Current Swell Quotes

Words. Borne on the ever swelling current of hatred, like flowers opening in the current, petals peeling back, then falling apart.

May what I do flow from me like a river, no forcing and no holding back, the way it is with children. Then in these swelling and ebbing currents, these deepening tides moving out, returning, I will sing you as no one ever has, streaming through widening channels into the open sea.

To understand the world at all, sometimes you could only focus on a tiny bit of it, look very hard at what was close to hand and make it stand in for the whole; but ever since the painting had vanished from under me I’d felt drowned and extinguished by vastness—not just the predictable vastness of time, and space, but the impassable distances between people even when they were within arm’s reach of each other, and with a swell of vertigo I thought of all the places I’d been and all the places I hadn’t, a world lost and vast and unknowable, dingy maze of cities and alleyways, far-drifting ash and hostile immensities, connections missed, things lost and never found, and my painting swept away on that powerful current and drifting out there somewhere: a tiny fragment of spirit, faint spark bobbing on a dark sea.

Never permit circumstances to change your plans, but give so much character to your plans that they will change circumstances. Give so much character to the current of your work that all things will be drawn into that current, and that which at first was but a tiny rivulet, will thus be swelled into a mighty, majestic stream.

I wish to feel something much, much larger than I am, the girl’s heart replies. I wish to stand on the edge of ruination and defeat, to leap into a chasm full of danger. I wish to feel my blood turn cold with fear and my cheeks burn bright with shame; I wish to feel joy that fills my lungs, and sadness that swells within me like a current. I wish to feel so much and so deeply that it washes over me in waves. I wish to drag myself towards something; I wish to lose pieces of myself along the way. I wish for hunger that drives me, for passion that fulfills me, for sensations of taking and having and losing and wanting, and I wish for all of it to come with a price, and a steep one—and then I wish for the courage to pay. Isn’t it all good because it’s something? she asks. Isn’t it all bad because beneath it—any of it, her wish sighs—I may collapse? Mayra

But there comes a point in the speech where I find my cadence. The crowd quiets rather than roars. It's the kind of moment I'd come to recognize in subsequent years, on certain magic nights. There's a physical feeling, a current of emotion that passes back and forth between you and the crowd, as if your lives and theirs are suddenly spliced together, like a movie reel, projecting backward and forward in time, and your voice creeps right up to the edge of cracking, because for an instant, you feel them deeply; you can see them whole. You've tapped into some collective spirit, a thing we all know and wish for - a sense of connection that overrides our differences and replaces them with a giant swell of possibility - and like all things that matter most, you know the moment is fleeting and that soon the spell will be broken.

Love. The wide sea that one word conjures up, all the currents and tides and storms and oily swells of it.

He moved, so quick, it was as if I blinked and he vanished from the window and reappeared in front of me. I jumped in surprise, hitting the door with a dull thud. I may have breathed his name, but I couldn’t be sure of anything except his swelling scent and the heat wafting off his body. The dreamy sensation pulsed in my skull, filling me with an airy sensation that sucked the breath from my lungs. The current washed through me, carrying away all reasoning, all doubts. It was just me and him and the pounding electricity between us. “I—I didn’t come for this.” yet, my hands reached for him, fisting in his hair and curling around his shoulder. “I should… go…” I pulled him to me.

I wish to feel something much, much larger than I am, the supplicant's heart replies. I wish to stand on the edge of ruination and defeat, to leap into a chasm full of danger. I wish to feel my blood turn cold with fear and my cheeks burn bright with shame; I wish to feel joy that fills my lungs, and sadness that swells within me like a current. I wish to feel so much and so deeply that it washes over me in waves. I wish to drag myself toward something; I wish to lose pieces of myself along the way. I wish for hunger that drives me, for passion that fulfills me, for sensations of taking and having and losing and wanting, and I wish for all of it to come with a price, and a steep one —and then I wish for the courage to pay.

Life is as the sea, art a ship in which man conquers life's crushing formlessness, reducing it to a course, a series of swells, tides and wind currents inscribed on a chart.

What need for feathers now? What need to confirm their loss? While the womb-red sky swelled with the promise of tomorrow, and he rode the warm, crimson currents, skimming, wheeling and gliding.

Time interacts with attention in funny ways. At one extreme, when Ruth was gripped by the compulsive mania and hyperfocus of an Internet search, the hours seemed to aggregate and swell like a wave, swallowing huge chunks of her day. At the other extreme, when her attention was disengaged and fractured, she experienced time at its most granular, wherein moments hung around like particles, diffused and suspended in standing water. There used to be a middle way, too, when her attention was focused but vast, and time felt like a limpid pool, ringed by sunlit ferns. An underground spring fed the pool from deep below, creating a gentle current of words that bubbled up, while on the surface, breezes shimmered and played.

There’s nothing. Nothing to hold on to while the current takes me. Whatever I might have had until today, I’ve lost. I feel my love for her, swelling; bloating into something that’s about to explode, like an abscess that’s been allowed to rot for too long, but the pain drowns it so completely I know I’m never coming back out. This feeling, that you’re choking and that your body is underwater, immersed in the ocean, a dense flood that overpowers your breathing abilities, and your will to survive gets drowned right along with it. And as I’m drowning I see her face and hear her voice—and it doesn’t give me hope, it terrifies me. I’m terrified because I know she’s going to be the death of me. I’m terrified because I know I won’t be able to cope. I’m terrified because the darkness is the only true friend I’ve ever had and if it wants to embrace me I don’t have the power to make it stop.

He descended and came to a small basin of sea enclosed by the cliffs. Troy's nature freshened within him; he thought he would rest and bathe here before going farther. He undressed and plunged in. Inside the cove the water was uninteresting to a swimmer, being smooth as a pond, and to get a little of the ocean swell, Troy presently swam between the two projecting spurs of rock which formed the pillars of Hercules to this miniature Mediterranean. Unfortunately for Troy a current unknown to him existed outside, which, unimportant to craft of any burden, was awkward for a swimmer who might be taken in it unawares. Troy found himself carried to the left and then round in a swoop out to sea.

Sonnet of the Garland of Roses" A garland, quick, a wreath: I come and die. Braid flowers as they fade. Sing, cry, and sing! Heart in my throat, a storm swelling a gorge shadowed and silvered by a thousand falls. Between your own desire and my desire the space is starry, each step quakes the ground, and forests of anemones will spring to round the year, making their secret sound. Lovers in my wound's landscape, overjoyed, can watch the reeds bend in the crossing currents, can drink from red pools in the honeyed thigh. But hurry, let's entwine ourselves as one, our mouth broken, our soul bitten by love, so time discovers us safely destroyed.

Gazing at the splinters of a life once lived, I finally come to see life for all that it is. We breathe, for a while, and then we come to rest. We become the earth, the clouds and the deep sea currents, the summer swells and the winter tides.

Naked Girl and Mirror This is not I. I had no body once- only what served my need to laugh and run and stare at stars and tentatively dance on the fringe of foam and wave and sand and sun. Eyes loved, hands reached for me, but I was gone on my own currents, quicksilver, thistledown. Can I be trapped at last in that soft face? I stare at you in fear, dark brimming eyes. Why do you watch me with that immoderate plea- 'Look under these curled lashes, recognize that you were always here; know me-be me.' Smooth once-hermaphrodite shoulders, too tenderly your long slope runs, above those sudden shy curves furred with light that spring below your space. No, I have been betrayed. If I had known that this girl waited between a year and a year, I'd not have chosen her bough to dance upon. Betrayed, by that little darkness here, and here this swelling softness and that frightened stare from eyes I will not answer; shut out here from my own self, by its new body's grace- for I am betrayed by someone lovely. Yes, I see you are lovely, hateful naked girl. Your lips in the mirror tremble as I refuse to know or claim you. Let me go-let me be gone. You are half of some other who may never come. Why should I tend you? You are not my own; you seek that other-he will be your home. Yet I pity your eyes in the mirror, misted with tears; I lean to your kiss. I must serve you; I will obey. Some day we may love. I may miss your going, some day, though I shall always resent your dumb and fruitful years. Your lovers shall learn better, and bitterly too, if their arrogance dares to think I am part of you.

My gaze slipped out past the breakers. The ocean beyond was black and secret, merging seamlessly with the night a scant distance out from the shore. Even the massive bulk of the keeled-over Free Trade Enforcer was hard to make out. I imagined Mary Lou Hinchley hurtling down to her shattering impact with the unyielding water, then slipping broken beneath the swells to be cradled in wait for the sea’s predators. How long had she been out there before the currents contrived to carry what was left of her back to her own kind? How long had the darkness held her?

Hamlet’s soliloquy, you know; the most celebrated thing in Shakespeare. Ah, it’s sublime, sublime! Always fetches the house. I haven’t got it in the book—I’ve only got one volume—but I reckon I can piece it out from memory. I’ll just walk up and down a minute, and see if I can call it back from recollection’s vaults.” So he went to marching up and down, thinking, and frowning horrible every now and then; then he would hoist up his eyebrows; next he would squeeze his hand on his forehead and stagger back and kind of moan; next he would sigh, and next he’d let on to drop a tear. It was beautiful to see him. By and by he got it. He told us to give attention. Then he strikes a most noble attitude, with one leg shoved forwards, and his arms stretched away up, and his head tilted back, looking up at the sky; and then he begins to rip and rave and grit his teeth; and after that, all through his speech, he howled, and spread around, and swelled up his chest, and just knocked the spots out of any acting ever I see before. This is the speech—I learned it, easy enough, while he was learning it to the king: To be, or not to be; that is the bare bodkin That makes calamity of so long life; For who would fardels bear, till Birnam Wood do come to Dunsinane, But that the fear of something after death Murders the innocent sleep, Great nature’s second course, And makes us rather sling the arrows of outrageous fortune Than fly to others that we know not of. There’s the respect must give us pause: Wake Duncan with thy knocking! I would thou couldst; For who would bear the whips and scorns of time, The oppressor’s wrong, the proud man’s contumely, The law’s delay, and the quietus which his pangs might take, In the dead waste and middle of the night, when churchyards yawn In customary suits of solemn black, But that the undiscovered country from whose bourne no traveler returns, Breathes forth contagion on the world, And thus the native hue of resolution, like the poor cat i’ the adage, Is sicklied o’er with care, And all the clouds that lowered o’er our housetops, With this regard their currents turn awry, And lose the name of action. ’Tis a consummation devoutly to be wished. But soft you, the fair Ophelia: Ope not thy ponderous and marble jaws, But get thee to a nunnery—go! Well,

Time interacts with attention in funny ways. At one extreme, when Ruth was gripped by the compulsive mania and hyperfocus of an Internet search, the hours seemed to aggregate and swell like a wave, swallowing huge chunks of her day. At the other extreme, when her attention was disengaged and fractured, she experienced time at its most granular, wherein moments hung around like particles, diffused and suspended in standing water. There used to be a middle way, too, when her attention was focused but vast, and time felt like a limpid pool, ringed by sunlit ferns. An underground spring fed the pool from deep below, creating a gentle current of words that bubbled up, while on the surface, breezes shimmered and played.

Time interacts with attention in funny ways. At one extreme, when Ruth was gripped by the compulsive mania and hyperfocus of an Internet search, the hours seemed to aggregate and swell like a wave, swallowing huge chunks of her day. At the other extreme, when her attention was disengaged and fractured, she experienced time at its most granular, wherein moments hung around like particles, diffused and suspended in standing water. There used to be a middle way, too, when her attention was focused but vast, and time felt like a limpid pool, ringed by sunlit ferns. An underground spring fed the pool from deep below, creating a gentle current of words that bubbled up, while on the surface, breezes shimmered and played.

When a legislator succeeds, after persevering efforts, in exercising an indirect influence upon the destiny of nations, his genius is lauded by mankind, whilst, in point of fact, the geographical position of the country which he is unable to change, a social condition which arose without his co-operation, manners and opinions which he cannot trace to their source, and an origin with which he is unacquainted, exercise so irresistible an influence over the courses of society that he is himself borne away by the current, after an ineffectual resistance. Like the navigator, he may direct the vessel which bears him along, but he can neither change its structure, nor raise the winds, nor lull the waters which swell beneath him.

TAKING LEAVE Of the unhindered motion in the million swirled and twisted grooves of the juniper driftwood lying in the sand; taking leave of each sapphire and amber thread and each iridescent bead of the swallowtail's wing and of the quick and clever needle of the seamstress in the dark cocoon that accomplished the stitching. Goodbye to the long pale hairs of the swaying grassflowers, so like, in grace and color and bearing, the nodding antennae of the green valley grasshopper clinging to its blade; and to the staircase shell of the butter-colored wendletrap and to the branches of the sourwood making their own staircase with each step upward they take and to the spiraling of the cobweb weaver twirling as it descends on its silk out of the shadows of the pitch pine. Taking leave of the sea of spring, that grey-green swell slowly rising, spreading, its heavy wisteria-scented surf filled with darting, gliding, whistling fish, a current of cries, an undertow of moans and buzzes, so pervasive and penetrating and alluring that the lungs adapt to the density. Determined not to slight the knotted rockweed or the beach plum or the white, blue-tipped petals of the five spot; determined not to overlook the pursed orange mouth of each maple leaf just appearing or the entire chorus of those open leaves in full summer forte. My whole life, a parting from the brazen coyote thistle and the reticent, tooth-ridged toad crab and the proud, preposterous sage grouse. And you mustn't believe that the cessation which occurs here now is more than illusory; the ritual of this leave-taking continues beyond these lines, in a whisper beside the window, below my breath by the river, without noise through the clearing at midnight, even in the dark, even in sleep, continues, out-of-notice, private, incessant.

He disliked the anxiety of listlessness, which was as constant to him as Libby’s unrelenting undercurrent of fear. Fear of what? Failure, probably. She was the sort of perfectionist who was so desperately frightened of being any degree of inadequate that, on occasion, the effort of trying at all was enough to paralyze her with doubt. Nico, meanwhile, never considered failure an option, and whether that was ultimately to his detriment, at least it did not restrain him. If Libby made the mistake of thinking herself too small, then Nico would gladly consider himself too vast by contrast. If anything, the opportunity to swell beyond the ceiling of his existing powers ignited him. Why not reach further, for things beyond the limits of his current grasp? Surely it was reasonable if it meant helping Gideon. Even when the options were to reach the sun or collide flaming with the sea, safety was a uselessness Nico de Varona couldn’t abide.

…I set out for water so I can get closer to the essence of the place, how its life is encompassed by what goes on offshore. When the swells begin to rise in the deep channel, the water feels like a living body, our vessel a mote adrift in its cytoplasm. The rhythmic sway of tides measures the pull of planet and moon. I can’t feel these forces in my body, though they must be there, made as I am from so much cellbound water. The human body is a poor instrument for sensing patterns of movement that guide the migration of whales, terns, butterflies, and geese. I cannot read with my body the earth’s magnetic forces, the tracks of sun, stars, and ocean currents. What pushes or pulls the arctic tern forward when it migrates from its summer home in Iceland to its winter home in the Antarctic Ocean? Ways of knowing that a human body will never know. But the human body is a good instrument for making language, and that tool is the best means we’ve got for finding our way.

As a drop in the ocean you take part in the current, ebb and flow. You swell slowly on the land and slowly sink back again in interminably slow breaths. You wander vast distances in blurred currents and wash up on strange shores, not knowing how you got there. You mount the billows of huge storms and are swept back again into the depths. And you do not know how this happens to you. You had thought that your movement came from you and that it needed your decisions and efforts, so that you could get going and make progress. But with every conceivable effort you would never have achieved that movement and reached those areas to which the sea and the great wind of the world brought you. From endless blue plains you sink into black depths; luminous fish draw you, marvellous branches twine around you from above. You slip through columns and twisting, wavering, dark-leaved plants, and the sea takes you up again in bright green water to white, sandy coasts, and a wave foams you ashore and swallows you back again, and a wide smooth swell lifts you softly and leads you again to new regions, to twisting plants, to slowly creeping slimy polyps, and to green water and white sand and breaking surf. But from far off your heights shine to you above the sea in a golden light, like the moon emerging from the tide, and you become aware of yourself from afar. And longing seizes you and the will for your own movement. You want to cross over from being to becoming, since you have recognized the breath of the sea, and its flowing, that leads you here and there without your ever adhering; you have also recognized its surge that bears you to alien shores and carries you back, and gargles you up and down. You saw that was the life of the whole and the death of each individual. You felt yourself entwined in the collective death, from death to the earth’s deepest place, from death in your own strangely breathing depths. Oh – you long to be beyond; despair and mortal fear seize you in this death that breathes slowly and streams back and forth eternally. All this light and dark, warm, tepid, and cold water, all these wavy, swaying, twisting plantlike animals and bestial plants, all these nightly wonders become a horror to you, and you long for the sun, for light dry air, for firm stones, for a fixed place and straight lines, for the motionless and firmly held, for rules and preconceived purpose, for singleness and your own intent.

A shadow appeared on the awnings further up the land, gliding across each rectangle of canvas towards my table, sinking in the sag, rising again at the edge, and moving on to the next with a flicker of dislocation, then gliding onwards. As it crossed the stripe of sunlight between two awnings, it threaded the crimson beak of a stork through the air, a few inches above the gap; then came a long white neck, the swell of snowy breast feathers and the six-foot motionless span of its white wings and the tips of the black flight feathers upturned and separated as fingers in the lift of the air current. The white belly followed, tapering, and then, trailing behind, the fan of its tail and long parallel legs of crimson lacquer, the toes of each of them closed and streamlined, but the whole shape flattening, when the band of sunlight was crossed, into a two-dimensional shadow once more, enormously displayed across the rectangle of cloth, as distinct and nearly as immobile, so languid was its flight, as an emblematic bird on a sail; then sliding across it and along the nearly still corridor of air between the invisible eaves and the chimneys, dipping along the curl of the lane like a sigh of wonder, and, at last, a furlong away slowly pivoting, at a gradual tilt, out of sight. A bird of passage like the rest of us.

I am living on a planet where the silk dresses of Renaissance women rustled, where people died in plagues, where Mozart sat to play, where sap runs in the spring, where children are caught in crossfire, where gold glints from rock, where religion shines its light only to lose its way, where people stop to reach a hand to help each other to cross, where much is known about the life of the ant, where the gift of getting my husband back was as accidental as my almost losing him, where the star called sun shows itself differently at every hour, where people get so bruised and confused they kill each other, where baobabs grow into impossible shapes with trunks that tell stories to hands, where rivers wind wide and green with terrible hidden currents, where you rise in the morning and feel your own arms with your own hands, checking yourself, where lovers’ hearts swell with the certain knowledge that only they are the ones, where viruses are seen under the insistent eye of the microscope and the birth of stars is witnessed through the lens of the telescope, where caterpillars crawl and skyscrapers are erected because of the blue line on the blueprint—I am living here on this planet, it is my time to have my legs walk the earth, and I am turning around to tell Jay once again, “Yes, here.” I am saying that all of this, all of this, all of these things are the telling songs of the wider life, and I am listening with gratitude, and I am listening for as long as I can, and I am listening with all of m y might.

We are but stones in the ocean. Wall construction begins, the tide rolls in. Stores close, the sea breeze blows. Rations diminish, the ocean floor is blemished. Challenges arise, the waves intensify. Tempers heighten, the current strengthens. Conditions turn dire, the swells become higher. Illnesses shake, the storm clouds break. Fighting for each day, an undertow tries to pull us away. Calm seas comfort us, making us feel whole. Rough seas polish us, smoothing out our soul.

I have also learned that the cruel absurdity of this world has been totally unsuccessful at stopping the beautiful sound of waves crashing into the shore; the swells remain as smooth as ever and the continuous flow of water, the currents, have no prejudice to surrender to the wind, the gravitational pull of the moon, nor to the rotation of the earth. In our life there is no shame in yielding to the things or people who positively influence us. Even oceanic creatures can chase our sadness away in just one fraction of a moment.

Filter for a Frail Horizon: I lose a breath while I'm thinking, Misplace a second as it passes out of time. A splice of memories now missing, I think a moment passed where I forgot to die. And so this day is becoming... High in tide that will take me home, Conceals a current running straight through hell. It caught me drifting from the world I know, A broken crest on a rising swell. And surely hope is resigning...; I think I'm waking from another dream, I won't remember how I made it out alive. The focus centres on uncertainty, The null and voids have become a way of life. And so my self is descending...

The size and behavior of waves are determined by a range of factors. These include, the direction of the swell compared with the speed of the tide, prevailing ocean currents, the depth of the water, the shape of the seafloor, the presence of reefs and sandbanks, even the temperature of the ocean.

THERE is a place in front of the Royal Exchange where the wide pavement reaches out like a promontory. It is in the shape of a triangle with a rounded apex. A stream of traffic runs on either side, and other streets send their currents down into the open space before it. Like the spokes of a wheel converging streams of human life flow into this agitated pool. Horses and carriages, carts, vans, omnibuses, cabs, every kind of conveyance cross each other's course in every possible direction. Twisting in and out by the wheels and under the horses' heads, working a devious way, men and women of all conditions wind a path over. They fill the interstices between the carriages and blacken the surface, till the vans almost float on human beings. Now the streams slacken, and now they rush amain, but never cease; dark waves are always rolling down the incline opposite, waves swell out from the side rivers, all London converges into this focus. There is an indistinguishable noise—it is not clatter, hum, or roar, it is not resolvable; made up of a thousand thousand footsteps, from a thousand hoofs, a thousand wheels—of haste, and shuffle, and quick movements, and ponderous loads; no attention can resolve it into a fixed sound. Blue carts and yellow omnibuses, varnished carriages and brown vans, green omnibuses and red cabs, pale loads of yellow straw, rusty-red iron cluking on pointless carts, high white wool- packs, grey horses, bay horses, black teams; sunlight sparkling on brass harness, gleaming from carriage panels; jingle, jingle, jingle! An intermixed and intertangled, ceaselessly changing jingle, too,of colour; flecks of colour champed, as it were, like bits in the horses' teeth, frothed and strewn about, and a surface always of dark-dressed people winding like the curves on fast-flowing water. This is the vortex and whirlpool, the centre of human life today on the earth. Now the tide rises and now it sinks, but the flow of these rivers always continues. Here it seethes and whirls, not for an hour only, but for all present time, hour by hour, day by day, year by year.

All of my friends' tiny acts of generosity and kindness did not pass me by. Instead, they took my breath away. They filled me up. I scrolled through the messages on my phone, and they lit up like gemstones, painted a full landscape of me, dappled with light and complexity, weeds and miraculous flowers, much like the meadow I was currently gazing at. My heart swelled with gratitude for every text, even the silly meme ones.

For me, the flow of information was an apt metaphor. As surfing became my obsession at a young age, my innovation had been to remap my tactile sense into the water around me. Sitting on my surfboard, bobbing up and down between the swells, I could feel the pressure, shape, and temperature of the water’s surface around me through my skin. The thousands of neurons attached to each hair follicle could sense even tiny subsurface eddies and water currents. After nearly twenty years of dedicated practice, my brain had neuroplastically reformatted to devote a large part of itself to my water-sense, and I now had the most highly attuned tactile array of any pssi-kid, or for that matter anyone else in the world. Sitting with my eyes closed, I could feel the water moving and undulating around me as a perfectly natural and integral part of my body. I was one with the water, and it was one with me.

The sun had lit up the top row of leadlight windows, and the family home, polished to within an inch of its life, was sparkling like a bejeweled old dame dressed for her annual opera outing. A great swelling wave of affection came suddenly upon Alice. For as long as she could remember, she'd been aware that the house and the gardens of Loeanneth lived and breathed for her in a way they didn't for her sisters. While London was a lure to Deborah, Alice was never happier, never quite as much herself, as she was here; sitting on the edge of the stream, toes dangling in the slow current; lying in bed before the dawn, listening to the busy family of swifts who'd built their nest above her window; winding her way around the lake, notebook always tucked beneath her arm. She had been seven years old when she realized that one day she would grow up and that grown-ups didn't, in the usual order of things, continue to live in their parents' home. She'd felt a great chasm of existential dread open up inside her then, and had taken to engraving her name whenever and wherever she could- in the hard English oak of the morning-room window frames, in the filmy grouting between the gunroom tiles, on the Strawberry Thief wallpaper in the entrance hall- as if by such small acts she might somehow tie herself to the place in a tangible and enduring way.

Beginning in the late 1940s, the current of people fleeing from farm to town and city swelled into a flood—one of the most dramatic demographic shifts of modern American history. By 1970 only 9.7 million people, or 4.8 percent of the overall population, worked on the land. The number of farms fell from 5.9 million at the close of World War II to 3 million twenty-five years later.

It was a place where she knew what was going to happen, it was a place where she would always choose the right side, where the failure was in history and not herself, where she did not read the wrong writers, was no seized with surges of enthusiasm for the wrong leaders, did not eat the wrong animals, cheer at bullfights, call little kids Pussy as a nickname, believe in fairies or mediums or spirit photography, blood purity or manifest destiny or night air, did not lobotomize her daughters or send her sons to war, where she was not subject to the swells and currents and storms of the mind of the time—which could not be escaped except through genius, and even then you probably beat your wife, abandoned your children, pinched the rumps of your maids, had maids at all. She had seen the century spin to its conclusion and she knew how it all turned out. Everything had been decided by a sky in long black judge robes, and she floated as the head at the top of it and saw everything, everything, backward, backward, and turned away in fright from her own bright day.

Impeachment, after all, is not a high mountain to climb. The Constitution vests in the House of Representatives “the sole power of impeachment.”1 Currently, the House is controlled by President Obama’s opposition: Republicans hold a comfortable 33-vote majority, with reasons for optimism that their ranks will swell after November’s midterm elections. Formal “articles of impeachment” require just a simple majority for approval. The historical rarity of impeachment owes to its gravity, not its difficulty.

She is with DJ at the hotel,’ Ruth said. Relief made Tom shake. He had been so worried. ‘We do not have your rucksack,’ Ruth said. ‘I have to get it back. It’s important,’ Tom said. ‘You are alive. That is the most important thing.’ ‘It had my stethoscope in it. My parents gave me that. And a grey cushion. I don’t care about anything else, just those two things.’ Ruth watched raw, visceral pain twist her friend’s face. The room swelled with the unanswered questions. What happened to Tom that made him like this? A doctor, happily married, now living on the streets … She had to find a way to keep Tom inside once he left this hospital. While there was never a good time to be a rough sleeper, the current cold spell was disastrous for anyone stuck on the streets. She would not let this kind man end his days broken, bruised and perished. Ruth said, ‘I have some savings. The deposit I got back from my flat. And despite my best efforts I am unable to find a suitable flat in Dublin to rent. It’s enough for you to take a room at The Silver Sands Lodge when you get out of here.

The next hour of paddling is by far the most difficult, and the group realizes why many people feel this might be the roughest and most grueling kayak trip on the planet. Variable winds, increasing swells, tugging currents, general fatigue, and the relentless sun all factor into wearing down the body and mind.

What makes the western plains seem most like the ocean to me is not great sweeps of land cut into swells and hollows, or the grass rippling like waves (what the Lakota call greasy grass), or the sheets of rain that one sees moving in the distance like storms at sea. It is the sound. Many mornings, when the wind has come up during the night, the trees around my house thunder like high surf that swells and ebbs without cease. In open country, far from any trees, the wind beats against you, as insistent as an ocean current. You tire from walking against it just as you would from swimming against an undertow. Working outdoors on such a day leaves you dizzy, and your ears will still be ringing at night, long after you have drawn the shelter of four walls around you. The wind can be a welcome companion on a hot day, but even die-hard Dakotans grow tired when the sky howls and roars at forty miles an hour for a day or more. The wind is so loud you have to shout at the person next to you, and you can’t hear yourself think at all. You begin to wonder if you have a self.

We lost not a single animal that night. Every last duck, koala, and roo turned up fine, healthy, and accounted for. After three months, as Wes’s wounds healed up completely, Steve went to him with a proposition. “What do you reckon, Wes,” he said, “are you up for a board meeting?” They grabbed their surfboards, and we all headed to the Fiji Islands. Tavarua was an exclusive atoll, beautiful, with great surf. Steve and Wes also surfed Namotu and caught some unbelievable waves. One day the face of the waves coming in had to have been sixteen feet plus. Just paddling out to the break was epic. I didn’t realize how much effort it took until we had a guest with us, a young lady from Europe who was a mad keen surfer. Steve paddled out to catch some waves, and she paddled out after him. After several minutes, it became apparent that she was having trouble. We idled the boat closer and pulled her in. She collapsed in complete exhaustion. The current had been so strong that, even paddling as hard as she could, she was able only to hold her own in the water. I tried to photograph Steve from the boat. Peter, the captain, very obligingly ran up the side of the wave exactly at the break. I had a great side angle of Steve as he caught each wave. But the whole process scared me. The boat rose up, up, up on the massive swell. As the green water of the crest started to lip over the boat, we crashed over the top, smashed into the back of the wave, and slid down the other side. “It’s okay,” I yelled to Captain Peter. “What?” he shouted, unable to hear as the boat pounded through the swell. “What’s okay?” I gestured back toward the shore. “I don’t need such…incredibly…good…shots,” I stuttered. I just wasn’t confident enough to take photographs while surfing in a boat. I decided to be more of a beach bunny, filming beach breaks or shooting the surfing action from the safety and stability of the shoreline.