“
I would rather sit on a pumpkin, and have it all to myself, than be crowded on a velvet cushion.
”
”
Henry David Thoreau
“
I am determined that only the deepest love will induce me into matrimony. So, I shall end an old maid, and teach your ten children to embroider cushions and play their instruments very ill.
”
”
Jane Austen (Pride and Prejudice)
“
The belief that unhappiness is selfless and happiness is selfish is misguided. It's more selfless to act happy. It takes energy, generosity, and discipline to be unfailingly lighthearted, yet everyone takes the happy person for granted. No one is careful of his feelings or tries to keep his spirits high. He seems self-sufficient; he becomes a cushion for others. And because happiness seems unforced, that person usually gets no credit.
”
”
Gretchen Rubin (The Happiness Project)
“
We have advantages. We have a cushion to fall back on. This is abundance. A luxury of place and time. Something rare and wonderful. It's almost historically unprecedented. We must do extraordinary things. We have to. It would be absurd not to.
”
”
Dave Eggers (A Heartbreaking Work of Staggering Genius)
“
And only those watching very carefully saw the Caliph of Khorasan lean back against the cushions and toy with the bangles on his wife’s arm.
”
”
Renée Ahdieh (The Wrath and the Dawn (The Wrath and the Dawn, #1))
“
In a dog's life, some plaster would fall, some cushions would open, some rugs would shred. Like any relationship, this one had its costs. They were costs we came to accept and balance against the joy and amusement and protection and companionship he gave us.
”
”
John Grogan (Marley and Me: Life and Love With the World’s Worst Dog)
“
I grabbed Sabine’s shoulder. “If you stick me again, I’m going to make your head my personal pin cushion.
”
”
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
“
What are you? (Danger)
Well, had you listened before you stabbed me, you would have heard the ‘I’m Acheron’s Squire’ part. Apparently that somehow escaped your hearing and you mistook me for a pin cushion. (Alexion)
”
”
Sherrilyn Kenyon (Sins of the Night (Dark-Hunter, #7))
“
I slump against the cushion. “How am I going to protect him, if I’ve completely alienated him? He thinks I’m creepy…” I say sadly.
“You are not creepy,” Reed says soothingly, taking my hand.
“You’re not a good judge of creepy, Reed, since you’re creepier than I am,” I say warily, looking over at Zephyr when I hear him laughing at my comment. “I wouldn’t laugh too hard, pal, because you’re the creepiest one of us all.
”
”
Amy A. Bartol (Inescapable (The Premonition, #1))
“
You can’t cushion me from the entire world, Knight.”
“I can try.
”
”
Kristen Ashley (Knight (Unfinished Hero, #1))
“
Tea would arrive, the cakes squatting on cushions of cream, toast in a melting shawl of butter, cups agleam and a faint wisp of steam rising from the teapot shawl.
”
”
Gerald Durrell (My Family and Other Animals (Corfu Trilogy, #1))
“
Give me priests who are fat and corrupt and cynical,(...) the sort who like to sit on soft satin cushions, nibble sweetmeats, and diddle little boys. It's the ones who believe in gods who make the trouble. (Tyrion)
”
”
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
“
Don’t you, when strangers and friends come to call, straighten the cushions, kick the books under the bed and put away the letter you were writing? How many of us want any of us to see us as we really are? Isn’t the mirror hostile enough?
”
”
Jeanette Winterson
“
As we are a doomed race, chained to a sinking ship, as the whole thing is a bad joke, let us, at any rate, do our part; mitigate the suffering of our fellow-prisoners; decorate the dungeon with flowers and air-cushions; be as decent as we possibly can.
”
”
Virginia Woolf (Mrs. Dalloway)
“
Barrons." I hastily shoved the phone between the cushions.
Ms. Lane." He inclined his dark head.
You tattooed me, you bastard." I got right to the point.
”
”
Karen Marie Moning (Bloodfever (Fever, #2))
“
Do I look like the kind of person who wastes time turning goats into pin cushions?
”
”
L.J. Smith (Night World, No. 1 (Night World, #1-3))
“
Everyone is isolated from everyone else. The concept of society is like a cushion to protect us from the knowledge of that isolation. A fiction that serves as an anesthetic.
”
”
Paul Bowles
“
Cherish all your happy moments: they make a fine cushion for old age.
”
”
Christopher Morley
“
You’re not going to take advantage of me, are you?” The cushions felt so nice behind her head. It was so nice to lie down. “Novels are always warning young women of the dangers of being taken advantage of by wealthy young men.”
“You are perfectly safe. Emily is here to protect your virtue.”
“That’s too bad.
”
”
Kady Cross (The Girl in the Steel Corset (Steampunk Chronicles, #1))
“
Little James Herondale, age two, was in fact holding a dagger quite well. He stabbed it into a sofa cushion, sending out a burst of feathers.
"Ducks," he said, pointing at the feathers.
”
”
Cassandra Clare (Tales from the Shadowhunter Academy)
“
Great tragedies have great consequences. They ripple through the fabric of this world and the next. When the loss is too great for either world to bear, Everlost absorbs the shock, like a cushion between the two.
”
”
Neal Shusterman (Everwild (The Skinjacker Trilogy, #2))
“
You sound disappointed.” Shane’s voice came out faint and thready, and he put his head back against the cushions as he squeezed his eyes shut. “Damn, I hate this. I really do.”
I know,” Oliver said. “Your blood reeks of it.
”
”
Rachel Caine (Last Breath (The Morganville Vampires, #11))
“
Emperor, right." she retacked the curtain "That's weird to say, after eighteen years of listening to celebrity gossip feeds go on and on about 'Earth's favorite prince'". She claimed one of the lumpy sofa cushions, curling her legs beneath her. "I had a picture of him taped to my wall when I was fifteen. Grand-mere cut it off a cereal box."
Wolf scowled.
"Of course, half the girls in the world probably have had that same picture from that same cereal box."
Wolf scrunched his shoulders against his neck, and Scarlet grinned, teasing. "Oh, no. You're not going to have to fight him for pack dominance now are you? Come here."
She beckoned him with a wave of her hand and he was at her side in half a second, the glower softening as he pulled her against his chest.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
I don't believe in fate. I don't believe in cushioning your insecurities with a system of belief that tells you 'Don't worry. This may be your life but you're not in control. There is something or someone looking out for you -- it's already organised.' It's all chance and choice, which is far more frightening.
”
”
Maggie O'Farrell (After You'd Gone)
“
I reached out blindly, clasped a warm hand, faded from life and into peace.
Well, that was what was supposed to happen.... Except an annoying, distracting tug kept pulling and yanking....
When I woke, I thought I had overcome the pull and stayed in the afterlife. Whiteness billowed over me in soft waves. My body was cushioned and cocooned in warmth. I stretched my legs and then tried to raise my arms, but my left arm wouldn't budge. Rolling over, I encountered a number of very unpleasant realities.
I was alive. I was in a room. I was naked except for a blood-stained bandage wrapped tight around my stomach. Kerrick lay beside me. And his hand trapped mine.
Kill. Me. Now.
”
”
Maria V. Snyder (Touch of Power (Healer, #1))
“
Not being the sort to throw a book, she pounded her fist on her cushion.
”
”
Ellen Kushner
“
frog. It was this spongelike rubber cushion that absorbed the first terrific shock of a thousand-pound horse galloping over a hard surface at high speed.
”
”
Walter Farley (Man O'War (Black Stallion Book 16))
“
Cushions had been sliced apart and were bleeding stuffing onto the floor.
”
”
Kimberly Derting (The Pledge (The Pledge, #1))
“
Irene made a private mental resolution that if she ever became a queen, her throne would incorporate a cushion. Also a convenient bookcase.
”
”
Genevieve Cogman (The Lost Plot (The Invisible Library, #4))
“
While you are continuing this practice, week after week, year after year, your experience will become deeper and deeper, and your experience will cover everything you do in your everyday life. The most important thing is to forget all gain
ing ideas, all dualistic ideas. In other words, just practice zazen in a certain posture. Do not think about anything. Just remain on your cushion without expecting anything. Then eventually you will resume your own true nature. That is to say, your own true nature resumes itself.
”
”
Shunryu Suzuki (Zen Mind, Beginner's Mind: Informal Talks on Zen Meditation and Practice)
“
Especially as Blay’s face came to mind. So beautiful. So very, very beautiful. It seemed silly and emasculating to call the guy that, but he was. Those damn lips were the problem … nice and cushioned on the bottom. Or maybe the eyes? So fucking blue.
He’d kissed that mouth and loved it. Seen those eyes go wild.
He could have had Blay first—and only. But instead? His cousin …
“Oh, God …” he groaned.
”
”
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
“
He was at once severe and beautiful, and the more the played, the more I felt surrounded by that cushion as well, as if I could fall and never hit the ground, as long as he was playing.
”
”
Brodi Ashton (Everneath (Everneath, #1))
“
Are you free?” he asked. “No, but I’m on sale for a dollar ninety-nine.” He sighed, adding fuel to the fire. “Do you have a minute?” I patted my pockets. “Not on me, but I can go through the couch cushions.
”
”
Darynda Jones (Eighth Grave After Dark (Charley Davidson, #8))
“
She didn’t know the number, but she wasn’t at all surprised when she picked up, plopping down onto the cushions, and Hunt growled, “Open the curtains. I want to watch the show.
”
”
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
“
I don’t know!” he half yells, miserably. “Am I? Do you think I’m bi?” “I can’t tell you that, Alex!” she says. “That’s the whole point!” “Shit,” he says, dropping his head back on the cushions. “I need someone to just tell me. How did you know you were?” “I don’t know, man. I was in my junior year of high school, and I touched a boob. It wasn’t very profound. Nobody’s gonna write an Off-Broadway play about it.” “Really helpful.
”
”
Casey McQuiston (Red, White & Royal Blue)
“
You sea! I resign myself to you also-
I guess what you mean,
I behold from the beach your crooked fingers,
I believe you refuse to go back without feeling of me.
We must have a turn together,
I undress, hurry me out of sight of the land,
Cushion me soft, rock me billowy drowse,
Dash me with amorous wet, I can repay you.
”
”
Walt Whitman (Song of Myself)
“
I used to be really pretty,” I whispered, sharing the secret. “See? I used—”
“There is no ‘used’ to be.” He snatched the frame out of my hand, and my mouth dropped open as he tossed it. The photo whizzed through the air, bouncing off a cushion and landing harmlessly on the couch. “You’re really fucking pretty now.
”
”
J. Lynn (Stay with Me (Wait for You, #3))
“
The best way to prevent a heartache was to cushion the coming blow.
”
”
Jodi Picoult (Salem Falls)
“
I saw pearls in her mouth and the velvet cushion of her tongue and I heard the magic words come out of her.
”
”
Glenda Millard (A Small Free Kiss in the Dark)
“
Was it ever . . .” She winced, wished she could muffle the need to ask. “Before, with anyone else—”
“No.” He touched his lips to her brow, her nose, the dip in her chin. “It was never, with no one else.”
Not for me, either.” She simply breathed him in. “Put your hands on me. I want your hands on me.”
“I can do that.” He did, tumbling with her to a spread of floor cushions while the sun died brilliantly in the ocean.
”
”
J.D. Robb (Glory in Death (In Death, #2))
“
You need to be clever to best him. Are you clever, Rachel?”
Oh God. She wants to know if I’m clever. I glanced at Al, and he stared at me, then shrugged. Licking my lips, I said, “It’s the shiny pot that puts a hole in the sky.”
Al’s mouth dropped open, but Newt thought about it, her expression thoughtful and her fingers finally leaving her knife. “Very true,” she said as she eased back into the cushions.
With a soft click of his teeth, Al’s mouth shut. His eyes were cross, and he seemed peeved that I’d found a way to satisfy her without compromising myself at all.
”
”
Kim Harrison (Pale Demon (The Hollows, #9))
“
I cast a look at where Rhys still remained sprawled on the cushions, watching us with raised brows. “For someone who was just dead,” I said tightly, “you seem remarkably relaxed.”
Rhys smirked. “I’m glad you’re bouncing back to your usual spirits, Feyre darling.”
Drakon snorted, and took my hands, squeezing them as tightly as his mate had. “What he doesn’t want to tell you, my lady, is that he’s so damn old he can’t stand up right now.”
I whirled to Rhys. “Are you—”
“Fine, fine,” Rhys said, waving a hand, even as he groaned a bit. “Though perhaps now you see why I didn’t bother visiting these two for so long. They’re terribly cruel to me.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Even love couldn’t cushion a fall like ours. My love for Tristan was so big that I felt consumed by it, and even so, it was not enough to overpower our combined demons.
I struggled. I yelled and screamed. I scratched and kicked.
I fought like hell, but even the most determined fighters have to stop before they break.
No one could say I didn’t fight for him,
”
”
R.K. Lilley (Rock Bottom (Tristan & Danika, #2))
“
You could say that Elphaba brought us together,' said Boq softly. 'I'm closer to her and so I'm closer to you.'
Galinda seemed to give up. She leaned her head back on the velvet cushions of the swing and said, 'Boq, you know despite myself I think you're a little sweet. You're a little sweet and you're a little charming and you're a little maddening and you're a little habit-forming.'
Boq held his breath.
But you're little!' she concluded. 'You're a Munchkin, for god's sake!'
He kissed her, he kissed her, he kissed her, little by little by little.
”
”
Gregory Maguire (Wicked: The Life and Times of the Wicked Witch of the West (The Wicked Years, #1))
“
He sagged to his knees. He ached all over. It wasn't just that his brain was writing cheques that his body couldn't cash. It had gone beyond that. Now his feet were borrowing money that his legs hadn't got, and his back muscles were looking for loose change under the sofa cushions.
”
”
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
“
Friends give you a cushion for the fall, even when you think you don’t need or want one.
”
”
J.D. Robb (Memory in Death (In Death, #22))
“
How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia.
”
”
Katherine Dunn (Geek Love)
“
Guilt isn't in cat vocabulary. They never suffer remorse for eating too much, sleeping too long or hogging the warmest cushion in the house. They welcome every pleasurable moment as it unravels and savour it to the full until a butterfly or falling leaf diverts their attention. They don't waste energy counting the number of calories they've consumed or the hours they've frittered away sunbathing.
Cats don't beat themselves up about not working hard enough. They don't get up and go, they sit down and stay. For them, lethargy is an art form. From their vantage points on top of fences and window ledges, they see the treadmills of human obligations for what they are - a meaningless waste of nap time.
”
”
Helen Brown (Cleo: How an Uppity Cat Helped Heal a Family)
“
She laid a row of cushions down the center of the bed, carefully dividing it into two sides....
"I dinna know how this strategy escaped Napoleon's notice. If only he'd erect a barricade of feathers and fabric, we Highlanders wouldna have known how to get over it.
”
”
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
“
He reclined on a delightfully cushioned lounge in the sprawling ranch Paris had rented. In Dallas, Texas, of all places. Promiscuity had decked himself out, too, wearing a Stetson (weird), no shirt (understandable), unfastened jeans (smart) and cowboy boots (weird again). Dude looked ready to rustle cattle or something.
”
”
Gena Showalter (The Darkest Secret (Lords of the Underworld, #7))
“
Well after that testosterone-shattering experience, I have no more dignity to worry about. Ever. Anyone have a cushion I can sit on? A really big fluffy one? Hell, let’s even make it pale pink with bows on it just for good measure.
”
”
Sherrilyn Kenyon (Born of Shadows (The League, #4))
“
Are we going to debate philosophy or should I just kiss and make up with the demon now? Let it get a good shot at your throat so it can rip it out? (Xypher)
Put him down mercifully. (Kat)
Yes, Queenie. I’ll make sure and use a cushioned blade. (Xypher)
”
”
Sherrilyn Kenyon (Devil May Cry (Dark-Hunter, #11))
“
One hand planted on the top rail, slick from a recent rain, I swung my legs sideways, up and over. Home free.
Until my bottom foot clipped the post, and I spun as if caught in a crocodile’s death roll.
Good news? The spongy forest floor cushioned my fall.
Bad news? Momentum slammed my torso into a tree trunk. Couldn’t breathe.
But good news again. I’d rolled under a fat, bushy pine, which, along with the fading twilight, concealed my position. I heard the beast fly overhead in pursuit, taking out a few treetops on its way by.
Yeah, that was my plan all along. Man, I’m good. Except my body. It hurt.
”
”
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
“
Celia laughs and a curl of her hair falls across her cheek.
Marco tentatively moves to brush it off her face, but before his fingers reach her, she pushes herself off the ledge, her silver gown a billowing cloud as she falls onto the pile of jewel-toned cushions.
”
”
Erin Morgenstern (The Night Circus)
“
Still on my knees, I droop against Morpheus’s thighs—a solid support. The cool leather of his pants cushions my cheek. I close my eyes. Yes … I’ve been here before, held safely against him.
At first, I think I’m imagining it when he bends over to scoop me into his arms. But when the scent of licorice and warm skin surrounds me, I know it’s real.
“You left,” I accuse him, fighting to stay awake. “I was hurt … and you left me.”
“A mistake I vow on my life-magic to never make again.” Even though he’s cradling me close, his response sounds far away. But distance doesn’t matter; he gave his word. I’ll be holding him to it.
”
”
A.G. Howard (Splintered (Splintered, #1))
“
Do you believe in ghosts, Maester?" [Jaime] asked Qyburn.
The man's face grew strange. "Once, at the Citadel, I came into an empty room and saw an empty chair. Yet I knew a woman had been there, only a moment before. The cushion was dented where she'd sat, the cloth was still warm, and her scent lingered in the air. If we leave our smells behind us when we leave a room, surely something of our souls must remain when we leave this life?
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
I dropped down on the cushion beside Lea and picked up the book she'd been reading. Turning the book over, my brows flew up as I got an eyeful of the hottie on the cover. "Wait. Is this book about aliens?"
She snatched it back from me. "Yes."
"Really?"
"But they're hot aliens." She tapped on the guy's face with one thin finger. "And he can be my ET any day.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town all through the night in a silent storm, and they covered the roofs and blocked the doors and smothered the animals who slept outdoors. So many flowers fell from the sky that in the morning the streets were carpeted with a compact cushion and they had to clear them away with shovels and rakes so that the funeral procession could pass by.
”
”
Gabriel García Márquez (One Hundred Years of Solitude)
“
A teenage girl lay asleep on the sofa, curled up under a red-and-black knitted afghan. She was on her side, with one slender arm cradling a throw cushion nestled under her head. Long wavy blond hair spread across her back and her shoulders like a cape. Even though she was sleeping, Alex could see how pretty she was, with her delicate, almost elfin features. He stood in the doorway, watching the soft rise and fall of her chest.
”
”
L.A. Weatherly (Angel Burn (Angel, #1))
“
She sang, as requested. There was much about love in the ballad: faithful love that refused to abandon its object; love that disaster could not shake; love that, in calamity, waxed fonder, in poverty clung closer. The words were set to a fine old air -- in themselves they were simple and sweet: perhaps, when read, they wanted force; when well sung, they wanted nothing. Shirley sang them well: she breathed into the feeling, softness, she poured round the passion, force: her voice was fine that evening; its expression dramatic: she impressed all, and charmed one.
On leaving the instrument, she went to the fire, and sat down on a seat -- semi-stool, semi-cushion: the ladies were round her -- none of them spoke. The Misses Sympson and the Misses Nunnely looked upon her, as quiet poultry might look on an egret, an ibis, or any other strange fowl. What made her sing so? They never sang so. Was it proper to sing with such expression, with such originality -- so unlike a school girl? Decidedly not: it was strange, it was unusual. What was strange must be wrong; what was unusual must be improper. Shirley was judged.
”
”
Charlotte Brontë (Shirley)
“
Here is a story that’s stranger than strange.
Before we begin you may want to arrange:
a blanket, a cushion, a comfortable seat,
and maybe some cocoa and something to eat.
I’ll warn you, of course, before we commence,
my story is eerie and full of suspense,
brimming with danger and narrow escapes,
and creatures of many remarkable shapes.
Dragons and ogres and gorgons and more,
and creatures you’ve not even heard of before.
And faraway places? There’s plenty of those!
(And menacing villains to tingle your toes.)
So ready your mettle and steady your heart.
It’s time for my story’s mysterious start...
”
”
Robert Paul Weston (Zorgamazoo)
“
Amory wondered how people could fail to notice that he was a boy marked for glory, and when faces of the throng turned toward him and ambiguous eyes stared into his, he assumed the most romantic of expressions and walked on the air cushions that lie on the asphalts of fourteen...
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
Me, it’s the heart:
that’s the part lacking.
I used to want one:
a dainty cushion of red silk
dangling from a blood ribbon,
fit for sticking pins in.
But I’ve changed my mind.
Hearts hurt.
— Margaret Atwood, from “The Tin Woodwoman Gets a Massage ,” Dearly: New Poems (Ecco, 2020)
”
”
Margaret Atwood (Dearly)
“
My name...my name is Mary. I'm here with a friend.'
Rhage stopped breathing. His heart skipped a beat and then slowed. "Say that again,' he whispered.
'Ah, my name is Mary Luce. I'm a friend of Bella's...We came here with a boy, with John Matthew. We were invited.'
Rhage shivered, a balmy rush blooming out all over his skin. The musical lilt of her voice, the rhythm of her speech, the sound of her words, it all spread through him, calming him, comforting him. Chaining him sweetly.
He closed his eyes. 'Say something else.'
'What?' she asked, baffled.
'Talk. Talk to me. I want to hear your voice.'
She was silent, and he was about to demand that she speak when she said, 'You don't look well. Do you need a doctor?'
He found himself swaying. The words didn't matter. It was her sound: low, soft, a quiet brushing in his ears. He felt as if here being stroked on the inside of his skin.
'More,' he said, twisting his palm around to the front of her neck so he could feel the vibrations in her throat better.
'Could you... could you please let go of me?'
'No.' He brought his other arm up. She was wearing some kind of fleece, and he moved the collar aside, putting his hand on her shoulder so she couldn't get away from him. 'Talk.'
She started to struggle. 'You're crowding me.'
'I know. Talk.'
'Oh for God's sake, what do you want me to say?'
Even exasperated, her voice was beautiful. 'Anything.'
'Fine. Get your hand off my throat and let me go or I'm going to knee you where it counts.'
He laughed. Then sank his lower body into her, trapping her with his thighs and hips. She stiffened against him, but he got an ample feel of her. She was built lean, though there was no doubt she was female. Her breasts hit his chest, her hips cushioned his, her stomach was soft.
'Keep talking,' he said in her ear. God, she smelled good. Clean. Fresh. Like lemon.
When she pushed against him, he leaned his full weight into her. Her breath came out in a rush.
'Please,' he murmured.
Her chest moved against his as if she were inhaling. 'I... er, I have nothing to say. Except get off of me.'
He smiled, careful to keep his mouth closed. There was no sense showing off his fangs, especially if she didn't know what he was. 'So say that.'
'What?'
'Nothing. Say nothing. Over and over and over again. Do it.'
She bristled, the scent of fear replaced by a sharp spice, like fresh, pungent mint from a garden. She was annoyed now. 'Say it.'
"Fine. Nothing. Nothing.' Abruptly she laughed, and the sound shot right through to his spine, burning him. 'Nothing, nothing. No-thing. No-thing. Noooooothing. There, is that good enought for you? Will you let me go now?
”
”
J.R. Ward (Lover Eternal (Black Dagger Brotherhood, #2))
“
I look forward all day to evening, and then I put an "engaged" on the door and get into my nice red bath robe and furry slippers and pile all the cushions behind me on the couch, and light the brass student lamp at my elbow, and read and read and read. One book isn't enough. I have four going at once. Just now, they're Tennyson's poems and "Vanity Fair" and Kipling's "Plain Tales" and - don't laugh - "Little Women." I find that I am the only girl in college who wasn't brought up on "Little Women." I haven't told anybody though (that would stamp me as queer). I just quietly went and bought it with $1.12 of my last month's allowance; and the next time somebody mentions pickled limes, I'll know what she is talking about!
”
”
Jean Webster (Daddy-Long-Legs (Daddy-Long-Legs, #1))
“
Night-time train travel is wonderful again! No standing in the corridors for hours, no being shunted off for a troop train to pass, and above all, no black-out curtains. All the windows we passed were lighted, and I could snoop once more. I missed it so terribly during the war. I felt as if we had all turned into moles scuttling along in our separate tunnels. I don't consider myself a real peeper-they go in for bedrooms, but it's families in sitting rooms or kitchens that thrill me. I can imagine their entire lives from a glimpse of bookshelves, or desks, or lit candles, or bright sofa cushions.
”
”
Mary Ann Shaffer (The Guernsey Literary and Potato Peel Pie Society)
“
The child, screaming for refuge, senses how feeble a shelter the twig hut of grown-up awareness is. They claim strength, these parents, and complete sanctuary. The weeping earth itself knows how desperate is the child's need for exactly that sanctuary. How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia.
Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. Yet we are small and as terrified as we are terrifying in our ferocious appetites.
”
”
Katherine Dunn
“
As she drove the familiar route to the school, she considered her magnificent new age. Forty. She could still feel "forty" the way it felt when she was fifteen. Such a colorless age. Marooned in the middle of your life. Nothing would matter all that much when you were forty. You wouldn't have real feelings when you were forty, because you'd be safely cushioned by your frumpy forty-ness.
Forty-year-old woman found dead. Oh dear.
Twenty-year-old woman found dead. Tragedy! Sadness! Find that murderer!
”
”
Liane Moriarty (Big Little Lies)
“
It is, I suppose, the common grief of children at having to protect their parents from reality. It is bitter for the young to see what awful innocence adults grow into, that terrible vulnerability that must be sheltered from the rodent mire of childhood.
Can we blame the child for resenting the fantasy of largeness? Big, soft arms and deep voices in the dark saying, "Tell Papa, tell Mama, and we'll make it right." The child, screaming for refuge, senses how feeble a shelter the twig hut of grown-up awareness is. They claim strength, these parents, and complete sanctuary. The weeping earth itself knows how desperate is the child's need for exactly that sanctuary. How deep and sticky is the darkness of childhood, how rigid the blades of infant evil, which is unadulterated, unrestrained by the convenient cushions of age and its civilizing anesthesia.
Grownups can deal with scraped knees, dropped ice-cream cones, and lost dollies, but if they suspected the real reasons we cry they would fling us out of their arms in horrified revulsion. Yet we are small and as terrified as we are terrifying in our ferocious appetites.
We need that warm adult stupidity. Even knowing the illusion, we cry and hide in their laps, speaking only of defiled lollipops or lost bears, and getting lollipop or a toy bear'd worth of comfort. We make do with it rather than face alone the cavernous reaches of our skull for which there is no remedy, no safety, no comfort at all. We survive until, by sheer stamina, we escape into the dim innocence of our own adulthood and its forgetfulness.
”
”
Katherine Dunn (Geek Love)
“
Austerity means to eliminate the comforts and cushions in your life that you have learned to snuggle into and lose wakefulness. Take away anything that dulls your edge. No newspapers or magazines. No TV. No candy, cookies, or sweets. No sex. No cuddling. No reading of anything at all while you eat or sit on the toilet. Reduce working time to a necessary minimum. No movies. No conversation that isn't about truth, love, or the divine.
If you take on these disciplines for a few weeks, as well as any other disciplines that may particularly cut through your unique habits of dullness, then your life will be stripped of routine distraction. All that will be left is the edge you have been avoiding by means of your daily routine. You will have to face the basic discomfort and dissatisfaction that is the hidden texture of your life. You will be alive with the challenge of living your truth, rather than hiding form it.
Unadorned suffering is the bedmate of masculine growth. Only by staying intimate with your personal suffering can you feel through it to its source. By putting all your attention into work, TV, sex, and reading, your suffering remains unpenetrated, and the source remains hidden. Your life becomes structured entirely by your favorite means of sidestepping the suffering you rarely allow yourself to feel. And when you do touch the surface of your suffering, perhaps in the form of boredom, you quickly pick up a magazine or the remote control.
Instead, feel your suffering, rest with it, embrace it, make love with it. Feel your suffering so deeply and thoroughly that you penetrate it, and realize its fearful foundation. Almost everything you do, you do because you are afraid to die. And yet dying is exactly what you are doing, from the moment you are born. Two hours of absorption in a good Super Bowl telecast may distract you temporarily, but the fact remains. You were born as a sacrifice. And you can either participate in the sacrifice, dissolving in the giving of your gift, or you can resist it, which is your suffering.
By eliminating the safety net of comforts in your life, you have the opportunity to free fall in this moment between birth and death, right through the hole of your fear, into the unthreatenable openness which is the source of your gifts. The superior man lives as this spontaneous sacrifice of love.
”
”
David Deida (The Way of the Superior Man: A Spiritual Guide to Mastering the Challenges of Women, Work, and Sexual Desire)
“
Whiskey, glass, pour, toss back, glare. Repeat. “Cop out,” I slurred in retaliation, pointing the empty glass at Peter.
“Don’t get drunk. Fuck. I need you sober,” he yelled, snatching the glass out of my hand.
“There’s the problem right there. You need me sober. You need my help. You need something from me.” I laughed, tossing the bottle on the sofa, ignoring the glug glug glug as it emptied over my cushions. “And I just need you.”
“Need me to what?” He asked with a huff, tipping the bottle right-side up.
“Nothing. I just need you,” I whispered and flopped into a nearby recliner.
”
”
Dani Alexander (Shattered Glass (Shattered Glass, #1))
“
It wasn't a meaningless act for me either," Marcus said, his raspy whisper tickling her ear. "Yesterday I finally realized that all the things that I thought were wrong about you were actually the things I enjoyed most. I don't give a damn what you do, so long as it pleases you. Run barefoot on the front lawn. Eat pudding with your fingers. Tell me to go to hell as often as you like. I want you just as you are. After all, you're the only woman aside from my sisters who has ever dared to tell me to my face that I'm an arrogant ass. How could I resist you?" His mouth moved to the soft cushion of her cheek. "My dearest Lillian," he whispered, easing her head back to kiss her eyelids. "If I had the gift of poetry, I would shower you with sonnets. But words have always been difficult for me when my feelings are strongest. And there is one word in particular that I can't bring myself to say to you...'goodbye'. I couldn't bear the sight of you walking away from me. If you won't marry me for the sake of your honor, then do it for the sake of everyone who would have to tolerate me otherwise. Marry me because I need someone who will help me to laught at myself. Because someone has to teach me how to whistle. Marry me, Lillian...because I have the most irresistable fascination for your ears.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Women can go mad with insomnia.
The sleep-deprived roam houses that have lost their familiarity. With tea mugs in hand, we wander rooms, looking on shelves for something we will recognize: a book title, a photograph, the teak-carved bird -- a souvenir from what place? A memory almost rises when our eyes rest on a painting's grey sweep of cloud, or the curve of a wooden leg in a corner. Fingertips faintly recall the raised pattern on a chair cushion, but we wonder how these things have come to be here, in this stranger's home.
Lost women drift in places where time has collapsed. We look into our thoughts and hearts for what has been forgotten, for what has gone missing. What did we once care about? Whom did we love? We are emptied. We are remote. Like night lilies, we open in the dark, breathe in the shadowy world. Our soliloquies are heard by no one.
”
”
Cathy Ostlere (Lost: A Memoir)
“
Depression is the flaw in love. To be creatures who love, we must be creatures who can despair at what we lose, and depression is the mechanism of that despair. When it comes, it degrades one's self and ultimately eclipses the capacity to give or receive affection. It is the aloneness within us made manifest, and it destroys not only connection to others but also the ability to be peacefully alone with oneself. Love, though it is no prophylactic against depression, is what cushions the mind and protects it from itself. Medications and psychotherapy can renew that protection, making it easier to love and be loved, and that is why they work. In good spirits, some love themselves and some love others and some love work and some love God: any of these passions can furnish that vital sense of purpose that is the opposite of depression. Love forsakes us from time to time, and we forsake love. In depression, the meaninglessness of every enterprise and every emotion, the meaninglessness of life itself, becomes self-evident. The only feeling left in this loveless state is insignificance.
”
”
Andrew Solomon (The Noonday Demon: An Atlas of Depression)
“
It is easier to understand if you think of it in terms of music. Sometimes a man enjoys a symphony. Elsetimes he finds a jig more suited to his taste.
The same holds true for lovemaking. One type is suited to the deep cushions of a twilight forest glade. Another comes quite naturally tangled in the sheets of narrow beds upstairs in inns. Each woman is like an instrument, waiting to be learned, loved, and finely played, to have at last her own true music made.
Some might take offense at this way of seeing things, not understanding how a trouper views his music. They might think I degrade women. They might consider me callous, or boorish, or crude.
But those people do not understand love, or music, or me.
”
”
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
“
Amazing Peace: A Christmas Poem
Thunder rumbles in the mountain passes
And lightning rattles the eaves of our houses.
Flood waters await us in our avenues.
Snow falls upon snow, falls upon snow to avalanche
Over unprotected villages.
The sky slips low and grey and threatening.
We question ourselves.
What have we done to so affront nature?
We worry God.
Are you there? Are you there really?
Does the covenant you made with us still hold?
Into this climate of fear and apprehension, Christmas enters,
Streaming lights of joy, ringing bells of hope
And singing carols of forgiveness high up in the bright air.
The world is encouraged to come away from rancor,
Come the way of friendship.
It is the Glad Season.
Thunder ebbs to silence and lightning sleeps quietly in the corner.
Flood waters recede into memory.
Snow becomes a yielding cushion to aid us
As we make our way to higher ground.
Hope is born again in the faces of children
It rides on the shoulders of our aged as they walk into their sunsets.
Hope spreads around the earth. Brightening all things,
Even hate which crouches breeding in dark corridors.
In our joy, we think we hear a whisper.
At first it is too soft. Then only half heard.
We listen carefully as it gathers strength.
We hear a sweetness.
The word is Peace.
It is loud now. It is louder.
Louder than the explosion of bombs.
We tremble at the sound. We are thrilled by its presence.
It is what we have hungered for.
Not just the absence of war. But, true Peace.
A harmony of spirit, a comfort of courtesies.
Security for our beloveds and their beloveds.
We clap hands and welcome the Peace of Christmas.
We beckon this good season to wait a while with us.
We, Baptist and Buddhist, Methodist and Muslim, say come.
Peace.
Come and fill us and our world with your majesty.
We, the Jew and the Jainist, the Catholic and the Confucian,
Implore you, to stay a while with us.
So we may learn by your shimmering light
How to look beyond complexion and see community.
It is Christmas time, a halting of hate time.
On this platform of peace, we can create a language
To translate ourselves to ourselves and to each other.
At this Holy Instant, we celebrate the Birth of Jesus Christ
Into the great religions of the world.
We jubilate the precious advent of trust.
We shout with glorious tongues at the coming of hope.
All the earth's tribes loosen their voices
To celebrate the promise of Peace.
We, Angels and Mortal's, Believers and Non-Believers,
Look heavenward and speak the word aloud.
Peace. We look at our world and speak the word aloud.
Peace. We look at each other, then into ourselves
And we say without shyness or apology or hesitation.
Peace, My Brother.
Peace, My Sister.
Peace, My Soul.
”
”
Maya Angelou (Amazing Peace: A Christmas Poem)
“
Foster?” he asked, jolting upright—which only drew more attention to the fact that he was currently shirtless. He crossed his arms, his cheeks flushing with a hint of pink when his ice blue eyes focused on her. “I… um… what are you doing here?” Ro snickered from the corner, where she lounged on a cushioned chaise, painting her claws the same purple she must have recently dyed the ends of her choppy pink pigtails. “Smooth, Lord Hunkyhair. Smooooooooooooooooooth
”
”
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
“
Birthdays were wretched, delicious things when you lived in Beau Rivage. The clock stuck midnight, and presents gave way to magic.
Curses bloomed.
Girls bit into sharp apples instead of birthday cake, chocked on the ruby-and-white slivers, and collapsed into enchanted sleep. Unconscious beneath cobweb canopies, frozen in coffins of glass, they waited for their princes to come. Or they tricked ogres, traded their voices for love, danced until their glass slippers cracked.
A prince would awaken, roused by the promise of true love, and find he had a witch to destroy. A heart to steal. To tear from the rib cage, where it was cushioned by bloody velvet, and deliver it to the queen who demanded the princess's death.
Girls became victims and heroines.
Boys became lovers and murderers.
And sometimes... they became both.
”
”
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
“
Sometimes kids get a mean teacher or a class they don’t like or an inflexible deadline even though that child was “exhausted the night before.” We should not cushion every blow. This is life. Learning to deal with struggle and to develop responsibility is crucial. A good parent prepares the child for the path, not the path for the child. We can still demonstrate gentle and attached parenting without raising children who melt on a warm day.
”
”
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
“
The couple sat side by side on cushions on the floor, quietly eating breakfast from the low table. They munched in happy and enjoyable silence, of the kind that grows like a vine through the long years of a good marriage, so that when everything that needs to be said has already been pronounced, it is mutually understood that there is an intimate silence that has its own loquacity.
”
”
Louis de Bernières (Birds Without Wings)
“
You would kill or enslave everyone? There is so much beauty in the world that they’d destroy. How do you not see it? (Delphine)
Spoken like someone who has only lived in the cushioned world of dreams. You have no idea what the real world is like. What people will do to you when they know they can get away with it. People are absolutely cruel and I say more power to Noir for tearing it down. (Jericho)
”
”
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
“
Those dear to me took fright for my safety and, perhaps, my sanity. Kings, they explained, do not walk like beggars for hundreds of miles. My response was that if a beggar could managed the feat, then why not a king? Did they think me less capable than a beggar?
Sometimes I think that I am. The beggar knows much that the king can only guess. And yet who draws up the codes for begging ordinances? Often I wonder what my experience in life--my easy life following the Desolation, and my current level of comfort--has given me of any true experience to use in making laws. If we had to rely on what we knew, kings would only be of use in creating laws regarding the proper heating of tea and the cushioning of thrones.
”
”
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
“
It’s all as if words, phrases, images, syntax were small glass beads from a necklace which was wrenched from some neck and spilled on the floor and down the sides of sofa cushions and armchairs and under bookshelves and maybe swallowed by the cat. I’ve got to find all the glass pieces before I can even reorder the color sequence, and restring it and tie it tighter than before. There’s always a splendor in beginning all over. Even if it means getting on one’s knees to search beneath that bookshelf or prospecting through years of lint and ashes beneath those cushions. Even if it means breaking open that cat’s shit, which it conveniently has deposited in a plastic box, more orderly than any secretary could ever hope to be.
Then I’ll appreciate the value of each bead – rather, each word and image – that much more, never wasting another. And I will, I swear to myself, get it all back in time, string it all together, tighter, as I said, than before.
”
”
Jim Carroll (Forced Entries- The Downtown Diaries: 1971-1973)
“
No, he mustn't think about it, or indeed about anything, and especially not about heroin, because heroin was the one thing that really worked, the only thing that stopped him scampering around in a hamster's wheel of unanswerable questions. Heroin was the cavalry. Heroin was the missing chair leg, made with such precision that it matched every splinter of the break. Heroin landed purring at the base of his skull, and wrapped itself darkly around his nervous system, like a black cat curling up on its favourite cushion. It was as soft and rich as the throat of a wood pigeon, or the splash of sealing wax onto a page, or a handful of gems slipping from palm to palm.
”
”
Edward St. Aubyn (Bad News (Patrick Melrose, #2))
“
The Ripe Fig
Now that You live here in my chest,
anywhere we sit is a mountaintop.
And those other images,
which have enchanted people
like porcelain dolls from China,
which have made men and women weep
for centuries, even those have changed now.
What used to be pain is a lovely bench
where we can rest under the roses.
A left hand has become a right.
A dark wall, a window.
A cushion in a shoe heel,
the leader of the community!
Now silence. What we say
is poison to some
and nourishing to others.
What we say is a ripe fig,
but not every bird that flies
eats figs.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Essential Rumi)
“
After Carol had left, as Symons threw away a pile of used tissues and rearranged the cushions on the couch, he remarked that the most common and unhelpful illusion plaguing those who came to see him [as a career counselor] was the idea that they ought somehow, in the normal course of events, to have intuited--long before they had finished their degrees, started families, bought houses and risen to the top of law firms--what they should properly be doing with their lives. They were tormented by a residual notion of having through some error or stupidity on their part missed out on their true 'calling.
”
”
Alain de Botton (The Pleasures and Sorrows of Work)
“
The tongue of a woodpecker can extend more than three times the length of its bill. When not in use, it retracts into the skull and its cartilage-like structure continues past the jaw to wrap around the bird’s head and then curve down to its nostril. In addition to digging out grubs from a tree, the long tongue protects the woodpecker’s brain. When the bird smashes its beak repeatedly into tree bark, the force exerted on its head is ten times what would kill a human. But its bizarre tongue and supporting structure act as a cushion, shielding the brain from shock.1 There is no reason you actually need to know any of this. It is information that has no real utility for your life, just as it had none for Leonardo. But I thought maybe, after reading this book, that you, like Leonardo, who one day put “Describe the tongue of the woodpecker” on one of his eclectic and oddly inspiring to-do lists, would want to know. Just out of curiosity. Pure curiosity.
”
”
Walter Isaacson (Leonardo Da Vinci)
“
Although 'jumping to conclusions' is an expression, rather than an activity, it is as dangerous as jumping off a cliff, jumping in front of a moving train, and jumping for joy. If you jump off a cliff, you have a very good chance of experiencing a painful landing unless there is something below you to cushion your fall, such as a body of water or an immense pile of tissue paper, If you jump in front of moving train, you have a very good chance of experiencing a painful voyage unless you are wearing some sort of train-proof suit. And if you jump for joy, you have a very good chance of experiencing a painful bump on the head, unless you make sure you are standing someplace with very high ceilings, which joyous people rarely do. Clearly, the solution to anything involving jumping is either to make sure you are jumping to a safe place, or not jumping at all.
But it is hard not to jump at all when you are jumping to conclusions, and it is impossible to make sure that you are jumping to a safe place, because all 'jumping to conclusions' means is that you are believing something is true even though you don't actually know whether it is or not.
”
”
Lemony Snicket (The Vile Village (A Series of Unfortunate Events, #7))
“
Ask me for money, Peter.” I grabbed his wrists and pushed him against the wall.
He looked everywhere but at me, no attempt to free himself. He was definitely stronger than I, but right that second I didn’t care if he was being patronizing. If it forced him to answer me, then patronizing I’d take.
“No,” he murmured.
“Ask me for money, goddamn you.” I punctuated it with a slam of his wrists, hard enough to jar, but not painful—I hoped. The next time my shirt wouldn’t be there to cushion it. I was
that pissed.
“I have!” He spat back, easily extricating his hands and pushing me away. I grabbed his arm, turning him around.
“For Cai. For sex. Not for you. You’d rather go fuck a bunch of strangers—”
“I don’t fuck anyone but Darryl anymore,” he denied. “It’s just a show for a bunch of voyeurs. No one gets hurt.”
“I get hurt!”
“I don’t have any other way, Austin.”
“You have me. Ask me,” I said, hating the pleading sound in my voice.
“No.”
“Jesus Christ, why the fuck not?”
“Because I don’t want you to be a fucking trick!” The shout was so loud I felt the vibrations along my spine.
”
”
Dani Alexander (Shattered Glass (Shattered Glass, #1))
“
INSTRUCTIONS FOR ZAZEN First of all, you have to sit down, which you’re probably already doing. The traditional way is to sit on a zafu cushion on the floor with your legs crossed, but you can sit on a chair if you want to. The important thing is just to have good posture and not to slouch or lean on anything. Now you can put your hands in your lap and kind of stack them up, so that the back of your left hand is on the palm of your right hand, and your thumb tips come around and meet on top, making a little round circle. The place where your thumbs touch should line up with your bellybutton. Jiko says this way of holding your hands is called hokkai jo-in,113 and it symbolizes the whole cosmic universe, which you are holding on your lap like a great big beautiful egg.
”
”
Ruth Ozeki (A Tale for the Time Being)
“
I suppose he'll try to court and marry Az. He likes her best."
"He arrives at the palace doors, on a fine black horse," Delphinium prompted, picking up Bramble's lost thread, and Eve spun her again, "silver flowers in his hand-"
"And the King opens the door-" squeaked Flora, who caught Azalea.
And then,everyone stopped.Azalea's skirts twisted, then settled. It occurred to all of them what would happen next.
"And boxes Keeper straight in the face," Azalea finished.
Everyone managed to giggle, though it as true. Azalea shook her head, smiling.
"Well," said Eve as they gathered the sleeping girls up from their cushions. "It would be odd if you married him anyway."
"Aye," said Bramble. "Your children would be dsappearing all over the place.
”
”
Heather Dixon Wallwork (Entwined)
“
My wife has made up Ty’s old bedroom for you,” he told him in a low voice as Ty and Mara argued over the merits of the couch cushions versus the rocks out back.
“Oh Christ.” Zane laughed, falling back in his chair. “He won’t let me forget this. Losing his bed to me.”
“Well,” Earl said with a sigh, “it’s either that or fight his mama over it.” He sat and watched Ty and Mara for a moment, sipping at his coffee contentedly. “Ain’t none of us ever won that fight,” he told Zane flatly.
“Me and Zane’ll just bunk together,” Ty was arguing.
Mara laughed at him. “You two boys won’t fit in a double bed any more than I’ll still fit in my wedding dress,” she scoffed.
[...]
“Good morning, Zane dear, how did you sleep?” Mara asked as she came up to him and pressed a glass of orange juice into his hands.
“Ah, okay,” Zane hedged, taking the glass out of self-defense. “I don’t do too well sleeping in strange places lately, but….”
“Well, Ty’s bed is about as strange a place as you can get,” Deuce offered under his breath. He followed it with a muffled grunt as Ty kicked him under the table.
”
”
Abigail Roux (Sticks & Stones (Cut & Run, #2))
“
Jesus never concealed the fact that his religion included a demand as well as an offer. Indeed, the demand was as total as the offer was free. If he offered men his salvation, he also demanded their submission. He gave no encouragement whatever to thoughtless applicants for discipleship. He brought no pressure to bear on any inquirer. He sent irresponsible enthusiasts away empty. Luke tells of three men who either volunteered, or were invited, to follow Jesus; but no one passed the Lord’s test. The rich young ruler, too, moral, earnest and attractive, who wanted eternal life on his own terms, went away sorrowful, with his riches intact but with neither life nor Christ as his possession…The Christian landscape is strewn with the wreckage of derelict, half built towers—the ruins of those who began to build and were unable to finish. For thousands of people still ignore Christ’s warning and undertake to follow him without first pausing to reflect on the cost of doing so. The result is the great scandal of Christendom today, so called “nominal Christianity.” In countries to which Christian civilization has spread, large numbers of people have covered themselves with a decent, but thin, veneer of Christianity. They have allowed themselves to become somewhat involved, enough to be respectable but not enough to be uncomfortable. Their religion is a great, soft cushion. It protects them from the hard unpleasantness of life, while changing its place and shape to suit their convenience. No wonder the cynics speak of hypocrites in the church and dismiss religion as escapism…The message of Jesus was very different. He never lowered his standards or modified his conditions to make his call more readily acceptable. He asked his first disciples, and he has asked every disciple since, to give him their thoughtful and total commitment. Nothing less than this will do
”
”
John R.W. Stott (Basic Christianity (IVP Classics))
“
I’m so fucking tired of this,” I whisper. Ruby’s crouching on the floor in front of me, her hands on my shoulders, the first time she’s ever touched me. “What are you tired of?” she asks. “Hearing him, seeing him, everything I do being laced with him.” We’re quiet. My breathing steadies and she stands, her hands dropping away from me. Gently, she says, “If you think back to the first incident—” “No, I can’t.” I throw my head against the back of the chair, press myself into the cushion. “I can’t go back there.” “You don’t have to go back,” she says. “You can stay in the room. Just think of one moment, the first one between the two of you that could be considered intimate. When you look back on that first memory, who was the initiator, you or him?” She waits, but I can’t say it. Him. He called me up to his desk and touched me while the rest of the class did their homework. I sat beside him, stared out the window, and let him do what he wanted. And I didn’t understand it, didn’t ask for it. I exhale, hang my head. “I can’t.” “That’s fine,” she says. “Take it slow.” “I just feel . . .” I press the heels of my hands into my thighs. “I can’t lose the thing I’ve held on to for so long. You know?” My face twists up from the pain of pushing it out. “I just really need it to be a love story. You know? I really, really need it to be that.” “I know,” she says. “Because if it isn’t a love story, then what is it?” I look to her glassy eyes, her face of wide-open empathy. “It’s my life,” I say. “This has been my whole life.” She stands over me as I say I’m sad, I’m so sad, small, simple words, the only ones that make sense as I clutch my chest like a child and point to where it hurts.
”
”
Kate Elizabeth Russell (My Dark Vanessa)
“
Contemplations on the belly
When pregnant with our first, Dean and I attended a child birth class. There were about 15 other couples, all 6-8 months pregnant, just like us. As an introduction, the teacher asked us to each share what had been our favorite part of pregnancy and least favorite part. I was surprised by how many of the men and women there couldn't name a favorite part. When it was my turn, I said, "My least favorite has been the nausea, and my favorite is the belly."
We were sitting in the back of the room, so it was noticeable when several heads turned to get a look at me. Dean then spoke. "Yeah, my least favorite is that she was sick, and my favorite is the belly too."
Now nearly every head turned to gander incredulously at the freaky couple who actually liked the belly.
Dean and I laughed about it later, but we were sincere. The belly is cool. It is one of the Seven Natural Wonders of the World, an unmistakable sign of what's going on inside, the wigwam for our little squirmer, the mark of my undeniable superpower of baby-making. I loved the belly and its freaky awesomeness, and especially the flutters, kicks, and bumps from within.
Twins belly is a whole new species. I marvel at the amazing uterus within and skin without with their unceasing ability to stretch (Reed Richards would be impressed). I still have great admiration for the belly, but I also fear it. Sometimes I wonder if I should build a shrine to it, light some incense, offer up gifts in an attempt both to honor it and avoid its wrath. It does seem more like a mythic monstrosity you'd be wise not to awaken than a bulbous appendage. It had NEEDS. It has DEMANDS. It will not be taken lightly (believe me, there's nothing light about it). I must give it its own throne, lying sideways atop a cushion, or it will CRUSH MY ORGANS. This belly is its own creature, is subject to different laws of growth and gravity. No, it's not a cute belly, not a benevolent belly. It would have tea with Fin Fang Foom; it would shake hands with Cthulhu. It's no wonder I'm so restless at night, having to sleep with one eye open.
Nevertheless, I honor you, belly, and the work you do to protect and grow my two precious daughters inside. Truly, they must be even more powerful than you to keep you enslaved to their needs. It's quite clear that out of all of us, I'm certainly not the one in control. I am here to do your bidding, belly and babies. I am your humble servant.
”
”
Shannon Hale
“
What do you want?” he growled.
“I just want to talk.” I tried to keep my voice steady. “You don't have to try to scare me.”
He kept a straight face, and his tone was seductively low. "There's hardly any room for fear when you're so bloody turned-on.”
A flash of shock hit me at his audacity. His eyes lowered to my body, but he never moved away.
“Ah, there's anger now,” he said coolly, “and a bit of embarrassment.”
He was reading me — reading my colors! And I couldn't see his at all. I felt stripped bare before him, vulnerable. I concentrated on why I'd gone there to begin with.
“I know what we are now.” I wished my voice weren't shaky.
“Congratulations.” He stood over me for a second more, savoring his power, no doubt, and then walked away, tossing the knife in the general direction of the dartboard and hitting the bull's-eye. Never missing a beat, he swaggered to a white couch with oversize pillows. He fell back onto it, propping his big, black boots on the white cushions and lounging back with arms spread wide across the back of the sofa. He stared as if daring me to talk.
I had no idea what to say or do. I didn't know anymore why I'd come. Had I just wanted to barge in and say, Ha, I know what we are! and then demand information?
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
How to Meditate 1. Sit comfortably, with your spine erect, either in a chair or cross-legged on a cushion. 2. Close your eyes, take a few deep breaths, and feel the points of contact between your body and the chair or the floor. Notice the sensations associated with sitting—feelings of pressure, warmth, tingling, vibration, etc. 3. Gradually become aware of the process of breathing. Pay attention to wherever you feel the breath most distinctly—either at your nostrils or in the rising and falling of your abdomen. 4. Allow your attention to rest in the mere sensation of breathing. (You don’t have to control your breath. Just let it come and go naturally.) 5. Every time your mind wanders in thought, gently return it to the breath. 6. As you focus on the process of breathing, you will also perceive sounds, bodily sensations, or emotions. Simply observe these phenomena as they appear in consciousness and then return to the breath. 7. The moment you notice that you have been lost in thought, observe the present thought itself as an object of consciousness. Then return your attention to the breath—or to any sounds or sensations arising in the next moment. 8. Continue in this way until you can merely witness all objects of consciousness—sights, sounds, sensations, emotions, even thoughts themselves—as they arise, change, and pass away.
”
”
Sam Harris (Waking Up: A Guide to Spirituality Without Religion)
“
Here’s how to get started: 1. Sit still and stay put . Sit in a chair with your feet flat on the ground, or sit cross-legged on a cushion. Sit up straight and rest your hands in your lap. It’s important not to fidget when you meditate—that’s the physical foundation of self-control. If you notice the instinct to scratch an itch, adjust your arms, or cross and uncross your legs, see if you can feel the urge but not follow it. This simple act of staying still is part of what makes meditation willpower training effective. You’re learning not to automatically follow every single impulse that your brain and body produce. 2. Turn your attention to the breath. Close your eyes or, if you are worried about falling asleep, focus your gaze at a single spot (like a blank wall, not the Home Shopping Network). Begin to notice your breathing. Silently say in your mind “inhale” as you breathe in and “exhale” as you breathe out. When you notice your mind wandering (and it will), just bring it back to the breath. This practice of coming back to the breath, again and again, kicks the prefrontal cortex into high gear and quiets the stress and craving centers of your brain . 3. Notice how it feels to breathe, and notice how the mind wanders. After a few minutes, drop the labels “inhale/exhale.” Try focusing on just the feeling of breathing. You might notice the sensations of the breath flowing in and out of your nose and mouth. You might sense the belly or chest expanding as you breathe in, and deflating as you breathe out. Your mind might wander a bit more without the labeling. Just as before, when you notice yourself thinking about something else, bring your attention back to the breath. If you need help refocusing, bring yourself back to the breath by saying “inhale” and “exhale” for a few rounds. This part of the practice trains self-awareness along with self-control. Start with five minutes a day. When this becomes a habit, try ten to fifteen minutes a day. If that starts to feel like a burden, bring it back down to five. A short practice that you do every day is better than a long practice you keep putting off to tomorrow. It may help you to pick a specific time that you will meditate every day, like right before your morning shower. If this is impossible, staying flexible will help you fit it in when you can.
”
”
Kelly McGonigal (The Willpower Instinct: How Self-Control Works, Why It Matters, and What You Can Do To Get More of It)
“
Calvin clears his throat. “Do you have anything to drink?”
Booze. Right. This is the perfect situation for some booze. I jump up, and he laughs, awkwardly. “I should have thought to get champagne or something.”
“You bought the dinner,” I remind him. “Obviously the champagne was on my list and I dropped the ball.”
Pulling a bottle of vodka from the freezer, I set it on the counter and then realize I have nothing to mix it with. And I finished the last beer the other night.
“I have vodka.”
He smiles valiantly. “Straight-up vodka it is.”
“It’s Stoli.”
“Straight-up mediocre vodka it is,” he amends with a cheeky wink.
His phone buzzes, and it sets off a weird, giddy reaction in my chest. We both have full lives beyond this apartment, which remain complete mysteries to each other. One difference between us is that Calvin likely doesn’t care about my life outside of this. Yet I care intensely about his. Having him here feels like finding the key to unlock a mysterious chest that’s been sitting in the corner of my bedroom for a year.
Buzz. Buzz.
Looking up, I meet his eyes. They’re wide, almost as if he’s not sure whether to answer.
“You can get it,” I assure him. “It’s okay.”
His face darkens with a flush. “I . . . don’t think I should.”
“It’s your phone! Of course it’s okay to answer it.”
“It’s not . . .”
Buzz. Buzz.
Unless, maybe, it’s some Mafia drug lord and if he answers his ruse is up and I’ll kick him out. Or—gasp—maybe it’s a girlfriend calling?
Why had this not occurred to me?
Buzz. Buzz.
“Oh my God. Do you have a girlfriend?”
He looks horrified. “What? Of course not.”
Buzz. Buzz.
Holy shit, how long until his voicemail puts us out of our misery?
“. . . Boyfriend?”
“I don’t—” he starts, smiling through a wince. “It’s not.”
“ ‘Not’?”
“My phone isn’t ringing.”
I stare at him, bewildered.
His blush deepens. “It’s not a phone.”
When he says this, I know he’s right. It doesn’t have the right rhythm to be a phone.
I lift the vodka to my lips and chug straight from the bottle. The buzzing has the exact rhythm of my vibrator . . . the one I tucked beneath that cushion on the couch days ago.
I’m going to need to be pretty drunk to deal with this.
”
”
Christina Lauren (Roomies)
“
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow.
Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
”
”
Bob Thurber (Paperboy: A Dysfunctional Novel)