“
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond!
I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive.
Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial!
I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers.
I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail.
But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant.
I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn.
I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity.
I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
”
”
George Carlin
“
On the blank leaf glued to the inner back cover I drew the double curve within the circle, and blacked the yin half of the symbol, then pushed it back to my companion. 'Do you know that sign?'
He looked at it a long time with a strange look, but he said, 'No.'
'It's found on Earth, and on Hain-Davenant, and on Chiffewar. It is yin and yang. Light is the left hand of darkness... how did it go? Light, dark. Fear, courage. Cold, warmth. Female, male. It is yourself, Therem. Both and one. A shadow on snow.'
”
”
Ursula K. Le Guin (The Left Hand of Darkness)
“
It was an American who said that while a Frenchman's truth was akin to a straight line, a Welshman's truth was more in the nature of a curve, and it is a fact that Welsh affairs are entangled always in parabola, double-meaning and implication. This makes for a web-like interest....
”
”
Jan Morris (Wales: The First Place)
“
Have you missed me?" he asked.
"What do you think?" she evaded smoothly-but not smoothly enough, because he chuckled.
"Good.How much?"
"Is your ego in need of bolstering today?" she countered lightly.
"Yep."
"Really,why?"
"Because I got shot down by a beautiful twenty-three-year-old, and I can't seem to get her out of my mind."
"That's too bad," Lauren said, trying unsuccessfully to hide the joy in her voice.
"Isn't it," he mocked. "She's like a thorn in my side,a blister on my heel. She has the eyes of an angel, a body that drugs my mind, the vocabulary of an English professor and a tongue like a scalpel."
"Thanks,I think."
His hands glided up her arms, then curved around her shoulders, tightening as he drew her to within a few inches of his chest. "And," he added. "I like her.
”
”
Judith McNaught (Double Standards)
“
On the blank leaf glued to the inner back cover I drew the double curve within the circle, and blacked the yin half of the symbol, then pushed it back to my companion. ‘Do you know that sign?’
He looked at it a long time with a strange look, but he said, ‘No.’
‘It’s found on Earth, and on Hain-Davenant, and on Chiffewar. It is yin and yang. Light is the left hand of darkness…how did it go? Light, dark. Fear, courage. Cold, warmth. Female, male. It is yourself, Therem. Both and one. A shadow on snow.
”
”
Ursula K. Le Guin (The Left Hand of Darkness)
“
After unlatching the tiny gold clasp, Pandora opened the case and beheld a double-stranded pearl necklace on a bed of red velvet. Her eyes widened, and she lifted one of the strands, gently rolling the lustrous ivory pearls between her fingers. "I never imagined having something so fine. Thank you."
"Do they please you, sweet?"
"Oh, so very much-" Pandora began, and stopped as she saw the gold clasp, glittering with diamonds. It was fashioned with two interlocking parts of swirling, deep cut leaves. "Acanthus scrolls," she said with a crooked grin. "Like the ones in the settee at the Chaworth ball."
"I have a fondness for acanthus scrolls." His gaze caressed her as she put on the necklace. The double strands were so long that there was no need to unfasten the clasp. "They kept you in place just long enough for me to catch you."
Pandora grinned, enjoying the cool, sensuous weight of the pearls as they slid against her neck and chest. "I think you were the one who was caught, my lord."
Gabriel reached out to touch the curve of her bare shoulder with his fingertips, and followed the pearl strands over her breast. "Your captive for life, my lady.
”
”
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
“
A woman’s body was a work of art. One to be explored and appreciated. Every curve, every valley, every freckle a treasure to discover. Every nerve ending a challenge to ignite with pleasure. Now, where to start?
”
”
Olivia Cunning (Double Time (Sinners on Tour, #5))
“
They had been married for three days.
Lauren stirred, moving closer to him for warmth. Careful not to disturb her, he drew the satin quilt up around her shoulders. Reverently he touched her cheek, tracing its elegant curve. Lauren had brought joy to his life and laughter to his home.She thought he was beautiful. When she looked at him, he felt beautiful.
Somewhere in another part of the big house a clock began chiming the hour of midnight. Lauren's lashes slowly flickered open, and he looked into her enchanting blue eyes. "It's Christmas," he whispered.
His wife smiled up at him, and her answer made his throat tighten. "No," she said softly, laying her fingers against his jaw. "Christmas came three days ago.
”
”
Judith McNaught (Double Standards)
“
It represented a monster of vaguely anthropoid outline, but with an octopus-like head whose face was a mass of feelers, a scaly, rubbery-looking body, prodigious claws on hind and fore feet, and long, narrow wings behind. This thing, which seemed instinct with a fearsome and unnatural malignancy, was of a somewhat bloated corpulence, and squatted evilly on a rectangular block or pedestal covered with undecipherable characters. The tips of the wings touched the back edge of the block, the seat occupied the centre, whilst the long, curved claws of the doubled-up, crouching hind legs gripped the front edge and extended a quarter of the way down toward the bottom of the pedestal. The cephalopod head was bent forward, so that the ends of the facial feelers brushed the backs of huge fore paws which clasped the croucher’s elevated knees.
”
”
H.P. Lovecraft (Complete Collection of H.P. Lovecraft - 150 eBooks with 100+ Audio Books Included (Complete Collection of Lovecraft's Fiction, Juvenilia, Poems, Essays and Collaborations))
“
The stage manager of this [life's] performance was neither God nor the devil. The former was far too gray, and venerable, and old-fashioned; and the latter, surfeited with other people’s sins, was a bore to himself and to others, as dull as rain … in fact, rain at dawn in the prison-court, where some poor imbecile, yawning nervously, is being quietly put to death for the murder of his grandmother. The stage manager whom Rex had in view was an elusive, double, triple, self-reflecting magic Proteus of a phantom, the shadow of many-colored glass balls flying in a curve, the ghost of a juggler on a shimmering curtain.
”
”
Vladimir Nabokov (Laughter in the Dark)
“
I feel the loss, dull the ache of it cause I had it, the place where his legs met his body, the muscular dark where his tunic flared up in the breeze as he went, I had it like telling the oldest story in the world cause there’s a very pure pleasure in a curve like the curve of a buttock : the only other thing as good to draw is the curve of a horse and like a horse a curved line is a warm thing, good-natured, will serve you well if not mistreated, and the curves of his sleeves concertina-ing down and back from his shoulders, blanket stitch then scallop-bite edge, round his waist a double yarnstrand to hold him well.
”
”
Ali Smith (How to Be Both)
“
The off curve of her ear was what he had noticed first. A roundness echoed in her cheeks and her mouth. Then it was the way her body looked solid, as though meant to take up space and weight in the world. When she moved, she left behind footprints in the forest floor.
Because she didn't know how to glide silently, to disturb no leaf of branch. He felt smug to see how bad she was at even such an easy thing.
It was only later that it disturbed him to think back on the shape of her boot in the soil, as though she was the only real thing in a land of ghosts.
He had seen her before, he supposed. But at the palace school, he really looked. He noted her skirts, spattered with mud, and her hair ribbons, partially undone. He saw her twin sister, her double, as though one of them were a changeling child and not human at all. He saw the way they whispered together while they ate, smiling over private jokes. He saw the way they answered the instructors, as though they had any right to this knowledge, had any right to be sitting among their betters. To occasionally better their betters with those answers. And the one girl was good with a sword, instructed personally by the Grand General, as though she was not some by-blow of a faithless wife.
”
”
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
“
When I describe for my far-away friends the Northwest’s subtle shades of weather — from gloaming skies of ‘high-gray’ to ‘low-gray’ with violet streaks like the water’s delicate aura — they wonder if my brain and body have, indeed, become water-logged. Yet still, I find myself praising the solace and privacy of fine, silver drizzle, the comforting cloaks of salt, mold, moss, and fog, the secretive shelter of cedar and clouds.
Whether it’s in the Florida Keys, along the rocky Maine coast, within the Gulf of Mexico’s warm curves, on the brave Outer Banks; or, for those who nestle near inland seas, such as the brine-steeped Great Salk Lake or the Midwest’s Great Lakes — water is alive and in relationship with those of us who are blessed with such a world-shaping, yet abiding, intimate ally.
Every day I am moved by the double life of water — her power and her humility. But most of all, I am grateful for the partnership of this great body of inland sea. Living by water, I am never alone. Just as water has sculpted soil and canyon, it also molds my own living space, and every story I tell.
…Living by water restores my sense of balance and natural rhythm — the ebb and flow of high tides and low tides, so like the rise and fall of everyday life. Wind, water, waves are not simply a backdrop to my life, they are steady companions. And that is the grace, the gift of inviting nature to live inside my home. Like a Chambered Nautilus I spin out my days, drifting and dreaming, nurtured by marine mists, like another bright shell on the beach, balancing on the back of a greater body.
”
”
Brenda Peterson (Singing to the Sound: Visions of Nature, Animals, and Spirit)
“
It was one of those great iron afternoons in London: the yellow sun being teased apart by a thoasand chimneys breathing, fawning upward without shame. This smoke is more than the day’s breath, more than dark strength--it is an imperial presence that lives and moves. People were crossing the streets and squares, going everywhere. Busses were grinding off, hundreds of them, down the long concrete viaducts, smeared with years’ pitiless use and no pleasure, into haze-gray, grease black, red lead and pale aluminum, between scrap heaps that towered high as blocks of flats, down side-shoving curves into roads clogged with Army convoys, other tall busses and canvas lorries, bicycles and cars, hitching now and then, over it all the enormous gas ruin of the sun among the smokestacks, the barrage balloons, power lines and chimneys brown as aging indoor wood, brown growing deeper, approaching black through an instant-- perhaps the true turn of the sunset-- that is wine to you, wine and comfort.
The Moment was 6:43:16 British Double Summer Time: the sky beaten like Death’s drum, still humming, and Slothrop’s cock--say what? yes lookit inside his GI undershorts here’s a sneaky hardon stirring, ready to jump-- well great God where’d that come from?
There is in his history, and likely, God help him, in his dossier, a peculiar sensitivity to what is revealed in the sky. (But a harden?)
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
He reached the Devil’s River Bridge at sundown and half way across he pulled the cruiser to a halt and turned on the rooflights and got out and shut the door and walked around in front of the vehicle and stood leaning on the aluminum pipe that served for the top guardrail. Watching the sun set into the blue reservoir beyond the railroad bridge to the west. A westbound semi coming around the long curve of the span downshifted when the lights came into view. The driver leaned from the window as he passed. Dont jump, Sheriff. She aint worth it. Then he was gone in a long suck of wind, the diesel engine winding up and the driver double clutching and shifting gears. Bell smiled. Truth of the matter is, he said, she is.
”
”
Cormac McCarthy (No Country for Old Men)
“
Cherie," he said softly, "I have tired of this game of charades. The time for defiance is at an end."
He held both of my wrists in the iron grip of one hand and removed his dagger from the folds of his waistcloth with the other. I recognized the ivory handled blade as a jambiya, a small, curved, double-bladed, and extremely lethal weapon.
I squeezed my eyes shut; driving my teeth into my lower lip to keep back the hysterical sob that rose in my throat. I only hoped he would do it quickly. But instead of the slash of his blade across my throat, I felt the sudden and steady pop of the buttons from my blouse. Bewildered, I opened my eyes into his. He lifted a brow over his mocking gaze.
"You thought I would kill you, cherie?" He chuckled. "No. I would not waste such beauty as yours—unless you forced my hand. You comprehend me?
”
”
Victoria Vane (The Sheik Retold)
“
In his worn blue jeans and a black T-shirt, the early-morning sun hits Isaiah just right, highlighting him like he’s a relaxed tiger bathing in the warmth. The light glints off his double rows of hoop earrings and there’s a twinkle in his eyes that makes me feel like he has a secret, but not the type kept from me. No, it’s the type that suggests I’m in on it, and that it involves a lack of my clothes.
And maybe some of his.
As if I spoke the thought instead of keeping it internal, Isaiah lifts his shirt to scratch at a spot right above his hip bone. Good Lord, he’s pretty. I soak in the sight of the muscles in his abdomen like I’m a plant in the Sahara Desert, except it doesn’t quench my thirst. It only causes my mouth to run dry.
Isaiah smiles like he knows what I’m thinking, and heat licks up my body and pools in my cheeks. What really causes my blood to curve into itself is the wicked gleam in his eye. It’s a spark that says he’s done very naughty things I’ve never even heard about.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
Not much time had passed when he opened his eyes to find her standing over him. “Umm,” she said nervously. “Can you…? This is awkward. I’m still very squeamish about a man even seeing me on the treadmill, but could you share the bed, in your clothes, and manage not to do anything? I mean, even in your sleep?” “I’m okay right here, Brie. Don’t worry about me.” “I’m not worried about… I just thought, that couch isn’t big enough. And there’s a bed in the loft, but I just don’t want you way up there. And I… Could you lie beside me on the bed without—” “I’m not going to try anything with you, Brie. I know you can’t handle that.” “I don’t think I can sleep unless you’re…closer,” she said very softly. “Aw, honey…” “Then come on,” she said, turning back to the bedroom. He didn’t move for a moment, thinking. It didn’t take long. He wanted to be next to her, but he didn’t have to be. But if she needed him, he was there. He stood and got rid of his belt because of the big buckle, but everything else stayed on. And he went to the bedroom. She was curled up under the covers, her back facing out, leaving him room. So he lay down on the bed on top of the covers, giving her that security. “Okay?” he asked. “Okay,” she murmured. It wasn’t a big bed, just a double, and it was impossible to keep a lot of space between them. He curved around her back, spooning her, his face against her hair, his wrist resting over her hip. “Okay?” he asked. “Okay,” she murmured. He nestled in, his cheek against the fragrant silkiness of all that loose hair, his body wrapped around hers, though separated by layers of clothes and quilts, and it was a long, long time before he found sleep. By her even breathing, Mike knew she rested comfortably and that made him feel good. When he woke in the morning, she had turned in her sleep and lay in the crook of his arm, snuggled up close to him, her lips parted slightly, her breath soft and warm against his cheek. And he thought, Oh damn, she’s right—this is going to just break the hell out of my heart. *
”
”
Robyn Carr (Whispering Rock (Virgin River, #3))
“
His teeth began to chatter. God All-Mighty! he thought, why haven't I realized it all these years? All these years I've gone around with a--SKELETON--inside me! How is it we take ourselves for granted? How is it we never question our bodies and our being? A skeleton. One of those jointed, snowy, hard things, one of those foul, dry, brittle, gouge-eyed, skull-faced, shake-fingered, rattling things that sway from neck-chains in abandoned webbed closets, one of those things found on the desert all long and scattered like dice! He stood upright, because he could not bear to remain seated. Inside me now, he grasped his stomach, his head, inside my head is a--skull. One of those curved carapaces which holds my brain like an electrical jelly, one of those cracked shells with the holes in front like two holes shot through it by a double-barreled shotgun! With its grottoes and caverns of bone, its revetments and placements for my flesh, my smelling, my seeing, my hearing, my thinking! A skull, encompassing my brain, allowing it exit through its brittle windows to see the outside world!
”
”
Ray Bradbury (The October Country)
“
The odd curve of her ear was what he had noticed first. A roundness echoed in her cheeks and her mouth. Then it was the way her body looked solid, as though meant to take up space and weight in the world. When she moved, she left behind footprints in the forest floor.
Because she didn't know how to glide silently, to disturb no leaf of branch. He felt smug to see how bad she was at even such an easy thing.
It was only later that it disturbed him to think back on the shape of her boot in the soil, as though she was the only real thing in a land of ghosts.
He had seen her before, he supposed. But at the palace school, he really looked. He noted her skirts, spattered with mud, and her hair ribbons, partially undone. He saw her twin sister, her double, as though one of them were a changeling child and not human at all. He saw the way they whispered together while they ate, smiling over private jokes. He saw the way they answered the instructors, as though they had any right to this knowledge, had any right to be sitting among their betters. To occasionally better their betters with those answers. And the one girl was good with a sword, instructed personally by the Grand General, as though she was not some by-blow of a faithless wife.
”
”
Holly Black (How the King of Elfhame Learned to Hate Stories (The Folk of the Air, #3.5))
“
The thing about growth is that it sounds so good. It’s a powerful metaphor that’s rooted deeply in our understanding of natural processes: children grow, crops grow … and so too the economy should grow. But this framing plays on a false analogy. The natural process of growth is always finite. We want our children to grow, but not to the point of becoming 9 feet tall, and we certainly don’t want them to grow on an endless exponential curve; rather, we want them to grow to a point of maturity, and then to maintain a healthy balance. We want our crops to grow, but only until they are ripe, at which point we harvest them and plant afresh. This is how growth works in the living world. It levels off. The capitalist economy looks nothing like this. Under capital’s growth imperative, there is no horizon – no future point at which economists and politicians say we will have enough money or enough stuff. There is no end, in the double sense of the term: no maturity and no purpose. The unquestioned assumption is that growth can and should carry on for ever, for its own sake. It is astonishing, when you think about it, that the dominant belief in economics holds that no matter how rich a country has become, their GDP should keep rising, year after year, with no identifiable end point. It is the definition of absurdity. We do see this pattern playing out in nature, sometimes, but only with devastating consequences: cancer cells are programmed to replicate for the sake of replicating, but the result is deadly to living systems.
”
”
Jason Hickel (Less is More: How Degrowth Will Save the World)
“
Almost all official statistics and policy documents on wages, income, gross domestic product (GDP), crime, unemployment rates, innovation rates, cost of living indices, morbidity and mortality rates, and poverty rates are compiled by governmental agencies and international bodies worldwide in terms of both total aggregate and per capita metrics. Furthermore, well-known composite indices of urban performance and the quality of life, such as those assembled by the World Economic Forum and magazines like Fortune, Forbes, and The Economist, primarily rely on naive linear combinations of such measures.6 Because we have quantitative scaling curves for many of these urban characteristics and a theoretical framework for their underlying dynamics we can do much better in devising a scientific basis for assessing performance and ranking cities. The ubiquitous use of per capita indicators for ranking and comparing cities is particularly egregious because it implicitly assumes that the baseline, or null hypothesis, for any urban characteristic is that it scales linearly with population size. In other words, it presumes that an idealized city is just the linear sum of the activities of all of its citizens, thereby ignoring its most essential feature and the very point of its existence, namely, that it is a collective emergent agglomeration resulting from nonlinear social and organizational interactions. Cities are quintessentially complex adaptive systems and, as such, are significantly more than just the simple linear sum of their individual components and constituents, whether buildings, roads, people, or money. This is expressed by the superlinear scaling laws whose exponents are 1.15 rather than 1.00. This approximately 15 percent increase in all socioeconomic activity with every doubling of the population size happens almost independently of administrators, politicians, planners, history, geographical location, and culture.
”
”
Geoffrey West (Scale: The Universal Laws of Growth, Innovation, Sustainability, and the Pace of Life, in Organisms, Cities, Economies, and Companies)
“
…and then Aerin caught a sudden whiff of smoke as from, and then the smell of cooking. She sat down hard, but Talat’s ears flicked back at her. What do you mean stop here? and went on. And there was a small campfire, tucked in the curve of the trail where there was a little clearing and a stream curving around the other side.
“Good day to you,” said Luthe.
Talat whickered a greeting, and Aerin slid off him and he went forward alone to nose Luthe's hands and browse his hair. “I thought you never left your hall and your lake,” said Aerin.
“Rarely,” said Luthe. “In fact, increasingly exceedingly rarely. But I can be prodded from time to time by extraordinary circumstances.”
Aerin smiled faintly. “You have plenty to choose from here recently.”
“Yes.”
“May I ask, which particular circumstance was sufficiently extraordinary in this case?”
“Aerin—” Luthe paused, and then his voice took on its bantering tone again. “I thought you might like to be dragged back to the present, that you might arrive in time to give Tor his Crown and end the siege; and of course now instead of a few hundred years hence there is no jungle to be compelled to claw your way through. I’ve no doubt you could have done it, but it would have put you in a foul temper, and you would have been in a fouler one by the time you came back to the Lake of Dreams—assuming you would still have had the sense to to make your way there, not in your case something one can count on. You would have needed my assistance to regain your own time—if lighting a little fire made you see double, charging about in time without assistance would have blinded you for good—the longer you’re out of it, the harder it would have been to get you back in. So I came to meet you.”
Aerin stared at the fire, for she couldn’t think at all when she looked at Luthe. “I really was a long time climbing, then,” she said.
“Yes,” said Luthe. “A very long time.”
“And a very long time falling.”
“And a very long time falling.”
Aerin said nothing more while she pulled Talat’s saddle off and dropped it by the fire, and rubbed his back dry, and checked his feet for small stones. “I suppose I should forgive you, then, for making me other than mortal,” she said.
“You might. I would appreciate it if you did.
”
”
Robin McKinley (The Hero and the Crown (Damar, #2))
“
Are you sure you’re all right?” Oscar asked.
“I’m sure.” The sound of their voices disturbed the night, and her dishonesty disturbed her. How could she be all right? She’d been abducted at knifepoint. She’d heard the chanting again and seen the eerie black skeletal face on the bathwater’s surface. What were those things, if not part of the Umandu curse?
“Are you sure he didn’t touch you?” Oscar asked, the softness of his question poles apart from the anger and irritation he’d shown all day. It was obvious he didn’t want to go chasing after Umandu, but she couldn’t imagine the prospect of bringing her father back to life would make him so sour.
Camille sat up, holding the thin blanket around her neck. An odd thought struck her: They were on land, alone in a room, and they hadn’t yet struggled with an awkward stretch of silence. Camille liked the change and hoped it stuck.
Oscar lay on the floor, beneath the double windows. He had one arm over his chest, the other behind his head. He saw her and pushed himself up, his own covers loose around his waist. He still wore his clothes, and she grinned, knowing it was for her benefit only. He’d be sweating rivers tonight in the heavy heat. Oscar wrapped his arm around one knee.
“You have no idea what went through my mind tonight when I found that bathtub empty,” he whispered. “I can’t let anything happen to you, Camille.”
She sat up a little straighter, hoping he wouldn’t pledge his protection just to honor his dead captain. “I didn’t mean to make you worry, Oscar. But my safety isn’t your burden.”
Though she couldn’t see him clearly in the shadowed room, Camille felt his eyes on her.
“You’re not a burden, Camille. Not to me.”
She searched his dark outline. A patch of moonlight fell on a swath of bare skin on the curve of his neck. It glistened with sweat, and she felt her own skin fire with the charged silence growing between them. She didn’t know how to respond; he wouldn’t look away.
“He didn’t touch me,” she whispered instead, answering his original question. She lay back and turned onto her side, disappointed she hadn’t found something more to say. Something to make the moment last a hair longer.
Oscar’s covers rustled as he settled back as well.
“That was smart of him,” he replied, and said no more.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
I’m sure we can manage to tolerate each other’s company for one meal.”
“I won’t say anything about farming. We can discuss other subjects. I have a vast and complex array of interests.”
“Such as?”
Mr. Ravenel considered that. “Never mind, I don’t have a vast array of interests. But I feel like the kind of man who does.”
Amused despite herself, Phoebe smiled reluctantly. “Aside from my children, I have no interests.”
“Thank God. I hate stimulating conversation. My mind isn’t deep enough to float a straw.”
Phoebe did enjoy a man with a sense of humor. Perhaps this dinner wouldn’t be as dreadful as she’d thought. “You’ll be glad to hear, then, that I haven’t read a book in months.”
“I haven’t gone to a classical music concert in years,” he said. “Too many moments of ‘clap here, not there.’ It makes me nervous.”
“I’m afraid we can’t discuss art, either. I find symbolism exhausting.”
“Then I assume you don’t like poetry.”
“No . . . unless it rhymes.”
“I happen to write poetry,” Ravenel said gravely.
Heaven help me, Phoebe thought, the momentary fun vanishing. Years ago, when she’d first entered society, it had seemed as if every young man she met at a ball or dinner was an amateur poet. They had insisted on quoting their own poems, filled with bombast about starlight and dewdrops and lost love, in the hopes of impressing her with how sensitive they were. Apparently, the fad had not ended yet.
“Do you?” she asked without enthusiasm, praying silently that he wouldn’t offer to recite any of it.
“Yes. Shall I recite a line or two?”
Repressing a sigh, Phoebe shaped her mouth into a polite curve. “By all means.”
“It’s from an unfinished work.” Looking solemn, Mr. Ravenel began, “There once was a young man named Bruce . . . whose trousers were always too loose.”
Phoebe willed herself not to encourage him by laughing. She heard a quiet cough of amusement behind her and deduced that one of the footmen had overheard.
“Mr. Ravenel,” she asked, “have you forgotten this is a formal dinner?”
His eyes glinted with mischief. “Help me with the next line.”
“Absolutely not.”
“I dare you.”
Phoebe ignored him, meticulously spreading her napkin over her lap.
“I double dare you,” he persisted.
“Really, you are the most . . . oh, very well.” Phoebe took a sip of water while mulling over words. After setting down the glass, she said, “One day he bent over, while picking a clover.”
Ravenel absently fingered the stem of an empty crystal goblet. After a moment, he said triumphantly, “. . . and a bee stung him on the caboose.”
Phoebe almost choked on a laugh. “Could we at least pretend to be dignified?” she begged.
“But it’s going to be such a long dinner.
”
”
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
“
In 1950, a thirty-year-old scientist named Rosalind Franklin arrived at King’s College London to study the shape of DNA. She and a graduate student named Raymond Gosling created crystals of DNA, which they bombarded with X-rays. The beams bounced off the crystals and struck photographic film, creating telltale lines, spots, and curves. Other scientists had tried to take pictures of DNA, but no one had created pictures as good as Franklin had. Looking at the pictures, she suspected that DNA was a spiral-shaped molecule—a helix. But Franklin was relentlessly methodical, refusing to indulge in flights of fancy before the hard work of collecting data was done. She kept taking pictures. Two other scientists, Francis Crick and James Watson, did not want to wait. Up in Cambridge, they were toying with metal rods and clamps, searching for plausible arrangements of DNA. Based on hasty notes Watson had written during a talk by Franklin, he and Crick put together a new model. Franklin and her colleagues from King’s paid a visit to Cambridge to inspect it, and she bluntly told Crick and Watson they had gotten the chemistry all wrong. Franklin went on working on her X-ray photographs and growing increasingly unhappy with King’s. The assistant lab chief, Maurice Wilkins, was under the impression that Franklin was hired to work directly for him. She would have none of it, bruising Wilkins’s ego and leaving him to grumble to Crick about “our dark lady.” Eventually a truce was struck, with Wilkins and Franklin working separately on DNA. But Wilkins was still Franklin’s boss, which meant that he got copies of her photographs. In January 1953, he showed one particularly telling image to Watson. Now Watson could immediately see in those images how DNA was shaped. He and Crick also got hold of a summary of Franklin’s unpublished research she wrote up for the Medical Research Council, which guided them further to their solution. Neither bothered to consult Franklin about using her hard-earned pictures. The Cambridge and King’s teams then negotiated a plan to publish a set of papers in Nature on April 25, 1953. Crick and Watson unveiled their model in a paper that grabbed most of the attention. Franklin and Gosling published their X-ray data in another paper, which seemed to readers to be a “me-too” effort. Franklin died of cancer five years later, while Crick, Watson, and Wilkins went on to share the Nobel prize in 1962. In his 1968 book, The Double Helix, Watson would cruelly caricature Franklin as a belligerent, badly dressed woman who couldn’t appreciate what was in her pictures. That bitter fallout is a shame, because these scientists had together discovered something of exceptional beauty. They had found a molecular structure that could make heredity possible.
”
”
Carl Zimmer (She Has Her Mother's Laugh: What Heredity Is, Is Not, and May Become)
“
Young people learn things intensely. They’re impressionable, we say. The proper image is not a tabula rasa, we are not written upon or etched or branded, but moulded from a substance already dense with thought and feeling. Our teachers reach into us, skilfully or clumsily, it’s the luck of the draw, and shape this substance, they make ridges there, hollows and curves, and perception runs over them, bending to the contours, breaking against the sharp edges repeatedly, until they are as familiar as the roof of your mouth to your tongue. Experience swirls through these channels like water over rock, being shaped in turn and given a new direction. The day had diverted a current in me, but I could neither express this change nor predict its issue. If I joked with Brookes about what I had learned, it was only because I found the lesson baffling." (from "Double Negative" by Ivan Vladislavic, Teju Cole)
”
”
Ivan Vladislavić, Teju Cole
“
Suffice to say, the dream writer had a way of phrasing things. She could depict the curve of a cucumber, the shape of a sunbeam, the endearing, velvety tilt of a peach, in just such a way that she earned her living selling dreams. One simply made a selection, read it in solitude, and let it percolate till sleep. People swore they fell directly into her renderings, and one even asked if the dream writer could write a dream of dreaming forever. The dream writer could not do this, but she hired dream apprentices to expand the reach of her dreams and she wrote dreams for herself in which she would sit at a desk, pen in hand, and write even more dreams. This nearly doubled her output.
”
”
Meia Geddes (The Little Queen)
“
It is the persistent doubling of computer processing power stipulated in Moore’s law that makes it so deeply significant. It means that all computer-based technologies are exponential in their growth curves—not linear. In other words, these technologies benefit not from the power of mere addition but from multiplication. It is the difference between 1, 2, 3, 4, 5, 6, 7 and 2, 4, 8, 16, 32, 64, 128. The more the linear versus exponential trend line continues, the more stark and shocking the results. To put the concept into perspective, taking thirty steps linearly, one might walk across the living room. But taking thirty steps exponentially—doubling the distance with each successive step—would be the equivalent of traveling the distance from earth to the moon.
”
”
Marc Goodman (Future Crimes)
“
In the Company of Women"
Make me laugh over coffee,
make it a double, make it frothy
so it seethes in our delight.
Make my cup overflow
with your small happiness.
I want to hoot and snort and cackle and chuckle.
Let your laughter fill me like a bell.
Let me listen to your ringing and singing
as Billie Holiday croons above our heads.
Sorry, the blues are nowhere to be found.
Not tonight. Not here.
No makeup. No tears.
Only contours. Only curves.
Each sip takes back a pound,
each dry-roasted swirl takes our soul.
Can I have a refill, just one more?
Let the bitterness sink to the bottom of our lives.
Let us take this joy to go.
”
”
January Gill O’Neil
“
The path now is steep as hell—the new curve we’re on demands downright disruptive emissions cuts” of as much as 50 percent a decade. As the geophysicist Michael Mann put it, “what would have been a bunny slope was now a double black diamond.” That means, Steffen explained, that “climate action can no longer be orderly, gradual, or even continuous with our expectations
”
”
Bill McKibben (Falter: Has the Human Game Begun to Play Itself Out?)
“
The theory of the experience curve is that the costs of complex products and services, when corrected for the effects of inflation and arbitrary accounting standards, typically decline about 20 to 30 percent with each doubling of accumulated experience.
”
”
George Stalk Jr. (Competing Against Time: How Time-Based Competition is Reshaping Global Mar)
“
Be that as it may, the river proceeds like an unwilling boy to school: it deviates from a direct course on the slightest excuse. It prefers to loop, twist and curve, and often almost doubles back in its tracks, so that you may walk miles along its banks and find yourself after all not very far from where you started. On the map, it is a curling snake. And it is a snake that needs no occult power to keep a beholder entranced; it is itself a charmer.
”
”
Alfred Wainwright
“
I put out my hand. “Harlan Green.” He waved the cowboy toward me without shaking. “He’s going to check you. You know what to do?” “I know.” I stood with my feet apart and arms out. The wand looked like the wands used by TSA screeners, but this one did not screen for metal. He passed it over my chest, back, arms, and legs, searching for the RF and IR signals emitted by transmitters, recorders, and listening devices. I must have passed, because the cowboy nodded at Ramos. “Okay, now this one.” When the cowboy went to Park, Park slapped the wand away with a quick roll of his left hand, and punched him once in the solar plexus and twice in the face with his right fist. The cowboy staggered back and dropped to his knees. By the time he was down, Park was calmly staring at Ramos. “If you want search me, search me yourself.” The UFC fighter was two seconds behind the curve, then clawed under his shirt and flashed a garish little Llama .380. Neither Park nor I moved to stop him, but by the time the gun was out, Ramos saw Park’s men coming from behind the trucks. A dozen Double Dragon hitters in dark glasses and great suits. I said, “These guys know how to dress, don’t they?” Ramos glanced at me, then told the UFC fighter to put away his gun and get the cowboy on his feet. He didn’t look scared. “I
”
”
Robert Crais (Taken (Elvis Cole, #15; Joe Pike, #4))
“
Home would wait a few more days for him. It would not have changed. That was the last thought he could remember before Parkhurst turned to greet them, allowing Sebastian a peek at the young lady that was the center of all this male attention. He saw her all at once, but in that moment, it was as though his mind could comprehend her only in small pieces. Dark, silky hair, done up in intricate falling curls that touched against creamy soft shoulders. Her dress clung to the curves on her slim frame, making a man acutely aware of what was seen and what was unseen. Hooded eyes sparkling in the candlelight, a knowing smile painted on a full-lipped mouth that offered a hint of promise… hope for whispered conversation full of double meanings. And her voice… it was as familiar to him as a song, but somehow, he’d never heard it this way before. “Hello, Sebastian,” Susannah Westforth purred. Little no more. “Happy Christmas.
”
”
Anna Campbell (A Grosvenor Square Christmas)
“
Loretta opened her eyes and gazed up at her Comanche husband through a haze of longing. By degrees her pulse slowed, and her senses cleared. A tender smile curved his mouth.
“My heart is heavy to say these words, Blue Eyes, but someone may come. My woman who is without shame must wait, eh?”
She groped to jerk her blouse down. Hunter reared back to let her sit up, his eyes twinkling with mischief. She straightened her clothes, keeping her pink face averted. Taking her hand, he rose and led her up the bank, wishing they were a bit farther from home so he could finish what he had begun without running the risk of company.
“We will go to my lodge, yes? I will make you happy there where no one can see.”
She slugged his shoulder. “You did that on purpose!”
He laughed and tucked her under one arm to hold her close to his side as they walked. When they came within sight of the village, she drew away. A guilty flush dotted her cheeks. Hunter threw back his head and laughed. She retaliated by grabbing up a handful of pebbles to throw at him. Her aim was terrible, but Hunter ran out of throw’s reach anyway--until her ammunition was exhausted. Then he doubled back, charging, so he could reach her before she gathered more rocks.
She shrieked and fled. His longer legs quickly closed the distance between them. He swept her off her feet and tossed her over his shoulder, clamping one arm across the backs of her knees. Playfully she pummeled his back. Just as playfully he ran his free hand up her skirt and gave her bottom a light pinch.
All in all, Hunter decided, it had been a good day.
”
”
Catherine Anderson (Comanche Moon (Comanche, #1))
“
These look rather exotic."
Behind her, Vane studied the way her gown had pulled tight over the curves of her bottom- and didn't argue. Lips lifting in anticipation, he moved in- to spring his trap.
Her heart racing, tripping in double time, Patience straightened, and went to slide around the fountain, to place it between herself and the wolf she was trapped in the conservatory with. Instead, she ran into an arm.
She blinked at it. One faultless grey sleeve enclosing solid bone well covered with steely muscle, large fist locked over the scrolled rim of the basin, it stated very clearly that she wasn't going anywhere.
Patience whirled- and found her retreat similarly blocked. Swinging farther, she met Vane's gaze; standing on the tiled floor, one step below her, arms braced on the rim, his eyes were nearly level with hers. She studied them, read his intent in the silvered grey, in the hardening lines of his face, the brutally sensual line of those uncompromising lips.
She couldn't believe her eyes.
"Here?" The word, weak though it was, accurately reflected her disbelief.
"Right here. Right now.
”
”
Stephanie Laurens (A Rake's Vow (Cynster, #2))
“
I didn’t get a chance to say it earlier,” Delia said in a whisper loud enough to be heard…well, almost two stories up on a rope ladder anyway, making Kerry wince a little. “We really do like him. We’re happy for you.”
Kerry wanted to hiss who’s we? but refrained. As far as she could tell, Cooper had spent the past three days befriending every man, woman, and lobster in Blueberry Cove. And every single one of them had managed to find a moment to tell her so. She was happy--truly--that everyone liked him but not surprised. He was a likeable guy. And she was equally happy folks were happy for her.
Now she just wished they’d butt out and let her get on with being happy with Cooper. She managed to give Delia a little salute with half of one hand while still clutching the rope, and Delia gave her another enthusiastic wave, eyes sparkling. Kerry waited until Delia had scooted on back toward the café before turning her attention to the trapdoor. And almost had her second heart attack when she looked up, only to find Cooper staring down at her, his chin propped on folded arms, meaning he was lying flat on the balcony deck. He smiled and lifted his fingers in a little wave. “Nice of you to drop up,” he said, a smile curving his lips but the glittering light in his blue eyes telling a different story.
His voice was deep and just a shade rough, which made her skin tingle in delicious anticipation. “I got waylaid by another of your throng of supporters and well-wishers so you only have yourself to blame.”
“So I heard,” he said. “I’ll be sure to thank her later and tip double the usual when we order breakfast in tomorrow morning.”
“Awfully sure of yourself, mister.”
“Finish climbing that ladder and I’ll be happy to explain the source of my confidence.” He wiggled his eyebrows. “Or, better yet, I’ll show you.”
“Well, if I’d known there was going to be show and tell, I’d have gotten up here sooner.
”
”
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
“
My heart stops, then restarts double time, pounding in my ears when I spot the familiar faces on the ice. It’s her. On a pair of ice skates for a change. Here she is on my turf. Fuck me. If I thought she couldn’t get any hotter, I was wrong. She’s a goddess on the ice. A goddess in fishnets, black shorts that form a second skin on her ass, and a purple jersey. Not mine. Her derby jersey fits her curves to perfection.
”
”
Nikki Jewell (The Red Line (Lakeview Lightning #2))
“
All marriages are like this. The component parts are contempt and irritation because we know each other by heart, by rote; we're all graduates of the blab school for double harness. Then he looked at the redgold hair, the sweet curve of the mouth, and thought, Truthlie, because marriage is more than that. It's part hate, part love. It's remembered agony, and remembered delight.
”
”
Ann Petry (The Narrows)
“
This is the Rocketship Growth Rate—the precise pace at which a startup must grow to break out. How do you calculate this rate of growth? First, by setting a goal of exceeding a billion dollars of valuation—thus being in a position to achieve an IPO—and working backward. Hitting a $1 billion valuation generally requires at least $100 million in top-line recurring revenue annually, based on the rough market multiple of 10x revenue. You’d want to hit that in 7–10 years, to sustain the engagement of the key employees and also reward investors who often work in decade-long time cycles. These two goals—revenue and time—work together to create an overall constraint. Neeraj Agarwal, a venture capitalist and investor in B2B companies, first calculated this growth rate by arguing that SaaS companies in particular need to follow a precise path to reach these numbers:64 Establish great product-market fit Get to $2 million in ARR (annual recurring revenue) Triple to $6 million in ARR Triple to $18 million Double to $36 million Double to $72 million Double to $144 million SaaS companies like Marketo, Netsuite, Workday, Salesforce, Zendesk, and others have all roughly followed this curve. And the rough timing makes sense. The first phase, in which the team initially gets to product/market fit, takes 1–3 years. Add on the time to reach the rest of the growth milestones, and the entire process might take 6–9 years. Of course, after year 10, the company might still be growing quickly, though it’s more common for it to be growing 50 percent annualized rather than doubling. The argument is that products with network effects both can see higher growth rates as they tap into the various network forces I’ve discussed, and can compound these growth rates for a longer period of time—and looking at the data, I think that’s generally true.
”
”
Andrew Chen (The Cold Start Problem: How to Start and Scale Network Effects)
“
He could feel the heat of her breath on his skin. Goose bumps prickled up his arms and neck. He was... inexplicably excited.
Even though Nina was arrogant and a know-it-all, that didn't stop the way his body responded to her. While--- logically--- he knew to keep as far away as possible, illogically, he was drawn to her. Despite her personality, she was still gorgeous--- all wavy dark hair and curves that made looking away difficult. Not to mention that sometimes when she got mad, he seemed to get... more turned on. So, yeah, he had some weird fetish for opinionated women, or something, and she happened to be exactly that. The fact that her hair always smelled like cinnamon, which made his treacherous, double-crossing impulses want to lean closer to catch a whiff, didn't help, either...
”
”
Erin La Rosa (For Butter or Worse (The Hollywood Series #1))
“
you’re going to need a blade. Now …” He moved to the next box, tearing off the lid, nails and all. “Why don’t you make yourself useful and look through a few of these yourself? See if anything jumps out at you. Remember, you’re looking for a blade. Not a mace or a maul or a huge spiked chain that you’d probably hurt yourself with trying to learn.” “Fine.” I wandered down the aisle, looking at random articles. “But I still say the flail looked like it could bash in a vamp’s head pretty efficiently.” “Allison—” “I’m going, I’m going.” More wooden boxes lined the aisle to either side, covered in dust. I brushed back a film of cobwebs and grime to read the words on the side of the nearest carton. Longswords: Medieval Europe, 12th century. The rest was lost to time and age. Another read: Musketeer Rapie … something or other. Another apparently had a full suit of gladiator armor, whatever a gladiator was. A clang from Kanin’s direction showed him holding up a large, double-bladed ax, before he laid it aside and moved on to another shelf. One box caught my attention. It was long and narrow, like the other boxes, but instead of words, it had strange symbols printed down the side. Curious, I wrenched off the lid and reached in, shifting through layers of plastic and foam, until my fingers closed around something long and smooth. I pulled it out. The long, slightly curved sheath was black and shiny, and a hilt poked out of the end, marked with diamond pattern in black and red. I grasped that hilt and pulled the blade free, sending a metallic shiver through the air and down my spine. As soon as I drew it, I knew I had found what Kanin wanted. The blade gleamed in the darkness, long and slender, like a silver ribbon. I could sense the razor sharpness of the edge without even touching it. The sword itself was light and graceful, and fit perfectly into my palm, as if it had been made for me. I swept it in a wide arc, feeling it slice through the air, and imagined this was a blade that could pass through a snarling rabid without even slowing down. A chuckle interrupted me. Kanin stood a few yards away, arms crossed, shaking his head. His mouth was pulled into a resigned grin. “I should have known,” he said, coming forward. “I should have known you would be drawn to that. It’s very fitting, actually.
”
”
Julie Kagawa (The Immortal Rules (Blood of Eden, #1))
“
Do you have gorgeous, lustrous curly hair? Well, you may wonder about different hairstyles or even complain about the magnificent curls. However, opting for a French braid on the curly mane can change your whole outlook. French braid, also known as French plait, is undoubtedly a timeless classic. It has the ability to give an air of sophistication and grace. The conventional French braid doesn’t strain the hair and causes few breakages, leading to healthy hair.
How to French Braid Curly Hair
Steps to French braid the curly hair?
Follow these steps to French braid the curly hair.
• Part the hair from the middle.
• Now start a regular braid on the side.
• Before crossing, get a little bit of the main hair and add it to the small section that is now taken to the middle area.
• Repeat this addition till all the main hair gets used.
• After that, proceed with the traditional braiding style and finish it off with a hairband.
How to French Braid Curly Hair
Can the right hairbrush aid in making the perfect French braid?
Do you desire the perfect French braid on your curly tresses? Well, with the best styling brush, attaining that illustrious French braid is easy and manageable. If you are looking for the best brush for your hair, stop! Check out NuWay DoubleC Brush! It is a patented brush that comes with a multitude of features. Here, you will find a speedy dry, ergonomic shape to circular venting scheme.
Why choosing NuWay DoubleC Brush is the best choice for a French braid?
NuWay DoubleC Brush offers different features that inevitably make it the best scalp brush.
• DoubleC Curve The Double C shape brush aids in offering depth and helps in lifting added volumes.
• Carries hair care products With a broad curve, the NuWay DoubleC Brush can carry hair products with ease. It is indeed the best brush for applying hair care products.
• Circular venting scheme The circular venting scheme decreases the drying time, thus offering speed dry. Moreover, it also protects against heat.
• Ergonomic shape With an ergonomic shape, the brush assists in scalp care. Now, you can get the perfect braid with ease!
• Non-slip grip The NuWay DoubleC Brush comes with a TPR handle. It indicates a non-slip grip and aids in detangling hairs. No wonder it is credited as the best brush for detangling tresses.
• Easy to clean The brush is exceptionally easy to clean. You only need some detergent and water to wash off the dirt. Then, air dries it in a cool place for further use.
• Tips diffused with argan oil The tips of the bristles are smeared with argan oil, maintaining the softness and shine of the hair. These also promote blood circulation and stimulate the hair follicles. These spectacular features definitely make the NuWay DoubleC Brush even more appealing. Magnificent, right?
Get this impressive hairbrush on Amazon here!
”
”
HOW TO FRENCH BRAID CURLY HAIR ?
“
The first solar photovoltaic panel built by Bell Labs in 1954 cost $1,000 per watt of power it could produce.128 In 2008, modules used in solar arrays cost $3.49 per watt; by 2018, they cost 40 cents per watt.129 According to a pattern known as Swanson’s Law, the price of solar photovoltaic modules tends to fall by 20 percent for every doubling of cumulative shipped volume. The full price of solar electricity (including land, labor to deploy the solar panels, and other equipment required) falls by about 15 percent with every doubling. The amount of solar-generated power has been doubling every two years or less for the past forty years—as costs have been falling.130 At this rate, solar power is only five doublings—or less than twelve years—away from being able to meet 100 percent of today’s energy needs. Power usage will keep increasing, so this is a moving target. Taking that into account, inexpensive renewable sources can potentially provide more power than the world needs in less than twenty years. This is happening because of the momentum that solar has already gained and the constant refinements to the underlying technologies, which are advancing on exponential curves. What Ray Kurzweil said about Craig Venter’s progress when he had just sequenced 1 percent of the human genome—that Venter was actually halfway to 100 percent because on an exponential curve, the time required to get from 0.01 percent to 1 percent is equal to the time required to get from 1 percent to 100 percent—applies to solar capture too.
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Vivek Wadhwa (The Driver in the Driverless Car: How Your Technology Choices Create the Future)
“
French fries are America’s vegetable of choice, and the average American eats the fat equivalent of one whole stick of butter each day. This has forced airlines to add more fuel to planes to compensate for heavier passengers, manufacturers increase the size of car seats for children while selling seat belt extenders for adults, and curved shower curtain rods are creating space for those needing extra room while bathing. There is no way one size can possibly fit all. Time reports, “As Americans have grown physically larger, brands have shifted their metrics to make shoppers feel skinnier—so much so that a women’s size 12 in 1958 is now a size 6.” Disguising this doubling in size is called vanity sizing but has been derided as “insanity sizing”.
”
”
Jeff Swystun (TV DINNERS UNBOXED: The Hot History of Frozen Meals)
“
A learning curve—measured as the percentage unit cost reduction realized with each doubling of cumulative production volume—is typically steepest when labor and machinery add significant value in the production process, as with aircraft assembly or semiconductor manufacturing. Value-added refers to the difference between a product’s final cost and the cost of raw material inputs; this difference consists mostly of labor and equipment costs. Learning-by-doing—for example, finding a way to cut setup times for a new production run—often yields labor and equipment cost savings.
”
”
Tom Eisenmann (Why Startups Fail: A New Roadmap for Entrepreneurial Success)
“
An upsurge in new cases, the highest number for one twenty-four-hour period yet, and an alarming rise in the contact curve. People who hadn’t been hit were getting bold. They were getting bored, going next door to talk to the neighbors, thinking things weren’t really that bad, gravitating back toward normalcy. Several shopkeepers opened their stores, defied the police to send them home, claiming the whole thing was blown out of proportion. They found out, soon enough, but by then other cases were breaking discipline. Another day, another big rise in new cases and a doubling of contacts.
”
”
Alan E. Nourse (The Fourth Horseman)
“
Between 1993 (Pentium) and 2013 (the AMD 608), the highest single-processor transistor count went from 3.1 million to 105.9 million, the final total being actually a bit higher than prescribed by Moore’s law (doubling every two years would bring it to 99.2 million). But progress has slowed. In 2008 the Xeon had 1.9 billion transistors and a decade later the GC2 packed in 23.6 billion, whereas a doubling every two years should have brought the total to about 60 billion. As a result, the growth of the best processor performance has slowed from 52 percent a year between 1986 and 2003 to 23 percent a year between 2003 and 2011 and eventually to less than 4 percent between 2015 and 2018. As with all cases of growth, an S-curve has been forming, and the period of very rapid exponential growth is history.
”
”
Vaclav Smil (Invention and Innovation: A Brief History of Hype and Failure)
“
Like the Cupid’s bow, the double curve of the upper lip. A study out of Scotland reported that women with a prominent cupid’s bow are more likely to experience orgasm during sex.
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Penny Reid (The Neanderthal Box Set)
“
Unfortunately, the Bull that gilded Renaissance New York did little for most Americans. Eighties Wall Street was about institutional money released by deregulation, mergers and acquisitions, and, most of all, the debt that made it all possible. As John Kenneth Galbraith points out, financial euphoria always starts with new ways to borrow money; this time it was triggered by the Savings & Loan crisis. Volcker’s rocketing interest rates had forced S&Ls to offer double digits to new depositors while only getting back single digits on the old thirty-year mortgages on their books. S&Ls were going under, and getting a mortgage was nearly impossible, so in March 1980, with the banking system and the housing market on the brink, Carter had signed a law to allow them to issue credit cards, invest in commercial real estate, and offer checking accounts in order to stay in business. Reagan then took it a step further with a change that encouraged S&Ls to sell their mortgages in search of higher returns, freeing up a $1 trillion that needed to be invested in something. Which takes us back to Salomon Brothers, where in 1978 one Lew Ranieri had repackaged an old investment product the government had clamped down on during the Depression: A group of home mortgages all backed by government insurance would be bundled together, then sliced into bonds, thus converting the debt some people owed on their homes into an asset for others. Ranieri had been a bit ahead of the curve then—the same high interest rates that killed the S&Ls also made his bonds unattractive—but now deregulation let Salomon buy up the S&Ls’ mortgages at a deep discount, bundle them into bonds, and sell them back to the S&Ls who believed they’d diversified into the bond market when in fact they’d just bought ground meat made out of their own steaks. In June 1983, Salomon Brothers and Freddie Mac together issued the first collateralized mortgage obligation bonds (CMOs), which bundled up debt and cut it into tranches based on the amount of risk: you could choose between ground chuck and ground sirloin. It would be years before technology would allow doing this on a huge scale, but the immediate impact was that all kinds of debt, not just mortgages, were bundled, cut into bonds, and sold: credit card debt, car loans, you name it. Between 1983 and 1988, some $60 billion of CMOs were sold; GM’s financing arm became more profitable than its cars. America began to make debt instead of things. The
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Thomas Dyja (New York, New York, New York: Four Decades of Success, Excess, and Transformation (Must-Read American History))
“
Healthy Choices are the Way of a Healthy Lifestyle!!!
If you work 9-6, then you should be healthier but there is nothing you can do in our busy schedule and yeah sometimes 9-6 desk job pretty much limits you from doing a lot of stuff including Working Out and Eating a well-balanced diet.
Healthy Lifestyle always associated with a good diet and proper exercise. Let’s start off with some general diet(healthy breakfasts, workout snacks, and meal plans) and exercise recommendations:
The Perfect Morning Workout If You’re Not a Morning Person:
45-minute daily workout makes it easy to become (and stay) a morning exerciser.
(a) Stretching Inchworm(Warm up your body with this gentle move before you really start to sweat):
How to do it:
Remain with feet hip-width separated, arms by your sides. Take a full breath in and stretch your arms overhead, squeezing palms together and lifting your chest as you admire the roof. Breathe out and gradually crease forward, opening your arms out to your sides and afterward to the floor (twist knees as much as expected to press hands level on the ground).
Gradually walk your hands out away from your feet, moving load forward, bringing shoulders over hands and bringing down the middle into the full board position. Prop your abs in tight and hold for 1 check.
Delicately discharge your hips to the floor and curve your lower back, lifting head and chest to the roof, taking a full breath in as you stretch. Breathe out, attract your abs tight and utilize your abs to lift your hips back up into full board position. Hold for 1 tally and afterward gradually walk your hands back to your feet and move up through your spine to come back to standing. Rehash the same number of times in succession as you can for 1 moment.
(b) Pushups(pushup variation that works your chest, arms, abs, and legs.):
How to do it:
From a stooping position, press your hips up and back behind you with the goal that your body looks like a topsy turvy "V." Bend your knees and press your chest further back towards your thighs, extending shoulders. Move your weight forward, broaden your legs, and lower hips, bowing elbows into a full push up (attempt to tap your chest to the ground if conceivable).
Press your hips back up and come back to "V" position, keeping knees bowed. Power to and fro between the push up and press back situation the same number of times as you can for 1 moment.
(c) Squat to Side Crunch: (Sculpt your legs, butt, and hips while slimming your waist with this double-duty move.)
How to do it:
Stand tall with your feet somewhat more extensive than hip-width, toes and knees turned out around 45 degrees, hands behind your head. Curve your knees and lower into a sumo squat (dropping hips as low as you can without giving knees a chance to clasp forward or back).
As you press back up to standing, raise your correct knee up toward your correct elbow and do a side mash with your middle to one side. Step your correct foot down and quickly rehash sumo squat and mash to one side. Rehash, substituting sides each time, for 1 moment.
Starting your day with a Healthy Meal:
Beginning your day with a solid supper can help recharge your glucose, which your body needs to control your muscles and mind.
Breakfast: Your body becomes dehydrated after sleeping all night, re-energize yourself with a healthy breakfast. Eating a breakfast of essential nutrients can help you improve your overall health, well-being, and even help you do better in school or work. It’s worth it to get up a few minutes earlier and throw together a quick breakfast. You’ll be provided with the energy to start your day off right.
List of Breakfast Foods That Help You to Boost Your Day:
1. Eggs
2. Wheat Germ
3. Bananas
4. Yogurt
5. Grapefruit
6. Coffee
7. Green Tea
8. Oatmeal
9. Nuts
10. Peanut Butter
11. Brown Bread
By-
Instagram- vandana_pradhan
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Vandana Pradhan
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He didn’t answer, his hand tightening around the roses. Suddenly, he winced, loosened his grip. A thorn must have punctured him; blood welled in the curved archipelago below his thumb. I withdrew a napkin from my pocket, doubled it over, pressed it against his hand. Across the baggage terminal, Jacob had just lifted his mom’s luggage off the carousel and as he set it down, he caught sight of me at the same time I did him. And now, he stared at me in disbelief, my hands still wrapped around Erik’s. I ripped my hands away, took a step away. It was too late. The swarming crowds blocked Jacob from view. I knew he had wrenched around anyway.
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Justina Chen (North of Beautiful)
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During your first week as a runner, you might run thirty second intervals interspersed with ninety seconds of walking, but after a few workouts, you’ll realize you can double that time to a full minute—a 100% increase in performance. A week or two later you’re running two or three minutes at a time, doubling your endurance yet again.
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Jill Angie (Running with Curves: Why You’re Not Too Fat to Run, and the Skinny on How to Start Today)
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warning bell in Sam’s head. Man-eating sharks and Bigfoot forgotten, he paused and gave her a considering look. “Are you in some sort of trouble?” A sharp titter of patently false laughter erupted from her throat, reinforcing Sam’s suspicions. Giving him a don’t-be-silly look, she reached up and twisted a coil of gold hair around her finger. “T-trouble?” she stuttered. “No, of course not. Why would you think that?” “I don’t know…” Sam trailed off absently. A broken string with a few tiny pearls lay next to the curve of her breast. A breast he shouldn’t have been looking at, but… Puzzled, Sam frowned. Noticing the direction of his gaze, she blushed and jerked her arm down. “As an added incentive, I’ll
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Rhonda Nelson (Double Dare)
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It was red and gold and glorious with the evening sun behind it, like a hillside in autumn. From nose to tail it was twice as long as my canoe, and from wing tip to wing tip three times as long. It had a crown of antlers that must have come to thirty points or more. It stretched its wings, and the sun came through them, showing the scarlet net of its bloodworks. It had a long, sinuous body, like an otter or a fisher. Its neck double-curved like a heron’s. Its mane was bloodred, each spiky feather tipped with black, and it had black markings on its eyes and muzzle and along the rims of its deerlike ears.
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Moniquill Blackgoose (To Shape a Dragon's Breath (Nampeshiweisit #1))