Czernobog Quotes

We've searched our database for all the quotes and captions related to Czernobog. Here they are! All 15 of them:

Fuck you," said Czernobog. "Fuck you and fuck your mother and fuck the fucking horse you fucking rode in on. You will not even die in battle. No warrior will taste your blood. No one alive will take your life. You will die a soft, poor death. You will die with a kiss on your lips and a lie in your heart.
Neil Gaiman (American Gods (American Gods, #1))
Fuck you," said Czernobog. "Fuck you and fuck your mother and fuck the fucking horse you fucking rode in on.
Neil Gaiman (American Gods (American Gods, #1))
Mr. Nancy passed a key to Shadow, another to Czernobog. “Is there a flashlight on the bus?” asked Shadow. “No,” said Mr. Nancy. “But it’s just dark. You mustn’t be afraid of the dark.” “I’m not,” said Shadow. “I’m afraid of the people in the dark.
Neil Gaiman (American Gods)
Alviss, son of Vindalf. He's the king of the dwarfs. The biggest, mightiest, greatest of all the dwarf folk. "But he's not a dwarf," pointed out Shadow. "He's what, five-eight?" "Which makes him a giant among dwarfs," said Czernobog from behind him. "Tallest dwarf in America.
Neil Gaiman (American Gods (American Gods, #1))
Well, we children do not like emptying, clearing. We do not want Czernobog’s darkness, only Belobog’s light. Even us very old children. We forget that light, without shadow or variation, is blinding. We malign and fear and slander the Emptier, Czernobog, the Dark One, the god of endings. Perhaps we would do well to wait, like children learning patience, learning trust, and see what fills the space he clears, what light breaks into his darkness.
Jacqueline Holland (The God of Endings)
Brakuje mi słowa. Chodzi o odwrotność świętości. - Profanum? - odparł Cień. - Nie. Chodzi mi o miejsca mniej święte niż każde inne. O ujemnej świętości. Miejsca, w których nie da się postawić żadnej świątyni, których ludzie unikają, a jeśli już je odwiedzą, znikają jak najszybciej mogą. Jedynie bogowie mogą stąpać po tych miejscach, jeśli oczywiście ktoś ich do tego zmusi. - Nie wiem - rzekł Cień. - Nie sądzę, by istniało takie słowo. - Cała Ameryka jest trochę taka - wyjaśnił Czernobog. - To dlatego nie jesteśmy tu mile widziani. Ale środek... on jest najgorszy. Zupełnie jak pole minowe. Wszyscy stąpamy tam zbyt ostrożnie, by odważyć się naruszyć rozejm.
Neil Gaiman (American Gods (American Gods, #1))
Fuck you,' said Czernobog. 'Fuck you and fuck your mother and fuck the fucking horse you fucking rode in on.
Neil Gaiman (American Gods)
The head of the sledgehammer was cold, icy cold, and it touched his forehead as gently as a kiss. 'Pock! There,' said Czernobog. 'Is done.' There was a smile on his face that Shadow had never seen before, an easy, comfortable smile, like sunshine on a summer's day. The old man walked over to the case, and he put the hammer away, and closed the bag, and pushed it back under the sideboard. 'Czernobog?' asked Shadow. Then, 'Are you Czernobog?' 'Yes. For today,' said the old man. 'By tomorrow, it will all be Bielebog. But today, is still Czernobog.' 'Then why? Why didn't you kill me when you could?' The old man took out an unfiltered cigarette from a pack in his pocket. He took a large box of matches from the mantelpiece and lit the cigarette with a match. He seemed deep in thought. 'Because,' said the old man, after some time, 'there is blood. But there is also gratitude. And it has been a long, long winter.
Neil Gaiman (American Gods (American Gods, #1))
Shadow inserted his coin. The drunk in the graveyard raised his bottle to his lips. One of the gravestones flipped over, revealing a grasping corpse; a headstone turned around, flowers replaced by a grinning skull. A wraith appeared on the right of the church, while on the left of the church something with a half-glimpsed, pointed, unsettlingly birdlike face, a pale, Boschian nightmare, glided smoothly from a headstone into the shadows and was gone. Then the church door opened, a priest came out, and the ghosts, haunts, and corpses vanished, and only the priest and the drunk were left alone in the graveyard. The priest looked down at the drunk disdainfully, and backed through the open door, which closed behind him, leaving the drunk on his own. The clockwork story was deeply unsettling. Much more unsettling, thought Shadow, than clockwork has any right to be. “You know why I show that to you?” asked Czernobog. “No.” “That is the world as it is. That is the real world. It is there, in that box.
Neil Gaiman (American Gods (American Gods, #1))
Czernobog snorted and woke, sitting up slowly. “I dreamed a strange dream,” he said. “I dreamed that I am truly Bielebog. That forever the world imagines that there are two of us, the light god and the dark, but that now we are both old, I find it was only me all the time, giving them gifts, taking my gifts away.” He broke the filter from a Lucky Strike, put it between his lips and lit it with his lighter. Shadow wound down his window. “Aren’t you worried about lung cancer?” he said. “I am cancer,” said Czernobog. “I do not frighten myself.
Neil Gaiman (American Gods)
We played checkers," said Czernobog, hacking himself another lump of pot roast. "The young man and me. He won a game, I won a game. Because he won a game, I have agreed to go with him and Wednesday, and help in their madness. And because I won a game, when this is all done, I get to kill the young man, with a blow of a hammer." The two Zoryas nodded gravely. "Such a pity," Zorya Vechernyaya told Shadow. "In my fortune for you, I should have said you would have a long life and a happy one, with many children." "That is why you are a good fortune-teller, said Zorya Utrennyaya. She looked sleepy, as if it were effort for her to be up so late. "You tell the best lies.
Neil Gaiman (American Gods (American Gods, #1))
Chad made a sour face. He turned to Shadow. “Okay,” said Chad. “Through that door and into the sally port.” “What?” “Out there. Where the car is.” Liz unlocked the doors. “You make sure that orange uniform comes right back here,” she said to the deputy. “The last felon we sent down to Lafayette, we never saw the uniform again. They cost the county money.” They walked Shadow out to the sally port, where a car sat idling. It wasn’t a sheriff’s department car. It was a black town car. Another deputy, a grizzled white guy with a mustache, stood by the car, smoking a cigarette. He crushed it out underfoot as they came close, and opened the back door for Shadow. Shadow sat down, awkwardly, his movements hampered by the cuffs and the hobble. There was no grille between the back and the front of the car. The two deputies climbed into the front of the car. The black deputy started the motor. They waited for the sally port door to open. “Come on, come on,” said the black deputy, his fingers drumming against the steering wheel. Chad Mulligan tapped on the side window. The white deputy glanced at the driver, then he lowered the window. “This is wrong,” said Chad. “I just wanted to say that.” “Your comments have been noted, and will be conveyed to the appropriate authorities,” said the driver. The doors to the outside world opened. The snow was still falling, dizzying into the car’s headlights. The driver put his foot on the gas, and they were heading back down the street and on to Main Street. “You heard about Wednesday?” said the driver. His voice sounded different, now, older, and familiar. “He’s dead.” “Yeah. I know,” said Shadow. “I saw it on TV.” “Those fuckers,” said the white officer. It was the first thing he had said, and his voice was rough and accented and, like the driver’s, it was a voice that Shadow knew. “I tell you, they are fuckers, those fuckers.” “Thanks for coming to get me,” said Shadow. “Don’t mention it,” said the driver. In the light of an oncoming car his face already seemed to look older. He looked smaller, too. The last time Shadow had seen him he had been wearing lemon-yellow gloves and a check jacket. “We were in Milwaukee. Had to drive like demons when Ibis called.” “You think we let them lock you up and send you to the chair, when I’m still waiting to break your head with my hammer?” asked the white deputy gloomily, fumbling in his pocket for a pack of cigarettes. His accent was Eastern European. “The real shit will hit the fan in an hour or less,” said Mr. Nancy, looking more like himself with each moment, “when they really turn up to collect you. We’ll pull over before we get to Highway 53 and get you out of those shackles and back into your own clothes.” Czernobog held up a handcuff key and smiled. “I like the mustache,” said Shadow. “Suits you.” Czernobog stroked it with a yellowed finger. “Thank you.” “Wednesday,” said Shadow. “Is he really dead? This isn’t some kind of trick, is it?” He realized that he had been holding on to some kind of hope, foolish though it was. But the expression on Nancy’s face told him all he needed to know, and the hope was gone.
Neil Gaiman (American Gods (American Gods, #1))
Over a thousand years ago the Christians came, with their Jewish god and their arrogant priests, their masochist saints and boot-licking apostles. They promised and threatened, with a child’s vision of heaven and hell. Seduced us with the promise of a god’s love for mere men. Over centuries, the people, weak and stupid, forgot their old beliefs and knelt before the cross. Old names and old ways were put aside. How much easier to bless yourself, and pray to heaven, than to tremble with fear before the Black God—Czernobog!
Philip Hemplow (Sarcophagus)
But he’s not a dwarf,” pointed out Shadow. “He’s what, five-eight? Five-nine?” “Which makes him a giant among dwarfs,” said Czernobog from behind him. “Tallest dwarf in America.
Anonymous
We children do not like emptying, clearing. We do not want Czernobog's darkness, only Belobog's light. Even us very old children. We forget that light, without shadow or variation, is blinding. We malign and fear and slander the Emptier, Czernobog, the Dark One, the god of endings. Perhaps we would do well to wait, like children learning patience, learning trust, and see what fills the space he clears, what light breaks into his darkness.
Jacqueline Holland (The God of Endings)