Custom Made Dress Quotes

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Before Tessa could answer, there was a knock at the door, and a familiar voice. "It's Jem. Tessa, are you there?" Charlotte sat bolt upright. "Oh! He mustn't see you in your dress!" Tessa stood dumbfounded. "Whyever not?" "It's a Shadowhunter custom—bad luck!" Charlotte rose to her feet. "Quickly! Hide behind the wardrobe!" "The wardrobe? But—" Tessa broke off with a yelp as Charlotte seized her about the waist and frog-marched her behind the wardrobe like a policeman with a particularly resistant criminal. Released, Tessa dusted off her dress and made a face at Charlotte, and they both peeked around the side of the furniture as the seamstress, after a bewildered look, opened the door. Jem's silvery head appeared in the gap. He looked a bit disheveled, his jacket askew. He glanced around in puzzlement before his gaze lighted on Charlotte and Tessa, half-concealed behind the wardrobe.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Irritation hardened in Cinder’s gut. She might have pointed out that Pearl and Peony could have been given ready-made rather than custom dresses in order to budget for Cinder’s as well. She might have pointed out that they would only wear their dresses one time too.
Marissa Meyer (Cinder (The Lunar Chronicles, #1))
In my case, the effort for these years to live in the dress of Arabs, and to imitate their mental foundation, quitted me of my English self, and let me look at the West and its conventions with new eyes: they destroyed it all for me. At the same time I could not sincerely take on the Arab skin: it was an affectation only. Easily was a man made an infidel, but hardly might he be converted to another faith. I had dropped one form and not taken on the other, and has become like Mohammed's coffin in our legend, with a resultant feeling of intense loneliness in life, and a contempt, not for other men, but for all they do. Such detachment came at times to a man exhausted by prolonged physical effort and isolation. His body plodded on mechanically, while his reasonable mind left him, and from without looked down critically on him, wondering what that futile lumber did and why. Sometimes these selves would converse in the void; and then madness was very near, as I believe it would be near the man who could see things through the veils at once of two customs, two educations, two environments.
T.E. Lawrence
Becomingly dressed in a tan cotton suit, Nancy set off in her convertible for the shopping district. She drove down the boulevard, and upon reaching the more congested streets, made her way skillfully through heavy traffic, then pulled into a parking lot. “I think I’ll try Taylor’s Department Store first for a dress,” she decided. Taylor’s was one of River Heights’ finest stores. Nancy purchased several items for Hannah on the main floor, then went directly to the misses’ wearing apparel section on the second floor. Usually Nancy had no trouble finding a sales-clerk. But this particular morning seemed to be an especially busy one in the department, and an extra rush of customers had temporarily overwhelmed the sales force.
Carolyn Keene (The Secret of The Old Clock (Nancy Drew Mystery, #1))
Miss Tox sat down upon the widow-seat, and thought of her good Papa deceased—Mr. Tox, of the Customs Department of the public service; and of her childhood, passed at a seaport, among a considerable quantity of cold tar, and some rusticity. She fell into a softened remembrance of meadows, in old time, gleaming with buttercups, like so many inverted firmaments of golden stars; and how she had made chains of dandelion-stalks for youthful vowers of eternal constancy, dressed chiefly in nankeen; and how soon those fetters had withered and broken.
Charles Dickens (Dombey and Son)
Cheat propped his elbows on his knees and gazed up at Kestrel. He scrutinized her: the long, loosely clasped hands, the folds of her dress. Kestrel’s clothes had mysteriously appeared in the suite’s wardrobe, probably while she had slept, and she was glad. The dueling ensemble had served well enough, but wearing a dress fit for society made Kestrel feel ready for different kinds of battle. “Where is Arin?” Cheat said. “In the mountains.” “Doing what?” “I don’t know. I imagine that, since the Valorian reinforcements will come through the mountain pass, he is analyzing its values and drawbacks as a battleground.” Cheat gave her a gleeful smirk. “Does it bother you, being a traitor?” “I don’t see how I am.” “You just confirmed that the reinforcements will come through the pass. Thank you.” “It’s hardly worth thanking me,” she said. “Almost every useful ship in the empire has been sent east, which means there is no other way into the city. Anyone with brains could figure that out, which is why Arin is in the mountains, and you are here.” A flush began to build under Cheat’s skin. He said, “My feet are dusty.” Kestrel had no idea how to respond to that. “Wash them,” he said. “What?” He took off his boots, stretched out his legs, and leaned back against the bench. Kestrel, who had been quite still, became stone. “It’s Herrani custom for the lady of the house to wash the feet of special guests,” said Cheat. “Even if such a custom existed, it died ten years ago. And I’m not the lady of the house.” “No, you’re a slave. You’ll do as I command.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
When I come down the stairs, Peter is sitting on the couch with his mom. He is shaking his knee up and down, which is how I know he’s nervous too. As soon as he sees me, he stands up. He raises his eyebrows. “You look--wow.” For the past week, he’s been asking for details on what my dress looks like, and I held him at bay for the surprise, which I’m glad I did, because it was worth it to see the look on his face. “You look wow too.” His tux fits him so nicely, you’d think it was custom, but it’s not; it’s a rental from After Hours Formal Wear. I wonder if Mrs. Kavinsky made a few sly adjustments. She’s a marvel with a needle and thread. I wish guys could wear tuxedos more often, though I suppose that would take some of the thrill away. Peter slides my corsage on my wrist; it is white ranunculus and baby’s breath, and it’s the exact corsage I would have picked for myself. I’m already thinking of how I’ll hang it over my bed so it dries just so. Kitty is dressed up too; she has on her favorite dress, so she can be in the pictures. When Peter pins a daisy corsage on her, her face goes pink with pleasure, and he winks at me. We take a picture of me and her, one of me and Peter and her, and then she says in her bossy way, “Now just one of me and Peter,” and I’m pushed off to the side with Trina, who laughs. “The boys her age are in for it,” she says to me and Peter’s mom, who is smiling too. “Why am I not in any of these pictures?” Daddy wonders, so of course we do a round with him too, and a few with Trina and Mrs. Kavinsky. Then we take pictures outside, by the dogwood tree, by Peter’s car, on the front steps, until Peter says, “Enough pictures! We’re going to miss the whole thing.” When we go to his car, he opens the door for me gallantly. On the way over, he keeps looking at me. I keep my eyes trained straight ahead, but I can see him in my periphery. I’ve never felt so admired. This must be how Stormy felt all the time.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Haven’t I tired you out yet, darling?” Ian whispered several hours later. “Yes,” she said with an exhausted laugh, her cheek nestled against his shoulder, her hand drifting over his chest in a sleepy caress. “But I’m too happy to sleep for a while yet.” So was Ian, but he felt compelled to at least suggest that she try. “You’ll regret it in the morning when we have to appear for breakfast,” he said with a grin, cuddling her closer to his side. To his surprise, the remark made her smooth forehead furrow in a frown. She tipped her face up to his, opened her mouth as if to ask him a question, then she changed her mind and hastily looked away. “What is it?” he asked, taking her chin between his thumb and forefinger and lifting her face up to his. “Tomorrow morning,” she said with a funny, bemused expression on her face. “When we go downstairs…will everyone know what we have done tonight?” She expected him to try to evade the question. “Yes,” he said. She nodded, accepting that, and turned into his arms. “Thank you for telling me the truth,” she said with a sigh of contentment and gratitude. “I’ll always tell you the truth,” he promised quietly, and she believed him. It occurred to Elizabeth that she could ask him now, when he’d given that promise, if he’d had anything to do with Robert’s disappearance. And as quickly as the thought crossed her mind, she pushed it angrily away. She would not defame their marriage bed by voicing ugly, unfounded suspicions carried to her by a man who obviously had a grudge against all Scots. This morning, she had made a conscious decision to trust him and marry him; now, she was bound by her vows to honor him, and she had absolutely no intention of going back on her own decision or on the vow she made to him in church. “Elizabeth?” “Mmmm?” “While we’re on the subject of truth, I have a confession to make.” Her heart slammed into her ribs, and she went rigid. “What is it?” she asked tautly. “The chamber next door is meant to be used as your dressing room and withdrawing room. I do not approve of the English custom of husband and wife sleeping in separate beds.” She looked so pleased that Ian grinned. “I’m happy to see,” he chuckled, kissing her forehead, “we agree on that.
Judith McNaught (Almost Heaven (Sequels, #3))
The Grocers'! oh the Grocers'! nearly closed, with perhaps two shutters down, or one; but through those gaps such glimpses! It was not alone that the scales descending on the counter made a merry sound, or that the twine and roller parted company so briskly, or that the canisters were rattled up and down like juggling tricks, or even that the blended scents of tea and coffee were so grateful to the nose, or even that the raisins were so plentiful and rare, the almonds so extremely white, the sticks of cinnamon so long and straight, the other spices so delicious, the candied fruits so caked and spotted with molten sugar as to make the coldest lookers-on feel faint and subsequently bilious. Nor was it that the figs were moist and pulpy, or that the French plums blushed in modest tartness from their highly-decorated boxes, or that everything was good to eat and in its Christmas dress; but the customers were all so hurried and so eager in the hopeful promise of the day, that they tumbled up against each other at the door, crashing their wicker baskets wildly, and left their purchases upon the counter, and came running back to fetch them, and committed hundreds of like mistakes, in the best humor possible; while the Grocer and his people were so frank and fresh that the polished hearts with which they fastened their aprons might have been their own, worn outside for general inspection, and for Christmas daws to peck at if they chose.
Charles Dickens (Christmas Books)
Delbert was the only Bumpus kid in my grade, but they infested Warren G. Harding like termites in an outhouse. There was Ima Jean, short and muscular, who was in the sixth grade, when she showed up, but spent most of her time hanging around the poolroom. There was a lanky, blue-jowled customer they called Jamie, who ran the still and was the only one who ever wore shoes. He and his brother Ace, who wore a brown fedora and blue work shirts, sat on the front steps at home on the Fourth of July, sucking at a jug and pretending to light sticks of dynamite with their cigars when little old ladies walked by. There were also several red-faced girls who spent most of their time dumping dishwater out of windows. Babies of various sizes and sexes crawled about the back yard, fraternizing indiscriminately with the livestock. They all wore limp, battleship-gray T-shirts and nothing else. They cried day and night. We thought that was all of them—until one day a truck stopped in front of the house and out stepped a girl who made Daisy Mae look like Little Orphan Annie. My father was sprinkling the lawn at the time; he wound up watering the windows. Ace and Emil came running out onto the porch, whooping and hollering. The girl carried a cardboard suitcase—in which she must have kept all her underwear, if she owned any—and wore her blonde hair piled high on her head; it gleamed in the midday sun. Her short muslin dress strained and bulged. The truck roared off. Ace rushed out to greet her, bellowing over his shoulder as he ran: “MAH GAWD! HEY, MAW, IT’S CASSIE! SHE’S HOME FROM THE REFORMATORY!” Emil
Jean Shepherd (A Christmas Story: The Book That Inspired the Hilarious Classic Film)
The street sprinkler went past and, as its rasping rotary broom spread water over the tarmac, half the pavement looked as if it had been painted with a dark stain. A big yellow dog had mounted a tiny white bitch who stood quite still. In the fashion of colonials the old gentleman wore a light jacket, almost white, and a straw hat. Everything held its position in space as if prepared for an apotheosis. In the sky the towers of Notre-Dame gathered about themselves a nimbus of heat, and the sparrows – minor actors almost invisible from the street – made themselves at home high up among the gargoyles. A string of barges drawn by a tug with a white and red pennant had crossed the breadth of Paris and the tug lowered its funnel, either in salute or to pass under the Pont Saint-Louis. Sunlight poured down rich and luxuriant, fluid and gilded as oil, picking out highlights on the Seine, on the pavement dampened by the sprinkler, on a dormer window, and on a tile roof on the Île Saint-Louis. A mute, overbrimming life flowed from each inanimate thing, shadows were violet as in impressionist canvases, taxis redder on the white bridge, buses greener. A faint breeze set the leaves of a chestnut tree trembling, and all down the length of the quai there rose a palpitation which drew voluptuously nearer and nearer to become a refreshing breath fluttering the engravings pinned to the booksellers’ stalls. People had come from far away, from the four corners of the earth, to live that one moment. Sightseeing cars were lined up on the parvis of Notre-Dame, and an agitated little man was talking through a megaphone. Nearer to the old gentleman, to the bookseller dressed in black, an American student contemplated the universe through the view-finder of his Leica. Paris was immense and calm, almost silent, with her sheaves of light, her expanses of shadow in just the right places, her sounds which penetrated the silence at just the right moment. The old gentleman with the light-coloured jacket had opened a portfolio filled with coloured prints and, the better to look at them, propped up the portfolio on the stone parapet. The American student wore a red checked shirt and was coatless. The bookseller on her folding chair moved her lips without looking at her customer, to whom she was speaking in a tireless stream. That was all doubtless part of the symphony. She was knitting. Red wool slipped through her fingers. The white bitch’s spine sagged beneath the weight of the big male, whose tongue was hanging out. And then when everything was in its place, when the perfection of that particular morning reached an almost frightening point, the old gentleman died without saying a word, without a cry, without a contortion while he was looking at his coloured prints, listening to the voice of the bookseller as it ran on and on, to the cheeping of the sparrows, the occasional horns of taxis. He must have died standing up, one elbow on the stone ledge, a total lack of astonishment in his blue eyes. He swayed and fell to the pavement, dragging along with him the portfolio with all its prints scattered about him. The male dog wasn’t at all frightened, never stopped. The woman let her ball of wool fall from her lap and stood up suddenly, crying out: ‘Monsieur Bouvet!
Georges Simenon
But what should he wear? I thought about having him laid to rest in his uniform. But the truth is he hated wearing it. He really needed to be dressed in something he was comfortable in. And that wasn’t going to be in a suit, either: he hated being in a jacket and tie even more than in a uniform. Tie? Ha! I got a pair of his best pressed jeans. They had a nice crease in the pants leg, just like he liked. I found one of his plaid button-down shirts, another favorite. Kryptek, which produces tactical gear and apparel and was one of Chris’s favorite companies, had presented him with a big silver belt buckle that he loved. It was very cowboy, and in that way very much who Chris was. “You think I can pull this off?” he’d asked, showing me how it looked right after he got it. “Hell, yeah,” I told him. I made sure that was with him as well. But if there was any item of clothing that really touched deep into Chris’s soul, it was his cowboy boots. They were a reminder of who he was when he was young, and they were part of who he’d been since getting out of the military. He had a really nice pair of new boots that had been custom made. He hadn’t had a chance to wear them much, and I couldn’t decide whether to bury him in those or another pair that were well worn and very comfortable. I asked the funeral director for his opinion. “We usually don’t do shoes,” he said. It can be very difficult to get them onto the body. “But if it’s important to you, we can do it.” I thought about it. Was the idea of burying them with Chris irrational? The symbolism seemed important. But that could work the other way, too--they would surely be important to Bubba someday. Maybe I should save them for him. In the end, I decided to set them near Chris’s casket when his body was on view, then collect them later for our son. But Chris had the last word. Through a miscommunication--or maybe something else--they were put in the casket when he was laid to rest. So obviously that was the way it should have been.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
For a start, most books like this, rich in such expensive pigments, had been made for palaces or cathedrals. But a haggadah is used only at home. The word is from the Hebrew root ngd, “to tell,” and it comes from the biblical command that instructs parents to tell their children the story of the Exodus. This “telling” varies widely, and over the centuries each Jewish community has developed its own variations on this home-based celebration. But no one knew why this haggadah was illustrated with numerous miniature paintings, at a time when most Jews considered figurative art a violation of the commandments. It was unlikely that a Jew would have been in a position to learn the skilled painting techniques evinced here. The style was not unlike the work of Christian illuminators. And yet, most of the miniatures illustrated biblical scenes as interpreted in the Midrash, or Jewish biblical exegesis. I turned the parchment and suddenly found myself gazing at the illustration that had provoked more scholarly speculation than all the others. It was a domestic scene. A family of Jews—Spanish, by their dress—sits at a Passover meal. We see the ritual foods, the matzoh to commemorate the unleavened bread that the Hebrews baked in haste on the night before they fled Egypt, a shank bone to remember the lamb’s blood on the doorposts that had caused the angel of death to “pass over” Jewish homes. The father, reclining as per custom, to show that he is a free man and not a slave, sips wine from a golden goblet as his small son, beside him, raises a cup. The mother sits serenely in the fine gown and jeweled headdress of the day. Probably the scene is a portrait of the family who commissioned this particular haggadah. But there is another woman at the table, ebony-skinned and saffron-robed, holding a piece of matzoh. Too finely dressed to be a servant, and fully participating in the Jewish rite, the identity of that African woman in saffron has perplexed the book’s scholars for a century. Slowly, deliberately, I examined and made notes on the condition of each page. Each time I turned a parchment, I checked and adjusted the position of the supporting forms. Never stress the book—the conservator’s chief commandment. But the people who had owned this book had known unbearable stress: pogrom, Inquisition, exile, genocide, war.
Geraldine Brooks (People of the Book)
To this day, I am still not sure what it was about Chip Gaines that made me give him a second chance--because, basically, our first date was over before it even started. I was working at my father’s Firestone automotive shop the day we first met. I’d worked as my dad’s office manager through my years at Baylor University and was perfectly happy working there afterward while I tried to figure out what I really wanted to do with my life. The smell of tires, metal, and grease--that place was like a second home to me, and the guys in the shop were all like my big brothers. On this particular afternoon, they all started teasing me. “You should go out to the lobby, Jo. There’s a hot guy out there. Go talk to him!” they said. “No,” I said. “Stop it! I’m not doing that.” I was all of twenty-three, and I wasn’t exactly outgoing. She was a bit awkward--no doubt about that. I hadn’t dated all that much, and I’d never had a serious relationship--nothing that lasted longer than a month or two. I’d always been an introvert and still am (believe it or not). I was also very picky, and I just wasn’t the type of girl who struck up conversations with guys I didn’t know. I was honestly comfortable being single; I didn’t think that much of it. “Who is this guy, anyway?” I asked, since they all seemed to know him for some reason. “Oh, they call him Hot John,” someone said, laughing. Hot John? There was no way I was going out in that lobby to strike up a conversation with some guy called Hot John. But the guys wouldn’t let up, so I finally said, “Fine.” I gathered up a few things from my desk (in case I needed a backup plan) and rounded the corner into the lobby. I quickly realized that Hot John was pretty good-looking. He’d obviously just finished a workout--he was dressed head-to-toe in cycling gear and was just standing there, innocently waiting on someone from the back. I tried to think about what I might say to strike up a conversation when I got close enough and quickly settled on the obvious topic: cycling. But just as that thought raced through my head, he looked up from his magazine and smiled right at me. Crap, I thought. I completely lost my nerve. I kept on walking right past him and out the lobby’s front door. When I reached the safety of my dad’s outdoor waiting area, I realized just how bad I’d needed the fresh air. I sat on a chair a few down from another customer and immediately started laughing at myself. Did I really just do that?
Joanna Gaines (The Magnolia Story)
Darius Raisey bridal gowns turn any bride into a princess by ensuring there is enough choice for you to obtain precisely what you want. Some women feel self-conscious for their arms to be showing or their bosom to be on display. Try on different styles of dresses to find the one you feel the most comfortable in.
dariusraisey
Betty never had a problem catering to the customers’ Asian fetishes. For Halloween, she dressed as a geisha.” Cherry is looking at the photo upside down. “You can’t do that kind of thing now, but back in the nineties, in a strip club? It made her a lot of money.
Jennifer Hillier (Things We Do in the Dark)
And what else is one to do when presented so unexpectedly with such stupefying intrigue but continue turning the pages back in time, a time when a wave of excess carried the American aristocracy and titled Europeans to grand ships and grander estates for extravagant parties never before seen and never seen thereafter. They stumbled onto the laps of married lovers, champagne spilling onto polished marble floors, betrayal and indecency dressed up in custom-made suits and an air of refinement honed since birth. This was the Jazz Age. The Crazy Years. Les Années Folles, as she often said.
Pamela Hamilton (Lady Be Good: The Life and Times of Dorothy Hale)
At Hobby Lobby She tosses a bolt of fabric into the air. Hill country, prairie, a horse trots there. I say three yards, and her eyes say more: What you need is guidance, a hand that can zip a scissor through cloth. What you need is a picture of what you've lost. To double the width against the window for the gathering, consider where you sit in the morning. Transparency's appealing, except it blinds us before day's begun. How I long to captain that table, to return in a beautiful accent a customer's request. My mother kneeled down against her client and cut threads from buttons with her teeth, inquiring with a finger in the band if it cut into the waist. Or pulled a hem down to a calf to cool a husband's collar. I can see this in my sleep and among notions. My bed was inches from the sewing machine, a dress on the chair forever weeping its luminescent frays. Sleep was the sound of insinuation, a zigzag to keep holes receptive. Or awakened by a backstitch balling under the foot. A needle cracking? Blood on a white suit? When my baby's asleep I write to no one and cannot expect a response. The fit's poor, always. No one wears it out the door. But fashions continue to fly out of magazines like girls out of windows. Sure, they are my sisters. Their machines, my own. The office from which I wave to them in their descent has uneven curtains, made with my own pink and fragile hands.
Rosa Alcalá
Their primary customers are upper-income women between thirty and fifty years sold. The average markup on a handbag is ten to twelve times production cost. Perfume has, for more than seventy years, served as an introduction to a luxury brand. The message was clear: buy our brand and you too, will live a luxury life. The contradiction between personal indulgence and conspicuous consumption is the crux of the luxury business today: the convergence of its history with its current reality. Today, luxury brand items are collected like baseball cards, displayed like artwork, brandished like iconography. The tycoons have shifted the focus from what the product is to what is represents. Perfume has a mystical, magical quality. It catches your attention, enchants you. It complements and enhances your personality. it stirs emotion, within you and others around you. Perfume was a link between gods and mortals. It was a way to contact the gods, Hermes's Jean-Claude Ellena told me. Now it is a profane link: it's between you and me. Contentment is natural wealth. Luxury is artificial poverty. Socrates More than anything else today, the handbag tells the story of a woman: her reality, her dreams. Oscar Wilde said elegance is power. If it would abolish avarice, you must abolish its mother, luxury. Cicero People don't believe there is a difference between real and fake anymore. Bernard Arnault's marketing plan had worked: consumers don't buy luxury branded items for what they are, but for what they represent. Luxury is the ease of a T-shirt in a very expensive dress. If you don't have it, you are not a person used to luxury. You are just a rich person who can buy staff. Karl Lagerfeld Luxury is exclusivity, it is made for you and no one else has it. At a minimum, it must be impeccable. Maximum, unique. If you do luxury, Louboutin explained, you have to treat people in a human way and you have to be elegant. You can't ask poor people in bad conditions to make beautiful things.
Dana Thomas (Deluxe: How Luxury Lost Its Luster)
New dress codes stigmatized Jews using the same colorful fabric or garments that marked prostitutes. For instance, in the fifteenth century, Roman Jewish women were required to wear a red overskirt that prostitutes also wore; Jewish women in other parts of Italy had to wear a yellow veil—a sign of the prostitute in Italian cities from the fourteenth through the sixteenth centuries. In 1397, Venetian law required Jews to wear a yellow badge, and a 1416 law required prostitutes and pimps to wear a yellow scarf. In Viterbo, any Jewish woman who dared appear on the streets without her yellow veil could be stripped naked by the first person to apprehend her—the same punishment prescribed in other cities for prostitutes who strayed from the districts where they were allowed to solicit customers.
Richard Thompson Ford (Dress Codes: How the Laws of Fashion Made History)
Watson’s eminently sensible direction was: Respect your customer, and dress accordingly. However, as the years went by, customers changed how they dressed at work, and few of the technical buyers in corporations showed up in white and blue. However, Watson’s sensible connection to the customer was forgotten, and the dress code marched on. When I abolished IBM’s dress code in 1995, it got an extraordinary amount of attention in the press. Some thought it was an action of great portent. In fact, it was one of the easiest decisions I made—or, rather, didn’t make; it wasn’t really a “decision.” We didn’t replace one dress code with another. I simply returned to the wisdom of Mr. Watson and decided: Dress according to the circumstances of your day and recognize who you will be with (customers, government leaders, or just your colleagues in the labs).
Louis V. Gerstner Jr. (Who Says Elephants Can't Dance?: Leading a Great Enterprise Through Dramatic Change)
She led the way around another bend in the path to a spot where there were trays of bedding plants along with soil. Gareth could guess what she intended. “Oh no. No way.” “Everyone should do it at least once.” She took off her own shoes without hesitating. They were beautiful heels that matched the dress she was wearing. Gareth guessed that she’d either customized them herself or made the dress to fit the shoes. “You’re really going to plant a flower in those shoes?” “Of course. Come on, try it. You won’t regret it.” He thought he might, given how much the shoes he was wearing had cost, yet Gareth found himself bending down to untie them and pick out a plant. Anne planted hers beside his. “There,” she said. “Doesn’t that feel good?” It did. Better than he’d have thought. And as they padded out of the park together, Anne in her bare feet and Gareth in his black dress socks, in that moment he felt like he could tell her anything.
Lucy Kevin (The Wedding Dress (Four Weddings and a Fiasco, #4))
She marched up to the door, banged it open with a satisfying crash, brandished her scythe, and announced herself to any and all therein. “Get your heathen, trespassing backsides out of this carriage house immediately, lest I inform your papas of your criminal conduct—and your mamas.” “Good lord,” a cultured and ominously adult male voice said softly from Ellen’s right, “we’re about to be taken prisoner. Prepare to defend your borders, my friend. Sleeping Beauty has awakened in a state.” Ellen’s gaze flew to the shadows, where a tall, dark-haired man was regarding her with patient humor. The calm amusement in his eyes suggested he posed no threat to her, while his dress confirmed he was a person of some means. Ellen had no time to further inventory that stranger, because the sound of a pair of boots slowly descending the steps drew her gaze across the room. Whoever was coming down those stairs was in no hurry and was certainly no boy. Long, long legs became visible, then muscles that looked as if they’d been made lean and elegant from hours in the saddle showed off custom riding boots and excellent tailoring. A trim, flat torso came next, then a wide muscular chest and impressive shoulders. Good lord, he was taller than the fellow in the corner, and that one was a good half a foot taller than she. Ellen swallowed nervously and tightened her grip on the scythe. “Careful,” the man in the shadows said softly, “she’s armed and ready to engage the enemy.” Those dusty boots descended the last two steps, and Ellen forced herself to meet the second man’s face. She’d been prepared for the kind of teasing censorship coming from the one in the corner, a polite hauteur, or outright anger, but not a slow, gentle smile that melted her from the inside out. “Mrs. FitzEngle.” Valentine Windham bowed very correctly from the waist. “It has been too long, and you must forgive us for startling you. Lindsey, I’ve had the pleasure, so dredge up your manners.” “Mr. Windham?” Ellen lowered her scythe, feeling foolish and ambushed, and worst of all—happy. So
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
ONCE, IN A HOUSE ON EGYPT STREET, there lived a rabbit who was made almost entirely of china. He had china arms and china legs, china paws and a china head, a china torso and a china nose. His arms and legs were jointed and joined by wire so that his china elbows and china knees could be bent, giving him much freedom of movement. His ears were made of real rabbit fur, and beneath the fur, there were strong, bendable wires, which allowed the ears to be arranged into poses that reflected the rabbit’s mood — jaunty, tired, full of ennui. His tail, too, was made of real rabbit fur and was fluffy and soft and well shaped. The rabbit’s name was Edward Tulane, and he was tall. He measured almost three feet from the tip of his ears to the tip of his feet; his eyes were painted a penetrating and intelligent blue. In all, Edward Tulane felt himself to be an exceptional specimen. Only his whiskers gave him pause. They were long and elegant (as they should be), but they were of uncertain origin. Edward felt quite strongly that they were not the whiskers of a rabbit. Whom the whiskers had belonged to initially — what unsavory animal — was a question that Edward could not bear to consider for too long. And so he did not. He preferred, as a rule, not to think unpleasant thoughts. Edward’s mistress was a ten-year-old, dark-haired girl named Abilene Tulane, who thought almost as highly of Edward as Edward thought of himself. Each morning after she dressed herself for school, Abilene dressed Edward. The china rabbit was in possession of an extraordinary wardrobe composed of handmade silk suits, custom shoes fashioned from the finest leather and designed specifically for his rabbit feet, and a wide array of hats equipped with holes so that they could easily fit over Edward’s large and expressive ears. Each pair of well-cut pants had a small pocket for Edward’s gold pocket watch. Abilene wound this watch for him each morning.
Kate DiCamillo (The Miraculous Journey of Edward Tulane)
David Sassoon For several decades, British designer David Sassoon has provided the best in evening wear for fashionable and famous customers from his high-profile store in London. His work has been featured in many international fashion shows and museums throughout the world, and his garments are in high demand at such notable stores as Sak’s Fifth Avenue, Harrods, and Neiman Marcus. The Princess of Wales would often make surprise visits to my shop, as I had made her going-away dress and many other outfits for her trousseau. In August 1982, Diana came to my shop with Lady Sarah Armstrong-Jones, the daughter of Princess Margaret, who had been a bridesmaid at Diana’s wedding. The Princess was wearing a blue-and-white-striped sailor-style two-piece outfit; Sarah wore a white shirt and a cotton skirt, as it was a very hot day. Diana said that she would like to choose a long evening dress for Sarah as a present. The dress was to be worn at a ball at Balmoral Castle. This was Sarah’s first long dress, and Diana wanted her to have her dream dress. There were lots of giggles and excitement as Diana helped Sarah try on some of the dresses, and the dressing room was full of laughter. Finally, Sarah chose a bright red strapless taffeta ball dress, which made her feel very grown up. We brought them tea while the dress was being fitted, and Sarah, who obviously adored Diana, listened to her advice about what accessories would complement the dress. Sarah was so excited about her beautiful and glamorous present when they left the shop. Diana had made a young girl’s dream come true.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Amateur musical performances were extremely important for all of us during the war, and my experience of them started at the age of ten or eleven, when my friends and I took part in a custom that was very popular back then but now seems to have died out altogether. It was carried out at Halloween, but instead of going round asking for trick or treats we did something called ‘Guising’. A group of us lads would go to the front door of a house we thought might be welcoming and politely ask if we could come in and perform. Our particular playlet was suggested by my father; it was one he had performed when he was a lad, although whether there was any deeper tradition behind the verses we recited I cannot say. We were all dressed up in costumes, with one boy dressed as a king with a cardboard crown on his head. Once all were in the house most of us would cluster behind the sitting-room door, then the first boy would enter the room on his own and say, ‘Red up sticks and red up stools here comes in a pack of fools, a pack of fools behind that door. Step in King George and clear the floor.’ The boy with the crown on his head would enter and recite, ‘King George is my name, sword and pistol by my side, I hope to win the game.’ The first boy would answer, ‘The game, sir, the game, sir, is not within your power. I will slash you and slay you within half an hour.’ These two boys would then have a duel with toy swords and the first boy would drop down as though dead, at which the king would kneel down and say, ‘Is there a doctor in the town?’ A small boy with a little attaché case would then pop out from behind the door saying, ‘My name is Doctor Brown, the best little doctor in the town. A little to his nose and a little to his bum, now rise up, jock, and sing a song.’ It was an absurd little sketch, but we used to get showered with pieces of cake and home-made toffees and fudge, and we would pass from house to house performing the same sketch. Even now I can recall the words perfectly.
John Moffat (I Sank The Bismarck)
In the seventh century A.D. the Bulgars in turn began to migrate into the Balkans. They had come originally from central Asia and were said to be related to the Huns. They were of the same stock as the Turks and spoke a language similar to Turkish. Before migrating to the Balkans, they had lived north of the Black Sea. Their social order was vastly different from that of the Slavs, although eventually the Slavic system became dominant. The Bulgars, unlike the Slavs who repudiated the concept of kingship, were governed autocratically by khans. The Bulgars were warriors who fought on horseback, and their customs and dress were Asiatic. When the Bulgars overran what is now northeastern Bulgaria, they found Slavic tribes already established and quickly made peace with them in order to strengthen themselves against the Byzantines. As the Slavs were far more numerous than the Bulgars, the latter were assimilated, and within two centuries the Bulgars had been completely slavicized. The Slavic language and culture were adopted, although the Bulgarian name and political structure were retained.
Neda A. Walpole (Area Handbook for Bulgaria)
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FridaMarc
She spun and faced me, one hand on her wounded posterior. Her eyes were wide, her nostrils flared with shock and anger. In my peripheral vision, I saw her weight shift to her back leg, and thought she was going to try for a ball shot with her forward foot. Instead, she stepped back. Her arms slipped to her sides and she drew up her shoulders and chin, the picture of suppressed regal rage. She looked at me. “Mo owari, okyakusama?” she asked, as contemptuously as she could. Are we finished, honorable customer? “Was that against the rules?” I asked, smiling into her eyes. She pulled up the dress and slipped her arms through the straps. Her face was still red with anger, and I couldn’t help admiring her composure in controlling it. She managed the zipper without assistance, then said, “That was three songs, so thirty thousand yen. And you should tip the doorman ten percent. Ken?” Ken must have been the Nigerian, because a second later the semicircular sofa was pulled aside and there he was. I took out my billfold and paid each of them. “Thank you,” I said to Naomi. I beamed like a well-satisfied customer. “That was… special.” She smiled back in a way that made me glad she didn’t have a weapon. “Kochira koso,” she replied. The pleasure was mine. She escorted me back to my seat.
Barry Eisler (A Lonely Resurrection (John Rain #2))
It was cold and damp in the January night, even in New Orleans. The businessman shifted from foot to foot to keep warm. He told the bodyguard, “Evidently, meeting at a crossroads is traditional.” The street was not as busy as it would be in the summer, but there were still drinkers and tourists and natives going about their night’s entertainment. He wasn’t afraid, he told himself. “Ah, here he comes,” the businessman said. The devil was a well-dressed man, much like the businessman. His tie was by Hermes. His suit was Italian. His shoes were custom-made. His eyes were abnormally clear, the whites gleaming, the irises a purplish brown; they looked almost red from certain angles. “What have you got for me?” the devil asked, in a voice that indicated he was only faintly interested.
Charlaine Harris (Dead Ever After (Sookie Stackhouse, #13))
When the plus sized dresses from the mall weren’t cutting it for prom and Michelle had gotten frustrated and gave up on finding anything, Diane was the one who took me to get a custom one made which began my love affair with having clothes tailored. It was like a light bulb moment because I suddenly realized that I no longer had to make my body fit into something it wasn’t made for. I could make the clothes fit me and the rest was history.
Tanzania Glover (Thickerella (Faded Fairytales #1))
When I was a child, charlottes--- French desserts made traditionally out of brioche, ladyfingers, or sponge and baked in a charlotte mold--- were everywhere. Charlotte au chocolat wasn't the only variety, though being chocolate, it had the edge on my mother's autumn-season apple charlotte braised with brioche and poached in clarified butter, and even on the magnificent charlotte Malakoff she used to serve in the summer: raspberries, slivered almonds, and Grand Marnier in valleys of vanilla custard. But it is charlotte au chocolat, being my namesake dessert, that I remember most, for we offered it on the menu all year long. I walked into the pastry station and saw them cooling in their rusted tin molds on the counter. I saw them scooped onto lace doilies and smothered in Chantilly cream, starred with candied violets and sprigs of wet mint. I saw them lit by birthday candles. I saw them arranged, by the dozens, on silver trays for private parties. I saw them on customers' plates, destroyed, the Chantilly cream like a tumbled snowbank streaked with soot from the chocolate. And charlottes smelled delightful: they smelled richer, I thought, than any dessert in the world. The smell made me think of black velvet holiday dresses and grown-up perfumes in crystal flasks. It made me want to collapse and never eat again.
Charlotte Silver (Charlotte Au Chocolat: Memories of a Restaurant Girlhood)
I need to take Longganisa for her morning walk." My adorable dachshund accompanied me to work every day and was content to spend most of the day napping in my office, but I tried to be good dog parent and take her out for multiple walks throughout the day. The Brew-ha Cafe was dog-friendly, and Nisa proved to be one of our most successful promo attempts. Whenever people saw her walking around in her adorable Brew-ha Cafe-themed outfits, custom-made by my friend's daughter, they'd stop and ask to pet her. The perfect opportunity to hand over my business card and invite them to the cafe. Today, Nisa was outfitted in a lemon-yellow Brew-ha Cafe dress and a little flower crown to welcome spring.
Mia P. Manansala (Murder and Mamon (Tita Rosie's Kitchen Mystery, #4))
It is a scene which combines the worst of Uncle Tom’s Cabin and Fritz Lang’s Metropolis; it is mechanized Negro slavery; it represents the progress which the Negro has made from picking cotton to tailoring it. (Were they in the picking stage of their evolution, they would at least be in the healthful outdoors singing and eating watermelons [as they are, I believe, supposed to do when in groups alfresco].) My intense and deeply felt convictions concerning social injustice were aroused. My valve threw in a hearty response. (In connection with the watermelons, I must say, lest some professional civil rights organization be offended, that I have never been an observer of American folk customs. I may be wrong. I would imagine that today people grasp for the cotton with one hand while the other hand presses a transistor radio to the sides of their heads so that it can spew bulletins about used cars and Sofstyle Hair Relaxer and Royal Crown Hair Dressing and Gallo wine about their eardrums, a filtered menthol cigarette dangling from their lips and threatening to set the entire cotton field ablaze. Although residing along the Mississippi River [This river is famed in atrocious song and verse; the most prevalent motif is one which attempts to make of the river an ersatz father figure. Actually, the Mississippi River is a
John Kennedy Toole (A Confederacy of Dunces)
The Beginning Sergeant Smelly was a normal man. He lived in a normal village, full of normal people and had a normal address. He lived at 1 Normall Street in the village of Normall Normall. The village was so normal they named it twice. His first name was eighty-three percent normal—Norman. Most people knew him as Normal Norman from Normall Normall; a rotund and jolly man who lived an exceedingly normal life. Well, normal, if appearing in court on exploding fart charges was normal. Normal, if producing fire from your butt was normal. All of his body parts were normal. Apart from one: his butt. His butt was abnormal. It used to be a normal butt, but everything changed in the blink of a fart. Sergeant Smelly's face glistened with sweat and his heartbeats quickened as the judge read out the charge. "Sergeant Smelly, you are here today because you could not control your soldiers, not to mention your bottom. You are hereby charged with the crime of producing exploding fire-farts. How do you plead?" asked Army Judge Mental. The stout sergeant considered the question and his thoughts transported him back to the day it all went smelly. One fateful morning, Sergeant Smelly lay in bed suffering from a horrible cold. Empty boxes lay scattered across the floor, and the bin overflowed with used tissues. He groaned as he pulled the last tissue from the box. A passer-by in the street below jumped as he heard the foghorn sound. He inspected the contents of the tissue (Sergeant Smelly, not the passer-by) and wished he had not. It was time for action. The suffering soldier dragged himself out of bed and got dressed. He wore a waterproof jacket on top of his uniform, as his army blazer was not snot-proof. Not that any of his other clothes were snot-proof. He trudged downstairs and made himself a hot lemon with honey, then switched on his laptop. After an extensive internet search, he found the best remedy to fix the cold was to feed it, so he plodded into town and searched for a place to eat. The first eatery he found had a ridiculous name, but the café was almost full. He watched the customers from the window as they tucked into their food. The plain wooden tables and basic white tablecloths oozed simplicity, but the gorgeous grub eclipsed the plain interior. Silence filled the air as customers tucked into delectable dishes and drifted off to food heaven.  But an odorous pong emanated from the café, and it was not the food. Sergeant Smelly did not smell the malodorous stench due to his blocked nose and cold. The cold was so bad it came alive. Colin the Cold smelled the awful pong and begged his owner to reconsider. He tried in vain to turn his attention to the sandwich shop, but Sergeant Smelly did not hear him. Colin the Cold saw disaster around the corner. Major Disaster walked around the corner and greeted him in a bright and cheery fashion. "Morning, Smelly," said Major Disaster in a bright and cheery fashion. Colin the Cold was correct and sensed nothing good would come of Sergeant Smelly eating at Café McPoo. It had Disaster Area written all over it, but the police apprehended the graffiti artist, and he was hard at work wiping the words ‘Disaster Area’ from the front of the café. Colin the Cold frowned and prepared himself for the worst. And so it began.
James Sharkey (Sergeant Smelly & Captain Chunder Save The Day)
The Viscount, meanwhile, conveyed Miss Wantage to a certain mantua-maker's establishment in Bond Street, where he was not unknown. Here, after a few moments' brief and startlingly frank colloquy with the astonished proprietress, he handed Miss Wantage over, to be fitted out as became her station. Nothing occurred to disturb the harmony of these proceedings, except a slight contretemps arising out of Miss Wantage's burning desire for a very dashing confection of sea-green gauze, with silver ribbons, and the Viscount's flat refusal to permit her to wear any garment so outrageously unsuited to a young lady supposedly on her way to a select seminary in Bath. This trifling quarrel was adjusted by the mantua-maker, who, foreseeing a valuable customer in the future Lady Sheringham, who spared no pains to exercise all the tact at her command. She suggested that his lordship should buy a demure (and extremely expensive) gown for Miss Wantage to wear in the immediate future, at the same time laying by, for a later occasion, the sea-green gauze which had so taken Miss's fancy. The Viscount agreed tooth's, and was at once obliged to call Miss Wantage to order for hugging him in public. By the time these purchases, with a few other of a more intimate nature, had been made; a hat to match the muslin dress chosen at a milliner's shop farther down the street; a pair of lavender kid gloves procured; such items as brushes, combs, and Joppa soap added to the list of necessities; and a faithful promise made to Miss Wantage that she should visit this entrancing thoroughfare again upon the morrow to make further purchases, dusk was falling.
Georgette Heyer (Friday's Child)
Zara has a highly sophisticated feedback system, allowing store managers to instantly report back customer feedback on new products. Customers may say they like the dress, but the shade of red is too bright. Feedback on the length, zipper, and other factors are gathered and evaluated in real time back at headquarters, and adjustments are made in a matter of hours. The next week, after implementing design changes based on customer feedback, a new 4,200 red dresses ship to the network of stores. Only after a series of improvements are made and customer demand has been validated is the dress mass-produced. Where most clothing manufacturers produce only a few dozen new styles each year, Zara launched over 12,000 new items annually.
Josh Linkner (Hacking Innovation: The New Growth Model from the Sinister World of Hackers)
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Jana Ann Bridal Couture | Bridal Shop in San Diego Are you a bride-to-be getting jitters for your dress? Have you been dealing with a bride going bridezilla? If you have been on the search for the best San Diego bridal shop have to offer, welcome aboard Jana Ann Bridal Couture. We offer bridal dresses that please even the pickiest of brides. That’s because our bridal dresses are made-to-order, which allows you to incorporate any features and design elements you desire. We understand that there’s nothing more devastating than finding your perfect dress that’s missing one element. From tulle to lace, rhinestones to feathers, help us help you with your bridal dress dreams. You’ll always be delighted with a Jana Ann bridal dress because our dresses center around you. Come browse our selection of bridal dresses in San Diego that can be customized to your liking. Take some to shed the stress off your shoulders hoping to stumble across the perfect dress. Brides can spend hours trying on dresses, usually leaving empty-handed and disappointed. We understand that it’s a flawed process that can end up causing unnecessary pre-wedding stress. Our dresses are designed especially for you, so you don’t have to luck out on finding a dress that suits you. Jana Ann Bridal Couture gets you that perfect bridal dress without unnecessary bridal stress. Are you ready to bring your dream dress to life? We’d love to do that for our lovely brides! Call us: (619) 649-2439 #San_Diego_Wedding_Dresses #San_Diego_Bridal_Shops #Bridal_Shops_San_Diego #San_Diego_Bridal_Boutique #Custom_Wedding_Dresses_San_Diego #Plus_Size_Wedding_Dresses #Beach_Wedding_Dresses #Simple_Wedding_Dresses #San_Diego_Bridal_Shops #Bridal_Shops_near_me #Wedding_Dresses_San_Diego #Wedding_Dresses_near_me #San_Diego_Bridal_Boutique #Bridal_Boutique_near_me #San_Diego_Wedding_Shop #Wedding_shop_near_me #San_Diego_Bridal_Stores #Bridal_Stores_near_me
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J. Edgerton/ The Spirit of Christmas Page 11 Mr. Angel smiled warmly at the vision of the two boys playing in the snow. “All God’s creatures . . . one and all . . . large and small! But some more important than others, in their magnificence. And I’ve found you both . . . at last”. Jonas took off racing through the snow, the cup in his hand. “Come on James!” James scrambled after him, the snow crunching pleasantly beneath his tiny feet. “Jonas wait for me!” The taller Nicholas stopped before a Cinder Vendor. “Two warm Ciders please, with extra spices.” The Cider Vendor raised an eyebrow as he took in the smudged face of the boy and his shabby clothes. “Very well, young Sir. Have you money? I’m not a charity you know!” Jonas quickly fished out coins and showed him the silver. “Oh yes Sir. I know of charities Sir and you’re better off not being one. They’re a cheat!” The Cider Vendor began filling two cups with steaming apple cider. The sweet smell of it made the boy’s mouth water. The burly Cider Vendor handed him the first cup of sweet, steaming, mouth puckering cider. “Many are, young master!” He replied. “I grew up in the system meself and it was a poor boy’s torment. That’ll be 2 cents!” The littlest Nicholas raced up and slid to a halt in the snow beside him. Jonas handed James the cup of cider. Then he paid the vendor with coins from the tin cup. “That’s highway robbery . . . but very well!” The Cider Vendor squinted through one eye, his thick eyebrow nearly obscuring it. “It’s very good cider, with extra spices.” James face lit up with joy as he took a sip. “M-mmm! It is good cider! J. Edgerton/ The Spirit of Christmas Page 12 The Vendor handed Jonas the second cup of steaming cider. “I’ve not had any complaints. I work hard to make my cider. It’s worth the money.” His lips smacking, Jonas sipped in the warm cider. “I’m sure it is Sir.” The angelic faced little one smiled up at him. “It’s yummy!” The Cider Vendor smiled down at him and tipped his hat to him “Yes it tis! Yummy!” Then he chuckled cheerfully with another satisfied customer, no matter how small. “Ummm, good!” Jonas agreed with them. The Cider Vendor took a sip of his own brew himself, his mouth puckering. “It’ll put the spirit of life back in you on a cold day like this, that Cider.” Two men in tall top hats and fine suits halted in front of the Cider Vendor. “Sir, we are collecting for the poor and wondered if a fine fellow such as yourself might have something to contribute.” Jonas glanced up at them in a wizened way. “We’ve a couple coins to contribute but it better get to the poor, understand?” “Of course, my fine fellow! “The taller of the two sharply dressed gentlemen spoke. Smiling a satisfied smile, Jonas dropped two silver coins into the gentleman’s hands. The tall gentleman took them and tipped his hat, smiling down at them both. “Very generous!” He glanced stone faced at the vendor, who immediately forked over several dollars. “A very Merry Christmas to you both!” They trod off through the snow in their finery, to the welcome crunch of the snow drifts beneath their feet. Mr. Angel paused at the Cheese vendor next to them, where a raggedy young girl was staring wide eyed at the rows and rows of cheeses above her.
John Edgerton (The Spirit of Christmas)
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