Cut From A Different Cloth Quotes

Fanatics were all alike, cut from the same cloth and dyed different colors.

Well, them cloths are a lot like folks. Ain’t much difference at all. Some of us is more spiffed up than others, some stiffer, and still, some softer. There’s the colorful and dull, ugly and pretty, old, new ’uns. But in the end we’s all fabric, cut from His cloth. Fabric, and just that.

We have this extraordinary conceit in the West that while we've been hard at work in the creation of technological wizardry and innovation, somehow the other cultures of the world have been intellectually idle. Nothing could be further from the truth. Nor is this difference due to some sort of inherent Western superiority. We now know to be true biologically what we've always dreamed to be true philosophically, and that is that we are all brothers and sisters. We are all, by definition, cut from the same genetic cloth. That means every single human society and culture, by definition, shares the same raw mental activity, the same intellectual capacity. And whether that raw genius is placed in service of technological wizardry or unraveling the complex thread of memory inherent in a myth is simply a matter of choice and cultural orientation.

I left Abnegation because I wasn't selfless enough,no matter how hard I tried to be." "That's not entirely true." He smiles at me. "That girl who let someone throw knives at her to spare a friend,who hit my dad with a belt to protect me-that selfless girl,that's not you?" He's figured out more about me than I have. And even though it seems impossible that he could feel something for me,given all that I'm not...maybe it isn't.I frown at him. "You've been paying close attention,haven't you?" "I like to observe people." "Maybe you were cut out for Candor, Four, because you're a terrible liar." He puts his hand on the rock next to him, his fingers lining up with mine. I look down at our hands. He has long, narrow fingers. Hands made for mine, deft movements.Not Dauntless hands, which should be thick and tough and ready to break things. "Fine." He leans his face closer to mine, his eyes focusing on my chin, and my lips,and my nose. "I watched you because I like you." He says it plainly, boldly, and his eyes flick up to mine. "And don't call me 'Four," okay? It's nice to hear my name again." Just like that,he has finally declared himself, and I don't know how to respond. My cheeks warm,and all I can think to say is, "But you're older than I am...Tobias." He smiles at me. "Yes,that whopping two-year gap really is insurmountable, isn't it?" "I'm not trying to be self-deprecating," I say, "I just don't get it. I'm younger. I'm not pretty.I-" He laughs,a deep laugh that sounds like it came from deep inside him, and touches his lips to my temple. "Don't pretend," I say breathily. "You know I'm not. I'm not ugly,but I am certainly not pretty." "Fine.You're not pretty.So?" He kisses my cheek. "I like how you look. You're deadly smart.You're brave. And even though you found out about Marcus..." His voice softens. "You aren't giving me that look.Like I'm a kicked puppy or something." "Well," I say. "You're not." For a second his dark eyes are on mine, and he's quiet. Then he touches my face and leans in close, brushing my lips with his.The river roars and I feel its spray on my ankles.He grins and presses his mouth to mine. I tense up at first,unsure of myself, so when he pulls away,I'm sure I did something wrong,or badly.But he takes my face in his hands,his figners strong against my skin,and kisses me again, firmer this time, more certain. I wrap an arm around him,sliding my hand up his nack and into his short hair. For a few minutes we kiss,deep in the chasm,with the roar of water all around us. And when we rise,hand in hand, I realize that if we had both chosen differently,we might have ended up doing the same thing, in a safer place, in gray clothes instead of black ones.

Where is Sin’s plaid? (Lochlan) Plaid cloth is for people of true Scots blood, Lochlan. They are not for half-blooded Sassenachs. (Aisleen) (He had found Sin later that day, alone in their room. Sin had been sitting in the middle of the floor with his arm cut open while he let blood trail from the wound into a bowl.) What are you doing? (Lochlan) I’m trying to get rid of the English blood in me, but it doesn’t look any different than yours. How can I make it go away when I can’t find the difference? (Sin)

Well, them cloths are a lot like folks. Ain't much difference at all. Some of us is more spiffed up than others, some stiffer, and still, some softer. There's the colorful and dull, ugly and pretty, old new 'guns. But in the end we's all fabric, cut from His cloth. Fabric, and just that.

Well, them cloths are a lot like folks. Ain’t much difference at all. Some of us is more spiffed up than others, some stiffer, and still, some softer. There’s the colorful and dull, ugly and pretty, old, new ’uns. But in the end we’s all fabric, cut from His cloth. Fabric, and just that.” “Yes, ma’am,” I whispered.

See all my fabric, child?” “Sure is a lot.” “Well, them cloths are a lot like folks. Ain’t much difference at all. Some of us is more spiffed up than others, some stiffer, and still, some softer. There’s the colorful and dull, ugly and pretty, old, new ’uns. But in the end we’s all fabric, cut from His cloth. Fabric, and just that.

[Bill] Gates said he connected with [Eddy] Izzard even though it would appear they have nothing in common — but that might be the point the author is trying to communicate. "I've recently discovered that I have a lot in common with a funny, dyslexic, transgender actor, comedian, escape artist, unicyclist, ultra-marathoner, and pilot from Great Britain. Except all of the above," Gates wrote. "We're all cut from the same cloth. In his words, 'We are all totally different, but we are all exactly the same

We are in this stew together. We are caught in the same traps. With a small twist of fate, I could be sitting across from you, and you could be sitting across from me—both of us in opposite roles. Your problems are a special opportunity for you to learn and for me to learn. We are not cut from different cloths, but rather from the same cloth.

March 6, 1961 I remembered a party in a house outside of Ann Arbor. There was a jazz band -- piano, bass, drums, and sax -- playing in one of the large rooms. A heavy odor of marijuana hung in the air. The host appeared now and then looking pleased, as if he liked seeing strangers in every room, the party out of his control. It wasn't wild, but with a constant flow of people, who knows what they're doing. It became late and I was a little drunk, wandering from one part of the house to another. I entered a long hall and was surprised by the silence, as if I had entered another house. A girl at the other end of the hall was walking toward me. I saw large blue eyes and very black hair. She was about average height, doll-like features delicate as cut glass, extremely pretty, maybe the prettiest girl I'd ever seen. When she came up to me I took her in my arms and kissed her. She let it happen. We were like creatures in a dream. Holding her hand, I drew her with me and we passed through rooms where people stood about, and then left the house. As we drove away, she said her name was Margo. She was a freshman at the university, from a town in northern Michigan. I took her home. It was obvious she'd never gone home with a man. She didn't seem fearful, only uncertain, the question in her eyes: "What happens next?" What happened next was nothing much. We fell asleep in our clothes. I wasn't the one to make her no different from everyone.

The mountains in the background were cut from the same cloth as the sky: a slightly darker shade, that was the only difference. Had we the capacity to analyse it there would almost certainly be a geology of the air as well as of rock.

I have written various words, verbs, adjectives, and adverbs, and bits of dismantled sentences, fragments of expressions and descriptions and all kinds of tentative combinations. Every now and again I pick up one these particles, these molecules of texts, hold it up to the light and examine it carefully, turn it in various directions, lean forward and rub or polish it, hold it up to the light again, rub it again slightly, then lean forward and fit it into the texture of the cloth I am weaving. Then I stare at it from different angles, still not entirely satisfied, and take it out again and replace it with another word, or try to fit it into another niche in the same sentence, then remove, file it down a tiny bit more, and try to fit it in again, perhaps at a slightly different angle. Or deploy it differently. Perhaps farther down the sentence. Or at the beginning of the next one. Or should I cut it off and make it into a one-word sentence on its own? I stand up. Walk around the room. Return to the desk. Stare at it for a few moments or longer, cross out the whole sentence or tear up the whole page. I give up in despair. I curse myself aloud and curse writing in general and the language as a whole, despite which I sit down and start putting the whole thing together all over again. [p.268]

Perhaps others, cut from different cloth, could pick and choose their conquests. Live their lives as patient fishermen, searching with intermittent success within a vast sea full of alluring fish. If the circumstances of one catch proved inconvenient, these fictional fishermen need only toss back the lure and wait for another. Not so for me. I vehemently rejected this belief that our souls could thrive with any number of partners, a good-enough rodstvennaya dusha. One. One half of one soul. It is popular to say that one must find love within oneself before knowing how to love another. I rejected this statement outright, as both imbecilic in theory and impossible in practice.

Matthew Rose Sorensen’s mother and father and sisters and friends all ask me where I have been. I tell them what I told Jamie Askill: that I was in a house with many rooms; that the sea sweeps through the house; and that sometimes it swept over me, but always I was saved. Matthew Rose Sorensen’s mother and father and sisters and friends tell each other that this is a description of a mental breakdown seen from the inside; an explanation they find reasonable, perhaps even reassuring. They have Matthew Rose Sorensen back – or so they believe. A man with his face and voice and gestures moves about the world, and that is enough for them. I no longer look like Piranesi. There are no coral beads or fishbones in my hair. My hair is clean and cut and styled. I am clean-shaven. I wear the clothes that were brought to me out of the storage in which Matthew Rose Sorensen’s sisters had placed them. Rose Sorensen had a great number of clothes, all meticulously cared for. He had more than a dozen suits (which I find surprising considering that his income was not large). This love of clothes was something he shared with Piranesi. Piranesi frequently wrote about Dr Ketterley’s clothes in his journal and lamented the contrast with his own ragged garments. This, I suppose, is where I differ from both of them – from Matthew Rose Sorensen and Piranesi; I find I do not care greatly about clothes.

Coming home is terrible whether the dogs lick your face or not; whether you have a wife or just a wife-shaped loneliness waiting for you. Coming home is terribly lonely, so that you think of the oppressive barometric pressure back where you have just come from with fondness, because everything's worse once you're home. You think of the vermin clinging to the grass stalks, long hours on the road, roadside assistance and ice creams, and the peculiar shapes of certain clouds and silences with longing because you did not want to return. Coming home is just awful. And the home-style silences and clouds contribute to nothing but the general malaise. Clouds, such as they are, are in fact suspect, and made from a different material than those you left behind. You yourself were cut from a different cloudy cloth, returned, remaindered, ill-met by moonlight, unhappy to be back, slack in all the wrong spots, seamy suit of clothes dishrag-ratty, worn. You return home moon-landed, foreign; the Earth's gravitational pull an effort now redoubled, dragging your shoelaces loose and your shoulders etching deeper the stanza of worry on your forehead. You return home deepened, a parched well linked to tomorrow by a frail strand of… Anyway . . . You sigh into the onslaught of identical days. One might as well, at a time . . . Well . . . Anyway . . . You're back. The sun goes up and down like a tired whore, the weather immobile like a broken limb while you just keep getting older. Nothing moves but the shifting tides of salt in your body. Your vision blears. You carry your weather with you, the big blue whale, a skeletal darkness. You come back with X-ray vision. Your eyes have become a hunger. You come home with your mutant gifts to a house of bone. Everything you see now, all of it: bone." A poem by - Eva H.D.

Daydreamer" Victory may lay in the fog Silent seas Howling dogs You and and me Cut from a different cloth Concrete love Oh let me tell ya Im gunna take this one step further Lets explore don’t stick to what you know We’re gunna take this one step further I’ve found the truth The stars are you CHORUS: Daydreamer Running in the dark Skiing in the fields Oh lets get lost Buy a ticket to mars Oh show me the way And i’m sure i’ll stay We’re blossom leaves No camouflage Let colours bleed for us all to see Hey your coming with me Whether you like it or not 1 2 3 Im gunna take this one step further Lets explore don’t stick to what you know We’re gunna take this one step further I’ve found the truth The stars are you CHORUS: Daydreamer Running in the dark Skiing in the fields Oh lets get lost Buy a ticket to mars Oh show me the way And i’m sure i’ll stay What you running for Running for What you running for CHORUS: Daydreamer Running in the dark Skiing in the fields Oh lets get lost Buy a ticket to mars Oh show me the way And i’m sure i’ll stay

Should the girls decide to go for a walk, they would need to change into a different outfit, a light woollen tweed suit and sturdier boots - but on simpler days, such as for the garden party, they make mercifully few changes. Cora, like many married ladies in her position, takes the opportunity on quiet afternoons to take off her corset and wear a teagown for an hour or two before getting into her evening dress. Its huge advantage was that it was always ornately decorated but simply cut, meaning it was the only garment a woman could conceivably get in and out of alone, as it could be worn without a corset underneath. Worn between five and seven o'clock, it gave rise to the French phrase 'cinq a sept'. This referred to the hours when lovers were received, the only time of day when a maid wouldn't need to be there to help you undress and therefore discover your secret. Lady Colin Campbell's divorce had hinged on the fact that her clothes had clearly been fastened by a man who didn't know what he was doing; when her lady's maid saw her for the next change, the fastenings were higgledy-piggledy. But for Cora, the teagown is not for any illicit behaviour, just for respite from her underpinnings.

I don’t like stories. I like moments. I like night better than day, moon better than sun, and here-and-now better than any sometime-later. I also like birds, mushrooms, the blues, peacock feathers, black cats, blue-eyed people, heraldry, astrology, criminal stories with lots of blood, and ancient epic poems where human heads can hold conversations with former friends and generally have a great time for years after they’ve been cut off. I like good food and good drink, sitting in a hot bath and lounging in a snowbank, wearing everything I own at once, and having everything I need close at hand. I like speed and that special ache in the pit of the stomach when you accelerate to the point of no return. I like to frighten and to be frightened, to amuse and to confound. I like writing on the walls so that no one can guess who did it, and drawing so that no one can guess what it is. I like doing my writing using a ladder or not using it, with a spray can or squeezing the paint from a tube. I like painting with a brush, with a sponge, and with my fingers. I like drawing the outline first and then filling it in completely, so that there’s no empty space left. I like letters as big as myself, but I like very small ones as well. I like directing those who read them here and there by means of arrows, to other places where I also wrote something, but I also like to leave false trails and false signs. I like to tell fortunes with runes, bones, beans, lentils, and I Ching. Hot climates I like in the books and movies; in real life, rain and wind. Generally rain is what I like most of all. Spring rain, summer rain, autumn rain. Any rain, anytime. I like rereading things I’ve read a hundred times over. I like the sound of the harmonica, provided I’m the one playing it. I like lots of pockets, and clothes so worn that they become a kind of second skin instead of something that can be taken off. I like guardian amulets, but specific ones, so that each is responsible for something separate, not the all-inclusive kind. I like drying nettles and garlic and then adding them to anything and everything. I like covering my fingers with rubber cement and then peeling it off in front of everybody. I like sunglasses. Masks, umbrellas, old carved furniture, copper basins, checkered tablecloths, walnut shells, walnuts themselves, wicker chairs, yellowed postcards, gramophones, beads, the faces on triceratopses, yellow dandelions that are orange in the middle, melting snowmen whose carrot noses have fallen off, secret passages, fire-evacuation-route placards; I like fretting when in line at the doctor’s office, and screaming all of a sudden so that everyone around feels bad, and putting my arm or leg on someone when asleep, and scratching mosquito bites, and predicting the weather, keeping small objects behind my ears, receiving letters, playing solitaire, smoking someone else’s cigarettes, and rummaging in old papers and photographs. I like finding something lost so long ago that I’ve forgotten why I needed it in the first place. I like being really loved and being everyone’s last hope, I like my own hands—they are beautiful, I like driving somewhere in the dark using a flashlight, and turning something into something completely different, gluing and attaching things to each other and then being amazed that it actually worked. I like preparing things both edible and not, mixing drinks, tastes, and scents, curing friends of the hiccups by scaring them. There’s an awful lot of stuff I like.

I must confess that the oddness of these three old pensioners in whose charge her ladyship had left the castle, and the deep-toned, old-fashioned furniture of the housekeeper’s room in which they foregathered, affected me in spite of my efforts to keep myself at a matter-of-fact phase. They seemed to belong to another age, an older age, an age when things spiritual were different from this of ours, less certain; an age when omens and witches were credible, and ghosts beyond denying. Their very existence was spectral; the cut of their clothing, fashions born in dead brains. The ornaments and conveniences of the room about them were ghostly — the thoughts of vanished men, which still haunted rather than participated in the world of today.

I turned to Kitty Sue and surprised myself by answering honestly, "I'm fine. Lee's fine. Lee's more fine than me. I'm having troubles adjusting. Lee seems pretty sure of himself. Lee seems pretty sure of everything." This, I realized, was true about Lee always. I'd never met someone as confident in my life. Well, maybe Hank, but Hank's confidence was quiet and assured. And there was Lee's best friend, Eddie, of course. But Eddie was like Lee's twin, separated at birth, cut from the same cloth. Lee's confidence, and Eddie's, wasn't like Hank's. It was cocky and assertive. "And you aren't sure?" Kitty Sue asked. I looked at her and thought maybe I should have lied. It was too late now. "Nope. He scares me," I admitted. She nodded. "Yep, he's pretty dang scary." I stared. My God, the woman was talking about her son. "You agree?" She looked at Lee then back at me. "Honey, that boy drives me to distraction. It's like he's not of my loins. I don't even know where he came from. If Ally hadn't been the exact replica of Lee, personality-wise, except female I would have wondered if there was a mix up at the hospital." I kept staring. Kitty Sue kept talking. "Hank's just like his Dad. Smart, cautious, controlled, taking only calculated risks. I'm sure Lee calculates his risks, but I think he allows for a much larger margin for error and counts on ... I don't know what he counts on to get him out of whatever scrapes he gets into." I couldn't stop staring. She kept talking, and everything that came out of her mouth was like a verbal car accident. If she was trying to convince me to stick with her son, she should have tried a different tact. "He does ... you know?" Kitty Sue said. I realized she was asking me a question, so I shook my head that no, I didn't know. She explained, "He gets out of every scrape. Always did and always did it on his own. Though it'll take some kind of woman to live a life like that, knowing what he's like, knowing the risks he takes." Her hand went to my knee and she squeezed it before she went on. "Not anyone here would think less of you if you aren't that woman. I'm telling you because it's true. We all love you both and we'll always love you both, no matter what happens between you." She stopped, sighed and continued, "Anyway, I don't even know if that kind of woman exists. I'm his mother. I've lived with him surviving scrapes that would make your hair stand on end and I worry about him every day. He scares the hell out of me.

Chef Ayden says you have something special. An 'affinity with the things that come from the dirt,' he says. A master of spices. And coming from Ayden that means a lot. He doesn't usually believe in natural inclinations. Only in working hard enough to make the hard work seem effortless. Is it true about you?" I know my eyebrows look about ready to parachute off my face. "You mean the bay-leaf thing?" "No more oil, that's good." She takes the bowl of marinated octopus from my hand, covers it with a red cloth, and puts it in the fridge. "The 'bay-leaf thing' is exactly what I mean. You're new to Spain. From what your teacher tells me, not many of you have had exposure to world cuisines. Yet, you know a variety of herb that looks and smells slightly different when found outside of this region. I'm sure you've probably seen it in other ways. You've probably mixed spices together no one told you would go together. Cut a vegetable in a certain way that you believe will render it more flavorful. You know things that no one has taught you, sí?" I shake my head no at her. 'Buela always said I had magic hands but I've never said it out loud about myself. And I don't know if I believed it was magic as much as I believed I'm a really good cook. But she is right; most of my experimenting is with spices. "My aunt Sarah sends me recipes that I practice with. And I watch a lot on Food Network. Do you have that channel here? It's really good. They have this show called Chopped-" Chef Amadí puts down the rag she was wiping down the counter with and takes my hands in hers. Studies my palms. "Chef Ayden tells me you have a gift. If you don't want to call it magic, fine. You have a gift and it's probably changed the lives of people around you. When you cook, you are giving people a gift. Remember that.

Under the spell of moonlight, music, flowers, or the cut and smell of good tweeds, I sometimes feel the divine urge for an hour, a day or maybe a week. Then it is gone and my interest returns to corn pone and mustard greens, or rubbing a paragraph with a soft cloth. Then my ex-sharer of a mood calls up in a fevered voice and reminds me of every silly thing I said, and eggs me on to say them all over again. It is the third presentation of turkey hash after Christmas. It is asking me to be a seven-sided liar. Accuses me of being faithless and inconsistent if I don’t. There is no inconsistency there. I was sincere for the moment in which I said the things. It is strictly a matter of time. It was true for the moment, but the next day or the next week, is not that moment. No two moments are any more alike than two snowflakes. Like snowflakes, they get that same look from being so plentiful and falling so close together. But examine them closely and see the multiple differences between them. Each moment has its own task and capacity; doesn’t melt down like snow and form again. It keeps its character forever. So the great difficulty lies in trying to transpose last night’s moment to a day which has no knowledge of it. That look, that tender touch, was issued by the mint of the richest of all kingdoms. That same expression of today is utter counterfeit, or at best the wildest of inflation. What could be more zestless than passing out canceled checks?

My interest in comics was scribbled over with a revived, energized passion for clothes, records, and music. I'd wandered in late to the punk party in 1978, when it was already over and the Sex Pistols were history. I'd kept my distance during the first flush of the new paradigm, when the walls of the sixth-form common room shed their suburban-surreal Roger Dean Yes album covers and grew a fresh new skin of Sex Pistols pictures, Blondie pinups, Buzzcocks collages, Clash radical chic. As a committed outsider, I refused to jump on the bandwagon of this new musical fad, which I'd written off as some kind of Nazi thing after seeing a photograph of Sid Vicious sporting a swastika armband. I hated the boys who'd cut their long hair and binned their crappy prog albums in an attempt to join in. I hated pretty much everybody without discrimination, in one way or another, and punk rockers were just something else to add to the shit list. But as we all know, it's zealots who make the best converts. One Thursday night, I was sprawled on the settee with Top of the Pops on the telly when Poly Styrene and her band X-Ray Spex turned up to play their latest single: an exhilarating sherbet storm of raw punk psychedelia entitled "The Day the World Turned Day-Glo" By the time the last incandescent chorus played out, I was a punk. I had always been a punk. I would always be a punk. Punk brought it all together in one place for me: Michael Moorcock's Jerry Cornelius novels were punk. Peter Barnes's The Ruling Class, Dennis Potter, and The Prisoner were punk too. A Clockwork Orange was punk. Lindsay Anderson's If ... was punk. Monty Python was punk. Photographer Bob Carlos Clarke's fetish girls were punk. Comics were punk. Even Richmal Crompton's William books were punk. In fact, as it turned out, pretty much everything I liked was punk. The world started to make sense for the first time since Mosspark Primary. New and glorious constellations aligned in my inner firmament. I felt born again. The do-your-own-thing ethos had returned with a spit and a sneer in all those amateurish records I bought and treasured-even though I had no record player. Singles by bands who could often barely play or sing but still wrote beautiful, furious songs and poured all their young hearts, experiences, and inspirations onto records they paid for with their dole money. If these glorious fuckups could do it, so could a fuckup like me. When Jilted John, the alter ego of actor and comedian Graham Fellows, made an appearance on Top of the Pops singing about bus stops, failed romance, and sexual identity crisis, I was enthralled by his shameless amateurism, his reduction of pop music's great themes to playground name calling, his deconstruction of the macho rock voice into the effeminate whimper of a softie from Sheffield. This music reflected my experience of teenage life as a series of brutal setbacks and disappointments that could in the end be redeemed into art and music with humor, intelligence, and a modicum of talent. This, for me, was the real punk, the genuine anticool, and I felt empowered. The losers, the rejected, and the formerly voiceless were being offered an opportunity to show what they could do to enliven a stagnant culture. History was on our side, and I had nothing to lose. I was eighteen and still hadn't kissed a girl, but perhaps I had potential. I knew I had a lot to say, and punk threw me the lifeline of a creed and a vocabulary-a soundtrack to my mission as a comic artist, a rough validation. Ugly kids, shy kids, weird kids: It was okay to be different. In fact, it was mandatory.

OCCUPATIONAL SAFETY I don’t know of people who do everything from going to school, learning different skills and basically develop themselves so that they stay at home. It’s ingrained in every kid that they should study hard and excel so that they can get good jobs and live well. With that said, working is what makes us build nations and fulfill some our dreams so it’s important to ensure that the work environment is kept safe and comfortable for workers so that they can remain productive for the longest time. However as long as we are living there will SWMS always be greedy employers who will take short cuts or fail to protect their employees and this is where OSHA(occupational safety and health administration)comes in to rectify these issues. Occupational safety is ensuring that employees work in danger free environment. There are many industries of different nature and hence the possible hazards vary. For example in the textile and clothing industry, employees deal with dyes, chemicals and machines that spin , knit and weave to ensure production. In some countries there have been cases of sweatshops where people make clothes in poorly ventilated places for long hours. The tools of trade in all industries are still the ones that cause hazards e.g. machines can cut people, chemicals emit poisonous fumes or burn the skin and clothes etc. Its therefore the mandate of employers to ensure work places are safe for workers and incase the industry uses chemicals or equipments that may harm the workers in any way, they should provide protective gear. Employers can also seek the services of occupational safety specialists who can inspect their companies to ensure they adhere to the set health and safety standards. These specialists can also help formulate programs that will prevent hazards and injuries. Workers should report employers to OSHA if they fail to comply. As a worker you now know it’s partly your duty to hold your employer accountable so do not agree to work in a hazardous environment.

Change Your Look With These Top Notch Fashion Tips In fashion, there aren't any set rules. There is no one right way to be fashionable. Read a lot of different sources and then take what you've learned, pick it apart and use the tips that are best for you. Continue reading to learn great advice that you can tailor to your own wants and needs. If you like a shirt or skirt think about getting it in more than one color. Because clothes come in so many varying cuts and styles, you're likely find it difficult to find clothes that fit well for your body type. When you do just get more than one so that you can feel great more often. If you have thick or very curly hair, using a gel product will help you to create the style you desire. Work the product into towel-dried hair and then style it as you want. You can allow it to dry naturally, or use a hair drier. This is especially helpful in humid weather. In today's business world, it is imperative that men be well dressed. Therefore, it is essential to shop for top drawer clothing when buying clothes for your next interview. To begin your search, look through today's business magazines to ensure your wardrobe matches the top executives. Look for whether men are wearing cuffed pants or hemmed pants, ties with designs or solid ties as well as what type of shoe is currently in style. Skimpy tops are comfortable to wear in hot weather, but be careful if you are a big busted gal. Your figure needs good support, and you will feel more secure if you wear a sports bra under a lightweight top that has skinny straps and no shape of its own. Don't overstock your beauty kit with makeup. Just choose a few colors that match the season. Consider your needs for day and evening applications. Makeup can go bad if it's opened, just like other products. Bacteria can build on it, too. Have yourself professionally fitted for a bra. An ill-fitting brassiere is not only unflattering, but it affects how your clothing fits. Once you know your true size, buy a few bras in different styles and cuts. A plunge or demi-cup bra, a strapless bra, and a convertible bra give you versatile options. The thing about fashion is that it's a very easy topic once you get to know a little bit about it. Use the ideas you like and ignore the rest. It's okay not to follow every trend. Breaking away from the trends is better if you desire to be unique.

How is Prudence?" she heard him ask. It hurt to hear the note of wary longing in his voice. "Quite well, I believe. She's in London for the season." Beatrix hesitated before adding carefully, "We are still friends, but perhaps not as fond of each other as we once were." "Why?" His gaze was alert now. Clearly any mention of Prudence earned his close attention. Because of you, Beatrix thought, and managed a faint, wry smile. "It seems we have different interests." I'm interested in you, and she's interested in your inheritance. "You're hardly cut from the same cloth." Hearing the sardonic note in his voice, Beatrix tilted her head and regarded him curiously. "I don't take your meaning." He hesitated. "I only meant that Miss Mercer is conventional. And you're... not." His tone was seasoned with the merest hint of condescension... but there was no mistaking it. Abruptly all the feelings of compassion and tenderness disappeared as Beatrix realized that Christopher Phelan had not changed in one regard: he still didn't like her. "I would never want to be a conventional person," she said. "They're usually dull and superficial." It seemed he took that as a slight against Prudence. "As compared to people who bring garden pests to picnics? No one could accuse you of being dull, Miss Hathaway." Beatrix felt the blood drain from her face. He had insulted her. The realization made her numb. "You may insult me," she said, half amazed that she could still speak. "But leave my hedgehog alone.

Asia and Cedes were cut from a different cloth. They'd seen and done more than most girls their age. They were born and raised in Detroit, Michigan and brought up in the roughest part of the city.

Seeing her mama wiggle and swagger like that always reminded Sugar of her own shortcomings in this department. She knew the sort of daughter Etta wished she had- another wiggler and swaggerer- but that flirtatious behavior just didn't come naturally to Sugar. She wasn't a tomboy, exactly. Her mother would have shot her rather than let that happen, but Sugar didn't particularly like parties or shopping trips or lengthy visits to the beauty parlor, all of which her mother adored. She preferred helping her grandfather with his bees on his orchard farther up the Ashley River; she always had. She liked reading books on her own or walking the family dog, Miss Pickles. Worse, she couldn't manage high heels no matter how hard she tried, which was an utter disgrace to her southern roots. The pretty only daughter of a well-known beauty married to one of the city's wealthier sons should by rights follow directly in her mother's footsteps in nothing less than three-inch stilettos, as far as Etta was concerned. But she and Sugar were cut from different cloth.

Children displaced from their families, unconnected to their teachers, and not yet mature enough to relate to one another as separate beings, automatically regroup to satisfy their instinctive drive for attachment. The culture of the group is either invented or borrowed from the peer culture at large. It does not take children very long to know what tribe they belong to, what the rules are, whom they can talk to, and whom they must keep at a distance. Despite our attempts to teach our children respect for individual differences and to instill in them a sense of belonging to a cohesive civilization, we are fragmenting at an alarming rate into tribal chaos. Our very own children are leading the way. The time we as parents and educators spend trying to teach our children social tolerance, acceptance, and etiquette would be much better invested in cultivating a connection with them. Children nurtured in traditional hierarchies of attachment are not nearly as susceptible to the spontaneous forces of tribalization. The social values we wish to inculcate can be transmitted only across existing lines of attachment. The culture created by peer orientation does not mix well with other cultures. Because peer orientation exists unto itself, so does the culture it creates. It operates much more like a cult than a culture. Immature beings who embrace the culture generated by peer orientation become cut off from people of other cultures. Peer-oriented youth actually glory in excluding traditional values and historical connections. People from differing cultures that have been transmitted vertically retain the capacity to relate to one another respectfully, even if in practice that capacity is often overwhelmed by the historical or political conflicts in which human beings become caught up. Beneath the particular cultural expressions they can mutually recognize the universality of human values and cherish the richness of diversity. Peer-oriented kids are, however, inclined to hang out with one another exclusively. They set themselves apart from those not like them. As our peer-oriented children reach adolescence, many parents find themselves feeling as if their very own children are barely recognizable with their tribal music, clothing, language, rituals, and body decorations. “Tattooing and piercing, once shocking, are now merely generational signposts in a culture that constantly redraws the line between acceptable and disallowed behavior,” a Canadian journalist pointed out in 2003. Many of our children are growing up bereft of the universal culture that produced the timeless creations of humankind: The Bhagavad Gita; the writings of Rumi and Dante, Shakespeare and Cervantes and Faulkner, or of the best and most innovative of living authors; the music of Beethoven and Mahler; or even the great translations of the Bible. They know only what is current and popular, appreciate only what they can share with their peers. True universality in the positive sense of mutual respect, curiosity, and shared human values does not require a globalized culture created by peer-orientation. It requires psychological maturity — a maturity that cannot result from didactic education, only from healthy development. Only adults can help children grow up in this way. And only in healthy relationships with adult mentors — parents, teachers, elders, artistic, musical and intellectual creators — can children receive their birthright, the universal and age-honored cultural legacy of humankind. Only in such relationships can they fully develop their own capacities for free and individual and fresh cultural expression.

They were all unconscious worshippers of the State. Whether the State they worshipped was the Fascist State or the incarnation of quite another dream, they thought of it as something that transcended both its citizens and their lives. Whether it was tyrannical or paternalistic, dictatorial or democratic, it remained to them monolithic, centralized, and remote. This was why the political leaders and my peasants could never understand one another. The politicians oversimplified things, even while they clothed them in philosophical expressions. Their solutions were abstract and far removed from reality; they were schematic halfway measures, which were already out of date. Fifteen years of Fascism had erased the problem of the South from their minds and if now they thought of it again they saw it only as a part of some other difficulty, through the fictitious generalities of party and class and even race...All of them agreed that the State should be something about it, something concretely useful, and beneficent, and miraculous, and they were shocked when I told them that the State, as they conceived it, was the greatest obstacle to the accomplishment of anything...We can bridge the abyss only when we succeed in creating a government in which the peasants feel they have some share...Plans laid by a central government, however much good they may do, still leave two hostile Italys on either side of the abyss. The difficulties we were discussing, I explained to them, were far more complex than they realized...First of all, we are faced with two very different civilizations, neither of which can absorb the other...The second aspect of the trouble is economic, the dilemma of poverty. The land has been gradually impoverished: the forests have been cut down, the rivers have been reduced to mountain streams that often run dry, and livestock has become scarce. Instead of cultivating trees and pasture lands there has been an unfortunate attempt to raise wheat in soil that does not favor it. There is no capital, no industry, no savings, no schools; emigration is no longer possible, taxes are unduly heavy, and malaria is everywhere. All this is in large part due to the ill-advised intentions and efforts of the State, a State in which the peasants cannot feel they have a share, and which has brought them only poverty and deserts...We must make ourselves capable of inventing a new form of government, neither Fascist, nor Communist, nor even Liberal, for all three of these are forms of the religion of the State. We must rebuild the foundations of our concept of the State with the concept of the individual, which is its basis...The individual is not a separate unit, but a link, a meeting place of relationships of every kind...The name of this way out is autonomy. The State can only be a group of autonomies, an organic federation, The unit or cell through which the peasants can take part in the complex life of the nation must be the autonomous or self-governing rural community. This is the only form of government which can solve in our time the three interdependent aspects of the problem of the South; which can allow the co-existence of two different civilizations, without one lording it over the other or weighing the other down; which can furnish a good chance for escape from poverty...But the autonomy or self-government of the community cannot exist without the autonomy of the factory, the school, and the city, of every form of social life. This is what I learned from a year of life underground.

it seemed everyone was cut from one cloth, and I was cut from an entirely different one. For my entire life, I had never quite fit in with the people surrounding me. It was as if I was watching through a window, understanding their wishes and desires to an extent, watching them settle, have children, build houses… But while they were content to live happily ever after here, I was not.

[...] So large was the universe of things called Oriental: roots, rugs, religions, noodles, hairstyles, hordes, healing arts, herbs and spices, fabrics, medicines, modes of war, types of astronomy, spheres of the globe, schools of philosophical thought, and salads. It applied to me, women, gum, dances, eyes, body types, chicken dishes, societies, civilizations, styles of diplomacy, codes of behaviour, fighting arts, sexual proclivities, and a particular kind of mind. Apparently, the Orient produced people with a singular way of thinking. There was no way, wrote Jack London, for a Westerner to plumb the Oriental mind - it was cut from different cloth, functioned in an alien way.

Light Breeze As regards feeling pain, like a hand cut in battle, consider the body a robe you wear. When you meet someone you love, do you kiss their clothes? Search out who's inside. Union with God is sweeter than body comforts. We have hands and feet different from these. Sometimes in dream we see them. That is not illusion. It's seeing truly. You do have a spirit body; don't dread leaving the physical one. Sometimes someone feels this truth so strongly that he or she can live in mountain solitude totally refreshed. The worried, heroic doings of men and women seem weary and futile to dervishes enjoying the light breeze of spirit.

How is Prudence?” she heard him ask. It hurt to hear the note of wary longing in his voice. “Quite well, I believe. She’s in London for the season.” Beatrix hesitated before adding carefully, “We are still friends, but perhaps not as fond of each other as we once were.” “Why?” His gaze was alert now. Clearly any mention of Prudence earned his close attention. Because of you, Beatrix thought, and managed a faint, wry smile. “It seems we have different interests.” I’m interested in you, and she’s interested in your inheritance. “You’re hardly cut from the same cloth.” Hearing the sardonic note in his voice, Beatrix tilted her head and regarded him curiously. “I don’t take your meaning.” He hesitated. “I only meant that Miss Mercer is conventional. And you’re…not.” His tone was seasoned with the merest hint of condescension…but there was no mistaking it. Abruptly all the feelings of compassion and tenderness disappeared as Beatrix realized that Christopher Phelan had not changed in one regard: he still didn’t like her. “I would never want to be a conventional person,” she said. “They’re usually dull and superficial.” It seemed he took that as a slight against Prudence. “As compared to people who bring garden pests to picnics? No one could accuse you of being dull, Miss Hathaway.” Beatrix felt the blood drain from her face. He had insulted her. The realization made her numb. “You may insult me,” she said, half amazed that she could still speak. “But leave my hedgehog alone.

How is Prudence?” she heard him ask. It hurt to hear the note of wary longing in his voice. “Quite well, I believe. She’s in London for the season.” Beatrix hesitated before adding carefully, “We are still friends, but perhaps not as fond of each other as we once were.” “Why?” His gaze was alert now. Clearly any mention of Prudence earned his close attention. Because of you, Beatrix thought, and managed a faint, wry smile. “It seems we have different interests.” I’m interested in you, and she’s interested in your inheritance. “You’re hardly cut from the same cloth.” Hearing the sardonic note in his voice, Beatrix tilted her head and regarded him curiously. “I don’t take your meaning.” He hesitated. “I only meant that Miss Mercer is conventional. And you’re…not.” His tone was seasoned with the merest hint of condescension…but there was no mistaking it. Abruptly all the feelings of compassion and tenderness disappeared as Beatrix realized that Christopher Phelan had not changed in one regard: he still didn’t like her. “I would never want to be a conventional person,” she said. “They’re usually dull and superficial.” It seemed he took that as a slight against Prudence. “As compared to people who bring garden pests to picnics? No one could accuse you of being dull, Miss Hathaway.” Beatrix felt the blood drain from her face. He had insulted her. The realization made her numb. “You may insult me,” she said, half amazed that she could still speak. “But leave my hedgehog alone.” Whirling around, she walked away from him in long, digging strides. Albert whimpered and began to follow, which forced Christopher to call him back. Beatrix didn’t glance over her shoulder, only plowed forward. Bad enough to love a man who didn’t love her. But it was exceptionally worse to love a man who actively disliked her. Ridiculously, she wished she could write to her Christopher about the stranger she had just met. He was so contemptuous, she would write. He dismissed me as someone who didn’t deserve a modicum of respect. Clearly he thinks I’m wild and more than a little mad. And the worst part is that he’s probably right. It crossed her mind that this was why she preferred the company of animals to people. Animals weren’t deceitful. They didn’t give one conflicting impressions of who they were. And one was never tempted to hope that an animal might change its nature.

From The Bridge” by Captain Hank Bracker Mundane Happenings Life is just packed with “Mundane Happenings!” It’s the mundane happenings that usually take the most time and they always seem to interfere, just about when you want to do something really important. Let’s start with mundane things that are routine, like doing the dishes and taking out the garbage. The list for a single person might be a little less involved or complicated but it would be every bit as important as that of a married couple or people with lots of children or even pets. Oh yes, for some the list of mundane responsibilities would include washing clothes and taking the children to their activities. You know what I mean… school, sports, hobbies, their intellectual endeavors and the like. For most of us beds have to be made, the house has to be kept clean, grass has to be cut and the flowers have to be pruned. Then there are the seasonal things, such as going trick or treating, buying the children everything they need before school starts or before going to summer camp. Let’s not forget Christmas shopping as well as birthdays and anniversaries. This list is just an outline of mundane happenings! I’m certain that you can fill in any of these broad topics with a detailed account of just how time consuming these little things can be. Of course we could continue to fill in our calendar with how our jobs consume our precious time. For some of us our jobs are plural, meaning we have more than one job or sometimes even more than that. I guess you get the point… it’s the mundane happenings that eat up our precious time ferociously. Blink once and the week is gone, blink twice and it’s the month and then the year and all you have to show for it, is a long list of the mundane things you have accomplished. Would you believe me, if I said that it doesn’t have to be this way? Really, it doesn’t have to, and here is what you can do about it. First ask yourself if you deserve to recapture any of the time you are so freely using for mundane things. Of course the answer should be a resounding yes! The next question you might want to ask yourself is what would you do with the time you are carving out for yourself? This is where we could part company, however, whatever it is it should be something personal and something that is fulfilling to you! For me, it became a passion to write about things that are important to me! I came to realize that there were stories that needed to be told! You may not agree, however I love sharing my time with others. I’m interested in hearing their stories, which I sometimes even incorporate into my writings. I also love to tell my stories because I led an exciting life and love to share my adventures with my friends and family, as well as you and future generations. I do this by establishing, specifically set, quiet time, and have a cave, where I can work; and to me work is fun! This is how and where I wrote The Exciting Story of Cuba, Suppressed I Rise, now soon to be published as a “Revised Edition” and Seawater One…. Going to Sea! Yes, it takes discipline but to me it’s worth the time and effort! I love doing this and I love meeting new friends in the process. Of course I still have mundane things to do…. I believe it was the astronaut Allen Shepard, who upon returning to Earth from the Moon, was taking out the garbage and looking up saw a beautifully clear full Moon and thought to himself, “Damn, I was up there!” It’s the accomplishment that makes the difference. The mundane will always be with us, however you can make a difference with the precious moments you set aside for yourself. I feel proud about the awards I have received and most of all I’m happy to have recorded history as I witnessed it. My life is, gratefully, not mundane, and yours doesn’t have to be either.” Captain Hank Bracker, author of the award winning book “The Exciting Story of Cuba.

You’ll have to have a sponge bath before we go on, Mr. Fairfax. There’s a question of infection here.” To her surprise, the recalcitrant visitor was looking at her in a different way—his hazel eyes were twinkling with weary mischief, and his voice was lower. Smoother. “How much does that cost? A sponge bath, I mean?” Emma frowned, puzzled. “Cost?” Fairfax smiled at her, showing that fine set of teeth Emma remembered from their earlier encounter. He looked rather like a gentleman when he did that, instead of a trail bum down on his luck. “You know.” Emma had no time to debate. “I’m sorry,” she said, on her way out the door. “I’m afraid I don’t.” She left the room again and came back soon after with a basin of hot water, soap, a washcloth and a towel. “You really are a great deal of trouble, Mr. Fairfax.” “Steven,” he corrected. Emma looked at him in confusion. “Steven.” “May I call you Emma?” “No,” Emma replied, uncomfortable with his familiarity. “You certainly may not. It wouldn’t be proper.” He grinned as though she’d said something funny. “Proper?” he repeated, and he chuckled. Emma lathered up the washcloth and set about cleaning him up as best she could. Of course, she wasn’t about to deal with any part of his anatomy besides his arms and chest. “There’s money over there, in the pocket of my coat,” he said, when Emma was rinsing away the soap. “Good,” Emma said disinterestedly. “You’ll want to buy yourself another set of clothes. I’d be glad to do that for you on my way home from the library tomorrow.” He watched her, his eyes dancing in his wan face. “How long have you been working here?” She wrung out the washcloth. “Working here? I don’t work here—I’m the town librarian. This is my home.” At that Steven gave a hoarse cough of laughter. “You’re a librarian? That’s a new one.” Emma was cutting a sheet into strips. “A new what?” “Listen, when you’re through with these bandages, I could use a little comforting.” She

Hey, nothing wrong with being a little eccentric. Too many people cut from the same cloth just isn't an inspiring thing. You can't be creative and innovative and all that juicy stuff if you're too scared to think, feel, and be different. Be an Original

The Shade, The Fade, and The Burn are each ruled by a different Vaegor brother, each cut from the same vile cloth. I’ve seen King Fade from a distance—Cadok Vaegor. This male is not him. Meaning he rules either The Shade or The Burn. The Shade is said to be even more rotten than this kingdom, if rumors are anything to go by, the cold, shadowed expanse governed by King Tyroth Vaegor. A cruel king with a heart said to fester from the loss of his queen.

Once upon a time, on the MV Cavalla Mosquitoes were everywhere especially along the river. When I first arrived in West Africa I was used repellent and constantly swatted them. Most frequently they just sat there and, when slapped, splashed red blood in all directions. The seasoned TTTs would laugh making remarks about how the insects liked new blood. In time everyone contracted malaria! All the quinine and other derivatives only helped marginally to prevent malaria and actually caused some expats to cut short their contracts and return home early. I, like many others, just put up with it, not really being aware of how dangerous the disease could be. Now it was Captain Turner’s turn to wind up in the hospital. Covering for him was different since the MV Cavalla was an old landing vessel that we didn’t even consider a ship. Be that as it may, on that occasion I had to take over for Captain John Turner who had graduated a year before me, from the New York State Maritime College, and had gone totally native. He had grown a long shaggy beard and although having been admonished on a number of occasions, wore nothing more than a loin cloth and a uniform cap. His dark tan added to his wild image but I felt that in time it could cause him a problem. He only had a few months left on his contract but insanely offered to stay longer. Now malaria got the best of him and he wound up in the hospital. My guess was that they would have sent him back early if they could of, but we weren’t that easy to replace.

It seemed stupid that I had stayed in the cold stone room, knowing that as soon as the new day had crested, I was no longer in the Inquisitor’s service and no longer had to follow his orders. I finished eating and opened the package, revealing the complicated sections of leather pieces that somehow made up an outfit. Some of the sections were hardened with inlaid metal, a tarnished golden colour peeking through the stitching. I finally discerned something resembling the usual bodysuits worn beneath sectorian women’s clothing, though this one was different. It was thick brown leather, a silk underlining hidden on the inside. It moulded tightly to the body, two ovals cut into the sides, exposing the hips and the sides of the stomach and back. Some sort of covering fit over the top of the bodysuit, ending a few inches above the waist. The metal-inlaid patterns curved around the front of my chest and the top of my spine, connected with brown, buckled straps along my sides. A belted skirt slid over the hips, the belt pulling along the cut of the bodysuit, above my hips, another band looping around my hips. The skirt had two short layers. Yet another section of the outfit fit over my shoulders, metallic glimpses peering out from the leather that cupped my shoulders, attaching to the upper chest armour with straps. Another set of wraps covered my wrists and forearms, and I was glad to see the Inquisitor’s mark and the Spider’s mark disappearing from view. I was able to re-wear the same footwear, as there were also knee and thigh wraps in the same boiled brown leather that complemented the knee-high boots. The outfit was clearly some kind of warrior’s uniform. The Vold—and the Sentinels in particular—often wore revealing, scant clothing to show off their impressive physiques. With Calder’s cloak still on the ground, I could see half of his bare back above the golden armour that wrapped his torso. The muscles bunched and stretched as he pulled his forearm up for investigation. He had clearly stitched and re-dressed his wound after my dismal attempt at caring for it the night before. Despite my outfit showing so much skin, it was by far the heaviest thing I had ever worn, and I started to truly appreciate how quickly and silently Calder moved, weighed down as he must have been by so much armour. I tugged my hair over my shoulders, arranging the strands so that they might hide my face better. There was a lump in my throat when I stuffed everything back into my pack and muttered, “Done.

Nothing was different afterward except for my fresh loser eyes, noticing it all. People steering clear. Not touching me in gym, not even cheering if I sank a shot. Holding up their plate to my face in the lunchroom, like I’d eat off it like a dog. I wanted no sun shining on me now. I erased myself like a chalkboard. In my outgrown high-water jeans and the old-man shoes Mr. Peg had loaned me at Christmas, I joined the tribe of way-back country kids with no indoor plumbing and the Pentecostals that think any style clothes invented since Bible times is a sin. My specialty, acid holes. Who was going to take me shopping for new clothes? Hair over my collar, and who’s going to cut it? Miss Barks had noticed I was getting ratty, and kept reminding Mrs. McCobb how the monthly check from DSS should more than cover those things. And Mrs. McCobb kept saying she meant to get around to it, but just so busy with her kids. I’d been thinking about Emmy moving here in a few months, the walks we were going to take. Hand-holding. Now I just hoped she and June would move to some far-distant part of the county where she’d be in a different school and never find out what I was.

AMANDA: We're being so bad, so terribly bad, we'll suffer for this, I know we shall. ELYOT: Can't be helped. AMANDA: Starting all those awful rows all over again. ELYOT: No, no, we're older and wiser now. AMANDA: What difference does that make? The first moment either of us gets a bit nervy, off we'll go again. ELYOT: Stop shilly-shallying, Amanda. AMANDA: I'm trying to be sensible. ELYOT: You're only succeeding in being completely idiotic. AMANDA: Idiotic indeed! What about you? ELYOT: Now look here Amanda AMANDA[stricken]: Oh my God! ELYOT [rushing to her and kissing her]: Darling, darling, I didn't mean it. AMANDA: I won't move from here unless we have a compact, a sacred, sacred compact never to quarrel again. ELYOT: Easy to make but difficult to keep. AMANDA: No, no, it's the bickering that always starts it. The moment we notice we're bickering, either of us, we must promise on our honor to stop dead. We'll invent some phrase or catchword, which when either of us says it, automatically cuts off all conversation for at least five minutes. ELYOT: Two minutes dear, with an option of renewal. AMANDA: Very well, what shall it be? ELYOT [hurriedly]: Solomon Isaacs. AMANDA: All right, that'll do. ELYOT: Come on, come on. AMANDA: What shall we do if we meet either of them on the way downstairs? ELYOT: Run like stags. AMANDA: What about clothes? ELYOT: I've got a couple of bags I haven't unpacked yet. AMANDA: I've got a small trunk. ELYOT: Send the porter up for it. AMANDA: Oh this is terrible - terrible - ELYOT: Come on, come on, don't waste time. AMANDA: Oughtn't we to leave notes or something? ELYOT: No, no, no, we'll telegraph from somewhere on the road. AMANDA: Darling, I daren't, it's too wicked of us, I simply daren't. ELYOT [seizing her in his arms and kissing her violently]: Now will you behave? AMANDA: Yes, but Elyot darling - ELYOT: Solomon Isaacs!

Here Aunt Jane paused, and began to cut three-cornered pieces out of a time-stained square of flowered chintz. The quilt was to be of the wild-goose pattern. There was a drowsy hum from the bee hive near the window, and the shadows were lengthening as sunset approached. "One queer thing about it," she resumed, "was that while Sally Ann was talkin', not one of us felt like laughin'. We set there as solemn as if parson was preachin' to us on 'lection and predestination. But whenever I think about it now, I laugh fit to kill. And I've thought many a time that Sally Ann's plain talk to them men done more good than all the sermons us women had had preached to us about bein' 'shame faced' and 'submittin" ourselves to our husbands, for every one o' them women come out in new clothes that spring, and such a change as it made in some of 'em!. . . . "Things is different from what they used to be," she went on, as she folded her pieces into a compact bundle and tied it with a piece of gray yarn. "My son-in-law was tellin' me last summer how a passel o' women kept goin' up to Frankfort and so pesterin' the Legislatur', that they had to change the laws to git rid of 'em. So married women now has all the prop erty rights they want, and more'n some of 'cm has sense to use, I reckon.

Well, them cloths are a lot like folks. Ain't much difference at all. Some of us is more spiffed up than others, some stiffer, and still, some softer. There's the colorful and dull, ugly and pretty, old, new 'uns. But in the end we's all fabric, cut from His cloth. Fabric, and just that.

To the sheep, the sheepdog looks like a wolf. They have fangs and a tendency to be violent, like the wolf. In many ways, the sheepdog and the wolf are cut from the same cloth. They have one significant difference, though: The sheepdog loves the sheep and could never use its gift of strength and violence against them.

Afterword to “Where Hesperus Falls” Words, words, words are the enemy of a writer. I take great pleasure in simplifying language and sentences whenever I can. If I’ve started something, I write through to the end of the paragraph or section, then go back and prune out whole sentences. I’m pleased if I reach the end having deleted thirty sentences, making the thing tighter without losing any of the impact. Of course, I keep having to go back to make sure that I have the right words and no repetition. Norma catches a lot of this, and it’s a great deal of work. I liked it much better in the old days when I could still see and could assimilate a whole page at a time like other writers do. You mustn’t try too hard to produce effects either. They have to come kind of quietly, sneaking up on you out of the action and feeling. When you want to describe something that’s flamboyant, weird and strange, anything a little bit outrageous, wicked or nasty, you don’t do it by exposition, which can become long-winded and tiresome. You have one of your characters describe it to somebody else. Instead of writing that a man is an evil beast, without a redeeming quality, you have a girl come in out of the cold with her clothes torn and say: ‘I met this fellow, Steve, and he did such and such. That man is a beast. Do you know what he did to Henrietta? He pulled all her hair out.’ I’m exaggerating, but this is almost a trade secret: not having the exposition come from the writer, but rather from the mouths of the characters themselves. So cut those words out. Sometimes you can combine the adjective and the noun into a single notion. Instead of saying there was a horse colored all kinds of different colors, you say a palomino came down the road. —Jack Vance The Phantom Milkman I’ve had all I can stand.

Too many among us have bought into the collective hypnosis that those with extraordinary skill are cut from a different cloth and have been divinely blessed by The Gods of Exceptional Talent. But that just ain’t so,” observed the billionaire, a wisp of his farm boy manner emerging. “Dedication and discipline beats brilliance and giftedness every day of the week. And A-Players don’t get lucky. They make lucky. Each time you resist a temptation and pursue an optimization you invigorate your heroism. Every instant you do that which you know to be right over the thing that you feel would be easy, you facilitate your entry into the hall of fame of epic achievers.

Those in the tribe who now lived by the Soyapo ways spoke out against this, saying that Nez Perce who were afraid of the new law were like boys who were afraid to become men. They reminded them of the many gifts they had received from other strangers, like the horse, the ways of the buffalo, and the guns and tools and cooking pots. The new ways of the Spaldings were no different. And by doing violence to the Reverend and his family, they were betraying the promise of friendship their ancestors had made to Lewis and Clark. But the angry ones refused to listen. These men are not like Lewis and Clark, they responded. Lewis and Clark brought gifts, not laws. Lewis and Clark did not make the Nez Perce wear different clothes. Lewis and Clark did not make them cut their mother’s flesh to place seeds in the earth so lazy men could get food without going on the hunt. Lewis and Clark did not ask them to become a nation of old women who sat watching plants grow and slow cows walk while Soyapo told them where to live and how to dress and what to eat and how to worship the Creator. In exchange for a life of ease, they said, the Soyapo had given them a life of fear.

Faith was a permanent and unquestioned part of my life. My family-- everyone around me, really-- was cut the same cloth. We were churchgoers and Methodists, and those facts permeated just about every aspect of our lives. It was an intimate part of me, as connected to me as an arm or a leg. It was the air from which I drew breath. Faith is different for everyone, determined by the way each of us is wired. For me, my faith operates as both a floor to ground me and a ceiling to reach for. It champions me and humbles me. It connects me to the larger community, and it makes me feel singular. It tells me I'm one of many, while making me feel as though only I can stand on the spot where I'm standing. It questions me, and it guides me. It reminds me that no matter how good things get, we could lose everything tomorrow. And it assures me that no matter how bad things can be, it's all going to be okay.

Every tale begins with the words ‘This is how it was.’ This story begins differently—with the words ‘This is what will be.’ This is what will be, then. There will be born a man, luckier and stronger than you, Armagirgin, though his name will be different. He will best the stoutest and fattest creatures of the sea, catch the fastest on land, and with his bare, mighty hands will be able to strangle wolves and bears. Far and wide, people will praise him and even make up tales and legends of his doings. “But it will not be enough for him that people can see his glad face when he is in front of them; he will wish to be present always, in each and every yaranga. Skilled carvers will cut his likeness from walrus tusk, and his image will be painted onto white hides and hung from high poles. He will wish, too, that his very smell be present in every yaranga, and will order people to sniff him whenever they meet him, and will fill yarangas with his scent. “But this will also not be enough. He will be clothed in the newest and best garments, but these will not do for him, and so the most accomplished embroiderers will decorate his clothes, and he will shine like the sun’s twin…. Yes, and they shall liken him to the very sun, too, but even this will not be enough for him. He will desire that real stars be brought to hang from his clothes, and will send people to gather them, and these people will perish on their journeys. And he shall be left all alone then, and the shore will be wild and deserted, just as it was when I first came here, young …” Nau’s tale was finished, and she fell silent. Everyone else was silent, too, for there was much that was baffling in the old woman’s words.

J. Edgerton/ The Spirit of Christmas Page 17 Continued JONAS AND JAMES (SINGING) “O come all ye faithful. Joyful and triumphant. O come ye, o come ye to Bethlehem. Come and behold him. Born the king of angels. O come let us adore him. O come let us adore him. O come let us adore him. Christ the lord.” “Sing, choirs of angels, Sing in exultations. Sing, all ye citizens of heavn above; Glory to god, Glory in the highest. O come let us adore him. O come let us adore him. O come let us adore him, Christ the lord!” An occasional passer-by dropped a coin into the cup held by the littlest Nicholas. Thorn tipped his hat to them, trying to keep his greedy looks to a minimum. “Sing loudly my little scalawags. We’ve only a few blocks to go of skullduggery. Then you’ll have hot potato soup before a warm fire.” The Nicholas boys sang louder as they shivered from the falling snow and the wind that seemed to cut right through their shabby clothes, to their very souls. A wicked smile spread over the face of the villainous Mr. Thorn, as he heard the clink of a coin topple into the cup. “That’s it little alley muffins, shiver more it’s good for business.” His evil chuckle automatically followed and he had to stifle it. They trudged on, a few coins added to the coffer from smiling patrons. J. Edgerton/ The Spirit of Christmas Page 18 Mr. Angel continued to follow them unobserved, darting into a doorway as Mr. Thorn glanced slyly behind him, like a common criminal but there was nothing common about him. They paused before the Gotham Orphanage that rose up with its cold stone presence and its’ weathered sign. Thorn’s deep voice echoed as ominous as the sight before them, “Gotham Orphanage, home sweet home! A shelter for wayward boys and girls and a nest to us all!” He slyly drew a coin from his pocket, and twirled it through his fingers. Weather faced Thorn then bit down on the rusty coin, to make sure that it was real. He then deposited all of the coin into the inner pocket of his coat, with an evil chuckle. IV. “GOTHAM ORPHANAGE” “Now never you mind about the goings on of my business. You just mind your own. Now off with ya. Get into the hall to prepare for dinner, such as it is,” Thorn’s words echoed behind them. “And not a word to anyone of my business or you’ll see the back of me hand.” He pushed the boy toward the dingy stone building that was their torment and their shelter. The tall Toymaker glanced after them and then trod cautiously towards Gotham Orphanage. Jonas and James paced along the cracked stone pathway and up the front steps of the main entryway, that towered in cold stone before them. Thorn ushered the boys through the weathered front door to Gotham’s Orphanage. Mr. Angel paced after them and paused, unobserved, near the entrance. As they trudged across the worn hard wood floors of Gotham Orphanage, gala Irish music was heard coming from the main hall of building. Thorn herded the boys into the main hall of the orphanage that was filled with every size and make of both orphan boys and girls seated quietly at tables, eating their dinner. Then he turned with an evil look and hurriedly headed down the long hallway with the money they’ve earned. Jonas and James paced hungrily through the main hall, before a long table with a large, black kettle on top of it and loaves of different types of bread. They both glanced back at a small makeshift stage where orphans in shabby clothes sat stone faced with instruments, playing an Irish Christmas Ballad. Occasionally a sour note was heard. At a far table sat Men and Women of the Community who had come to have dinner and support the orphanage. In front of them was a small, black kettle with a sign that said “Donations”.