Cushion Cover Quotes

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While you are continuing this practice, week after week, year after year, your experience will become deeper and deeper, and your experience will cover everything you do in your everyday life. The most important thing is to forget all gain ing ideas, all dualistic ideas. In other words, just practice zazen in a certain posture. Do not think about anything. Just remain on your cushion without expecting anything. Then eventually you will resume your own true nature. That is to say, your own true nature resumes itself.
Shunryu Suzuki (Zen Mind, Beginner's Mind: Informal Talks on Zen Meditation and Practice)
I dropped down on the cushion beside Lea and picked up the book she'd been reading. Turning the book over, my brows flew up as I got an eyeful of the hottie on the cover. "Wait. Is this book about aliens?" She snatched it back from me. "Yes." "Really?" "But they're hot aliens." She tapped on the guy's face with one thin finger. "And he can be my ET any day.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
Come on, shake off the covers of this sloth, for sitting softly cushioned, or tucked in bed, is no way to win fame.
Dante Alighieri (The Divine Comedy)
A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town all through the night in a silent storm, and they covered the roofs and blocked the doors and smothered the animals who slept outdoors. So many flowers fell from the sky that in the morning the streets were carpeted with a compact cushion and they had to clear them away with shovels and rakes so that the funeral procession could pass by.
Gabriel García Márquez (One Hundred Years of Solitude)
Jesus never concealed the fact that his religion included a demand as well as an offer. Indeed, the demand was as total as the offer was free. If he offered men his salvation, he also demanded their submission. He gave no encouragement whatever to thoughtless applicants for discipleship. He brought no pressure to bear on any inquirer. He sent irresponsible enthusiasts away empty. Luke tells of three men who either volunteered, or were invited, to follow Jesus; but no one passed the Lord’s test. The rich young ruler, too, moral, earnest and attractive, who wanted eternal life on his own terms, went away sorrowful, with his riches intact but with neither life nor Christ as his possession…The Christian landscape is strewn with the wreckage of derelict, half built towers—the ruins of those who began to build and were unable to finish. For thousands of people still ignore Christ’s warning and undertake to follow him without first pausing to reflect on the cost of doing so. The result is the great scandal of Christendom today, so called “nominal Christianity.” In countries to which Christian civilization has spread, large numbers of people have covered themselves with a decent, but thin, veneer of Christianity. They have allowed themselves to become somewhat involved, enough to be respectable but not enough to be uncomfortable. Their religion is a great, soft cushion. It protects them from the hard unpleasantness of life, while changing its place and shape to suit their convenience. No wonder the cynics speak of hypocrites in the church and dismiss religion as escapism…The message of Jesus was very different. He never lowered his standards or modified his conditions to make his call more readily acceptable. He asked his first disciples, and he has asked every disciple since, to give him their thoughtful and total commitment. Nothing less than this will do
John R.W. Stott (Basic Christianity (IVP Classics))
I never exchanged a word with the Colonel. He has no significance at all in what happened during my stay in Oxgodby. As far as I’m concerned he might just as well have gone round the corner and died. But that goes for most of us, doesn’t it? We look blankly at each other. Here I am, here you are. What are we doing here? What do you suppose it’s all about? Let’s dream on. Yes, that’s my Dad and Mum over there on the piano top. My eldest boy is on the mantelpiece. That cushion cover was embroidered by my cousin Sarah only a month before she passed on. I go to work at eight and come home at five-thirty. When I retire they’ll give me a clock – with my name engraved on the back. Now you know all about me. Go away: I’ve forgotten you already.
J.L. Carr (A Month in the Country)
The shelves covered all four walls of the square room, broken in three places by tall, narrow windows with stained-glass inserts above and upholstered seats below, liberally adorned with loose cushions – the sort of window seats that every book lover dreams of, visualises, yearns for… I stepped forward into the room, wonder-struck, inhaling the rich smell of oiled leather bindings and ancient paper and polished wood.
Susanna Kearsley (Mariana)
My name is Renee. I am 54 years old. For 27 years I have been the concierge at number 7, rue de Grenelle. . . I live alone with my cat, a big lazy tom who has no distinguishing features other than the fact that his paws smell bad wh...en he is annoyed. Neither he nor I make any effor tto take part in the social doings of our respective species. Because I am rarely friendly- though always polite- I am not liked, but am tolerated nonetheless: I correspond so very well to what social prejudice has collectively construed to be a typical French concierge that I am one of the multiple cogs that make the great universal illusion turn, the illusion according to which life has a meaning that can be easily deciphered. And since it has been written somewhere that concierges are old, ugly, and sour, so has it been branded in fiery letters on the pediment of that same imbecilic firmament that the aforementioned concierges have rather large dither cats who sleep all day on cushions covered with crocheted cases.
Muriel Barbery (The Elegance of the Hedgehog)
As ants, so soldiers. In the years to come he was to see the process at work again and again, sometimes in grim circumstances, sometimes in pleasant domesticity. Men unnaturally removed from wives and family began at once to build substitute homes, to paint and furnish, to make flower-beds and edge them with white-washed pebbles, to stitch cushion-covers on lonely gun-sites.
Evelyn Waugh (Men At Arms (Sword of Honour, #1))
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow. Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
Bob Thurber (Paperboy: A Dysfunctional Novel)
My blood stopped at the voice that drawled from behind me. At the scent that hit me, awoke me. My friends began smiling. I turned. Rhysand leaned against the archway into the sitting room, arms crossed, wings nowhere to be seen, dressed in his usual immaculate black jacket and pants. And as those violet eyes met mine, as that familiar half smile faded... My face crumpled. A small, broken noise cracked from me. Rhys was instantly moving, but my legs had already given out. The foyer carpet cushioned the impact as I sank to my knees. I covered my face with my hands while the past month crashed into me. Rhys knelt before me, knee to knee. Gently, he pulled my hands away from my face. Gently, he took my cheeks in his hands and brushed away my tears. I didn't care that we had an audience as I lifted my head and beheld the joy and concern and love shining in those remarkable eyes. Neither did Rhys as he murmured, 'My love,' and kissed me. I'd no sooner slid my hands into his hair than he scooped me into his arms and stood in one smooth movement. I pulled my mouth from his, glancing toward a pallid Lucien, but Rhysand said to our companions without so much as looking at them, 'Go find somewhere else to be for a while.' He didn't wait to see if they obeyed. Rhys winnowed us up the stairs, and launched into a steady, swift walk down the hallway.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
... a tiny room, furnished in early MFI, of which every surface was covered in china ornaments and plaster knick-knacks whose only virtue was that they were small, and therefore of limited individual horribleness. Cumulatively, they were like an infestation. Little vases, ashtrays, animals, shepherdesses, tramps, boots, tobys, ruined castles, civic shields of seaside towns, thimbles, bambis, pink goggle-eyed puppies sitting up and begging, scooped-out swans plainly meant to double as soap dishes, donkeys with empry panniers which ought to have held pin-cushions or perhaps bunches of violets -- all jostled together in a sad visual cacophony of bad taste and birthday presents and fading holiday memories, too many to be loved, justifying themselves by their sheer weight of numbers as 'collections' do.
Cynthia Harrod-Eagles (Blood Lines (Bill Slider, #5))
Their true wealth is invisible to them because it comes in the form of what they’re missing: that constant hum of anxiety that sucks the energy from the rest of us. If their refrigerator craps out, they can fix it. If they fall down the stairs, their insurance will cover the hospital bill. If the breadwinner loses his job, he’ll have his pick of landing spots. When I daydream about having money, it’s not about jewelry and Jacuzzis and Jet Skis. I dream about having that unseen cushion, that margin of error I can just take for granted.
Jason Pargin (If This Book Exists, You're in the Wrong Universe (John Dies at the End #4))
Here I am again, walking in circles around the shore. Lost after I found the truth, Heart turned upside down once more. The sound of the waves are healing, covering what the pain is revealing. The sand cushions my footsteps so that they may take me, and help me open the next door.
Renee Rentmeester
From her handbag she takes a round gilt compact with violets on the cover. She opens it, unclosing her other self, and runs her fingertip around the corners of her mouth, left one, right one; then she unswivels a pink stick and dots her cheeks and blends them, changing her shape, performing the only magic left to her. Rump on a packsack, harem cushion, pink on the cheeks and black discreetly around the eyes, as red as blood as black as ebony, a seamed and folded imitation of a magazine picture that is itself an imitation of a woman who is also an imitation, the original nowhere, hairless lobed angel in the same heaven where God is a circle, captive princess in someone's head. She is locked in, she isn't allowed to eat or shit or cry or give birth, nothing goes in, nothing comes out. She takes her clothes off or puts them on, paper doll wardrobe, she copulates under strobe lights with the man's torso while his brain watches from its glassed-in control cubicle at the other end of the room, her face twists into poses of exultation and total abandonment, that is all. She is not bored, she has no other interests.
Margaret Atwood (Surfacing)
I do like to fuck you." A slow smile curves his mouth. "I love it, actually." "Don't side with her!" My nails dig into the cushion beneath me. "Ugh!" The shout echoes off the rafters, and I cover my face with my hands. "Why does she turn me into such a fucking mess? And how do I make it stop?" I'll end up killing her before solstice.
Rebecca Yarros (Iron Flame (The Empyrean, #2))
And you could do it. I promise. It’s not even that hard. I mean look at me.’ She directed my attention to her unclean clothes, her swollen chest, damp spots on the cushions and looked about to laugh, then like she was going to cry, then merely exhausted. I asked her what she wanted for her birthday. Ingrid said, ‘When is it?’ I told her it was tomorrow. ‘In that case, a bag of salty liquorice. The kind from Ikea.’ The baby squirmed and pulled off. Ingrid let out a little cry and covered her breast. I helped her turn the cushion around and once he was on again, I asked if I could get her a kind of liquorice that didn’t require a journey to Croydon. She did cry then, telling me through tears that if I understood what it was like, being woken up fifty times a night and having to feed a baby every two hours when it takes an hour and fifty-nine minutes and feels like being stabbed in the nipple with four hundred knives, then I would be like, do you know what? I think I will just get my sister the liquorice she specifically likes.
Meg Mason (Sorrow and Bliss)
Then she sent Schweik for lunch and wine. And before he returned, she put on a filmy gown which made her extremely attractive and alluring. At lunch she drank a bottle of wine and smoked several Memphis cigarettes. And while Schweik was in the kitchen feasting on army bread which he soaked in a glass of brandy she retired to rest. "Schweik," she shouted from the bedroom. "Schweik!" Schweik opened the door and beheld the young lady in an enticing attitude among the cushions. "Come here." He stepped up to the bed, and with a peculiar smile she scrutinized his sturdy build. Then, she pulled aside the thin covering which had hitherto concealed her person. And so it came about that when the lieutenant returned from the barracks, the good soldier Schweik was able to inform him: "Beg to report, sir, I carried out all the lady's wishes and treated her courteously, just as you instructed me." "Thank you, Schweik," said the lieutenant. "And did she want many things done?" "About six," replied Schweik.
Jaroslav Hašek (The Good Soldier Švejk)
Sophia had been hard pressed not to laugh when MacLean had tripped over one of the floorboards she and Angus had pried loose. Better yet, MacLean had ripped his lace-edged sleeve on a broken nail in the doorframe of his bedchamber. She knew because she'd heard his loud curse from the hallway. Sophia had expected him to roar at the servants and demand things be repaired, but all he did was ask Angus for a hammer to protect himself from the loose boards and stray nails that seemed to plague MacFarlane House. To Sophia's delight, Angus had gloomily replied that there weren't enough hammers in the whole of Scotland to do that. Since Angus had left MacLean in his bedchamber, they hadn't heard a word from him. Perhaps the man was sleeping, although how could anyone sleep in such a damp room and with such a lumpy mattress and smoky chimney? More likely, he was awake and seething at being forced to endure such horrid conditions. She wished she had been there to witness his reaction to the threadbare furniture with broken springs and flat cushions, the inadequate bed coverings for the chilly chamber (it faced north, where the wind was fiercest), a window that was nailed slightly open, and more.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
Her knock was wimpier than she meant it to be—so wimpy that there was a second where she wasn’t sure if Keefe had actually heard her. But then he called out, “Back to nag me already? You seriously need to get yourself a hobby. I hear spelunking’s fun. Oooh, or you could try swimming with the krakens! I doubt they’d eat you—but maybe we’ll get lucky!” Which wasn’t exactly a “come in.” But Sophie still grabbed the silver handle and turned it—realizing only as she was yanking the door open that she should’ve made sure Keefe was dressed before she barged in. Thankfully, he was. Mostly… He lay sprawled across a huge bed that rested on a pedestal made of lacy bleached coral, wearing fuzzy blue pajama bottoms covered in tiny black gremlins, with his head propped against a familiar green gulon stuffed animal. “Foster?” he asked, jolting upright—which only drew more attention to the fact that he was currently shirtless. He crossed his arms, his cheeks flushing with a hint of pink when his ice blue eyes focused on her. “I… um… what are you doing here?” Ro snickered from the corner, where she lounged on a cushioned chaise, painting her claws the same purple she must have recently dyed the ends of her choppy pink pigtails. “Smooth, Lord Hunkyhair. Smooooooooooooooooooth
Shannon Messenger (Legacy (Keeper of the Lost Cities, #8))
Days passed, and she felt herself split down the middle, a wound that would never heal, and which she would never regret; because of him her heart would always be exposed to wind and weather. She worshiped him with many small acts of devotion, wondering at his marvelous foot, its skin like the thin silk covering of a cushion; she passed hours in stroking it with the tip of her finger and seeing how he spread his toes in delight—that he could take pleasure! That she could give it! His curled hand was a cockleshell warmed by the sun—she held it between her lips—she was astonished by him, that those small hands, those feet, contained such multitudes.
Sarah Perry (The Essex Serpent)
When you've been together for a long time, it's the little things that matter. In a long marriage, you don't need words to have a row, but you don't need words to say, "I love you," either. Once, when they were at Ikea, very recently, Roger had suggested when they were having lunch in the cafeteria that they each have a piece of cake because he understood that it was an important day for Anna-Lena, and because it was important to her, it was important to him as well. Because that's how he loves her. She went on rubbing the cushion cover that was nicer in the floral pattern and glanced over at the two women in a way Anna-Lena thought was discreet. The pregnant one and her wife; Roger was looking at them as well. He was holding the realtor's prospective with the layout of the apartment in his hand and grunted, "For God's sake, darling, look at this. Why do they have to call the small room 'child's room'? It could just as well be a perfectly ordinary damn bedroom." Roger didn't like it when there were pregnant women at apartment viewings because couples expecting a baby always bid too much. He didn't like children's rooms, either. That's why Anna-Lena always asks Roger as many questions as she can think of when they walk through the children's section in Ikea: to help distract him from the incomprehensible grief. Because that's how she loves him.
Fredrik Backman (Anxious People)
Ah-ah! Another kiss. Come here to me, Charlotte-Rose. Come and kiss me.' He flung himself down on the couch and held out his arms to me. I rose and went slowly towards him, searching his face, my stomach fluttering with nerves. His face softened. 'I will not hurt you, chérie.' He drew me down so our mouths met and clung. It was a long, long kiss. Somehow, I found myself lying back on the cushions, the Marquis' body half-covering mine, his hand tangling my hair, one shoulder bared to the cool night air. He lifted his mouth from mine, smiled at me and then shifted his body so that his mouth was at the junction of my collarbones, his tongue tracing lazy circles in the hollow. I sighed. My bones seemed made of honey, my skin dancing with a million tiny stars.
Kate Forsyth (Bitter Greens)
Floating" Our canoe idles in the idling current Of the tree and vine and rush enclosed Backwater of a torpid midwestern stream; Revolves slowly, and lodges in the glutted Waterlilies. We are tired of paddling. All afternoon we have climbed the weak current, Up dim meanders, through woods and pastures, Past muddy fords where the strong smell of cattle Lay thick across the water; singing the songs Of perfect, habitual motion; ski songs, Nightherding songs, songs of the capstan walk, The levee, and the roll of the voyageurs. Tired of motion, of the rhythms of motion, Tired of the sweet play of our interwoven strength, We lie in each other's arms and let the palps Of waterlily leaf and petal hold back All motion in the heat thickened, drowsing air. Sing to me softly, Westron Wynde, Ah the Syghes, Mon coeur se recommend à vous, Phoebi Claro; Sing the wandering erotic melodies Of men and women gone seven hundred years, Softly, your mouth close to my cheek. Let our thighs lie entangled on the cushions, Let your breasts in their thin cover Hang pendant against my naked arms and throat; Let your odorous hair fall across our eyes; Kiss me with those subtle, melodic lips. As I undress you, your pupils are black, wet, Immense, and your skin ivory and humid. Move softly, move hardly at all, part your thighs, Take me slowly while our gnawing lips Fumble against the humming blood in our throats. Move softly, do not move at all, but hold me, Deep, still, deep within you, while time slides away, As the river slides beyond this lily bed, And the thieving moments fuse and disappear In our mortal, timeless flesh.
Kenneth Rexroth (The Complete Poems)
Through Poppy’s eyes, she learned to see the treasures that the mountains held for those who lowered their eyes and let them linger on the ground: neat little mats of wild thyme encrusted on sun-baked rocks and stones covered with pin cushions of yellow saxifrage bobbing up and down between the sparkling ripples of the mountain streams. Lucy had passed waterfalls where tall, pink adenostyles stood proudly at the edge to be showered and splashed, and frothy clumps of white saxifrage cascaded from crannies in the shining, rocky sides into the tumbling waters below. She had wandered across hillsides where wild cumin blew on the breeze, ambled under the cool shadows of the pinewoods punctuated by bright, dainty astrantia and plodged through mountain bogs amongst the fluffy white drumsticks of cotton grass. 
Kathryn Adams Death in Grondère
The snow had ceased, but it caked the ground deeply now and the sleek ground car advanced through the deserted streets with lumbering effort. The murky gray light of incipient dawn was cold not only in the poetical sense but also in a very literal way—and even in the then turbulent state of the Foundation’s politics, no one, whether Actionist or pro-Hardin, found his spirits sufficiently ardent to begin street activity that early. Yohan Lee did not like that and his grumblings grew audible. “It’s going to look bad, Hardin. They’re going to say you sneaked away.” “Let them say it if they wish. I’ve got to get to Anacreon and I want to do it without trouble. Now that’s enough, Lee.” Hardin leaned back into the cushioned seat and shivered slightly. It wasn’t cold inside the well-heated car, but there was something frigid about a snow-covered world, even through glass, that annoyed him. He said, reflectively, “Some day when we get around
Isaac Asimov
Claire fell asleep on the couch with her head in Shane's lap as he and Michael and Eve kept talking, and talking, and talking. It was three a.m. when she woke up; Shane hadn't moved, but she was covered with a blanket, and he was sound asleep, sitting straight up. Claire yawned, groaned at sore muscles, and rolled to her feet. "Shane. Up. You need to go to bed." He woke up cute, softened by sleep. "Come with?" He was only half joking. She remembered being curled up with him in her bed, the night she'd been so scared; he'd been careful then, but she wasn't sure she could count on that kind of self-restraint at three a.m., when he was half-asleep. "I can't," she said reluctantly. "Not that I don't want to ..." He smiled and stretched out on his side on the couch, leaving a narrow space between his warm, solid body and the cushions. "Stay," he said. "I promise, no clothes will come off. Well, maybe shoes. Do shoes count as clothes?" She kicked hers off and climbed over him to slip into that small pocket, and sighed in relief as his body pressed against hers. She didn't even need the blanket, but he put it over the two of them anyway, and then combed her hair back from her neck and kissed her on the soft, vulnerable skin.
Rachel Caine (Midnight Alley (The Morganville Vampires, #3))
For long moments, head back, slowly riding him, she let sensation rule, let her senses expand and fill her mind. All but overwhelmed by sensual delight, by an awareness of her body and its potential for pleasure more extensive and more compelling than ever before, she slowed. He growled, a guttural sound that sparked a completely different awareness. An instant later, even before she could lift her lids, he rolled, taking her with him, trapping them both in a welter of covers. Cushioned in the billows of the bed, he held her beneath him and thrust- hard, deep. With a cry, she arched; as he thrust again, even deeper, she desperately caught her breath, then wrapped her arms about him, lifted her legs and gripped his flanks, and raked her nails across his back as she joined him in frantic urgency as he rode her. Hard, fast, desperate for fulfillment, willing to surrender all just to reach that peak. And then they were there, panting, wanting, reaching, stretching for the glory. It broke upon them, swept them up, shattered them, then on a gust of deep, mindless pleasure, surged through them and left them wrecked. Wrecked with pleasure. Smiling sillily, dizzy with delight, softly laughing, they slumped in each other's arms, and let the moment cradle them.
Stephanie Laurens (The Taste of Innocence (Cynster, #14))
One day, at a quiet hour, I found myself alone in a certain gallery, wherein one particular picture of pretentious size set up in the best light, having a cordon of protection stretched before it, and a cushioned bench duly set in front for the accommodation of worshipping connoisseurs, who, having gazed themselves off their feet, might be fain to complete the business sitting. This picture, I say, seemed to consider itself the queen of the collection. It represented a woman, considerably larger, I thought, than the life. I calculated that this lady, put into a scale of magnitude suitable for the reception of a commodity of bulk, would infallibly turn from fourteen to sixteen stone. She was indeed extremely well fed, very much butcher's meat, to say nothing of bread, vegetables, and liquids must she have consumed to attain that breadth and height, that wealth of muscle, that affluence of flesh. She lay half reclined on a couch – why, it would be difficult to say. Broad daylight blazed round her. She appeared in hearty health, strong enough to do the work of two plain cooks. She could not plead a weak spine. She ought to have been standing, or at least sitting bolt upright. She had no business to lounge away the noon on a sofa. She ought likewise to have worn decent garments – a gown covering her properly, which was not the case. Out of abundance of material, seven and twenty yards I should say, of drapery, she managed to make inefficient raiment. Then, for the wretched untidiness surrounding her, there could be no excuse. Pots and pans – or perhaps I ought to say, vases and goblets – were rolled here and there on the foreground, a perfect rubbish of flowers was mixed amongst them, and an absurd and disorderly mass of curtain upholstery smothered the couch and cumbered the floor. On referring to the catalog, I found that this this notable production bore name: 'Cleopatra.
Charlotte Brontë (Villette)
She tilts her head to the side after taking a sip of her tea, studying us. “You know, I can’t get over how beautiful you two are together. One of those couples you love to follow on Instagram, you know, the really cute ones that are so sickening in love that you can’t get enough of them.” Way to drop the love bomb, Mom. Jesus. Thankfully Emory doesn’t show any kind of hatred for the term but instead says, “Like Jennifer Lopez and A-Rod?” “Yes,” my mom answers with excitement. “Oh my gosh, I’m obsessed with watching their stories. The little videos they do together, I just can’t get enough of them. J-Rod,” my mom says dreamily. “Oh gosh, what would your couple name be?” She thinks about it for a second. “Emox . . . or Knemory. Oh I love Knemory. Sounds so poetic.” “Knemory does have a nice ring to it,” I add. “I don’t know, what about Emorox?” “Ohhh, that sounds like a name that belongs in The Game of Thrones.” Taking on a more masculine voice, my mom says, “Look out, Jon, Emorox is coming over the hill, with her fire-spitting dragons, Knemory and George.” “George?” Emory laughs out loud, covering her mouth. “Why George?” “Well, look at the names they have in that show? They’re all exotic names you’ve never heard before—Cersei, Gregor, Arya—and then in waltzes good old Jon Snow. It’s only fair that the dragons have a lemon in the bunch as well.” “Uh, Jon is anything but a lemon, Mom,” I defend. “He was raised from the dead.” My mom’s mouth drops, pure and utter shock in her face. “Jon Snow dies?” Shit. Emory elbows my stomach. “Where the hell is your GOT etiquette? You never talk about the facts of the show until the air is cleared about how far someone is in watching. You are one of those people who spoils everything for someone just catching up to the trend.” *Ahem* “I mean . . . uh . . . he doesn’t die.” “You just said he is raised from the dead,” my mom says. Feeling guilty, I reply, “Well, at least he’s still alive, right?” She slumps against the cushion of the couch and mutters, “Unbelievable.” “I’m sorry, Mrs. Gentry, that your son is a barbarian and broke your GOT trust.” Pressing her hand against her forehead, my mom says, “You know, I blame myself. I thought I taught him a shred of decorum, I guess not.” “Don’t blame yourself,” Emory coos. “You did everything right. It comes down to the hooligans he hangs out with. There’s only so much you can control after they leave the nest.” “You’re absolutely right,” my mom agrees and leans across the couch to smack me in the back of the head. “Hey,” I complain while rubbing the sore spot. I look between the two women in my life and I say, “I don’t like this ganging up on me shit.” “You wanted us to get along, right?” Emory asks. “Well, I happen to like your mom, especially since she complimented my bosom.” “Ah, I see.” I continue to look between the two of them. “You’re okay with my mom catching you with your shirt off now, moved past the embarrassment?” Emory’s eyes narrow. “With that kind of attitude, it might be the very last time you see me topless.” My mom raises her fist to the air, as if to say, “Girl Power.” And then she says, “You tell him, Emory. Don’t let him push you around.” “I wasn’t pushing her around—” “You keep that beautiful bosom under lock and key, and if you have a temptation to show anyone, just flash me.” “Mom, do you realize how wrong that is?” “Want to go to the bathroom right now, Mrs. Gentry?” “I would be delighted to.” They both stand but before they can make a move, I pull on Emory’s hand, bringing her back down to my lap. “No way in hell is that happening. Jesus, what is wrong with you?
Meghan Quinn (The Locker Room (The Brentwood Boys, #1))
Feelie Box—Cut a hole in a shoebox lid. Place spools, buttons, blocks, coins, marbles, animals, and cars in the box. The child inserts a hand through the hole and tells you what toy she is touching. Or, ask her to reach in and feel for a button or car. Or, show her a toy and ask her to find one in the box that matches. These activities improve the child’s ability to discriminate objects without the use of vision. “Can You Describe It?”—Provide objects with different textures, temperatures, and weights. Ask her to tell you about an object she is touching. (If you can persuade her not to look at it, the game is more challenging.) Is the object round? Cool? Smooth? Soft? Heavy? Oral-Motor Activities—Licking stickers and pasting them down, blowing whistles and kazoos, blowing bubbles, drinking through straws or sports bottles, and chewing gum or rubber tubing may provide oral satisfaction. Hands-on Cooking—Have the child mix cookie dough, bread dough, or meat loaf in a shallow roasting pan (not a high-sided bowl). Science Activities—Touching worms and egg yolks, catching fireflies, collecting acorns and chestnuts, planting seeds, and digging in the garden provide interesting tactile experiences. Handling Pets—What could be more satisfying than stroking a cat, dog or rabbit? People Sandwich—Have the “salami” or “cheese” (your child) lie facedown on the “bread” (gym mat or couch cushion) with her head extended beyond the edge. With a “spreader” (sponge, pot scrubber, basting or vegetable brush, paintbrush, or washcloth) smear her arms, legs, and torso with pretend mustard, mayonnaise, relish, ketchup, etc. Use firm, downward strokes. Cover the child, from neck to toe, with another piece of “bread” (folded mat or second cushion). Now press firmly on the mat to squish out the excess mustard, so the child feels the deep, soothing pressure. You can even roll or crawl across your child; the mat will distribute your weight. Your child will be in heaven.
Carol Stock Kranowitz (The Out-of-Sync Child: Recognizing and Coping with Sensory Processing Disorder)
Then they went into José Arcadio Buendía's room, shook him as hard as they could, shouted in his ear, put a mirror in front of his nostrils, but they could not awaken him. A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town all through the night in a silent storm, and they covered the roofs and blocked the doors and smothered the animals who slept outdoors. So many flowers fell from the sky that in the morning the streets were carpeted with a compact cushion and they had to clear them away with shovels and rakes so that the funeral procession could pass by.
Gabriel García Márquez (One Hundred Years of Solitude)
firm, nonslip blanket, yoga mat, beach towel, or exercise or camping mat can be used to lie on. A thin (one- to three-inch) cushion or pillow can support your head and maintain the neck’s natural arch. Be careful: a thick pillow easily creates tension in the neck and this is to be avoided. An eye pillow, wash cloth, or scarf can cover your eyes. Even though your eyes will be closed, the extra darkness and weight of the eye cover enhances relaxation significantly. It calms the brain and reduces restlessness by preventing unnecessary eye movements. Do not cover your nose. Firm bolsters or pillows can be used to support your back and legs. Cover up with a cozy blanket to keep warm. Your body temperature is likely to drop during deep relaxation. Getting cold is a nuisance.
Julie T. Lusk (Yoga Nidra for Complete Relaxation and Stress Relief)
Where are all my clothes?” I jerked awake, knocking my elbow against the headboard. Any hopes of it all being a dream were dashed by the sight of Tristan, his arms full of colorful silk dresses, storming about the room. Both my maids and a grey-clad manservant stood in a row, their heads lowered. Covers tucked up around my shoulders, I watched Tristan dash into the closet and emerge with another armload of dresses. He threw them in a pile on the floor. “Why is my closet full of dresses?” “Are they mine?” I asked with interest. Silver eyes fixed on me. “Well, they certainly are not mine. Unless you imagine that I dress up in ladies’ clothing and prance about the palace when the mood strikes me?” A giggle slipped out of Élise, which she promptly smothered with a hand over her mouth. “You consider this a laughing matter?” Tristan glowered at the girl. “Sorry, my lord,” she said. “Your clothes are in the other closet.” “Why?” “Her Grace thought the larger closet more appropriate for her ladyship’s gowns, my lord.” “She did, did she?” He stormed back into the closet, returning with another armload. “That’s the last of them.” “You are wrinkling my dresses,” I said. “Zoé and Élise will waste their entire day pressing them.” “And then they can hang them somewhere else,” he snapped. “You’re creating an enormous amount of unnecessary work.” “It is the role of the aristocracy to create work,” he said, kicking the pile of gowns. “Necessary or otherwise. Without us, who knows what would happen to productivity.” I rolled my eyes and climbed out of bed. Catching the corner of a sheet, I set to making the bed. “What are you doing?” Tristan shouted. “What does it look like I’m doing?” “Ladies do not make their own beds! It shows initiative, which is broadly considered most unladylike!” My temper rising, I whirled about. “Dear me,” I shouted. “I must have forgotten that my new purpose in life is to create work.” Jerking all the blankets off the bed, I threw them on the floor. The pillows followed next, and I proceeded to run around the room taking all the cushions off the chairs and tossing them about the room. The last I deliberately aimed at Tristan’s head. It froze midair. “You are making quite the mess of my room.” “Our room!” I shouted back.
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
It didn’t necessarily mean that he’d been awake all night washing away his mother’s blood. She looked under the bed and felt behind the wardrobe. No porn. No girlie posters on the walls. In fact there were no pictures on the walls at all, only a framed certificate from his catering course. What did he do for sex? Probably used the Internet, like most of the UK’s male population. It came to Vera that more than likely he was a virgin. In contrast, Miranda’s room was surprisingly big. Opulent and glamorous in an old-fashioned way. It held a double bed, piled with pillows and silk-covered cushions, in various shades of purple. These seemed to have been artfully arranged – another sign, Vera thought, that Miranda hadn’t been to bed the night before. There was a small wrought-iron grate, just for decoration now. Where the fire would once have been laid stood a candle in a big blue candle-holder, identical to the one on the table on the terrace. Was that significant? Vera tried to remember if she’d seen one like it in the main house. On one side of the chimneybreast, bookshelves had been built into the alcove, and on the other stood a big Victorian wardrobe. There was a dressing table with an ornate framed mirror under the window, and an upholstered stool in front of it. No PC. So what did Miranda do for sex? The question came, unbidden, into her head. Vera sat on the stool and gave a wry smile into the mirror. She knew her team had sometimes asked the same question about her. But not recently. As you got older, folk seemed to think you could do without. This is where Miranda would have sat to prepare herself to meet the residents. Again Vera was reminded of an ageing actress. Her dressing table was scattered with make-up. The woman hadn’t shared her son’s obsession with order and cleanliness. And beyond the mirror there was a view to the coast. It wasn’t possible to see the terrace from here – it was in the shadow of the big house. But the beach was visible. What had Miranda been thinking as she put on her face, as she brushed her hair and held it in place with spray? That her life as a writer was over? Or did she still hope for the big break, the posters on the Underground and the reviews in the Sunday papers? Was she still writing? It seemed to Vera that this question was so important, so fundamental, that she’d been a fool not to consider it before. If Miranda had written a new book, and Tony Ferdinand had offered to help her find a home for it, of course Miranda would be shattered to find him dead. The stabbed body would symbolize her shattered dreams. It wouldn’t be easy for a middle-aged
Ann Cleeves (The Glass Room (Vera Stanhope, #5))
Law is not in the law books. Books are one of the first things that come to mind when we think about law: fat texts almost too heavy to lift; dust-covered, leather-bound tomes of precedents; law libraries filled with rows and rows of statutes and judicial opinions. While books tell us a lot about the law, they are not the law. Instead, law lives in conduct, not on the printed page; it exists in the interactions of judges, lawyers, and ordinary citizens. Think, for example, about one of the laws we most commonly encounter: the speed limit. What is the legal speed limit on most interstate highways? Someone who looked only in the law books might think the answer is 65 mph, but we know better. If you drive at 65 mph on the New Jersey Turnpike, be prepared to have a truck bearing down on you, flashing its lights to get you to pull into the slow lane. The speed limit according to drivers’ conduct is considerably higher than 65. And legal officials act the same way. The police allow drivers a cushion and never give a speeding ticket to someone who is going 66. If they did, the judges would laugh them out of traffic court. As a practical matter, the court doesn’t want to waste its time with someone who violated the speed limit by 1 mph, and as a matter of law, the police radar may not be accurate enough to draw that fine a line anyway. So what is the law on how fast you can drive? Something different than the books say.
Jay M. Feinman (Law 101: Everything You Need to Know About American Law)
But that goes for most of us, doesn’t it? We look blankly at each other. Here I am, here you are. What are we doing here? What do you suppose it’s all about? Let’s dream on. Yes, that’s my Dad and Mum over there on the piano top. My eldest boy is on the mantelpiece. That cushion cover was embroidered by my cousin Sarah only a month before she passed on. I go to work at eight and come home at five-thirty. When I retire they’ll give me a clock – with my name engraved on the back. Now you know all about me. Go away: I’ve forgotten you already.
J.L. Carr (A Month in the Country)
I sighed. “It’s not the same.” We had come to a stop in the wide front passage, with the Great Hall behind us, and my worst fears were confirmed as Geoff swung open the door to reveal floor-to-ceiling mahogany shelves filled with books of every possible size and shape and age. The shelves covered all four walls of the square room, broken in three places by tall, narrow windows with stained-glass inserts above and upholstered seats below, liberally adorned with loose cushions—the sort of window seats that every book lover dreams of, visualizes, yearns for… I stepped forward into the room, wonder-struck, inhaling the rich smell of oiled leather bindings and ancient paper and polished wood.
Susanna Kearsley (Mariana)
Cushions and rugs, goblets and trays and half-full decanters cover every surface- all of them in a riot of colours: vermillion and umber, peacock blue and bottle green, gold and damson plum.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Thus Sampath was gradually provided with all sorts of comforts and, the more elaborate his living arrangements, the happier he was. He made a lovely picture, seated there amidst the greenery, reclining upon his cot at a slight angle to the world; propped against numerous cushions; tucked up, during chilly evenings, in a glamorous satin quilt covered with leopard-skin spots, chosen by Ammaji in the bazaar. On his head, he sported a tea-cosy-like red woollen hat, also given to him by Ammaji, who had knitted it and raised it to him on a stick.
Kiran Desai (Hullabaloo in the Guava Orchard)
This pattern is similar to lattice. It diverges in at alternating points with interruptions in the lines of the lattice, which results in a pattern that is more complex to the eye. Use it for women’s coats, skirts, cushion covers, and washcloths. Cast on a multiple of 2 sts. Rows 1, 3, 5, and 7 (WS): Purl. Row 2 (RS): *LT, k2, LT, RT; rep from * to end. Row 4: K1, *LT, k2, RT, k2; rep from *, ending last rep k1. Row 6: *RT, LT, RT, k2; rep from * to end. Row 8: K3, *LT, k2, RT, k2; rep from * to last 5 sts, LT, k3. Rep rows 1–8 for broken lattice.
Sharon Turner
Broken Lattice This pattern is similar to lattice. It diverges in at alternating points with interruptions in the lines of the lattice, which results in a pattern that is more complex to the eye. Use it for women’s coats, skirts, cushion covers, and washcloths. Cast on a multiple of 2 sts. Rows 1, 3, 5, and 7 (WS): Purl. Row 2 (RS): *LT, k2, LT, RT; rep from * to end. Row 4: K1, *LT, k2, RT, k2; rep from *, ending last rep k1. Row 6: *RT, LT, RT, k2; rep from * to end. Row 8: K3, *LT, k2, RT, k2; rep from * to last 5 sts, LT, k3. Rep rows 1–8 for broken lattice.
Sharon Turner
Curling up on an engulfing couch as snow drifts down outside, toes hidden beneath warm blankets; lying sideways on a cushioned chaise while cool sea breezes gently stir the sunny afternoon air; hiding under the covers with a flashlight while rain beats down outside, all of these anchored by a collection of thoughts and ideas bound together, alone in whatever world the author created.
Chris Kluwe (Beautifully Unique Sparkleponies: On Myths, Morons, Free Speech, Football, and Assorted Absurdities)
Christopher went still. After a long hesitation, she heard him ask in a far more normal voice, “What are you doing?” “I’m making it easier for you,” came her defiant reply. “Go on, start ravishing.” Another silence. Then, “Why are you facing downward?” “Because that’s how it’s done.” Beatrix twisted to look at him over her shoulder. A twinge of uncertainty caused her to ask. “Isn’t it?” His face was blank. “Has no one ever told you?” “No, but I’ve read about it.” Christopher rolled off her, relieving her of his weight. He wore an odd expression as he asked, “From what books?” “Veterinary manuals. And of course, I’ve observed the squirrels in springtime, and farm animals, and--” She was interrupted as Christopher cleared his throat loudly, and again. Darting a confused glance at him, she realized that he was trying to choke back amusement. Beatrix began to feel indignant. Her first time in a bed with a man, and he was laughing. “Look here,” she said in a businesslike manner, “I’ve read about the mating habits of over two dozen species, and with the exception of snails, whose genitalia is on their necks, they all--” She broke off and frowned. “Why are you laughing at me?” Christopher had collapsed, overcome with hilarity. As he lifted his head and saw her affronted expression, he struggled manfully with another outburst. “Beatrix. I’m…I’m not laughing at you.” “You are!” “No I’m not. It’s just…” He swiped a tear from the corner of his eye, and a few more chuckles escaped. “Squirrels…” “Well, it may be humorous to you, but it’s a very serious matter to the squirrels.” That set him off again. In a display of rank insensitivity to the reproductive rights of small mammals, Christopher had buried his face in a pillow, his shoulders shaking. “What is so amusing about fornicating squirrels?” Beatrix asked irritably. By this time he had gone into near apoplexy. “No more,” he gasped. “Please.” “I gather it’s not the same for people,” Beatrix said with great dignity, inwardly mortified. “They don’t go about it the same way that animals do?” Fighting to control himself, Christopher rolled to face her. His eyes were brilliant with unspent laughter. “Yes. No. That is, they do, but…” “But you don’t prefer it that way?” Considering how to answer her, Christopher reached out to smooth her disheveled hair, which was falling out of its pins. “I do. I’m quite enthusiastic about it, actually. But it’s not right for your first time.” “Why not?” Christopher looked at her, a slow smile curving his lips. His voice deepened as he asked, “Shall I show you?” Beatrix was transfixed. Taking her stillness as assent, he pressed her back and moved over her slowly. He touched her with care, arranging her limbs, spreading them to receive him. A gasp escaped her as she felt his hips settle on hers. He was aroused, a thick pressure fitting against her intimately. Bracing some of his weight on his arms, he looked down into her reddening face. “This way,” he said, with the slightest nudge, “…is usually more pleasing to the lady.” The gentle movement sent a jolt of pleasure through her. Beatrix couldn’t speak, her senses filled with him, her hips catching a helpless arch. She looked up at the powerful surface of his chest, covered with a tantalizing fleece of bronze-gold hair. Christopher lowered further, his mouth hovering just over hers. “Front to front…I could kiss you the entire time. And the shape of you would cushion me so sweetly…like this…” His lips took hers and coaxed them open, wringing heat and delight from her yielding flesh. Beatrix shivered, her arms lifting around his neck. She felt him all along her body, his warmth and weight anchoring her.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
After that they had the presents. Those from the guests to the hosts were chiefly a disguised dole: tins or pots of more or less luxurious food, bottles of hard liquor, wide-spectrum gift tokens. Hosts showered guests with diversely unwearable articles of clothing: to Keith from Adela, a striped necktie useful for garroting underbred rivals in his trade; to Tracy from George, a liberation-front lesbian's plastic apron. Under a largely unspoken kind of non-aggression pact, the guests gave one another things like small boxes of chocolates or very large boxes of matches with (say) aerial panoramas of Manhattan on their outsides and containing actual matches each long enough, once struck, to kindle the cigarettes of (say) the entire crew of a fair-sized merchant vessel, given the assembly of that crew in some relatively confined space. Intramural gifts included a bathroom sponge, a set of saucepans, a cushion in a lop-sided cover, a photograph-frame wrought by some vanished hand and with no photographs in it, an embroidered knitting bag. Keith watched carefully what Bernard gave, half expecting a chestnut-coloured wig destined for Adela, or a lavishly-illustrated book on karate for George, but was disappointed, although he savored Bernard's impersonation of a man going all out to hide his despondency as he took the wrappings off present after useless, insultingly cheap, no doubt intended to be facetious, present.
Kingsley Amis
When you have a cash cushion to fall back on, you can opt for higher deductibles (the amount you pay before the insurance kicks in) on your auto, homeowners, and other insurance policies. If you think of your insurance policies as safeguards against major catastrophes rather than something that covers smaller expenses, the savings can be huge.
Pamela Yellen (The Bank On Yourself Revolution: Fire Your Banker, Bypass Wall Street, and Take Control of Your Own Financial Future)
Raised in privilege, Robert Moses was always cushioned from real life; from the age of nine, he slept in a custom-made bed and was served dinner prepared by the family’s cook on fine china. As Parks Commissioner, he swindled Long Island farmers and homeowners out of their land to build his parkways—essentially cattle chutes that skirted the properties of the rich, allowing those well-off enough to own a car to get to beaches disfigured by vast parking lots. He cut the city off from its waterfront with expressways built to the river’s edge, and the parks he built were covered with concrete rather than grass, leaving the city grayer, not greener, than it had been before. The ambient racism of the time hardly excuses his shocking contempt for minorities: of the 255 new playgrounds he built in the 1930s, only one was in Harlem. (Physically separated from the city by wrought-iron monkeys.) In the decade after the Second World War, he caused 320,000 people to be evicted from their homes; his cheap, sterile projects became vertical ghettos that fomented civic decay for decades. If some of his more insane schemes had been realized—a highway through the sixth floor of the Empire State Building, the Lower Manhattan Expressway through today’s SoHo, the Battery Bridge whose approaches would have eliminated Castle Clinton and Battery Park—New York as we know it would be nearly uninhabitable. There is a name for what Robert Moses was engaged in: class warfare, waged not with armored vehicles and napalm, but with bulldozers and concrete.
Taras Grescoe
Buy designer cushion covers including designer cushions & modern accent cushions at Freedom Tree.
freedomtree
She lifts her feet up onto the couch. Her thighs are plump and perfect and I suddenly want to touch them. I have to fight to keep my hands on my side of the couch, because while she might like me, she’s definitely not at the same place I’m at. “Stop it,” she says. I jerk my eyes back up to her face. “Stop what?” “Stop staring at my fat.” “I wasn’t staring at fat.” I look into her eyes. “I was staring at those awesomely gorgeous legs, if you must know.” She rolls her eyes. “Well, stop it.” “Can’t. Sorry. They’re awesome. And awesome things get stared at. Deal with it.” I grin at her. She’s not amused. She puts her feet back down on the floor. “I think I’m going to go to bed.” “Don’t go.” I grab her as she tries to get up, but with my bum leg, I can’t chase her down. I grab her forearm and gently pull her back down, only this time she’s on the middle couch cushion. “I’m sorry. I’ll stop.” I hold up my hands like I’m surrendering to the cops. “I promise.” She settles back against the sofa. “You make me nervous,” she admits. What? “Why?” “I don’t know how to take you.” I shrug. “Just take me at face value, I guess?” I make it sound like a question, but it’s not. “But you have so many faces.” She covers her own face with her hands and groans. “No, I don’t.” I look at her. Really look at her. “I’m the same guy you see every single time I’ve been with you.” “I didn’t mean to make you angry.” She has been talking to me for about five minutes without tapping or banging anything. I look down at her feet. She’s tapping out a rhythm with her bare, pink little toes. “I’m not angry,” I tell her. “Then what are you?” “I’m just a guy with a seriously hot chick on his couch watching the chef cook-off show.” I lay my hands on my stomach. “My belly is full, my apartment’s not empty for the first time in months, and I’m happy you’re here. Can you just live with that?” She
Tammy Falkner (Zip, Zero, Zilch (The Reed Brothers, #6))
Epiphyses The epiphyses (e-pif9ĭ-sēz; singular: epiphysis) are the bone ends (epi 5 upon). In many cases, they are broader than the diaphysis. An outer shell of compact bone forms the epiphysis exterior and their interior contains spongy bone. A thin layer of articular (hyaline) cartilage covers the joint surface of each epiphysis, cushioning the opposing bone ends during movement and absorbing stress.
Elaine N. Marieb (Human Anatomy & Physiology)
She rose heavily from her chair and motioned to me to follow. I walked very close to her, these days—she didn’t seem completely steady on her feet, and frequently listed to one side, like a badly loaded ship in high seas. But she made it, her hand trailing the wall for extra stability. “Under that bed, dear. No, there. There are two chests. That’s it.” I knelt and wrenched out two heavy wooden boxes with lids. Opening them, I found them filled to the brim with rows of buttons, zippers, tapes, and fringes. There were hooks and eyes, fastenings of every type, all neatly separated and labeled, brass naval buttons and tiny Chinese ones, covered with bright silk, bone, and shell, sewn neatly onto little strips of card. In the cushioned lid sat sprays of pins, rows of different-sized needles, and an assortment of silk threads on tiny pegs. I ran my
Jojo Moyes (Still Me (Me Before You #3))
However, the words died on my tongue when I stepped fully onto the rooftop and saw what he’d planned for our first date. Oh my God. A giant standing TV screen dominated one side of the rooftop, kitty-corner to a table covered with every snack one could think of. There were white ceramic dishes filled with M&M’s, pretzels, gummy bears, and other candies I couldn’t identify at this distance; plates groaning with chips, cookies, and sundry snacks; massive bowls containing six different types of popcorn; and a full charcuterie board. A champagne bucket sat next to tea, coffee, and three bottles of wine (one red, one white, one rosé). Beneath the table, a glass-fronted minifridge boasted an assortment of water, juice, and soda. Area rugs and potted plants scattered across the floor, lending the scene a cozy feel. Strategically placed candles and the canopy of lights overhead illuminated the rooftop in lieu of the setting sun while portable heat lamps warded off the cold. However, the real star of the show was the giant mattress laid out in front of the screen. Piled high with pillows, cushions, and cashmere blankets, it looked so cozy I wanted to dive right into the middle and never get up. The entire setup was so cheesy, it looked like something out of a rom-com. And I loved it.
Ana Huang (King of Sloth (Kings of Sin, #4))
Fern Fabric is the best in a sleeping cushion defender. The sleeping cushion and covers are waterproof. The benefit of utilizing these sleeping dust mite pillow protector that it keeps the allergens far away from your body and sheets.
Fern Fabric
You do know scones are not donuts, right?" Nina wasn't one to pass up any baked goods, but a donut was a donut. No scone would do. "This is not your white, British-royals high tea, my friend. This is Highland Park high tea. It opened a month ago, and I think we're about to have our whole world rocked." The Jam's exterior was black-and-white---- if you blinked you'd miss it. But when they went inside Nina immediately spotted a colorful mural of dinosaurs seated on velvet cushions, eating donuts and drinking out of porcelain cups. A pristine glass display case on the opposite wall featured rows and rows of endless donuts--- a happy welcoming committee of frosting and dough. "We'll be having tea for two," Jasmine said at the counter. "And for my donut, could I get the Swirly Rosewater, please?" As soon as she saw the names and flavors of the donuts, she instantly knew two things: one, she was going to love these, and two, Leo would absolutely hate them. Nina suddenly felt sympathy for Leo any time a contestant created a unique flavor pairing on the show. She raced to find the donut her friend had ordered in the case, and landed on a frosted pink cake donut that had a lemon rosewater glaze topped with roasted pistachios. "You live your life in pink, Jas." "No better color. So from what I read online, the deal is that instead of scones, they do vegan donuts---" Nina's eyes narrowed, and Jasmine glared right back. "Don't judge. What are you going to get?" "I need chocolate," Nina said. She scanned the rows in search of the perfect solution. "May I recommend our Chocolate from the Crypt donut?" the saleswoman suggested from behind the display. Her sharp bangs and blunt ponytail bobbed as she explained, "It's our fall-themed donut--- chocolate cake with a chocolate glaze, and it's got a kick from the cayenne pepper and cinnamon we add in." "Oh, my donut," Nina said. In the case was an absolutely gorgeous chocolate confection--- the cayenne and cinnamon flakes on the outside created a black-and-orange effect. "I am sold." "You got it." The saleswoman nodded and rang them up. A narrow hallway covered in murals of cartoon animals drinking tea led them to the official tearoom. Soaring ceilings revealed exposed beams and brick walls, signaling that the building was likely older and newly restored. Modern, barrel-back walnut chairs were clustered around ultrasleek Scandinavian round tables. Nina felt like she'd followed Jasmine down a rabbit hole and emerged into the modern interpretation of the Mad Hatter's tea party. "This is like..." Nina began. "It's a fun aesthetic." "I know, right?" Jasmine replied as they sat down. "It makes me feel like I'm not cool enough to be here, but glad I got invited." Nina picked up the prix fixe high tea menu on the table. The Jam's version of finger sandwiches were crispy "chicken" sliders, potato-hash tacos and mini banh mi, and in lieu of scones, they offered cornbread with raspberry jam and their signature donuts. "And it's all vegan...?" "Yes, my friendly carnivore, and hopefully delicious.
Erin La Rosa (For Butter or Worse (The Hollywood Series #1))
He heard a page turning beside him: Paola obviously had kept some text secreted about her person or under the cushion where she sat, left there in the event that life presented her with the necessity of spending three minutes with nothing to read.
Donna Leon (By Its Cover (Commissario Brunetti, #23))
CHRISTMAS FUSS IN BARBADOS IN THE 70’S 1.BUY A BOTTLE OF FALERNUM 2.PUT DOWN CONGOLEUM IN THE SHEDROOF, AFTER SCRUBBING/VARNISHING THE FLOOR 3.WASH DOWN THE HOUSE AND CLEANED THE WINDOWS 4.BAKE GREAT CAKE AND PUDDING 5.GRATE COCONUTS TO MAKE SWEETBREAD 6.HUNG UP CURTAIN RODS/ NEW CURTAINS ON CHRISTMAS EVE 7.TRUST CREAM SACHETS IN FANCY BOTTLES/BIG WHEEL COLOGNE, SKIN SOFTENERS FROM AVON LADY 8.BUY ENGLISH APPLES AND A SHADDOCK FROM THE MARKET 9.WEED AROUND THE HOUSE 10. A CASE OF SOFT DRINKS-JU-C, FRUTEE, BIM, BBC GINGER, COKES 11.GO TO ELLIS QUARRY AND GET SOME MARL 12.PICK GREEN PEAS 13.STEEP SORREL 14.CHANGE THE CUSHION COVERS 15.SANDPAPER THE MAHOGANY CHAIRS 16.CLEAN THE CABINET AND WASHED ALL THE FINE CHINA 17.BUY HAM IN WHITE BURLAP BAG 18.DECANTER OF PORT WINE 19.PICK UP CLOTHES FROM THE NEEDLE WORKER 20.WASH AND PRESS HAIR 21.BUY PIECE OF FRESH PORK 2016
Charmaine J. Forde
Fancy,” he said as Day draped herself over it. She looked so much like Lehabah that his chest ached. “Seeing me like this causes you distress.” “No,” he said, puzzled as to how she’d read his emotions when night and stars covered his features. “No, it’s … I, ah, lost a friend a few months ago. She loved to sit on a couch like that one. She was a fire sprite, so your whole fire thing … struck a little close to home.” She angled her head, flame shifting with her. “How did she die?” He checked himself before he could reveal too much. “It’s a long story. But she died saving my—someone I love.” “Then her death was noble.” “I should have been there.” Ruhn leaned back against the cushions and gazed toward the endless black above them. “She didn’t need to make that sacrifice.” “You would have traded your life for a fire sprite’s?” There was no condescension in the question—merely bald curiosity. “Yeah. I would have.” He lowered his stare back to her. “Anyway, we made the intel drop-off. Nearly got caught, but we did it.” She straightened slightly. “By whom?” “Mordoc. The Hind. The Harpy.” She stilled. Her fire guttered to that violet blue. “They are lethal. If you’re caught, you will be lucky to just be killed.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
The fragility and remorselessness of this life demanded a certain level of discipline. If a single slip could produce disaster, with little in the way of a social safety net to cushion the fall; if death, or drought, or disease, or betrayal could come crushingly at any moment; then character and discipline were paramount requirements. This was the shape of life: an underlying condition of peril, covered by an ethos of self-restraint, reticence, temperance, and self-wariness, all designed to minimize the risks. People in that culture developed a moral abhorrence of anything that might make life even more perilous, like debt or childbirth out of wedlock. They developed a stern interest in those activities that might harden resilience.
David Brooks (The Road to Character)
Before Chiara's eyes, a cottage sprang from the ground, with a pale blue door and windows with painted doves. "Oh, my!" Chia exclaimed. Inside, the cottage was sparsely furnished, with four wooden chairs covered in blue cotton cushions, a table with hearts carved along the edges, an oven that smelled like chocolate and cherries, and a harpsichord in the corner by the window. But it was everything Chiara could have dreamt of. A home of her own. "This spot is one of my favorites," Agata narrated. "Absolutely lovely. Look there, you've a view of the Silver Brook, and in the mornings the moon crickets sing most beautifully." Chiara inhaled. All the smells she had loved most from home---the wild grass, the pine cones from the trees, the fresh loaves Papa baked before dawn, the musty parchment from Ily's music paper. They flooded her nostrils all at once, as if she'd brought them with her.
Elizabeth Lim (When You Wish Upon a Star)
On an bed, surrounded by a confusion of potted pants, exotic palms and cut flowers, faintly over-sung by the notes of unseen birds, which seem to have forgotten - left without the usual silence cover, which, like cloaks on funeral urns, are cast over their cages at night by good housewives - half flung off the support of the cushions from which, in a moment of threatened consciousness she had turned her head, lay the young woman, heavy and dishevelled. Her legs, in white flannel trousers, were spread as in a dance, the thick-laquered pumps looking too lively for the arrested step. Her hands, long and beautiful, lay on either side of her face.
Djuna Barnes (Nightwood)
Whatever was lacking within him that made it impossible to confront the difficulties of life could not be supplied with words. She saw it now. There was a void in his being that had been padded and cushioned over the years, and now that covering had grown impregnable. She bit on her bottom lip and swallowed back a sob. God had given her what she prayed for—a little boy who would always need her.
Gloria Naylor (The Women of Brewster Place)
It worried me, this covering of couches. What could be so frightfully dirty that fourteen layers of linens were needed to cover it? Sensing this could be a test, I shifted slightly to see if someone might have placed a pea somewhere under the cushion that I was supposed to feel with my behind. Nothing. I guess I'll never be a princess.
Gregory S. Williams (Fatal Indemnity)
You push the chair right up next to them so the fabrics are touching. You carefully extract two balls of molten coal from the ashes with the tongs, carefully placing each one in the middle of the cushions. Now you sit back to watch them melting in, deep down. The glowing balls sink greedily into the soft foam, and the scorched fabric cover of the cushion shrinks back as if it’s trying to escape.
K.L. Slater (Safe With Me)
The anti-revolutionary temper of the Revolution belongs to 1787, not to 1776. Another element was at work, and it is the other element that is new, effective, characteristic, and added permanently to the experience of the world. The story of the revolted colonies impresses us first and most distinctly as the supreme manifestation of the law of resistance, as the abstract revolution in its purest and most perfect shape. No people was so free as the insurgents; no government less oppressive than the government which they overthrew. Those who deem Washington and Hamilton honest can apply the term to few European statesmen. Their example presents a thorn, not a cushion, and threatens all existing political forms, with the doubtful exception of the federal constitution of 1874. It teaches that men ought to be in arms even against a remote and constructive danger to their freedom; that even if the cloud is no bigger than a man’s hand, it is their right and duty to stake the national existence, to sacrifice lives and fortunes, to cover the country with a lake of blood, to shatter crowns and sceptres and fling parliaments into the sea. On this principle of subversion they erected their commonwealth, and by its virtue lifted the world out of its orbit and assigned a new course to history. Here or nowhere we have the broken chain, the rejected past, precedent and statute superseded by unwritten law, sons wiser than their fathers, ideas rooted in the future, reason cutting as clean as Atropos.
John Emerich Edward Dalberg-Acton (The History of Freedom and Other Essays)
He wants to meet you—her,” Alex says. “Holy shit.” Ed straightens, turning around to tug on his hair. “If I don’t say much it’s because I’m screaming inside.” “Okay, this doesn’t have to be that big a deal.” Alex looks up at Ed, confused. Sweet, breezy Alex. But sweet, emotional Ed drops into a chair and wipes his palms on his robe-covered thighs. “It is a big deal, though, Alex, since these are our best friends, and one of them has been lying to another. Not to mention the tiny fact that both of us knew. We’re aiders and abettors.” “Not helping.” I whimper and sink deeper into the cushion. The beads in Ed’s cheap beanbag choose this moment to shift underneath me, folding me in half and causing me to roll awkwardly to the floor. I land on my face with a groan. And remain there. “Oh, that’s just sad.” Alex lasts about five seconds before bursting out laughing. At least Ed takes pity on me. “Come on,” he says, and offers me a hand. “Let’s get you up.” “Leave me,” I mumble from the floor. “This is where I belong.” “Don’t you think you’re being a little dramatic?” Ed bends one knee to kneel near me, and I squeeze my eyes closed as I get an eyeful of vague dickness up his robe. “You mean, I’m being too dramatic about Reid having feelings for a version of me who doesn’t exist? Or am I being too dramatic about the reality that he thinks I’m emotionally barren? I mean, let’s not forget I basically catfished my best friend.” I push to sit up. “Who does that? I didn’t even really know what that was a few months ago. I thought it was just a show on MTV.” Ed, thankfully, moves to drag a milk crate across the floor to use as a seat. “Please take this the way it’s intended, because you know that I love you, but what did you expect to happen?” When I whimper instead of answering, Alex has no problem hopping in: “This. This is what happens. Secrets are cancerous.” “Thanks, Alex.” He shrugs. “Someone’s got to be straight with you, and who else would do it?. We’re your only friends.” “I have other friends,” I say, indignant. “Who?” Ed asks, quickly adding, “Baristas don’t count.” “What, you want names?” I try to laugh but it comes out wheezy. “I have lots of names. Like, all my friends at work. And my sister.” “A sister we’ve never met, and who you never talk about,” Ed reminds me. I open my mouth to argue, but there’s nothing but dead air.
Christina Lauren (My Favorite Half-Night Stand)
Here at the Maggi Loughran School of Soft Furnishing, we offer a wide range of training courses in our own purpose-built training space.For the complete novices taking on the stitching maker for the very first time, developing cushion covers or lined drapes through to advanced tasks including interlined hand headed drapes and loose cover cutting tackled by the professional soft furnishers.
Maggi Loughran School of Soft Furnishing
Matt’s Creation Room was a wide, colorful space dedicated to music. The walls were splashed with bright orange paint, green sofas, and cushions, which contrasted with the serious, dark upright Yamaha piano in the center of the room. There were other instruments in the room: several guitars, a violin, several drums, a bass guitar. The walls were like a private Hall of Fame covered with posters and even relics of famous singers. One wall was covered with pictures of Matt and his three platinum albums Matt, Superstar, and Moving On. The room was bathed in light entering through the wide windows. It was Matt’s Creation Room and he had obviously decorated the room according to his own tastes. After finishing her scales while waiting for Matt, she posted herself next to the windows to practice her audition song for La Cenerentola that Saturday evening. It was a beautiful, sorrowful song that Cinderella sang in the first scene about a king who looked for true love not in splendor and beauty, but in innocence and goodness.
Anna Adams (A French Girl in New York (The French Girl, #1))
I knew that I was in despair. The house was empty, too big for me to fill. All I could bring to it was an enormous, slow, bleak loneliness. In a junk shop I found a shabby but surprisingly comfortable old sofa covered in gold brocade that was bleached almost to silver. When it was delivered I saw only its dated gentility; but then I tossed an equally ancient pink silk cushion on to it, and the pink and faded gold sang to each other in quiet, tired voices. I saw that, living alone, one must play out one's domestic dramas through inanimate objects. Suddenly this did not seem so terrible.
Helen Garner (Everywhere I Look)
An hour later, a group of men from the funeral home arrived. With my grandfather's help, they cleaned my grandmother's body and marinated it in rice alcohol. When the wine had straightened her limbs, which had stiffened from rigor mortis, they dressed her in new clothes. Using a thick red thread, they tied her two big toes together to prevent her spirit from wandering. A cheap red lacquered coffin was brought into my grandparents' bedroom. A layer of sand was spread at the bottom to cushion the body. Rich families would use tea leaves instead of sand. The more expensive the tea, the richer and higher in status the dead were. We covered the sand with coarse, loosely woven cotton gauze. After my grandmother's body was laid inside the coffin, a small dish filled with burning oil was placed on the ground beneath it to keep her spirit warm. Incense in a large urn perfumed the air. It was time for friends and relatives to pay their respects.
Kien Nguyen (The Unwanted: A Memoir of Childhood)
A smell of old incense permeated the fabrics of the covers and cushions of an immense divan such as might have been used by court-musicians. One fancied that dust rose from it, gently enveloping us in a dry benevolent mist in which hung minute particles of the leaves and petals of garlands of flowers: jasmine, roses, frangipani and marigold, and all the names of Allah. One observer: a mouse. Are you afraid? I asked. No,
Paul Scott (A Division of the Spoils (The Raj Quartet, #4))
The pressure on life businesses and the capital fears prompted by the 2008 crisis have prompted the industry to build bigger capital cushions and cut costs. This has left insurers in a relatively good position. Investors have enjoyed decent dividends with payouts increasing by a cumulative 70% since 2009, according to FactSet. For shareholders, the risks to returns from life insurance have, so far, been balanced by earnings from nonlife insurance and asset management. Germany’s Allianz has U.S. bond house Pacific Investment Management Co. and nonlife insurance businesses, like property and casualty cover, around the world. Pimco has done well as interest rates declined and bond prices rose, but is expected to suffer once rates rise again—especially since founder Bill Gross walked out. France’s Axa similarly has global nonlife businesses and a large investment manager. However, these businesses ultimately will suffer from low investment returns. In nonlife, insurers can combat this with tougher underwriting standards. But demand for property-type insurance also suffers in a slower economy. Allianz has the lowest financial leverage of the big-three eurozone life insurers, and so has more flexibility to look for higher returns abroad. It also has a substantial general insurance business in the U.S., where rates should head higher sooner, and a higher expected dividend yield than France’s Axa or Italy’s Generali for this year and next.
Anonymous
is why we recommend initiating covered calls on positions that already have enough of a profit cushion built into them.
Freeman Publications (Covered Calls for Beginners: A Risk-Free Way to Collect "Rental Income" Every Single Month on Stocks You Already Own (Options Trading for Beginners Book 1))