Curves And Tattoos Quotes

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Promise me we'll stay together, okay?" His eyes are once again the clear blue of a perfectly transparent pool. They are eyes to swim in, to float in, forever. "You and me." "I promise," I say. Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: "Don't believe her." The whole world closes around me, like an eyelid: For a moment, everything goes dark. I am falling. My ears are full of rushing; I have been sucked into a tunnel, a place of pleasure and chaos. My head is about to explode. He looks different. He is much thinner, and a scar runs from his eyebrow all the way down to his jaw. On his neck, just behind his left ear, a small tattooed number curves around the three-pronged scar that fooled me, for so long, into believing he was cured. His eyes-once a sweet, melted brown, like syrup-have hardened. Now they are stony, impenetrable. Only his hair is the same: that auburn crown, like leaves in autumn. Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead. Alex.
Lauren Oliver (Pandemonium (Delirium, #2))
Across the moon-pale scar that marred my forearm, Darian danced in dark ink, the gracefully curving edges of his name unravelling into a spill of colour as joyful and haphazard as the promise of stars.
Alexis Hall (Glitterland (Spires, #1))
Luc scored forty and slapped the darts in her palm. “The light sucks in here.” “No.” She smiles and took great pleasure in announcing, “You suck.” His gaze narrowed. Weeks of anger and hurt poured out of her and she said, louder than she’d intended, “And worse – you’re a whiner.” A collective intake of breath caught their attention and she and Luc turned and looked at the guys watching a few feet away. “Lucky’s gonna kill Sharky,” Sutter predicted from the sidelines. By taut agreement they both went to their respective corners. Jane shot and scored sixty-five. Luc scored thirty-four. “Now remind me. Why do they call you Lucky?” she asked as she reached for the darts. He pulled them back out of her reach as a slow, purely licentious smile curved his mouth. A smile that told her he was remembering her on her knees kissing his tattoo. “I’m sure if you think long and hard, you’ll remember the answer to that.” “No.” She shook her head. “Some things just aren’t that memorable.
Rachel Gibson (See Jane Score (Chinooks Hockey Team #2))
She’d reached the door when Rowan knelt as well. And began to sing the ancient words—the words of mourning, as old and sacred as Terrasen itself. The same prayers she’d once sung and chanted while he’d tattooed her. Rowan’s clear, deep voice filling the room, Aelin looped her arm through Aedion’s, and let him lean on her as they walked back to the Great Hall. “Darrow called me ‘Your Majesty,’ ” she said after a minute. Aedion slid his red-rimmed eyes to her. But a spark lit them—just a bit. “Should we be worried?” Aelin’s mouth curved. “I thought the same damn thing.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Behind us the door creaks open, and I turn around, expecting Raven, just as a voice cuts through the air: “Don’t believe her.” The whole world closes around me, like an eyelid: For a moment, everything goes dark. I am falling. My ears are full of rushing; I have been sucked into a tunnel, a place of pressure and chaos. My head is about to explode. He looks different. He is much thinner, and a scar runs from his eyebrow all the way down to his jaw. On his neck, just behind his left ear, a small tattooed number curves around the three-pronged scar that fooled me, for so long, into believing he was cured. His eyes—once a sweet, melted brown, like syrup—have hardened. Now they are stony, impenetrable. Only his hair is the same: that auburn crown, like leaves in autumn. Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead. Alex.
Lauren Oliver
He looks different. He is much thinner, and a scar runs from his eyebrow all the way down to his jaw. On his neck, just behind his left ear, a small tattooed number curves around the three-pronged scar that fooled me, for so long, into believing he was cured. His eyes-once a sweet, melted brown, like syrup-have hardened. Now they are stony, impenetrable. Only his hair is the same: that auburn crown, like leaves in autumn. Impossible. I close my eyes and reopen them: the boy from a dream, from a different lifetime. A boy brought back from the dead. Alex.
Lauren Oliver
Do what? Blow my lips up like President Snow’s? Tattoo my breasts? Dye my skin magenta and implant gems in it? Cut decorative patterns in my face? Give me curved talons? Or cat’s whiskers?
Suzanne Collins (Catching Fire (The Hunger Games, #2))
. The tattooed goddess: her breasts have their own driver’s licenses, buttocks are cemented on a sidewalk in Hollywood, her legs shine for the glory of God, and her face is the canvas of Da Vinci’s “Mona Lisa” in heaven. Had Sigmund Freud met her, his book, “The Interpretation of Dreams” would have been rewritten. Rapunzel to this day is jealous of her hair and Sandy Koufax is jealous of her curves, that beautiful, beautiful bitch.
Zac Young (God's in the Water)
From a distance, the tattoo looked like an elbow-length lace glove, but when I held it close to my face, I could detect the intricate depictions of flowers and curves that flowed throughout to make up a larger pattern. Permanent. Forever.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Was that a tattoo I saw on your back?” He asked. “None of your business.” “I just didn’t peg you for the tramp stamp type.” “It’s not a tramp stamp. It’s my F-holes,” I corrected. His eyes had widened before he let out a long, deep laugh. “Jesus, Henley.” “For a violin, you A-hole.” I turned around, raising my shirt high enough on my lower back to reveal two curved lines on either side of my spine. I jumped when the pad of his finger ran over the design leaving a trail of goosebumps in its wake. “Wow,” he mumbled, and I turned back around to face him, letting the hem of my shirt fall from my hands. “What? You think it’s stupid.” “No… no. I think that’s the sexiest tattoo I’ve ever seen. How often does someone get to finger your strings?
Teresa Mummert (Shameless)
I leaned down, running the tip of my tongue up the length of her scar, feeling the jagged, thin line curve upward and give way to the smooth skin under her ear. It never escaped my attention how she hid it around my brother, as if it made her less beautiful. No. Our scrapes and bruises, tattoos, scars, smiles, and wrinkles told our stories, and I didn’t want a pristine piece of wallpaper. I wanted her and everything she was.
Penelope Douglas (Corrupt (Devil's Night, #1))
I have something to show you." He sank down next to me and handed me a sketchbook. I opened it. And saw the mermaid. She was drawn in colored ink, exquisitely detailed; each scale had a little picture in it: a pyramid, a rocket, a peacock, a lamp. Her torso was patterened red, like a tattoo, like coral. She had a thin strand of seaweed around her neck, with a starfish holding on to the center. Her hair was a tumble of loose black curls. She had my face. I turned the page.And another and another. There she was fighting a creature that was half human, half octopus. Exploring a cave. Riding a shark. Laughing and petting a stingray that rested on her lap. "I'm calling her Cora Lia for the moment," Alex told me. "I thought about Corella, but it sounded like cheap dishware." "She's...amazing." "She's fierce. Fighting the Evil Sea-Dragon King and his minions." I traced the red tattoo on her chest. "This is beautiful." Alex reached into my sweater, pulled the loose neck of the T-shirt away from my shoulder. I didn't stop him. "It looks like coral to me." He touched me, then,the pad of his thumb tracing the outline of the scar. It felt strange, partly because of the difference in the tissue, but more because in the last few years, the only hands that had touched me there were mine. I set the book aside carefully. "Guess I don't see what you do." "That's too bad, because I see you perfectly." I curved myself into him. "Maybe you're exactly what I need." "Like there's any doubt?" He buried his face in my neck.I didn't stop him. "So." "So?" "We'll kill a few hours, watch the sunrise, have pancakes, and you'll drive home." "What?" I felt him smile against my skin. "I got you swimming with sharks. Next on the Conquer Your Fears list is driving a stick shift.Right?" "One thing at a time," I said. Then, "Oh. Do that again." In another story, the intrepid heroine would have gone running out and splashed in the surf, hypothermia be damned. She would have driven the Mustang home, booked a haircut, taken up stand-up comedy, and danced on the observation deck of the Empire State Building. But this was me, and I was moving at my own pace. Truth: My story started a hundred years ago. There's time.
Melissa Jensen (The Fine Art of Truth or Dare)
Maybe you should... go.' 'Why? You seemed so insistent that I train you.' 'I can't concentrate with you around,' I admitted. 'And go... far. I can feel you from a room away.' A suggestive curve shaped his lips. I rolled my eyes. 'Why don't you just hide in one of those pocket realms for a bit.' 'It doesn't work like that. There's no air there.' I gave him a look to say he should definitely do it then, and he laughed. He jerked his chin at my tattoo. 'Give a shout down the bond if you get anything accomplished before breakfast.' I frowned at the eye in my palm. 'What- literally shout at the tattoo?' 'You could try rubbing it on certain body parts and I might come faster.' He vanished into nothing before I could hurl the candle at him. Alone in the frost-gilded forest, I replayed his words and a quiet chuckle rasped out of me.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
Flick froze at the voice that came from inside the carriage, but then the footman was slamming the door behind her, causing her to lose her balance and fall straight into ... a lap? Slowly her eyes adjusted to the dim light, and she saw the face above her. It *was* him. Flick knew that voice from nights when he would stop at her warehouse and drop those hands on her table, something clever in his eyes, which were as dark as the delicate tattoos winding up the side of his neck. "I'm used to women throwing themselves at me, but really, there's a time and a place," he said. A current zapped right through her. His peaked hat was pulled low and he wore tinted specs over his eyes, but she recognized his mouth. It was the kind that was hard to forget and equally hard to stop thinking about. "Jin?" His lips curved. "Hello, Felicity. I've missed you.
Hafsah Faizal (A Tempest of Tea (Blood and Tea, #1))
His expression was perturbed, as if he’d been reminded of something he had wanted to forget. But as his gaze slid over her bewildered face, his mouth curved a little, and he settled into the cradle of her body with an insolent familiarity that temporarily robbed her of breath. “Mr. Rohan … how … why … what are you doing here?” He replied without moving, as if he were planning to lie there and converse all day. His infinitely polite tone was an unsettling contrast to the intimacy of their position. “Miss Hathaway. What a pleasant surprise. As it happens, I’m visiting friends. And you?” “I live here.” “I don’t think so. This is Lord Westcliff’s estate.” Her heart thundered in her breast as her body absorbed the details of him. “I didn’t mean precisely here, I meant over there, on the other side of the woods. The Ramsay estate. We’ve just taken up residence.” She couldn’t seem to stop herself from chattering in the aftermath of nerves and fright. “What was that noise? What were you doing? Why do you have that tattoo on your arm? It’s a pooka—an Irish creature—isn’t it?” That last question earned her an arrested stare. Before Rohan could reply, the other two men approached. From her prone position, Amelia had an upside-down view of them. Like Rohan, they were in their shirtsleeves, with waistcoats left unbuttoned. One of them was a portly old gentleman with a shock of silver hair. He held a small wood-and-metal sextant, which had been strung around his neck on a lanyard. The other, black-haired man looked to be in his late thirties. He wasn’t as tall as Rohan, but he had an air of authority tempered with aristocratic arrogance. Amelia made a helpless movement, and Rohan lifted away from her with fluid ease. He helped her stand, his arm steadying her. “How far did it go?” he asked the men. “Devil take the rocket,” came a gravelly reply. “What is the woman’s condition?” “Unharmed.” The silver-haired gentleman remarked, “Impressive, Rohan. You covered a distance of fifty yards in no more than five or six seconds.” “I would hardly miss a chance to leap on a beautiful woman,” Rohan said, causing the older man to chuckle.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Just last week I was telling a dear friend how I'd rather not exist in a world where toxic thrives. There are so much enmity plaguing this creed, how we hurt others because we think our idea of faith is supreme, how our interpretation of knowledge is above theirs, how every little whisper we turn into a howl. We forget that only He knows. Our existence are but mysteries; who are we to scar, to burn, to leave marks, to solve this enigma for others, to play God. The Friday prayer sermon just this afternoon, spoke to me in such illuminating affirmations. Knowledge, especially in faith, is akin to Light. Light binds, not divides. We seek light not out of fear of the darkness but at a promise to gain clarity. This is our intimate journey, how we move towards that Light is ours to make. Like a blind man, like moths at night, a child yearning, just do not stand in their paths, my friend. Your forehead kisses the same Earth like they do, your knees bend the same curve, and each night, your spine collapses just the same. Do not be the lips that question an arm sleeved with tattoos or hair uncovered by cloth or sins not yours, instead be lips that observes silence, kindness and always, prayers for all. I hope your heart does not make space for words like "Kafir", "infidel", "shirk" and instead be a room with gardens and an ocean of calmness. Even our Beloved won't be a judge for another being; Let God You seek knowledge not to draw boundaries between yourself and others, you seek for this overwhelming gravity of unknowing needs you to always be finding ways to be closer to Him. You seek knowledge to know Him not to make known to others. You have every right to continue seeking, to have your palms heavenwards every night begging to be illuminated. This is your deeper conversation, go on, just you and God.
Noor Iskandar
I had finally become aware of how much I was capable of, how little I had to lose, and how deep into Douglas's soft sand I had sunk. Magellan's letters, which Douglas had recited, had become part of my being. It was as if I was right there with Magellan, following every curve of his pen as he wrote down his words to his beloved ones confiding his secret. I had become the ink, and the tip was tattooing my path. I was going to follow his dream, but still, I wished I knew why.
Celma Ribeiro
spanning the entire width of his back were two massive feathered, folded wings, their roots at his shoulder blades, their tops curving up over his trapezius muscles, the pointed tips falling softly at his hips. They were rendered in gorgeous detail in black and gray ink, a tattoo that seemed alive, ready to lift and stretch, and blot out all the light from the window.
Lauren Gilley (Price of Angels (Dartmoor, #2))
Aubade (Lisa Lisa Lisa)" Sometimes I kiss the inch of air above your body warmed by your skin. Or I feel your heat from across the room where I stand stiff as a robot in the metallic air of moonlight, hand flat against the windowpane as if to feel light pass through glass. Why am I still that robot, aware of what I can’t feel? If I say your name three times my voice becomes a meadowlark’s, not the sad creak of a mechanical man. So here I am with wings— here I am, a robot boy and his dream of singing. I watch you sleep and feel the light cool against my hand, my hand that soon will warm itself with your body as I search again for what I know is there: a tattooed lark sketched in the curve beneath your hip, the notes of a song trailine around your waist like the frailest belt, “hymns at heaven’s gate” that you and I can hear though only at daybreak and only as we kiss, preparing once again to part, promising to return. I promise. Please tell me you promise, too.
James Harms
We watched Victoria Beckham shrink into her seat at the World Cup and traced the curves of Kate Moss's thighs in her gold lurex Glastonbury minidress. We swelled with longing as sequins dripped from the narrow shoulders of the Olsen twins and signed with envy as the inky daisies tattooed around Peaches Geldof's stomach squeezed her into a smaller, more angular shape. We watched Alexa Chung form a long black line in her skinny jeans and ogled Cassie from Skins, angel-haired in a green-gold dress, spun out on pills in the dawn.
Jessica Andrews
He screams sarcastic, freaky, reserved, and somehow soft. He looks like a Greek sculpture, carved into perfection. Well-built curves show through his clothing. He’s brawny-looking but boyish at the same time. His jawline is razor-sharp, lips so rosy and plump, making me slightly jealous. Let’s not forget the small tattoos that linger on his long fingers. A few strands of silky brown hair pop out from under a black beanie that lies over his head. If I take off that hat, I’ll be met with gorgeous, smooth hair. Black jeans fit his toned legs well. A gray sweatshirt with colorful graphics covers his torso. Under that hoodie, I know there’ll be a six-pack. And what makes him even more droolworthy—which I don’t know how that’s remotely possible—are the rings on his slim fingers. Someone, catch me. I’m going to faint. He wears rings!
Alexia Mantzouranis (Identity)
Ryder showed me his left wrist, the Scorpio tattoo now embellished with intricate feathers surrounding it and the words My Hope curving underneath it. I followed the line of his forearm up to the Leo tattoo surrounded by flames with the words My Joy beneath it. Beyond that, he’d inked the Gemini symbol to his flesh with lightning daggering around it and the words My Mercy under it. Next was the Aquarius symbol with a rainbow arching over it like the stroke of a paintbrush and beneath it were the words My Duty, and finally Elise’s symbol of Libra with small Xs all around it like the mark he had branded on his chest. The words My Life sat beneath it and I looked up at Ryder with a frown.
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
His smile became a bit wild, and before I could brace myself, he grabbed my arm. There was a blinding, quick pain, and my scream sounded in my ears as bone and flesh were shattered, blood rushed out of me, and then- Rhysand was still grinning when I opened my eyes. I hadn't any idea how long I'd been unconscious, but my fever was gone, and my head was clear as I sat up. In face, the mud was gone, too. I felt as if I'd just been bathed. But then I lifted my left arm. 'What have you done to me?' Rhysand stood, running a hand through his short, dark hair. 'It's custom in my court for bargains to be permanently marked upon flesh.' I rubbed my left forearm and hand, the entirety of which was now covered in swirls and whorls of black ink. Even my fingers weren't spared, and a large eye was tattooed in the centre of my palm. It was feline, and it's slitted pupil stared right back at me. 'Make it go away,' I said, and he laughed. 'You humans are truly grateful creatures, aren't you?' From the distance, the tattoo looked like an elbow-length lace glove, but when I held it close to my face, I could detect the intricate depictions of flowers and curves that flowed throughout to make up a larger pattern. Permanent. Forever. 'You didn't tell me this would happen.' 'You didn't ask. So how am I to blame?' He walked to the door but lingered, even as pure night wafted off his shoulders. 'Unless this lack of gratitude and appreciation is because you fear a certain High Lord's reaction.' Tamlin. I could already see his face going pale, his lips becoming thin as the claws came out. I could almost hear the growl he'd emit when he asked me what I had been thinking. 'I think I'll wait to tell him until the moment's right, though,' Rhysand said. The gleam in his eyes told me enough. Rhysand hadn't done any of this to save me, but rather to hurt Tamlin. And I'd fallen into his trap- fallen into it worse than the worm had fallen into mine.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
She is goddamn beautiful, so beautiful it hurts. All pale, silky tattooed skin, thick thighs, and attitude. A combination I didn’t know I would find irresistible, but my cock jerks hard as I store every detail of her body in my memory. Every dip, curve and scar.
K.A. Knight (Den of Vipers)
Was he curious about her? That was putting it mildly. He was curious about the noises she might make if he kissed her properly and the colour of her nipples and what she tasted like between her legs and the extent of her tattoo and how she’d sounded as she came. He was curious about where she liked to be touched and whether she’d let him take charge and if she liked giving head. He was curious about the long curve of her spine and the dip of her hip and how she’d looked straddled atop of him, her hair loose, her breasts bouncing as he pushed her over the edge. Or curled up beside him in bed, naked, her body branded by his.
Amy Andrews (The Colonel's Daughter (Men of the Zodiac, #8))
Reaching the brow of a stunted hill, Amelia paused in bewilderment at the sight of a towering contraption made of metal. It appeared to be a chute propped up on legs, tilted at a steep angle. Her attention was caught by a minor commotion farther afield … two men emerging from behind a small wooden shelter … they were shouting and waving their arms at her. Amelia instantly realized she had stumbled into danger, even before she saw the smoldering trail of sparks move, snakelike, along the ground toward the metal chute. A fuse? Although she didn’t know much about explosive devices, she was aware that once a fuse had been lit, nothing could be done to stop it. Dropping to the sun-warmed grass, Amelia covered her head with her arms, having every expectation of being blown to bits. A few heartbeats passed, and she let out a startled cry as she felt a large, heavy body fall on hers … no, not fall, pounce. He covered her completely, his knees digging into the ground on either side of her as he made a shelter of his body. At the same moment, a deafening explosion pierced the air, and there was a violent whoosh over their heads, and a shock went through the ground beneath them. Too stunned to move, Amelia tried to gather her wits. Her ears were filled with a high-pitched buzz. Her companion remained motionless over her, breathing heavily in her hair. The air was sharp with smoke, but even so, Amelia was aware of a pleasant masculine scent, skin-salt and soap and an intimate spice she couldn’t quite identify. The noise in her ears faded. Raising up on her elbows, feeling the solid wall of his chest against her back, she saw shirtsleeves rolled up over forearms cabled with muscle … and there was something else … Her eyes widened at the sight of a small, stylized design inked on his arm. A tattoo of a black winged horse with eyes the color of brimstone. It was an Irish design, of a nightmare horse called a pooka: a malevolent mythical creature that spoke in a human voice and carried people away at midnight. Her heart stopped as she saw the heavy rounded band of a thumb ring. Wriggling beneath him, Amelia tried to turn over. The strong hand curved around her shoulder, helping her. His voice was low and familiar. “Are you hurt? I’m sorry. You were in the way of—” He stopped as Amelia rolled to her back. The front of her hair had come loose, pulled free of a strategically anchored pin. The lock fanned over her face, obscuring her vision. Before she could reach up to push it away, he did it for her, and the brush of his fingertips sent ripples of liquid fire along intimate pathways of her body. “You,” he said softly. Cam Rohan.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
What can I get for you, Princess?” a low, deep voice rumbled. Maddie’s head shot up and a man blinked into focus. Her mouth dropped open. In front of her stood the most gorgeous man she’d ever seen. Was she hallucinating? Was he a mirage? She blinked again. Nope. Still there. Unusual amber eyes, glimmering with amusement, stared at her from among strong, chiseled features. She swallowed. Teeth snapping together, she tried to speak. She managed a little squeak before words failed her. A hot flush spread over her chest. Men like this should be illegal. Unable to resist the temptation pulling her gaze lower, she let it fall. Just when she’d thought nothing could rival that face. Shoulders, a mile wide, stretched the gray T-shirt clinging to his broad chest. The muscles in his arms flexed as he rested his hands on the counter. A tribal tattoo in black ink rippled across his left bicep. Oh, she liked those. Her fingers twitched with the urge to trace the intricate scroll as moisture slid over her tongue. For the love of God, she was salivating. Stop staring. She shouldn’t be thinking about this. Not now. Not after today. It was so, so wrong. But she couldn’t look away. Stop. She tried again, but it was impossible. He was a work of art. “You okay there?” The smile curving his full mouth was pure sin. That low, rumbling voice snapped her out of her stupor, and she squared her shoulders. “Yes, thank you.” His gaze did some roaming of its own and stopped at her dress. One golden brow rose. Before he could ask any questions, she said, “I’ll have three shots of whiskey and a glass of water.” His lips quirked. “Three?” “Yes, please.” With a sharp nod, she ran a finger along the dull, black surface of the bar. “You can line them up right here.” When he continued to stare at her as if she might be an escaped mental patient, she reached into her small bag and pulled out her only cash. She waved the fifty in front of his face. “I assume this will cover it.” “If I give you the shots, are you going to get sick all over that pretty dress?” He leaned over the counter, and his scent wafted in her direction. She sucked in a breath. He smelled good, like spice, soap, and danger. She shook her head. What was wrong with her? She was so going to hell. She pushed the money toward him. “I’ll be fine. I’m Irish. We can handle our liquor.” “All right, then.” The bartender chuckled, and Maddie’s stomach did a strange little dip. He
Jennifer Dawson (Take a Chance on Me (Something New, #1))
She had twisted and turned from the fever, until one side of her nightgown was rolled up above her waist and the covers were off. He couldn’t help but notice the length of her legs and the slender curve of her hip. And, while he wasn’t going to mess with her gown and take the chance of waking her up, he could pull the covers back over her. It wasn’t until he bent down to grab the blankets that he saw the small tattoo on her hip. His eyes widened. He looked at her profile. Even asleep, she appeared daunting. But this little tattoo was proof that there might be a softer side to Catherine Dupree. The tattoo was a butterfly—and it was pink. Who would ever have believed that Cat Dupree would be the kind of woman to have a girly thing like that? Barbed wire? Yes. A skull and crossbones? Sure. A snake with fangs exposed? Plausible. But a tattoo of a small pink butterfly on her butt? Priceless.
Sharon Sala (Nine Lives (Cat Dupree, #1))
It was as if I was right there with Magellan, following every curve of his pen as he wrote down his words to his beloved ones confiding his secret. I had become the ink, and the tip was tattooing my path. I was going to follow his dream, but still, I wished I knew why” – Celma Ribeiro
Celma Ribeiro (The Thief of Secrets)
Rebellious"™ You're a barefoot odyssey, perched on a granite counter. Perched on edgeless intensity and arched reasoning. Why do I succumb to valiant persuasions? Just shatter me with your mammoth reality, break me into shards you think will clatter. But, I'm not made of material gravity I'm a symphony of notes looking to burst free! Call me lyrical, call it mercy, call this poetic justice and end my dispassionate existence so criminal. Bang your gavel against my criminalistic loins, I'm guilty of animalistic tendencies and tamed to humanoid inadequacies. I can shatter you in all aspects, and put you back in form in all retrospectives. I do not care to mold you into material to use as an art plateau. My hilly curves canvas's your mighty sword, burst free! Sing to me! Write me your lies. I beckon to endure your truths passionately, injustice webbed upon us is it poetic? Or law abiding? Where will it begin? Where will it end? Time has frozen around me, and all I can think of is this consumption of you. Wholely intoxicating, and wholely seductive. And I can't decide; When your limbs are apart and pinned displayed like a canvas to be ravaged, will you be entirely vulnerable to my demonstrations? Or will you swallow me whole? Swallow you, wallow in you... I'm invaded by your touch. Caught up! Caught up! Caught up! So caught up to us. I say; just lay down my body, tie up my mind, spank my assets, kisses so low and divine. This hasn't yet fully begun, and for sure won't end soon. So meet in our place of desire this noon, when footsteps cross the moon. Darkness descends during daylight when I draw the curtains tight, shutting out the world that claims our time. Now you're mine, you can't escape me, you can't escape this! I won't let you! Now you're a convoluted odyssey subdued by ministration firm, tender, meticulous, smitten, sensitized and shackled. You're a richly tainted taste of sin. A resolute candle of insatiable inspiration. Whose wick lit quick, whose burn smoulders on. Lights out, darkness nears and you burn within me. If I'm a sin, get on bended knees. Prey on me, and you're forgiven. To hell with Mary I want to cum quick see? Rebel no more, we've found retribution! Call it retribution, call it mercy, call this poetic justice, call this confession. I want the marks of your claws to escort me out the door. I want the ruthless indulgence of rebellion tattooed across your psyche! Exhale my name, and blow the flame out! I'll lay and lay som more, till the next time my rebellious lover comes through the door...
DragonPoetikFly© & Roger Brightley©
What about your tattoos?” She reaches across the space between us and traces a finger down one of the curved lines of my markings. “Do they mean something?” “They did, once.” “And now?” “Now they are just a reminder.
Nikki St. Crowe (The Never King (Vicious Lost Boys, #1))
Kaikora wore her bronzed, ombre dreadlocks loose with the sea-salt-saturated ends falling between her wide shoulders. She stood unusually tall, broad, and scantily clad; a half-naked giant of rippled muscles etched with dark tattoos. The wavelike designs crossed her torso and arms in seaweed-green swirls that ebbed and flowed with her musculature. On her neck, she wore a yoke of gnarled rope and sea glass, the only article of clothing above her waist. It barely covered her chest, exposing her ample torso to the elements. On her wide, curved hips hung a low loincloth crafted from nacreous scales that reflected the sunlight like the surf.
C.G. Wynn (The Aether Awakens)
(these are my highlighted parts of the book) Not human, thought Maura, as the hairs stood up on the back of her neck. My god, what have I brought back from the dead? This poor woman's already died once. Let's not have it happen again. Do you solemnly swear that the testimony you are about to give to the court in the case now in hearing shall be the truth, the whole truth, and nothing but the truth, so help you God? Corpses have woken up in morgues. Old graves have been dug up, and they have found claw marks inside the coffin lids. People are so terrified of the possibility that some casket makers sell coffins equipped with emergency transmitters to call for help. Just in case you're buried alive. The resurrection of Christ wasn't a true resurrection. It was merely a case of premature burial. When they ask you to play a child, it means they want you to be scared. They want you to scream. They enjoy it if you bleed. It's not strength, Mila. It's hate. That's what keeps you alive. Duplex rounds are designed to inflict maximum damage. In marines, we call them "torso meat tags" because they're useful for identifying your corpse. In a blast, there's a good chance you'd lose your extremities. So a lot of soldiers choose to get their tattoos on their chest or back. The world is evil, Mila, and there's no way to change it. The best you can do is to stay alive...and not be evil. You're worse tan a whore. You don't just sell out yourself. You'd sell out anyone else. But these bars look different; these are not to trap people in; they are meant to keep people out. Come on baby. Stop being so goddamn stubborn. Help your mama out! Some babies are born screamers. They refuse to be ignored. God put mothers on this earth for a reason. Now, I'm not saying it takes a village to raise a kid. But it sure does help to have a grandma. Human. A02/B00/C02(7cm)/D42 Scalp hair. Slightly curved, shaft is seven centimeters, pigment is medium red. Reality's a bitch, ain't it? And so am I. Whenever there are big boys playing with a lot of money, you can bet sex comes into it. When I open my eyes again, I see more of Anja peeking out from the sand. The curve of her hip bone, the brown shaft of her thigh. The desert has decided to give her up, and now she is re-emerging from the earth. Nothing that happened to you was your fault. Whatever those men did to you - whatever they made you do - they forced on you. It was done to your body. It has nothing to do with your soul. Your soul, Mila, is still pure.
Tess Gerritsen (Vanish (Rizzoli & Isles, #5))
The lines of his body were beautiful. His shoulders, the angle of his jaw. Those indents in the base of his spine, narrowing down to the curve of his butt outlined in the deep light spilling through her window. The tattooed tapestry of colors that danced across his shoulder and over his chest. He looked like a painting. There, in her bed, was a naked man who looked like a fucking painting.
Rebecca Brooks (Wrong Bed, Right Roommate (Accidental Love #1))
Jaylynn has a halo of spikes and thorns over her head, which digs into her forehead, and the blood runs down her shadowy brown wavy wispy hair. Her eyes can glow the color of pink. ‘I call them Olivia Cooper eyes! You know, with the black teardrops!’ and her dark cherry black blood flows from them too, as we talk. I think I saw from time to time a black widow crawling on her, making webs on her body. (So- hair-raising.) Along with the markings of unlucky, thirteen were tattooed on her and chiseled into her chest. Other insignias are cataloging her, she has numbers on her marking her like a beast. She has the cereal barcode numbers of- (J-N-0069699611) on her left butt cheek, which glows lime green in the dark! You are nothing but a number along with your first and last initials when you are a dark angel. She can have fire readily available at her fingertips, sharp retracting claws. Along with withdrawing fangs and horns. She also has a very elaborate samurai-like sword with a curved blade. As well as, yes you guessed it! She can sparkle like many thousands of little reflective broken mirrors in the brilliant full moonlight. I never thought I would speak to a black angel, yet she is my little girl, how could I not? ‘To live is to be haunted, to die is to be unperturbed.’ I remember back when she was on the edge of fifteen, and my life was entertaining, pleasurable, and stimulating. Not at all like now; I remember her first days of high school everything seemed flawless, little did I know, that the tower's children had their children, and their evil spirits were passed down to the next demons in the circle of pain; his clan started torturing my little girl until her end. Just as there, mothers did with me. All my life I have tried to prove this story… but how do I write a story that seems so silly to other people that do not understand?
Marcel Ray Duriez
Fuck, I never got enough of my wife. She was the sexiest woman alive. I loved every inch of her. I loved her stretch marks and her scars, the specks in her eyes and the birthmark on her neck. All her flawless imperfections. I was grateful every moment of every single day that Brandon brought me to her. She was my everlasting gift from a man I’d never forget for the rest of my life. I broke away and put my forehead to hers. “So you want In-N-Out for lunch and steaks for dinner, right?” She nodded and put her hand over my heart where the tattoo of her name was. “Josh? I think I could be ready again to keep trying. Should we start talking about surrogacy? Carmen is still down for it, right?” I knew why she was asking. She still wanted to give me my baseball team. But my dreams had changed. Seeing the strain of the in vitro process and how much it took out of her emotionally and physically—I just wanted her to be happy. I wanted her to enjoy our son. She never complained, but I knew she was tired of the doctor’s visits and the hormone injections and the disappointment. If she was up for it in a few years, maybe we’d try again or look into the other options. We were young—we had time. But I didn’t want her to do it for me because she thought she owed it to me. She’d done enough. I put my hands on her face. “Let’s take a break, Kristen. I’m happy where we are. And if this is our family, I’m good with that.” The relief was visible in her eyes. “Are you sure?” My mouth curved up into a smile. “I’m very sure. I have everything I need.
Abby Jimenez
His chest rose and fell rapidly as if he'd been out for an evening jog. Sweat gleamed on his muscled torso, the droplets collecting on every curve and crevice of his rippled abdominals and that tattoo was finally, finally visible. Holly vines started around his wrists and snaked up his tense veined forearms, up the ridge of his biceps, and over his shoulder to the edges of his chest. The vines constricted around his muscles and thorns bit into his skin as if they were physically piercing the flesh. It was intricate and mesmerizing and easily the most lifelike tattoo she had ever seen.
K.A. Linde (The Wren in the Holly Library)