Cushions With Dog Quotes

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In a dog's life, some plaster would fall, some cushions would open, some rugs would shred. Like any relationship, this one had its costs. They were costs we came to accept and balance against the joy and amusement and protection and companionship he gave us.
John Grogan (Marley and Me: Life and Love With the World’s Worst Dog)
And what's more, he'll go and live with his friend unless his friend is allowed to come in and live with him...His friend must have a silk cushion just like his and sleep in your room too. Otherwise he will go and sleep in the coal-cellar with his friend
P.L. Travers (Mary Poppins (Mary Poppins, #1))
Wanting her never quit, and lucky for him she had the libido of a cushion humping dog.
V. Theia (Mistletoe and Outlaws (Renegade Souls MC #5.5))
When Khubchand, his beloved, blind, bald, incontinent seventeen-year-old mongrel, decided to stage a miserable, long-drawn-out death, Estha nursed him through his final ordeal as though his own life somehow depended on it. In the last months of his life, Khubchand, who had the best of intentions but the most unreliable of bladders, would drag himself to the top-hinged dog-flap built into the bottom of the door that led out into the back garden, push his head through it and urinate unsteadily, bright yellowly, inside Then with bladder empty and conscience clear he would look up at Estha with opaque green eyes that stood in his grizzled skull like scummy pools and weave his way back to his damp cushion, leaving wet footprints on the floor. As Khubchand lay dying on his cushion, Estha could see the bedroom window reflected in his smooth, purple balls. And the sky beyond. And once a bird that flew across. To Estha - steeped in the smell of old roses, blooded on memories of a broken man - the fact that something so fragile, so unbearably tender had survived, had been allowed to exist, was a miracle. A bird in flight reflected in an old dog's balls. It made him smile out loud.
Arundhati Roy (The God of Small Things)
In a dog’s life, some plaster would fall, some cushions would open, some rugs would shred. Like any relationship, this one had its costs. They were costs we came to accept and balance against the joy and amusement and protection and companionship he gave us. We could have bought a small yacht with what we spent on our dog and all the things he destroyed. Then again, how many yachts wait by the door all day for your return? How many live for the moment they can climb in your lap or ride down the hill with you on a toboggan, licking your face?
John Grogan (Marley & Me: Life and Love with the World's Worst Dog)
Vargo climbed in, twisted and turned a few times to get comfortable on the pillow, then pulled the lid down and latched it. As the eye of narrative drew back from the coffin on its stand, two things happened. One happened comparatively slowly, and this was Vargo's realization that he never recalled the coffin having a pillow before. The other was Greebo deciding that he was as mad as hell and wasn't going to take it any more. He'd been shaken around in the wheely thing and then sat on by Nanny, and he was angry about that because he knew, in a dim, animal way, that scratching Nanny might be the single most stupid thing he could do in the whole world, since no one else was prepared to feed him. This hadn't helped his temper. Then he'd encountered a dog, which had tried to lick him. He'd scratched and bitten it a few times, but this had had no effect apart from encouraging it to try to be more friendly. He'd finally found a comfy resting place and had curled up into a ball, and now someone was using him as a cushion- There wasn't a great deal of noise. The coffin rocked a few times, and then pivoted around.
Terry Pratchett (Carpe Jugulum (Discworld, #23; Witches, #6))
Oh, I’m a dog person. I’m pretty sure that what you’re cuddling is the inside of a cushion. Although it sounds like a car alarm, which I admit adds to the confusion.
Lucy Parker (Pretty Face (London Celebrities, #2))
Nothing is emptier than an empty house. The vacant kitchen chair, the imprint on a sofa cushion, the pillow unsplayed with hair, absent of scent. An unspoken thought, an unshared laugh, the silence of no footsteps, no sighs, no breaths.
Don Winslow (The Border (Power of the Dog, #3))
I once compiled a list of events that frightened her, and it was quite comprehensive: very loud snoring; low-flying aircraft; church bells; fire engines; trains; buses and lorries; thunder; shouting; large cars; most medium-sized cars; noisy small cars; burglar alarms; fireworks, especially crackers; loud radios; barking dogs; whinnying horses; nearby silent horses; cows in general; megaphones; sheep; corks coming out of sparkling wine bottles; motorcycles, even very small ones; balloons being popped; vacuum cleaners (not being used by her); things being dropped; dinner gongs; parrot houses; whoopee cushions; chiming doorbells; hammering; bombs; hooters; old-fashioned alarm clocks; pneumatic drills; and hairdryers (even those used by her).
John Cleese (So, Anyway...)
What you have heard is true. I was in his house. His wife carried a tray of coffee and sugar. His daughter filed her nails, his son went out for the night. There were daily papers, pet dogs, a pistol on the cushion beside him. The moon swung bare on its black cord over the house. On the television was a cop show. It was in English. Broken bottles were embedded in the walls around the house to scoop the kneecaps from a man's legs or cut his hands to lace. On the windows there were gratings like those in liquor stores. We had dinner, rack of lamb, good wine, a gold bell was on the table for calling the maid. The maid brought green mangoes, salt, a type of bread. I was asked how I enjoyed the country. There was a brief commercial in Spanish. His wife took everything away. There was some talk of how difficult it had become to govern. The parrot said hello on the terrace. The colonel told it to shut up, and pushed himself from the table. My friend said to me with his eyes: say nothing. The colonel returned with a sack used to bring groceries home. He spilled many human ears on the table. They were like dried peach halves. There is no other way to say this. He took one of them in his hands, shook it in our faces, dropped it into a water glass. It came alive there. I am tired of fooling around he said. As for the rights of anyone, tell your people they can go f--- themselves. He swept the ears to the floor with his arm and held the last of his wine in the air. Something for your poetry, no? he said. Some of the ears on the floor caught this scrap of his voice. Some of the ears on the floor were pressed to the ground.
Carolyn Forché
I went downstairs and carried the dog upstair in my arms. It’s laboured breathing and glazing eye showed that it was not far from its end. Indeed, its snow-white muzzle proclaimed that it had already exceeded the usual term of canine existence. I placed it upon a cushion on the rug.
Arthur Conan Doyle (A Study in Scarlet (Sherlock Holmes, #1))
Short work was made of a cushion which was so unfortunate as to slip off my chair; and finally, leaping up in a paroxysm of high spirits to lick my distracted face, Ivo knocked the table over, and there was a most frightful mix-up on the floor of Fräulein Schmidt and Mr. Anstruther—a story I was just then trying to write,—and ink, and broken glass. Could Shakespeare, could Kipling, have worked under such circumstances? I remember kneeling down to rescue what still remained of Fräulein Schmidt, and seeing, staring up at me where a great splash of ink left off, the remarks she had been making, and I had been writing, when Ivo tumbled her over on to the floor. A
Elizabeth von Arnim (All The Dogs Of My Life)
From harsh and shrill and clamant, the voices grew blurred and inarticulate. Bad sentences were helped out by worse gestures, and at one table, Scabius could only express himself with his napkin, after the manner of Sir Jolly Jumble in the first part of the Soldier’s Fortune of Otway. Basalissa and Lysistrata tried to pronounce each other’s names, and became very affectionate in the attempt; and Tala, the tragedian, robed in roomy purple and wearing plume and buskin, rose to his feet and with swaying gestures began to recite one of his favourite parts. He got no further than the first line, but repeated it again and again, with fresh accents and intonations each time, and was only silenced by the approach of the asparagus that was being served by satyrs dressed in white muslin. Clitor and Sodon had a violet struggle over the beautiful Pella, and nearly upset a chandelier. Sophie became very intimate with an empty champagne bottle, swore it had made her enceinte, and ended by having a mock accouchement on the top of the table; and Belamour pretended to be a dog, and pranced from couch to couch on all fours, biting and barking and licking. Mellefont crept about dropping love philtres into glasses. Juventus and Ruella stripped and put on each other’s things, Spelto offered a prize for who ever should come first, and Spelto won it! Tannhäuser, just a little grisé, lay down on the cushions and let Julia do whatever she liked.
Aubrey Beardsley (Salome/ Under the Hill: Oscar Wilde/Aubrey Beardsley (Creation Classics))
what I knew that morning in March 1977 as we settled around the conference table. I wasn’t even sure how these guys reached us, or how they’d arranged this meeting. “Okay, fellas,” I said, “what’ve you got?” It was a beautiful day, I remember. The light outside the room was a buttery pale yellow, and the sky was blue for the first time in months, so I was distracted, a little spring feverish, as Rudy leaned his weight on the edge of the conference table and smiled. “Mr. Knight, we’ve come up with a way to inject . . . air . . . into a running shoe.” I frowned and dropped my pencil. “Why?” I said. “For greater cushioning,” he said. “For greater support. For the ride of a lifetime.” I stared. “You’re kidding me, right?” I’d heard a lot of silliness from a lot of different people in the shoe business, but this. Oh. Brother. Rudy handed me a pair of soles that looked as if they’d been teleported from the twenty-second century. Big, clunky, they were clear thick plastic and inside were—bubbles? I turned them over. “Bubbles?” I said. “Pressurized air bags,” he said. I set down the soles and gave Rudy a closer look, a full head-to-toe. Six-three, lanky, with unruly dark hair, bottle-bottom glasses, a lopsided grin, and a severe vitamin D deficiency, I thought. Not enough sunshine. Or else a long-lost member of the Addams Family. He saw me appraising him, saw my skepticism, and wasn’t the least fazed. He walked to the blackboard, picked up a piece of chalk, and began writing numbers, symbols, equations. He explained at some length why an air shoe would work, why it would never go flat, why it was the Next Big Thing. When he finished I stared at the blackboard. As a trained accountant I’d spent a good part of my life looking at blackboards, but this Rudy fella’s scribbles were something else. Indecipherable.
Phil Knight (Shoe Dog: A Memoir by the Creator of NIKE)
You do not see any improvements you would make?" Miss Harding's smile turned mischievous. "Not at present. But I should have to see the inside. That is where ladies really excel, you know, in curtains and cushions and such." "Indeed," David murmured, remembering how Maude had filled the London house with bolts and piles of fabrics and wallpapers and pillows the instant they arrived. Everything in the very latest style. And then he thought of Emma's cosy sitting room, all books and family portraits and dog beds.
Amanda McCabe (Running from Scandal (Bancrofts of Barton Park, 2))
Giving is the preferred medium of the soft. Yet what the soft gives up does not get lost in the yielding. The cushion is still a cushion. The dog's fluffy head remains cute. Hard's problem is that on contact, its hardness knows only erosion; a reluctant giving up. If strength consists of a survival of integrity, then soft is indeed strong
Hilary Gallo (The Power of Soft)
After changing into a yellow day dress with airy pagoda sleeves that ended at the elbow, she went to the family's private upstairs parlor. The family dogs, a pair of small black spaniels named Napoleon and Josephine, saw her in the hallway and trotted after her. The parlor was comfortably cluttered with heaps of colorful cushions on the furniture, a battered piano in the corner, and piles of books everywhere. She sat cross-legged on the carpet with the dogs, smiling as they bounded in and out of her lap excitedly. "We don't need Prince Charming, do we?" she asked them aloud. "No, we do not. There's a patch of sun on the carpet and books nearby- that's all we need to be happy." The spaniels stretched out in a bright yellow rectangle, wriggling and sighing in contentment. After petting and scratching the dogs for a while, Cassandra reached out to a stack of books on a low table, and sorted through them idly. Double Wedding... The Secret Duke... My Dashing Suitor, and other romantic novels she had read and reread. Much lower in the pile, there were books such as History of the Thirty Years' Peace and Life of Nelson, the kind one read in case one was called upon to make insightful comments at dinner.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
I’ve been lumbered with this great lug of dog through a friend of a friend for a couple of months and he has some ...behavioural problems I need to manage ASAP.” “Really?” Her gaze switched to Tiny who wagged his tail looking completely angelic. Ryder could have sworn the damn mutt was smiling. “Look at you, you gorgeous boy,” she crooned, unlatching a section of the counter, lifting it up and ducking through it to join him on the other side. Tiny wagged his tail harder as Juliet approached, one hand held out in friendly greeting. Tiny, whose head came to her breasts, took full advantage, nosing her right in the cleavage as the woman slid her hands on either side of his face and cooed at him. “You are adorable, aren’t you?” Tiny licked, actually licked, her cleavage then shot a shit eating grin in Ryder’s direction. If the dog had eyebrows, one of them would be arrogantly cocked. Ryder blinked. The damn animal had more game than him. “Are you sure?” She leaned forward to drop some kisses between Tiny’s eyes, pushing his snout even further into the cushioned heaven between her breasts. “He seems very placid.” Tiny’s gave an ecstatic little shiver, his tail a blur as it dusted the floor. “Trust me. He’s the antichrist.” “Oh I don’t believe that,” she said to Tiny, her voice light and teasing, her mouth a cute little moue. “Look how sweet and well behaved he is. Good boy.” She kissed him again. “Good boy.” Ryder would be sweet and well behaved if Juliet called him a good boy while cradling his head between her breasts. Hell, he’d roll over and play dead if she wanted.
Amy Andrews (Playing With Forever (Sydney Smoke Rugby, #4))
Despite Grumblethorpe's noises of disapproval, Esme knew she liked the family pets.She just did't approve of having so many of them in her mistress's bedroom at once. Still, it was an old battle and one the lady's maid had given up waging long ago. Good thing too, since four of Esme's six cats- who had all started life in either Braebourne stables or as strays she'd rescued- were snoozing in various locations around her room. They included a big orange male, Tobias, who was curled up in a cozy spot in the middle of her bed; Queen Elizabeth- a sweet-natured tabby, who was lounging in her usual window seat; Mozart- a luxuriously coated white longhair who luckily loved being brushed; and Naiad, a one-eyed black female, whom Esme had rescued from drowning as a kitten. Her other two cats, Persephone and Ruff, were out and about, seeing to their own cat business. As for the dogs, Burr lay stretched out on the hearthrug in front of the fireplace. He snored gently, clearly tired after their recent adventures. And joining him in the land of dreams was dear old Henry, a brindle spaniel who was curled up inside a nearby dog bed lined with plush pillows that helped cushion his aging joints. Handel and Haydn, a pair of impish Scottish terriers, were absent. She suspected they were on the third floor playing with her increasingly large brood of nieces and nephews. The dogs loved the children.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
When you have spent most of your young adult life surrounded by people and cushioned by structure - at school, at work, following timetables and deadlines and familiar routines - the abrupt silence that comes with working from home is utterly unnerving.
Kate MacDougall (London's Number One Dog-Walking Agency: A Memoir)
stamp or where they sealed the envelope?” I asked. “Sure, we’ll check those too. That’s common procedure, but we have nothing to compare it to.” Jack added his two cents. “The message itself sounds kind of like the hell-and-damnation type of speech. Somebody in the clergy or even a religious zealot could have written it.” Clayton slowly read the message out loud again. “Yeah, I see where you’re coming from, Jack. It does sound kind of preachy.” “Yes it does,” I said, “but we still don’t know if it’s a serious threat or just someone blowing smoke.” Clark stood. “Okay, guys, check out whatever you can as far as forensic evidence. Make ten copies of that letter before you get started. The rest of you, keep your eyes and ears peeled for somebody with an ax to grind. That’s all we can do for now.” Chapter 2 The long driveway beyond the dead-end road led to the small, faded clapboard house. The walls inside the home held family secrets that were as dead and buried as the family dog. Nobody spoke of Alice’s incident anymore—it was neatly tucked away, hopefully forgotten, and life carried on. Forced smiles and the cautious daily routine filled the family’s waking hours. Alice’s eyes darted toward Mandy and then at the clock. She watched as her twenty-year-old daughter crossed the living room, barefoot and still wearing her green flannel bathrobe. Mandy took a seat on the old floral couch, as she did every day at eleven o’clock. The dark-paneled living room in that house held the sofa, a rocker, two end tables, and two velvet wall hangings of horses. The sofa had seen better days—sun fading had taken a toll on it after being in front of windows year after year. What used to be vibrant colors on that threadbare couch now appeared as pastel hues at best. Two flattened cushions looked as though somebody had let the air out of them; they held permanent indentions from years of use.
C.M. Sutter (Fallacy (Detective Jade Monroe, #3))
Chris looked at the dog, who has finished feasting on her foot and now comes to sit at his feet, looking up at him as if she expects him to do something. She's leggier than most classic English bulldogs, mostly a dark fawn color, but with a large white patch over one eye. She has those droopy bulldog eyes that can look, by turns, sad and judgmental. But now she stands and cocks her head and wags her tail, and Chris finds himself smiling, begrudgingly, and patting the sofa cushion Beth just vacated. "All right, up you come." The dog hops up, and Chris begins scratching her behind one ear. "You going to put up with me?" he asks. She grunts and leans into his hand.
Brianne Moore (All Stirred Up)
Nibiru, are you around here? Come." Sometimes, he envisioned spoken words in his head as though they were printed in the air and he saw this word - come - all lower case letters in size 9 font. No exclamation point, perhaps two of those wavy dashes on either side, signifying impotence. He was too ashamed to shout without company, nobody there to give him permission to disturb the night's peace, nobody to cushion the blow of odd glances if a person saw him and thought his actions peculiar.
Ani Baker (Handsome Vanilla)
My favorite place was officially the dark crease between the cushions on the back of the couch. My face felt best pushed deep into that crack. Sensory deprivation had become the only way to comfort myself. I needed to be alone with no light, no sounds, no smells, and as little air circulation as possible. The breeze from an opened door hurt my skin.
Julie Barton (Dog Medicine)
She tugged a bundle of dog-eared magazines from beneath the cushions of the tubular chair, and felt more comfortable, but found little solace in issues dated “Fall, 1940,” in which all the crosswords had been half done by half-wits, and the stories, after starting in a blaze of glory and meandering down the sides of stirring illustrations for a couple of pages, died upon the reader,
Carola Oman (Somewhere in England)
But why have you fallen—you? What fatal, diabolical causes hindered your life from blossoming into full flower? Why, almost before beginning life, were you in such haste to cast off the image and likeness of God, and to become a cowardly beast who backs and scares others because he is afraid himself? You are afraid of life—as afraid of it as an Oriental who sits all day on a cushion smoking his hookah.
Anton Chekhov (The Lady with the Dog & Other Stories (AmazonClassics Edition))
Nothing is emptier than an empty house. The vacant kitchen chair, the imprint on a sofa cushion, the pillow unsplayed with hair, absent of scent. An unspoken thought, an unshared laugh, the silence of no footsteps, no sighs, no breaths.
Don Winslow (The Border (Power of the Dog, #3))
How do you tell if Chunky Charlie is fat? For one, you should be able to feel his ribs when you palpate his side. It doesn’t count if they’re shrouded under a layer of fat. You should also be able to see his ribs when he runs or stretches out. When viewing Charlie from the side, there should be an abdominal tuck (No pot bellies, please! We want to see a waist!) and a well-proportioned lumbar hourglass figure when viewed from above. The tail base should have a smooth contour (no cushion for the pushin’), and the bony structures of the hips and pelvis should be palpable under a thin layer of skin. How
Justine A. Lee (It's a Dog's Life...but It's Your Carpet: Everything You Ever Wanted to Know About Your Four-Legged Friend)
The vinyl cushioned seat on his chair let out a long windy sigh like a mule when its packs are unloaded.
Loren D. Estleman (Cut-Throat Dogs (Amos Walker #29))
He suddenly felt like he was a thousand miles from Berkeley, in some kind of alternate reality where beautiful people sat sipping martinis at sunset and went to art shows and jogged along the waterfront and had casual sex with other martini-drinking beautiful people. A world where there were no Malibu Barbie beach houses and plastic dinosaurs to bang into in the night, no mismatched shoes five minutes before school, no debates about how all the bath water wound up on the bathroom floor or who let the dog chew up the couch cushions.
P.J. Patterson
Colin rubbed his neck with his hand, regarding me like a hopeful puppy dog. "Are you sure you wouldn't prefer just to fling something at me and get it over with?" I leaned back against the cushioned back of the banquette, folded my arms across my chest, and waited. "Dempster?" I prompted. Colin considered for a moment, contemplated the olive plate, considered some more, and came out with, "We don't get on." "That much I figured out on my own." Colin shifted restlessly in his seat. "It's a long story." I patted the side of the glass carafe. "We have a large carafe of wine." Colin let himself relax into a rueful grin. "I really am sorry. I didn't mean to drag you into it." "Since I've already been dragged," I suggested, grasping the carafe with two hands and tipping it forwards over his glass, "it would be nice to know what's going on." "Thanks." Colin took the glass I held out to him. He raised it an ironic salute. "Cheers.
Lauren Willig (The Seduction of the Crimson Rose (Pink Carnation, #4))
Feelie Box—Cut a hole in a shoebox lid. Place spools, buttons, blocks, coins, marbles, animals, and cars in the box. The child inserts a hand through the hole and tells you what toy she is touching. Or, ask her to reach in and feel for a button or car. Or, show her a toy and ask her to find one in the box that matches. These activities improve the child’s ability to discriminate objects without the use of vision. “Can You Describe It?”—Provide objects with different textures, temperatures, and weights. Ask her to tell you about an object she is touching. (If you can persuade her not to look at it, the game is more challenging.) Is the object round? Cool? Smooth? Soft? Heavy? Oral-Motor Activities—Licking stickers and pasting them down, blowing whistles and kazoos, blowing bubbles, drinking through straws or sports bottles, and chewing gum or rubber tubing may provide oral satisfaction. Hands-on Cooking—Have the child mix cookie dough, bread dough, or meat loaf in a shallow roasting pan (not a high-sided bowl). Science Activities—Touching worms and egg yolks, catching fireflies, collecting acorns and chestnuts, planting seeds, and digging in the garden provide interesting tactile experiences. Handling Pets—What could be more satisfying than stroking a cat, dog or rabbit? People Sandwich—Have the “salami” or “cheese” (your child) lie facedown on the “bread” (gym mat or couch cushion) with her head extended beyond the edge. With a “spreader” (sponge, pot scrubber, basting or vegetable brush, paintbrush, or washcloth) smear her arms, legs, and torso with pretend mustard, mayonnaise, relish, ketchup, etc. Use firm, downward strokes. Cover the child, from neck to toe, with another piece of “bread” (folded mat or second cushion). Now press firmly on the mat to squish out the excess mustard, so the child feels the deep, soothing pressure. You can even roll or crawl across your child; the mat will distribute your weight. Your child will be in heaven.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)