Cushions With Home Quotes

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One hand planted on the top rail, slick from a recent rain, I swung my legs sideways, up and over. Home free. Until my bottom foot clipped the post, and I spun as if caught in a crocodile’s death roll. Good news? The spongy forest floor cushioned my fall. Bad news? Momentum slammed my torso into a tree trunk. Couldn’t breathe. But good news again. I’d rolled under a fat, bushy pine, which, along with the fading twilight, concealed my position. I heard the beast fly overhead in pursuit, taking out a few treetops on its way by. Yeah, that was my plan all along. Man, I’m good. Except my body. It hurt.
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
Women can go mad with insomnia. The sleep-deprived roam houses that have lost their familiarity. With tea mugs in hand, we wander rooms, looking on shelves for something we will recognize: a book title, a photograph, the teak-carved bird -- a souvenir from what place? A memory almost rises when our eyes rest on a painting's grey sweep of cloud, or the curve of a wooden leg in a corner. Fingertips faintly recall the raised pattern on a chair cushion, but we wonder how these things have come to be here, in this stranger's home. Lost women drift in places where time has collapsed. We look into our thoughts and hearts for what has been forgotten, for what has gone missing. What did we once care about? Whom did we love? We are emptied. We are remote. Like night lilies, we open in the dark, breathe in the shadowy world. Our soliloquies are heard by no one.
Cathy Ostlere (Lost: A Memoir)
I love the stillness of a room, after a party. The chairs are moved, the cushions disarranged, everything is there to show that people enjoyed themselves; and one comes back to the empty room happy that it's over, happy to relax and say, 'Now we are alone again.
Daphne du Maurier
Ain’t nobody ever gone answer you cries. You can fill a well with tears, and all you gonna get is drowned. You sit there long enough and the crazy man find you. You weep too long, your heart ache so, the flesh slip off your bones and your soul got to find a new home. You wait on answers ’til the scaredy-cat curl up in your belly and use your liver for a pin cushion. And that’s just how you die.O
Cynthia Bond (Ruby)
Sitting in his old schoolroom on the sofa with little cushions on the arms and looking into Natasha's wildly eager eyes, Rostov was carried back into that world of home and childhood which had no meaning for anyone else, but gave him some of the greatest pleasure in his life.
Leo Tolstoy (War and Peace)
He turned her chin until she looked him in the face. “I’m going to tell you a couple things, and I want you to remember this. Number one, I’m a Navy SEAL. You can’t even compare me to most men, so don’t lump me in with them.” He waited for her laughter to subside. “Number two, I don’t care what you’ve been told or by whom. Your body fucking rocks. Men don’t want to make love to twigs. Way more than will admit it want a lush, cushioning body to welcome them home.” Reaching out, he cupped her hips in his hands, tugging her into him. “I would not change anything about you. Not one single thing.
J.M. Madden (SEAL's Lost Dream (Lost and Found, #2.5))
Always at the end they sit side by side again and pound the cushions, and slowly the room rematerializes around them. “Ah,” he says, more quietly, his accent fading, the faintest touch of dread returning to his voice, “here we are. Home.
Anthony Doerr (All the Light We Cannot See)
Dinner was wonderful. There was a joint of beef, with roast potatoes, golden-crisp on the outside and soft and white inside, buttered greens I did not recognize, although I think now that they might have been nettles, toasted carrots all blackened and sweet (I did not think that I liked cooked carrots, so I nearly did not eat one but I was brave, and I tried it, and I liked it, and was disappointed in boiled carrots for the rest of my childhood.) For dessert there was the pie, stuffed with apples and with swollen raisins and crushed nuts, all topped with a thick yellow custard, creamier and richer than anything I had ever tasted at school or at home. The kitten slept on a cushion beside the fire, until the end of the meal, when it joined a fog-colored house cat four times its size in a meal of scraps of meat.
Neil Gaiman (The Ocean at the End of the Lane)
They arrived home again to a most peculiar sight. The small garden at the front of the Banana House had been transformed. A tidal wave of cushions, beanbags, quilts, hearth rugs, and sleeping bags appeared to have swept up the lawn and broken at the wall. From Indigo's window a multicolored rope of knotted bedsheets came snaking out and ended among the cushions. As Micheal and Caddy watched, a mattress emerged and fell to the ground, followed by a rain of pillows. "Indigo!" shouted Caddy, jumping out of the car. Indigo's and Rose's heads appeared in the window above. "It's all right, Caddy!" Indigo called cheerfully. "We've been doing it all the time you've been gone." "We keep finding more stuff to land on!" added Rose. "Look!
Hilary McKay (Saffy's Angel (Casson Family, #1))
Joey loved it here,” he said. “Loved it. This place gave him something sacred. Gave his mind some quiet. This was his Thanksgiving table. His couch-cushion fort. He could get lost in here like nowhere else on earth. I’m telling you this, Lydia, because in all his life, he’d never really had that feeling before, not consistently anyway. Not to overstate it, but this store was the closest thing to a home that Joey ever had.
Matthew J. Sullivan (Midnight at the Bright Ideas Bookstore)
Here’s how to get started: 1. Sit still and stay put . Sit in a chair with your feet flat on the ground, or sit cross-legged on a cushion. Sit up straight and rest your hands in your lap. It’s important not to fidget when you meditate—that’s the physical foundation of self-control. If you notice the instinct to scratch an itch, adjust your arms, or cross and uncross your legs, see if you can feel the urge but not follow it. This simple act of staying still is part of what makes meditation willpower training effective. You’re learning not to automatically follow every single impulse that your brain and body produce. 2. Turn your attention to the breath. Close your eyes or, if you are worried about falling asleep, focus your gaze at a single spot (like a blank wall, not the Home Shopping Network). Begin to notice your breathing. Silently say in your mind “inhale” as you breathe in and “exhale” as you breathe out. When you notice your mind wandering (and it will), just bring it back to the breath. This practice of coming back to the breath, again and again, kicks the prefrontal cortex into high gear and quiets the stress and craving centers of your brain . 3. Notice how it feels to breathe, and notice how the mind wanders. After a few minutes, drop the labels “inhale/exhale.” Try focusing on just the feeling of breathing. You might notice the sensations of the breath flowing in and out of your nose and mouth. You might sense the belly or chest expanding as you breathe in, and deflating as you breathe out. Your mind might wander a bit more without the labeling. Just as before, when you notice yourself thinking about something else, bring your attention back to the breath. If you need help refocusing, bring yourself back to the breath by saying “inhale” and “exhale” for a few rounds. This part of the practice trains self-awareness along with self-control. Start with five minutes a day. When this becomes a habit, try ten to fifteen minutes a day. If that starts to feel like a burden, bring it back down to five. A short practice that you do every day is better than a long practice you keep putting off to tomorrow. It may help you to pick a specific time that you will meditate every day, like right before your morning shower. If this is impossible, staying flexible will help you fit it in when you can.
Kelly McGonigal (The Willpower Instinct: How Self-Control Works, Why It Matters, and What You Can Do To Get More of It)
It is Sunday afternoon, preferably before the war. The wife is already asleep in the armchair, and the children have been sent out for a nice long walk. You put your feet up on the sofa, settle your spectacles on your nose, and open the News of the World. Roast beef and Yorkshire, or roast pork and apple sauce, followed up by suet pudding and driven home, as it were, by a cup of mahogany-brown tea, have put you in just the right mood. Your pipe is drawing sweetly, the sofa cushions are soft underneath you, the fire is well alight, the air is warm and stagnant. In these blissful circumstances, what is it that you want to read about? Naturally, about a murder.
George Orwell (Decline of the English Murder)
I never exchanged a word with the Colonel. He has no significance at all in what happened during my stay in Oxgodby. As far as I’m concerned he might just as well have gone round the corner and died. But that goes for most of us, doesn’t it? We look blankly at each other. Here I am, here you are. What are we doing here? What do you suppose it’s all about? Let’s dream on. Yes, that’s my Dad and Mum over there on the piano top. My eldest boy is on the mantelpiece. That cushion cover was embroidered by my cousin Sarah only a month before she passed on. I go to work at eight and come home at five-thirty. When I retire they’ll give me a clock – with my name engraved on the back. Now you know all about me. Go away: I’ve forgotten you already.
J.L. Carr (A Month in the Country)
As ants, so soldiers. In the years to come he was to see the process at work again and again, sometimes in grim circumstances, sometimes in pleasant domesticity. Men unnaturally removed from wives and family began at once to build substitute homes, to paint and furnish, to make flower-beds and edge them with white-washed pebbles, to stitch cushion-covers on lonely gun-sites.
Evelyn Waugh (Men At Arms (Sword of Honour, #1))
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
HYGGE WISHLIST: TEN THINGS THAT WILL MAKE YOUR HOME MORE HYGELLIG 1. A HYGGEKROG. 2. A FIREPLACE 3. CANDLES 4. THINGS MADE OUT OF WOOD 5. NATURE 6. BOOKS 7. CERAMICS 8. THINK TACTILE 9. VINTAGE 10. BLANKETS AND CUSHIONS
Meik Wiking (The Little Book of Hygge: Danish Secrets to Happy Living)
To be born again; to become like infants in God’s womb, entirely dependent, utterly quiet, never alone. Wordless communication, unspeakable love, cushioned against the world’s blows. Grace within the belly of our Maker.
Emily T. Wierenga (Atlas Girl: Finding Home in the Last Place I Thought to Look)
And who would my father have then, to make money for, to bring dessert home to? I imagined him opening the door on the empty apartment after a long day at work. How the rooms would be as he'd left them, undisturbed by another person's living. And how there would be a moment, before he flicked on the light, when he might imagine a different life revealed within the darkness, something besides the lonely borders of the couch, the cushions still holding the shape of his own sleepy body.
Emma Cline (The Girls)
The British did little, very little, of such things. They basked in the Indian sun and yearned for their cold and fog-ridden homeland; they sent the money they had taken off the perspiring brow of the Indian worker to England; and whatever little they did for India, they ensured India paid for it in excess. And at the end of it all, they went home to enjoy their retirements in damp little cottages with Indian names, their alien rest cushioned by generous pensions supplied by Indian taxpayers. The
Shashi Tharoor (An Era of Darkness: The British Empire in India)
I’m home now, but I forgot something. What??? she replied, hoping her father wasn’t just about to discover Leo’s watch in the sofa cushions. I didn’t get to say good-bye to the tatas, damn it. I miss them. She practically slumped with relief. They miss you, too.
Sarina Bowen (Rookie Move (Brooklyn Bruisers, #1))
What you have heard is true. I was in his house. His wife carried a tray of coffee and sugar. His daughter filed her nails, his son went out for the night. There were daily papers, pet dogs, a pistol on the cushion beside him. The moon swung bare on its black cord over the house. On the television was a cop show. It was in English. Broken bottles were embedded in the walls around the house to scoop the kneecaps from a man's legs or cut his hands to lace. On the windows there were gratings like those in liquor stores. We had dinner, rack of lamb, good wine, a gold bell was on the table for calling the maid. The maid brought green mangoes, salt, a type of bread. I was asked how I enjoyed the country. There was a brief commercial in Spanish. His wife took everything away. There was some talk of how difficult it had become to govern. The parrot said hello on the terrace. The colonel told it to shut up, and pushed himself from the table. My friend said to me with his eyes: say nothing. The colonel returned with a sack used to bring groceries home. He spilled many human ears on the table. They were like dried peach halves. There is no other way to say this. He took one of them in his hands, shook it in our faces, dropped it into a water glass. It came alive there. I am tired of fooling around he said. As for the rights of anyone, tell your people they can go f--- themselves. He swept the ears to the floor with his arm and held the last of his wine in the air. Something for your poetry, no? he said. Some of the ears on the floor caught this scrap of his voice. Some of the ears on the floor were pressed to the ground.
Carolyn Forché
I love my foot. If I had to send a part of myself to represent myself in some other country, or in some other way, I would amputate my foot and send it wrapped in white tissue on a silk-embroidered cushion. I would send my foot because it is me, more me than I’m willing to let on.
A.M. Homes (The Safety of Objects)
I grew as fussy and particular about where to put what, which books should lie where, what cushion should grace what corner as a little old maiden lady. I think that it was partly because there was so little space and I had so few things to mess about with; at home, where the flotsam and jetsam of all our lives and years was as abundant as dust, it was possible only to try and contain it all, never mind arranging it. Here, in this sparsity of space and objects, I found that I cared inordinately what trinket or pillow or vase went where, what color book jacket sat next to another.
Anne Rivers Siddons (Up Island)
What are you two doing?” Her uncle’s teasing voice came into the room before he did. But his voice was the second warning that they were no longer alone, since Violet had tasted his presence long before he’d actually stepped into her house. Ever since saving her and Jay at Homecoming, her uncle carried an imprint of his own. The bitter taste of dandelions still smoldered on Violet’s tongue whenever he was near. A taste that Violet had grown to accept. And even, to some degree, to appreciate. “Nothing your parents wouldn’t approve of, I hope,” he added. Violet flashed Jay a wicked grin. “We were just making out, so if you could make this quick, we’d really appreciate it.” Jay jumped up from beside her. “She’s kidding,” he blurted out. “We weren’t doing anything.” Her uncle Stephen stopped where he was and eyed them both carefully. Violet could’ve sworn she felt Jay squirming, even though every single muscle in his body was frozen in place. Violet smiled at her uncle, trying her best to look guilty-as-charged. Finally he raised his eyebrows, every bit the suspicious police officer. “Your parents asked me to stop by and check on you on my way home. They won’t be back until late. Can I trust the two of you here . . . alone?” “Of course you can—” Jay started to say. “Probably not—“ Violet answers at the same time. And then she caught a glimpse of the horror-stricken expression on Jay’s face, and she laughed. “Relax, Uncle Stephen, we’re fine. We were just doing homework.” Her uncle looked at the pile of discarded books on the table in front of the couch. Not one of them was open. He glanced skeptically at Violet but didn’t say a word. “We may have gotten a little distracted,” she responded, and again she saw Jay shifting nervously. After several warnings, and a promise from Violet that she would lock the doors behind him, Uncle Stephen finally left the two of them alone again. Jay was glaring at Violet when she peeked at him as innocently as she could manage. “Why would you do that to me?” “Why do you care what he thinks we’re doing?” Violet had been trying to get Jay to admit his new hero worship of her uncle for months, but he was too stubborn—or maybe he honestly didn’t realize it himself—to confess it to her. “Because, Violet,” he said dangerously, taking a threatening step toward her. But his scolding was ruined by the playful glint in his eyes. “He’s your uncle, and he’s the police chief. Why poke the bear?” Violet took a step back, away from him, and he matched it, moving toward her. He was stalking her around the coffee table now, and Violet couldn’t help giggling as she retreated. But it was too late for her to escape. Jay was faster than she was, and his arms captured her before she’d ever had a chance. Not that she’d really tried. He hauled her back down onto the couch, the two of them falling into the cushions, and this time he pinned her beneath him. “Stop it!” she shrieked, not meaning a single word. He was the last person in the world she wanted to get away from. “I don’t know . . .” he answered hesitantly. “I think you deserve to be punished.” His breath was balmy against her cheek, and she found herself leaning toward him rather than away. “Maybe we should do some more homework.” Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone. But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her. Jay growled from deep in his throat. “Okay, homework it is.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Then her affection was in the soft sofa cushions, clean linens, and good meals; her memory in well-stocked storeroom cabinets and the pantry; her intelligence in the order and healthfulness of her home; her good humor in its light and air. She lived her life not only through her own body but through the house as an extension of her body; part of her relation to those she loved was embodied in the physical medium of the home she made.
Cheryl Mendelson (Home Comforts: The Art and Science of Keeping House)
If the room did not look quite so freshly scrubbed as most farm wives kept their homes—Tam’s piperack and The Travels of Jain Farstrider sat on the table, while another wood-bound book rested on the cushion of his reading chair; a bit of harness to be mended lay on the bench by the fireplace, and some shirts to be darned made a heap on a chair—if not quite so spotless, it was still clean and neat enough, with a lived-in look that was almost as warming and comforting as the fire.
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
In his book Real Presences, George Steiner asks us to "imagine a society in which all talk about the arts, music and literature is prohibited." In such a society there would be no more essays on whether Hamlet was mad or only pretending to be, no reviews of the latest exhibitions or novels, no profiles of writers or artists. There would be no secondary, or parasitic, discussion - let alone tertiary: commentary on commentary. We would have, instead, a "republic for writers and readers" with no cushion of professional opinion-makers to come between creators and audience. While the Sunday papers presently serve as a substitute for the experiencing of the actual exhibition or book, in Steiner's imagined republic the review pages would be turned into listings:catalogues and guides to what is about to open, be published, or be released. What would this republic be like? Would the arts suffer from the obliteration of this ozone of comment? Certainly not, says Steiner, for each performance of a Mahler symphony is also a critique of that symphony. Unlike the reviewer, however, the performer "invests his own being in the process of interpretation." Such interpretation is automatically responsible because the performer is answerable to the work in a way that even the most scrupulous reviewer is not. Although, most obviously, it is not only the case for drama and music; all art is also criticism. This is most clearly so when a writer or composer quotes or reworks material from another writer or composer. All literature, music, and art "embody an expository reflection which they pertain". In other words it is not only in their letters, essays, or conversation that writers like Henry James reveal themselves also to be the best critics; rather, The Portrait of a Lady is itself, among other things, a commentary on and a critique of Middlemarch. "The best readings of art are art." No sooner has Steiner summoned this imaginary republic into existence than he sighs, "The fantasy I have sketched is only that." Well, it is not. It is a real place and for much of the century it has provided a global home for millions of people. It is a republic with a simple name: jazz.
Geoff Dyer (But Beautiful: A Book About Jazz)
ESTABLISHING A DAILY MEDITATION First select a suitable space for your regular meditation. It can be wherever you can sit easily with minimal disturbance: a corner of your bedroom or any other quiet spot in your home. Place a meditation cushion or chair there for your use. Arrange what is around so that you are reminded of your meditative purpose, so that it feels like a sacred and peaceful space. You may wish to make a simple altar with a flower or sacred image, or place your favorite spiritual books there for a few moments of inspiring reading. Let yourself enjoy creating this space for yourself. Then select a regular time for practice that suits your schedule and temperament. If you are a morning person, experiment with a sitting before breakfast. If evening fits your temperament or schedule better, try that first. Begin with sitting ten or twenty minutes at a time. Later you can sit longer or more frequently. Daily meditation can become like bathing or toothbrushing. It can bring a regular cleansing and calming to your heart and mind. Find a posture on the chair or cushion in which you can easily sit erect without being rigid. Let your body be firmly planted on the earth, your hands resting easily, your heart soft, your eyes closed gently. At first feel your body and consciously soften any obvious tension. Let go of any habitual thoughts or plans. Bring your attention to feel the sensations of your breathing. Take a few deep breaths to sense where you can feel the breath most easily, as coolness or tingling in the nostrils or throat, as movement of the chest, or rise and fall of the belly. Then let your breath be natural. Feel the sensations of your natural breathing very carefully, relaxing into each breath as you feel it, noticing how the soft sensations of breathing come and go with the changing breath. After a few breaths your mind will probably wander. When you notice this, no matter how long or short a time you have been away, simply come back to the next breath. Before you return, you can mindfully acknowledge where you have gone with a soft word in the back of your mind, such as “thinking,” “wandering,” “hearing,” “itching.” After softly and silently naming to yourself where your attention has been, gently and directly return to feel the next breath. Later on in your meditation you will be able to work with the places your mind wanders to, but for initial training, one word of acknowledgment and a simple return to the breath is best. As you sit, let the breath change rhythms naturally, allowing it to be short, long, fast, slow, rough, or easy. Calm yourself by relaxing into the breath. When your breath becomes soft, let your attention become gentle and careful, as soft as the breath itself. Like training a puppy, gently bring yourself back a thousand times. Over weeks and months of this practice you will gradually learn to calm and center yourself using the breath. There will be many cycles in this process, stormy days alternating with clear days. Just stay with it. As you do, listening deeply, you will find the breath helping to connect and quiet your whole body and mind. Working with the breath is an excellent foundation for the other meditations presented in this book. After developing some calm and skills, and connecting with your breath, you can then extend your range of meditation to include healing and awareness of all the levels of your body and mind. You will discover how awareness of your breath can serve as a steady basis for all you do.
Jack Kornfield (A Path with Heart: A Guide Through the Perils and Promises of Spiritual Life)
After Josh leaves and Kitty goes upstairs to watch TV, I’m tidying up the living room and Peter’s sprawled out on the couch watching me. I keep thinking he’s about to leave, but then he keeps lingering. Out of nowhere he says, “Remember back at Halloween how you were Cho Chang and Sanderson was Harry Potter? I bet you that wasn’t a coincidence. I bet you a million bucks he got Kitty to find out what your costume was and then he ran out and bought a Harry Potter costume. The kid is into you.” I freeze. “No, he isn’t. He loves my sister. He always has and he always will.” Peter waves this off. “Just you wait. As soon as you and I are done, he’s gonna pull some cheesy-ass move and, like, profess his love for you with a boom box. I’m telling you, I know how guys think.” I yank away the pillow he’s got cushioning his bac and put it on the recliner. “My sister will be home for winter break soon. I bet you a million dollars they get back together.” Peter holds his hand out for me to shake on it, and when I take it, he pulls me onto the couch next to him. Our legs touch. He has a mischievous glint in his eye, and I think maybe he’s going to kiss me, and I’m scared, but I’m excited, too. But then I hear Kitty’s footsteps coming down the stairs, and the moment’s over.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Now let me tell you something. I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers. I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. I have felt winds straight from the South Pole, bleak and wailing like a lost child; winds as tender and warm as a lover’s breath; winds that carried the astringent smell of salt and the death of seaweeds; winds that carried the moist rich smell of a forest floor, the smell of a million flowers. Fierce winds that churned and moved the sea like yeast, or winds that made the waters lap at the shore like a kitten. I have known silence: the cold, earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends. I have heard summer cicadas cry so that the sound seems stitched into your bones. I have heard tree frogs in an orchestration as complicated as Bach singing in a forest lit by a million emerald fireflies. I have heard the Keas calling over grey glaciers that groaned to themselves like old people as they inched their way to the sea. I have heard the hoarse street vendor cries of the mating Fur seals as they sang to their sleek golden wives, the crisp staccato admonishment of the Rattlesnake, the cobweb squeak of the Bat and the belling roar of the Red deer knee-deep in purple heather. I have heard Wolves baying at a winter’s moon, Red howlers making the forest vibrate with their roaring cries. I have heard the squeak, purr and grunt of a hundred multi-coloured reef fishes. I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills flying home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their wings smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things. But— All this I did without you. This was my loss. All this I want to do with you. This will be my gain. All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever-surprising mind which is an enchanting quarry in which it is my privilege to delve.
Gerald Durrell
Her real secret was that she identified herself with her home. Of course, this did not always turn out well. A controlling woman might make her home suffocating. A perfectionist’s home might be chilly and forbidding. But it is more illuminating to think about what happened when things went right. Then her affection was in the soft sofa cushions, clean linens, and good meals; her memory in well-stocked storeroom cabinets and the pantry; her intelligence in the order and healthfulness of her home; her good humor in its light and air. She lived her life not only through her own body but through the house as an extension of her body; part of her relation to those she loved was embodied in the physical medium of the home she made. My
Cheryl Mendelson (Home Comforts: The Art and Science of Keeping House)
Here’s an experiment worth conducting. Sneak into the home of a NASA skeptic in the dead of night and remove all technologies from the home and environs that were directly or indirectly influenced by space innovations: microelectronics, GPS, scratch-resistant lenses, cordless power tools, memory-foam mattresses and head cushions, ear thermometers, household water filters, shoe insoles, long-distance telecommunication devices, adjustable smoke detectors, and safety grooving of pavement, to name a few. While you’re at it, make sure to reverse the person’s LASIK surgery. Upon waking, the skeptic embarks on a newly barren existence in a state of untenable technological poverty, with bad eyesight to boot, while getting rained on without an umbrella because of not knowing the satellite-informed weather forecast for that day.
Neil deGrasse Tyson (Space Chronicles: Facing the Ultimate Frontier)
There were a few civilized details, like chairs that looked as though they had been purloined from more modern and elegant domiciles- a red velvet recliner, for instance, which would have been far more at home at Mr. Darling's club than in a cave. Wherever did that come from? Wendy wondered. But the rest of the furniture consisted primarily of things like barrels cut in half with moss for cushions, and the stumps of trees with hastily hammered-on backs. Enormous mushrooms made for tables. Some of the lanterns were fungus as well- softly glowing bluish-green "flowers" that spread in delicate clumps just below the ceiling. "John would just have a field day with those, I'm certain," Wendy said with a smile. One large barrel was placed under the end of a hollowed-out root to collect rainwater. There were shelves and nooks for the few possessions considered precious by the Lost Boys: piles of gold coins, interesting animal skeletons, shiny crystals, captivating burrs and seedpods. Also more strange detritus of the civilized world: a hinge, a pipe, a knob from a drawer, a spanner, and even a pocket watch.
Liz Braswell (Straight On Till Morning)
From outside the shelter came children's voices. The shrill squeals brought the excitement of their unseen game into the opaque quiet of Setsuko's world and made her smile. "No war can go on forever. And human beings are the toughest creatures on earth, you know. There's no sense in being in a hurry to die. You MUST LIVE, whatever happens." Shoichi Wakui had squeezed her hand and told her this with an almost violent urgency, though his grasp was weak and his voice halting. Were those the Sugiwaras' children she could hear? The barber had had the presence of mind to rescue his kit when he fled through the flames of his burning shop, and now he was doing a brisk trade, seating his customers on cushions atop piled stones from the foundations. To house his family he'd put a lean-to against the railway embankment, barely enough to keep out the weather, but at least the children were no longer starving. Even in defeat the locally garrisoned soldiers all had some supplies of food, and while waiting to board trains for their hometowns from Yokohama Station they'd sit on the stone seat of the Sugawara Barbershop and have a good shave, leaving the children something to eat as payment. Setsuko no longer felt the rage that had overwhelmed her at the disbanding ceremony. If they had fought on home ground, one hundred million Japanese sworn to die before they would surrender, those children would have had to die too. Those young lives and spirits would have been extinguished in terror and pain and they wouldn't even have understood why. They have a right to go on living, and the strength to do it, Setsuko thought. For their sakes, if no one else's, I should rejoice that the war ended before an invasion reached the home front. Shoichi Wakui's words came back clearly: "Even when a war is lost, people's lives still go on." And Naomis, in the gray notebook: "Every war comes to an end, and when peace is restored Paris rises like a phoenix." But what about those who'd already died? It was agony to think of those who would not rise: the dead would be left where they fell at the ends of the earth while the living would come home with their knapsacks of clothing and food. Whether they had gone to the front or stayed at home, the people had staked their lives for country and Emperor, and after they had lost, the country and the Emperor were still there. Then what had it all meant? Adrift and floundering in despair, Setsuko slipped back into a restless sleep.
Shizuko Gō (Requiem)
The very human-looking, terrified eyes of the young woman are burned into my mind. “What are they?” I ask, still shaken. “They’re seals. Very fierce seals, at that.” My aunt pauses to lean back against the elaborately embroidered cushions. “Long ago, the Selkies were enchanted by a sea witch. Every full moon they come to shore somewhere on the coast, step out of their seal skin and emerge in human form. For many years they caused a great deal of havoc—attacking sailors, dismantling ships. It was terrible.” “But she looked so frail.” “Ah, it’s like I just said. Appearances can be deceiving. Selkies, in possession of their skins, are stronger than the strongest Mage, and like most seals, they are very dangerous predators.” “And without their skins?” “Very good, Elloren.” My aunt looks pleased. “You’ve gotten right to the heart of it. Without their skins, they can be easily controlled.” “Why?” “Because they lose their strength, and because they cannot transform back into seals without them. Without their skins, they cannot get back to the ocean. Being wild animals, no matter how long they are kept in human form, they desperately want to get back to their ocean home. They’re not human, Elloren. It’s only an illusion. Don’t let it trouble you.” “But why was she in a cage?” My aunt grimaces at my question, like she’s detected an unpleasant odor. “Some people like to keep them...as pets.” I scrutinize her face. She’s not looking at me. She’s now glancing toward the window impatiently. “She...she looked so terrified,” I say, upset. My aunt’s expression softens. “Well, caged wild animals are never a pleasant sight. I am completely and utterly against the Selkie trade and am doing everything I can to wipe it out.” She pats my hand reassuringly.
Laurie Forest (The Black Witch (The Black Witch Chronicles, #1))
Hey beautiful,” Trey answers, sounding exhausted. “Hey you.” My heart clenches in my chest from the sound of his voice. He breathes heavily. “I’m sitting here, shirt off, beer in hand, TV on, and I feel so fucking empty.” The image of him lying on the couch we bought together, his beautiful body stretched out across the cushions, makes me ache in places I haven’t ached in a long time. I want him so bad. “I’m missing my girl tucked against my chest.” “I would give anything to be there right now,” I answer honestly. Sighing, he asks, “Remember that piece of spaghetti I threw on the ceiling the night before you left?” “Yeah.” I smile to myself, thinking about that night. Trey insisted upon making spaghetti and meatballs for me. He came home with a grocery bag full of pasta, spaghetti sauce, and pre-made meatballs. When cooking the noodles, he told me an “old wives’ tale.” He said if you throw the noodles to the ceiling and it sticks, then the pasta is done. What he didn’t realize is if that pasta never comes down, you overcooked it. “It fell this morning. Scared the shit out of me. I thought it was a spider trying to bury itself in my hair while I was making eggs.” A laugh bursts out of me as I think about Trey bouncing around the apartment, spaghetti in hair thinking it was a spider. “Oh no. Miss Pasta-relli finally fell?” “She did and that squirrely bitch knew exactly what she was doing, too. Trying to scare the crap right out of me.” “Seems like she did.” I chuckle. “But I got the last laugh when I turned the trash compactor on. Her little pasta self squiggled down the drain. Revenge never felt so sweet.” Still laughing, I shake my head. “Is this what your life has come to? Fighting with old, overcooked pasta?” “I’m telling you, Amelia, with you gone, I’ve lost my damn mind.” “Sounds like it
Meghan Quinn (The Other Brother (Binghamton, #4))
Sometimes our need clouds our ability to develop perspective. Being needy is kind of like losing your keys. You become desperate and search everywhere. You search in places you know damn well what you are looking for could never be. The more frantic you become in trying to find them the less rational you are in your search. The less rational you become the more likely you'll be searching in a way that actually makes finding what you want more difficult. You go back again and again to where you want them to be, knowing that there is no way in hell that they are there. There is a lot of wasted effort. You lose perspective of your real goal, let's say it's go to the grocery store, and instead of getting what you need -nourishment, you frantically chase your tail growing more and more confused and angry and desperate. You are mad at your keys, you are mad at your coat pockets for not doing their job. You are irrational. You could just grab the spare set, run to the grocery store and get what you need, have a sandwich, calm down and search at your leisure. But you don't. Where ARE your keys?! Your desperation is skewing your judgement. But you need to face it, YOUR keys are not in HIS pocket. You know your keys are not there. You have checked several times. They are not there. He is not responsible for your keys. You are. He doesn't want to be responsible for your keys. Here's the secret: YOU don't want to be responsible for your keys. If you did you would be searching for them in places they actually have a chance of being. Straight boys don't have your keys. You have tried this before. They may have acted like they did because they wanted you to get them somewhere or you may have hoped they did because you didn't want to go alone but straight boys don't have your keys. Straight boys will never have your keys. Where do you really want to go? It sounds like not far. If going somewhere was of importance you would have hung your keys on the nail by the door. Sometimes it's pretty comfortable at home. Lonely but familiar. Messy enough to lose your keys in but not messy enough to actually bother to clean house and let things go. Not so messy that you can't forget about really going somewhere and sit down awhile and think about taking a trip with that cute guy from work. Just a little while longer, you tell yourself. His girlfriend can sit in the backseat as long as she stays quiet. It will be fun. Just what you need. And really isn't it much safer to sit there and think about taking a trip than accepting all the responsibility of planning one and servicing the car so that it's ready and capable? Having a relationship consists of exposing yourself to someone else over and over, doing the work and sometimes failing. It entails being wrong in front of someone else and being right for someone too. Even if you do find a relationship that other guy doesn't want to be your chauffeur. He wants to take turns riding together. He may occasionally drive but you'll have to do some too. You will have to do some solo driving to keep up your end of the relationship. Boyfriends aren't meant to take you where you want to go. Sometimes they want to take a left when you want to go right. Being in a relationship is embarking on an uncertain adventure. It's not a commitment to a destination it is just a commitment to going together. Maybe it's time to stop telling yourself that you are a starcrossed traveler and admit you're an armchair adventurer. You don't really want to go anywhere or you would venture out. If you really wanted to know where your keys were you'd search in the most likely spot, down underneath the cushion of that chair you've gotten so comfortable in.
Tim Janes
I’m really not in the mood for your bullshit, Patrick. Go, before Ryder sees your car in the driveway or something.” “Oh, you expectin’ Ryder?” he slurs. “He gonna ride in on his white horse like a knight and save you? Is that what your hopin’ for? Maybe that’s why you been holdin’ out on me. You wanna give it to him instead.” His eyes are glassy, slightly unfocused. It’s obvious I can’t let him drive home like this. Shit. Ignoring his drunken little tirade, I reach for his hand and drag him into the living room, pushing him toward the velvet sofa. “C’mon, Patrick, you need to lie down. I’m going to call someone to come pick you up.” His legs buckle the minute they hit the cushions, and he crumples into a heap--half on the floor, half on the sofa. He starts to make a retching noise, and I hurriedly slip off my hoodie and shove it under his face. “I swear, if you puke on my sofa, I’m going to freaking kill you.” Mercifully, he doesn’t. Instead, he starts making a quiet, snuffling noise. Like he’s passed out cold. I run upstairs and grab my cell from my bedroom, trying to decide who to call. Obviously, Ryder makes the most sense, since he lives just up the road and can be here in a matter of minutes. But what if he mentions it to his mom? I mean, I can tell him not to, but then it makes me look guilty, like I’m trying to hide something. It’s not my fault that Patrick showed up on my doorstep unannounced. I run through the other options in my head. Calling Ben or Mason is about the same as calling Ryder. They’re his best friends. They talk. I could try Tanner. He is my cousin, so I could invoke some sort of family loyalty oath of silence or something. Only problem is, Tanner lives on the far side of town--about as far away from here as anyone can be and still live in Magnolia Branch. Which means leaving a passed-out, about-to-puke Patrick on my couch for a good twenty minutes, waiting for a ride. Nope. Not gonna happen. With a sigh of resignation, I dial Ryder’s number. Exactly seven minutes later, he knocks on the door. Ryder to the rescue. I resist the urge to look around for his white horse.
Kristi Cook (Magnolia (Magnolia Branch, #1))
On quitting Bretton, which I did a few weeks after Paulina’s departure—little thinking then I was never again to visit it; never more to tread its calm old streets—I betook myself home, having been absent six months. It will be conjectured that I was of course glad to return to the bosom of my kindred. Well! the amiable conjecture does no harm, and may therefore be safely left uncontradicted. Far from saying nay, indeed, I will permit the reader to picture me, for the next eight years, as a bark slumbering through halcyon weather, in a harbour still as glass—the steersman stretched on the little deck, his face up to heaven, his eyes closed: buried, if you will, in a long prayer. A great many women and girls are supposed to pass their lives something in that fashion; why not I with the rest? Picture me then idle, basking, plump, and happy, stretched on a cushioned deck, warmed with constant sunshine, rocked by breezes indolently soft. However, it cannot be concealed that, in that case, I must somehow have fallen overboard, or that there must have been wreck at last. I too well remember a time—a long time—of cold, of danger, of contention. To this hour, when I have the nightmare, it repeats the rush and saltness of briny waves in my throat, and their icy pressure on my lungs. I even know there was a storm, and that not of one hour nor one day. For many days and nights neither sun nor stars appeared; we cast with our own hands the tackling out of the ship; a heavy tempest lay on us; all hope that we should be saved was taken away. In fine, the ship was lost, the crew perished. As far as I recollect, I complained to no one about these troubles. Indeed, to whom could I complain? Of Mrs. Bretton I had long lost sight. Impediments, raised by others, had, years ago, come in the way of our intercourse, and cut it off. Besides, time had brought changes for her, too: the handsome property of which she was left guardian for her son, and which had been chiefly invested in some joint-stock undertaking, had melted, it was said, to a fraction of its original amount. Graham, I learned from incidental rumours, had adopted a profession; both he and his mother were gone from Bretton, and were understood to be now in London. Thus, there remained no possibility of dependence on others; to myself alone could I look. I know not that I was of a self-reliant or active nature; but self-reliance and exertion were forced upon me by circumstances, as they are upon thousands besides; and when Miss Marchmont, a maiden lady of our neighbourhood, sent for me, I obeyed her behest, in the hope that she might assign me some task I could undertake.
Charlotte Brontë (Villette)
She started to head out, but she passed her room. It was the same as she'd left it: a pile of cushions by her bed for Little Brother to sleep on, a stack of poetry and famous literature on her desk that she was supposed to study to become a "model bride," and the lavender shawl and silk robes she'd worn the day before she left home. The jade comb Mulan had left in exchange for the conscription notice caught her eye; it now rested in front of her mirror. Mulan's gaze lingered on the comb, on its green teeth and the pearl-colored flower nestled on its shoulder. She wanted to hold it, to put it in her hair and show her family- to show everyone- she was worthy. After all, her surname, Fa, meant flower. She needed to show them that she had bloomed to be worthy of her family name. But no one was here, and she didn't want to face her reflection. Who knew what it would show, especially in Diyu? She isn't a boy, her mother had told her father once. She shouldn't be riding horses and letting her hair loose. The neighbors will talk. She won't find a good husband- Let her, Fa Zhou had consoled his wife. When she leaves this household as a bride, she'll no longer be able to do these things. Mulan hadn't understood what he meant then. She hadn't understood the significance of what it meant for her to be the only girl in the village who skipped learning ribbon dances to ride Khan through the village rice fields, who chased after chickens and helped herd the cows instead of learning the zither or practicing her painting, who was allowed to have opinions- at all. She'd taken the freedom of her childhood for granted. When she turned fourteen, everything changed. I know this will be a hard change to make, Fa Li had told her, but it's for your own good. Men want a girl who is quiet and demure, polite and poised- not someone who speaks out of turn and runs wild about the garden. A girl who can't make a good match won't bring honor to the family. And worse yet, she'll have nothing: not respect, or money of her own, or a home. She'd touched Mulan's cheek with a resigned sigh. I don't want that fate for you, Mulan. Every morning for a year, her mother tied a rod of bamboo to Mulan's spine to remind her to stand straight, stuffed her mouth with persimmon seeds to remind her to speak softly, and helped Mulan practice wearing heeled shoes by tying ribbons to her feet and guiding her along the garden. Oh, how she'd wanted to please her mother, and especially her father. She hadn't wanted to let them down. But maybe she hadn't tried enough. For despite Fa Li's careful preparation, she had failed the Matchmaker's exam. The look of hopefulness on her father's face that day- the thought that she'd disappointed him still haunted her. Then fate had taken its turn, and Mulan had thrown everything away to become a soldier. To learn how to punch and kick and hold a sword and shield, to shoot arrows and run and yell. To save her country, and bring honor home to her family. How much she had wanted them to be proud of her.
Elizabeth Lim (Reflection)
ESTABLISH STABLE ANCHORS OF ATTENTION Mindfulness meditation typically involves something known as an anchor of attention—a neutral reference point that helps support mental stability. An anchor might be the sensation of our breath coming in and out of the nostrils, or the rising and falling of our abdomen. When we become lost in thought during practice, we can return to our anchor, fixing our attention on the stimuli we’ve chosen. But anchors can also intensify trauma. The breath, for instance, is far from neutral for many survivors. It’s an area of the body that can hold tension related to a trauma and connect to overwhelming, life-threatening events. When Dylan paid attention to the rising and falling of his abdomen, he would be swamped with memories of mocking faces while walking down the hallway. Other times, feeling a constriction of his breath in the chest echoed a feeling of immobility, which was a traumatic reminder. For Dylan, the breath simply wasn’t a neutral anchor. As a remedy, we can encourage survivors to establish stabilizing anchors of attention. This means finding a focus of attention that supports one’s window of tolerance—creating stability in the nervous system as opposed to dysregulation. Each person’s anchor will vary: for some, it could be the sensations of their hands resting on their thighs, or their buttocks on the cushion. Other stabilizing anchors might include another sense altogether, such as hearing or sight. When Dylan and I worked together, it took a while until he could find a part of his body that didn’t make him more agitated. He eventually found that the sense of hearing was a neutral anchor of attention. At my office, he’d listen for the sound of the birds or the traffic outside, which he found to be stabilizing. “It’s subtle,” he said to me, opening his eyes and rubbing the back of his neck with his hand. “But it is a lot less charged. I’m not getting riled up the same way, which is a huge relief.” In sessions together, Dylan’s anchor was a spot he’d rest his attention on at the beginning of a session or a place to return to if he felt overwhelmed. If he practiced meditation at home—I’d recommended short periods if he could stay in his window of tolerance—he used hearing as an anchor, or “home base” as he called it. “I finally feel like I can access a kind of refuge,” he said quietly, placing his hand on his belly. “My body hasn’t felt safe in so long. It’s a relief to finally feel like I’m learning how to be in here.” Anchors of attention you can offer students and clients practicing mindfulness—besides the sensation of the breath in the abdomen or nostrils—include different physical sensations (feet, buttocks, back, hands) and other senses (seeing, smelling, hearing). One client of mine had a soft blanket that she would touch slowly as an anchor. Another used a candle. For some, walking meditation is a great way to develop more stable anchors of attention, such as the feeling of one’s feet on the ground—whatever supports stability and one’s window of tolerance. Experimentation is key. Using subtler anchors does come with benefits and drawbacks. One advantage to working with the breath is that it is dynamic and tends to hold our attention more easily. When we work with a sense that’s less tactile—hearing, for instance—we may be more prone to drifting off into distraction. The more tangible the anchor, the easier it is to return to it when attention wanders.
David A. Treleaven (Trauma-Sensitive Mindfulness: Practices for Safe and Transformative Healing)
How to Keep Your Toddler Off Your Back You need to keep your toddler busy to avoid going stir-crazy. What is stir-crazy? This is when parents leave adult reality and begin to enter their toddler’s world. Symptoms include: 1) identifying with cartoon characters, 2) becoming sexually attracted to members of The Wiggles, 3) forgetting what it’s like to have a conversation with someone who isn’t currently shitting her pants, and 4) eating Goldfish out of the couch cushions. To avoid this condition, you need to leave your home regularly to keep your child from talking to you too much.
Bunmi Laditan (Toddlers Are A**holes: It's Not Your Fault)
Cassie perched on an oversize recliner, her butt barely on the cushion. If she’d scooted back, her feet wouldn’t have reached the floor. One of the pitfalls of being short.
Janice Kay Johnson (Home Deadly Home (A Desperation Creek Novel Book 1))
I had made a sort of Japanese antipasto to accompany a bottle of French Bordeaux I had bought in the food hall of Daimaru department store. So while John sat on a blue cotton cushion hunched over the low unfinished wooden table sipping red wine from a small glass tumbler, I presented him with a succession of nibbles: chili-speckled rice crackers and peanuts; boiled edamame tossed with coarse salt; chewy strands of dried calamari; and chilled steamed asparagus that I had bought fresh that morning at Nishiki market. For a taste of home, I sautéed pudgy slices of herb-flavored wheat gluten, soft as gnocchi, in garlic butter with sliced shiitake mushrooms. Dinner ended with snappy red grapes and imported coconut sables that broke into buttery splinters in our cupped palms.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
One of the books that has had the most influence on me is a little manual called Rhinoceros Success by Scott Alexander. I know, it’s a weird title, but give it a read. I read it first when I was 12 years old and I still read it once a year to this day. It teaches you in life to be like a rhino - to have a single purpose, to charge at obstacles and goals with total commitment and to develop a thick skin to deal with the slings and arrows that try to slow you down. Still to this day, Shara loves to buy me things for my birthday with a rhino on. Lampshades, slippers, cushions, door knobs…you name it. In fact, it’s become a bit of a family joke to get me the most obscure rhino trinket they can find. But it means that at home wherever I look I am reminded of the simple (and fun!) truths of the book. They are all daily reminders to me to be a rhino in life. So find a way, whatever way works for you, of making motivation part of your daily life. Write notes to yourself on your bathroom mirror, keep a book that inspires you next to the loo, and feed your mind with the good whenever you can. If you do this every day, it’ll soon become a habit. A good habit. One that empowers you every day to climb high, aim big, and have fun along the way.
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
Mother,” Val’Koy warned, surprising her, and everyone else at the table. “We fed her roosca; we are lucky she only hit us with cushions.
Poppy Rhys (The Melier: Home World (Women of Dor Nye, #2))
That’s all right, pay no attention to me, just make yourself at home,” I tell the self-propelled whoopee cushion, then audit the itemized receipt with a sinking heart. Judging from the bottom line, cats fall somewhere between a new Porsche and a used Lamborghini in running costs, and I’ve got a nasty suspicion that I’m not going to be able to expense this claim. I mean, I might be able to concoct an experimental protocol that involves hosting one all-black specimen of Felis catus in the lap of luxury before sacrificing it on a summoning grid—but I suspect that would annoy Trish, and one should always avoid pissing off the departmental secretary.
Charles Stross (The Rhesus Chart (Laundry Files, #5))
It didn’t necessarily mean that he’d been awake all night washing away his mother’s blood. She looked under the bed and felt behind the wardrobe. No porn. No girlie posters on the walls. In fact there were no pictures on the walls at all, only a framed certificate from his catering course. What did he do for sex? Probably used the Internet, like most of the UK’s male population. It came to Vera that more than likely he was a virgin. In contrast, Miranda’s room was surprisingly big. Opulent and glamorous in an old-fashioned way. It held a double bed, piled with pillows and silk-covered cushions, in various shades of purple. These seemed to have been artfully arranged – another sign, Vera thought, that Miranda hadn’t been to bed the night before. There was a small wrought-iron grate, just for decoration now. Where the fire would once have been laid stood a candle in a big blue candle-holder, identical to the one on the table on the terrace. Was that significant? Vera tried to remember if she’d seen one like it in the main house. On one side of the chimneybreast, bookshelves had been built into the alcove, and on the other stood a big Victorian wardrobe. There was a dressing table with an ornate framed mirror under the window, and an upholstered stool in front of it. No PC. So what did Miranda do for sex? The question came, unbidden, into her head. Vera sat on the stool and gave a wry smile into the mirror. She knew her team had sometimes asked the same question about her. But not recently. As you got older, folk seemed to think you could do without. This is where Miranda would have sat to prepare herself to meet the residents. Again Vera was reminded of an ageing actress. Her dressing table was scattered with make-up. The woman hadn’t shared her son’s obsession with order and cleanliness. And beyond the mirror there was a view to the coast. It wasn’t possible to see the terrace from here – it was in the shadow of the big house. But the beach was visible. What had Miranda been thinking as she put on her face, as she brushed her hair and held it in place with spray? That her life as a writer was over? Or did she still hope for the big break, the posters on the Underground and the reviews in the Sunday papers? Was she still writing? It seemed to Vera that this question was so important, so fundamental, that she’d been a fool not to consider it before. If Miranda had written a new book, and Tony Ferdinand had offered to help her find a home for it, of course Miranda would be shattered to find him dead. The stabbed body would symbolize her shattered dreams. It wouldn’t be easy for a middle-aged
Ann Cleeves (The Glass Room (Vera Stanhope, #5))
said to expect such thoughts when I returned home, and that those thoughts would fade with time. I sure hoped she was right. I still had a shock every time I looked in the mirror, a pleasant shock mind you, but nevertheless a shock. Even though my life had immeasurably changed for the better, I was still having trouble coming to terms with the change itself. I had been told time and time again that this was normal, but that didn’t make it any easier to experience. I suppose I had been depressed before the accident. I looked around my cottage, surprised that this had been my taste. The curtains were hideous, and everything was dark. I suppose I had been trying to hide away from the world. Still, my job wouldn’t have helped. I had been the marketing manager for a local small art gallery. The boss had been a screaming banshee, and that was a polite description for her. She had been impossible to deal with and had a regular staff turnover. I had been there years longer than any other employee. Looking back, I wondered how I had taken her verbal abuse and yelling for years, but I suppose I had been used to being bullied since school. I shook myself. That was all behind me now, and my only connection with that was a desire to work in some way to help people who had been bullied. There was altogether way too much bullying in the world. Now I had enough money to buy a nice place, but first things first. I was going to concentrate on starting my business. I would simply buy some bright new cushions to make the place look a little better and make sure all the curtains were open. I’d buy some nice smelling incense and an oil burner, and burn lavender oil. I was craving nice fragrances, after being accustomed to the antiseptic smell of the hospital, a smell I am sure I will never forget.
Morgana Best (Sweet Revenge (Cocoa Narel Chocolate Shop, #1))
For some, conversation comes naturally as a way to connect, but for others it's easier to unite over the sharing of activities and skills. The tip here is to dedicate space and furniture to allow these things to happen. Where can you store games so they're easily accessible? Is your table large and easy enough to clear to double up as an arena to play or make? Have you created somewhere for others to sit while you cook, and is there enough counter space for them to join in? Are your craft and gardening tools organized and ready to go? ...this space needs to be warm and inviting... could be as simple as lighting a fire, playing background music, or bringing in extra cushions and throws.
Oliver Heath (Design A Healthy Home: 100 ways to transform your space for physical and mental wellbeing)
Extended kinship groups - sometimes located on one plantation, more commonly extended over several - became the central units of slave life, ordering society, articulating values, and delineating identity by defining the boundaries of trust. They also became the nexus for incorporating the never-ending stream of arrivals from the seaboard states into the new society, cushioning the horror of the Second Middle Passage, and socializing the deportees to the realities of life on the plantation frontier. Playing the role of midwives, the earlier arrivals transformed strangers into brothers and sisters, melding the polyglot immigrants into one. In defining obligations and responsibilities, the family became the centerpole of slave life. The arrival of the first child provided transplanted slaves with the opportunity to link the world they had lost to the world that had been forced upon them. In naming their children for some loved one left behind, pioneer slaves restored the generational linkages for themselves and connected their children with grandparents they would never know. Some pioneer slaves reached back beyond their parents' generation, suggesting how slavery's long history on mainland North America could be collapsed by a single act. Along the same mental pathways that joined the charter and migration generations flowed other knowledge. Rituals carried from Africa might be as simple as the way a mother held a child to her breast or as complex as a cure for warts. Songs for celebrating marriage, ceremonies for breaking bread, and last rites for an honored elder survived in the minds of those forced from their seaboard homes, along with the unfulfilled promise of the Age of Revolution and evangelical awakenings. Still, the new order never quite duplicated the old. Even as transplanted slaves strained their memories to reconstruct what they had once known, slavery itself was being recast. The lush thicket of kin that deportees like Hawkins Wilson remembered had been obliterated by the Second Middle Passage. Although pioneer slaves worked assiduously to knit together a new family fabric, elevating elderly slaves into parents and deputizing friends as kin, of necessity they had to look beyond blood and marriage. Kin emerged as well from a new religious sensibility, as young men and women whose families had been ravaged by the Second Middle Passage embraced one another as brothers and sisters in Christ. A cadre of black evangelicals, many of who had been converted in the revivals of the late eighteenth century, became chief agents of the expansion of African-American Christianity. James Williams, a black driver who had been transferred from Virginia to the Alabama blackbelt, was just one of many believers who was 'torn away from the care and discipline of their respective churches.' Swept westward by the tide of the domestic slave trade, they 'retained their love for the exercises of religion.
Ira Berlin (Generations of Captivity: A History of African-American Slaves)
But that goes for most of us, doesn’t it? We look blankly at each other. Here I am, here you are. What are we doing here? What do you suppose it’s all about? Let’s dream on. Yes, that’s my Dad and Mum over there on the piano top. My eldest boy is on the mantelpiece. That cushion cover was embroidered by my cousin Sarah only a month before she passed on. I go to work at eight and come home at five-thirty. When I retire they’ll give me a clock – with my name engraved on the back. Now you know all about me. Go away: I’ve forgotten you already.
J.L. Carr (A Month in the Country)
listening to the sound of a bell Bells are used in many cultures around the world to help people come together, to create harmony within oneself and harmony with others. In many Asian countries, every family has at least one small bell in their home. You can use any kind of bell that makes a sound you enjoy. Use the sound of that bell as a reminder to breathe, to quiet your mind, to come home to your body, and to take care of yourself. In Buddhism, the sound of the bell is considered to be the voice of the Buddha. Stop talking. Stop thinking. Come back to your breathing. Listen with all your being. This way of listening allows peace and joy to penetrate every cell of your body. You listen not only with your ears, not only with your intellect; you invite all the cells in your body to join in listening to the bell. A bell doesn’t take up much space. You could surely find room on a table or a shelf somewhere, no matter where you live, even if you share a small room. Before you invite the bell to come home with you, you must make sure that the sound of the bell is good. The bell doesn’t need to be big, but the sound should be pleasant. Prepare yourself each time to listen and to receive the sound of the bell. Instead of “striking” the bell, “invite” the bell to sound. Look at the bell as a friend, an enlightened being that helps you wake up and come home to yourself. If you wish, you can set the bell on a small cushion—just like any other bodhisattva doing sitting meditation. As you listen to the bell, practice breathing in and releasing all the tension that’s built up, releasing the habit of your body, and especially your mind, to run. Although you may be sitting down, very often you are still running within. The bell is a welcome opportunity for you to go back to yourself, enjoy your in-breath and out-breath in such a way that you can release the tension and come to a full stop. The bell, and your response to it, helps stop the runaway train of thoughts and emotions racing through you all throughout the day and night. In the morning, before you go to work or before the children go to school, everyone can sit down together and enjoy breathing for three sounds of the bell. That way you begin your day with peace and joy. It’s nice to sit there, to breathe, either on your own or with your family, and look at a meaningful object in your home or a tree outside your window and smile. This can become a regular practice, a reliable refuge right there in your house or apartment. It doesn’t take a long time, and it’s richly rewarding. It is a very beautiful practice, the practice of peace, presence, and harmony in the home. breathing room Dedicate a room or a portion of a room for meditation.
Thich Nhat Hanh (Silence: The Power of Quiet in a World Full of Noise)
Cushions and rugs, goblets and trays and half-full decanters cover every surface- all of them in a riot of colours: vermillion and umber, peacock blue and bottle green, gold and damson plum.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Despite the hordes of people, it feels oddly homely for a college house occupied by hockey players. There are pictures in frames on the walls featuring a group of guys and two girls, couch cushions that don’t look like they’re harboring enough germs to start a biological war, and, unless my eyes deceive me, someone has dusted in here. Is that a coaster?
Hannah Grace (Wildfire (Maple Hills, #2))
Chanel would come to be known for a fashion sensibility distinguished by modern, airy lightness, crisp lines, and sparse adornments, but under Boy’s guidance (and with the help of his pocketbook), she indulged a somewhat different aesthetic sense at home. The avenue Gabriel apartment reflected Coco and Boy’s love of deep, golden tones, ornate lacquered furniture, mirrors in gilt frames, floral designs, English silver, Oriental vases, white satin bedding, and sofas piled with soft, puffy cushions—all enclosed by those dark folding screens.
Rhonda K. Garelick (Mademoiselle: Coco Chanel and the Pulse of History)
Ain’t nobody ever gone answer you cries. You can fill a well with tears, and all you gonna get is drowned. You sit there long enough and the crazy man find you. You weep too long, your heart ache so, the flesh slip off your bones and your soul got to find a new home. You wait on answers ’til the scaredy-cat curl up in your belly and use your liver for a pin cushion. And that’s just how you die. Ascared and waiting. And death find your ghost wailing for help. In this life, if someone promise you aid, they a lie. If someone offer they hand, check five time ten to see where they hide the bill. You ain’t nobody but alone. And God come to those with the fight to find It. Ain’t nothing easy. Not for the likes of you.
Cynthia Bond (Ruby)
I met David and his men at the foot of the hill last night. He is not a rogue as you claim.” Nabal grumbled, “Well he is no ‘chosen one’ as that dead seer called him.” Then Nabal grew suspicious. “What was he doing at the foot of the hill?” “He was approaching our home with four hundred men to slaughter you and all the males of your household. But I bribed him with a guilt offering for your offense.” Nabal’s eyes went wide with shock. “Four hundred men? He was going to kill us all?” “Not us all. Just you and the men of the household.” Nabal gasped. He stumbled and fell backward on a cushion. His left hand trembled from some physical malady. He could not speak. He could only gasp for air. Abigail looked at him and thought he looked like he had turned to stone. In that instant, she knew that Yahweh was finally judging this evil man. He didn’t die. He just became like stone, staring up at the sky, breathing shallowly. His servants placed him on his bed and prayed for a hasty death.
Brian Godawa (David Ascendant (Chronicles of the Nephilim, #7))
For really it was the refinement of civilized cruelty, this spick, span, and ingenious affair of shining leather and gleaming steel, which hoisted you and tilted you and fitted reassuringly into the small of your back and cupped your head tenderly between padded cushions. It ensured for you a more complete muscular relaxation than any armchair that you could buy for your own home: but it left your tormented nerves without even the solace of a counter-irritant. In the old days the victim's attention had at least been distracted by an ache in the back, a crick in the neck, pins and needles in the legs, and the uneasy tickling of plush under the palm. But now, too efficiently suspended between heaven and earth, you were at liberty to concentrate on hell.
Jan Struther (Mrs. Miniver)
But Chad seemed to be on a mission to drive her crazy. Where before he’d given her plenty of room to do everything, her personal space cushion had slowly started to shrink. Now he walked by her close enough that she could feel the heat of his body. Sometimes he lingered behind her until she had to turn. When he handed her things, he made sure to brush her fingers. Twice now he’d rested a broad hand on her shoulder for a few seconds. Slowly but surely he was getting her used to him. And it was killing her. Lora found herself waiting for those tiny touches, and worse, needing them. When he walked up behind her she quivered, praying he would close the distance between them. But she felt like a hypocrite. Other men put her on edge, but Chad made her aware. No
J.M. Madden (Embattled Home (Lost and Found, #3))
Ain't nobody ever gone answer your cries. You can fill a well with tears, and all you gonna get is drowned. You sit there long enough and the crazy man find you. You weep too long, your heart ache so, the flesh slip off you bones and your soul got to find a new home. You wait on answers 'til the scaredy-cat curl up in your belly and use your liver for a pin cushion. And that's just how you die. Ascared and waiting. And death find your ghost wailing for help. In the life, if someone promise you aid, they a lie. If someone offer they hand, check five time ten to see where they hide the bill. You ain't nobody but alone. And God come to those with the fight to find It. Ain't nothing easy. Not for the likes of you.
Cynthia Bond (Ruby)
Raised in privilege, Robert Moses was always cushioned from real life; from the age of nine, he slept in a custom-made bed and was served dinner prepared by the family’s cook on fine china. As Parks Commissioner, he swindled Long Island farmers and homeowners out of their land to build his parkways—essentially cattle chutes that skirted the properties of the rich, allowing those well-off enough to own a car to get to beaches disfigured by vast parking lots. He cut the city off from its waterfront with expressways built to the river’s edge, and the parks he built were covered with concrete rather than grass, leaving the city grayer, not greener, than it had been before. The ambient racism of the time hardly excuses his shocking contempt for minorities: of the 255 new playgrounds he built in the 1930s, only one was in Harlem. (Physically separated from the city by wrought-iron monkeys.) In the decade after the Second World War, he caused 320,000 people to be evicted from their homes; his cheap, sterile projects became vertical ghettos that fomented civic decay for decades. If some of his more insane schemes had been realized—a highway through the sixth floor of the Empire State Building, the Lower Manhattan Expressway through today’s SoHo, the Battery Bridge whose approaches would have eliminated Castle Clinton and Battery Park—New York as we know it would be nearly uninhabitable. There is a name for what Robert Moses was engaged in: class warfare, waged not with armored vehicles and napalm, but with bulldozers and concrete.
Taras Grescoe
If there was history being made in the city, if history was the high-level war rich people waged for their own turf in the city—those wars about waterfront developments and opera houses and real-estate deals and privatization contracts—then the poor waged wars for control of their small alleyways and walkways, their streets and the trade in unofficial goods. Their currency was not stocks, wealth and influence peddling, but tough reputations and threats of physical damage; their gains weren’t stock options and expensive homes but momentary physical control and perennially contested fearsomeness. This war was a more volatile war, perhaps. There was no cushion of security to land on if you lost a skirmish.
Dionne Brand (What We All Long For: A Novel)
Upon patterned cushions that might have been honked, zig by zag, out of Ornette Coleman’s horn, the odalisque exposed her flesh to a society that had grown frightened again of flesh.
Tom Robbins (Fierce Invalids Home From Hot Climates: A Novel)
Trust in the Lord with all your heart and lean not on your own understanding. —Proverbs 3:5 (NIV) LEARNING TO TRUST I clicked my pen against the couch cushion and stared at my husband, waiting for him to respond. So far, the notebook on my lap was empty. “I don’t know,” Ryan finally said. I sighed. Earlier that day, we had officially decided to send out support letters for our adoption. We were sitting in our living room, attempting to make a list of people to whom we should send them. We weren’t sure if many of our aunts and uncles and cousins would understand our heart for the orphan. We had already run into our fair share of interesting reactions when we announced our intention to adopt. Family members didn’t understand why we would take this emotional and financial risk to travel to a war-torn country, just so we could bring some kid we don’t know into our home. Some of them looked at us like we were crazy. Our worries reached their peak, so we put down the notebook and did what we should have done in the beginning. We prayed. And afterward, when we said our amens, Ryan looked at me. “God can work in any heart—even the ones we think are unlikely.” That afternoon, we sent out the letters to everyone. Forgive me, Lord, for all the times I’ve let my fear and doubt limit Your power. Help me to be faithful with what I can control and trust You with the rest. —Katie Ganshert Digging Deeper: Jo 1:9; Ps 56:3–4; 2 Tm 1:7
Guideposts (Daily Guideposts 2014)
The loft looked different in the daylight. The cushions against the window seat were a bright mango, the hand-embroidered pillows stitched with the same color in blossoming wildflowers. The artisan had painted floral designs on the dresser, on the wardrobe, and around the floor-length mirror. Outside, the rain had given way to verdant foliage and strong redbrick buildings, interspersed with colorful colonial row houses and Victorian homes.
Ashley Poston (A Novel Love Story)
When you have spent most of your young adult life surrounded by people and cushioned by structure - at school, at work, following timetables and deadlines and familiar routines - the abrupt silence that comes with working from home is utterly unnerving.
Kate MacDougall (London's Number One Dog-Walking Agency: A Memoir)
stamp or where they sealed the envelope?” I asked. “Sure, we’ll check those too. That’s common procedure, but we have nothing to compare it to.” Jack added his two cents. “The message itself sounds kind of like the hell-and-damnation type of speech. Somebody in the clergy or even a religious zealot could have written it.” Clayton slowly read the message out loud again. “Yeah, I see where you’re coming from, Jack. It does sound kind of preachy.” “Yes it does,” I said, “but we still don’t know if it’s a serious threat or just someone blowing smoke.” Clark stood. “Okay, guys, check out whatever you can as far as forensic evidence. Make ten copies of that letter before you get started. The rest of you, keep your eyes and ears peeled for somebody with an ax to grind. That’s all we can do for now.” Chapter 2 The long driveway beyond the dead-end road led to the small, faded clapboard house. The walls inside the home held family secrets that were as dead and buried as the family dog. Nobody spoke of Alice’s incident anymore—it was neatly tucked away, hopefully forgotten, and life carried on. Forced smiles and the cautious daily routine filled the family’s waking hours. Alice’s eyes darted toward Mandy and then at the clock. She watched as her twenty-year-old daughter crossed the living room, barefoot and still wearing her green flannel bathrobe. Mandy took a seat on the old floral couch, as she did every day at eleven o’clock. The dark-paneled living room in that house held the sofa, a rocker, two end tables, and two velvet wall hangings of horses. The sofa had seen better days—sun fading had taken a toll on it after being in front of windows year after year. What used to be vibrant colors on that threadbare couch now appeared as pastel hues at best. Two flattened cushions looked as though somebody had let the air out of them; they held permanent indentions from years of use.
C.M. Sutter (Fallacy (Detective Jade Monroe, #3))
Fancy,” he said as Day draped herself over it. She looked so much like Lehabah that his chest ached. “Seeing me like this causes you distress.” “No,” he said, puzzled as to how she’d read his emotions when night and stars covered his features. “No, it’s … I, ah, lost a friend a few months ago. She loved to sit on a couch like that one. She was a fire sprite, so your whole fire thing … struck a little close to home.” She angled her head, flame shifting with her. “How did she die?” He checked himself before he could reveal too much. “It’s a long story. But she died saving my—someone I love.” “Then her death was noble.” “I should have been there.” Ruhn leaned back against the cushions and gazed toward the endless black above them. “She didn’t need to make that sacrifice.” “You would have traded your life for a fire sprite’s?” There was no condescension in the question—merely bald curiosity. “Yeah. I would have.” He lowered his stare back to her. “Anyway, we made the intel drop-off. Nearly got caught, but we did it.” She straightened slightly. “By whom?” “Mordoc. The Hind. The Harpy.” She stilled. Her fire guttered to that violet blue. “They are lethal. If you’re caught, you will be lucky to just be killed.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
Zen is much more about stripping away than it is about adding anything. Lao Tzu also said that the Tao the sage follows is a taking away, the World an adding on. We don’t have to read sutras or agonizing koans to get Zen. Neither do we have to buy robes or beliefs, and especially not meditation cushions or gilded buddhas. “Your mind is Buddha,” said Bodhidharma, “so you don’t need a buddha to worship Buddha.” A cup of tea will do just fine. Zen is also much more about the letting-go than it is about learning or any of the other spiritual catch phrases, like “insight” or “enlightenment”. We cast off the body and mind. The real withdrawal from the World of Dust is this detachment. And it isn’t just about letting go of the clutter in our homes, but more importantly (or perhaps exclusively) the clutter in our minds: opinions and beliefs, thoughts about the way we think people or things “really are”, thoughts about “clutter” and “simplicity”—even the idea of Zen as an ‘ism’.
Aaron Daniel Fisher (Zen & Tea One Flavor)
For the both of us, the first two years of meditating were a period of self-discovery and strong determination. We knew that the healing happening in our minds was bringing great results because we both felt much less tense, but we also knew that we had to remain committed to the practice to be able to fully benefit from the process. We started off by going to retreats, but over time we realized that it would benefit us immensely to start meditating daily at home. It felt like a herculean effort to push against the mix of laziness and the feeling of being too busy to make room in our lives for daily meditation. It made sense to do this because investing in the health of our minds was going to bring more harmony into our lives, but even that clear logic did not make sitting on the cushion easier. Eventually, we put our feet down and decided that, no matter what, we were going to move in this direction.
Yung Pueblo (Lighter: Let Go of the Past, Connect with the Present, and Expand the Future)
Home should be like a soft cushion to fall upon at the end of a hard day.
Carlene O'Connor (Murder at an Irish Wedding (An Irish Village Mystery, #2))
It seemed a very nice house to him, this one. It was a home that had been gathered together over the years with love. But while that love remained, it also felt to him like something that had slipped down behind the cushions and got lost under the chairs. That maybe there wasn’t enough talking in this house anymore and too much was being left unsaid.
Alex North (The Angel Maker)
Wind and night and stars wheeled by as he winnowed us through the world, and the calluses of his hand scratched against my own fading ones before- Before sunlight, not starlight, greeted me. Squinting at the brightness, I found myself standing in what was unmistakably a foyer of someone's house. The ornate red carpet cushioned the one step I staggered away from him as I surveyed the warm, wood-panelled walls, the artwork, the straight, wide oak staircase ahead. Flanking us were two rooms: on my left, a sitting room with a black marble fireplace, lots of comfortable, elegant, but worn furniture, and bookshelves built into every wall. On my right; a dining room with a long, cherrywood table big enough for ten people- small, compared to the dining room at the manor. Down the slender hallway ahead were a few more doors, ending in one that I assumed would lead to a kitchen. A town house. ... This house... this house was a home that had been lived in and enjoyed and cherished.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
But now the streets were not like the streets she knew. They were so silent: and so empty. On the doorsteps, little groups of milk bottles huddled with their dirty white collars, waiting for the roundsman to collect them next morning and take them off to be washed and spruced up and sent out on duty again… In the areas, the dustbins spilled forth unsightly contents, relentless reminders of man’s mortality: now and again the air still gave a tiny sigh, and a whiff of decay was borne away upon the breeze. The plane trees rustled, whispering a message from the dustbins: ‘All is rottenness, all is death…’, the high street lamps cast shadows in angled walls that seemed as black and bottomless as eternity. A couple reeling home late from a party were swallowed up by a dark doorway: already the glow and the rapture were fading—tomorrow there would be sick headaches and queasy tummies… Beauty vanishes—beauty passes…Only the cats were heedless and unafraid, darting across the patchwork shadows of the streets on plush-cushioned, soundless paws. What threat had death and decay and nothingness?—to a sleek, suave gentleman with nine lives before him and every one packed with adventure that had nothing to do with death—on the contrary!
Christianna Brand (Death of Jezebel (Inspector Cockrill #4))
Before Chiara's eyes, a cottage sprang from the ground, with a pale blue door and windows with painted doves. "Oh, my!" Chia exclaimed. Inside, the cottage was sparsely furnished, with four wooden chairs covered in blue cotton cushions, a table with hearts carved along the edges, an oven that smelled like chocolate and cherries, and a harpsichord in the corner by the window. But it was everything Chiara could have dreamt of. A home of her own. "This spot is one of my favorites," Agata narrated. "Absolutely lovely. Look there, you've a view of the Silver Brook, and in the mornings the moon crickets sing most beautifully." Chiara inhaled. All the smells she had loved most from home---the wild grass, the pine cones from the trees, the fresh loaves Papa baked before dawn, the musty parchment from Ily's music paper. They flooded her nostrils all at once, as if she'd brought them with her.
Elizabeth Lim (When You Wish Upon a Star)
Our immaturity is scaring her off,” I said. “Sorry, Sam. Come back and we’ll act our age.” “No, I’m just grabbing some food. You two carry on. You’ve earned a maturity time-out.” I let go of Daniel’s feet and he pulled them off my lap. “We’re home,” I said. “Well, not our home but…” I leaned back into the cushions and let out a happy sigh. “Close enough for now.
Kelley Armstrong (The Calling (Darkness Rising, #2))
We’re home,” I said. “Well, not our home but…” I leaned back into the cushions and let out a happy sigh. “Close enough for now.” “Feels good, doesn’t it?” “Unbelievably good.” I opened my eyes and glanced at him. “Thank you. For keeping me on my feet and getting us back here.” “Um, pretty sure you did at least half of the ‘getting us back here’ part. And I needed some help staying afloat, too.” He paused. “Well, not as much as you, but that’s because I’m a guy and we’re naturally tougher.” I threw a pillow at him.
Kelley Armstrong (The Calling (Darkness Rising, #2))
So, here is my “open letter to myself: today, a loser, but tomorrow, probably not:” If you are reading this, it is because you are within ______ of your loss limit today. Let’s slow down and consider how we got here. There are three ways this usually happens. If you got here because you lost track of your risk on a trade or a number of trades, you are just an idiot and I can’t help you. It is also possible that you just aren’t seeing the market clearly today, for whatever reason. Think hard about that. If either of those things are true, maybe you should pack it in and just go home. Tomorrow is a new day. However, it is more likely that today’s market is not the kind of market that plays to your strengths. You have a specific skill set, and within this realm you are probably as good as anyone out there. You understand the ebb and flow of a trending market, and how to press trades in those markets to maximum advantage. You usually don’t get shaken out by noise—you can hold trades in this kind of market better than almost anyone else… and, more often than not, you catch the turn at the end so you know when to get out. You do need to remember that maybe 1 in 5 trading days really rewards this style of trading. Chances are, today is not one of those days or you wouldn’t be reading this right now. What do you do now? Well, first of all take a deep breath and go for a short walk. Now. You are not going to make a brilliant trade in the next 15 seconds. You do not have to be here. In fact, your brain chemistry is compromised so you aren’t quite in your right mind—you cannot make good decisions right now. There is a really good chance the next trade you make will be your last one for the day, and then you can sit there and think about what an idiot you are for the rest of the day. Not pleasant or productive, so go for that walk right now. When you come back to the screen, the right course of action is to chip away at this loss. Think carefully about your next trading decision. You are going to be tempted to put on a lot of risk to try to make a big dent in your loss, but you know that almost never works. On a day you’re really in sync with the market, you can recover this loss in a single trade in a few minutes, but this clearly is not that day or you wouldn’t be reading this right now. Make a few ticks on small size and then use that cushion to take larger risk. Make $10 at first… $5 is even ok. Green is good. Hit singles, not home runs.
Adam Grimes (The Art and Science of Trading: Course Workbook)
Immigrant parents were poorly equipped for the challenges of contemporary parenting in the urban twenty-first-century Europe. They behaved as though they were still back at home in Bangladesh or Ethiopia, where there was a surrounding cushion of extended family and friends supporting their parenting, casting a protective eye on all the children around them, because that is the way children had always been raised, collectively. In London, there was no such protection; there were gangs and knife crime, predators on Facebook and Instagram, whole collections of virtual and physical threats. These parents assumed the mosque and Quran classes were safe spaces, but the reality was that there were no safe spaces left, period, online or in the real world.
Azadeh Moaveni (Guest House for Young Widows: Among the Women of ISIS)
Abby,” Robin says, plopping down on the cushion next to Penny, “where did you get Prince? An animal shelter or a breeder?” Nope and nope. “We got him as a present,” I say. Which is kind of true. But Robin would never believe the real truth. I got Prince when my brother and I went into a fairy tale. I know it sounds totally bonkers, but there’s a magic mirror in the basement of my house. And a fairy, Maryrose, is trapped inside it. She takes me and my younger brother, Jonah, through the mirror into different fairy tales. Like Little Red Riding Hood. Cinderella. Beauty and the Beast. I think one day she’s planning to bring us into the story that trapped her so that we can help set her free. Anyway, when Jonah and I fell into the story of Sleeping Beauty, we got Prince as a gift. And then we took him home with us, because he is adorable. Of course, we had to make up a whole story for our parents because they don’t know about Maryrose, the mirror, or the whole traveling-to-fairy-tales thing. My nana does, though. She actually went into Little Red Riding Hood with us.
Sarah Mlynowski (Abby in Oz (Whatever After Special Edition #2))
into the small of your back and cupped your head tenderly between padded cushions. It ensured for you a more complete muscular relaxation than any armchair that you could buy for your own home: but it left your tormented nerves without even the solace of a counter-irritant. In the old days the victim’s attention had at least been distracted by an ache in the back, a crick in the neck, pins and needles in the legs, and the uneasy tickling of plush under the palm. But now, too efficiently suspended between heaven and earth, you were at liberty to concentrate on hell.
Jan Struther (Mrs. Miniver)
The Delhi Sultans and the Mughals may have arrived from abroad, and their progenitors might initially have harked back to distant cities in the Ferghana Valley as their idea of ‘home’, but they settled in India and retained no extraterritorial allegiance. They married women from India and diluted their foreign blood to the point that in a few generations no trace remained of their foreign ethnicity. Akbar’s son Jehangir was half-Rajput; Jehangir’s son Shah Jehan also came from an Indian bride; Aurangzeb was only one-eighth non-Indian. Of course, the Mughal emperors were all deeply aware of their connections to Ferghana; they would ask emissaries from there about the conditions of their ancestors’ Chingisid tombs and donate money for their upkeep. The past was part of the Mughal identity, but their conceptions of themselves in the present and for the future became more rooted and embedded in India. The British, in contrast, maintained racial exclusivity, practised discrimination against Indians and sneered at miscegenation. Yes, the Mughal emperors taxed the citizens of India, they claimed tributes from subordinate princes, they plundered the treasuries of those they defeated in battle—all like the British—but they spent or saved what they had earned in India, instead of ‘repatriating’ it to Samarkand or Bukhara as the British did by sending their Indian revenues to London. They ploughed the resources of India into the development of India, establishing and patronizing its industries and handicrafts; they brought painters, sculptors and architects from foreign lands, but they absorbed them at their courts and encouraged them to adorn the artistic and cultural heritage of their new land. The British did little, very little, of such things. They basked in the Indian sun and yearned for their cold and fog-ridden homeland; they sent the money they had taken off the perspiring brow of the Indian worker to England; and whatever little they did for India, they ensured India paid for it in excess. And at the end of it all, they went home to enjoy their retirements in damp little cottages with Indian names, their alien rest cushioned by generous pensions provided by Indian taxpayers.
Shashi Tharoor (Inglorious Empire: What the British Did to India)
She is with DJ at the hotel,’ Ruth said. Relief made Tom shake. He had been so worried. ‘We do not have your rucksack,’ Ruth said. ‘I have to get it back. It’s important,’ Tom said. ‘You are alive. That is the most important thing.’ ‘It had my stethoscope in it. My parents gave me that. And a grey cushion. I don’t care about anything else, just those two things.’ Ruth watched raw, visceral pain twist her friend’s face. The room swelled with the unanswered questions. What happened to Tom that made him like this? A doctor, happily married, now living on the streets … She had to find a way to keep Tom inside once he left this hospital. While there was never a good time to be a rough sleeper, the current cold spell was disastrous for anyone stuck on the streets. She would not let this kind man end his days broken, bruised and perished. Ruth said, ‘I have some savings. The deposit I got back from my flat. And despite my best efforts I am unable to find a suitable flat in Dublin to rent. It’s enough for you to take a room at The Silver Sands Lodge when you get out of here.
Carmel Harrington (A Thousand Roads Home)
Medusa the hedgehog was wandering casually along the hallway. She paused as Christopher approached. A faint smile touched his lips. He bent to pick her up as Beatrix had showed him, inserting his hands beneath her. The hedgehog's quills flattened naturally as he turned her up to look at him. Relaxed and curious, she viewed him with her perpetual hedgehog smile. "Medusa," he said softly, "I wouldn't advise climbing out of your pen at night. One of the maids might find you, and then what? You might find yourself taken to the scullery and used to scrub a pot." Taking her to the private upstairs receiving room, he lowered her into her pen. Continuing on to Beatrix's room, he reflected that his wife viewed poor Bennett as yet another wounded creature. She had shown no hesitation in welcoming him into their home. One would expect no less of Beatrix. Entering the room quietly, he saw his wife at her dressing table, carefully filing the claws of Lucky's remaining paw. The cat regarded her with a bored expression, tail flicking lazily. "... you must stay away from the settee cushions," Beatrix was lecturing, "or Mrs. Clocker will have both our heads." Christopher's gaze traveled over the long, elegant lines of her figure, her silhouette revealed in the lamp glow that shone through her muslin nightgown.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
An hour later, a group of men from the funeral home arrived. With my grandfather's help, they cleaned my grandmother's body and marinated it in rice alcohol. When the wine had straightened her limbs, which had stiffened from rigor mortis, they dressed her in new clothes. Using a thick red thread, they tied her two big toes together to prevent her spirit from wandering. A cheap red lacquered coffin was brought into my grandparents' bedroom. A layer of sand was spread at the bottom to cushion the body. Rich families would use tea leaves instead of sand. The more expensive the tea, the richer and higher in status the dead were. We covered the sand with coarse, loosely woven cotton gauze. After my grandmother's body was laid inside the coffin, a small dish filled with burning oil was placed on the ground beneath it to keep her spirit warm. Incense in a large urn perfumed the air. It was time for friends and relatives to pay their respects.
Kien Nguyen (The Unwanted: A Memoir of Childhood)
Everyone in the city remembers the day the floodwater drained out, differently. Some were relieved, some were still in shock, some continued to look for loved ones, while others came home to devastation. But for almost all of us it was heartbreak. The city wore its defeat for days and nights on end. For a week after the floods, on the footpaths outside most homes were stinking piles of mattresses, pillows, quilts, cushions, straw mats, bedsheets and swollen rotting wood and food grains, and cars left open, even as the sun came down hard on us, making a mockery of it all.
Krupa Ge (Rivers Remember: The Shocking Truth of a Manmade Flood)
Buses have never inspired the same affection - too comfortable and cushioned to have a moral dimension. Trams were bare and bony, transport reduced to its basic elements, and they had a song to sing, which buses never did. I was away at university when they started to phase them out, Leeds as always in too much of a hurry to get to the future, and so doing the wrong thing. I knew at the time that it was a mistake, just as Beeching was a mistake, and that life is starting to get nastier. If trams ever come back, though, they should come back not as curiosities, nor, God help us, as part of the heritage, but as a cheap and sensible way of getting from point A to point B, and with a bit of poetry thrown in. 
Alan Bennett (Writing Home)
You do not see any improvements you would make?" Miss Harding's smile turned mischievous. "Not at present. But I should have to see the inside. That is where ladies really excel, you know, in curtains and cushions and such." "Indeed," David murmured, remembering how Maude had filled the London house with bolts and piles of fabrics and wallpapers and pillows the instant they arrived. Everything in the very latest style. And then he thought of Emma's cosy sitting room, all books and family portraits and dog beds.
Amanda McCabe (Running from Scandal (Bancrofts of Barton Park, 2))
A cat without a tail is better than a politician without a head. Theres a destiny that leads a hungry cat to the right doorstep. Home is where the sardines are. No matter how humble, a free meal is not to be sniffed at. Where theres a will, a cat will find a way. Soft cushions are for catsall others use them at their own risk. What goes down must come up, if its a pill.
Lilian Jackson Braun (The Private Life of the Cat Who... (Cat Who Short Stories Book 3))