Cute Song Quotes

We've searched our database for all the quotes and captions related to Cute Song. Here they are! All 80 of them:

Fang: “Let them blow up the world, and global-warm it, and pollute it. You and me and the others will be holed up somewhere, safe. We’ll come back out when they’re all gone, done playing their games of world domination." Max: “That’s a great plan. Of course, by then we won’t be able to go outside because we’ll get fried by the lack of the ozone layer. We’ll be living at the bottom of the food chain because everything with flavor will be full of mercury or radiation or something! And there won’t be any TV or cable because all the people will be dead! So our only entertainment will be Gazzy singing the constipation song! And there won’t be amusement parks and museums and zoos and libraries and cute shoes! We’ll be like cavemen, trying to weave clothes out of plant fibers. We’ll have nothing! Nothing! All because you and the kids want to kick back in a La-Z-Boy during the most important time in history!” Fang: “So maybe we should sign you up for a weaving class. Get a jump start on all those plant fibers.” Max: "I HATE YOU!!!" Fang: "NO YOU DOOOOOON'T!!" Voice: "You two are crazy about each other.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
If he weren't so damn cute, none of this would have happened.
Nicholas Sparks (The Last Song)
I wrote the song 'Down to Earth' a few years ago, and i was really excited to record it for My World album. It's a huge fan favourite. So many people feel where i'm coming from. It doesn't need any spectacular stage effects in the touring show; the best thing i can do is just sing it straight from my heart. I'm not afraid to show my emotions; if you love someone, you should tell them. If you think a girl is beautiful, you should say that. Usher says some songs work best when there's a sob in the singer's voice. You gotta let that deep feeling come through. And that's how i felt about this song. Sometimes the emotion of it is enough to bring tears to my eyes.
Justin Bieber
Did you know that every time a country song is played, a cute little puppy keels over dead?
Nicole Williams (Lost & Found (Lost & Found, #1))
You know the Prince song where the girl's phone rings but she tells him, "whoever's calling couldn't be as cute as you?" I long to live out this moment in real life.
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
But I saw this video, not even the whole thing, and I just knew that it was going to be my favorite song for...for the rest of my life. And it still is. It's still my favorite song... Lincoln, I said you were cute because I didn't know how to say--because I didn't think I was allowed to say--anything else. But every time I saw you, I felt like I did the first time I heard that song.
Rainbow Rowell (Attachments)
The wine god sighed. 'Oh Hades if I know. But remember, boy, that a kind act can sometimes be as powerful as a sword. As a mortal, I was never a great fighter or athlete or poet. I only made wine. The people in my village laughed at me. They said I would never amount to anything. Look at me now. Sometimes small things can become very large indeed.' He left me alone to think about that. And as I watched Clarisse and Chris singing a stupid campfire song together, holding hands in the darkness, where they thought nobody could see them, I had to smile.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Sing me a love song in a slow, southern drawl to the tune of sunny days...
Kellie Elmore (Magic in the Backyard)
I am not delicate. I am skinny dipping at 2am; I am dancing naked under the full moon and playing in the mud. I am the reverberating echoes of a curse word ricocheting off the steeply sloping mountain you thought I couldn’t climb; I am bare skin in the deepest depths of winter; I am the song of courage, and the melody of freedom you long to sing. I am a fearless mother. I am a passionate lover; a devoted friend. I am the healer, the witch, the nurturing of your wounds. I am the heat of a wildfire, the rage of a storm. I am strong. Delicate things are pretty-cute, even. But I am not delicate. I am wild, fierce and unpredictable. I am breathtaking. I am beautiful. I am sacred.
Brooke Hampton
And that love that wrinkles your nose touches my foolish heart.
Fred Astaire
I am not cute. I am the dreaded Grim Reaper. People fear me, you know. There's a whole song about it.
Rachel Vincent (Before I Wake (Soul Screamers, #6))
Jaime gave her [Brienne] a hard smile. "See, wench? We know each other too well.
George R.R. Martin (A Storm of Swords 2: Blood and Gold (A Song of Ice and Fire, #3, Part 2 of 2))
The Metal Horn Unicorns and their elemental friends are techno-magical.
Sybrina Durant (Magical Elements of the Periodic Table Presented Alphabetically by the Metal Horn Unicorns)
Avoiding moments of disillusionment... I don’t want dates on my calendar... If it comes to love. I do not want to hear any more cute songs. I do not want to see or send any flowers. Tell love not to touch my door. I'm not home. And please don’t come back tomorrow. I’m on vacation, a vacation away from love. Say goodbye for me. Love knows my reasons...
José N. Harris (MI VIDA: A Story of Faith, Hope and Love)
You hold substance in my psyche
Sarahbeth Purcell
Her sexuality wasn't coy or cute. She wasn't saucy; she was feral. Her very presence on the earth stirred me.
C.D. Reiss (Control (Songs of Submission, #4))
Arya did not dare [take a bath], even though she smelled as bad as Yoren by now, all sour and stinky. Some of the creatures living in her clothes had come all the way from Flea Bottom with her; it didn’t seem right to drown them.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
When she was done whispering in the mike and being cute as hell, they'd sing a song half in English and half in French and drive all the phonies in the place mad with joy.
J.D. Salinger
She can push me away all she wants, she can burn me with those eyes, but right now, I’m not going anywhere.
Samantha Armstrong
Ghel the gold horned unicorn is empathic and can sense the emotions of other unicorns. A touch of her horn on another’s heart make them feel better.  Gold has many every day uses but 80% of newly mined or recycled gold is still used in jewelry manufacture.
Sybrina Durant (Magical Elements of the Periodic Table Presented Alphabetically by the Metal Horn Unicorns)
But Jackal gave a low, humorless chuckle. 'Oh you bastard.' He smiled, shaking his head and staring up at the barn. 'That's cute. Let's see if you're as funny when I'm beating you to death with your own arm.
Julie Kagawa (The Forever Song (Blood of Eden, #3))
Several things happened at once then. Achilles - for it was Achilles - dropped Deidameia's hand and flung himself joyously at me, knocking me backwards with the force of his embrace.
Madeline Miller (The Song of Achilles)
Her old introverted instincts told her to fold in on herself and, in lieu of actually speaking to other humans, dream up scenarios in the shower where she and some chick would accidentally grab each other’s orders at a cute smoothie spot, and POOF: instant best friend origin story.
Tia Williams (A Love Song for Ricki Wilde)
God, could that dopey girl dance. Buddy Singer and his stinking band was playing 'Just One of Those Things' and even they couldn't ruin it entirely. It's a swell song. I didn't try any trick stuff while we danced--I hate a guy that does a lot of show-off tricky stuff on the dance floor--but I was moving her around plenty, and she stayed with me. The funny thing is, I thought she was enjoying it, too, till all of a sudden she came out with this very dumb remark. "I and my girl friends saw Peter Lorre last night," she said. "The movie actor. In person. He was buyin' a newspaper. He's cute." "You're lucky," I told her. "You're really lucky. You know that?" She was really a moron. But what a dancer.
J.D. Salinger (The Catcher in the Rye)
The one that sang, old Janine, was always whispering into the g***** microphone before she sang. She'd say, 'And now we like to geeve you our impression of Vooly Voo Fransay. Eet ees the story of leetle Fransh girl who comes to a beeg ceety, just like New York, and falls een love wees a leetle boy from Brookleen. We hope you like eet.' Then, when she was all done whispering and being cute as hell, she'd sing some dopey song, half in English and half in French, and drive all the phonies in the place mad with joy.
J.D. Salinger (The Catcher in the Rye)
To the girl who keeps looking at me from the opposite terrace. You are charming and pretty. And you are looking cute right now while listening to songs in your phone and shaking your body to the music beats.
Avijeet Das
When Renee and I talked about it years later, we agreed on one point: We were insane. Renee always said, "If any of our kids want to get married when they're twenty-five, we'll have to lock them in the attic." We were just kids, and everybody who came to the wedding party was guilty of shameful if not criminal negligence-- look at the shiny pretty toaster, isn't it cute to see the babies playing with it in the bathtub? Jesus, people!
Rob Sheffield (Love Is a Mix Tape: Life and Loss, One Song at a Time)
You’re not just different, you’re exceptional. And I think it’s time that I make you feel that way, too.
Kandi Steiner (Song Chaser (Chasers, #2))
He had given her his light and remained in the dark.
E.J. Mellow (Song of the Forever Rains (Mousai, #1))
I'll be right here. Good luck, or break a leg, or something.” As Jay and Gregory turned and headed into the crowd, my traitorous eyes returned to the corner and found another pair or eyes staring darkly back. I dropped my gaze for three full seconds, and then lifted my eyes again, hesitant. The drummer was still staring at me, oblivious to the three girls trying to win back his attention. He put up one finger at the girls and said something that looked like, “Excuse me.” Oh, my goodness. Was he...? Oh, no. Yes, he was walking this way. My nerves shot into high alert. I looked around, but nobody else was near. When I looked back up, there he was, standing right in front of me. Good gracious, he was sexy-a word that had not existed in my personal vocabulary until that moment. This guy was sexy like it was his job or something. He looked straight into my eyes, which threw me off guard, because nobody ever looked me in the eye like that. Maybe Patti and Jay, but they didn't hold my stare like he was doing now. He didn't look away, and I found that I couldn't take my gaze off those blue eyes. “Who are you?” he asked in a blunt, almost confrontational way. I blinked. It was the strangest greeting I'd ever received. “I'm...Anna.” “Right. Anna. How very nice.” I tried to focus on his words and not his luxuriously accented voice, which made everything sound lovely. He leaned in closer. “But who are you?” What did that mean? Did I need to have some sort of title or social standing to enter his presence? “I just came with my friend Jay?” Oh, I hated when I got nervous and started talking in questions. I pointed in the general direction of the guys, but he didn't take his eyes off me. I began rambling. “They just wrote some songs. Jay and Gregory. That they wanted you to hear. Your band, I mean. They're really...good?” His eyes roamed all around my body, stopping to evaluate my sad, meager chest. I crossed my arms. When his gaze landed on that stupid freckle above my lip, I was hit by the scent of oranges and limes and something earthy, like the forest floor. It was pleasant in a masculine way. “Uh-huh.” He was closer to my face now, growling in that deep voice, but looking into my eyes again. “Very cute. And where is your angel?” My what? Was that some kind of British slang for boyfriend? I didn't know how to answer without continuing to sound pitiful. He lifted his dark eyebrows, waiting. “If you mean Jay, he's over there talking to some man in a suit. But he's not my boyfriend or my angel or whatever.” My face flushed with heat and I tightened my arms over my chest. I'd never met anyone with an accent like his, and I was ashamed of the effect it had on me. He was obviously rude, and yet I wanted him to keep talking to me. It didn't make any sense. His stance softened and he took a step back, seeming confused, although I still couldn't read his emotions. Why didn't he show any colors? He didn't seem drunk or high. And that red thing...what was that? It was hard not to stare at it. He finally looked over at Jay, who was deep in conversation with the manager-type man. “Not your boyfriend, eh?” He was smirking at me now. I looked away, refusing to answer. “Are you certain he doesn't fancy you?” Kaidan asked. I looked at him again. His smirk was now a naughty smile. “Yes,” I assured him with confidence. “I am.” “How do you know?” I couldn't very well tell him that the only time Jay's color had shown mild attraction to me was when I accidentally flashed him one day as I was taking off my sweatshirt, and my undershirt got pulled up too high. And even then it lasted only a few seconds before our embarrassment set in.
Wendy Higgins (Sweet Evil (Sweet, #1))
But then he was awake, his lips forming a half-sleepy greeting, and his hand was already reaching for mine. We lay there, like that, until the cave was bright with morning, and Chiron called.
Madeline Miller (The Song of Achilles)
That’s the beauty of life. We’re blossoming, even in the moment, we’re being crazy and creepy and clingy. Even in the moments we’re falling and failing. It won’t always be cute, and it won’t always be pretty. But we’ll get to the other side.
Snehil Niharika (That’ll Be Our Song)
Alex was right in front of the mantel now, bent forward, his nose mere inches from a picture of me. "Oh,God. Don't look at that!" It was from the year-end recital of my one and only year of ballet class. I was six: twig legs, a huge gap where my two front teeth had recently been, and a bumblebee costume. Nonna had done her best, but there was only so much she could do with yellow and black spandex and a bee butt. Dad had found one of those headbands with springy antennai attached. I'd loved the antennae. The more enthusiastic my jetes, the more they bounced. Of course, I'd also jeted my flat-chested little self out of the top of my costume so many times that, during the actual recital itself,I'd barely moved at all, victim to the overwhelming modesty of the six-year-old. Now, looking at the little girl I'd been, I wished someone had told her not to worry so much, that within a year, that smooth, skinny, little bare shoulder would have turned into the bane of her existence. That she was absolutely perfect. "Nice stripes," Alex said casually, straightening up. That stung. It should't have-it was just a photo-but it did. I don't know what I'd expected him to say about the picture. It wasn't that. But then, I didn't expect the wide grin that spread across his face when he got a good look at mine, either. "Those," he announced, pointing to a photo of my mulleted dad leaning against the painted hood of his Mustang "are nice stripes. That-" he pointed to the me-bee- "Is seriously cute." "You're insane," I muttered, insanely pleased. "Yeah,well, tell me something I don't know." He took the bottle and plate from me. "I like knowing you have a little vanity in there somewhere." He stood, hands full, looking expectant and completely beautiful. The reality of the situation hadn't really been all that real before. Now, as I started up the stairs to my bedroom, Alex Bainbridge in tow, it hit me. I was leading a boy, this boy, into my very personal space. Then he started singing. "You're so vain, I bet you think this song is about you. You're sooo vain....!" He had a pretty good voice. It was a truly excellent AM radio song. And just like that, I was officially In Deep
Melissa Jensen (The Fine Art of Truth or Dare)
Most people aren’t happy. They sing songs like they are. Make up cute little stories. Post pics of the rare times when life wasn’t dreadful. Most people are stomaching this whole affair called life. Are these people complainers? Probably. Most are. But they’re also just blokes who’re too afraid to take a risk. So they live lives in a redundant cycle of complacent apathy. Then these people wallow around day after day in their unhappiness. The more you do that, the more you lose sight of the chances you could take to make things better.
Sarah Noffke (Revived (The Lucidites, #3))
What would you say if a cute guy offers to teach you guitar? Yes. If he plays you a song about love lost and then kisses you, what then? If you’re both drunk on lust, and he just wants to see what it would be like, just wants to feel you without anything between you, would you do it?
Pepper Winters (Take Me: Twelve Tales of Dark Possession)
Lovin’ in My Baby’s Eyes” is playing, and Peter takes my hand and leads me out to the lawn. We’ve never danced to this kind of song before. It’s the kind of song where you sway together and make a lot of eye contact and smile. It feels different, like we’re already older versions of Peter and Lara Jean. Across the dance floor, Trina and Kitty and Margot are dancing in a circle, with Grandma in the middle. Haven is dancing with my dad. She catches my eye and mouths, He’s so cute. Peter, not my dad. He is. He is so, so cute. I will never forget tonight, not for as long as I live. One day, if I’m lucky, I’ll tell some young girl all my stories, just like Stormy told me hers. And I’ll get to live them again. When I’m old and gray, I will look back on this night, and I will remember it just as it was. Is. We’re still here. It’s not the future yet.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
And there won’t be any TV or cable because all the people will be dead!” I was on a roll now. “So our only entertainment will be Gazzy singing the constipation song! And there won’t be amusement parks and museums and zoos and libraries and cute shoes! We’ll be like cavemen, trying to weave clothes out of plant fibers. We’ll have nothing! Nothing! All because you and the kids want to kick back in a La-Z-Boy during the most important time in history!” I was practically frothing at the mouth. Fang looked at me. “So maybe we should sign you up for a weaving class. Get a jump on all those plant fibers.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride #3))
Idealization is the first step in the psychopath’s grooming process. Also known as love-bombing, it quickly breaks down your guard, unlocks your heart, and modifies your brain chemicals to become addicted to the pleasure centers firing away. The excessive flattery and compliments play on your deepest vanities and insecurities—qualities you likely don’t even know you possess. They will feed you constant praise and attention through your phone, Facebook Timeline, and email inbox. Within a matter of weeks, the two of you will have your own set of inside jokes, pet names, and cute songs. Looking back, you’ll see how insane the whole thing was. But when you’re in the middle of it, you can’t even imagine life without them.
Jackson MacKenzie (Psychopath Free: Recovering from Emotionally Abusive Relationships With Narcissists, Sociopaths, and Other Toxic People)
What the fuck is that?” I ask Uncle Drew as he walks up to us. “That, my little asshole, is a screaming goat. Molly showed me this awesome video on YouTube and I had to get one,” Uncle Drew says with a huge smile. “GAAAAAAAAAAAAAAAAAAAAH!” Uncle Drew turns around and points proudly to a little black and white goat tied to one of Aunt Liz and Uncle Jim’s trees. “Isn’t she cute? Her name is Taylor Swift.” “GAAAAAAAAAAAAAAAAAAAAH!” the goat screams as she looks right at us. “I don’t even understand what is happening right now,” I reply with a shake of my head. “I’ve been trying to teach her—” “GAAAAAAAAAAAAAAAAAAAAH!” “How to sing a—” “GAAAAAAAAAAAAAAAAAAAAH!” “Song, but she never comes in at the right—” “GAAAAAAAAAAAAAAAAAAAAH!
Tara Sivec (Love and Lists (Chocoholics, #1))
And one more thing. You can cal them cute little songs, but that doesn't mean they're not honest. Those cute little songs are my way of dealing with everything you won't let me say to you. I have to be around you every single day, but I can't do anything about it. If I didn't channel it into somewhere, I'd be going crazy, alone on my tour bus thinking about you. And another thing...
Emery Lord (Open Road Summer)
And one more thing. You can call them cute little songs, but that doesn't mean they're not honest. Those cute little songs are my way of dealing with everything you won't let me say to you. I have to be around you every single day, but I can't do anything about it. If I didn't channel it into somewhere, I'd be going crazy, alone on my tour bus thinking about you. And another thing...
Emery Lord (Open Road Summer)
5236 rue St. Urbain The baby girl was a quick learner, having synthesized a full range of traits of both of her parents, the charming and the devious. Of all the toddlers in the neighbourhood, she was the first to learn to read and also the first to tear out the pages. Within months she mastered the grilling of the steaks and soon thereafter presented reasons to not grill the steaks. She was the first to promote a new visceral style of physical comedy as a means of reinvigorate the social potential of satire, and the first to declare the movement over. She appreciated the qualities of movement and speed, but also understood the necessity of slowness and leisure. She quickly learned the importance of ladders. She invented games with numerous chess-boards, matches and glasses of unfinished wine. Her parents, being both responsible and duplicitous people, came up with a plan to protect themselves, their apartment and belongings, while also providing an environment to encourage the open development of their daughter's obvious talents. They scheduled time off work, put on their pajamas and let the routines of the apartment go. They put their most cherished books right at her eye-level and gave her a chrome lighter. They blended the contents of the fridge and poured it into bowls they left on the floor. They took to napping in the living room, waking only to wipe their noses on the picture books and look blankly at the costumed characters on the TV shows. They made a fuss for their daughter's attention and cried when she wandered off; they bit or punched each other when she out of the room, and accused the other when she came in, looking frustrated. They made a mess of their pants when she drank too much, and let her figure out the fire extinguisher when their cigarettes set the blankets smoldering. They made her laugh with cute songs and then put clothes pins on the cat's tail. Eventually things found their rhythm. More than once the three of them found their faces waxened with tears, unable to decide if they had been crying, laughing, or if it had all been a reflex, like drooling. They took turns in the bath. Parents and children--it is odd when you trigger instinctive behaviour in either of them--like survival, like nurture. It's alright to test their capabilities, but they can hurt themselves if they go too far. It can be helpful to imagine them all gorging on their favourite food until their bellies ache. Fall came and the family went to school together.
Lance Blomgren (Walkups)
Was it as scary for you as it is for me? Falling for Sawyer?” “Not really, no.” She shakes her head. “I’m sure I had some of the same worries, everyone does. But I’m a leaper. You’re a thinker. We process things differently.” “You didn’t have a panic attack and run away?” I ask sarcastically. “No,” she muses. “Not even that time he refused to have sex with me.” “That was your first date, Everly. And you did have sex,” I remind her. I know, because I heard about it for a week. “Whew.” She blows out a breath. “It was a tough few hours though. How is Boyd’s POD by the way? Can we talk about that?” She leans forward on the couch, looking at me expectantly. “Um, no. I don’t think so.” She shrugs good-naturedly then changes the subject back to me. “Chloe, why didn’t you tell me you were struggling with your anxiety? You know I’m never too busy for you, no matter how many husbands or children I have.” “You have one husband, babe,” Sawyer says, walking into the room at that moment. “You’re still the one, baby.” “We’ve been married for three months, Everly. I sure as hell better still be the one.” “Sawyer,” she sighs. “I was trying to have a moment, okay? Work with me.” “Next time, try waiting more than a day after downloading Shania Twain’s greatest hits to your iPod. You do realize the receipts come to my email, don’t you?” “Um.” Everly looks away and scrunches her nose. “No?” “You’ve been on quite the 90’s love ballads kick this week. Which is weird, because you’re not old enough to have owned the CD’s those songs were originally released on.” He looks at her with amused interest. “What’s a CD?” She blinks at Sawyer dramatically. “Cute. Keep it up.” “Nineties music is all the rage with the millennials,” she tells him with a shrug. “I saw a blog post about it.” “Don’t worry, sweets. We’ll beat the odds together.” He winks and she scowls. “You’re still the only one I dream of,” he calls as he walks into the kitchen and grabs a bottle of water. “See! I don’t even care that you lifted that from a song. It still gave me all the feels!
Jana Aston (Trust (Cafe, #3))
It shouldn't make a difference to me, I suppose,but it does. I've grown to trust you, and I'd hate to think that I've been wrong about you." "Well,it's real nice to hear you like me, Freckles," he teased. "I kind of like you,too." He wiggled his eyebrows as he had earlier. Willow laughed and leaned over to swat at him but missed. "You know, I really don't have freckles. Why don't you call me Williw like everyone else does?" "Maybe, because everyone else does." He shrugged. "Freckles is mine. My special name for you, that is. And you do have freckles, cute little ginger-colored freckles, all-l-l aross the bridge of your nose." "I don't!" Her mouth twisted in annoyance. "Tell you what, we'll race on it. You win-you don't have freckles. I win-you do have freckles." Knowing her only chance to beat his big stallion was to get a head start, Willow didn't waste time agreeing to ny terms. She dug her heels into Sugar's sides and tore off across the desert. "Hey!" Rider called, laughing and spurring Sultan into a run. "You're supposed to wait till I say go." Her laugh drifted back on the wind. "Come on,Sultan. Let's show Miss Freckle Britches who she's dealing with." The spirited stallion's legs stretched out ith effortless grace, his body lowering in a ground-eating pace, and Willow's little mare was no match for the big stallion. "See you back at the ranch, Freckles," Rider laughingly taunted as he rode past.
Charlotte McPherren (Song of the Willow)
Willow gazed up at him, her silly grin still in place. "You know wha'? You're kinda cute when you crook your eyebrows down like tha'." Rider muttered a curse, lifted her off the floor, and tossed her over his shoulder. "Juan, you and Hicks help Mrs. Brigham to her room. I'll take care of this little hellion." Willow lifted her head from where she dangled over Rider's shoulder. "See yuh later, Mrs. B." Miriam smiled and waved. "i think Mrs. B is pickled," Rider's passenger said in a loud whisper as he hauled her out the door. "No thanks to you,hellion," he growled, and smacked her bottom. "Ow!" As he carried Willow into the house, Rider was hard pressed to quell a sudden urge to laugh. In her bedroom, he unceremoniously dumped her on her bed, but when he turned to leave, her pitiful sounding voice halted his exit. "Rider,come here a min-it." "Oh,hell, I suppose you're going to be sick." Grabbing a basin off her dresser, he shoved it under her chin. "It serves you right, you know." He watched nervously as she knocked the bowl aside. "Dun...don't be mad." She held her arms out to him. "Come closer. Gimme a kiss and we'll make up. I like your kisses so-o-o-o much." This time Rider couldn't stall his grin and inadvertently leaned closer. She was on him like a duck on a June bug. With two hearty handfuls of his shirt, she yanked him down on top of her and plastered her mouth against his. Talking against his lips, the tipsy girl had the audacity to complain, "Not like this. Do it like before. You know, with your tongue." Rider squeezed his eyes shut and groaned. This isn't fair, he bemoaned silently. He tried to rise but Willow held tight, squirming her voluptuous little body against his. Sweat broke out on his forehead. If he didn't put a stop to this soon...He lifted his mouth from hers. "If I promise to kiss you with my tongue, will you let go of me and go to sleep?" "Uh-huh." Willow's eyes drooped, but the affect appeared more seductive than drunken. Lifting her shoulders slightly off the bed, he wound his arms around her and covered her mouth with his. His tongue explored hers in a long, liquid kiss, tasting of wine and desire. Rider savored its promise, wishing just this once, he could be less a gentleman. Willow wrapped one of her legs over his and shifted her hips, innocently aligning his swelling heat with hers. He started and bolted off the bed. "Holy hell! You did it again!" "What?" Her voice was sluggish and sleepy now. Disgusted with himself, Rider stomped to the door. "Sleep it off, Freckles." Outside Willow's door, Rider slumped against the wall and shook his head. Willow Vaughn was a constant surprise, and he loved the girl so bad it hurt.
Charlotte McPherren (Song of the Willow)
The Beatles were particularly prominent examples, and Dylan’s central position in rock history is rooted in that brief period when he and the Beatles were running neck and neck. He released Bringing It All Back Home in the spring of 1965, Highway 61 Revisited that summer, and Blonde on Blonde a year later. Rubber Soul, the first Beatles album conceived as a cohesive artistic statement, was released in December 1965, followed by Revolver seven months later. In commercial terms the Beatles were in a different league: on the American market, they released four LPs of new material in 1965 and two in 1966, and each spent more than five weeks at number one on Billboard’s album chart, while Dylan would not have a number one album until the mid-1970s. But they were evolving from teen-pop hit-makers into mature, thoughtful artists, with Dylan as their acknowledged model. McCartney recalled playing him a tape of their new songs when he came through London in the spring of 1966: “He said, ‘O I get it, you don’t want to be cute anymore!’ That summed it up. . . . The cute period had ended. It started to be art.
Elijah Wald (Dylan Goes Electric!: Newport, Seeger, Dylan, and the Night that Split the Sixties)
Alice's Cutie Code TM Version 2.1 - Colour Expansion Pack (aka Because this stuff won’t stop being confusing and my friends are mean edition) From Red to Green, with all the colours in between (wait, okay, that rhymes, but green to red makes more sense. Dang.) From Green to Red, with all the colours in between Friend Sampling Group: Fennie, Casey, Logan, Aisha and Jocelyn Green  Friends’ Reaction: Induces a minimum amount of warm and fuzzies. If you don’t say “aw”, you’re “dead inside”  My Reaction: Sort of agree with friends minus the “dead inside” but because that’s a really awful thing to say. Puppies are a good example. So is Walter Bishop. Green-Yellow  Friends’ Reaction: A noticeable step up from Green warm and fuzzies. Transitioning from cute to slightly attractive. Acceptable crush material. “Kissing.”  My Reaction: A good dance song. Inspirational nature photos. Stuff that makes me laugh. Pairing: Madison and Allen from splash Yellow  Friends’ Reaction: Something that makes you super happy but you don’t know why. “Really pretty, but not too pretty.” Acceptable dating material. People you’d want to “bang on sight.”  My Reaction: Love songs for sure! Cookies for some reason or a really good meal. Makes me feel like it’s possible to hold sunshine, I think. Character: Maxon from the selection series. Music: Carly Rae Jepsen Yellow-Orange  Friends’ Reaction: (When asked for non-sexual examples, no one had an answer. From an objective perspective, *pushes up glasses* this is the breaking point. Answers definitely skew toward romantic or sexual after this.)  My Reaction: Something that really gets me in my feels. Also art – oil paintings of landscapes in particular. (What is with me and scenery? Maybe I should take an art class) Character: Dean Winchester. Model: Liu Wren. Orange  Friends’ Reaction: “So pretty it makes you jealous. Or gay.”  “Definitely agree about the gay part. No homo, though. There’s just some really hot dudes out there.”(Feenie’s side-eye was so intense while the others were answering this part LOLOLOLOLOL.) A really good first date with someone you’d want to see again.  My Reaction: People I would consider very beautiful. A near-perfect season finale. I’ve also cried at this level, which was interesting. o Possible tie-in to romantic feels? Not sure yet. Orange-Red  Friends’ Reaction: “When lust and love collide.” “That Japanese saying ‘koi no yokan.’ It’s kind of like love at first sight but not really. You meet someone and you know you two have a future, like someday you’ll fall in love. Just not right now.” (<-- I like this answer best, yes.) “If I really, really like a girl and I’m interested in her as a person, guess. I’d be cool if she liked the same games as me so we could play together.”  My Reaction: Something that gives me chills or has that time-stopping factor. Lots of staring. An extremely well-decorated room. Singers who have really good voices and can hit and hold superb high notes, like Whitney Houston. Model: Jasmine Tooke. Paring: Abbie and Ichabod from Sleepy Hollow o Romantic thoughts? Someday my prince (or princess, because who am I kidding?) will come? Red (aka the most controversial code)  Friends’ Reaction: “Panty-dropping levels” (<-- wtf Casey???).  “Naked girls.” ”Ryan. And ripped dudes who like to cook topless.”  “K-pop and anime girls.” (<-- Dear. God. The whole table went silent after he said that. Jocelyn was SO UNCOMFORTABLE but tried to hide it OMG it was bad. Fennie literally tried to slap some sense into him.)  My Reaction: Uncontrollable staring. Urge to touch is strong, which I must fight because not everyone is cool with that. There may even be slack-jawed drooling involved. I think that’s what would happen. I’ve never seen or experienced anything that I would give Red to.
Claire Kann (Let's Talk About Love)
Maybe a young Jacques Cousteau...?" Sadie was still working on the boy in the suit. "But that would just be silly. I mean, a suit...? On.No." Apparently our scrutiny hadn't gone unnoticed. Teddy-Jacques-Whoever was bearing down on us,smiling broadly under the mustache that,I noticed, was coming loose at one corner. "Good evening,ladies!" He was a senior, I thought. We didn't have any classes together; he was AP everything,but I thought I remembered seeing him during Performance Night in the spring, part of a co-ed a capella group. They'd done a Black Eyed Peas song-pretty well,too. He was cute, too, in a pale,lanky way. "Walter Elias Disney," he said with a bow. "At your disposal." "Walt Disney?" Sadie was obviously too intrigued to be shy. "Um...?" He grinned and waved his arm at the spectacle behind him with a flourish. "The myriad talents of Johnny Depp aside,it is debatable whether any of this would have come about without me. It seemed only appropriate that I should make an appearance." I nodded. "I'll buy that." He bowed again,but his eyes stayed on Sadie. "Would you care to dance?" "Oh.I....Oh." Several emotions flooded her face in an instant: terror, pleasure, uncertainty, and why-the-hell-not. She darted a glance at me. I gave a quick, emphatic nod. I would be fine. She absolutely should dance. "Sure," she said. And off they went.
Melissa Jensen (The Fine Art of Truth or Dare)
Mom,” Vaughn said. “I’m sure Sidney doesn’t want to be interrogated about her personal life.” Deep down, Sidney knew that Vaughn—who’d obviously deduced that she’d been burned in the past—was only trying to be polite. But that was the problem, she didn’t want him to be polite, as if she needed to be shielded from such questions. That wasn’t any better than the damn “Poor Sidney” head-tilt. “It’s okay, I don’t mind answering.” She turned to Kathleen. “I was seeing someone in New York, but that relationship ended shortly before I moved to Chicago.” “So now that you’re single again, what kind of man are you looking for? Vaughn?” Kathleen pointed. “Could you pass the creamer?” He did so, then turned to look once again at Sidney. His lips curved at the corners, the barest hint of a smile. He was daring her, she knew, waiting for her to back away from his mother’s questions. She never had been very good at resisting his dares. “Actually, I have a list of things I’m looking for.” Sidney took a sip of her coffee. Vaughn raised an eyebrow. “You have a list?” “Yep.” “Of course you do.” Isabelle looked over, surprised. “You never told me about this.” “What kind of list?” Kathleen asked interestedly. “It’s a test, really,” Sidney said. “A list of characteristics that indicate whether a man is ready for a serious relationship. It helps weed out the commitment-phobic guys, the womanizers, and any other bad apples, so a woman can focus on the candidates with more long-term potential.” Vaughn rolled his eyes. “And now I’ve heard it all.” “Where did you find this list?” Simon asked. “Is this something all women know about?” “Why? Worried you won’t pass muster?” Isabelle winked at him. “I did some research,” Sidney said. “Pulled it together after reading several articles online.” “Lists, tests, research, online dating, speed dating—I can’t keep up with all these things you kids are doing,” Adam said, from the head of the table. “Whatever happened to the days when you’d see a girl at a restaurant or a coffee shop and just walk over and say hello?” Vaughn turned to Sidney, his smile devilish. “Yes, whatever happened to those days, Sidney?” She threw him a look. Don’t be cute. “You know what they say—it’s a jungle out there. Nowadays a woman has to make quick decisions about whether a man is up to par.” She shook her head mock reluctantly. “Sadly, some guys just won’t make the cut.” “But all it takes is one,” Isabelle said, with a loving smile at her fiancé. Simon slid his hand across the table, covering hers affectionately. “The right one.” Until he nails his personal trainer. Sidney took another sip of her coffee, holding back the cynical comment. She didn’t want to spoil Isabelle and Simon’s idyllic all-you-need-is-love glow. Vaughn cocked his head, looking at the happy couple. “Aw, aren’t you two just so . . . cheesy.” Kathleen shushed him. “Don’t tease your brother.” “What? Any moment, I’m expecting birds and little woodland animals to come in here and start singing songs about true love, they’re so adorable.” Sidney laughed out loud. Quickly, she bit her lip to cover.
Julie James (It Happened One Wedding (FBI/US Attorney, #5))
I love this song, can you turn it up?” I reached and turned the dial up on the Vance Joy song “Red Eye.” Adam bobbed his head to the music. At the stoplight I looked over at him. He was wearing the black beanie my brother had given him, his black Wayfarers, and the hospital gown. I laughed. He turned to me and smiled. “What?” he said. “You’re cute.” “Oh yeah? Wanna fool around?” He grinned. I was glad that Adam couldn’t see my eyes welling up behind my sunglasses. The car behind us honked. I hit the gas and my car lurched forward from the intersection. “How much time do we have?” I asked. “What? Are you serious?” “Yes, Adam, I am serious.” He was having a good day. He reached for my phone. “We have like an hour and a half before Leah freaks out.” I knew I was taking a big chance, but how could I say no to him? There was so much joy in him that day just because he got to go to the drive-thru at In-N-Out. “Okay.” I glanced over at him and flattened my lips. “You better not have a seizure on me.” “I can’t think of a better place to have a seizure. Although I can see how that wouldn’t be much fun for you.” I laughed hysterically. “Oh man, I didn’t mean literally on me; I meant on my watch.” “Well, Charlotte, I don’t have much control over that, but I’ll try. You know what helps?” “What?” “Alcohol.” “Really?” As we passed the Four Seasons he said, “Pull in here.” “This is too expensive, Adam.” “What? Are you crazy?” The energy in the car was tangible. “This may be the last time I ever go to a hotel with a girl. I’m paying. I have a ton of money. Come on, Charlotte, please?” His mood was instantly lighter than it had been in several days. “Okay.” I did a U-turn and pulled into the driveway of the hotel.
Renee Carlino (Wish You Were Here)
You’re right: if there’s sentient life behind the border, it probably won’t share my goals. Unlike the people in this room, who all want exactly the same things in life as I do, and have precisely the same tastes in food, art, music, and sex. Unlike the people of Schur, and Cartan, and Zapata — who I came here in the hope of protecting, after losing my own home — who doubtless celebrate all the same festivals, delight in the same songs and stories, and gather every fortieth night to watch actors perform the same plays, in the same language, from the same undisputed canon, as the people I left behind. “If there’s sentient life behind the border, of course we couldn’t empathize with it. These creatures are unlikely to possess cute mammalian neonate faces, or anything else we might mistake for human features. None of us could have the imagination to get over such insurmountable barriers, or the wit to apply such difficult abstractions as the General Intelligence theorem — though since every twelve-year-old on my home world was required to master that result, it must be universally known on this side of the border. “You’re right: we should give up responsibility for making any difficult moral judgments, and surrender to the dictates of natural selection. Evolution cares so much about our happiness that no one who’s obeyed an inherited urge has ever suffered a moment’s regret for it. History is full of joyful case studies of people who followed their natural instincts at every opportunity — fucking whoever they could, stealing whatever they could, destroying anything that stood in their way — and the verdict is unanimous: any behavior that ever helped someone disseminate their genes is a recipe for unalloyed contentment, both for the practitioners, and for everyone around them.
Greg Egan (Schild's Ladder)
I don’t believe in love that never ends,” said Aiden, his whisper clear and distinct. “I don’t believe in being true until death or finding the other half of your soul.” Harvard raised an eyebrow but didn’t comment. Privately, he considered that it might be good that Aiden hadn’t delivered this speech to this guy he apparently liked so much—whom Aiden had never even mentioned to his best friend before now. This speech was not romantic. Once again, Harvard had to wonder if what he’d been assuming was Aiden’s romantic prowess had actually been many guys letting Aiden get away with murder because he was awfully cute. But Aiden sounded upset, and that spoke to an instinct in Harvard natural as breath. He put his arm around Aiden, and drew his best friend close against him, warm skin and soft hair and barely there shirt and all, and tried to make a sound that was more soothing than fraught. “I don’t believe in songs or promises. I don’t believe in hearts or flowers or lightning strikes.” Aiden snatched a breath as though it was his last before drowning. “I never believed in anything but you.” “Aiden,” said Harvard, bewildered and on the verge of distress. He felt as if there was something he wasn’t getting here. Even more urgently, he felt he should cut off Aiden. It had been a mistake to ask. This wasn’t meant for Harvard, but for someone else, and worse than anything, there was pain in Aiden’s voice. That must be stopped now. Aiden kissed him, startling and fierce, and said against Harvard’s mouth, “Shut up. Let me… let me.” Harvard nodded involuntarily, because of the way Aiden had asked, unable to deny Aiden even things Harvard should refuse to give. Aiden’s warm breath was running down into the small shivery space between the fabric of Harvard’s shirt and his skin. It was panic-inducing, feeling all the impulses of Harvard’s body and his heart like wires that were not only crossed but also impossibly tangled. Disentangling them felt potentially deadly. Everything inside him was in electric knots. “I’ll let you do anything you want,” Harvard told him, “but don’t—don’t—” Hurt yourself. Seeing Aiden sad was unbearable. Harvard didn’t know what to do to fix it. The kiss had turned the air between them into dry grass or kindling, a space where there might be smoke or fire at any moment. Aiden was focused on toying with the collar of Harvard’s shirt, Aiden’s brows drawn together in concentration. Aiden’s fingertips glancing against his skin burned. “You’re so warm,” Aiden said. “Nothing else ever was. I only knew goodness existed because you were the best. You’re the best of everything to me.” Harvard made a wretched sound, leaning in to press his forehead against Aiden’s. He’d known Aiden was lonely, that the long line of guys wasn’t just to have fun but tied up in the cold, huge manor where Aiden had spent his whole childhood, in Aiden’s father with his flat shark eyes and sharp shark smile, and in the long line of stepmothers who Aiden’s father chose because he had no use for people with hearts. Harvard had always known Aiden’s father wanted to crush the heart out of Aiden. He’d always worried Aiden’s father would succeed. Aiden said, his voice distant even though he was so close, “I always knew all of you was too much to ask for.” Harvard didn’t know what to say, so he obeyed a wild foolish impulse, turned his face the crucial fraction toward Aiden’s, and kissed him. Aiden sank into the kiss with a faint sweet noise, as though he’d finally heard Harvard’s wordless cry of distress and was answering it with belated reassurance: No, I’ll be all right. We’re not lost. The idea of anyone not loving Aiden back was unimaginable, but it had clearly happened. Harvard couldn’t think of how to say it, so he tried to make the kiss say it. I’m so sorry you were in pain. I never guessed. I’m sorry I can’t fix this, but I would if I could. He didn’t love you, but I do.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Birds— and Territory My dad and I designed a house for a wren family when I was ten years old. It looked like a Conestoga wagon, and had a front entrance about the size of a quarter. This made it a good house for wrens, who are tiny, and not so good for other, larger birds, who couldn’t get in. My elderly neighbour had a birdhouse, too, which we built for her at the same time, from an old rubber boot. It had an opening large enough for a bird the size of a robin. She was looking forward to the day it was occupied. A wren soon discovered our birdhouse, and made himself at home there. We could hear his lengthy, trilling song, repeated over and over, during the early spring. Once he’d built his nest in the covered wagon, however, our new avian tenant started carrying small sticks to our neighbour’s nearby boot. He packed it so full that no other bird, large or small, could possibly get in. Our neighbour was not pleased by this pre- emptive strike, but there was nothing to be done about it. “If we take it down,” said my dad, “clean it up, and put it back in the tree, the wren will just pack it full of sticks again.” Wrens are small, and they’re cute, but they’re merciless. I had broken my leg skiing the previous winter— first time down the hill— and had received some money from a school insurance policy designed to reward unfortunate, clumsy children. I purchased a cassette recorder (a high- tech novelty at the time) with the proceeds. My dad suggested that I sit on the back lawn, record the wren’s song, play it back, and watch what happened. So,
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
We should show him the one where she took all her clothes off at that birthday party,” my mom said to my dad with a smile. “Oh my God! What, have you been holding on to that picture all these years just waiting for this opportunity to humiliate me?” “Oh come on! It’s so cute! She’s shaking her na**d little tuckus to Disney songs.” My dad smiled at Braden who looked like he was trying not to laugh. “What is wrong with you people? I finally bring a guy home and you immediately have to break out the kiddie porn?” “Gabby! I’m sure he’s seen you na**d before,” my mom said. Clearly my parents weren’t going to stop until I had no pride left.
N.M. Silber (The Law of Attraction (Lawyers in Love, #1))
I almost never got to watch MTV, only when I was at my friend Nickie's house and only when her parents weren't home. But I saw this video, not even the whole thing, and I just knew that it was going to be my favorite song for... for the rest of my life. And it still is. It's still my favorite song... "Lincoln, I said you were cute because I didn't know how to say-- because I didn't think I was allowed to say-- anything else. But every time I saw you, I felt like I did the first time I heard that song.
Rainbow Rowell (Attachments)
No matter how many times I go back and forth between dreaming and dreading it, love always calls me back home. Through tender love songs and cute love stories and quirky rom-coms (which I actually don’t watch too often), it always manages to renew my faith in its existence. I may not have it yet, but I believe it’s out there somewhere waiting to find me or be found. That will always give me hope.
Marcus Granderson (Timestamp: Musings of an Introverted Black Boy)
A couple of weeks before, while going over a Variety list of the most popular songs of 1935 and earlier, to use for the picture’s sound track – which was going to consist only of vintage recording played not as score but as source music – my eye stopped on a .933 standard, words by E.Y. (“Yip”) Harburg (with producer Billy Rose), music by Harold Arlen, the team responsible for “Over the Rainbow”, among many notable others, together and separately. Legend had it that the fabulous Ms. Dorothy Parker contributed a couple of lines. There were just two words that popped out at me from the title of the Arlen-Harburg song, “It’s Only a Paper Moon”. Not only did the sentiment of the song encapsulate metaphorically the main relationship in our story – Say, it’s only a paper moon Sailing over a cardboard sea But it wouldn’t be make-believe If you believed in me – the last two words of the title also seemed to me a damn good movie title. Alvin and Polly agreed, but when I tried to take it to Frank Yablans, he wasn’t at all impressed and asked me what it meant. I tried to explain. He said that he didn’t “want us to have our first argument,” so why didn’t we table this conversation until the movie was finished? Peter Bart called after a while to remind me that, after all, the title Addie Pray was associated with a bestselling novel. I asked how many copies it had sold in hardcover. Peter said over a hundred thousand. That was a lot of books but not a lot of moviegoers. I made that point a bit sarcastically and Peter laughed dryly. The next day I called Orson Welles in Rome, where he was editing a film. It was a bad connection so we had to speak slowly and yell: “Orson! What do you think of this title?!” I paused a beat or two, then said very clearly, slowly and with no particular emphasis or inflection: “Paper …Moon!” There was a silence for several moments, and then Orson said, loudly, “That title is so good, you don’t even need to make the picture! Just release the title! Armed with that reaction, I called Alvin and said, “You remember those cardboard crescent moons they have at amusement parks – you sit in the moon and have a picture taken?” (Polly had an antique photo of her parents in one of them.) We already had an amusement park sequence in the script so, I continued to Alvin, “Let’s add a scene with one of those moons, then we can call the damn picture Paper Moon!” And this led eventually to a part of the ending, in which we used the photo Addie had taken of herself as a parting gift to Moze – alone in the moon because he was too busy with Trixie to sit with his daughter – that she leaves on the truck seat when he drops her off at her aunt’s house. … After the huge popular success of the picture – four Oscar nominations (for Tatum, Madeline Kahn, the script, the sound) and Tatum won Best Supporting Actress (though she was the lead) – the studio proposed that we do a sequel, using the second half of the novel, keeping Tatum and casting Mae West as the old lady; they suggested we call the new film Harvest Moon. I declined. Later, a television series was proposed, and although I didn’t want to be involved (Alvin Sargent became story editor), I agreed to approve the final casting, which ended up being Jodie Foster and Chris Connolly, both also blondes. When Frank Yablans double-checked about my involvement, I passed again, saying I didn’t think the show would work in color – too cute – and suggested they title the series The Adventures of Addie Pray. But Frank said, “Are you kidding!? We’re calling it Paper Moon - that’s a million-dollar title!” The series ran thirteen episodes.
Peter Bogdanovich (Paper Moon)
If you are wanting to tackle the pile of dishes—read on. step one: preparation Eat something sweet. Get that blood sugar up and find a great song to put on. Get yourself a cute apron and a pair of dishwashing gloves.
K.C. Davis (How to Keep House While Drowning)
Hey,” he breathes, clasping my head in his hands, gazing down at me… “Why are you crying?” His voice is filled with concern. “Because I love you so much,” I whisper. He half-closes his eyes as if drugged, absorbing my words. When he opens them again, they blaze with his love. “And I you, Ana. You make me… whole.” He kisses me gently as Roberta Flack finishes her song.
E. L. James
Taylor Swift. That’s cute. How is it you can remember the words to high school songs, but not who you are?
Jettie Woodruff (Suit (The Twin Duo, #1))
Red Elephant" When am I supposed to say so long? When am I supposed to say so long? When I fall in love 'fore dusk is dawn When you take my hand across the lawn With the eyes so sweet they're like a fawn Red elephant is wet & long... How am I supposed to wash you off? Rungs of bad poems I've hacked & coughed But I have to spare a breath for you Which I'll take, before we make anew Our hearts will take a stroll for two Our feet will take the avenue & Walk in unison, so cute Red elephant is turning blue Why am I here when you're over there? Let's meet at the fountains In Dundas Square Who am I supposed to be with you? I'll wait 'til you say & pretend I knew Because if it's true that walls can talk How mine would brag of tears I've sobbed When thinking of the way we walked Along the paths of sideway chalk Forever under ticking clock Where you & I are free to flock What can I write when I know it's wrong? Slapping my knee to my own damn song Where can we go when the sinking stops? To the pit of my chest As it drops and drops... Put your head upon my chest, it breathes & My fingers through your hair they weave & Your shoulders are the perfect sea In which I get lost invariably Oh the elephant is up to sea If it meets the peach fish underneath & When I am you and you are me We are stirred as spoons in lover's tea
Born Ruffians
pale eyes, and a pointy nose. A gingham bonnet covered her hair. “Hello,” she said to Cora. Both the man and the woman crouched low, their faces level with hers. Cora could not cough or pretend to be slow: one of the agents was right there, watching. The man asked her name, and she told him. He asked her age, and she said she didn’t know, but that she’d just lost her first tooth. Both the man and the woman laughed as if Cora had said something terribly funny, as if she were one of the children singing the Jesus song, trying hard to be cute. She gave them a hard look, but they continued to smile. The man looked at the woman. The
Laura Moriarty (The Chaperone)
I take it this was a nice person, a cute guy maybe?” “How can you just assume that?” “By that dumb look on your face. I know what you’d love to do now! Moon about listening to love songs and daydream about this guy.” She finished her sentence with a thump to her steering wheel and an up-yours to the guy trying to cut into her lane. I
Sumayya Lee (The Story of Maha)
The whole bringing sexy back...you know that song? By that cute boy?” “Yeah, I know it,” Faith said grimly. “Who is he again?” “Justin Timberlake.” “Right. “Bring Sexy Back” or something. Well, I didn’t know sexy was gone. Now Carl wants me to be all creative. You know what he brought back from Costco last week? Eight cans of whipped cream, Faith. Eight.” “That’s a lot,” Faith said. Time to swear off dairy. “And it’s having the opposite effect. Right? Like, the storm of love I used to have has dried to a mist, because all of a sudden, plain old marital brevity isn’t good enough. Oh, and the other day, Abby walked in on us, and she’s not speaking to me at the moment. Last week, Faith, I had a mammogram, you know?” Faith looked up sharply. “Is everything okay?” “Sure! But I was looking forward to it! Like, that was my special alone time, just me and the boob squisher. I didn’t have to talk dirty to Carl or wear Vulcan ears—” “Oh, boy.
Kristan Higgins (The Best Man (Blue Heron, #1))
At the Royal Vauxhall Tavern, there are mirrors but, because of the tone of the place, they seem more flirty than licentious. An attractive man glanced at me with a smile and said cutely, Now I can’t go. Soon after, I saw him on the dance floor, whispering to his friend and nodding at me. We all knew he still had to pee. Fleeting, gently pervy interactions like that may be the closest I get to experiencing a sense of gay community. It was last call at the RVT. Famous stole away to the toilets. ‘Family Affair’ by Mary J. Blige began to play—a song meant for the start of the night. I danced on my own by the door, near the shelf of condoms and literature. I recalled another time I’d been there recently. I’d given my coat check ticket to the most boyish and poised of the bartenders, the one who moves with a distinct admixture of flirtatiousness and efficiency. He brought my jacket from the cloakroom, the blue nylon I wear when I predict I’ll end up going out, because it promises to wipe clean easily. About to hand it to me over the bar, he said, You know what…and brought himself around the hatch, with shoulders alert like a pantomime butler. He held up my jacket with alacrity to indicate I should turn around so he could slip me into it. I momentarily forgot that I don’t smile in gay bars. He both served and took the upper hand: to get into the jacket, I had to turn my back to him, and yet into the sleeves it was I who inserted. I submitted, but he received. On this night, I glanced over and saw that the bartender was busy, holding someone else’s attention in a brief exchange. He fetched them their extraneous last drink. Famous bounced forth. I caught his eye and pointed my index finger to the speakers. This song, I mouthed. Famous tilted his head. We pushed through the doors into the wind. I’d put my jacket on myself this time, without ceremony. But leaving on a good song also makes a fine exit. Mary J. Blige sang at our backs about starting the party as we took long strides down the street.
Jeremy Atherton Lin (Gay Bar: Why We Went Out)
lanterns are strung between the buildings, and under them is a cute bistro table set for two, with white linens and a vase of roses. What the hell? Then a three-piece mariachi band steps from the shadows and starts to play. I look around wildly. Am I on some kind of YouTube prank show? What is Zoey doing? Then I realize, the song they’re playing is weirdly familiar. Pretty Woman. It can’t be … My heart stops. I almost don’t want to hope, but when I turn around, there he is. Zach. And he’s got a smile on his face.
Lila Monroe (How to Choose a Guy in 10 Days (Chick Flick Club, #1))
Sometimes, I’m convinced you’re an alien and not an actual human being.” “We all have our quirks, mia cara. At least I don’t sing Mariah Carey in the shower.” My cheeks warmed. “I did that once. I heard the song in a commercial and it got stuck in my head, okay?” “I’m not saying it’s a bad quirk.” The corner of his mouth tipped up. “It was cute, even if it was off-key.” “I was not off-key.
Ana Huang (King of Wrath (Kings of Sin, #1))
For all the bad poetry and light angsting to Taylor Swift songs that Landon inspired a few years back,
Emma Lord (Tweet Cute)
Wooof." The reply was soft and there was a sad whimper. "When he's all sad like that, it's kinda cute," Yuriel voiced. "Before he skydives at you,
Avery Song (SSS: Year Three (Supernatural Spy Academy, #3))
Childhood experiences literally impact the biology of the brain…our earliest developmental experiences, particularly touch and other relational-based sensory cutes, including the caregiver’s smell and the way they rock the infant, the songs they hum when feeding the infant, any unique movement in the way they respond to the infant when it’s needy-all of these things are organizing experiences that help create the infant’s “worldview,”…Really, every aspect of human functioning is influenced by early developmental experiences-both when there are consistent, predictable, and loving interactions and when there is chaos, threat, unpredictability, or lack of love…Love, given and felt, is dependent upon the ability to be present, attentive, attuned, and responsive to another human being. This glue of humanity has been essential to the survival of our species-and to the health and happiness of the individual. And this ability is based upon what happened to you, primarily as a young child.
Bruce D. Perry (What Happened To You?: Conversations on Trauma, Resilience, and Healing)
I had forgotten how good it feels to run." He brushed the hair bac from his face and grinned at her. "But to sit quietly is a good thing too.
Kate Constable (The Singer of All Songs (The Chanters of Tremaris #1))
Self-proclaimed feminist thinkers have colluded with the patriarchal pornographic imagination's use of mass media to represent the sexual resubordination of women by men as cute, playful, and harmless ... we are bombarded with images suggesting that male sexual domination of women in no way threatens female autonomy or independence. In actuality, male domination of females in the sexual arena ... is a constant reminder that females are not free, that we have not attained full equal rights or equity.
bell hooks (Communion: The Female Search for Love (Love Song to the Nation, #2))
Not to mention, assuming an owner of a business is a guy is just not my mom’s MO. Long before she dreamed up the idea for Big League Burger and helped build it up to the veritable empire it is today, she was almost too progressive a feminist for a place like Nashville, where she jokingly but not-quite-jokingly would clamp her hands over our ears anytime a line in a country song said something about girls with painted-on jeans or sitting on tailgates, saying it would make us 'the complicit kind of cowgirl.
Emma Lord (Tweet Cute)
Oh, they like to get you in a compromising position, They like to get you there and smile in your face, Yeah, they think they're so cute when they got you in that condition, But I think it's a total disgrace. - Authority Song, Uh-Huh
John Mellencamp
Birds— and Territory My dad and I designed a house for a wren family when I was ten years old. It looked like a Conestoga wagon, and had a front entrance about the size of a quarter. This made it a good house for wrens, who are tiny, and not so good for other, larger birds, who couldn’t get in. My elderly neighbour had a birdhouse, too, which we built for her at the same time, from an old rubber boot. It had an opening large enough for a bird the size of a robin. She was looking forward to the day it was occupied. A wren soon discovered our birdhouse, and made himself at home there. We could hear his lengthy, trilling song, repeated over and over, during the early spring. Once he’d built his nest in the covered wagon, however, our new avian tenant started carrying small sticks to our neighbour’s nearby boot. He packed it so full that no other bird, large or small, could possibly get in. Our neighbour was not pleased by this pre- emptive strike, but there was nothing to be done about it. “If we take it down,” said my dad, “clean it up, and put it back in the tree, the wren will just pack it full of sticks again.” Wrens are small, and they’re cute, but they’re merciless. I had broken my leg skiing the previous winter— first time down the hill— and had received some money from a school insurance policy designed to reward unfortunate, clumsy children. I purchased a cassette recorder (a high- tech novelty at the time) with the proceeds. My dad suggested that I sit on the back lawn, record the wren’s song, play it back, and watch what happened. So, I went out into the bright spring sunlight and taped a few minutes of the wren laying furious claim to his territory with song. Then I let him hear his own voice. That little bird, one- third the size of a sparrow, began to dive- bomb me and my cassette recorder, swooping back and forth, inches from the speaker. We saw a lot of that sort of behaviour, even in the absence of the tape recorder. If a larger bird ever dared to sit and rest in any of the trees near our birdhouse there was a good chance he would get knocked off his perch by a kamikaze wren.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
He was working for the old lady, behind the desk, when the door chimes sounded the same way they would for anybody. The open door allowed in a flashing scream of frothing soy, pedestrian conversation and the El-train’s brake-song. The chimes didn’t know she was different. Neither did Tama. So he didn’t even look up.
Angela Armstrong (The Quin (Gen2K, #0.1))
Oh, Jesus.' 'He's a Northerner too. Lived in Israel, but a Northerner in His heart. His bleeding heart. His cute little old bleeding red heart. Southerners think they own Him, but that's just because the first time they laid eyes on Him, He was strung up on a tree. They can relate to that, see. Both the stringer and the strung.
Toni Morrison (Song of Solomon)
By acknowledging how ridiculous something is, people know what’s real again. We need those refreshers. It’s amazing how out of touch people can be when pretending there’s no elephant in the room. People must be elephant finders. But not of those big, monstrous, disgusting elephants, but the cute tiny ones in the room that we were each privately suspecting.
Kristian Ventura (The Goodbye Song)
She watched the dark highway and entertained me with her vegetable-soup song, except that now there were people mixed in with the beans and potatoes: Dwayne Ray, Mattie, Esperanza, Lou Ann and all the rest. And me. I was the main ingredient.
Barbara Kingsolver
This is my most frightening dream. I dream it as a vine that splits into two branches. On one branch there are four candles growing. One by one they are kindled to flame, but their light does not illuminate. Instead a crow says, “Here are four candles to light you to bed. Four candles lit means their child is dead. Four candles burn for the end of their ways. The Wolf and the Jester have wasted their days.” Then, on the other branch of the vine, three candles are suddenly kindled. Their light is almost blinding. And the same crow says, “Three flames burn brighter than the sun. Their blaze engulfs an evil done. Their angry mourning purpose gives. They do not know their child still lives.” Then the crow suddenly has a broken candle. She drops it and I catch it. In a slow and frightening voice she says, “Child, light the fire. Burn the future and the past. It’s what you were born to do.” I woke up shaking all over and got out of bed and ran to my parents’ chamber. I wanted to sleep with them, but instead my mother brought me back to my bed and lay down beside me. She sang me a song until I could fall asleep again. I was very young when I dreamed this; I had only recently learned how to climb out of my bed. But I have never forgotten the dream or the crow’s rhyme. I draw the candle as he held it, broken and the pieces held together only by the wick in the middle. — Dream journal of Bee Farseer
Robin Hobb (Charlie's Mysterious Adventure: A story about Charlie, a cute French bulldog, who travels through a mysterious world.)