Cyrano De Bergerac Love Quotes

And what is a kiss, specifically? A pledge properly sealed, a promise seasoned to taste, a vow stamped with the immediacy of a lip, a rosy circle drawn around the verb 'to love.' A kiss is a message too intimate for the ear, infinity captured in the bee's brief visit to a flower, secular communication with an aftertaste of heaven, the pulse rising from the heart to utter its name on a lover's lip: 'Forever.

How obvious it is now--the gift you gave him. All those letters, they were you... All those beautiful powerful words, they were you!.. The voice from the shadows, that was you... You always loved me!" Roxanne

Proclaim your pride and bitterness loudly to the world, but to me speak softly, and tell me simply that she doesn't love you.

A kiss, when all is told, what is it? An oath taken a little closer, a promise more exact. A wish that longs to be confirmed, a rosy circle drawn around the verb 'to love'. A kiss is a secret which takes the lips for the ear, a moment of infinity humming like a bee, a communion tasting of flowers, a way of breathing in a little of the heart and tasting a little of the soul with the edge of the lips!

She is a mortal danger to all men. She is beautiful without knowing it, and possesses charms that she's not even aware of. She is like a trap set by nature - a sweet perfumed rose in whose petals Cupid lurks in ambush! Anyone who has seen her smile has known perfection. She instills grace in every common thing and divinity in every careless gesture. Venus in her shell was never so lovely, and Diana in the forest never so graceful as you.

ROXANE: Live, for I love you! CYRANO: No, In fairy tales When to the ill-starred Prince the lady says 'I love you!' all his ugliness fades fast-- But I remain the same, up to the last! ROXANE: I have marred your life--I, I! CYRANO: You blessed my life! Never on me had rested woman's love. My mother even could not find me fair: I had no sister; and, when grown a man, I feared the mistress who would mock at me. But I have had your friendship--grace to you A woman's charm has passed across my path.

I must be loved for myself, just that, or not at all…“ Christian to Cyrano

To be loved for beauty is a poor reward; it is to love a mask, a temporary dress, a sham unworthy of the loving heart. Your beauty which at first but dazzled me, now that I see more clearly, disappears and is not seen at all.“ Roxanne to Christian

If kisses fast could flee By letter, then with your sweet lips My letters read should be

CYRANO Yes, it is there, you may be sure, I shall be sent for my Paradise. More than one soul of those I have loved must be apportioned there ... There I shall find Socrates and Galileo!

I am never away from you. Even now, I shall not leave you. In another world, I shall be still that one who loves you, loves you beyond measure.

Et que si les baisers s’envoyaient par écrit, Madame, vous liriez ma lettre avec les lèvres!

What would you have me do? Seek for the patronage of some great man, And like a creeping vine on a tall tree Crawl upward, where I cannot stand alone? No thank you! Dedicate, as others do, Poems to pawnbrokers? Be a buffoon In the vile hope of teasing out a smile On some cold face? No thank you! Eat a toad For breakfast every morning? Make my knees Callous, and cultivate a supple spine,- Wear out my belly grovelling in the dust? No thank you! Scratch the back of any swine That roots up gold for me? Tickle the horns Of Mammon with my left hand, while my right Too proud to know his partner's business, Takes in the fee? No thank you! Use the fire God gave me to burn incense all day long Under the nose of wood and stone? No thank you! Shall I go leaping into ladies' laps And licking fingers?-or-to change the form- Navigating with madrigals for oars, My sails full of the sighs of dowagers? No thank you! Publish verses at my own Expense? No thank you! Be the patron saint Of a small group of literary souls Who dine together every Tuesday? No I thank you! Shall I labor night and day To build a reputation on one song, And never write another? Shall I find True genius only among Geniuses, Palpitate over little paragraphs, And struggle to insinuate my name In the columns of the Mercury? No thank you! Calculate, scheme, be afraid, Love more to make a visit than a poem, Seek introductions, favors, influences?- No thank you! No, I thank you! And again I thank you!-But... To sing, to laugh, to dream To walk in my own way and be alone, Free, with a voice that means manhood-to cock my hat Where I choose-At a word, a Yes, a No, To fight-or write.To travel any road Under the sun, under the stars, nor doubt If fame or fortune lie beyond the bourne- Never to make a line I have not heard In my own heart; yet, with all modesty To say:"My soul, be satisfied with flowers, With fruit, with weeds even; but gather them In the one garden you may call your own." So, when I win some triumph, by some chance, Render no share to Caesar-in a word, I am too proud to be a parasite, And if my nature wants the germ that grows Towering to heaven like the mountain pine, Or like the oak, sheltering multitudes- I stand, not high it may be-but alone!

A kiss! When all is said, what is a kiss? An oath of allegiance taken in closer proximity, a promise more precise, a seal on a confession, a rose-red dot upon the letter i in loving; a secret which elects the mouth for ear; an instant of eternity murmuring like a bee; balmy communion with a flavor of flowers; a fashion of inhaling each other's hearts, and of tasting, on the brink of the lips, each other's soul!

A word of all the words I've got in there... But if I wrote... Let's get it written, then, This letter I've composed a hundred times, Written and rewritten in my mind: it's ready And all I have to do is lay my soul Open beside the paper and copy it out.

… Besides, the moment comes, and pity those for whom it never comes, when love resents clever ripostes and nimble repartee, instead of what is deeply felt and nobly told.“ Cyrano to Roxanne

Tu marcheras, j'irai dans l'ombre à ton côté : je serai ton esprit, tu seras ma beauté.

If we could once forget the conventional things, the roses, the pierced hearts, the fairy wings and get to something larger, something true; instead of sipping from exhausted springs to drink from the full river in its flow.

Yes, I'd rather be shy than smart; a foolish diffidence constrains my heart. I reach for a star; then, from a morbid dread of ridicule, I pluck a flower instead.

Stale words, what are they worth? A moment comes and God help those for whom it never comes. When love of such nobility possesses this shaking frame That even the sweetest word, the ultimate honey, stings like vinegar.

She is a mortal danger to all men. She is beautiful without knowing it, and posses charms that she's not even aware of. She is like a trap set by nature - a sweet perfumed rose in whose petals Cupid lurks in ambush! Anyone who has seen her smile has known perfection. She instils grace in every common thing and divinity in every careless gesture. Venus in her shell was never so lovely, and Diana in the forest never so graceful as you.

Wit now would be to insult the night, nature itself, the jasmine scent, the moonlight; one glimpse of the heavens and their infinite spaces reveals the absurdity of our artifices. What scares me is that the alchemy we share may fail to distil true love, the real, the rare, wasting its time on fanciful pastimes while our sophistication destroys our dreams.

I know that in the end you'll overwhelm me, but I'll still fight you as long as there's a breath in my body... Yes, you've robbed me of everything: the laurels of glory, the roses of love! But there's one thing you can't take away from me. When I go to meet God this evening, and doff my hat before the lofty gates, my salute will sweep the blue threshold of heaven, because I'll still have one thing intact, without a stain, something that I'll take with me in spite of you: My white plume.

The alley is a pitch for about twenty women leaning in doorways, chain-smoking. In their shiny open raincoats, short skirts, cheap boots, and high-heeled shoes they watch the street with hooded eyes, like spies in a B movie. Some are young and pretty, and some are older, and some of them are very old, with facial expressions ranging from sullen to wry. Most of the commerce is centred on the slightly older women, as if the majority of the clients prefer experience and worldliness. The younger, prettier girls seem to do the least business, apparent innocence being only a minority preference, much as it is for the aging crones in the alley who seem as if they’ve been standing there for a thousand years. In the dingy foyer of the hotel is an old poster from La Comédie Française, sadly peeling from the all behind the desk. Cyrano de Bergerac, it proclaims, a play by Edmond Rostand. I will stand for a few moments to take in its fading gaiety. It is a laughing portrait of a man with an enormous nose and a plumed hat. He is a tragic clown whose misfortune is his honour. He is a man entrusted with a secret; an eloquent and dazzling wit who, having successfully wooed a beautiful woman on behalf of a friend cannot reveal himself as the true author when his friend dies. He is a man who loves but is not loved, and the woman he loves but cannot reach is called Roxanne. That night I will go to my room and write a song about a girl. I will call her Roxanne. I will conjure her unpaid from the street below the hotel and cloak her in the romance and the sadness of Rostand’s play, and her creation will change my life.

Oh! We have our pockets full, we poets, of love-letters, writ to Chloes, Daphnes--creation of our noddle-heads. Our lady-loves,--phantasms of our brains. --Dream-fancies blown into soap-bubbles! Come! Take it, and change feigned love words into true; I breathed my sighs and moans haphazard-wise; Call all these wandering love-birds home to nest. You'll see that I was in these lettered lines, --Eloquent all the more, the less sincere! --Take it, and make an end!

I may grow tender, walking alone in the blue cool of evening, through some garden fresh with flowers after the benediction of the rain; My poor big devil of a nose inhales April and so I follow with my eyes where some boy, with a girl upon his arm, passes a patch of silver. And...I wish I had a woman too, walking with little stops under the moon, and holding my arm so, and smiling. Then I dream - and I forget… And then I see the shadow of my profile on the wall!

Because I could not stop for death he kindly stopped for me I asked to see a photograph confirming his identity The faces matched - the eyes were warm - the hair was long and grey - both smiled but as I tried to move death blocked my way. No no, my sweetheart, what's the rush? Come on, let's go to bed, there's time for love, there's surely time for happiness - death said. His voice was soft, his skin was pale, his fingers brushed my face - Oh? time for love? I said - but where? He said: I know a place. He led me down a flowered track and on a bank of earth he loved me till my body screamed from every living nerve. I slept then for eternity drugged as I was with love: death bent down to my sleeping face and on earth's pillow made a place to leave his photograph.

Well in no particular order... I love you, I need you, I want you, I go to sleep thinking about you and wake up with your voice winding through my head, I look at you and I can't focus, the whole world shimmers, I'm ashamed, I'm angry, I'm in love, I'm mad, I'm happy, I'm dead, I'm alive, I'm stupid, I'm tongue-tied, I'm writing you letters, I'm tearing them up, I'm writing you letters again, I'm idealising you, I'm humiliating you, I'm undressing you, I'm looking into your eyes, I'm kissing your eyes, I'm pressing you against a wall, you're pushing back, your body wants mine, you kiss my mouth, you bite my lip, you draw blood, you're on fire, you're on fire, your eyes are flame, your hair is flame, the whole world shimmers and I burn and I burn with love -- the whole world shimmers - and the night - and the sky - and your voice shimmers - I've no wit, I've no mind, I've no brake, I've no self-control, I've no shame, I've no authority over myself, I can wait hours for just one glimpse of you then not speak to you at all, how can I speak, how can I speak to you, I can't speak, I can't stop speaking, I can't stop looking, I can't look, I make you an object, I desire you, I write to you, I write for you, I tear up everything I have ever written for you or about you, I burn myself alive for you, I worship you, I strip you, I clothe you, I do up the tiniest buttons at your sleeve, I embrace your wrist, I embrace your neck, I kiss the back of your neck, I embrace your wrist, I'm speechless, speechless, all I can say is I want - I want - I want - there is no poetry - there is no structure that can make any sense of this - only I want - I want - I want - I want you, Roxanne.

CYRANO: Thy name is in my heart as in a sheep-bell, And as I ever tremble, thinking of thee, Ever the bell shakes, ever thy name ringeth! All things of thine I mind, for I love all things; I know that last year on the twelfth of May-month, To walk abroad, one day you changed your hair-plaits! I am so used to take your hair for daylight That,--like as when the eye stares on the sun's disk, One sees long after a red blot on all things-- So, when I quit thy beams, my dazzled vision Sees upon all things a blonde stain imprinted. ROXANE (agitated): Why, this is love indeed!. . . CYRANO: Ay, true, the feeling Which fills me, terrible and jealous, truly Love,--which is ever sad amid its transports! Love,--and yet, strangely, not a selfish passion! I for your joy would gladly lay mine own down, --E'en though you never were to know it,--never! --If but at times I might--far off and lonely,-- Hear some gay echo of the joy I bought you! Each glance of thine awakes in me a virtue,-- A novel, unknown valor. Dost begin, sweet, To understand? So late, dost understand me? Feel'st thou my soul, here, through the darkness mounting? Too fair the night! Too fair, too fair the moment! That I should speak thus, and that you should hearken! Too fair! In moments when my hopes rose proudest, I never hoped such guerdon. Naught is left me But to die now! Have words of mine the power To make you tremble,--throned there in the branches? Ay, like a leaf among the leaves, you tremble! You tremble! For I feel,--an if you will it, Or will it not,--your hand's beloved trembling Thrill through the branches, down your sprays of jasmine! (He kisses passionately one of the hanging tendrils.) ROXANE: Ay! I am trembling, weeping!--I am thine! Thou hast conquered all of me! --Cyrano de Bergerac III. 7

I love words, that's all. And without this - (Holds up pen.) human history would fall into a black pit and there'd be almost no trace of it.

I love words, that's all. And without this - (Holds up pen.) human history would fall into a black pit and there'd be almost no trace of it.

Cyrano: I'm sorry - Christian: No you're not. You love her - you want her - now that's what you've got. Shit-looking. Cyrano: Christian. Christian: Shit-looking. All this reading she's done - this 'beauty evolves' - this needing to quote your letters - this 'I don't care what a man looks like'? Really? But of course that is where you score so highly - the man with the nose. And acres of highbrow wet-dream prose. Cyrano: Wet-dream prose - that's not bad. Christian: Yes, and I can do without the fucking writing lesson. Both laugh a little, but tension remains.

In the realm of school and activity-based accomplishments and achievements, it’s more loving and resilience-building to offer praise that is specific to the task accomplished. For example: (1) For a little kid—I like how you used all kinds of colors in that picture; (2) For an elementary schooler—I noticed how you pointed your toes throughout your whole ballet performance, just like your teacher asked; (3) For a middle schooler—You did a good job maneuvering the glue gun to make your school project. That can be so tricky; (4) For a high schooler—Your essay on Cyrano de Bergerac made such detailed references to Cyrano’s emotional turmoil. You really managed to get inside his head. Specific praise like this builds confidence because it shows we’ve paused for a moment to pay attention to what the kid has actually done.

The first level of prayer is one of awkward discovery, like dating for the first time. There we are, praying along, when we catch a glimpse of our Beloved, walking among the valleys and skipping atop the hills. Before we know it, we have fallen for Him, and then what do we do? Probably try to think of something original to say. But, as on that first date, we will likely blurt out something embarrassingly stupid that does not express our true feelings at all. We need the experience of someone older and wiser in the ways of love—a Cyrano de Bergerac who can give us some great lines. Thus the need for the written prayers.

A word of all the word I've got in there... But if I wrote... Let's get it written, then, This letter I've composed a hundred times, Written and rewritten in my mind: it's ready And all I have to do is lay my soul Open beside the paper and copy it out.

You asked me who I’d been seeing? The mystery guy?” “Ohhhhhh.” Emily’s eyes lit up at the promise of early morning gossip. “Why, yes. I do remember that.” Emily rested her chin on her hands, settling in for my story. “I don’t think you need me for this.” Simon threw up defensive hands and went into the kitchen in search of coffee. I gave him a thin smile of appreciation that he didn’t see, then I turned back to Emily and, for the first time, spilled the whole story. Of being so lonely I couldn’t handle it anymore. Of drinking one glass of wine too many and sending that first message to Dex. His response. Our emails. Texts. And realizing last night that it had all been a lie. “So . . .” While I’d been talking Emily refilled our coffee mugs, and now she sat down again, staring hard at my laptop. “All this time you thought it was Dex, but it was Daniel writing to you instead?” “Exactly.” I nodded emphatically. “Are you kidding me?” I jumped at Simon’s voice, harsher, angrier than I was used to hearing him. He was back, leaning against the archway again, his own mug of coffee in his hands. “What kind of Cyrano de Bergerac bullshit is that?” Emily clucked her tongue and turned in her chair. “I don’t know about that,” she said. “Of course it is!” He gestured to my laptop. “Look, I’ve known the Dueling Kilts for years. They’ve played the Faire since . . . well, I think since the first year we started hiring outside acts. And they’re great guys. But there’s no way that Dex MacLean could string together a coherent sentence, much less an elaborate email.” “Hey.” I felt a lick of defensive anger for the hottie I’d hooked up with. But then I thought about it and, well, Simon wasn’t wrong. Hadn’t I thought something similar when I’d first started hearing from Dex? Daniel? Who-the-hell-ever? “Okay, yeah,” I said. “That’s fair.” Simon’s smile wasn’t unkind as he finished his point. “Which means he got Daniel to write those emails for him. And that’s classic Cyrano.” “Yeah, but what about the texts?” Emily picked up my phone and waved it at him. “Daniel was using his own phone number. You think Dex was standing over his shoulder, telling him what to say?” “He could have been.” “I don’t think so. Besides, in the original play, Cyrano and Christian were both in love with Roxane, but Cyrano sacrificed his chance to be with her because he thought she loved Christian more. But we don’t know if that’s the case here. Maybe Daniel . . .” “What the hell is wrong with you two?” I closed my laptop with a snap and took my phone back from Emily. “You’re both nerds, you know that? In this century we don’t go straight for a Cyrano reference. We call it catfishing.” Simon snorted, and Emily bit down on her bottom lip, but amusement danced in her eyes. “Well, yeah. That’s true. But Simon does have a point.” “Of course I do.” He blew across the top of his mug before taking a sip. I narrowed my eyes at him. “Don’t you have sets to finish painting?