Curtain This Country Quotes

PIPPIN: I didn't think it would end this way. GANDALF: End? No, the journey doesn't end here. Death is just another path, one that we all must take. The grey rain-curtain of this world rolls back, and all turns to silver glass, and then you see it. PIPPIN: What? Gandalf? See what? GANDALF: White shores, and beyond, a far green country under a swift sunrise. PIPPIN: Well, that isn't so bad. GANDALF: No. No, it isn't.

And the ship went out into the High Sea and passed into the West, until at last on a night of rain Frodo smelled a sweet fragrance on the air and heard the sound of singing that came over the water. And then it seemed to him that as in his dream in the house of Bombadil, the grey rain-curtain turned all to silver glass and was rolled back, and he beheld white shores and beyond them a far green country under a swift sunrise.

The grey-rain curtain turned all to silver glass and was rolled back, and he beheld white shores and beyond them a far green country under a swift sunrise.

End? No, the journey doesn't end here. Death is just another path, one that we all must take. The grey rain-curtain of this world rolls back, and all turns to silver glass, and then you see it. White shores, and beyond, a far green country under a swift sunrise.

He would never be any different and now Scarlett realize the truth and accepted it without emotion—that until he died Gerald would always be waiting for Ellen, always listening for her. Her was in some dim borderline country where time was standing still and Ellen was always in the next room. The mainspring of his existence was taken away when she died and with it has gone his bounding assurance, his impudence and his restless vitality. Ellen was the audience before which the blustering drama of Gerald O'Hara had been played Now the curtain had been rung down forever, the footlights dimmed and the audience suddenly vanished, while the stunned old actor remained on his empty stage, waiting for his cues.

Frodo heard a sweet singing running in his mind: a song that seemed to come like a pale light behind a grey rain-curtain, and growing stronger to turn the veil all to glass and silver, until at last it was rolled back, and a far green country opened before him under a swift sunrise.

Behind the facade of elected government are a bunch of corporate controlled gangsters running the country.

Do me a favor this morning. Draw the curtain and come back to bed. Forget the coffee. We’ll pretend we’re in a foreign country, and in love.

Me and the bottle have always been friends, we've had a few old nasty fights but the bottle would always win, so when I go to answer that final curtain call, I can hear these words being whispered by all... Ol' George stopped drinking today.

BUSY old fool, unruly Sun, Why dost thou thus, Through windows, and through curtains, call on us? Must to thy motions lovers' seasons run ? Saucy pedantic wretch, go chide Late school-boys and sour prentices, Go tell court-huntsmen that the king will ride, Call country ants to harvest offices ; Love, all alike, no season knows nor clime, Nor hours, days, months, which are the rags of time.

the Polish Institute of National Memory estimates that there were some 5.5 million wartime deaths in the country, of which about 3 million were Jews. In total, some 20 percent of the Polish population, one in five people, did not survive.

Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements may seem, the pattern is at least familiar from our personal lives. There, too, we may find ourselves anchoring emotions of love on the way a person butters his or her bread, or recoiling at his or her taste in shoes. To condemn ourselves for these minute concerns is to ignore how rich in meaning details may be.

But one moment stood out to me, as I sat beneath a dark sky full of stars and retold a moment from the Lord of the Rings. Trick memory. It was just one conversation in a three-hour long film in a quartet of movies, but I’ve always remembered it. “And Gandalf paused, and spoke. He looked at Pippin with a smile, and said ‘End? No, the journey doesn’t end here. Death is just another path, one that we all must take. The grey rain-curtain of this world rolls back, and all turns to silver glass, and then you see it.’ And Pippin said, ‘What? Gandalf? See what?’” I look around. My audience is spellbound. I take a breath. “‘White shores, and beyond, a far green country under a swift sunrise.’” As I finish speaking, I look up, about to finish the scene and describe the Rohirrim coming to Gondor’s aid.

The grey rain curtain of this world rolls back and all turns to silver green. And then you see it… white shores and beyond a far green country under a swift sunrise.

The ticking was gone from my mind and all was quiet everywhere in the world and I held the curtain like I held the sound of the bullets going into the draft horse, his favourite, in the barn, one two three, and I stood at the window in Stevie’s jacket and looked and waited and still the rain kept coming down outside one two three and I was thinking oh what a small sky for so much rain.

In the end, that’s what Kevin has never forgiven us. He may not resent that we tried to impose a curtain between himself and the adult terrors lurking behind it. But he does powerfully resent that we led him down the garden path—that we enticed him with the prospect of the exotic. (Hadn’t I myself nourished the fantasy that I would eventually land in a country that was somewhere else?) When we shrouded our grown-up mysteries for which Kevin was too young, we implicitly promised him that when the time came, the curtain would pull back to reveal—what? Like the ambiguous emotional universe that I imagined awaited me on the other side of childbirth, it’s doubtful that Kevin had formed a vivid picture of whatever we had withheld from him. But the one thing he could not have imagined is that we were withholding nothing. That there was nothing on the other side of our silly rules, nothing.

Directly overhead the Milky Way was as distinct as a highway across the sky. The constellations shown brilliantly, except the north, where they were blurred by the white sheets of the Aurora. Now shimmering like translucent curtains drawn over the windows of heaven, the northern lights suddenly streaked across a million miles of space to burst in silent explosions. Fountains of light, pale greens, reds, and yellows, showered the stars and geysered up to the center of the sky, where they pooled to form a multicolored sphere, a kind of mock sun that gave light but no heat, pulsing, flaring, and casting beams in all directions, horizon to horizon. Below, the wolves howled with midnight madness and the two young men stood in speechless awe. Even after the spectacle ended, the Aurora fading again to faint shimmer, they stood as silent and transfixed as the first human beings ever to behold the wonder of creation. Starkmann felt the diminishment that is not self-depreciation but humility; for what was he and what was Bonnie George? Flickers of consciousness imprisoned in lumps of dust; above them a sky ablaze with the Aurora, around them a wilderness where wolves sang savage arias to a frozen moon.

As his hero and heroine pass the matrimonial barrier, the novelist generally drops the curtain, as if the drama were over then: the doubts and struggles of life ended: as if, once landed in the marriage country, all were green and pleasant there: and wife and husband had nothing to do but to link each other’s arms together, and wander gently downwards towards old age in happy and perfect fruition. But our little Amelia was just on the bank of her new country, and was already looking anxiously back towards the sad friendly figures waving farewell to her across the stream, from the other distant shore.

It hadn’t happened in a moment, but a series of moments, as slow and insidious as the melting of the ice caps. Women had been ushered out of the workplace, so subtly that few noticed until it was too late. There had been no grand lowering of an iron curtain, with passports voided and bank accounts emptied. There had been a few men in sharp suits quoting scripture with silver tongues, but it was cursory, just enough to wrangle part of the Christian vote. Really, they were afraid of women. Or hated them. Wasn’t that much the same thing? The country saw those angry men as a fringe movement right up until one was elected president.

But in every country occupied by the Red Army, the definition of “fascist” eventually grew broader, expanding to include not only Nazi collaborators but anybody whom the Soviet occupiers and their local allies disliked. In time, the word “fascist,” in true Orwellian fashion, was eventually used to describe antifascists who also happened to be anticommunists. And every time the definition was expanded, arrests followed.

Slavery is not a horror safely confined to the past; it continues to exist throughout the world, even in developed countries like France and the United States. Across the world slaves work and sweat and build and suffer. Slaves in Pakistan may have made the shoes you are wearing and the carpet you stand on. Slaves in the Caribbean may have put sugar in your kitchen and toys in the hands of your children. In India they may have sewn the shirt on your back and polished the ring on your finger. They are paid nothing. Slaves touch your life indirectly as well. They made the bricks for the factory that made the TV you watch. In Brazil slaves made the charcoal that tempered the steel that made the springs in your car and the blade on your lawnmower. Slaves grew the rice that fed the woman that wove the lovely cloth you've put up as curtains. Your investment portfolio and your mutual fund pension own stock in companies using slave labor in the developing world. Slaves keep your costs low and returns on your investments high.

BUSY old fool, unruly Sun, Why dost thou thus, Through windows, and through curtains, call on us? Must to thy motions lovers' seasons run? Saucy pedantic wretch, go chide Late school-boys and sour prentices, Go tell court-huntsmen that the king will ride, Call country ants to harvest offices ; Love, all alike, no season knows nor clime, Nor hours, days, months, which are the rags of time. Thy beams so reverend, and strong Why shouldst thou think ? I could eclipse and cloud them with a wink, But that I would not lose her sight so long. If her eyes have not blinded thine, Look, and to-morrow late tell me, Whether both th' Indias of spice and mine Be where thou left'st them, or lie here with me. Ask for those kings whom thou saw'st yesterday, And thou shalt hear, "All here in one bed lay." She's all states, and all princes I ; Nothing else is ; Princes do but play us ; compared to this, All honour's mimic, all wealth alchemy. Thou, Sun, art half as happy as we, In that the world's contracted thus ; Thine age asks ease, and since thy duties be To warm the world, that's done in warming us. Shine here to us, and thou art everywhere ; This bed thy center is, these walls thy sphere.

The Negroes of this country may never be able to rise to power, but they are very well placed indeed to precipitate chaos and ring down the curtain on the American dream.

Sometimes a landscape seems to be less a setting for the life of its inhabitants than a curtain behind which their struggles, achievements and accidents take place.

Auch wenn zwei Staaten in Deutschland existieren, sind sie doch füreinander nicht Ausland; ihre Beziehungen zueinander können nur von besonderer Art sein." ("Even though two states in Germany exist, they are not foreign countries to each other—their relations with each other can only be of a special kind.") First Inaugural Address as West German Chancellor, October 28, 1969

One of the strangest things about these five downhill years of the Nixon presidency is that despite all the savage excesses committed by the people he chose to run the country, no real opposition or realistic alternative to Richard Nixon’s cheap and mean-hearted view of the American Dream has ever developed. It is almost as if that sour 1968 election rang down the curtain on career politicians. This is the horror of American politics today - not that Richard Nixon and his fixers have been crippled, convicted, indicted, disgraced and even jailed - but that the only available alternatives are not much better; the same dim collection of burned-out hacks who have been fouling our air with their gibberish for the last tenty years. How long, oh Lord, how long? And how much longer will we have to wait before some high-powered shark with a fistful of answers will finally bring us face-to-face with the ugly question that is already so close to the surface in this country, that sooner or later even politicians will have to cope with it? Is this democracy worth all the risks and problems that necessarily go with it? Or, would we all be happier by admitting that the whole thing was a lark from the start and now that it hasn’t worked out, to hell with it.

But in every country occupied by the Red Army, the definition of 'fascist' eventually grew broader, expanding to include not only Nazi collaborators but anybody whom the Soviet occupiers and their local allies disliked. In time, the word 'fascist,' in true Orwellian fashion, was eventually used to describe antifascists who also happened to be anticommunists. And every time the definition was expanded, arrests followed. p.86

Death is just another path, one that we all must take. The gray rain-curtain of this world rolls back, and all turns to silver glass, and then you see it. White shores, and beyond, a far green country under a swift sunrise.

The older sisters all had tacky taste: brocade curtains and brightly painted accent walls, mimicking the tropical colonial style of the country they’d left behind and the era in which they’d left it. Camila didn’t need textile reminders of home. She’d arrived like a bird that was molting.

She could look back to it from her present standing-place, and contemplate, almost as another being, the young unmarried girl absorbed in her love, having no eyes but for one special object, receiving parental affection if not ungratefully, at least indifferently, and as it were her due-her whole heart and thoughts bent on the accomplishment of one desire. The review of those days, so lately gone yet so far away, touched her with shame; and the aspect of the kind parents filled her with tender remorse. Was the prize gained-the heaven of life-and the winner still doubtful and unsatisfied? As his hero and heroine pass the matrimonial barrier, the novelist generally drops the curtain, as if the drama were over then: the doubts and struggles of life ended: as if, once landed in the marriage country, all were green and pleasant there: and wife and husband had nothing to do but to link each other's arms together, and wander gently downwards towards old age in happy and perfect fruition. But our little Amelia was just on the bank of her new country, and was already looking anxiously back towards the sad friendly figures waving farewell to her across the stream, from the other distant shore.

In 1959 Corrie was part of a group that visited Ravensbruck, which was then in East Germany, to honor Betsie and the 96,000 other women who died there. There Corrie learned that her own release had been part of a clerical error; one week later all women her age were taken to the gas chamber. When I heard Corrie speak in Darmstadt in 1968, she was 76, still traveling ceaselessly in obedience to Betsie’s certainty that they must “tell people.” Her work took her to 61 countries, including many “unreachable” ones on the other side of the Iron Curtain. To whomever she spoke—African students on the shores of Lake Victoria, farmers in a Cuban sugar field, prisoners in an English penitentiary, factory workers in Uzbekistan—she brought the truth the sisters learned in Ravensbruck: Jesus can turn loss into glory. John and I made some of those trips with her, the only way to catch this indefatigable woman long enough to

The Gift Time wants to show you a different country. It's the one that your life conceals, the one waiting outside when curtains are drawn, the one Grandmother hinted at in her crochet design, the one almost found over at the edge of the music, after the sermon. It's the way life is, and you have it, a few years given. You get killed now and then, violated in various ways. (And sometimes it's turn about.) You get tired of that. Long-suffering, you wait and pray, and maybe good things come-maybe the hurt slackens and you hardly feel it any more. You have a breath without pain. It is called happiness. It's a balance, the taking and passing along, the composting of where you've been and how people and weather treated you. It's a country where you already are, bringing where you have been. Time offers this gift in its millions of ways, turning the world, moving the air, calling, every morning, "Here, take it, it's yours.

The president was running out of room to maneuver as the country backed away from further federal interference in the South. The outcry over Louisiana began to ring down the final curtain on Reconstruction. Southern whites increasingly substituted the word “Redemption”—a restoration of white rule—for the hated term “Reconstruction.

Now it’s clear to me, I haven’t understood as well as I should, the cracks on the ground we stood. A blast ignited through ballot boxes by the choices of unsuspecting and innocent Nigerians has rippled across the country and has torn the curtain open to set the stage for these cracks to grow into magnified quakes now swallowing us up.” - Dami K.

This is where you come when you are lost, when you feel that you are never going to find the place. You go to the first place, the first country, to her net curtains and her singular food, to her safe and open door. You lie down. You eat. You listen to her. And you know that this house will not fall down. This house is sturdy and is made of bricks, and the wolf will not come and blow it down.

There is no man in any grove, in any forest, curtained behind the tents of some travelling circus, beyond the thunder of any waterfall – no man waiting for me. I would give anything for this to be true, for me to be like those girls who lie to their parents to spend afternoons in faraway fields with their hair spread on their lovers’ chests. But no one has ever thought me worthy of too long a glance.

Pippin: I didn't think it would end this way. Gandalf: End? No, the journey doesn't end here. Death is just another path, one that we all must take. The grey rain-curtain of this world rolls back, and all turns to silver glass, and then you see it. Pippin: What? Gandalf? See what? Gandalf: White shores, and beyond, a far green country under a swift sunrise. Pippin:: Well, that isn't so bad. Gandalf: No. No, it isn't.

And I came to a hill that I never saw before. I was in a dismal thicket full of black twisted boughs that tore me as I went through them, and I cried out because I was smarting all over, and then I found that I was climbing, and I went up and up a long way, till at last the thicket stopped and I came out crying just under the top of a big bare place, where there were ugly grey stones lying all about on the grass, and here and there a little, twisted stunted tree came out from under a stone, like a snake. And I went up, right to the top, a long way. I never saw such big ugly stones before; they came out of the earth some of them, and some looked as if they had been rolled to where they were, and they went on and on as far as I could see, a long, long way. I looked out from them and saw the country, but it was strange. It was winter time, and there were black terrible woods hanging from the hills all round; it was like seeing a large room hung with black curtains, and the shape of the trees seemed quite different from any I had ever seen before. I was afraid. Then beyond the woods there were other hills round in a great ring, but I had never seen any of them; it all looked black, and everything had a voor over it. It was all so still and silent, and the sky was heavy and grey and sad, like a wicked voorish dome in Deep Dendo. I went on into the dreadful rocks. There were hundreds and hundreds of them. Some were like horrid-grinning men; I could see their faces as if they would jump at me out of the stone, and catch hold of me, and drag me with them back into the rock, so that I should always be there. And there were other rocks that were like animals, creeping horrible animals, putting out their tongues, and others were like words I could not say, and others were like dead people lying on the grass. I went on among them, though they frightened me, and my heart was full of wicked songs that they put into it; and I wanted to make faces and twist myself about in the way they did, and I went on and on a long way till at last I liked the rocks, and they didn't frighten me any more. I sang the songs I thought of; songs full of words that must not be spoken or written down. Then I made faces like the faces on the rocks, and I twisted myself about like the twisted ones, and I lay down flat on the ground like the dead ones, and I went up to one that was grinning, and put my arms round him and hugged him.

What is soft power? It is the ability to get what you want through attraction rather than coercion or payments. It arises from the attractiveness of a country’s culture, political ideals, and policies. When our policies are seen as legitimate in the eyes of others, our soft power is enhanced. America has long had a great deal of soft power. Think of the impact of Franklin Roosevelt’s Four Freedoms in Europe at the end of World War II; of young people behind the Iron Curtain listening to American music and news on Radio Free Europe; of Chinese students symbolizing their protests in Tiananmen Square by creating a replica of the Statue of Liberty; of newly liberated Afghans in 2001 asking for a copy of the Bill of Rights; of young Iranians today surreptitiously watching banned American videos and satellite television broadcasts in the privacy of their homes. These are all examples of America’s soft power. When you can get others to admire your ideals and to want what you want, you do not have to spend as much on sticks and carrots to move them in your direction. Seduction is always more effective than coercion, and many values like democracy, human rights, and individual opportunities are deeply seductive. As General Wesley Clark put it, soft power “gave us an influence far beyond the hard edge of traditional balance-of-power politics.” But attraction can turn to repulsion if we act in an arrogant manner and destroy the real message of our deeper values.

See?” my mother would say, smiling at me and my sister, Carol, in turn. “We live in the greatest country on earth. See how lucky we are?” And yet the ash continued swirling down, and the smells of death came through the windows, crept under the door, hung in our carpets and curtains, and screamed of her lie. Is it possible to tell the truth in a society of lies? Or must you always, of necessity, become a liar? And if you lie to a liar, is the sin somehow negated or reversed? These are the kinds of questions I ask myself now: in these dark, watery hours, when night and day are interchangeable. No. Not true.

And as we stood there, a curious thing happened: a kind of window opened in the rain, just as if a cloud had been hitched aside like a curtain, and in the space between we saw a landscape that took our breath away. The high ground along which the road ran fell away through a black, woody belt, and beyond it, for more miles than you can imagine, lay the whole basin of the Black Country, clear, amazingly clear, with innumerable smokestacks rising out of it like the merchant shipping of the world laid up in an estuary at low tide, each chimney flying a great pennant of smoke that blew away eastward by the wind, and the whole scene bleared by the light of a sulphurous sunset. No one need ever tell me again that the Black Country isn't beautiful. In all Shrophire and Radnor we'd seen nothing to touch it for vastness and savagery. And then this apocalyptic light! It was like a landscape of the end of the world, and, curiously enough, though men had built the chimneys and fired the furnaces that fed the smoke, you felt that the magnificence of the scene owed nothing to them. Its beauty was singularly inhuman and its terror – for it was terrible, you know – elemental. It made me wonder why you people who were born and bred there ever write about anything else.

Having conditioned myself for a new political outlook, I could no longer accept in the old way the multi-colored, patchwork-quilt-like political map of Europe. The continent has known more than its share of wars and tears. It has had enough. Scanning the panorama of this long-suffering land and pondering on the common roots of such a multi-form but essentially common European civilization, I felt with growing acuteness the artificiality and temporariness of the bloc-to-bloc confrontation and the archaic nature of the "iron curtain." That was probably how the idea of a common European home came to my mind, and at the right moment this expression sprang from my tongue by itself.

And thank God, because the world needed changing. I grew up in fifties Britain and, before Elvis, before rock and roll, fifties Britain was a pretty grim place. I didn’t mind living in Pinner – I’ve never been one of those rock stars who was motivated by a burning desire to escape the suburbs, I quite liked it there – but the whole country was in a bad place. It was furtive and fearful and judgemental. It was a world of people peeping around their curtains with sour expressions, of girls being sent away because they’d Got Into Trouble. When I think of fifties Britain, I think of sitting on the stairs of our house, listening to my mum’s brother, Uncle Reg, trying to talk her out of getting divorced from my dad: ‘You can’t get divorced! What will people think?’ At one point, I distinctly remember him using the phrase ‘what will the neighbours say?’ It

My hair is coming out from under my cap. Red hair of an ogre. A wild beast, the newspaper said. A monster. When they come with my dinner I will put the slop bucket over my head and hide behind the door, and that will give them a fright. If they want a monster so badly they ought to be provided with one. I never do such things, however. I only consider them. If I did them, they would be sure I had gone mad again. Gone mad is what they say, and sometimes Run mad, as if mad is a direction, like west; as if mad is a different house you could step into, or a separate country entirely. But when you go mad you don't go any other place, you stay where you are. And somebody else comes in. I don't want to be left by myself in this room. The walls are too empty, there are no pictures on them nor curtains on the little high-up window, nothing to look at and so you look at the wall, and after you do that for a time, there are pictures on it after all, and red flowers growing. I think I sleep.

And thank God, because the world needed changing. I grew up in fifties Britain and, before Elvis, before rock and roll, fifties Britain was a pretty grim place. I didn’t mind living in Pinner – I’ve never been one of those rock stars who was motivated by a burning desire to escape the suburbs, I quite liked it there – but the whole country was in a bad place. It was furtive and fearful and judgemental. It was a world of people peeping around their curtains with sour expressions, of girls being sent away because they’d Got Into Trouble. When I think of fifties Britain, I think of sitting on the stairs of our house, listening to my mum’s brother, Uncle Reg, trying to talk her out of getting divorced from my dad: ‘You can’t get divorced! What will people think?’ At one point, I distinctly remember him using the phrase ‘what will the neighbours say?’ It wasn’t Uncle Reg’s fault. That was just the mindset of the times: that happiness was somehow less important than keeping up appearances.

Ulysses S. Grant, to name one prominent doubter who actually fought in the conflict, would call the Mexican War “one of the most unjust ever waged by a stronger against a weaker nation.” Even Sen. John C. Calhoun of South Carolina, who had at first so staunchly supported the war (as a way to extend slavery), began to have his doubts. He told the Senate: “A deed has been done from which the country will not be able to recover for a long time, if ever; it has dropped a curtain between the present and the future, which to me is impenetrable.” Nicholas Trist, the American envoy sent to Mexico City to negotiate the treaty, later recalled sitting down with the Mexican officials and trying to hide his guilt about concluding a treaty that sheared from Mexico nearly half of its territory: “Could those Mexicans have seen into my heart at that moment, they would have known that my feeling of shame as an American was strong…. For though it would not have done for me to say so there, that was a thing for every right-minded American to be ashamed of, and I was ashamed of it, most cordially and intensely ashamed of it.

My room had a balcony where I could watch the setting sun flood the desert floor and burnish the golden slopes of the MacDonnell Ranges beyond – or at least I could if I looked past the more immediate sprawl of a K-Mart plaza across the road. In the two million or more square miles that is the Australian outback, I don’t suppose there is a more unfortunate juxtaposition. Allan was evidently held by a similar thought, for a half hour later when we met out front he was staring at the same scene. ‘I can’t believe we’ve just driven a thousand miles to find a K-Mart,’ he said. He looked at me. ‘You Yanks have a lot to answer for, you know.’ I started to protest, in a sputtering sort of way, but what could I say? He was right. We do. We have created a philosophy of retailing that is totally without aesthetics and totally irresistible. And now we box these places up and ship them to the far corners of the world. Visually, almost every arrestingly regrettable thing in Alice Springs was a product of American enterprise, from people who couldn’t know that they had helped to drain the distinctiveness from an outback town and doubtless wouldn’t see it that way anyway. Nor come to that, I dare say, would most of the shoppers of Alice Springs, who were no doubt delighted to get lots of free parking and a crack at Martha Stewart towels and shower curtains. What a sad and curious age we live in. We

In Amsterdam, I took a room in a small hotel located in the Jordann District and after lunch in a café went for a walk in the western parts of the city. In Flaubert’s Alexandria, the exotic had collected around camels, Arabs peacefully fishing and guttural cries. Modern Amsterdam provided different but analogous examples: buildings with elongated pale-pink bricks stuck together with curiously white mortar, long rows of narrow apartment blocks from the early twentieth century, with large ground-floor windows, bicycles parked outside every house, street furniture displaying a certain demographic scruffiness, an absence of ostentatious buildings, straight streets interspersed with small parks…..In one street lines with uniform apartment buildings, I stopped by a red front door and felt an intense longing to spend the rest of my life there. Above me, on the second floor, I could see an apartment with three large windows and no curtains. The walls were painted white and decorated with a single large painting covered with small blue and red dots. There was an oaken desk against a wall, a large bookshelf and an armchair. I wanted the life that this space implied. I wanted a bicycle; I wanted to put my key in that red front door every evening. Why be seduced by something as small as a front door in another country? Why fall in love with a place because it has trams and its people seldom have curtains in their homes? However absurd the intense reactions provoked by such small (and mute) foreign elements my seem, the pattern is at least familiar from our personal lives. My love for the apartment building was based on what I perceived to be its modesty. The building was comfortable but not grand. It suggested a society attracted to the financial mean. There was an honesty in its design. Whereas front doorways in London are prone to ape the look of classical temples, in Amsterdam they accept their status, avoiding pillars and plaster in favor of neat, undecorated brick. The building was modern in the best sense, speaking of order, cleanliness, and light. In the more fugitive, trivial associations of the word exotic, the charm of a foreign place arises from the simple idea of novelty and change-from finding camels where at home there are horses, for example, or unadorned apartment buildings where at home there are pillared ones. But there may be a more profound pleasure as well: we may value foreign elements not only because they are new but because they seem to accord more faithfully with our identity and commitments than anything our homeland can provide. And so it was with my enthusiasms in Amsterdam, which were connected to my dissatisfactions with my own country, including its lack of modernity and aesthetic simplicity, its resistance to urban life and its net-curtained mentality. What we find exotic abroad may be what we hunger for in vain at home.

To be fair, if we had married then, who knows what would have become of us? I doubt I would have liked your running about the country as a spy, leaving me alone for weeks at a time. And I daresay you would have had trouble concentrating on your work for worrying about me.” His grateful smile showed that he appreciated her attempt to mitigate his betrayal. “Of course, later you could have…well…come after me. Once you established your business. While I was still un-betrothed. Why didn’t you?” “I don’t suppose you would accept rampant idiocy as a reason?” “I would…if I really thought it were the reason.” When he stiffened, she added archly, “You aren’t generally an idiot. Daft and a tad overbearing, yes, but not an idiot.” A sigh escaped him. He leaned past her to pull the curtain open just enough so he could keep an eye on the street. When it looked as if he might not answer, she added, “Tristan thinks you didn’t come after me because you were afraid that I couldn’t love you.” He cast her a startled glance. “You told Tristan the truth about us?” She winced. “And Lisette and Max. Sorry. Tristan sort of…forced it out of me.” “Well, that explains why Max and Lisette were willing to bring you here in the midst of such a crucial investigation. They’ve been pressing me for a long time to give you another chance. Because they thought you betrayed me.” Grabbing her hands, he gazed down at them with a haunted look. “And I suppose there’s some truth to my brother’s words. But I also didn’t come after you because that would have been a tacit admission that I’d made a mistake. That in so doing, I’d ruined our lives. I was afraid if I admitted I’d been wrong, then it had all been for nothing. I’d sacrificed my happiness--your happiness--for nothing.” “Oh, Dom,” she whispered and squeezed his hands. “A part of me also thought if I didn’t approach you at all, there was still a chance we could be together again. But if I asked and you said no--or worse yet, said that you no longer cared about me--it would be over for good. As long as I didn’t ask, there was always hope. And hope is what kept me going.” A muscle flexed in his jaw. “Until you got engaged. That quashed my hope. It was what I’d told myself I wanted for you. Because it proved that I’d been right to put you aside.” He lifted his gaze to hers. “Unfortunately, being right was cold comfort when it meant I’d lost you for good. By the time you came to me that day at Rathmoor Park, I was in a very dark state. I was resigning myself to a lifetime of loneliness, of wanting you and not having you.” “You would have let me marry Edwin?” she said incredulously. “Even though you still loved me?” “You were still going to marry him, weren’t you?” he countered. “Knowing that you still loved me.” “True.” She attempted a smile. “I would have done it just to bedevil you.” “No doubt,” he said dryly. “But it would have been a mistake, and I’d have been miserable.” He pressed a kiss to their joined hands. “Then I suppose we should really thank Nancy for her shenanigans. Or else we’d still be separate and miserable.

But as the daylight began to come through the curtains, I knew I was facing something for which I had not been prepared. It was a curious sensation, like suddenly feeling cold water round your feet, then feeling it slowly rising up your legs. It took me some time to realize that they were attacking from some part of my mind of whose existence I was unaware. I had been strong because I was fighting them out of knowledge, but I should have known that my knowledge of mind was pitifully small. I was like an astronomer who knows the solar system, and thinks he knows the universe. What the parasites were doing was to attack me from below my knowledge of myself. It is true that I had given some small thought to the matter; but I had—rightly—postponed it as a study for a more advanced period. I had reflected often enough that our human life is based completely on ‘premises’ that we take for granted. A child takes its parents and its home for granted; later, it comes to take its country and its society for granted. We need these supports to begin with. A child without parents and a regular home grows up feeling insecure. A child that has had a good home may later learn to criticize its parents, or even reject them altogether (although this is unlikely); but it only does so when it is strong enough to stand alone. All original thinkers develop by kicking away these ‘supports’ one by one. They may continue to love their parents and their country, but they love from a position of strength—a strength that began in rejection. In fact, though, human beings never really learn to stand alone. They are lazy, and prefer supports. A man may be a fearlessly original mathematician, and yet be slavishly dependent on his wife. He may be a powerful free thinker, yet derive a great deal more comfort than he would admit from the admiration of a few friends and disciples. In short, human beings never question all their supports; they question a few, and continue to take the rest for granted. Now I had been so absorbed in the adventure of entering new mental continents, rejecting my old personality and its assumptions, that I had been quite unaware that I was still leaning heavily on dozens of ordinary assumptions. For example, although I felt my identity had changed, I still had a strong feeling of identity. And our most fundamental sense of identity comes from an anchor that lies at the bottom of a very deep sea. I still looked upon myself as a member of the human race. I still looked upon myself as an inhabitant of the solar system and the universe in space and time. I took space and time for granted. I did not ask where I had been before my birth or after my death. I did not even recognize the problem of my own death; it was something I left ‘to be explored later’. What the parasites now did was to go to these deep moorings of my identity, and proceed to shake them. I cannot express it more clearly than this. They did not actually, so to speak, pull up the anchors. That was beyond their powers. But they shook the chains, so that I suddenly became aware of an insecurity on a level I had taken completely for granted. I found myself asking: Who am I? In the deepest sense. Just as a bold thinker dismisses patriotism and religion, so I dismissed all the usual things that gave me an ‘identity’: the accident of my time and place of birth, the accident of my being a human being rather than a dog or a fish, the accident of my powerful instinct to cling to life. Having thrown off all these accidental ‘trappings’, I stood naked as pure consciousness confronting the universe. But here I became aware that this so-called ‘pure consciousness’ was as arbitrary as my name. It could not confront the universe without sticking labels on it. How could it be ‘pure consciousness’ when I saw that object as a book, that one as a table? It was still my tiny human identity looking out of my eyes. And if I tried to get beyond it, everything went blank.

I had heard “communist bloc” and “behind the iron curtain” so much in the media, that i had naturally formed the impression that these countries were all the same. Although they are all socialist, East Germany, Bulgaria, Cuba, and North Korea are as different as night and day.

As an elder in the city gates, he had the undesirable privilege of seeing some of the darkest secrets behind the curtains of the ruling class of Ashtart. He discovered that she was breeding giants through the line of Canaan and sending them to different parts of the country. It became increasingly apparent that she also engaged in the Sacred Marriage rite of copulation with the daughters of men. Such violation of the heavenly earthly divide had been a strictly forbidden behavior, since the Flood. Though Ashtart had made a commitment to Mastema to avoid these excesses that brought down such judgment, she could not help herself. She could not keep away from her taste for the strange flesh of humans. She was addicted to it, and she was getting more strident about her carnal defiance. Word was getting out. Even humans like Lot were catching wind of her perilous behavior.

Some never got started. With much fanfare Chávez announced Venezuela would build thermonuclear plants with Russian help. “The world needs to know this, and nothing is going to stop us. We’re free, we’re sovereign, we’re independent,” he said in 2010. For strictly peaceful energy generation, he added, and underlined the point by inviting survivors from Hiroshima and Nagasaki to Venezuela. Foreign media took it seriously, producing froth in Washington. Chávez with nukes! In reality, Venezuela’s scientific establishment was hollowed, the once prestigious Institute for Scientific Research a husk. Physicists were emigrating, and the country’s only reactor, a small research facility, had closed from neglect. After a tsunami wrecked Japan’s Fukushima nuclear plant in March 2011, Chávez closed the curtain on his atomic theater, solemnly halting development for safety reasons and urging other countries to follow his lead in protecting humanity. “It is something extremely risky and dangerous for the whole world.

Therefore, since it was all but inevitable that there would be a power struggle of some kind between the two great power centers on earth, even without declared hostility, the intelligence community proponents said that it would be easier to begin our national defense posture by delineating the source of all concern and danger, i.e. world communism, and then to draw lines for a never-ending battle, sometimes called the Cold War. The line so constructed was, in the beginning, the Iron Curtain. Although one might expect that the battles would be waged by our forces on their side of the curtain, and the skirmishes by their forces would be on our side, it has not turned out that way. The battles that have been fought since 1947 for the most part have been fought on our side of the Iron Curtain. It had to happen this way because the intelligence community has gained the initiative, and the response technique will not work on the other side. This was the great contest and although the principals on both sides of the argument, which was of such vital concern to the foreign policy and defense posture of this country, might deny it, this was the basis for the contention that the Central Intelligence Group should be assigned to a position subordinate to the Secretaries of State and Defense and under their direction.

As I topped the highest point, I turned to look out over the valley, with the river winding lazily through it, and almost missed the fast-moving dot half obscured by the fine, silvery curtain of rain. I reined in my horse, shaded my eyes, and squinted at the dot, which resolved into a horseback rider racking cross-country at incredible speed. Of course it could be anyone, but… Turning my eyes back to the road, I saw Lumm in the distance, with a couple of loops of river between me and it. Hesitating only a moment, I plunged down the hillside.

He pulled her upright and they stood facing each other, her hands in his. Again with the held breaths, the locked gazes. Twice in a row. It was almost too much! And Jane wanted to stay in that moment with him so much, her belly ached with the desire. “Your hands are cold,” he said, looking at her fingers. She waited. They had never practiced this part and the flimsy play gave no directions, such as, Kiss the girl, you fool. She leaned in a tiny bit. He warmed her hands. “So…” she said. “I suppose we know our scene, more or less,” he said. Was he going to kiss her? No, it seemed nobody ever kissed in Regency England. So what was happening? And what did it mean to fall in love in Austenland anyway? Jane stepped back, the weird anxiety of his nearness suddenly making her heart beat so hard it hurt. “We should probably return. Curtain, or bedsheet, I should say, is in two hours.” “Right. Of course,” he said, though he seemed a little sorry. The evening had pulled down over them, laying chill like morning dew on her arms, right through her clothes and into her bones. Though she was wearing her wool pelisse, she shivered as they walked back to the house. He gave her his jacket. “This theatrical hasn’t been as bad as you expected,” Jane said. “Not so bad. No worse than idle novel reading or croquet.” “You make any entertainment sound like taking cod liver oil.” “Maybe I am growing weary of this place.” He hesitated, as though he’d said too much, which made Jane wonder if the real mad had spoken. He cleared his throat. “Of the country, I mean. I will return to London soon for the season, and the renovations on my estate will be completed by summer. It will be good to be home, to feel something permanent. I tire of the guests who come and go in the country, their only goal to find some kind of amusement, their sentiments shallow. It wears on a person.” He met her eyes. “I may not return to Pembrook Park. Will you?” “No, I’m pretty sure I won’t.” Another ending. Jane’s chest tightened, and she surprised herself to identify the feeling as panic. It was already the night of the play. The ball was two days away. Her departure came in three. Not so soon! Clearly she was swimming much deeper in Austenland waters than she’d anticipated. And loving it. She was growing used to slippers and empire waists, she felt naked outside without a bonnet, during drawing room evenings her mouth felt natural exploring the kinds of words that Austen might’ve written. And when this man entered the room, she had more fun than she had in four years of college combined. It was all feeling…perfect.

The Marshall Plan,” New York Times correspondent William White wrote, “appears to draw its greatest strength not from any special feeling that other peoples should be helped for their own sake, but only as a demonstration against the spread of communism.”67 Communist “overlords,” South Dakota Republican Karl Mundt said, were disrupting economic activity “so as to produce chaos and put an end to freedom.” We must, he said, “turn the Red tide.” Herter himself cited the danger posed by Communist-controlled labor unions in western Europe. Freshman California Republican Richard Nixon, assigned to tour Italy, wrote that “the great difficulty [here] is not so much the physical destruction of the war, but the fact that the Communists have chosen this country as the scene of one of their most clever and well-financed operations against the forces of democracy.” Alabama Democrat Pete Jarman, who traveled in eastern Europe, spoke of the “feeling of strangulation that one has behind the iron curtain.” We in the United States, he concluded, had to recognize “the absolute necessity of our doing whatever is necessary to prevent [communism’s] spread.

Greene had disclosed to a sympathetic American diplomat in Brussels that while at Oxford he had been a member of the Communist Party for a period. He then repeated the disclosure to a Time magazine reporter, and a ‘plastic curtain fell’. To enter the country he required the special permission of the Attorney General, a process taking three weeks, and his visits were limited to four weeks.1

In my country, our love for curtains is so incredible that we are bent on enjoying everything behind them. And just like we see no good in opening them, we tend as well to ignore the curtains drawn over our eyes.

They’d better. Imagine if we all stopped working. Imagine what would happen to this country.” Angel has fantasized about this scenario. Those skyline centrepieces would shine only in an architect’s imagination; that reclaimed land on the island’s edge would once more be underwater. In houses, dishes would become crusty with old food stains, curtains would grow furry coats of dust, and plants would shrivel into nothingness. Mustiness would replace the smell of air freshener and clean laundry. Children would wander the streets, not knowing how to get home after school. The windows would be left open, and after storms, spider wasps would pack their conical dirt nests against the sturdy surfaces of bookcases and bed frames.

It goes without saying that this method of communal parking duties would be an impossibility in a country where stealing was common. If they tried this in South Africa, for example, everyone’s car would be stolen every day and it would end up as some sort of car roulette. Everyone would have a different car every day. In Libya, stealing is punishable by death, or something nearly as extreme, like leg removal. (I had better Google that.)

To love a country as if you’ve lost one: as if it were you on a plane departing from America forever, clouds closing like curtains on your country, the last scene in which you’re a madman scribbling the names of your favorite flowers, trees, and birds you’d never see again, your address and phone number you’d never use again, the color of your father’s eyes, your mother’s hair, terrified you could forget these. To love a country as if I was my mother last spring hobbling, insisting I help her climb all the way up to the U.S. Capitol, as if she were here before you today instead of me, explaining her tears, cheeks pink as the cherry blossoms coloring the air that day when she stopped, turned to me, and said: You know, mijo, it isn’t where you’re born that matters, it’s where you choose to die—that’s your country.

It's the combination of country air and no phone reception that does it for me. If I want to stay inside my lochside cabin cooried in on a dreich day with a trashy magazine there's no stopping me. The same goes for getting up early, pulling back the curtains and feeling the morning rays on my face. Then it might be the perfect opportunity for hill running - either observing or taking part.

This Is My Country [Verse] They’re tryin’ to take the rights to bear our arms, As if we don’t need 'em, in these here parts, Replace the hard-workin’ man, they say, But my roots run deep, I ain't movin’ away. [Verse 2] Down at the diner, talk's a-stirrin’, Everyone’s worried 'bout freedoms' curtain, But I’ll always stand for what's just and right, My spirit’s steeled, I’m ready to fight. [Chorus] This is my country, my land of the free, Where the sun sets, on folks like you and me, I'll always stand tall, under these skies of blue, Proud to live in the USA, doin’ what we do. [Verse 3] Honest days work with dirt on my hands, Sweat on my brow, I’m a proud working man, They might try to change what we hold dear, But we won't back down, we'll persevere. [Verse 4] From the rolling plains to mountains high, We cherish our home, with a watchful eye, Our rights ain't just words on an old scroll, They're the lifeblood, deep in our soul. [Chorus] This is my country, my land of the free, Where the sun sets, on folks like you and me, I'll always stand tall, under these skies of blue, Proud to live in the USA, doin’ what we do.

Folks like you and me [Verse] They’re tryin’ to take the rights to bear our arms, As if we don’t need 'em, in these here parts, Replace the hard-workin’ man, they say, But my roots run deep, I ain't movin’ away. [Verse 2] Down at the diner, talk's a-stirrin’, Everyone’s worried 'bout freedoms' curtain, But I’ll always stand for what's just and right, My spirit’s steeled, I’m ready to fight. [Chorus] This is my country, my land of the free, Where the sun sets, on folks like you and me, I'll always stand tall, under these skies of blue, Proud to live in the USA, doin’ what we do. [Verse 3] Honest days work with dirt on my hands, Sweat on my brow, I’m a proud working man, They might try to change what we hold dear, But we won't back down, we'll persevere. [Verse 4] From the rolling plains to mountains high, We cherish our home, with a watchful eye, Our rights ain't just words on an old scroll, They're the lifeblood, deep in our soul. [Chorus] This is my country, my land of the free, Where the sun sets, on folks like you and me, I'll always stand tall, under these skies of blue, Proud to live in the USA, doin’ what we do.

Some people have said that "Titoism is a communism with a human face." I would rather define it as a "milder communism." In some circumstances the face of that communism, sometimes called "Titoism," wasn't exactly human; it embittered the lives of many people. However, the circle of freedom had expanded: From Satellite No. 1, we had become the most liberal communist country, but still communist. The standard of living increased, faster than in the countries of the Soviet Bloc, although much slower than in the world of economic freedom and liberal democracy. When we dissatisfied Yugoslav citizens wanted a little consolation, we only had to glance across the border to Bulgaria, Romania, and Hungary, where until the end of the 190s "Yugoslavia" was an unachievable dream... On the other hand, if we needed a reality check, we only had to glance across the border at Austria or Italy. For more than thirty years we enjoyed the privilege of freedom of movement to the East and to the West. In the world of communist tyranny--to which in some degree we belonged--we were still an exception, the only communist country outside the iron curtain, outside the collective prison of a billion and a half people, a country in the slippery area of prescribed freedoms in which so much was permitted, but in which it was dangerous to seek freedom without a prescription.

Your lola told stories about the country she had come from; your father told you the stories of himself, his destined for greatness. They are private stories told on stages behind thick curtains, seen only by the teller, and no one else.

Migration from Eastern to Western Europe under Cold War conditions was restricted, because socialist states generally did not allow emigration, and the—not only metaphorical—Iron Curtain provided a very real obstacle to mobility. The main legal way to permanently emigrate from one’s homeland was through what this book refers to as ethnically coded family reunification, available mainly for citizens identified as Germans and Jews. In the highly regulated and strictly supervised East–West migration system that had been established by the early 1960s, legal emigration followed a prestructured path that led from the official exit gate of the country of origin to the official external immigration gate of the receiving country, passing through certain fixed routes and nodal points on the way. As long as people went through these official channels, control procedures were relatively simple. As a rule, an exit visa entitling its holder to enter Germany or Israel signaled to the receiving state that the sending state considered the migrant either German or Jewish.

In that same village, and in one of these very houses (which, to tell the precise truth, was sadly time-worn and weather-beaten), there lived, many years since, while the country was yet a province of Great Britain, a simple, good-natured fellow, of the name of Rip Van Winkle. He was a descendant of the Van Winkles who figured so gallantly in the chivalrous days of Peter Stuyvesant, and accompanied him to the siege of Fort Christina. He inherited, however, but little of the martial character of his ancestors. I have observed that he was a simple, good-natured man; he was, moreover, a kind neighbor, and an obedient henpecked husband. Indeed, to the latter circumstance might be owing that meekness of spirit which gained him such universal popularity; for those men are apt to be obsequious and conciliating abroad, who are under the discipline of shrews at home. Their tempers, doubtless, are rendered pliant and malleable in the fiery furnace of domestic tribulation, and a curtain-lecture is worth all the sermons in the world for teaching the virtues of patience and long-suffering. A termagant wife may, therefore, in some respects, be considered a tolerable blessing, and if so, Rip Van Winkle was thrice blessed.

The real cause of the war in Chechnya is neither Grozny nor in the entire Caucasus region: it is in Moscow. The war pushed aside that corner of the curtain that obscured the real power struggle for control of Russia. Unfortunately, it is not liberal, but the most hard-line forces — those from the military-industrial complex and the former KGB — who are celebrating that victory in the power struggle now, [...] the true goal of the war in Chechnya was to send a clear-cut message to the entire Russian population: “The time for talking about democracy in Russia is up. It’s time to introduce some order in this country and we’ll do it whatever the cost.

Building with Its Face Blown Off How suddenly the private is revealed in a bombed-out city, how the blue and white striped wallpaper of a second story bedroom is now exposed to the lightly falling snow as if the room had answered the explosion wearing only its striped pajamas. Some neighbors and soldiers poke around in the rubble below and stare up at the hanging staircase, the portrait of a grandfather, a door dangling from a single hinge. And the bathroom looks almost embarrassed by its uncovered ochre walls, the twisted mess of its plumbing, the sink sinking to its knees, the ripped shower curtain, the torn goldfish trailing bubbles. It's like a dollhouse view as if a child on its knees could reach in and pick up the bureau, straighten a picture. Or it might be a room on a stage in a play with no characters, no dialogue or audience, no beginning, middle, and end– just the broken furniture in the street, a shoe among the cinder blocks, a light snow still falling on a distant steeple, and people crossing a bridge that still stands. And beyong that–crows in a tree, the statue of a leader on a horse, and clouds that look like smoke, and even farther on, in another country on a blanket under a shade tree, a man pouring wine into two glasses and a woman sliding out the wooden pegs of a wicker hamper filled with bread, cheese, and several kinds of olives.

And then it seemed to him that as in his dream in the house of Bombadil, the grey rain-curtain turned all to silver glass and was rolled back, and he beheld white shores and beyond them a far green country under a swift sunrise.

This sin weighs heavily upon the Body of Christ and will call down the judgment of God. In Germany there is an even greater sin weighing upon us Christians and that is the crime our nation has committed against Israel, God's chosen people. Six million Jews were killed; because of this the wrath of God is upon us. As Christians we are especially to blame. For when the terrible crime occurred and millions of Jews were tortured with inhuman cruelty and killed at the hands of German people, the Church in our country remained silent. The Christians did not stand up as the Danes did and protest the injustice. With the exception of a number of individuals the church members were not driven by the desire to help the Jews at all costs. Nor did they ring the church bells the night the synagogues were burnt down. The Church gave no reaction - an indication that she was dead. Because we were silent, we heaped guilt upon ourselves, and we were struck by the judgment that later descended upon our nation. Our churches were destroyed. Germans were killed by the thousands in bombings. Refugees thronged the streets, and the Iron Curtain divided our country.

We love the unexpected, the gloriously chaotic combination of a million different elements. We love things that have history. We’re not looking for perfection. If we love something, we will find a way to make it fit. We love rock ’n’ roll style as well as farmhouse. We love boho and hippie and country. The truth is, we’re a little of all those things combined. You could say we have commitment issues. We love color, but we also love white. We love vintage concert posters mixed with red-lacquered Asian pieces, then combined with chippy, peely farmhouse furniture and maybe topped off with fringed velvet curtains. For us, the design process is a gut-wrenchingly beautiful thing, a deeply meditative process, a cultural exploration of who you are, and it’s one of the most personal things you can do. If a home is set up the right way, there’s something you can feel, and it’s not for anyone else; it’s for yourself. All the stars (or the chandeliers) align, and you just know: It’s right.

Deep, fluting emotions were a form of weakness. She'd seen the softening in her work over the years, she'd started making the lazy, homey treats like apple crumble, chocolate muffins, butterscotch pudding, and lemon bars. They were fast and cheap and they pleased her children. But she'd trained at one of the best pastry programs in the country. Her teachers were French. She'd learned the classical method of making fondant, of making real buttercream with its spun-candy base and beating the precise fraction off egg into the pate a choux. She knew how to blow sugar into glassine nests and birds and fountains, how to construct seven-tiered wedding cakes draped with sugar curtains copied from the tapestries at Versailles. When the other students interned at the Four Seasons, the French Laundry, and Dean & Deluca, Avis had apprenticed with a botanical illustrator in the department of horticulture at Cornell, learning to steady her hand and eye, to work with the tip of the brush, to dissect and replicate in tinted royal icing and multihued glazes the tiniest pieces of stamen, pistil, and rhizome. She studied Audubon and Redoute. At the end of her apprenticeship, her mentor, who pronounced the work "extraordinary and heartbreaking," arranged an exhibition of Avis's pastries at the school. "Remembering the Lost Country" was a series of cakes decorated in perfectly rendered sugar olive branches, cross sections of figs, and frosting replicas of lemon leaves. Her mother attended and pronounced the effect 'amusant.

Istanbul is one of my favorite cities, this city has something which makes you fall in love with it. Hagia Sophia and Blue Mosque never get tired to visit there, each time left that places with a new experience and understanding Hagia Sophia turned back into a Mosque, it's disgusting, sad and pity. you may get success to paint the history with the color of your choice but it is not permanent. history has such a brightness to reflect itself through all the curtains and paints. But if you are so dumb and political slaves to do not question your own leaders, then what moral right you have to ask the question to another country's political leaders? But if you are so lowlife citizen and impotent to do not question your own supreme court and system than what gives you right to ask the question to another country's court and system? In the way of Humanity and Peace, there is two biggest hurdle 1st Bigotry and 2nd Hypocrisy

this with a very good purpose, for where the dykes run zigzag over Romney Marsh a thick mist arises some eight feet high, and even upon nights of full moon these mists hang about the dykes like heavy rolls of a spider's web, contrasting strangely with the rest of the country, which is all bright and easily seen. And now Jerk had to ride even faster than before, for the packponies, entirely hidden by the mist curtains, were circled and circled all the way by the galloping demons and jack-o'lanterns, these last swinging their pole lights round their heads and uttering strange cries like those of the Marsh fowl, weird and ominous. This accounted, then, for all the ghost tales he had heard, for all the ghostly things those not in the secret had seen upon the Marsh, and a very clever scheme Jack thought it was, and a very good way of clearing the ground of the curious. For there is no power like superstition, and nothing that spreads quicker or is more grossly exaggerated than tales of horror and fear. So on they rode in wild circles round and round the packponies. Beelzebub

This was an idea of Professor Cristin’s friend, the late Russian dissident Vladimir Bukovsky, who believed that a trial of communism was necessary if only to confront the world with communism’s many unpunished crimes. Cristin has a unique way of explaining the collapse of communism. It is a collapse, he says, in which the Iron Curtain was replaced with emerging communist movements in every Western country.

See behind the curtain. Tear aside the veil. See reality. See things as they really are. See the naked lunch on the end of your fork. Do you have the stomach for it? Fuck the bland. Fuck the Ignavi. If the game of life is too tough for you, get to fuck. Life is not a spectator sport. Make a difference or lie down and let the world trample you into the ground. This is no country for hollow men.

At Hobby Lobby She tosses a bolt of fabric into the air. Hill country, prairie, a horse trots there. I say three yards, and her eyes say more: What you need is guidance, a hand that can zip a scissor through cloth. What you need is a picture of what you've lost. To double the width against the window for the gathering, consider where you sit in the morning. Transparency's appealing, except it blinds us before day's begun. How I long to captain that table, to return in a beautiful accent a customer's request. My mother kneeled down against her client and cut threads from buttons with her teeth, inquiring with a finger in the band if it cut into the waist. Or pulled a hem down to a calf to cool a husband's collar. I can see this in my sleep and among notions. My bed was inches from the sewing machine, a dress on the chair forever weeping its luminescent frays. Sleep was the sound of insinuation, a zigzag to keep holes receptive. Or awakened by a backstitch balling under the foot. A needle cracking? Blood on a white suit? When my baby's asleep I write to no one and cannot expect a response. The fit's poor, always. No one wears it out the door. But fashions continue to fly out of magazines like girls out of windows. Sure, they are my sisters. Their machines, my own. The office from which I wave to them in their descent has uneven curtains, made with my own pink and fragile hands.

It’s your unwavering belief in America. In the glory of it. In its uniqueness. I realized it was all lies a long time ago and now I fear it’s your turn. Soon the curtain will be pulled back and you’ll see that your country is no different than any other. Democracy is an interesting idea but if you look at history, it’s an idea that burns bright but short. With the widening divisions in your country and the man you just elected to lead you, that flame is beginning to flicker. And soon you will find yourself in the dark.

It is enough to write a few lines about tanks in the streets in some sad country, about a clear injustice, which requires no description; it is enough to move from one side to another, to satisfy someone’s taste, the need of the moment, the need for “big” games to take a peek into everything and to prove everything with cheap opinions formed almost on command, almost as a recipe of measured pain to resolve the crisis, to extinguish the pain based on a few words that don’t change anything except that they flatter vanity and a misguided interest in all dimensions of life and creation, in the air that is being poisoned by smoke from cars, smoke from the television screens, the smoke curtains of politicians, left and right, the smoke of films and pop culture, smokescreens of intelligence that finds an explanation for all this, makes up theories, finds justification for the schizophrenic decisions of the new rulers, for wars, agreements, contracts; finds justification for obedience, for the sale of beliefs under the disguise of conviction, for several awards, for a few moments of illusion in the hocus-pocus world where the truth does not interest anyone anymore, except for ways for lies to be packaged and sold as the greatest truth with the help of big intellectuals that will find a good argument, a good defense and justification for everything, since everything becomes much easier, if a hoax is supported by “scientific” evidence.

And the ship went out into the High Sea and passed on into the West, until at last on a night of rain Frodo smelled a sweet fragrance on the air and heard the sound of singing that came over the water. And then it seemed to him that as in his dream in the house of Bombadil, the grey rain-curtain turned all to silver glass and was rolled back, and he beheld white shores and beyond them a far green country under a swift sunrise.

There was, finally, the critical question of how to define the program’s borders. To exclude the East was to invite blame for creating the iron curtain; to include it was to invite Soviet sabotage. The solution, Kennan argued, was to advance the project as a “general European (not just western European)” one, but in a manner ensuring that “the Russian satellite countries would either exclude themselves by unwillingness to accept the proposed conditions or agree to abandon the exclusive orientation of their economies.” Either way the satellites chose, the United States would win diplomatically

At this time, Paris formed, for a man like Aristide Saccard, a most interesting spectacle. The Empire had just been proclaimed, after that famous journey during which the Prince President had succeeded in arousing the enthusiasm of some Bonapartist departments. Silence reigned both at the tribune and in the press. Society, saved once more, was congratulating itself and indolently resting, now that a strong government was protecting it and relieving it even of the trouble of thinking and of attending to its own business. The great preoccupation of society was to know in what way it should kill time. As Eugène Rougon so happily expressed it, Paris was dining and anticipating no end of pleasure at dessert. Politics produced an universal scare, like some dangerous drug. The wearied minds turned to pleasure and money-making. Those who had any of the latter brought it out, and those who had none sought in all the out-of-the-way places for forgotten treasures. A secret quiver seemed to run through the multitude, accompanied by a nascent jingling of five-franc pieces, by the rippling laughter of women, and the yet faint clatter of crockery and murmur of kisses. Amidst the great silence of the reign of order, the profound peacefulness brought by the change of government, there arose all sorts of pleasant rumours, gilded and voluptuous promises. It was as though one were passing in front of one of those little houses, the carefully drawn curtains of which reveal no more than the shadows of women, and where one can overhear the jingling of gold on the marble mantelpieces. The Empire was about to turn Paris into the bagnio of Europe. The handful of adventurers who had just stolen a throne needed a reign of adventure, of shadowy business transactions, of consciences sold, of women bought, of furious and universal intoxication. And, in the city where the blood of December was scarcely wiped away, there slowly uprose, timidly as yet, that mad desire for enjoyment which was destined to bring the country to the lowest dregs of corrupt and dishonoured nations.

At this point, the British Empire was in its death throes, and Britain was attempting to cling to at least some of its empire with all of its might. In addition to countries like Iran, Britain in the early 1950s was also attempting to subjugate countries like Kenya, where Britain would attempt to wipe out the rebellious Kikuyu ethnic group. As has recently been exposed, the United Kingdom, under Churchill’s leadership, imprisoned 1.5 million Kikuyu in “a network of detention camps,” much like Stalin’s gulags, where they “suffered forced labour, disease, starvation, torture, rape and murder.”14 Possibly hundreds of thousands of Kikuyu died in what some, including historian Caroline Elkins, have termed Britain’s genocidal campaign against them.15 Ironically, while Churchill decried Stalin’s gulags, and warned of the USSR’s “Iron Curtain” descending upon Eastern Europe, he had no qualms about his own gulags in Africa.