Cushions With Quotes

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I would rather sit on a pumpkin, and have it all to myself, than be crowded on a velvet cushion.
Henry David Thoreau
I am determined that only the deepest love will induce me into matrimony. So, I shall end an old maid, and teach your ten children to embroider cushions and play their instruments very ill.
Jane Austen (Pride and Prejudice)
The belief that unhappiness is selfless and happiness is selfish is misguided. It's more selfless to act happy. It takes energy, generosity, and discipline to be unfailingly lighthearted, yet everyone takes the happy person for granted. No one is careful of his feelings or tries to keep his spirits high. He seems self-sufficient; he becomes a cushion for others. And because happiness seems unforced, that person usually gets no credit.
Gretchen Rubin (The Happiness Project)
We have advantages. We have a cushion to fall back on. This is abundance. A luxury of place and time. Something rare and wonderful. It's almost historically unprecedented. We must do extraordinary things. We have to. It would be absurd not to.
Dave Eggers (A Heartbreaking Work of Staggering Genius)
And only those watching very carefully saw the Caliph of Khorasan lean back against the cushions and toy with the bangles on his wife’s arm.
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
In a dog's life, some plaster would fall, some cushions would open, some rugs would shred. Like any relationship, this one had its costs. They were costs we came to accept and balance against the joy and amusement and protection and companionship he gave us.
John Grogan (Marley and Me: Life and Love With the World’s Worst Dog)
I grabbed Sabine’s shoulder. “If you stick me again, I’m going to make your head my personal pin cushion.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
What are you? (Danger) Well, had you listened before you stabbed me, you would have heard the ‘I’m Acheron’s Squire’ part. Apparently that somehow escaped your hearing and you mistook me for a pin cushion. (Alexion)
Sherrilyn Kenyon (Sins of the Night (Dark-Hunter, #7))
I slump against the cushion. “How am I going to protect him, if I’ve completely alienated him? He thinks I’m creepy…” I say sadly. “You are not creepy,” Reed says soothingly, taking my hand. “You’re not a good judge of creepy, Reed, since you’re creepier than I am,” I say warily, looking over at Zephyr when I hear him laughing at my comment. “I wouldn’t laugh too hard, pal, because you’re the creepiest one of us all.
Amy A. Bartol (Inescapable (The Premonition, #1))
As we are a doomed race, chained to a sinking ship, as the whole thing is a bad joke, let us, at any rate, do our part; mitigate the suffering of our fellow-prisoners; decorate the dungeon with flowers and air-cushions; be as decent as we possibly can.
Virginia Woolf (Mrs. Dalloway)
You can’t cushion me from the entire world, Knight.” “I can try.
Kristen Ashley (Knight (Unfinished Hero, #1))
Tea would arrive, the cakes squatting on cushions of cream, toast in a melting shawl of butter, cups agleam and a faint wisp of steam rising from the teapot shawl.
Gerald Durrell (My Family and Other Animals (Corfu Trilogy, #1))
Give me priests who are fat and corrupt and cynical,(...) the sort who like to sit on soft satin cushions, nibble sweetmeats, and diddle little boys. It's the ones who believe in gods who make the trouble. (Tyrion)
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Don’t you, when strangers and friends come to call, straighten the cushions, kick the books under the bed and put away the letter you were writing? How many of us want any of us to see us as we really are? Isn’t the mirror hostile enough?
Jeanette Winterson
Barrons." I hastily shoved the phone between the cushions. Ms. Lane." He inclined his dark head. You tattooed me, you bastard." I got right to the point.
Karen Marie Moning (Bloodfever (Fever, #2))
Do I look like the kind of person who wastes time turning goats into pin cushions?
L.J. Smith (Night World, No. 1 (Night World, #1-3))
Cherish all your happy moments: they make a fine cushion for old age.
Christopher Morley
Everyone is isolated from everyone else. The concept of society is like a cushion to protect us from the knowledge of that isolation. A fiction that serves as an anesthetic.
Paul Bowles
You’re not going to take advantage of me, are you?” The cushions felt so nice behind her head. It was so nice to lie down. “Novels are always warning young women of the dangers of being taken advantage of by wealthy young men.” “You are perfectly safe. Emily is here to protect your virtue.” “That’s too bad.
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
Little James Herondale, age two, was in fact holding a dagger quite well. He stabbed it into a sofa cushion, sending out a burst of feathers. "Ducks," he said, pointing at the feathers.
Cassandra Clare (Tales from the Shadowhunter Academy)
Great tragedies have great consequences. They ripple through the fabric of this world and the next. When the loss is too great for either world to bear, Everlost absorbs the shock, like a cushion between the two.
Neal Shusterman (Everwild (The Skinjacker Trilogy, #2))
Emperor, right." she retacked the curtain "That's weird to say, after eighteen years of listening to celebrity gossip feeds go on and on about 'Earth's favorite prince'". She claimed one of the lumpy sofa cushions, curling her legs beneath her. "I had a picture of him taped to my wall when I was fifteen. Grand-mere cut it off a cereal box." Wolf scowled. "Of course, half the girls in the world probably have had that same picture from that same cereal box." Wolf scrunched his shoulders against his neck, and Scarlet grinned, teasing. "Oh, no. You're not going to have to fight him for pack dominance now are you? Come here." She beckoned him with a wave of her hand and he was at her side in half a second, the glower softening as he pulled her against his chest.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
You sound disappointed.” Shane’s voice came out faint and thready, and he put his head back against the cushions as he squeezed his eyes shut. “Damn, I hate this. I really do.” I know,” Oliver said. “Your blood reeks of it.
Rachel Caine (Last Breath (The Morganville Vampires, #11))
I don't believe in fate. I don't believe in cushioning your insecurities with a system of belief that tells you 'Don't worry. This may be your life but you're not in control. There is something or someone looking out for you -- it's already organised.' It's all chance and choice, which is far more frightening.
Maggie O'Farrell (After You'd Gone)
frog. It was this spongelike rubber cushion that absorbed the first terrific shock of a thousand-pound horse galloping over a hard surface at high speed.
Walter Farley (Man O'War (Black Stallion Book 16))
I reached out blindly, clasped a warm hand, faded from life and into peace. Well, that was what was supposed to happen.... Except an annoying, distracting tug kept pulling and yanking.... When I woke, I thought I had overcome the pull and stayed in the afterlife. Whiteness billowed over me in soft waves. My body was cushioned and cocooned in warmth. I stretched my legs and then tried to raise my arms, but my left arm wouldn't budge. Rolling over, I encountered a number of very unpleasant realities. I was alive. I was in a room. I was naked except for a blood-stained bandage wrapped tight around my stomach. Kerrick lay beside me. And his hand trapped mine. Kill. Me. Now.
Maria V. Snyder (Touch of Power (Healer, #1))
While you are continuing this practice, week after week, year after year, your experience will become deeper and deeper, and your experience will cover everything you do in your everyday life. The most important thing is to forget all gain ing ideas, all dualistic ideas. In other words, just practice zazen in a certain posture. Do not think about anything. Just remain on your cushion without expecting anything. Then eventually you will resume your own true nature. That is to say, your own true nature resumes itself.
Shunryu Suzuki (Zen Mind, Beginner's Mind: Informal Talks on Zen Meditation and Practice)
Especially as Blay’s face came to mind. So beautiful. So very, very beautiful. It seemed silly and emasculating to call the guy that, but he was. Those damn lips were the problem … nice and cushioned on the bottom. Or maybe the eyes? So fucking blue. He’d kissed that mouth and loved it. Seen those eyes go wild. He could have had Blay first—and only. But instead? His cousin … “Oh, God …” he groaned.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
You sea! I resign myself to you also- I guess what you mean, I behold from the beach your crooked fingers, I believe you refuse to go back without feeling of me. We must have a turn together, I undress, hurry me out of sight of the land, Cushion me soft, rock me billowy drowse, Dash me with amorous wet, I can repay you.
Walt Whitman (Song of Myself)
I don’t know!” he half yells, miserably. “Am I? Do you think I’m bi?” “I can’t tell you that, Alex!” she says. “That’s the whole point!” “Shit,” he says, dropping his head back on the cushions. “I need someone to just tell me. How did you know you were?” “I don’t know, man. I was in my junior year of high school, and I touched a boob. It wasn’t very profound. Nobody’s gonna write an Off-Broadway play about it.” “Really helpful.
Casey McQuiston (Red, White & Royal Blue)
I used to be really pretty,” I whispered, sharing the secret. “See? I used—” “There is no ‘used’ to be.” He snatched the frame out of my hand, and my mouth dropped open as he tossed it. The photo whizzed through the air, bouncing off a cushion and landing harmlessly on the couch. “You’re really fucking pretty now.
J. Lynn (Stay with Me (Wait for You, #3))
I cast a look at where Rhys still remained sprawled on the cushions, watching us with raised brows. “For someone who was just dead,” I said tightly, “you seem remarkably relaxed.” Rhys smirked. “I’m glad you’re bouncing back to your usual spirits, Feyre darling.” Drakon snorted, and took my hands, squeezing them as tightly as his mate had. “What he doesn’t want to tell you, my lady, is that he’s so damn old he can’t stand up right now.” I whirled to Rhys. “Are you—” “Fine, fine,” Rhys said, waving a hand, even as he groaned a bit. “Though perhaps now you see why I didn’t bother visiting these two for so long. They’re terribly cruel to me.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
You need to be clever to best him. Are you clever, Rachel?” Oh God. She wants to know if I’m clever. I glanced at Al, and he stared at me, then shrugged. Licking my lips, I said, “It’s the shiny pot that puts a hole in the sky.” Al’s mouth dropped open, but Newt thought about it, her expression thoughtful and her fingers finally leaving her knife. “Very true,” she said as she eased back into the cushions. With a soft click of his teeth, Al’s mouth shut. His eyes were cross, and he seemed peeved that I’d found a way to satisfy her without compromising myself at all.
Kim Harrison (Pale Demon (The Hollows, #9))
He sagged to his knees. He ached all over. It wasn't just that his brain was writing cheques that his body couldn't cash. It had gone beyond that. Now his feet were borrowing money that his legs hadn't got, and his back muscles were looking for loose change under the sofa cushions.
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
You could say that Elphaba brought us together,' said Boq softly. 'I'm closer to her and so I'm closer to you.' Galinda seemed to give up. She leaned her head back on the velvet cushions of the swing and said, 'Boq, you know despite myself I think you're a little sweet. You're a little sweet and you're a little charming and you're a little maddening and you're a little habit-forming.' Boq held his breath. But you're little!' she concluded. 'You're a Munchkin, for god's sake!' He kissed her, he kissed her, he kissed her, little by little by little.
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
Even love couldn’t cushion a fall like ours. My love for Tristan was so big that I felt consumed by it, and even so, it was not enough to overpower our combined demons. I struggled. I yelled and screamed. I scratched and kicked. I fought like hell, but even the most determined fighters have to stop before they break. No one could say I didn’t fight for him,
R.K. Lilley (Rock Bottom (Tristan & Danika, #2))
Guilt isn't in cat vocabulary. They never suffer remorse for eating too much, sleeping too long or hogging the warmest cushion in the house. They welcome every pleasurable moment as it unravels and savour it to the full until a butterfly or falling leaf diverts their attention. They don't waste energy counting the number of calories they've consumed or the hours they've frittered away sunbathing. Cats don't beat themselves up about not working hard enough. They don't get up and go, they sit down and stay. For them, lethargy is an art form. From their vantage points on top of fences and window ledges, they see the treadmills of human obligations for what they are - a meaningless waste of nap time.
Helen Brown (Cleo: How an Uppity Cat Helped Heal a Family)
One hand planted on the top rail, slick from a recent rain, I swung my legs sideways, up and over. Home free. Until my bottom foot clipped the post, and I spun as if caught in a crocodile’s death roll. Good news? The spongy forest floor cushioned my fall. Bad news? Momentum slammed my torso into a tree trunk. Couldn’t breathe. But good news again. I’d rolled under a fat, bushy pine, which, along with the fading twilight, concealed my position. I heard the beast fly overhead in pursuit, taking out a few treetops on its way by. Yeah, that was my plan all along. Man, I’m good. Except my body. It hurt.
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
Still on my knees, I droop against Morpheus’s thighs—a solid support. The cool leather of his pants cushions my cheek. I close my eyes. Yes … I’ve been here before, held safely against him. At first, I think I’m imagining it when he bends over to scoop me into his arms. But when the scent of licorice and warm skin surrounds me, I know it’s real. “You left,” I accuse him, fighting to stay awake. “I was hurt … and you left me.” “A mistake I vow on my life-magic to never make again.” Even though he’s cradling me close, his response sounds far away. But distance doesn’t matter; he gave his word. I’ll be holding him to it.
A.G. Howard (Splintered (Splintered, #1))
A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town all through the night in a silent storm, and they covered the roofs and blocked the doors and smothered the animals who slept outdoors. So many flowers fell from the sky that in the morning the streets were carpeted with a compact cushion and they had to clear them away with shovels and rakes so that the funeral procession could pass by.
Gabriel García Márquez (One Hundred Years of Solitude)
Do you believe in ghosts, Maester?" [Jaime] asked Qyburn. The man's face grew strange. "Once, at the Citadel, I came into an empty room and saw an empty chair. Yet I knew a woman had been there, only a moment before. The cushion was dented where she'd sat, the cloth was still warm, and her scent lingered in the air. If we leave our smells behind us when we leave a room, surely something of our souls must remain when we leave this life?
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Here is a story that’s stranger than strange. Before we begin you may want to arrange: a blanket, a cushion, a comfortable seat, and maybe some cocoa and something to eat. I’ll warn you, of course, before we commence, my story is eerie and full of suspense, brimming with danger and narrow escapes, and creatures of many remarkable shapes. Dragons and ogres and gorgons and more, and creatures you’ve not even heard of before. And faraway places? There’s plenty of those! (And menacing villains to tingle your toes.) So ready your mettle and steady your heart. It’s time for my story’s mysterious start...
Robert Paul Weston (Zorgamazoo)
She sang, as requested. There was much about love in the ballad: faithful love that refused to abandon its object; love that disaster could not shake; love that, in calamity, waxed fonder, in poverty clung closer. The words were set to a fine old air -- in themselves they were simple and sweet: perhaps, when read, they wanted force; when well sung, they wanted nothing. Shirley sang them well: she breathed into the feeling, softness, she poured round the passion, force: her voice was fine that evening; its expression dramatic: she impressed all, and charmed one. On leaving the instrument, she went to the fire, and sat down on a seat -- semi-stool, semi-cushion: the ladies were round her -- none of them spoke. The Misses Sympson and the Misses Nunnely looked upon her, as quiet poultry might look on an egret, an ibis, or any other strange fowl. What made her sing so? They never sang so. Was it proper to sing with such expression, with such originality -- so unlike a school girl? Decidedly not: it was strange, it was unusual. What was strange must be wrong; what was unusual must be improper. Shirley was judged.
Charlotte Brontë (Shirley)
My name...my name is Mary. I'm here with a friend.' Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered. 'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.' Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly. He closed his eyes. 'Say something else.' 'What?' she asked, baffled. 'Talk. Talk to me. I want to hear your voice.' She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?' He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin. 'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better. 'Could you... could you please let go of me?' 'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.' She started to struggle. 'You're crowding me.' 'I know. Talk.' 'Oh for God's sake, what do you want me to say?' Even exasperated, her voice was beautiful. 'Anything.' 'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.' He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft. 'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon. When she pushed against him, he leaned his full weight into her. Her breath came out in a rush. 'Please,' he murmured. Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.' He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.' 'What?' 'Nothing. Say nothing. Over and over and over again. Do it.' She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.' "Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
I look forward all day to evening, and then I put an "engaged" on the door and get into my nice red bath robe and furry slippers and pile all the cushions behind me on the couch, and light the brass student lamp at my elbow, and read and read and read. One book isn't enough. I have four going at once. Just now, they're Tennyson's poems and "Vanity Fair" and Kipling's "Plain Tales" and - don't laugh - "Little Women." I find that I am the only girl in college who wasn't brought up on "Little Women." I haven't told anybody though (that would stamp me as queer). I just quietly went and bought it with $1.12 of my last month's allowance; and the next time somebody mentions pickled limes, I'll know what she is talking about!
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
The child, screaming for refuge, senses how feeble a shelter the twig hut of grown-up awareness is. They claim strength, these parents, and complete sanctuary. The weeping earth itself knows how desperate is the child's need for exactly that sanctuary. How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia. Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. Yet we are small and as terrified as we are terrifying in our ferocious appetites.
Katherine Dunn
Austerity means to eliminate the comforts and cushions in your life that you have learned to snuggle into and lose wakefulness. Take away anything that dulls your edge. No newspapers or magazines. No TV. No candy, cookies, or sweets. No sex. No cuddling. No reading of anything at all while you eat or sit on the toilet. Reduce working time to a necessary minimum. No movies. No conversation that isn't about truth, love, or the divine. If you take on these disciplines for a few weeks, as well as any other disciplines that may particularly cut through your unique habits of dullness, then your life will be stripped of routine distraction. All that will be left is the edge you have been avoiding by means of your daily routine. You will have to face the basic discomfort and dissatisfaction that is the hidden texture of your life. You will be alive with the challenge of living your truth, rather than hiding form it. Unadorned suffering is the bedmate of masculine growth. Only by staying intimate with your personal suffering can you feel through it to its source. By putting all your attention into work, TV, sex, and reading, your suffering remains unpenetrated, and the source remains hidden. Your life becomes structured entirely by your favorite means of sidestepping the suffering you rarely allow yourself to feel. And when you do touch the surface of your suffering, perhaps in the form of boredom, you quickly pick up a magazine or the remote control. Instead, feel your suffering, rest with it, embrace it, make love with it. Feel your suffering so deeply and thoroughly that you penetrate it, and realize its fearful foundation. Almost everything you do, you do because you are afraid to die. And yet dying is exactly what you are doing, from the moment you are born. Two hours of absorption in a good Super Bowl telecast may distract you temporarily, but the fact remains. You were born as a sacrifice. And you can either participate in the sacrifice, dissolving in the giving of your gift, or you can resist it, which is your suffering. By eliminating the safety net of comforts in your life, you have the opportunity to free fall in this moment between birth and death, right through the hole of your fear, into the unthreatenable openness which is the source of your gifts. The superior man lives as this spontaneous sacrifice of love.
David Deida (The Way of the Superior Man: A Spiritual Guide to Mastering the Challenges of Women, Work, and Sexual Desire)
It is, I suppose, the common grief of children at having to protect their parents from reality. It is bitter for the young to see what awful innocence adults grow into, that terrible vulnerability that must be sheltered from the rodent mire of childhood. Can we blame the child for resenting the fantasy of largeness? Big, soft arms and deep voices in the dark saying, "Tell Papa, tell Mama, and we'll make it right." The child, screaming for refuge, senses how feeble a shelter the twig hut of grown-up awareness is. They claim strength, these parents, and complete sanctuary. The weeping earth itself knows how desperate is the child's need for exactly that sanctuary. How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia. Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. Yet we are small and as terrified as we are terrifying in our ferocious appetites. We need that warm adult stupidity. Even knowing the illusion, we cry and hide in their laps, speaking only of defiled lollipops or lost bears, and getting lollipop or a toy bear'd worth of comfort. We make do with it rather than face alone the cavernous reaches of our skull for which there is no remedy, no safety, no comfort at all. We survive until, by sheer stamina, we escape into the dim innocence of our own adulthood and its forgetfulness.
Katherine Dunn (Geek Love)
Night-time train travel is wonderful again! No standing in the corridors for hours, no being shunted off for a troop train to pass, and above all, no black-out curtains. All the windows we passed were lighted, and I could snoop once more. I missed it so terribly during the war. I felt as if we had all turned into moles scuttling along in our separate tunnels. I don't consider myself a real peeper-they go in for bedrooms, but it's families in sitting rooms or kitchens that thrill me. I can imagine their entire lives from a glimpse of bookshelves, or desks, or lit candles, or bright sofa cushions.
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
Depression is the flaw in love. To be creatures who love, we must be creatures who can despair at what we lose, and depression is the mechanism of that despair. When it comes, it degrades one's self and ultimately eclipses the capacity to give or receive affection. It is the aloneness within us made manifest, and it destroys not only connection to others but also the ability to be peacefully alone with oneself. Love, though it is no prophylactic against depression, is what cushions the mind and protects it from itself. Medications and psychotherapy can renew that protection, making it easier to love and be loved, and that is why they work. In good spirits, some love themselves and some love others and some love work and some love God: any of these passions can furnish that vital sense of purpose that is the opposite of depression. Love forsakes us from time to time, and we forsake love. In depression, the meaninglessness of every enterprise and every emotion, the meaninglessness of life itself, becomes self-evident. The only feeling left in this loveless state is insignificance.
Andrew Solomon (The Noonday Demon: An Atlas of Depression)
It wasn't a meaningless act for me either," Marcus said, his raspy whisper tickling her ear. "Yesterday I finally realized that all the things that I thought were wrong about you were actually the things I enjoyed most. I don't give a damn what you do, so long as it pleases you. Run barefoot on the front lawn. Eat pudding with your fingers. Tell me to go to hell as often as you like. I want you just as you are. After all, you're the only woman aside from my sisters who has ever dared to tell me to my face that I'm an arrogant ass. How could I resist you?" His mouth moved to the soft cushion of her cheek. "My dearest Lillian," he whispered, easing her head back to kiss her eyelids. "If I had the gift of poetry, I would shower you with sonnets. But words have always been difficult for me when my feelings are strongest. And there is one word in particular that I can't bring myself to say to you...'goodbye'. I couldn't bear the sight of you walking away from me. If you won't marry me for the sake of your honor, then do it for the sake of everyone who would have to tolerate me otherwise. Marry me because I need someone who will help me to laught at myself. Because someone has to teach me how to whistle. Marry me, Lillian...because I have the most irresistable fascination for your ears.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
Women can go mad with insomnia. The sleep-deprived roam houses that have lost their familiarity. With tea mugs in hand, we wander rooms, looking on shelves for something we will recognize: a book title, a photograph, the teak-carved bird -- a souvenir from what place? A memory almost rises when our eyes rest on a painting's grey sweep of cloud, or the curve of a wooden leg in a corner. Fingertips faintly recall the raised pattern on a chair cushion, but we wonder how these things have come to be here, in this stranger's home. Lost women drift in places where time has collapsed. We look into our thoughts and hearts for what has been forgotten, for what has gone missing. What did we once care about? Whom did we love? We are emptied. We are remote. Like night lilies, we open in the dark, breathe in the shadowy world. Our soliloquies are heard by no one.
Cathy Ostlere (Lost: A Memoir)
It is easier to understand if you think of it in terms of music. Sometimes a man enjoys a symphony. Elsetimes he finds a jig more suited to his taste. The same holds true for lovemaking. One type is suited to the deep cushions of a twilight forest glade. Another comes quite naturally tangled in the sheets of narrow beds upstairs in inns. Each woman is like an instrument, waiting to be learned, loved, and finely played, to have at last her own true music made. Some might take offense at this way of seeing things, not understanding how a trouper views his music. They might think I degrade women. They might consider me callous, or boorish, or crude. But those people do not understand love, or music, or me.
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
Amazing Peace: A Christmas Poem Thunder rumbles in the mountain passes And lightning rattles the eaves of our houses. Flood waters await us in our avenues. Snow falls upon snow, falls upon snow to avalanche Over unprotected villages. The sky slips low and grey and threatening. We question ourselves. What have we done to so affront nature? We worry God. Are you there? Are you there really? Does the covenant you made with us still hold? Into this climate of fear and apprehension, Christmas enters, Streaming lights of joy, ringing bells of hope And singing carols of forgiveness high up in the bright air. The world is encouraged to come away from rancor, Come the way of friendship. It is the Glad Season. Thunder ebbs to silence and lightning sleeps quietly in the corner. Flood waters recede into memory. Snow becomes a yielding cushion to aid us As we make our way to higher ground. Hope is born again in the faces of children It rides on the shoulders of our aged as they walk into their sunsets. Hope spreads around the earth. Brightening all things, Even hate which crouches breeding in dark corridors. In our joy, we think we hear a whisper. At first it is too soft. Then only half heard. We listen carefully as it gathers strength. We hear a sweetness. The word is Peace. It is loud now. It is louder. Louder than the explosion of bombs. We tremble at the sound. We are thrilled by its presence. It is what we have hungered for. Not just the absence of war. But, true Peace. A harmony of spirit, a comfort of courtesies. Security for our beloveds and their beloveds. We clap hands and welcome the Peace of Christmas. We beckon this good season to wait a while with us. We, Baptist and Buddhist, Methodist and Muslim, say come. Peace. Come and fill us and our world with your majesty. We, the Jew and the Jainist, the Catholic and the Confucian, Implore you, to stay a while with us. So we may learn by your shimmering light How to look beyond complexion and see community. It is Christmas time, a halting of hate time. On this platform of peace, we can create a language To translate ourselves to ourselves and to each other. At this Holy Instant, we celebrate the Birth of Jesus Christ Into the great religions of the world. We jubilate the precious advent of trust. We shout with glorious tongues at the coming of hope. All the earth's tribes loosen their voices To celebrate the promise of Peace. We, Angels and Mortal's, Believers and Non-Believers, Look heavenward and speak the word aloud. Peace. We look at our world and speak the word aloud. Peace. We look at each other, then into ourselves And we say without shyness or apology or hesitation. Peace, My Brother. Peace, My Sister. Peace, My Soul.
Maya Angelou (Amazing Peace: A Christmas Poem)
Birthdays were wretched, delicious things when you lived in Beau Rivage. The clock stuck midnight, and presents gave way to magic. Curses bloomed. Girls bit into sharp apples instead of birthday cake, chocked on the ruby-and-white slivers, and collapsed into enchanted sleep. Unconscious beneath cobweb canopies, frozen in coffins of glass, they waited for their princes to come. Or they tricked ogres, traded their voices for love, danced until their glass slippers cracked. A prince would awaken, roused by the promise of true love, and find he had a witch to destroy. A heart to steal. To tear from the rib cage, where it was cushioned by bloody velvet, and deliver it to the queen who demanded the princess's death. Girls became victims and heroines. Boys became lovers and murderers. And sometimes... they became both.
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
It’s all as if words, phrases, images, syntax were small glass beads from a necklace which was wrenched from some neck and spilled on the floor and down the sides of sofa cushions and armchairs and under bookshelves and maybe swallowed by the cat. I’ve got to find all the glass pieces before I can even reorder the color sequence, and restring it and tie it tighter than before. There’s always a splendor in beginning all over. Even if it means getting on one’s knees to search beneath that bookshelf or prospecting through years of lint and ashes beneath those cushions. Even if it means breaking open that cat’s shit, which it conveniently has deposited in a plastic box, more orderly than any secretary could ever hope to be. Then I’ll appreciate the value of each bead – rather, each word and image – that much more, never wasting another. And I will, I swear to myself, get it all back in time, string it all together, tighter, as I said, than before.
Jim Carroll (Forced Entries- The Downtown Diaries: 1971-1973)
Although 'jumping to conclusions' is an expression, rather than an activity, it is as dangerous as jumping off a cliff, jumping in front of a moving train, and jumping for joy. If you jump off a cliff, you have a very good chance of experiencing a painful landing unless there is something below you to cushion your fall, such as a body of water or an immense pile of tissue paper, If you jump in front of moving train, you have a very good chance of experiencing a painful voyage unless you are wearing some sort of train-proof suit. And if you jump for joy, you have a very good chance of experiencing a painful bump on the head, unless you make sure you are standing someplace with very high ceilings, which joyous people rarely do. Clearly, the solution to anything involving jumping is either to make sure you are jumping to a safe place, or not jumping at all. But it is hard not to jump at all when you are jumping to conclusions, and it is impossible to make sure that you are jumping to a safe place, because all 'jumping to conclusions' means is that you are believing something is true even though you don't actually know whether it is or not.
Lemony Snicket (The Vile Village (A Series of Unfortunate Events, #7))
Jesus never concealed the fact that his religion included a demand as well as an offer. Indeed, the demand was as total as the offer was free. If he offered men his salvation, he also demanded their submission. He gave no encouragement whatever to thoughtless applicants for discipleship. He brought no pressure to bear on any inquirer. He sent irresponsible enthusiasts away empty. Luke tells of three men who either volunteered, or were invited, to follow Jesus; but no one passed the Lord’s test. The rich young ruler, too, moral, earnest and attractive, who wanted eternal life on his own terms, went away sorrowful, with his riches intact but with neither life nor Christ as his possession…The Christian landscape is strewn with the wreckage of derelict, half built towers—the ruins of those who began to build and were unable to finish. For thousands of people still ignore Christ’s warning and undertake to follow him without first pausing to reflect on the cost of doing so. The result is the great scandal of Christendom today, so called “nominal Christianity.” In countries to which Christian civilization has spread, large numbers of people have covered themselves with a decent, but thin, veneer of Christianity. They have allowed themselves to become somewhat involved, enough to be respectable but not enough to be uncomfortable. Their religion is a great, soft cushion. It protects them from the hard unpleasantness of life, while changing its place and shape to suit their convenience. No wonder the cynics speak of hypocrites in the church and dismiss religion as escapism…The message of Jesus was very different. He never lowered his standards or modified his conditions to make his call more readily acceptable. He asked his first disciples, and he has asked every disciple since, to give him their thoughtful and total commitment. Nothing less than this will do
John R.W. Stott (Basic Christianity (IVP Classics))
I’m so fucking tired of this,” I whisper. Ruby’s crouching on the floor in front of me, her hands on my shoulders, the first time she’s ever touched me. “What are you tired of?” she asks. “Hearing him, seeing him, everything I do being laced with him.” We’re quiet. My breathing steadies and she stands, her hands dropping away from me. Gently, she says, “If you think back to the first incident—” “No, I can’t.” I throw my head against the back of the chair, press myself into the cushion. “I can’t go back there.” “You don’t have to go back,” she says. “You can stay in the room. Just think of one moment, the first one between the two of you that could be considered intimate. When you look back on that first memory, who was the initiator, you or him?” She waits, but I can’t say it. Him. He called me up to his desk and touched me while the rest of the class did their homework. I sat beside him, stared out the window, and let him do what he wanted. And I didn’t understand it, didn’t ask for it. I exhale, hang my head. “I can’t.” “That’s fine,” she says. “Take it slow.” “I just feel . . .” I press the heels of my hands into my thighs. “I can’t lose the thing I’ve held on to for so long. You know?” My face twists up from the pain of pushing it out. “I just really need it to be a love story. You know? I really, really need it to be that.” “I know,” she says. “Because if it isn’t a love story, then what is it?” I look to her glassy eyes, her face of wide-open empathy. “It’s my life,” I say. “This has been my whole life.” She stands over me as I say I’m sad, I’m so sad, small, simple words, the only ones that make sense as I clutch my chest like a child and point to where it hurts.
Kate Elizabeth Russell (My Dark Vanessa)
Contemplations on the belly When pregnant with our first, Dean and I attended a child birth class. There were about 15 other couples, all 6-8 months pregnant, just like us. As an introduction, the teacher asked us to each share what had been our favorite part of pregnancy and least favorite part. I was surprised by how many of the men and women there couldn't name a favorite part. When it was my turn, I said, "My least favorite has been the nausea, and my favorite is the belly." We were sitting in the back of the room, so it was noticeable when several heads turned to get a look at me. Dean then spoke. "Yeah, my least favorite is that she was sick, and my favorite is the belly too." Now nearly every head turned to gander incredulously at the freaky couple who actually liked the belly. Dean and I laughed about it later, but we were sincere. The belly is cool. It is one of the Seven Natural Wonders of the World, an unmistakable sign of what's going on inside, the wigwam for our little squirmer, the mark of my undeniable superpower of baby-making. I loved the belly and its freaky awesomeness, and especially the flutters, kicks, and bumps from within. Twins belly is a whole new species. I marvel at the amazing uterus within and skin without with their unceasing ability to stretch (Reed Richards would be impressed). I still have great admiration for the belly, but I also fear it. Sometimes I wonder if I should build a shrine to it, light some incense, offer up gifts in an attempt both to honor it and avoid its wrath. It does seem more like a mythic monstrosity you'd be wise not to awaken than a bulbous appendage. It had NEEDS. It has DEMANDS. It will not be taken lightly (believe me, there's nothing light about it). I must give it its own throne, lying sideways atop a cushion, or it will CRUSH MY ORGANS. This belly is its own creature, is subject to different laws of growth and gravity. No, it's not a cute belly, not a benevolent belly. It would have tea with Fin Fang Foom; it would shake hands with Cthulhu. It's no wonder I'm so restless at night, having to sleep with one eye open. Nevertheless, I honor you, belly, and the work you do to protect and grow my two precious daughters inside. Truly, they must be even more powerful than you to keep you enslaved to their needs. It's quite clear that out of all of us, I'm certainly not the one in control. I am here to do your bidding, belly and babies. I am your humble servant.
Shannon Hale