ha! Ha! You thought you got to choose. This was the topic I was given. If something else had happened to me, I would have written about that, too. When I get worked up over what happened, I tell myself, you are a pair of eyes. I'm a civilian who's been randomly selected to receive an all-access pass to the court system. Feelings will include invasion, shame, isolation, cruelty. My job is to observe , feel, document, report. What am I learning and seeing that other people can't see? What doorways does my suffering lead to? People sometimes day, I can't imagine. How do I make them imagine? I write to show how victims are treated at this moment in time, to record the temperature of our culture. This is a marker...
Chanel Miller (Know My Name)
But in the Petit Palais, which Daphne had not visited in thirty years, Roland had what she liked to call ‘a moment’. He retired early from the paintings and waited in the main hall. After she had joined him and they were walking away he let rip. He said that if he ever had to look at one more Madonna and Child, Crucifixion, Assumption, Annunciation and all the rest he would ‘throw up’. Historically, he announced, Christianity had been the cold dead hand on the European imagination. What a gift, that its tyranny had expired. What looked like piety was enforced conformity within a totalitarian mind-state. To question or defy it in the sixteenth century would have been to take your life in your hands. Like protesting against Socialist Realism in Stalin’s Soviet Union. It was not only science that Christianity had obstructed for fifty generations, it was nearly all of culture, nearly all of free expression and enquiry. It buried the open-minded philosophies of classical antiquity for an age, it sent thousands of brilliant minds down irrelevant rabbit holes of pettifogging theology. It had spread its so-called Word by horrific violence and it maintained itself by torture, persecution and death. Gentle Jesus, ha! Within the totality of human experience of the world there was an infinity of subject matter and yet all over Europe the big museums were stuffed with the same lurid trash. Worse than pop music. It was the Eurovision Song Contest in oils and gilt frames. Even as he spoke he was amazed by the strength of his feelings and the pleasure of release. He was talking – exploding – about something else. What a relief it was, he said as he began to cool down, to see a representation of a bourgeois interior, of a loaf of bread on a board beside a knife, of a couple skating on a frozen canal hand in hand, trying to seize a moment of fun ‘while the fucking priest wasn’t looking. Thank God for the Dutch!
Ian McEwan (Lessons)
Parker? Did you shit your pants?” She groaned, shaking her head, eyes closed. “No, I didn’t shit my pants. Rags did.” Gus barked out a laugh. “Pray tell, how does a dog shit your pants?” Whipping around, she folded her arms over her chest. “Ha ha. He didn’t shit my pants. I sat in a pile of his poop.” “How did you not see—” “Just …” She held a flat hand up to him. “Shhh. Good night, Mr. Westman.” “For the record, Parker, I don’t find you all that ‘incredibly hot’ at the moment.
Jewel E. Ann (When Life Happened)
People normally describe this kind of internal mental shift as an “ah, ha” experience, or the moment when the light goes on. Everyone has had these kinds of experiences, and there are some common qualities associated with them. First, we usually feel different. The world even seems different, as if it had suddenly changed. Typically, we might say at the moment of the breakthrough something like, “Why didn’t you tell me this before?” or, “It was right in front of me the whole time, but I just didn’t see it
Mark Douglas (Trading in the Zone: Master the Market with Confidence, Discipline, and a Winning Attitude)
My thoughts, dear Falka' he said a moment later, 'may not be decent, may not be nice, and they are obviously not innocent... But, by the Gods, they are in keeping with nature. With my nature. You do me a disservice, thinking that my attraction to you has its basis in some... perverted curiosity. Ha, you also do yourself a disservice, by not being aware - or not wanting to realise - that your captivating appeal and uncommon beauty are capable of bringing any man to his knee. That the charm of your glance --
Andrzej Sapkowski (Wieża Jaskółki (Saga o Wiedźminie, #4))
A second later, Ron had snatched his arm back from around her shoulders; she had dropped The Monster Book of Monsters on his foot. The book had broken free from its restraining belt and snapped viciously at Ron’s ankle. “I’m sorry, I’m sorry!” Hermione cried as Harry wrenched the book from Ron’s leg and retied it shut. “What are you doing with all those books anyway?” Ron asked, limping back to his bed. “Just trying to decide which ones to take with us,” said Hermione. “When we’re looking for the Horcruxes.” “Oh, of course,” said Ron, clapping a hand to his forehead. “I forgot we’ll be hunting down Voldemort in a mobile library.” “Ha ha,” said Hermione, looking down at Spellman’s Syllabary. “I wonder…will we need to translate runes? It’s possible…I think we’d better take it, to be safe.” She dropped the syllabary onto the larger of the two piles and picked up Hogwarts, A History. “Listen,” said Harry. He had sat up straight. Ron and Hermione looked at him with similar mixtures of resignation and defiance. “I know you said after Dumbledore’s funeral that you wanted to come with me,” Harry began. “Here he goes,” Ron said to Hermione, rolling his eyes. “As we knew he would,” she sighed, turning back to the books. “You know, I think I will take Hogwarts, A History. Even if we’re not going back there, I don’t think I’d feel right if I didn’t have it with--” “Listen!” said Harry again. “No, Harry, you listen,” said Hermione. “We’re coming with you. That was decided months ago--years, really.” “But--” “Shut up,” Ron advised him. “--are you sure you’ve thought this through?” Harry persisted. “Let’s see,” said Hermione, slamming Travels with Trolls onto the discarded pile with a rather fierce look. “I’ve been packing for days, so we’re ready to leave at a moment’s notice, which for your information has included doing some pretty difficult magic, not to mention smuggling Mad-Eye’s whole stock of Polyjuice Potion right under Ron’s mum’s nose.” “I’ve also modified my parents’ memories so that they’re convinced they’re really called Wendell and Monica Wilkins, and that their life’s ambition is to move to Australia, which they have now done. That’s to make it more difficult for Voldemort to track them down and interrogate them about me--or you, because unfortunately, I’ve told them quite a bit about you. “Assuming I survive our hunt for the Horcruxes, I’ll find Mum and Dad and lifted the enchantment. If I don’t--well, I think I’ve cast a good enough charm to keep them safe and happy. Wendell and Monica Wilkins don’t know that they’ve got a daughter, you see.” Hermione’s eyes were swimming with tears again. Ron got back off the bed, put his arm around her once more, and frowned at Harry as though reproaching him for lack of tact. Harry could not think of anything to say, not least because it was highly unusual for Ron to be teaching anyone else tact.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
¡Ay, ese niño, cuánto lo quería! ¡Se parecía muchísimo a mi pobre Henry! ¡Pero había decidido que nunca más dejaría que un hijo mío viviera para hacerse adulto! Cogí al pequeño en brazos cuando tenía dos semanas y lo besé y lloré; y después le di láudano y lo estreché contra mi pecho hasta que murió en sueños. ¡Cómo lo eché de menos! Cualquiera hubiera pensado que administrarle el láudano fue un error, pero es una de las pocas cosas de las que me alegro ahora. No me arrepiento tampoco hoy; por lo menos ha dejado de sufrir. ¿Qué le podía dar mejor que la muerta, a la pobre criatura?
Harriet Beecher Stowe
finalement, éperdu d'amour et au comble de la frénésie érotique, je m'assis dans l'herbe et j'enlevai un de mes souliers en caoutchouc. — Je vais le manger pour toi, si tu veux. Si elle le voulait I Ha! Mais bien sûr qu'elle le voulait, voyons! C'était une vraie petite femme. --- Elle posa son cerceau par terre et s'assit sur ses ta-lons. Je crus voir dans ses yeux une lueur d'estime. Je n'en demandais pas plus. Je pris mon canif et enta-mai le caoutchouc. Elle me regardait faire. — Tu vas le manger cru ? — Oui. J'avalai un morceau, puis un autre. Sous son regard enfin admiratif, je me sentais devenir vraiment un homme. Et j'avais raison. Je venais de faire mon apprentissage. J'entamai le caoutchouc encore plus profondément, soufflant un peu, entre les bouchées, et je continuai ainsi un bon moment, jusqu'à ce qu'une sueur froide me montât au front. Je continuai même un peu au-delà, serrant les dents, luttant contre la nausée, ramassant toutes mes forces pour demeurer sur le terrain, comme il me fallut le faire tant de fois, depuis, dans mon métier d'homme. Je fus très malade, on me transporta à l'hôpital, ma mère sanglotait, Aniela hurlait, les filles de l'atelier geignaient, pendant qu'on me mettait sur un brancard dans l'ambulance. J'étais très fier de moi. Mon amour d'enfant m'inspira vingt ans plus tard mon premier roman Éducation européenne, et aussi certains passages du Grand Vestiaire. Pendant longtemps, à travers mes pérégrinations, j'ai transporté avec moi un soulier d'enfant en caoutchouc, entamé au couteau. J'avais vingt-cinq ans, puis trente, puis quarante, mais le soulier était toujours là, à portée de la main. J'étais toujours prêt à m'y attabler, à donner, une fois de plus, le meilleur de moi-même. Ça ne s'est pas trouvé. Finalement, j'ai abandonné le soulier quelque part derrière moi. On ne vit pas deux fois. (La promesse de l'aube, ch. XI)
Romain Gary (Promise at Dawn)
Hey!” said Ron, who had staggered to his feet and was now tottering drunkenly toward Harry, giggling. “Hey, Harry, there are brains in here, ha ha ha, isn’t that weird, Harry?” “Ron, get out of the way, get down —” But Ron had already pointed his wand at the tank. “Honest, Harry, they’re brains — look — Accio Brain!” The scene seemed momentarily frozen. Harry, Ginny, and Neville and each of the Death Eaters turned in spite of themselves to watch the top of the tank as a brain burst from the green liquid like a leaping fish. For a moment it seemed suspended in midair, then it soared toward Ron, spinning as it came, and what looked like ribbons
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Miriam was amused that he took a swing so seriously... She felt the accuracy with which he caught her, exactly at the right moment, and the exactly proportionate strength of his thrust, and she was afraid. Down to her bowels when the hot wave of fear. She was in his hands. Again, firm and inevitable came the thrust at the right moment. She gripped the rope, almost swooning. "Ha!" she laughed in fear. "No higher!" "But you're not a bit high," he remonstrated. "But no higher." He heard the fear in her voice and desisted. Her heart melted in hot pain when the moment came for him to thrust her forward again. But he left her alone. She began to breathe.
D.H. Lawrence (Sons and Lovers)
BEN: Helpen op een andere manier. Zorgen dat ik 'n middel krijg om... SOFIE: om in te nemen. Zeg ben je nou helemaal... aaaach, je bent in een depressieve bui, het gaat wel weer over. BEN: Nee, dat is het juist, het gaat niet over. En ik verdom het om die hele... om die hele eindfase door te maken. SOFIE: Wie heeft het nou over eindfase? Daar is helemaal geen sprake van. Als je nou ontzettende pijn ha, maar dat heb je niet. Als je zó zwak was dat je niet meer kon bewegen, maar je loopt. Je eet, je drinkt, je lacht, je bent goed bij je hoofd. BEN: Dat is het. Ik wil stoppen op een moment dat ik er nog bèn, als man, als mens, als brein. Een moment waarop ik nog zelf kan beslissen.
Annie M.G. Schmidt
Hajlamosak vagyunk félretolni azokat, akik számunkra félelmetes tulajdonságokkal rendelkeznek; azért akarunk megszabadulni tőlük, mert attól félünk, hogy a tulajdonságaikban mi magunk is osztozunk. Bizonyos csoportoknak bizonyos tulajdonságokat tulajdonítunk, így amikor eltávolítjuk ezeket a csoportokat magunktól, voltaképpen ezeket a tulajdonságokat utasítjuk el. Ez az, ami a domináns csoportokat arra készteti, hogy különböző faji vagy vallási csoportokat kirekesszenek. Gyakran magunknak sem valljuk be, hogyan működnek ezek a dolgok. Ha belül vagyunk bizonyos körön, és látunk valakit, kívül a körön, gyakran azt gondoljuk, mi nem kerülhetünk kívül a körön, mert mi mások vagyunk. Ez önámítás.
Melinda French Gates (The Moment of Lift: How Empowering Women Changes the World)
Of course you would, Mitt," Reagan said. "Well, I’m glad we understand each other, and I think your father would be proud of you being in his old spot, and I want you to know that when I’m choosing my Secretary of Housing and Urban Development, your resumé will be on the very top of the pile. It’s been great chatting with you but you know, I have to find a vice presidential candidate, and soon.” “Ha, ha, ha, ah it’s been great chatting with you, too, Mr. President, and—” Reagan cocked his head slightly, smiled, and caught the eye of a minion; a moment later Romney had been deposited outside the door like a discarded room service tray, having barely had time to shift from ha, ha, ha back to ah…ah…
John Barnes (Raise the Gipper!)
I had never been there before and was a little overawed by the grandeur of the place. The altar was laid for the following day’s Masses and candles were lit in rows of a dozen or more on brass stands. It cost a penny to light one and I threw two ha’pennies into the box before selecting one and placing it in the front row centre, watching as the flame flickered for a few moments before settling. Kneeling on the hard floor, I said a prayer, a thing I had never done with any solemnity before. Please don’t let Julian die, I asked God. And please stop me from being a homosexual. Only when I stood up and walked away did I realize that that had been two prayers, so I went back and lit a second candle, which cost me another penny
John Boyne (The Heart's Invisible Furies)
Siguin quines siguin les diferències que tinguin l'Agnes i la Mary [...] quan estan davant d'una missió impor tant, s'esvaeixen. Poden queixar-se l'una de l'altra, es poden punxar i retreure's coses; poden discutir, barallar-se i sospirar; poden llançar a la galleda dels porcs el menjar que ha cuinat l'altra perquè està massa salat o no prou ben molt o massa especiat; poden aixecar una cella davant del sargit, el cosit o el brodat de l'altra. Ara bé, en un moment com aquest, són capaces de funcionar com dues mans de la mateixa persona. [...] Ara totes dues pugen l'escala, sense dir-se res, i l'Agnes sap que la Mary saludarà la Judith amb un somriure a la cara i li dirà paraules estimulants i tranquil·litzadores. Juntes s'ocuparan de la nena, portaran la màrfega a baix, donaran la medecina a la nena. Plantaran cara.
Maggie O'Farrell (Hamnet)
Can I tell you a funny story?” Gina asked. She didn’t wait for him to say yes or no. “It’s about, well . . . You know the whole age-issue thing?” “The age-issue thing,” Max repeated. “Are you sure this is a funny story?” “Does it still bother you?” she asked. “Being a little bit older than me? And it’s more funny weird than funny ha-ha.” “Twenty years isn’t exactly ‘a little bit,’” he said. “Tell that to a paleontologist,” she countered. Okay, he’d give her that one. “Just tell me the story.” “Once upon a time, when Jones first came to Kenya,” Gina said, “I didn’t know who he was. Molly didn’t tell me, and he came to our tent for tea, and . . . Maybe this isn’t even a funny weird story. Maybe it’s more of an ‘I’m an asshole’ story, because I immediately jumped to the conclusion that he was there because he was all hot for me. It never occurred to me—it never even crossed my narrow little mind—that he might’ve been crushing on Molly. And she’s only maybe ten years older than he is. I remember sitting there after I figured it out, and thinking, shoot. People do make assumptions based on age. Max wasn’t just being crazy.” She smiled at him. “Or at least not crazier than usual. I guess . . . I just wanted to apologize for mocking you all those times.” “It’s okay,” Max said. “I just keep reminding myself that love doesn’t always stop to do the math.” He looked at her. “I’m trying to talk myself into that. How’d I sound? Convincing?” “That was pretty good.” They sat in silence for a moment, then Gina spoke again. “Maybe I could get a T-shirt that says, ‘I’m not his daughter, I’m his wife.’” Max nodded as he laughed. “Yet still you mock me.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
En Peeta i jo tornem a lluitar junts. Encara hi ha moments en què agafa el respatller d'una cadira i no el deixa anar fins que se li han acabat els flashbacks. Jo em desperto cridant per culpa d'algun malson amb mutants i nens perduts. Però els seus braços són allà per reconfortar-me. I, de vegades fins els seus llavis. La nit en què torno a sentir aquella cosa, la fam que es va apoderar de mi a la platja, sé que hauria passat de totes maneres. Que el que necessito per sobreviure no és el foc d'en Gale, atiat amb ràbia i odi. Jo mateixa ja tinc prou foc. El que necessito és la dent de lleó a la primavera. Aquell groc brillant que significa renaixement en comptes de destrucció. La promesa que la vida pot continuar, malgrat la gravetat de les pèrdues. Que pot tornar a ser bona. I això, només m'ho pot donar en Peeta. Així doncs, quan després em xiuxiueja: —M'estimes. Real o no real? Jo li dic: —Real.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Don’t act like you know the first thing about the continent,” I snapped. “It isn’t as though you’ve ever visited.” He flinched, silent for a moment. “Have you?” “No,” I admitted. “But I very likely would have if you hadn’t kidnapped me.” “I didn’t kidnap you,” Tristan said, his voice filled with irritation. “Your friend Luc did.” “He wouldn’t have done so, if not for you. And he isn’t my friend.” “That might be the case, but I don’t doubt that he’d have substituted an equivalently dastardly deed in its place.” He pointed a finger at me. “Mark my words, the boy was of a vile sort.” “Then you are two of a kind,” I snapped. “Ha ha,” Tristan snorted. “How dreadfully clever. And speaking of clever, is this to be your bid for escape?” He contemplated my clothing. “In a dressing gown and bare feet? Now tell me, if I go put on nightclothes and slippers, might I join you, or is this a solo adventure?” My eyes stung. “You think this is all exceedingly funny, don’t you? I’m nothing but a joke to you.” His brow creased in a frown. “If you’re a joke, it isn’t an especially humorous one.” I threw up my hands in frustration. “You are the most intolerable individual I’ve ever met.” He bowed. “Why, thank you, Cécile. Always a pleasure to have one’s accomplishments recognized.” “You are the last person in the world I’d choose to marry,” I hissed. “I don’t entirely relish the idea myself,” Tristan said, “but sometimes we must do the unthinkable.” “Why must I?” Tristan tipped his head slightly, expression considering. “Because you have no choice,” he finally said. “Just as I have no choice. There is no way for you to escape Trollus, Cécile, and if you were caught in the attempt…” His eyes closed, black lashes resting against his cheeks. “My father’s anger is a formidable thing, and I do not wish to see you harmed for aggravating him.
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
Q: What do you think is magical about fiction? DFW: ... The first line of attack for that question is that there is this existential loneliness in the real world. I don't know what you're thinking or what it's like inside you and you don't know what it's like inside me. In fiction I think we can leap over that wall itself in a certain way... There's another level... A really great piece of fiction for me may or may not take me away and make me forget that I'm sitting in a chair. There's real commercial stuff can do that, and a riveting plot can do that, but it doesn't make me feel less lonely... There's a kind of Ah-ha! Somebody at least for a moment feels about something or sees something the way that I do. It doesn't happen all the time. It's these brief flashes or flames, but I get that sometimes. I feel unalone--intellectually, emotionally, spiritually. I feel human and unalone and that I'm in a deep, significant conversation with another consciousness in fiction and poetry in a way that I don't with other art.
David Foster Wallace
worthless person, a wicked man, goes about with w crooked speech, 13  x winks with his eyes, signals [3] with his feet, points with his finger, 14 with y perverted heart z devises evil, continually a sowing discord; 15 therefore calamity will come upon him suddenly; b in a moment he will be broken c beyond healing. 16 There are  d six things that the LORD hates,  d seven that are an abomination to him: 17 e haughty eyes, f a lying tongue, and  g hands that shed innocent blood, 18  h a heart that devises wicked plans,  i feet that make haste to run to evil, 19 j a false witness who k breathes out lies, and one who  a sows discord among brothers. Warnings Against Adultery 20  l My son, keep your father’s commandment,  l and forsake not your mother’s teaching. 21  m Bind them on your heart always; n tie them around your neck. 22  o When you walk, they [4] will lead you; o when you lie down, they will p watch over you; and when you awake, they will talk with you. 23 For the commandment is  q a lamp and the teaching a light,
Anonymous (The Holy Bible: English Standard Version)
You wouldn’t dare,” Ghastek told him. Curran glanced at Jim. “Would I dare?” Jim chuckled. “You would. In fact, I can’t understand why you haven’t dared yet. Mulradin is already dead. If Ghastek doesn’t make it out, the People will experience a power vacuum. Either they’ll fight it out or they’ll get a new boss from above who doesn’t know anything about Atlanta. Either way it’s a win for us.” “We don’t really have to kill you,” Thomas said. “It can be a happy accident. You could step into a dark hole and break your neck. Or you and Jim could linger behind for a moment or two, and then you’ll slip and fall.” “On my claws,” Jim added. “Very unfortunate.” “Or I could accidentally shoot you,” Andrea offered from behind. “It was dark, I saw something move. Everybody knows I’m a terrible shot.” “Ha-ha,” I told her. “We’d get back,” Robert said. “And the People would ask us ‘Where is Ghastek?’ and we’d say ‘Terribly sorry, couldn’t find him. Mishmar is a big place, you know.’” “I feel like I’ve been captured by a horde of savages,” Ghastek said dryly.
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
Who was it who said, 'the most beautiful things in the world are the most useless: peacocks and lilies, for instance'?" "I think that was Ruskin," says Jack. "Ha!" laughs Charles. "There's truth in that. Could have included women, too." Charles laughs loudly at his own joke. "Only if you're to assume a woman's sole purpose in life is to look good," counters Lillian. "Well of course... there's looking good... and there's child-bearing," adds Charles, still looking ahead at the bird. Lillian grips the bag in her lap a little more tightly. If the artist seated behind them is aware of the tension, he deflects artfully. "I think Ruskin misses the point," he says. "Beauty is never useless. It has purpose. Look at us, sitting here. We've ceased all other activity just to pause for a moment and wonder at the sight of this bird. The extraordinary jolts us from the mundane and makes us feel something. It reminds us we're alive." "Rather like art," says Lillian, after a moment. Jack meets her gaze in the wing-mirror and nods. "Yes. Art. Music. Love." Lillian drops her gaze, unexpected heat flooding her cheeks.
Hannah Richell (The Peacock Summer)
She flipped through the notebook. In most places, Murphy’s large, crooked handwriting ate up the pages greedily, as if she couldn’t write large enough to get her point across. Occasionally Birdie’s more graceful handwriting appeared, adding asides or participating with Murphy in some kind of list she had thrown together, like favorite Leeda moments, or most unknown things about Leeda, or Leeda’s top five best articles of clothing. Mostly, though, it was all Murphy. Listing albums Leeda had to own before she died, like Janis Joplin’s Pearl. Copied scraps of her favorite poetry: about nature and despair and cities and even one or two about love that Murphy had annotated with words like Sickening, but she’s good and Horrible but worth reading. Dried leaves---pecan, magnolia, and, of course, the thin slivered shape of the peach leaf---taped in messy crisscrosses. A cider label Birdie had once kissed. A diagram of Leeda---outlined sloppily with colored-in blond hair, with words on the outside pointing to different parts of her: brainy pointing to her head, good posture pointing to her back, hot gams pointing to her legs, impenetrable (ha ha) pointing to her heart.
Jodi Lynn Anderson (The Secrets of Peaches (Peaches, #2))
En Rudi i l'Alice es queden tots sols. Per primera vegada no hi ha filats entremig, no hi ha guàrdies observant-los des de les torretes amb un fusell a l'espatlla, no hi ha xemeneies envoltant-los de degradació. Es miren uns segons, al principi amb pudor i certa incomoditat. De mica en mica, amb més intensitat. Són joves i agraciats, estan plens de vida, de plans, de desigs, d'urgència per beure's el present. Quan es tornen a mirar, ara ja amb l'espurna del desig encesa als ulls, senten que la felicitat els aïlla dels altres, que els situa en un altre lloc, que res no els pot prendre aquest moment. Durant l'instant que dura el somni, en Rudi, abraçat al cos de l'Alice, ha cregut que la seva felicitat era tan gran, que res no la podria trencar. S'ha adormit pensant que, en despertar-se, tot el mal s'haurà esborrat i la vida tornarà a ser com abans de la guerra, que els galls cantaran de matinada, que farà olor de pa acabat de fer i que sonarà l'alegre ding del timbre de la bicicleta del lleter. Però es fa de dia i res no s'ha esborrat, el paisatge amenaçador de Birkenau continua intacte. Ell encara és massa jove per saber que la felicitat no pot vèncer, que és massa fràgil, que sempre surt derrotada.
Antonio Iturbe (The Librarian of Auschwitz)
Don’t cry Meg. It’s not that bad.” “It’s not that bad? Ha! I’m thirty years old, with two black eyes, a swollen nose, a big, honking, yellow knot on my forehead, and the haircut from hell. As if that isn’t enough, I had a transvestite in my bed this morning, my husband is a lying, cheating, cradle robbing, bastard, who at some point slept with my best friend.” Jack scooted over to the middle of the seat, and stopped listening to his head and wrapped his arms around her. Big mistake! From inside, four faces were pressed to the window. “My last orgasm-with a partner- was…hell I can’t remember when! I frequently knock myself out for entertainment purposes, I have little boobs, big feet, squishy panties, nosy neighbors and demon possessed fish. God hates me!” Jack held her tighter. “I have frequent flyer miles at the hospital. I fed my husband marijuana Ex-lax brownies and shoved a marble up his butt.” Jack pulled away to look at her and she was serious. And crying. Big, sad, alligator tears that made his heart swell. “My mother is a holy rolling, Catholic Dr. Ruth, complete with condoms and Rosary beads. I write about relationships and sex, both of which I suck at and I hired a Private Investigator to pimp me out.” Jack burst out laughing and she pushed him away and swatted his shoulder. “And now you’re laughing at me. Could things get any worse?
Amy Johnson
The artillery and mortars had been silent for at least the past few hours. After awhile the rabbi stopped initiating new songs. He took a few more sips of wine and sat for a time, almost shining in obvious pleasure, and yet reflective and silent. All watched him, and after a few minutes he spoke again in his odd Moroccan/Brooklyn accent. "The weapons of a Jew are prayer and mitzvot. Tonight we are arming ourselves with mitzvot like the finest suit of armor ever made. Better than a ceramica," he said, referring to the bullet-proof flak vests worn by many Israeli soldiers by their street name. "By the mere act of sitting and eating and drinking, because we are doing so in a sukkah at the time that our Creator told us to do so, we acquire for ourselves a heavenly shield more powerful than any missile or tank." He let those words settle in as he beamed at all present at the table and standing in the sukkah. "A mitzvah—carrying out HaShem's commandment or doing a good deed, such as an act of kindness towards your fellow human being—creates a heavenly smell, a wonderful odor that is both spiritual and physical. When the Creator of the whole universe commanded the Jewish people to bring sacrifices upon His holy altar, and they did so exactly as he had instructed them, the Torah says that it created a Re-ach Tov, a good and wonderful scent, that pleased the Ribbono Shel-Olam. And in those moments when the Jewish people acted on the instructions of their Creator, there was a kesher and a devekus, a tie and a drawing closer, between the Jewish people and their Creator.
Edward Eliyahu Truitt
He could not look at her, be near her, think of her, and keep the Kestrel afloat at the same time. No red-blooded man could. “Go back to your cabin.” “No.” She crossed her arms over her chest. “I’ll go mad if I spend another day in that cabin, with no one to talk to and nothing to do.” “Well, I’m sorry we’re not entertaining you sufficiently, but this isn’t a pleasure cruise. Find some other way to amuse yourself. Can’t you find something to occupy your mind?” he made an open-handed sweep through the steam. “Read a book.” “I’ve only got one book. I’ve already read it.” “Don’t tell me it’s the Bible.” The corner of her mouth twitched. “It isn’t.” He averted his gaze to the ceiling, blowing out an impatient breath. “Only one book,” he muttered. “What sort of lady makes an ocean crossing with only one book?” “Not a governess.” Her voice held a challenge. Gray refused the bait, electing for silence. Silence was all he could manage, with this anger slicing through him. It hurt. He kept his eyes trained on a cracked board above her head, working to keep his expression blank. What a fool he’d been, to believe her. To believe that something essential in him had changed, that he could find more than fleeting pleasure with a woman. That this perfect, delicate blossom of a lady, who knew all his deeds and misdeeds, would offer herself to him without hesitation. Deep inside, in some uncharted territory of his soul, he’d built a world on that moment when she came to him willingly, trustingly. Giving not just her body, but her heart. Ha. She hadn’t even given him her name.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
How they pile the poor little craft mast-high with fine clothes and big houses; with useless servants, and a host of swell friends that do not care twopence for them, and that they do not care three ha’pence for; with expensive entertainments that nobody enjoys, with formalities and fashions, with pretence and ostentation, and with—oh, heaviest, maddest lumber of all!—the dread of what will my neighbour think, with luxuries that only cloy, with pleasures that bore, with empty show that, like the criminal’s iron crown of yore, makes to bleed and swoon the aching head that wears it! It is lumber, man—all lumber! Throw it overboard. It makes the boat so heavy to pull, you nearly faint at the oars. It makes it so cumbersome and dangerous to manage, you never know a moment’s freedom from anxiety and care, never gain a moment’s rest for dreamy laziness—no time to watch the windy shadows skimming lightly o’er the shallows, or the glittering sunbeams flitting in and out among the ripples, or the great trees by the margin looking down at their own image, or the woods all green and golden, or the lilies white and yellow, or the sombre-waving rushes, or the sedges, or the orchis, or the blue forget-me-nots. Throw the lumber over, man! Let your boat of life be light, packed with only what you need—a homely home and simple pleasures, one or two friends, worth the name, someone to love and someone to love you, a cat, a dog, and a pipe or two, enough to eat and enough to wear, and a little more than enough to drink; for thirst is a dangerous thing. You will find the boat easier to pull then, and it will not be so liable to upset, and it will not matter so much if it does upset; good, plain merchandise will stand water. You will have time to think as well as to work. Time to drink in life’s sunshine—time to listen to the Æolian music that the wind of God draws from the human heart-strings around us—time to—
Jerome K. Jerome (Three Men in a Boat)
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then we’d evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them. Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Management— who didn’t know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, why— which even we didn’t know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them. Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. We’d been bankrupt since we’d left home: we’d secure our own society. Retirement was an afterlife we didn’t believe in and that we expected yesterday. Instead of three meals a day, we’d drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. We’d go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadn’t forgotten. Complexity, complexity. In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves we’d just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflés sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them. Why shouldn’t we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighbors’ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the day’s most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didn’t leak, umbrellas that didn’t involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
Kristopher Jansma (Why We Came to the City)
Blitzen!” Junior suddenly appeared. He crutched toward me with his rocket-powered walker and a lot of friends. “Get him, boys!” “Ha! Eat light, Junior!” I unleashed the power of the mini bed. Sadly, instead of a turn-you-to-stone laser beam, a weak glow enveloped Junior like a soft blanket. The charge had run out. A thin crust formed around him. It was nowhere near as dramatic as instant petrification, but it was startling enough to make the other dwarves pause. And that made me think about how I looked to them. A dwarf who handcrafts a weapon that I know what it’s like to be petrified. It stinks. So I had every intention of cutting Alviss free on his next pass-by and then dipping him in the river to restore him. But before I could, the stalactite attached to the rope broke. Alviss’s momentum carried him over the cliff edge. He landed with a splash in the water below. “Oops.” I peered down, then waved my hand dismissively. “Ah, he’ll be fine.” “Blitzen!” Junior suddenly appeared. He crutched toward me with his rocket-powered walker and a lot of friends. “Get him, boys!” “Ha! Eat light, Junior!” I unleashed the power of the mini bed. Sadly, instead of a turn-you-to-stone laser beam, a weak glow enveloped Junior like a soft blanket. The charge had run out. A thin crust formed around him. It was nowhere near as dramatic as instant petrification, but it was startling enough to make the other dwarves pause. And that made me think about how I looked to them. A dwarf who handcrafts a weapon that petrifies other dwarves? Not cool. “Listen!” I yelled. “My argument is with Junior, not you. When he decrustifies, tell him I want to talk.” I put the mini bed on the ground and showed them my empty hands while slowly backing away. It would have been a very powerful moment if I hadn’t backed off the cliff into the river. As I thrashed through the churning water toward shore, three things occurred to me. One, Junior would never, ever forgive me. Two, my cashmere hoodie was ruined. And three . . . Mimir owed me a lot more than a quarter.
Rick Riordan (9 From the Nine Worlds)
No, no. It has quite healed over again. I am very well. It is only that I don’t sleep. Toss, turn, can’t get off, then ill dreams and I wake up some time in the middle watch – never get off again, and I am stupid all the rest of the day. And damned ill-tempered, Stephen; I sway away on all top-ropes for a nothing, and then I am sorry afterwards. Is it my liver, do you think? Not yesterday, but the day before I had a damned unpleasant surprise: I was shaving, and thinking of something else; and Killick had hung the glass aft the scuttle instead of its usual place. So just for a moment I caught sight of my face as though it was a stranger looking in. When I understood it was me, I said, “Where did I get that damned forbidding ship’s corporal’s face?” and determined not to look like that again – it reminded me of that unhappy fellow Pigot, of the Hermione. And this morning there it was again, glaring back at me out of the glass. That is another reason why I am so glad to see you: you will give me one of your treble-shotted slime-draughts to get me to sleep. It’s the devil, you know, not sleeping: no wonder a man looks like a ship’s corporal. And these dreams – do you dream, Stephen?’ ‘No, sir.’ ‘I thought not. You have a head-piece . . . however, I had one some nights ago, about your narwhal; and Sophie was mixed up with it in some way. It sounds nonsense, but it was so full of unhappiness that I woke blubbering like a child. Here it is, by the way.’ He reached behind him and passed the long tapering spiral of ivory. Stephen’s eyes gleamed as he took it and turned it slowly round and round in his hands. ‘Oh thank you, thank you, Jack,’ he cried. ‘It is perfect – the very apotheosis of a tooth.’ ‘There were some longer ones, well over a fathom, but they had lost their tips, and I thought you would like to get the point, ha, ha, ha.’ It was a flash of his old idiot self, and he wheezed and chuckled for some time, his blue eyes as clear and delighted as they had been long ago: wild glee over an infinitesimal grain of merriment.
Patrick O'Brian (Post Captain (Aubrey & Maturin, #2))
What a lovely day again; were it a new-made world, and made for a summer-house to the angels, and this morning the first of its throwing open to them, a fairer day could not dawn upon that world. Here's food for thought, had Ahab time to think; but Ahab never thinks; he only feels, feels, feels; that's tingling enough for mortal man! to think's audacity. God only has that right and privilege. Thinking is, or ought to be, a coolness and a calmness; and our poor hearts throb, and our poor brains beat too much for that. And yet, I've sometimes thought my brain was very calm—frozen calm, this old skull cracks so, like a glass in which the contents turned to ice, and shiver it. And still this hair is growing now; this moment growing, and heat must breed it; but no, it's like that sort of common grass that will grow anywhere, between the earthy clefts of Greenland ice or in Vesuvius lava. How the wild winds blow it; they whip it about me as the torn shreds of split sails lash the tossed ship they cling to. A vile wind that has no doubt blown ere this through prison corridors and cells, and wards of hospitals, and ventilated them, and now comes blowing hither as innocent as fleeces. Out upon it!—it's tainted. Were I the wind, I'd blow no more on such a wicked, miserable world. I'd crawl somewhere to a cave, and slink there. And yet, 'tis a noble and heroic thing, the wind! who ever conquered it? In every fight it has the last and bitterest blow. Run tilting at it, and you but run through it. Ha! a coward wind that strikes stark naked men, but will not stand to receive a single blow. Even Ahab is a braver thing—a nobler thing that that. Would now the wind but had a body; but all the things that most exasperate and outrage mortal man, all these things are bodiless, but only bodiless as objects, not as agents. There's a most special, a most cunning, oh, a most malicious difference! And yet, I say again, and swear it now, that there's something all glorious and gracious in the wind. These warm Trade Winds, at least, that in the clear heavens blow straight on, in strong and steadfast, vigorous mildness; and veer not from their mark, however the baser currents of the sea may turn and tack, and mightiest Mississippies of the land swift and swerve about, uncertain where to go at last. And by the eternal Poles! these same Trades that so directly blow my good ship on; these Trades, or something like them—something so unchangeable, and full as strong, blow my keeled soul along!
Herman Melville (Moby-Dick or, The Whale)
So, my true first time with a boy was like this… You can look but you cannot touch Ha- that is what I thought, I was so wrong too and it was not with him either regrettably. It was okay my heart was beating so rapidly; I thought that it was going to explode out of my chest. The silky-smooth skin ran along my body; it was like an enchanted expression of togetherness. At last, I felt as if I was loved. But I was not with the one that I loved. His brown eyes glazed- sweetly and softly into mine. I was so looking forward to this kiss and moment all my life. However, he walked with me in his arms to his bed. Then I was on his bed stripped of all forms of dignity. The lights were off, and the door was locked, and that took me back to when I was a little girl. Loving at night just holds onto me tight. The room is lit by the moonlight. When you are looking down at me is what you are seeing all right? This is maybe my special night. I cannot believe I am with a football player! I was not prepared at all for the performance of lovemaking. I had no idea what I was doing. I was thinking to myself this is not like the movies at all! Yes, all the touching was extremely steamy, like before and then again, the playing around that he did on me was more intriguing, to say the least. I was thinking that he was the sweetest guy on earth. However, all the thoughts in my mind ran fast… thoughts like should we be doing this? Yet, I am so shy and nervous my knees were knocked beforehand. Then again, this is going to be so beautiful; I had fantasized about this moment since I was a young girl. ‘Yet, I have to say to all you girls out there, to lose it when you are ready to. Please do it for you and no one else. It is about your timing, and what you choose to do, you can choose when and whom you let in!’ So, starting I felt like my tearing and breaking-in took forever, and that his pushing forward was never going to stop, love is painful in more than one way, it was so intense. Yet, it was so perfect and feels so amazing with him now sliding in and out of me. It hurt at the start, but it got more enjoyable, that is for sure. Yet also, it was like being run over by a speeding train, and I could not help but feel that he was not meant to be my first. Me being so naïve and only sixteen years of age I was so embarrassed by the fact that I was so under-experienced in sensual activities. I wanted to make the best of the moments of intimacy. I was happy to say that I got my first French kiss as well, but his soft little kiss was sweeter, the first time we kissed as I remember at that time.
Marcel Ray Duriez
 “You like me, though. You want to go on a date with me.” It wasn’t a question. “Cocky much?” “Confident. Don’t be mistaken.” “Why do you want to take me out so badly?” “Fishing for more compliments, are we?” He’d caught me, but went on anyway. “Obviously you’re beautiful. You have nice, you know, legs and . . . stuff.” “You’re laughing. I don’t think I’m really your type. I think you’re messing with me. I’m not at all like Charlize Theron.” We pulled up to my car but he let Charlize idle before getting out. “You are so my type. Charlize—at least the actress—is not. I mean, she’s gorgeous, in a blond, Amazonian, I-might-kill-and-eat-my-own-young kind of way, but I like your look better.” “Oh yeah? What’s my look?” “There’s something dark about you . . . and interesting. Your creamy skin, your black hair. The way you move. Your mouth.” He reached out to touch my cheek but I jerked away, breaking the seriousness of the moment. “What do you mean I’m dark?” He smiled and shrugged. “I don’t know. Like I want to get naked with you and a Ouija board.” I burst out laughing. “And your laugh . . . it’s like the sound of someone squeezing the life out of a miniature trumpet. It’s really cute.” “That is not a compliment. I have a nice laugh. And by the way, your voice is nasally when you’re not trying to impress people.” He held his hand to his chest like he was offended, except he was still smiling. “I’m crushed. Penny, whatever your last name is—” “Piper.” “Ha! Penny Piper? You’ve got to be kidding! That’s either a children’s book character or a porn star’s name. Penny Piper picked a peck of pickled pep—” “Stop! I know, trust me. I have to live with this name. My poor sister’s name is Kiki Piper. Like we’re fucking hobbits or something.” “Penny Piper is worse than Kiki Piper, hands down.” I cocked my head to the side. “Thanks.” “Just sayin’. What’s your middle name?” “Isabelle.” “I’m gonna call you PIP Squeak.” “Thank you. I can’t wait.” “And by the way, I happen to have a deviated septum. That’s why my voice sounds like this sometimes, you asshole. Now get out and help me with your car.” As we stepped out, he pointed to my Honda and said, “Try and start it when I tell you.” I stopped and turned to him. “What’s your middle and last name?” “Gavin Augusta Berninger.” “Regal,” I said with a wink. “I know, right?” He shrugged one arm like he was royalty or something. “Is that French?” “Yeah, my dad’s family is French . . . sort of. Like, his great-great-grandfather came from France. No one in our family even speaks French.” “Hmm, not so regal anymore,” I said. “Whatever, Penny Piper.
Renee Carlino (Blind Kiss)
(Summer of 2010) Chiaz Natherth- It was just going to be a typical summer day. I am at the local watering hole with my bud Melvin Shezor; we were just there to gaze at the girl gaze, sitting on lawn chairs. I had warm lemonade in my right hand at the time. I am looking around at all the bodies that are bobbing in the water; they all just seem to blend. The lifeguard is blowing her whistle while screaming at the little kids that are running around. Some stunning bodies are smacking the cold blue water with great speed, from the high dive. But- there is no more perfect figure there than hers. Everyone else seems to fade away out of my vision, along with all the ear-shattering noises. Bryan Adams ‘Heaven’ is playing in the background, and it seemed to be pronounced to my senses. When I am looking at her, it is like she is moving in slow motion, swimming across the pool. She climbed up the ladder and out of the pool. Her body dripping with water… what a moment, there is even water dripping down her chest. She looks amazing in that petite pink bikini. I was thinking to myself, that is a very cute looking camel-toe you got showing there Nevaeh! I never knew that she had a heart-shaped belly button piercing, when did that happen? Also, I could tell that her swimsuit was made by her, just like most of the sun-dresses she wears in the summertime too. Because it was not like any others I have ever seen around, it is cute, somewhat skimpy, and tailored to her perfect body. The fabric was not meant to get wet, it was somewhat see-through, yet she did not know, though it looks very good what can I say. She is walking towards me while running her fingers through her long brown hair. ‘I was thinking this is too good to be for real.’ She walked by and said ‘hi!’ and I was at loss for words. She was already gone, but I still babbled something like ‘Ahh-he-oll-o.’ At that point, into the changing room, she went, and I just sat there trying to fathom what had just happened. Melvin Shezor- ‘Chiaz! Ah, Chiaz! Hello, earth to Chiaz, snap out of its dude.’ Chiaz Naztherth- ‘She is so fine! I would not mind having her on my arm.’ Melvin Shezor- ‘Yah, the man she is not bad. But- isn’t she into girls though. So, do you like Nevaeh?’ Chiaz Naztherth- ‘I do not think that she is, and well… Yes, did you see her in that swimsuit? She is adorable in every way.’ Melvin Shezor- ‘Really is that so? Go talk to her!’ Chiaz Naztherth- ‘No way!’ Melvin Shezor- ‘Why not, you pussy!’ Chiaz Naztherth- ‘If Alissa finds out that I like her, or even looked at her I am going to die.’ Melvin Shezor- ‘Ha, it sucks to be you man.’ Chiaz Natherth- ‘Hey, I will see you later, I got to go.’ (Text messages are going off… like crazy) Melvin Shezor- ‘Pu-ss-y!’ (Shouting as Chiaz Natherth is walking out the exit gate.) (Chiaz- He just waved it off, with the finger that is not supposed to be used in public, and does not think any more about it from that point on.) Chiaz Naztherth- Summer is over! Yet she is with him… he is so unconfident in himself that he has to follow me around. He gives me vain advice on what to do, and how to do it, yet I would have to say I need to stand up for myself more than what I do, yet I do not because of her. He attempts to belittle me, with his words of temperament to her. These results lead to her having breakdowns, where she is feeling miserable because she is stuck in the middle. She does not know what to do! She doesn't know how to feel! She does not want to hurt anyone's feelings, yet she is the one that is left to choke on her tears. Yes, I will save you long before you drowned!
Marcel Ray Duriez (Nevaeh The Miracle)
A good marriage was full of moments of cats and dogs. It was the uneventful marriage that was headed toward disaster. In a word, the differences between the husband and the wife should only help stabilize their marriage.
Ha Jin
At around six a.m., he gave up on trying to go back to sleep. He called Leo, whose first reply instead of good morning or hello was, “Haven’t you gone to bed yet?” “Actually, I am just getting up.” That silenced Leo for a moment. “Are you sick?” “No.” “You do realize it’s not even close to noon, right?” “I know what time it is,” Hayder snapped, getting irked. “It’s time for you to stop messing with me and bring me some clothes.” “Why would I do that? Where are you? Wait, don’t tell me you stayed with the girl last night.” “She’s mine. Where else would I be?” “Dude, you met her yesterday.” “Yeah, and?” “You. Met. Her. Yesterday.” Leo enunciated each word slowly. “I. Know,” Hayder mocked. “What is this hang-up everyone has with time? She keeps saying the same thing. Who cares? She’s the one.” “This is my fault,” Leo grumbled. “How do you figure that? Are you in charge of the fates and the decision on who belongs together?” “No, but I might have knocked some sense into you one too many times.” “Aren’t you just the comedian? But this is no joke. Arabella’s mine, and that’s that. Now would you bring me some clothes?” “What about Jeoff?” “What about Jeoff?” “You don’t think her brother might have an issue with you hooking up with his sister, who, by all accounts, is vulnerable right now.” “Hey, are you implying my Arabella has loose morals? I’ll have you know she turned me down. Would you believe she shoved me out of bed? Told me to go away?” Incredulity still filled him. It didn’t take super hearing to catch Leo’s snort of mirth. “Ha. In that case, maybe she is the one. You need a woman who can say no to you sometimes.” “You are not a nice omega, Leo.” “Nice is for pussies. Now, are you done whining, or should I come over there and really give you something to whine about?” Hayder rubbed his jaw. “No need.” “Are you sure? You know I’m always ready to help a pride member in need.” “All I need right now are some clothes.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
I think I arrived just in time,” Leo announced a second before he grabbed a swinging Jeoff. Leo plopped Arabella’s brother onto the couch. “Stay or I’ll sit on you.” A wise man— some of the time— Jeoff didn’t budge. “You were told,” Hayder taunted. “Don’t make me duct tape your mouth again.” Count on Leo to take the wind out of Hayder’s sail. Few people argued with the massive man. Nor did anyone ever tell him to leave, even if Hayder really wished both Leo and Jeoff would go so he could resume the interesting moment he’d shared with Arabella just before all hell broke loose. Alas, judging by Arabella’s guarded expression, that sensual moment was gone. He’d have to find another way to recapture it. But first he needed to convince Jeoff to let her stay, as well as get Leo to depart— without enforcing an omega-calming moment— and have Arabella lose the rounded shoulders as they fought over her. Poor baby. How overwhelming this must be for her. How upsetting. And partially his fault. Shit. Ignoring the others, Hayder dropped to his knees in front of her. “I’m sorry, baby. Don’t get upset. I promise to behave. After all, it’s normal your brother would want to protect you, and I shouldn’t have beaten the hell out of him for it.” “I think it was the other way around, cat,” Jeoff muttered. “Shhh!” Leo said in a loud whisper. “He’s apologizing. Don’t ruin it.” Arabella’s gaze briefly met Hayder’s. “It’s okay.” “No, it’s obviously not. I can see you’re disturbed. You know I didn’t mean for that to happen. I never meant to upset you.” “I’m not upset about the fight.” Her lips twitched into a small smile. “Boys will be boys, my mom used to say. I’m just sorry to cause all this trouble. Jeoff’s right. I shouldn’t be here.” “Ha. Told you so.” Jeoff crowed in triumph. “And I shouldn’t be with his pack either. With this danger hanging over me, I should flee the country and keep my problems away from all of you.” Leave? He meant to say no, but his lion spoke first. More like rawr-ed. And in reply? She sneezed. A few times as a matter of fact. “What’s wrong with you?” Jeoff asked his sister. “Stupid allergies,” she grumbled. Jeoff snickered. “You still suffering from those? That’s hilarious. And yet the cat thinks you’re true mates?” “She’s mine, and a little sneeze and spit won’t change that.” “Is he completely insane?” Jeoff muttered. “Utterly, but the doctors say he’s not a danger to himself or the pride. But I wouldn’t push him. And given these two are talking about the future, a future that isn’t ours to decide, we should leave them to work things out,” Leo politely suggested. “But—” Jeoff never got a chance to finish that thought because Leo had spoken. And when Leo spoke, he acted. “No buts. You. Come.” Leo grabbed a hold of Arabella’s brother, tossed him over a shoulder, and marched him out with a tossed, “Don’t you screw anything up with the girl. I’d hate to have to come back and teach you a lesson.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
I have no time in the world but the time in which I am and that lasts a moment and passes like a cloud.
Samuel ha-Nagid (Music of a Distant Drum: Classical Arabic, Persian, Turkish & Hebrew Poems)
C’mon, big guy,” she said, rising up on her tiptoes so that she could lay her hand against his jaw. The moment her flesh touched his, his entire body went white-hot. Every hormone he possessed fired into overdrive. For a moment, he couldn’t breathe as that heat seared him and he tried to imagine what she’d taste like. With a smile that caused his stomach to flutter, she moved his jaw up and down. “You can do it. Look how easy.…” Then she deepened her voice to mimic his. “Wow, Teri. I never knew speaking would be so easy. Thanks for telling me. I might even want to try and do this on my own one day.” In spite of himself, he smiled at her antics. No one had ever been so playful around him. Most kept a wide distance out of fear. Pulling her hand away, he stared down at her. “Ha ha.” She scowled. “You really can’t go over two syllables, can you? What? Did you lose a bet with a sorcerer or something? If you let out three does your head explode or do you get some form of ED?
Sherrilyn Kenyon (Time Untime (Dark-Hunter, #21))
Mindfulness and the 12 Steps Thérèse Jacobs-Stewart HaZeLDeN® Hazelden Center City, Minnesota 55012 hazelden.org © 2010 by Thérèse Jacobs-Stewart All rights reserved. Published 2010 Printed in the United States of America No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopying, recording, scanning, or otherwise—without the express written permission of the publisher. Failure to comply with these terms may expose you to legal action and damages for copyright infringement. Library of Congress Cataloging-in-Publication
Thérèse Jacobs-Stewart (Mindfulness and the 12 Steps: Living Recovery in the Present Moment)
He bows to the two of us, and when he speaks, his voice fills the room, far louder and more booming than a voice should be before noon. “I intend to ride the estate today, if you two would like to join me.” I open my mouth to give him a quick, No thanks, I’d rather pull out my own hair, but Emily beats me to it. “How kind of you to offer! We would love to.” Huh? I can’t figure out why Emily doesn’t hate Alex. He’s a jerk and he’s done nothing to help her out of her engagement. And now she’s volunteering to hang out with him? An excuse…I need some kind of excuse to get out of this. Alex walks to the window and looks out, offering a rather flattering view of the back of his riding pants. “Did you enjoy the dance last evening?” Is he making small talk? That’s a first. “Yes, very much so,” Emily says. “It was delightful.” I nod. “Yeah. I guess so.” I won’t say I had fun because I don’t want him to get the wrong idea. I don’t want him to know dancing with him was the most exciting part of my evening and the most agonizingly long half hour of my life. Alex looks at me for a long silent moment. You’d think he’d bring up the big “lady” versus “miss” debacle. Or just that we’d danced. But he doesn’t. “Yes, I rather enjoyed myself as well,” he says. Seriously, what does that mean? I was the only girl he danced with. The entire night. Is he trying to tell me something? Ha. Right. He probably means that it was all sorts of fun to insult me. And that’s when Emily starts rubbing her temple. She sets her needlepoint down and frowns, massaging in circular motions on the side of her face. Oh, no, she’s not-- “Dear cousin, I am coming down with a headache. Perhaps you and Rebecca ought to ride without me.” I get a twinge when I hear Rebecca. Every day it feels more like we’re friends--and more like I’m betraying her. And then she turns to me, knowing Alex can’t see her, and winks. “Oh, no, I--” I start to say, because I suddenly realize what she’s trying to do. This can not happen. A horseback ride alone with Alex? No thank you! But Alex cuts in before I can stop her. “Yes, I would not have you overexerting yourself. We shall check on you when we return.” Okay, this is not how I want to spend my afternoon. Alone with Alex? I’d rather get a root canal. But…maybe it’s my chance to talk to him about Emily. Maybe he doesn’t know about Trent. Emily said Trent was wealthy, right? He’s not titled, but he has money. If Alex knew about him…maybe he would get Emily off the hook with Denworth. Maybe that’s why Emily is trying to arrange for me to spend time with Alex. She so owes me after this. I can do this. I can hang out with him for a couple hours--long enough to talk him into helping us. Emily jumps up from her chair far too quickly for someone with a headache and leaves the room before I can do anything. I rub my eyes. It’s going to be a long afternoon.
Mandy Hubbard (Prada & Prejudice)
When I Go Within, I Am Never Without.
Trilby D. Johnson (A-Ha Moments: Inspirational Quotes to Shift Your Thinking)
You are your So(u)lution.
Trilby D. Johnson (A-Ha Moments: Inspirational Quotes to Shift Your Thinking)
We have to be alone, to know that we are everything!
Trilby D. Johnson (A-Ha Moments: Inspirational Quotes to Shift Your Thinking)
Insight involves trust - trusting that the information coming through is correct.
Trilby D. Johnson (A-Ha Moments: Inspirational Quotes to Shift Your Thinking)
Most of the time, your body is way ahead of your mind.
Trilby D. Johnson (A-Ha Moments: Inspirational Quotes to Shift Your Thinking)
And for a brief moment I envisioned myself snarling Yes, ha ha! And I minced fifty more like him, so you’d better run!
Sherwood Smith (Court Duel (Crown & Court, #2))
We make a mistake when we reduce our personal and professional lives to success or failure, goals achieved and quantified or not quite grasped and enjoyed.
Michael Prywes (The Gasp: How to Seize That "A-Ha!" Moment and Turn It Into a Winning Business (A Proud Lawyer Guide))
Davant de l'esperit espanyol, el concepte de Renaixement perd el seu sentit. Perquè, en definitiva, el Renaixement italià i europeu es caracteritza per la renaixença de l'home com un ésser d'aquest món, un ésser que havia oblidat la seva vocació terrenal per culpa de la seva fixació en el més enllà. Però com que a Espanya el cristianisme conserva en tot moment la tensió de la lluita, no s'hi decandeix mai, ni coneix la indolència o la indiferència —ni encara menys, l'hostilitat— envers el més enllà. I com que, d'altra banda, una ardorosa sensualitat oriental s'hi adhereix a les coses terrenals, lògicament no es pot parlar del retorn a una terra mai no oblidada. Certament, l'humanisme també va influir Espanya i va trobar-hi grans representants, però només dins la ciència de la filologia i de l'arqueologia, sense arribar a soscavar el catolicisme. A Espanya també hi trobem la creació artística i l'evolució de la personalitat, dues característiques del Renaixement europeu, però mai alliberades del domini il·limitat i inviolat d e l'Església. Espanya i Itàlia es disputen Colom; a totes dues costes —a Barcelona i a Gènova— hi té el seu monument. Però la idea que va eixamplar el món prové de la ciència italiana, i el descobridor del Nou Món i els seus primers conqueridors no porten a Amèrica cap cultura europea ni un augment de la cultura humana, sinó, en l'ordre religiós, l'encadenament a una forma tirànica, crua i exterior del catolicisme, i, en l'ordre social, una esclavitud explotadora en tots els sentits. Espanya ha hagut de pagar molt car aquest pecat: segons una plausible teoria econòmica de Montesquieu, Espanya va quedar ofegada per la inundació de l'or estèril de les seves colònies, i sens dubte perdé durant segles la seva posició predominant per haver-se oposat enèrgicament a l'ambició ascensional del pensament renaixentista. "Déu bufà, i l'Armada s'escampà amb tots els vents": si entenem Déu com l'expressió poètica de l'afany de progréss de l'esperit humà, ja hem trobat la raó més profunda d'aquella desfeta que va significar el cop mortal al predomini espanyol. A l'època del Renaixement i la Reforma, però, quan Espanya frenava la marxa del rellotge de la cultura i era la gran potència de la Contrarreforma, aquesta nació va enriquir enormement le tresor espiritual de la humanitat; els seus escrits ètics i religiosos, la seva poesia, el seu teatre i la seva novel·la, les seves pintures i els seus edificis, són patrimoni de la humanitat; la seva llengua i la seva manera de viure van ser un factor de refinament en els llocs més diversos d'Europa. Si Espanya anomena edat d'or la seva gran època, no és per pura vanitat. No obstant això, després d'aquest "siglo de oro" s'inicia una frase obscura d'esgotament, de marginació, d'impotència, i no tan sols en un sentit polític: si políticament Espanya s'enfonsa fins a la condició d'un petit estat, en l'aspecte cultural més general queda com extingida. Fins al final del segle passat no es comencen a moure noves forces, però ara el país haurà d'aprendre durant molt de temps dels pobles que l'han avançat, i avui encara no es pot dir que hagi assolit una nova posició dominant, ni tan sols que pertanyi al grup que encapçala el progrés de la humanitat.
Victor Klemperer (Cultura: El vell i el nou humanisme)
That is what we are, what we do: nose a net, push push, a net that never exists. The knots in the mesh as strong as our own believing. Our own fears. Ha. Admit it: you don’t have the slightest idea what you are doing, you never ever did. With all the nets in the world, real or unreal. You swam around in a flashing confused school following the tail of the fish in front. Pretty much. Nibbling at whatever passed, in whatever current you swam into. Even the love of your life felt like luck, like she might vanish in the finning crowd at any moment. Which she did.
Peter Heller (The Dog Stars)
Al fons, unes muntanyes de roca pelada tanquen el terme. De vegades tenen un núvol damunt: la roca i el núvol, la permanencia i l'evanescència. El núvol passa, però que esplèndid en el seu aspecte canviant a l'hora de la posta; la roca és sempre igual. ¿Què es la roca i què es el núvol en la nostra vida; què val més dels dos? ¿Quina és la part de nosaltres que ha de quedar immutable? ¿I és gaire segur que valgui més que l'altra, la que ens fuig a cada instant? ¿O és que som íntegrament fantasmes, núvols sense més esperança que conèixer un moment gloriós, un sol moment, i esvair-nos? Tots els nostres instints es revolten contra aquesta idea. "Sento i experimento que sóc etern", paraules de Spinoza. Sé aquesta cita de Spinoza per en Soleràs, ¿qui, si no ell, seria capaç d'empassar-se Spinoza? I la immensitat del nostre desig, ¿com explicar-se aquest misteri? ¿Com explicar-se que sentim aquest desig immens si no sabem de què el sentim, què desitgem?
Joan Sales (Incerta glòria)
What if we started counting time in breaths instead of seconds? What if I could hold my breath and stop time? I smile. That’s my ah-ha moment. When we stop breathing … time does stop. That’s when we know our time is up. I think I’ll keep counting breaths.
Jewel E. Ann (Scarlet Stone)
Like fine porcelain teacups. I shall sip tea from them. How nice you taste.” “Oh, my God!” “Ha, look what I found. A pwetty wittow pussy cat! Such a nice little pussy and it’s all wet. It must like this.” “Oh, God, it does.” “I’m wet too, Priss. Touch me. Oh, yes, Christ, yes, touch me forever. Oh, don’t stop, don’t stop, don’t stop. Oh!” And, after a moment, “Who would have believed it? It happened so quickly. I’ve never had anything like that feeling, the most powerful orgasm
Lawrence Block (Threesome)
Berger observa que hem buidat els animals d'experiències i secrets, i que això ens porta a establir-hi una relació nostàlgica. Em pregunto si aquesta manera obscena que tenim de mirar-nos a través de les xarxes socials (un zoològic en potència) no ens està desproveint, també a nosaltres, d'experiències i secrets. Fins i tot podríem dir que aquest procés que estem vivint ens ha pres a totes aquestes experiències i secrets de forma puntual, d'aquí que el confinament sigui un moment procliu a les tensions i a la nostàlgia en un doble sentit: d'una banda, per aquesta despossessió i, de l'altra, perquè durant aquest temps s'ha materialitzat, transitòriament, un altre món possible, allò que ja hem comentat en una altra carta, la presència d'animals a les ciutats, l'escolta i transformació dels cants dels ocells, la reducció de la contaminació acústica i atmosfèrica, el silenci... Una naturalització només concebible per la nostra desaparició. La nostàlgia apel·la al futur, en aquest cas, a un futur sense nosaltres.
Ingrid Guardiola (Fils)
In severe melancholia, pain and anger become so intense that you eventually split yourself into two entities. You disconnect from the hated, humiliated part of yourself. You say to it: 'You're obviously sick and you're going to do something dreadful, so now I am going to separate from you and become autonomous.' You decide to dispose of it, to kill it off. You imagine you will be able to watch as it jumps out of the window, and rid yourself of it forever. This is such insanity and you go so mad that you believe that there will be a physical part of you that won't be killed. A part of you, you think, will be left behind to watch the Bad You fall to its destruction, to observe your own death and gloat and say: 'Ha! ha! ha! See, I got you! Fool!' But halfway down you realize that you have made a terrible mistake. There is no other half. There's no one left to gloat. The joke is on you, but you're not laughing anymore. In the split second between your vengeful act and extinction you always regret it. I know because I did when I took the sleeping pills in Australia. You have a moment of truth where you see your gesture for what it is. Which is a very petty thing. It's a hostile act. And it's insane because you're trying to get back at things through an act of such ultimate revenge that it involves your own annihilation. At just that instant you hit the ground and it's all over.
Marianne Faithfull (Faithfull)