Cursed Crowns Quotes

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But death was her curse and her gift, and death had been her good friend these long, long years.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
She wears trouble like a crown. If she ever falls in love, she’ll fall like a comet, burning the sky as she goes.
Holly Black (Black Heart (Curse Workers, #3))
That is the curse of lying, Sister. Once you place that crown of the liar upon your head, you can take it off again, but it leaves a stain for all time.
Terry Goodkind (Soul of the Fire (Sword of Truth, #5))
Magnus? Magnus Bane?” “That would be me.” The man blocking the doorway was as tall and thin as a rail, his hair a crown of dense back spikes. Clary guessed from the curse of his sleepy eyes and the gold tone of his evenly tanned skin that he was part Asian. He wore jeans and a black shirt covered with dozens of metal buckles. His eyes were crusted with a raccoon mask of charcoal glitter, his lips painted a dark shade of blue. He raked a ring-laden hand through his spiked hair and regarded them thoughtfully. “Children of the Nephilim,” he said. “Well, well. I don’t recall inviting you. I must have been drunk.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
I’d spend a lifetime at the tip of your blade, and it would have been worth it.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
You have nothing but me", I said. "And yet, you'd let me go?" "I have nothing but you,' he murmured. "So I am letting you go.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
In thinking of America, I sometimes find myself admiring her bright blue sky — her grand old woods — her fertile fields — her beautiful rivers — her mighty lakes, and star-crowned mountains. But my rapture is soon checked, my joy is soon turned to mourning. When I remember that all is cursed with the infernal actions of slaveholding, robbery and wrong, — when I remember that with the waters of her noblest rivers, the tears of my brethren are borne to the ocean, disregarded and forgotten, and that her most fertile fields drink daily of the warm blood of my outraged sisters, I am filled with unutterable loathing.
Frederick Douglass (Frederick Douglass: Selected Speeches and Writings)
Let me make you the queen that you are. Let me guard your body, your soul, your heart. Let me spend the rest of my fucking pathetic life at your mercy. If I need to die, then let me do it by your hand. Please.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
There she is,
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
I like a little fight,” he murmured. “Besides, she’s ruined me for all others. My own fucking fault, though. I knew it from the beginning.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
He didn’t want me to jump because he didn’t want me to find out I could catch myself.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
She looked at him like he was the sun. And he looked at her like she was the moon.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
To die, rather than killing you?” he said quietly. “Yes. That would have been worth it. Even I had to draw a line somewhere. And you’re the line, Oraya.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
In rode the Lord of the Nazgûl. A great black shape against the fires beyond he loomed up, grown to a vast menace of despair. In rode the Lord of the Nazgûl, under the archway that no enemy ever yet had passed, and all fled before his face. All save one. There waiting, silent and still in the space before the Gate, sat Gandalf upon Shadowfax: Shadowfax who alone among the free horses of the earth endured the terror, unmoving, steadfast as a graven image in Rath Dínen. "You cannot enter here," said Gandalf, and the huge shadow halted. "Go back to the abyss prepared for you! Go back! Fall into the nothingness that awaits you and your Master. Go!" The Black Rider flung back his hood, and behold! he had a kingly crown; and yet upon no head visible was it set. The red fires shone between it and the mantled shoulders vast and dark. From a mouth unseen there came a deadly laughter. "Old fool!" he said. "Old fool! This is my hour. Do you not know Death when you see it? Die now and curse in vain!" And with that he lifted high his sword and flames ran down the blade. Gandalf did not move. And in that very moment, away behind in some courtyard of the city, a cock crowed. Shrill and clear he crowed, recking nothing of war nor of wizardry, welcoming only the morning that in the sky far above the shadows of death was coming with the dawn. And as if in answer there came from far away another note. Horns, horns, horns, in dark Mindolluin's sides they dimly echoed. Great horns of the north wildly blowing. Rohan had come at last.
J.R.R. Tolkien (The Return of the King (The Lord of the Rings, #3))
Humans mourn time, because it’s the only currency that really matters in a life so short.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Vikram’s eyes widened. “What’s this? Praise from Her Beastliness in the morning? Are you under a curse that makes you friendly before noon? If so, how do we make it permanent?
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
Your soul is my soul. Your blood is my blood. Your heart is my heart.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Latent in every man is a venom of amazing bitterness, a black resentment; something that curses and loathes life, a feeling of being trapped, of having trusted and been fooled, of being helpless prey to impotent rage, blind surrender, the victim of a savage, ruthless power that gives and takes away, enlists a man, drops him, promises and betrays, and -crowning injury- inflicts on him the humiliation of feeling sorry for himself.
Paul Valéry
Maybe the king always knew that his greatest love would be his ruination. Maybe he knew it the moment he met her. He’d know it the second time he died, too.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
In a dark world, eyes naturally find the light. She becomes the brightest thing in his.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
I hate you because I don’t.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Don’t you dare stop fighting, princess. It would break my damned heart.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Love is fucking terrifying,” he murmured. “I think that’s true no matter who you are.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
I liked anger. It was tangible, and strong, and it made me feel powerful.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
There she is.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Maybe I just imagined that the entire world stopped when my wife walked into the ballroom.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
The dress is an act of war. But you’ve always looked fucking fantastic in blood.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Oraya didn’t need to be saved. She just needed a soul beside her on the dark walk to her own potential.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
He’d raised me to look at the bars of my cage and call them trees.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
I am the Nightborn King,” I said, voice low and deadly. “Do you think I’m going to beg for your respect? I don’t need your respect. Your fear will do. Bow.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Sir, people never wanted me to make it to squire. They won't like it any better if I become a knight. I doubt I'll ever get to command a force larger than, well, just me.' Raoul shook his head. 'You're wrong.' As she started to protest, he raised a hand. 'Hear me out. I have some idea of what you've had to bear to get this far, and it won't get easier. But there are larger issues than your fitness for knighthood, issues that involve lives and livelihoods. Attend,' he said, so much like Yayin, one of her Mithran teachers, that Kel had to smile. 'At our level, there are four kids of warrior,' he told Kel. He raised a fist and held up one large finger. 'Heroes, like Alanna the Lioness. Warriors who find dark places and fight in them alone. This is wonderful, but we live in the real world. There aren't many places without any hope or light.' He raised a second finger. 'We have knights- plain, everyday knights, like your brothers. They patrol their borders and protect their tenants, or they go into troubled areas at the king's command and sort them out. They fight in battles, usually against other knights. A hero will work like an everyday knight for a time- it's expected. And most knights must be clever enough to manage alone.' Kel nodded. 'We have soldiers,' Raoul continued, raising a third finger. 'Those warriors, including knights, who can manage so long as they're told what to do. These are more common, thank Mithros, and you'll find them in charge of companies in the army, under the eye of a general. Without people who can take orders, we'd be in real trouble. 'Commanders.' He raised his little finger. 'Good ones, people with a knack for it, like, say, the queen, or Buri, or young Dom, they're as rare as heroes. Commanders have an eye not just for what they do, but for what those around them do. Commanders size up people's strengths and weaknesses. They know where someone will shine and where they will collapse. Other warriors will obey a true commander because they can tell that the commander knows what he- or she- is doing.' Raoul picked up a quill and toyed with it. 'You've shown flashes of being a commander. I've seen it. So has Qasim, your friend Neal, even Wyldon, though it would be like pulling teeth to get him to admit it. My job is to see if you will do more than flash, with the right training. The realm needs commanders. Tortall is big. We have too many still-untamed pockets, too curse many hideyholes for rogues, and plenty of hungry enemies to nibble at our borders and our seafaring trade. If you have what it takes, the Crown will use you. We're too desperate for good commanders to let one slip away, even a female one. Now, finish that'- he pointed to the slate- 'and you can stop for tonight.
Tamora Pierce (Squire (Protector of the Small, #3))
Yours,” I ground out. “It’s yours.” My blood. My body. My soul. I had given her all of that a long time ago. I even had given her my life. And I’d do it all again.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
I’m already more afraid than I ever have been. Afraid of you and what you could do to me. Afraid of the world that could kill you so easily. Afraid of myself, gifted with another fragile heart that I know I cannot keep. But, my little serpent, it is the most wonderful fear. Every minute with you is, even if I already regret all the mistakes I know I will make.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
A girl like that, Grandad said, perfumes herself with ozone and metal filings. She wears trouble like a crown. If she ever falls in love, she'll fall like a comet, burning the sky as she goes.
Holly Black (Black Heart (Curse Workers, #3))
To give someone that much of yourself. To give someone the power to destroy you.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
We’ll rip apart the worlds that subjugated both of us, and from the ashes we’ll build something new.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Strange, that these Marks supposedly branded us as innate enemies. And yet, they were obvious mates to each other.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Whenever Richard Cory went down town, We people on the pavement looked at him: He was a gentleman from sole to crown, Clean favored, imperially slim. And he was always quietly arrayed, And he was always human when he talked; But still he fluttered pulses when he said, 'Good-morning,' and he glittered when he walked. And he was rich--yes, richer than a king-- And admirably schooled in every grace: In fine, we thought that he was everything To make us wish that we were in his place. So on we worked, and waited for the light, And went without the meat, and cursed the bread; And Richard Cory, one calm summer night, Went home and put a bullet through his head.
Edwin Arlington Robinson
My downfall and my most valuable supporter. My weakness and my strength. My worst enemy and the greatest love I had ever known.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
She had nothing left to give. After she'd lost Sam and been sent to Endovier, she'd pieced herself back together in the bleakness of the mines. And when she'd come here, she'd been foolish enough to think that Chaol had put the final piece into place. Foolish enough to think, just for a moment, that she could get away with being happy. But death was her curse and gift, and death had been her good friend these long, long years.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
The main paused only a moment, then pulled the boy around so he could look the lad in the eye. "There's doing what's right, and there's doing what's safe. Most of the time you do what's safe because doing different will get you dead for no good reason, but there are times when doing what's safe will kill you too. Only it'll be a different kind of death. They dying will be slow, the sort that eats from the inside until breathing becomes a curse. Understand?
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
Curses aren’t made to be permanent. They like to be broken or they become resentful that everyone’s forgotten about them,
Roshani Chokshi (A Crown of Wishes (The Star-Touched Queen, #2))
I was everything I was meant to be. My father’s daughter. Victim and protégée. Greatest love and ruination.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
You have nothing but me,” I said. “And yet, you’d let me go?” “I have nothing but you,” he murmured. “So I am letting you go.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Seeing, as always, more than I wished he did. Seeing, as always, me.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
I hate these people. I hate this castle. I hate this fucking crown. But I don’t hate you, Oraya. Not even a little.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Don’t you dare stop, princess,” Raihn rasped, reading my face, the wince giving way to a twisted half smile. “Please. I don’t care if it fucking kills me.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
The sheer degree of fucking obsession that grief forces upon you. It took everything I had to force my mind to think about something other than him - it had exhausted me so completely.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Loving Oraya was terrifying. It required me to see things I didn’t want to see. Face things I didn’t want to face. Allow another soul to witness parts of myself I didn’t even want to acknowledge.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
The kiss was like a thunderstorm over the summer desert—a torrent that swept in all at once, obliterating the heat, so all-consuming that suddenly you remember nothing but the rain. All at once, he was everywhere.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Magic calls to Magic. Heart calls to Heart. Mind calls to Mind.
Hanleigh Bradley (Cursed By The Crown)
Humans mourn time, because it's the only currency that really matters in a life so short.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
The king knew, in this moment, that his greatest love would also be his ruination, and that both would come in the unlikely form of a young human woman.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
You are so impossibly beautiful,
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
No. I hear you say the word, as if I sat in the room beside you. I see you, bent over the tome in your hand with a frown on your face and a curse on your lips, as if I were puddled in the shadow at your feet. The realization that there are no more pages is sinking in now. I hear it. I see it. No, you say again. What of Mia and Jonnen? Of Scaeva? Mercurio and Ashlinn and Tric? The secrets of the darkin? The Crown of the Moon? I promised ruins in her wake. Pale light glittering on waters that drank a city of bridges and bones. All these questions unanswered, and yet the book is at its end? No, you say. It cannot end like that. Fear not, little mortal. The song is not yet sung. This is but the calm before the crescendo. This tale is only two of three. Birth. And life. And death. So patience, gentlefriends. Patience. Close your eyes. Take my hand. And walk with me.
Jay Kristoff (Godsgrave (The Nevernight Chronicle, #2))
I was just as black as I had been the day that I was born. Therefore, when I faced a congregation, it began to take all the strength I had not to stammer, not to curse, not to tell them to throw away their Bibles and get off their knees and go home and organize, for example, a rent strike. When I watched all the children, their copper, brown, and beige faces staring up at me as I taught Sunday school, I felt that I was committing a crime in talking about the gentle Jesus, in telling them to reconcile themselves to their misery on earth in order to gain the crown of eternal life. Were only Negroes to gain this crown? Was Heaven, then, to be merely another ghetto?
James Baldwin (The Fire Next Time)
Whenever Richard Cory went down town, we people on the pavement looked at him: He was a gentleman from sole to crown, clean favored, and imperially slim. And he was always quietly arrayed, and he was always human when he talked; but still he fluttered pulses when he said, "Good morning," and he glittered when he walked. And he was rich - yes, richer than a king - And admirably schooled in every grace: In fine, we thought that he was everything to make us wish that we were in his place. So on we worked, and waited for the light, and went without the meat, and cursed the bread; And Richard Cory, one calm summer night, went home and put a bullet through his head.
Edwin Arlington Robinson
Cursed the crown that brought such grief to me
J. Leigh Bralick (The Madness Project (The Madness Method, #1))
No matter. I’m a patient man." "And a fool for love." "Everyone’s a fool for something, Wren. Why not let it be love?
Catherine Doyle (Cursed Crowns (Twin Crowns, #2))
That he had tried. That he had failed. And that he had loved me, anyway. And I would carry all of that forever, for the rest of my life.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
As a young man, I used to think that bravery was the absence of fear. No. I’d learned since then that the absence of fear was only stupidity.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
I wasn’t going to let you fall. But more importantly, I knew you weren’t going to let you fall.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
In her stories, there would be an answer like a lightning bolt. A cure for the curse, a sword for the monster, a crown for the prince. Perfect and all-encompassing in its simplicity. Long live the king and his happily ever after.
Georgia Summers (The City of Stardust)
He kissed me like he was starving. Kissed me the way he had fed from me in a cave once, many months ago—desperate and deep and full of hunger, like I was the only thing tethering him to the world. And Mother, I felt that way, too, like I was grasping hold of something solid for the first time in so long. Like I had come home.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Her body craved his. She needed him inside her.
Hanleigh Bradley (Cursed By The Crown)
But that’s what happens when one person gets to shape your entire world. They can make it into whatever they want, and you’re stuck inside those walls, whether they’re real or not.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Maybe the king always knew that his greatest love would be his ruination. Maybe he knew it the moment he met her.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Diem—you’re wearing the Crown. You’ve been selected. You are the new Queen of Lumnos.
Penn Cole (Spark of the Everflame (Kindred's Curse, #1))
But I was powerless now, just as I was then. A human in a world of vampires. An Heir with no teeth. A daughter with no way to avenge her father.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
The first time in weeks I’d seen something that looked like fight in her eyes. Goddess, I could’ve fucking wept for it. There she is, I thought.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
You have fucking destroyed me, he had told the young woman the night before. She would destroy him. And it would be worth it.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
It feels like a trap,” I whispered. “The…” “Happiness,” he finished.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Because if I let you go, I’m committing treason against my own throne. Because if I let you go, I’ll have no choice but to fight against you out there. Because if I let you go, you become my enemy in earnest. And I can’t kill you, princess. I’ve tried. I can’t.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
We are all dual natured, Queen Mirabella. Every gift is light and dark. We naturalists can make things grow, but we also coax lobsters into pots, and our familiars tear rabits to shreds. Elementals burn down forests as easily as they water them with rain. The war gift is for protection as well as slaughter. Even those with the sight are often cursed with madness and paranoia. Even the poisoners are also healers.
Kendare Blake (Three Dark Crowns (Three Dark Crowns, #1))
Girls like her, my grandfather once warned me, girls like her turn into women with eyes like bullet holes and mouths made of knives. They are always restless. They are always hungry. They are bad news. They will drink you down like a shot of whisky. Falling in love with them is like falling down a flight of stairs. What no one told me, with all those warnings, is that even after you’ve fallen, even after you know how painful it is, you’d still get in line to do it again. A girl like that, Grandad said, perfumes herself with ozone and metal filings. She wears trouble like a crown. If she ever falls in love, she’ll fall like a comet, burning the sky as she goes. She was the epic crush of my childhood. She was the tragedy that made me look inside myself and see my corrupt heart. She was my sin and my salvation, come back from the grave to change me forever. Again. Back then, when she sat on my bed and told me she loved me, I wanted her as much as I have ever wanted anything. There are no words for how much I will miss her, but I try to kiss her so that she’ll know. I try to kiss her to tell her the whole story of my love, the way I dreamed of her when she was dead, the way that every other girl seemed like a mirror that showed me her face. The way my skin ached for her. The way that kissing her made me feel like I was drowning and like I was being saved all at the same time. I hope she can taste all that, bittersweet, on my tongue.
Holly Black (Black Heart (Curse Workers, #3))
Your father, Oraya, felt all those things, too. He was just as broken as the rest of us, and he was so determined not to acknowledge it that he flayed you with those sharp edges and then berated you for having skin instead of steel.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
He would fight any Ren to the death, even a brother, if she was to be his prize.
Hanleigh Bradley (Cursed By The Crown)
The magic swirling around Bae made her look menacing, almost feral and he wanted her more than he'd wanted any other woman. She was something else entirely.
Hanleigh Bradley (Cursed By The Crown)
Where his skin touched hers, it felt like there was a current of pure magic between them. It was enough to boil her veins.
Hanleigh Bradley (Cursed By The Crown)
Even if he wasn't watching, he would have still known she was shy, just from the noise her thoughts were making in his head.
Hanleigh Bradley (Cursed By The Crown)
I’ve got to believe in love, Raihn. The world is sad enough.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Shen looked at his boots, a blush warming his cheeks. "I called her a liar, Wren." "I know" "And jealous" "She told me" "And spoiled." Wren hesitated. "Well she is a bit spoiled.
Catherine Doyle (Cursed Crowns (Twin Crowns, #2))
My mess wouldn’t forever be a curse. One day it would be my crown. One day it would tell the story that, yes, He is good . . . to me.
Sara Hagerty (Every Bitter Thing Is Sweet: Tasting the Goodness of God in All Things)
Enoch could respond with nothing more than a simple gesture in the orbs' direction. His brain was frozen. He could not think or speak, but the voiceless answer roused Fallon instantly. When he followed Enoch's gaze, a silent curse passed over his lips and then, "We're in big trouble.
S.R. Ford (The Kingdom and the Crown (The Kingdom Chronicles, #1))
You should have left the flower of your love remain forever frozen as it was," she said. "So beautiful at its peak. So much less painful." But there was no such thing as love without fear. Love without vulnerability. Love without risk. "Not as beautiful as one that lives," I whispered.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
You will be a wonderful queen. Kind, caring, compassionate. Strong, cunning, and ruthless when you need to be. But I can’t break my promise to myself. I won’t. Not even for you, highness.” The last word came out as a low whisper, but somehow, it shattered my heart more than if he had been shouting curses at me.
Jennifer Estep (Kill the Queen (Crown of Shards, #1))
Mighty Nyx came, Mighty Nyx sought, All that he could, Of his dark lot. In the deep night, His kingdom rose, Beware, great king, Of that which grows. Easy to conquer, Easy to crown, But even the strongest, Can be cut down. Raised in the shadows, Reared in the night, Your child will come, And ascend by might. And you, the slain, Shall wait and see, What other things, A soul can be. A body to curse, A body to blame, A body the earth, Will not yet claim. Beware the mortal, Beneath your sky, Crush the human, Who’ll see you die. Twice you’ll rise, Twice you’ll fall, Lest you can, Change it all. Or perish by day, Perish by dawn, The world believes, You’re already gone. So darken your heart, My shadow king, And let us see, What war will bring. —The Prophecy of Galleghar Nyx
Laura Thalassa (A Strange Hymn (The Bargainer, #2))
I give you my blood, I give you my soul, I give you my heart, From this night until the end of nights. From daybreak until our days are broken. Your soul is my soul, Your heart is my heart, Your pain is my pain. I bind myself to you. -The Serpent And The Wings Of Night
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
All of it was true at once. That he had saved me. That he had crippled me. His selfishness and his selflessness. That he had tried. That he had failed. And that he had loved me, anyway. And I would carry all of that forever, for the rest of my life. And he would still be dead.
Carissa Broadbent (The Ashes & the Star-Cursed King (Crowns of Nyaxia, #2))
Lucien said he didn’t care that she wasn’t one of the High Fae, that he was certain the mating bond would snap into place soon and that he was going to marry her and leave his father’s court to his scheming brothers.” A tight sigh. “His father had her put down. Executed, in front of Lucien, as his two eldest brothers held him and made him watch.” My stomach turned, and I pushed a hand against my chest. I couldn’t imagine, couldn’t comprehend that sort of loss. “Lucien left. He cursed his father, abandoned his title and the Autumn Court, and walked out. And without his title protecting him, his brothers thought to eliminate one more contender to the High Lord’s crown. Three of them went out to kill him; one came back.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Failure Because God put His adamantine fate Between my sullen heart and its desire, I swore that I would burst the Iron Gate, Rise up, and curse Him on His throne of fire. Earth shuddered at my crown of blasphemy, But Love was as a flame about my feet; Proud up the Golden Stair I strode; and beat Thrice on the Gate, and entered with a cry -- All the great courts were quiet in the sun, And full of vacant echoes: moss had grown Over the glassy pavement, and begun To creep within the dusty council-halls. An idle wind blew round an empty throne And stirred the heavy curtains on the walls.
Rupert Brooke (The Collected Poems)
Eventually they climb sixteen steps into the Gallery of Mineralogy. The guide shows them a gate from Brazil and violet amethysts and a meteorite on a pedestal that he claims is as ancient as the solar system itself. Then he leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says. A girl says, “But what’s through there?” “Behind this door is another locked door, slightly smaller.” “And what’s behind that?” “A third locked door, smaller yet.” “What’s behind that?” “A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.” The children lean forward. “And then?” “Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“is the Sea of Flames.” Puzzlement. Fidgeting. “Come now. You’ve never heard of the Sea of Flames?” The children shake their heads. Marie-Laure squints up at the naked bulbs strung in three-yard intervals along the ceiling; each sets a rainbow-colored halo rotating in her vision. The guide hangs his cane on his wrist and rubs his hands together. “It’s a long story. Do you want to hear a long story?” They nod. He clears his throat. “Centuries ago, in the place we now call Borneo, a prince plucked a blue stone from a dry riverbed because he thought it was pretty. But on the way back to his palace, the prince was attacked by men on horseback and stabbed in the heart.” “Stabbed in the heart?” “Is this true?” A boy says, “Hush.” “The thieves stole his rings, his horse, everything. But because the little blue stone was clenched in his fist, they did not discover it. And the dying prince managed to crawl home. Then he fell unconscious for ten days. On the tenth day, to the amazement of his nurses, he sat up, opened his hand, and there was the stone. “The sultan’s doctors said it was a miracle, that the prince never should have survived such a violent wound. The nurses said the stone must have healing powers. The sultan’s jewelers said something else: they said the stone was the largest raw diamond anyone had ever seen. Their most gifted stonecutter spent eighty days faceting it, and when he was done, it was a brilliant blue, the blue of tropical seas, but it had a touch of red at its center, like flames inside a drop of water. The sultan had the diamond fitted into a crown for the prince, and it was said that when the young prince sat on his throne and the sun hit him just so, he became so dazzling that visitors could not distinguish his figure from light itself.” “Are you sure this is true?” asks a girl. “Hush,” says the boy. “The stone came to be known as the Sea of Flames. Some believed the prince was a deity, that as long as he kept the stone, he could not be killed. But something strange began to happen: the longer the prince wore his crown, the worse his luck became. In a month, he lost a brother to drowning and a second brother to snakebite. Within six months, his father died of disease. To make matters even worse, the sultan’s scouts announced that a great army was gathering in the east. "The prince called together his father’s advisers. All said he should prepare for war, all but one, a priest, who said he’d had a dream. In the dream the Goddess of the Earth told him she’d made the Sea of Flames as a gift for her lover, the God of the Sea, and was sending the jewel to him through the river. But when the river dried up, and the prince plucked it out, the goddess became enraged. She cursed the stone and whoever kept it.
Anthony Doerr (All the Light We Cannot See)
A crown of thorns. Do not underestimate the significance of this crown of thorns. This was not simply a way to inflict pain, to press barbs into His profoundly human flesh. This was an attempt to humiliate Him and mock His power. What better way to diminish the King of the universe than to crown Him with the very curse that hangs over His creation? What better way to triumph over Him than for evil to adorn His head? What could be more humiliating than to have our brokenness rest on Him? But
Hannah Anderson (Humble Roots: How Humility Grounds and Nourishes Your Soul)
It is beyond dispute that Osiris made his worshipers dream strange things of him, and that he possessed their bodies and souls forever. There is a devilish wrath against mankind with which Osiris was for Death's sake inspired. In the cool of the evening he walked among men, and upon his head was the Crown of Upper Egypt, and his cheeks were inflated with a wind that slew. His face was veiled so that no man could see it, hut assuredly it was an old face, very old and dead and dry for the world was young when tall Osiris died. ("A Visitor From Egypt")
Frank Belknap Long (The Mummy Walks Among Us)
Whenever Richard Cory went down town, We people on the pavement looked at him: He was a gentleman from sole to crown, Clean favored, and imperially slim. And he was always quietly arrayed, And he was always human when he talked; But still he fluttered pulses when he said, "Good-morning," and he glittered when he walked. And he was rich, richer than a king, And admirably schooled in every grace: In fine, we thought that he was everything To make us wish that we were in his place. So on we worked, and waited for the light, And went without the meat, and cursed the bread; And Richard Cory, one calm summer night, Went home and put a bullet through his head.
Edwin Arlington Robinson
Whenever Richard Cory went down town, We people on the pavement looked at him: He was a gentleman from sole to crown, Clean favored, and imperially slim. And he was always quietly arrayed, And he was always human when he talked; But still he fluttered pulses when he said, "Good-morning," and he glittered when he walked. And he was rich—yes, richer than a king, And admirably schooled in every grace: In fine, we thought that he was everything To make us wish that we were in his place. So on we worked, and waited for the light, And went without the meat, and cursed the bread; And Richard Cory, one calm summer night, Went home and put a bullet through his head.
Edwin Arlington Robinson
She stepped aside, dodging him with maddening ease. Grave lunged again. But faster than he could follow she ducked and slashed her sword across his shins. He hit the wet ground before he felt the pain. The world flashed black and gray and red, and agony tore at him. A dagger still left in his hand, he scuttled backward toward the wall. But his legs wouldn’t respond, and his arms strained to pull him through the damp filth. “Bitch,” he hissed. “Bitch.” He hit the wall, blood pouring from his legs. Bone had been sliced. He would not be able to walk. He could still find a way to make her pay, though. She stopped a few feet away and sheathed her sword. She drew a long, jeweled dagger. He swore at her, the filthiest word he could think of. She chuckled, and faster than a striking asp, she had one of his arms against the wall, the dagger glinting. Pain ripped through his right wrist, then his left as it, too, was slammed into the stone. Grave screamed—truly screamed—as he found his arms pinned to the wall by two daggers. His blood was nearly black in the moonlight. He thrashed, cursing her again and again. He would bleed to death unless he pulled his arms from the wall. With otherworldly silence, she crouched before him and lifted his chin with another dagger. Grave panted as she brought her face close to his. There was nothing beneath the cowl—nothing of this world. She had no face. “Who hired you?” she asked, her voice like gravel. “To do what?” he asked, almost sobbing. Maybe he could feign innocence. He could talk his way out, convince this arrogant whore he had nothing to do with it … She turned the dagger, pressing it into his neck. “To kill Princess Nehemia.” “N-n-no one. I don’t know what you’re talking about.” And then, without even an intake of breath, she buried another dagger he hadn’t realized she’d been holding into his thigh. So deep he felt the reverberation as it hit the cobblestones beneath. His scream shattered out of him, and Grave writhed, his wrists rising farther on the blades. “Who hired you?” she asked again. Calm, so calm. “Gold,” Grave moaned. “I have gold.” She drew yet another dagger and shoved it into his other thigh, piercing again to the stone. Grave shrieked—shrieked to gods who did not save him. “Who hired you?” “I don’t know what you’re talking about!” After a heartbeat, she withdrew the daggers from his thighs. He almost soiled himself at the pain, at the relief. “Thank you.” He wept, even as he thought of how he would punish her. She sat back on her heels and stared at him. “Thank you.” But then she brought up another dagger, its edge serrated and glinting, and hovered it close to his hand. “Pick a finger,” she said. He trembled and shook his head. “Pick a finger.” “P-please.” A wet warmth filled the seat of his pants. “Thumb it is.” “N-no. I … I’ll tell you everything!” Still, she brought the blade closer, until it rested against the base of his thumb. “Don’t! I’ll tell you everything!
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
Radha Krishna Krishna, Svayam Bhagavan, Avatar of Vishnu, play your flute for me beneath this parasol of stars, diadems bejeweling your eternal crown, and I will dance for you a joyous dance. Svayam Bhagavan, Avatar of Vishnu, visit your consort, Radha, mantled in the black of night, the cow-herd girl who has stolen your heart, and now the gopi has become the guru and awaits her lover with open arms. Svayam Bhagavan, Avatar of Vishnu, stay the night, and learn the love of Radha,shakti, her wifely love, the svakaya-rasa, her spiritual love, the parakiya-rasa, for immortality is a curse without both of these. Svayam Bhagavan, Avatar of Vishnu, return to heaven now for the cock has crowed and yet you linger, lazy in Radha’s bed. Even endless love must seek and end to repeat the joy of new beginnings. Return, Krishna, I beseech you, for my feet are weary of the dance and I have fields to plow and rice to plant.
Beryl Dov
They came from over the hill to slay, the monsters, beasts and bullies. The princesses came with their shiny crowns, two beauties in their flowing gowns. And so they shouted, away away away!” “Away away away!” the A.S.S. sang in response like they knew the words and my jaw dropped. “The monsters said we’re here to stay, raising forks and sticks and sharpened picks. The princesses came with their silver blades, two beauties with their loyal maids. And so they shouted, away away away!” She started up a dance, stamping her foot twice to the left, then twice to the right before jumping up and clapping above her head. “Away away away!” Tory and I joined in between our laughter as Justin Masters produced a flute from his bag and started piping out the tune. Oh my god this is actually happening. Geraldine reached out to us and I shrugged at Tory before climbing up to join her on the table. She started the dance again and I copied her, picking it up as Tory joined her other side, laughing as Geraldine continued the song. “The beasts they laughed with their hearts so black, they pushed, they fought and they attacked. But the princesses came with a swirl and a swoosh, and pushed those beasties in the Lake of Multush. And so they shouted, away away away!” “Away away away!” I cried with everyone else, wiping tears of laughter from my eyes as more and more people crowded around our table and joined in. “The bullies they smiled and they jeered the town, they jibed, they battered and made everyone frown. The princesses showed them the strength of their souls, no bully could make a dent on their walls. And so they shouted, away away away!” We clapped above our heads in time with Geraldine and everyone continued on singing that last line again and again, pointing over at the Heirs who were staring at us with their jaws slack like they couldn’t quite believe what was happening. “Away away away!
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
Darkness: I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went—and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires—and the thrones, The palaces of crowned kings—the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire—but hour by hour They fell and faded—and the crackling trunks Extinguish'd with a crash—and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smil'd; And others hurried to and fro, and fed Their funeral piles with fuel, and look'd up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash'd their teeth and howl'd: the wild birds shriek'd And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl'd And twin'd themselves among the multitude, Hissing, but stingless—they were slain for food. And War, which for a moment was no more, Did glut himself again: a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left; All earth was but one thought—and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails—men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour'd, Even dogs assail'd their masters, all save one, And he was faithful to a corse, and kept The birds and beasts and famish'd men at bay, Till hunger clung them, or the dropping dead Lur'd their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer'd not with a caress—he died. The crowd was famish'd by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other's aspects—saw, and shriek'd, and died— Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless— A lump of death—a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge— The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them—She was the Universe.
Lord Byron