Trio Quotes

We've searched our database for all the quotes and captions related to Trio. Here they are! All 100 of them:

Mythologically speaking, if there's anything I hate worse than trios of old ladies, it's bulls. Last summer, I fought the Minotaur on top of Half-Blood Hill. This time what I saw up there was even worse: two bulls. And not just regular bulls - bronze ones the size of elephants. And even that wasn't bad enough. Naturally they had to breathe fire, too.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
Peeta's awake already, sitting on the side of the bed, looking bewildered as the trio of doctors reassure him, flash lights in his eyes, checks his pules. I'm disappointed that mine was not the first face he saw when he woke up, but he sees it now. His features registrer disbelief and something more intense that I can't quite place. Desire? Desperation? Surely both, for he sweeps the doctors aside, leaps to his feets and moves towards me. I run to meet him, my arms extended to embrace him. His hands are reaching for mine too, to caress my face, I think. My lips are forming his name when his fingers lock around my throat.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
At fifty times the distance, you dispatched that ko-bold with three arrows to the neck. I’ve earned a trio to the chest. Seems you slapped him while you’re tickling me. You doona want to kill me, which is a good sign. Maybe this is your way of flirting?
Kresley Cole (Pleasure of a Dark Prince (Immortals After Dark, #8))
The three most charismatic leaders in this century inflicted more suffering on the human race than almost any trio in history: Hitler, Stalin, and Mao. What matters is not the leader's charisma. What matters is the leader's mission.
Peter F. Drucker (Managing the Non-Profit Organization: Principles and Practices)
Siren Song This is the one song everyone would like to learn: the song that is irresistible: the song that forces men to leap overboard in squadrons even though they see beached skulls the song nobody knows because anyone who had heard it is dead, and the others can’t remember. Shall I tell you the secret and if I do, will you get me out of this bird suit? I don’t enjoy it here squatting on this island looking picturesque and mythical with these two feathery maniacs, I don’t enjoy singing this trio, fatal and valuable. I will tell the secret to you, to you, only to you. Come closer. This song is a cry for help: Help me! Only you, only you can, you are unique at last. Alas it is a boring song but it works every time.
Margaret Atwood
beauty is an ultimate value—something that we pursue for its own sake, and for the pursuit of which no further reason need be given. Beauty should therefore be compared to truth and goodness, one member of a trio of ultimate values which justify our rational inclinations.
Roger Scruton (Beauty: A Very Short Introduction (Very Short Introductions))
She's created a trio out of our duo, and I hate her. I hate her more than anything else. She's the other girl, his bitch on the side … she's the lipstick on his collar. And she makes him so fucking unpredictable.
YellowBella (Dusty)
Rowan doesn´t know me as well as he thinks," he murmured, seemingly unconcerned with the jagged blades closing in on him, "otherwise he never would´ve made such a mistake." Edgebriar smiled, leering at Ash fron behind the trio of knights, content to let his guards engage the Winter prince. "And what mistake would that be?" "There only four of you.
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
nothing teaches better than this trio the fears, the tears, the years
Noor Unnahar (Yesterday I Was the Moon)
You're always such a disappointment, Augustus. Couldn't you have at least gotten orange tomatoes?
John Green (The Fault in Our Stars)
Pepy was six feet tall, with shoulders
Jon Scieszka (Tut, Tut (The Time Warp Trio, #6))
I hate to say it, but it can’t be much of a dark conspiracy if a trio of first-year shlubs like us have worked it all out.
G. Norman Lippert (James Potter and the Hall of Elders' Crossing (James Potter, #1))
Clary: "He wanted me to come with him. To join him and Sebastain. I guess he wants their evil little duo to be a little evil trio." She shrugged. "Maybe he's lonely. Sebastian cant be the greatest company. Magnus: we don't know that. He could be absolutely fantastic at Scrabble.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
sister
Jon Scieszka (Knights of the Kitchen Table (Time Warp Trio #1))
said Fred. I took the present.
Jon Scieszka (Knights of the Kitchen Table (Time Warp Trio #1))
Let’s just say that being able to contact ghosts makes for some very interesting ménages á trios… and ménages á quartre, and ménages á … whatever five is in French. ~Jaime Vegas
Kelley Armstrong (No Humans Involved (Women of the Otherworld, #7))
So... it's her. She's the Game Changer for you?
L.M. Trio (The Game Changer (The Game Changer, #1))
There were rumors that at age three Erica had thwarted a trio of bank robbers with only a juice box and a Slinky.
Stuart Gibbs (Spy School Secret Service)
A deaf composer's like a cook who's lost his sense of taste. A frog that's lost its webbed feet. A truck driver with his license revoked. That would throw anybody for a loop, don't you think? But Beethoven didn't let it get to him. Sure, he must have been a little depressed at first, but he didn't let misfortune get him down. It was like, Problem? What problem? He composed more than ever and came up with better music than anything he'd ever written. I really admire the guy. Like this Archduke Trio--he was nearly deaf when he wrote it, can you believe it? What I'm trying to say is, it must be tough on you not being able to read, but it's not the end of the world. You might not be able to read, but there are things only you can do. That's what you gotta focus on--your strengths. Like being able to talk with the stone.
Haruki Murakami (Kafka on the Shore)
All they did was stir up desire, and longing, and hopelessness, a trio of miserable caged wildcats that had been installed in me without my permission, or at least without my understanding how long they would live and how vicious they would be.
Alice Munro (The Moons of Jupiter)
It was the pivotal teaching of Pluthero Quexos, the most celebrated dramatist of the Second Dominion, that in any fiction, no matter how ambitious its scope or profound its theme, there was only ever room for three players. Between warring kings, a peacemaker; between adoring spouses, a seducer or a child. Between twins, the spirit of the womb. Between lovers, Death. Greater numbers might drift through the drama, of course -- thousands in fact -- but they could only ever be phantoms, agents, or, on rare occasions, reflections of the three real and self-willed beings who stood at the center. And even this essential trio would not remain intact; or so he taught. It would steadily diminish as the story unfolded, three becoming two, two becoming one, until the stage was left deserted.
Clive Barker (Imajica)
He broke his promise. He said he would never hurt me, he said he would never leave. Against my better judgement, he made me believe in forever again... until now.
L.M. Trio (The Game Changer (The Game Changer, #1))
I don't know what bothered me more: the ménage a trios invitation or the fact that Little Miss Twig had continued slowly grinding on my soon-to-be-ex-boyfriend’s dick like a Black and Decker drill bit whilst he explained
Tillie Cole (Eternally North (Eternally North, #1))
Oh, darling, I’m not alone.” Aunt Sookie smiles as she looks over at me. “I have a wonderful trio of young people back in my house, all of whom are like family to me. I have you here, and you’re more like a daughter to me than a niece.", Loving Summer by Kailin Gow
Kailin Gow
Left with an oncoming headache, went home, and that's verified, to his wife and six-month-old baby. He's three weeks into a big, fat raise and promotion. He doesn't fit for me." "Lucky for Whistler, and likely his mother?" "What? Why?" "Weak joke. So back to your corporate trio.
J.D. Robb
Didn’t think you’d be going without us, did you? We’re the Psycho fucking Trio. You ain’t going nowhere alone.
Tillie Cole (Souls Unfractured (Hades Hangmen, #3))
We spend most of the day together at school, but not in a way that limits our interactions with other people. If anything, we incorporate our friends into what we have between us. We exist as individuals. We exist as a pair. We exist as parts of trios, quartets, and so on. And it all feels right.
David Levithan (Every Day (Every Day, #1))
After several months in our trio relationship, my husband and I started telling friends about our girlfriend... No one seemed to mind the concept of an occasional three-way fling with a stranger, but the concept of dating a third person was a bit much for polite company.
Victoria Vantoch (The Threesome Handbook: Make the Most of Your Favorite Fantasy - the Ultimate Guide for Tri-Curious Singles and Couples)
How do we get into Blackmoor's study? Did you climb in?" "No, he lifted me in." "Hmm. Right, then. Vivi will have to give us a boost up." "She will, will she?" from the booster in question. "Well, how else do we sneak in?" "I rather thought that we could knock on the front door and have Bingham let us in," Alex said matter-of-factly, referencing Blackmoor's ancient butler, as she led the trio around the corner of the house and toward the main entrance. "What? We can't do that!" Ella stopped, indignant. "Whyever not?" Vivi asked, following Alex. "It seems a perfectly acceptable way to enter. In fact, I believe I've been entering houses that way for my entire life.
Sarah MacLean (The Season)
Chris was in the rocker, fully clothed, and was strumming idly on Cory's guitar. "Dance, ballerina, dance," he softly chanted, and his singing voice wasn't bad at all. Maybe we could work as musicians---a trio -if Carrie ever recovered enough to want a voice again.
V.C. Andrews (Flowers in the Attic (Dollanganger, #1))
I’d never, ever do anything that would hurt you. That I promise. I’m so happy that we are together right now, I can’t even tell you.
L.M. Trio (The Game Changer (The Game Changer, #1))
Nothing teaches better than this trio the fears, the tears, the years.
Noor Unnahar (Yesterday I Was the Moon)
Case shuffled into the nearest door and watched the other passengers as he rode. A pair of predatory-looking Christian Scientists were edging toward a trio of young office techs who wore idealized holographic vaginas on their wrists, wet pink glittering under the harsh lighting. The techs licked their perfect lips nervously and eyed the Christian Scientists from beneath lowered metallic lids. The girls looked like tall, exotic grazing animals, swaying gracefully and unconsciously with the movement of the train, their high heels like polished hooves against the gray metal of the car’s floor. Before they could stampede, take flight from the missionaries, the train reached Case’s station.
William Gibson (Neuromancer (Sprawl, #1))
From our first day alive on this planet, they began teaching society everything it knows and experiences. It was all brainwashing bullshit. Their trio of holy catechisms is: faith is more important than reason; inputs are more important than outcomes; hope is more important than reality. It was designed to choke your independent thinking and acting—to bring out the lowest common denominator in people—so that vast amounts of the general public would literally buy into sponsorship and preservation of their hegemonic nation. Their greatest achievement was the creation of the two-party political system; it gave only the illusion of choice, but never offered any change; it promised freedom, but only delivered more limits. In the end, you got stuck with two leading loser parties and not just one. It completed their trap of underhanded domination, and it worked masterfully. Look anywhere you go. America is a nation of submissive, dumbed-down, codependent, faith-minded zombies obsessed with celebrity gossip, buying unnecessary goods, and socializing without purpose on their electronic gadgets. The crazy thing is that people don't even know it; they still think they're free. Everywhere, people have been made into silent accomplices in the government's twisted control game. In the end, there is no way out for anyone.
Zoltan Istvan (The Transhumanist Wager)
Don't let not knowing what to do prevent you from doing anything at all
Victoria Alexander (The Perfect Mistress (Mistress Trio, #1))
A trio of teenagers, dressed like Prostitute Barbie, approached, drift-netting the width of the pavement.
David Mitchell (Cloud Atlas)
You cats mind if I make it a trio?' he asked me, and it was not a huge surprise that a dude of his appearance was speaking in Jazz Voice.
Jesse Andrews (The Haters)
And I kind of like the Teen Rebels; they seem to be better than the Bullying Trio. Still, watch your backs, rebels!
Jacquel Chrissy May (The Summer of Our Discontent (The Green Hill Manor Mystery, #1))
Mythologically speaking, if there's anything I hate worse than trios of old ladies, it's bulls.
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
an allegation of abuse makes a trio of claims: This happened. It was wrong. It matters.
Deborah Tuerkheimer (Credible: Why We Doubt Accusers and Protect Abusers)
I say seduce her, seduce her tonight. Break the door down if you have to. Tell her all those things you said to me about her. You will love her more tomorrow than today and how you want to die with her hand in yours–which is an excellent line, by the way, that I fully intend to borrow when the time comes.
Victoria Alexander (His Mistress by Christmas (Mistress Trio, #2; Sinful Family Secrets, #1))
That the man and woman were husband and wife, and the parents of the girl in arms there could be little doubt. No other than such relationship would have accounted for the atmosphere of stale familiarity which the trio carried along with them like a nimbus as they moved down the
Thomas Hardy (Complete Works of Thomas Hardy)
I always get the best advice from myself.
Harry Harrison (A Stainless Steel Trio: A Stainless Steel Rat Is Born, The Stainless Steel Rat Gets Drafted, The Stainless Steel Rat Sings the Blues)
More people saying what they believe would be a great improvement. Because I often do I am unfit for common intercourse.-Nero Wolfe in "Blood Will Tell
Rex Stout (Trio for Blunt Instruments (Nero Wolfe, #39))
Liberation by destruction was on the way! We would free them even if we had to kill them all to do it!
Harry Harrison (A Stainless Steel Trio: A Stainless Steel Rat Is Born, The Stainless Steel Rat Gets Drafted, The Stainless Steel Rat Sings the Blues)
One of us should save her,” Benedict mused. “Nah,” Colin said, grinning. “Mother’s only had her over there with Macclesfield for ten minutes.” “Macclesfield?” Simon asked. “The earl,” Benedict replied. “Castleford’s son.” “Ten minutes?” Anthony asked. “Poor Macclesfield.” Simon shot him a curious look. “Not that Daphne is such a chore,” Anthony quickly added, “but when Mother gets it in her head to, ah . . .” “Pursue,” Benedict filled in helpfully. “— a gentleman,” Anthony continued with a nod of thanks toward his brother, “she can be, ah . . .” “Relentless,” Colin said. Anthony smiled weakly. “Yes. Exactly.” Simon looked back over toward the trio in question. Sure enough, Daphne looked miserable, Macclesfield was scanning the room, presumably looking for the nearest exit, and Lady Bridgerton’s eyes held a gleam so ambitious that Simon cringed in sympathy for the young earl. “We should save Daphne,” Anthony said. “We really should,” Benedict added. “And Macclesfield,” Anthony said. “Oh, certainly,” Benedict added. But Simon noticed that no one was leaping into action. “All talk, aren’t you?” Colin chortled. “I don’t see you marching over there to save her,” Anthony shot back. “Hell no. But I never said we should. You, on the other hand . . .” “What the devil is going on?” Simon finally asked. The three Bridgerton brothers looked at him with identical guilty expressions. “We should save Daff,” Benedict said. “We really should,” Anthony added. “What my brothers are too lily-livered to tell you,” Colin said derisively, “is that they are terrified of my mother.” “It’s true,” Anthony said with a helpless shrug. Benedict nodded. “I freely admit it.
Julia Quinn (The Duke and I (Bridgertons, #1))
It is a nasty world that only respects bullies.
Harry Harrison (A Stainless Steel Trio: A Stainless Steel Rat Is Born, The Stainless Steel Rat Gets Drafted, The Stainless Steel Rat Sings the Blues)
Denial isn't just a river in Egypt.
C.L. Parker (Playing Dirty (Monkey Business Trio, #1))
Frau Stöhr, however, who happened to be sitting not all that far from the trio, had apparently abandoned herself to the film; her red, uneducated face was contorted with pleasure.
Thomas Mann (The Magic Mountain)
Reyna, Annabeth and Piper were inseparable, roaming the camp as a trio to check on the progress of the repairs.
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
Love, Learn, Laugh... the trio makes Life worth Living.
Martin Uzochukwu Ugwu
Oh. Damn. I should’ve known a trio of hotties like you would prefer snakes to beavers.
Ivy Asher (April's Fools)
There is no perfect trinity, for three connotes competition. Power struggles. Favoritism and loneliness. We were almost not a trio; although now that she is gone, neither of us feels like a duo. We are not twins, nor will we ever be. Our third was the center, and when we lost her, we also failed each other, collapsing inward upon ourselves. A broken triplet. Thrice blessed. Thrice cursed.
Lauren J.A. Bear
First, the weather got hotter every day, and the hay press broke down every day. Second, the boss fell in love with Marian Wray, and the hay press broke down every day. Third, inside of forty-eight hours everybody on that crew hated everybody else, and the hay press broke down every day. Fourth, and most important of all, the hay press broke down every day.
Max Brand (The Oath of Office: A Western Trio)
When he signed up for the seemingly-insignificant job, Coulter thought it’d be simple. Capture the target and return her to Melsborrow. He hadn’t counted on a trio of caterwaulin’ females who did nothing but threaten his eardrums’ longevity with their shrieks and hollers. - "No Matter What" by Madisyn Carlin
Madisyn Carlin (The Black Rose Collection)
Hey, ass-hats!” We bolt to our feet when Coach Jensen’s commanding voice snaps toward the bleachers. Our fearless leader—the only Briar faculty member who can get away with calling students “ass-hats”—glares at us from the ice. “Is there a reason your lazy asses are up in those seats when you should all be in the weight room?” he booms. “Quit stalking my practice!” Then he turns to scowl at the trio of freshmen who are snickering behind their gloves. “What’re you ladies laughing at? Hustle!” The players speed forward as if the ice behind them is cracking to pieces. Up in the stands, the guys and I hustle just as fast.
Elle Kennedy (The Mistake (Off-Campus, #2))
He touched the sword he had taken from the ambush. "Aside from this and the trio of juggling stones, I've nothing but the clothes on my back." Well then, tomorrow we'll go-" "No. Prince Ryne told me to make sure you stay in the manor." "It's just into town to buy you a few things. Surely there won't be any danger at the market." I sensed a softening. "And we'll take along Saul or Odd." No. We'll send one of the caregivers with a shopping list," Flea said. "Hey, that's..." He waited. I huffed. "A good idea. But don't be so smug. You're not going to win every argument." "Oh, yes, I am." "Oh, no, you're not." Flea straightened to his full height. When did he get so tall? He rested his hands on his hips. "I am. Prince Ryne trusted me with the task of keeping you safe. And I'm not going to disappoint him." I crossed my arms. "You sound like Kerrick." "Thank you." Uh-huh. You do know I disobeyed almost all of his orders. Right?" I suppressed a grin. "I do. But I'm smarter than Kerrick." "You are?" Oh, yes. I know the magic word." "And what would that be?" "Please.
Maria V. Snyder (Scent of Magic (Healer, #2))
[Loki] was beautiful, that was always affirmed, but his beauty was hard to fix or to see, for he was always glimmering, flickering, melting, mixing, he was the shape of a shapeless flame, he was the eddying thread of needle-shapes in the shapeless mass of the waterfall. He was the invisible wind that hurried the clouds in billows and ribbons...He was amused and dangerous, neither good nor evil. Thor was the classroom bully raised to the scale of growling thunder and whipping rain. Odin was Power, was in power. Ungraspable Loki flamed amazement and pleased himself. The gods needed him because he was clever, because he solved problems. When they needed to break bargains they rashly made, mostly with giants, Loki showed them the way out. He was the god of endings. He provided resolutions for stories -- if he chose to. The endings he made often led to more problems. There are no altars to Loki, no standing stones, he had no cult. In myths he was always the third of the trio, Odin, Hodur, Loki. In myths, the most important comes first of three. But in fairy tales, and folklore, where these three gods also play their parts, the rule of three is different; the important player is the third, the *youngest* son, Loki.
A.S. Byatt (Ragnarok)
I've multiplied, I'm 2. He was part of me he came out of me, he took a part of me He took me apart. I'm 2, he's my art, no, he's separate. He art one. I'm not done & I'm still one. I sing of my son. I've multiplied. My heart's in 2, half to him & half to you, who are also a part of him, & you & he & I make trio of kind congruity.
Anne Waldman
He glances at the sorry trio of copy editors before him: Dave Belling, a simpleton far too cheerful to compose a decent headline; Ed Rance, who wears a white ponytail--what more need one say?; and Ruby Zaga, who is sure that the entire staff is plotting against her, and is correct. What is the value in remonstrating with such a feckless triumvirate?
Tom Rachman (The Imperfectionists)
After a time he thought he knew. It was knowledge they craved; yet they could not admit to craving it, because it was forbidden knowledge — knowledge with a lurid glare to it; knowledge gained through a descent into the pit. He has been where they could never go, seen what they could never see; he has opened up women’s bodies, and peered inside. In his hand, which has just raised their own hands towards his lips, he may once have held a beating female heart. Thus he is one of the dark trio — the doctor, the judge, the executioner — and shares with them the powers of life and death. To be rendered unconscious; to lie exposed, without shame, at the mercy of others; to be touched, incised, plundered, remade — this is what they are thinking of when they look at him, with their widening eyes and slightly parted lips.
Margaret Atwood (Alias Grace)
Three weeks after Trevor died a trio of tulips in an earthenware pot stopped me in the middle of my mind. I had woken abruptly and, still dazed from sleep, mistook the dawn light hitting the petals for the flowers emitting their own luminescence. I crawled to the glowing cups, thinking I was seeing a miracle, my own burning bush. But when I got closer, my head blocked the rays and the tulips turned off. This also means nothing, I know. But some nothings change everything after them. In Vietnamese, the word for missing someone and remembering them is the same: nhớ. Sometimes, when you ask me over the phone, Con nhớ mẹ không? I flinch, thinking you meant, Do you remember me? I miss you more than I remember you.
Ocean Vuong (On Earth We're Briefly Gorgeous)
An arrogant man knows his own worth, and if he is clever as well, knows yours.
Victoria Alexander (The Perfect Mistress (Mistress Trio, #1))
There isn’t a person alive who has not been afraid at one time or another. It is only the brave man who can feel fear and still go forward.
Harry Harrison (A Stainless Steel Trio: A Stainless Steel Rat Is Born, The Stainless Steel Rat Gets Drafted, The Stainless Steel Rat Sings the Blues)
I’ll wait for however long it takes because I know she’s afraid that if she allows herself to be totally happy, it will be taken away from her again. She needs to know that I’m not going anywhere. I can tell her all I want, but she needs to feel it.
L.M. Trio (The Game Changer (The Game Changer, #1))
What’s fun about homonyms is hearig a word in a sentence and suddenly realizing that it has a homonym or maybe two (or three, but that’s so rare I don’t often think about homonym quartets) and that you haven’t thought of that homonym pair or trio before.
Ann M. Martin (Rain Reign)
The Basswood Art and Bookshop was very attractive. Statuary and porcelain displayed in the windows were exquisite. Nancy opened the door and the trio walked in. They were in a small hallway with rooms opening off either side and a passageway at the rear.
Carolyn Keene (The Whispering Statue (Nancy Drew, #14))
The open road. What a trio of words. What a vision of blue sky and untouched hills and narrow trails heading God knew where and being free—free and hungry, free and cold, free and wet, free and lost. Who could mourn such conditions, faced with the alternative?
Meg Rosoff (The Bride's Farewell)
With a curse, Vishous took after the three free-thinkers, dematerializing out in front of where the trio seemed to be heading. As he re-formed, he knew they were fucking humans even before he saw that the one in the rear was running backward with what was no doubt a cocksucking Apple, iConformist POS front and center and on video record. He fricking iHated anything with a goddamn Macintosh trademark. V jumped out into the guy’s path, which of course J. J. Abrams didn’t notice, because, hello, he was too busy getting footage.
J.R. Ward (The Beast (Black Dagger Brotherhood, #14))
Logan had been there earlier and refused to leave, but Mason made him go. He wanted alone time with me when I woke. He said he pulled Boyfriend Rank. It would've been nice to see Logan, but I understood.
Tijan (Fallen Crest Public (Fallen Crest High, #3))
In 1963, before the Beatles burst on the scene, a brief but powerful infatuation with folk music gripped America. The TV show that came along at the right time to capitalize on the craze was Hootenanny, featuring such Caucasian interpreters of the black experience as the Chad Mitchell Trio and the New Christy Minstrels. (Perceived commie Caucasians like Pete Seeger and Joan Baez were not invited to perform.)
Stephen King (Revival)
I was looking at Latin America and who was the richest guy in Venezuela? A brewer (the Mendoza family that owns Polar). The richest guy in Colombia? A brewer (the Santo Domingo group, the owner of Bavaria). The richest in Argentina? A brewer (the Bembergs, owners of Quilmes). These guys can’t all be geniuses...It’s the business that must be good.
Cristiane Correa (DREAM BIG: How the Brazilian Trio behind 3G Capital - Jorge Paulo Lemann, Marcel Telles and Beto Sicupira - acquired Anheuser-Busch, Burger King and Heinz)
All dwelling in one house are strange brothers three, as unlike as any three brothers could be, yet try as you may to tell brother from brother,  you’ll find that the trio resemble each other. The first isn’t there, though he’ll come beyond doubt. The second’s departed, so he’s not about. The third and the smallest is right on the spot, and manage without him the others could not. Yet the third is a factor with which to be reckoned because the first brother turns into the second. You cannot stand back and observe number three, for one of the others is all you will see. So tell me, my child, are the three of them one? Or are there but two? Or could there be none? Just name them, and you will at once realize that each rules a kingdom of infinite size. They rule it together and are it as well. In that, they’re alike, so where, do they dwell?
Michael Ende (Momo)
Not anxious to come in contact with their fangs, I sat still; but, imagining they would scarcely understand tacit insults, I unfortunately indulged in winking and making faces at the trio, and some turn of my physiognomy so irritated madam, that she suddenly broke into a fury and leapt on my knees. 
Emily Brontë (Wuthering Heights)
Within the building the trio broke into Suppe's "Light Calvary." Nicole took advantage if this to stand up and the impression of her youth beauty grew on Dick until it welled up inside him in a compact paroxysm of emotion. She smiled, a moving childish smile that was like all the lost youth in the world.
F. Scott Fitzgerald (Tender Is the Night)
Baseball's Sad Lexicon These are the saddest of possible words: Tinker to Evers to Chance. Trio of Bear-cubs, fleeter than birds, Tinker to Evers to Chance. Ruthlessly pricking our gonfalon bubble, Making a Giant hit into a double -- Words that are weighty with nothing but trouble: Tinker to Evers to Chance.
Robert Adams
Her heart leapt, which made no sense at all. This was not to be an affair of the heart. There would be affection certainly, but nothing more. Apparently her heart wasn't aware of her plans. Odd, she'd never known it to be rebellious before.
Victoria Alexander (His Mistress by Christmas (Mistress Trio, #2; Sinful Family Secrets, #1))
What are you storing up there?" Virginia Dare yelled from the stairwell below. The immortal was outlined with a translucent green aura that lifted her fine black hair off her back and shoulders like a cloak. "Just a few small alchemical experiments...," Dee began. A thunderous explosion dropped the trio to their knees. Bits of plaster rained down from the ceiling and a heavy smell of sewage filled the stairwell. "And one or two big ones," he added. "We need to get out of here.The entire building is going to collapse," Dare said. She turned and continued down the stairs, Dee and Josh close on her heels. Josh breathed deeply. "Am I smelling burning bread?" he asked, surprised. Dare glanced back up at Dee. "I don't even want to know what that smell is coming from." "No,you don't," the doctor agreed. When they reachd the bottom of the stairs,Virginia flung herself against the double doors but bounced off them. They were padlocked, a thick chain woven through their handles. "I'm sure that breaches a fire code," Dee murmured.
Michael Scott (The Warlock (The Secrets of the Immortal Nicholas Flamel, #5))
In all cultures mothers try to shape sons in their female image. For their own good. The boys resist—and the rite of passage helps this resistance. There is always symbolism involved, because symbols are a way to represent the myths that underlie every culture.
Harry Harrison (A Stainless Steel Trio: A Stainless Steel Rat Is Born, The Stainless Steel Rat Gets Drafted, The Stainless Steel Rat Sings the Blues)
No one wants to get too close to a madwoman. Or men who have monkeys for pets.
Victoria Alexander (The Perfect Mistress (Mistress Trio, #1))
Like you, my boy, I am a Scientific Humanist and feel no need for the aid of the supernatural.
Harry Harrison (A Stainless Steel Trio: A Stainless Steel Rat Is Born, The Stainless Steel Rat Gets Drafted, The Stainless Steel Rat Sings the Blues)
When a fruit salad, a lover, or a jazz trio is just too imperfect for our tastes, we stop eating, kissing, and listening. But the law of large numbers suggests that when a measurement is too imperfect for our tastes, we should not stop measuring. Quite the opposite - we should measure again and again until niggling imperfections yield to the onslaught of data.
Daniel Todd Gilbert (Stumbling on Happiness)
She never said a word to me of anger or discontent. She began instead to go around with Carmela Peluso, the daughter of the carpenter-gambler, as if I were no longer enough. Within a few days we became a trio, in which, however, I, who had been first in school, was almost always the third. They talked and joked continuously with each other, or, rather, Lila talked and joked, Carmela listened and was amused. When we went for a walk between the church and the stradone, Lila was always in the middle and the two of us on the sides. If I noticed that she tended to be closer to Carmela I suffered and wanted to go home.
Elena Ferrante (My Brilliant Friend (My Brilliant Friend, #1))
Asilomar’s lack of focus on ethical issues bothered many religious leaders. That prompted a letter to President Jimmy Carter signed by the heads of three major religious organizations: the National Council of Churches, the Synagogue Council of America, and the U.S. Catholic Conference. “We are rapidly moving into a new era of fundamental danger triggered by the rapid growth of genetic engineering,” they wrote. “Who shall determine how human good is best served when new life forms are being engineered?”13 These decisions should not be left to scientists, the trio argued. “There will always be those who believe it appropriate to ‘correct’ our mental and social structures by genetic means. This becomes more dangerous when the basic tools to do so are finally at hand. Those who would play God will be tempted as never before.
Walter Isaacson (The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race)
Then I shall be devastated. My heart will be crushed as thoroughly as dust beneath your feet". "Oh, we can't have that". Her eyes widened in an innocent manner he didn't believe for a moment. "I quite detest dust".
Victoria Alexander (His Mistress by Christmas (Mistress Trio, #2; Sinful Family Secrets, #1))
Say!” Benedict exclaimed. “Why don’t you save her, Hastings?” Simon took one look at Lady Bridgerton (who at that point had her hand firmly wrapped around Macclesfield’s forearm) and decided he’d rather be branded an eternal coward. “Since we haven’t been introduced, I’m sure it would be most improper,” he improvised. “I’m sure it wouldn’t,” Anthony returned. “You’re a duke.” “So?” “So?” Anthony echoed. “Mother would forgive any impropriety if it meant gaining an audience for Daphne with a duke.” “Now look here,” Simon said hotly, “I’m not some sacrificial lamb to be slaughtered on the altar of your mother.” “You have spent a lot of time in Africa, haven’t you?” Colin quipped. Simon ignored him. “Besides, your sister said—” All three Bridgerton heads swung round in his direction. Simon immediately realized he’d blundered. Badly. “You’ve met Daphne?” Anthony queried, his voice just a touch too polite for Simon’s comfort. Before Simon could even reply, Benedict leaned in ever-so-slightly closer, and asked, “Why didn’t you mention this?” “Yes,” Colin said, his mouth utterly serious for the first time that evening. “Why?” Simon glanced from brother to brother and it became perfectly clear why Daphne must still be unmarried. This belligerent trio would scare off all but the most determined— or stupid— of suitors. Which would probably explain Nigel Berbrooke. “Actually,” Simon said, “I bumped into her in the hall as I was making my way into the ballroom. It was”— he glanced rather pointedly at the Bridgertons—“ rather obvious that she was a member of your family, so I introduced myself.” Anthony turned to Benedict. “Must have been when she was fleeing Berbrooke.” Benedict turned to Colin. “What did happen to Berbrooke? Do you know?” Colin shrugged. “Haven’t the faintest. Probably left to nurse his broken heart.” Or broken head, Simon thought acerbically. “Well, that explains everything, I’m sure,” Anthony said, losing his overbearing big-brother expression and looking once again like a fellow rake and best friend. “Except,” Benedict said suspiciously, “why he didn’t mention it.” “Because I didn’t have the chance,” Simon bit off, about ready to throw his arms up in exasperation. “In case you hadn’t noticed, Anthony, you have a ridiculous number of siblings, and it takes a ridiculous amount of time to be introduced to all of them.” “There are only two of us present,” Colin pointed out. “I’m going home,” Simon announced. “The three of you are mad.” Benedict, who had seemed to be the most protective of the brothers, suddenly grinned. “You don’t have a sister, do you?” “No, thank God.
Julia Quinn (The Duke and I (Bridgertons, #1))
He braced his elbows on the desk,his brow on his fists. "She came shrieking across the court.I'd just hit a line drive,barely missed beaning her. Cameras rolling, and there I am trying to look my sixth-generational-hotelier best, the athletic yet intelligent, the world-traveled yet dedicated, the dashing yet concerned heir to the Templeton name." "You'd be good at that," Margo murmured, hoping to placate him. He didn't even look at her. "Suddenly I've got my arms full of this half-naked, spitting, swearing, clawing mass who's screaming that my sister, her lesbian companion, and my whore attacked her." He pinched the bridge of his nose, hoping to relieve some pressure. "I figured out right away who my sister was. Though I didn't appreciate the term,I deduced you must be my whore.The lesbian companion might have stumped me,but for process of elimination." He lifted his head. "I was tempted to belt her,but I was too busy trying to keep her from ripping off my face." "It's such a nice face too." Hoping to soothe, she walked around the desk and sat on his lap. "I'm sorry she took it out on you." "She sratched me." He turned his head to show her the trio of angry welts on the side of his throat. Dutifully, Margo kissed them. "What am I going to do with you?" he asked wearily and rested his cheek on her head. Then he chuckled. "How the hell did you stuff her into one of those skinny lockers?" "It wasn't easy but it was fun." He narrowed his eyes. "You're not going to do it again,no matter what the provocation-unless you sedate her first." "Deal." Since the crisis seemed to have passed, she slipped a hand under his shirt, stroked it over his chest, watched his brow lift. "I've been waxed and polished.If you're interested." "Well,just so the day isn't a complete loss." He picked her up and carried her to the bed.
Nora Roberts (Daring to Dream (Dream Trilogy, #1))
But the real triumph was reserved for Christine Daae, who had begun by singing a few passages from Romeo and Juliet. It was the first time that the young artist sang in this work of Gounod, which had not been transferred to the Opera and which was revived at the Opera Comique after it had been produced at the old Theatre Lyrique by Mme. Carvalho. Those who heard her say that her voice, in these passages, was seraphic; but this was nothing to the superhuman notes that she gave forth in the prison scene and the final trio in FAUST, which she sang in the place of La Carlotta, who was ill. No one had ever heard or seen anything like it. Daae revealed a new Margarita that night, a Margarita of a splendor, a radiance hitherto unsuspected. The whole house went mad, rising to its feet, shouting, cheering, clapping, while Christine sobbed and fainted in the arms of her fellow-singers and had to be carried to her dressing-room. - Chapter 2: The New Margarita, from The Phantom of the Opera
Gaston Leroux (The Phantom of the Opera)
Large-scale enthusiasm for folk music began in 1958 when the Kingston Trio recorded a song, “Tom Dooley,” that sold two million records. This opened the way for less slickly commercial performers. Some, like Pete Seeger, who had been singing since the depression, were veteran performers. Others, like Joan Baez, were newcomers. It was conventional for folk songs to tell a story. Hence the idiom had always lent itself to propaganda. Seeger possessed an enormous repertoire of message songs that had gotten him blacklisted by the mass media years before. Joan Baez cared more for the message than the music, and after a few years devoted herself mainly to peace work.
William L. O'Neill (Dawning of the Counter-culture: The 1960s)
Obsidian rests around your neck as if you are carrying the history of every night sky in one stone Smile young girl Your eyes are moonless, grimmer than the rock revolved around your throat Your voice is weak when you speak of the things you love You do not love things properly Your jaw was battered against the ceramic when your father screamed of your selfishness and slapped you with all the anger your grandfather bred in him You conduct yourself in spite of his judgement In spite of being just like him But while you chase after reckless habits and restless bodies you are mirroring his tantrums Drain the anger from your blood, young girl Do not make this tempered interpretation a trio Your Obsidian is the cooling heat of lava and only pure when it maintains its darkness But there is more power in your will than in the frozen anger of the stone Your body does not have to erupt when you feel the heat of an outrage bubbling at the rim Keep your composure, you are not a volcano You do not have to hang around someone’s neck like a chunk of lava wishing to explode
Alessia Di Cesare
Order Out of Chaos ... At the right temperature ... two peptide molecules will stay together long enough on average to find a third. Then the little trio finds a fourth peptide to attract into the little huddle, just through the random side-stepping and tumbling induced by all the rolling water molecules. Something extraordinary is happening: a larger structure is emerging from a finer system, not in spite of the chaotic and random motion of that system but because of it. Without the chaotic exploration of possibilities, the rare peptide molecules would never find each other, would never investigate all possible ways of aggregating so that the tape-like polymers emerge as the most likely assemblies. It is because of the random motion of all the fine degrees of freedom that the emergent, larger structures can assume the form they do. Even more is true when the number of molecules present becomes truly enormous, as is automatically the case for any amount of matter big enough to see. Out of the disorder emerges a ... pattern of emergent structure from a substrate of chaos.... The exact pressure of a gas, the emergence of fibrillar structures, the height in the atmosphere at which clouds condense, the temperature at which ice forms, even the formation of the delicate membranes surrounding every living cell in the realm of biology -- all this beauty and order becomes both possible and predictable because of the chaotic world underneath them.... Even the structures and phenomena that we find most beautiful of all, those that make life itself possible, grow up from roots in a chaotic underworld. Were the chaos to cease, they would wither and collapse, frozen rigid and lifeless at the temperatures of intergalactic space. This creative tension between the chaotic and the ordered lies within the foundations of science today, but it is a narrative theme of human culture that is as old as any. We saw it depicted in the ancient biblical creation narratives of the last chapter, building through the wisdom, poetic and prophetic literature. It is now time to return to those foundational narratives as they attain their climax in a text shot through with the storm, the flood and the earthquake, and our terrifying ignorance in the face of a cosmos apparently out of control. It is one of the greatest nature writings of the ancient world: the book of Job.
Tom McLeish (Faith and Wisdom in Science)
Catarina hooked her hand around Magnus’s elbow and hauled him away, like a schoolteacher with a misbehaving student. They entered a narrow alcove around the corner, where the music and noise of the party was muffled. She rounded on him. “I recently treated Tessa for wounds she said were inflicted on her by members of a demon-worshipping cult,” Catarina said. “She told me you were, and I quote, ‘handling’ the cult. What’s going on? Explain.” Magnus made a face. “I may have had a hand in founding it.” “How much of a hand?” “Well, both.” Catarina bristled. “I specifically told you not to do that!” “You did?” Magnus said. A bubble of hope grew within him. “You remember what happened?” She gave him a look of distress. “You don’t?” “Someone took all my memories around the subject of this cult,” said Magnus. “I don’t know who, or why.” He sounded more desperate than he would’ve liked, more desperate than he wanted to be. His old friend’s face was full of sympathy. “I don’t know anything about it,” she said. “I met up with you and Ragnor for a brief vacation. You seemed troubled, but you were trying to laugh it off, the way you always do. You and Ragnor said you had a brilliant idea to start a joke cult. I told you not to do it. That’s it.” He, Catarina, and Ragnor had taken many trips together, over the centuries. One memorable trip had gotten Magnus banished from Peru. He had always enjoyed those adventures more than any others. Being with his friends almost felt like having a home. He did not know if there would ever be another trip. Ragnor was dead, and Magnus might have done something terrible. “Why didn’t you stop me?” he asked. “You usually stop me!” “I had to take an orphan child across an ocean to save his life.” “Right,” said Magnus. “That’s a good reason.” Catarina shook her head. “I took my eyes off you for one second.” She had worked in mundane hospitals in New York for decades. She saved orphans. She healed the sick. She’d always been the voice of reason in the trio that was Ragnor, Catarina, and Magnus. “So I planned with Ragnor to start a joke cult, and I guess I did it. Now the joke cult is a real cult, and they have a new leader. It sounds like they’re mixed up with a Greater Demon.” Even to Catarina, he wouldn’t say the name of his father. “Sounds like the joke has gotten a little out of hand,” Catarina said dryly. “Sounds like I’m the punch line.
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
And these lovers had discovered a powerful thrill, a joy that went all the way down to their stomachs, in weaving a big idea together. Like some wild rapture, the sensation of helping others to imagine something bigger than yourselves. Somehow, this weird love story is the foundation of this community’s politics, or religion. Rose lingers on the oddest parts, like when they finally reveal their invention to the rest of the community, or the tenderness when the couple becomes a trio. I sense the echoes from all the countless other times that people have passed this legend around, and the lesson that comes with it: to join with others to shape a future is the holiest act. This is hard work, and it never stops being hard, but this collective dreaming/designing is the only way we get to keep surviving, and this practice defines us as a community. Even the other communities that live apart from the midnight city, scattered all over the night in smaller cities or towns, share this origin story. Just as she finishes explaining, we roll to a stop. I look out and see the unmistakable crags of the Old Mother rising over the permafrost, with just a tiny wedge of light behind it. I squint as hard as I can, but the light still burns.
Charlie Jane Anders (The City in the Middle of the Night)
This Saturday, Galle and a volunteer assistant, Heinrich Ludwig d’Arrest, command the main telescope. Galle stands at the eyepiece and guides the instrument, pointing toward Capricorn. As each star comes into view, he calls out its brightness and position. D’Arrest pores over a sky map, ticking off each candidate as it reveals itself as a familiar object. So it goes until, sometime between midnight and 1 A.M., Galle reels out the numbers for one more mote of light invisible to the naked eye: right ascension 21 h, 53 min, 25.84 seconds. D’Arrest glances down at the chart, then yelps: “that star is not on the map!” The younger man runs to fetch the observatory’s director, who earlier that day had only reluctantly given his permission to attempt what he seems to have thought a fool’s errand. Together, the trio continue to watch the new object until it sets at around 2:30 in the morning. True stars remain mere points in even the most powerful telescopes. This does not, showing instead an unmistakable disk, a full 3.2 arcseconds across—just as Le Verrier had told them to expect. That visible circle can mean just one thing: Galle has just become the first man to see what he knows to be a previously undiscovered planet, one that would come to be called Neptune, just about exactly where Urbain-Jean-Joseph Le Verrier told him to look. —
Thomas Levenson (The Hunt for Vulcan: . . . And How Albert Einstein Destroyed a Planet, Discovered Relativity, and Deciphered the Universe)
I twirled in front of the mirror slowly, wanting to see the full effect of my new dress front and back. It was a daring little thing made of black silk, its front held by thin strings tied behind my neck and completely backless.  I did another twirl, asking out loud, “Do you think this looks good on me?” I wanted my friends’ opinions before they left to have dinner with their families and I had to leave for my second date with my week-old boyfriend. “Everything looks good on you,” Alyx said, rolling her eyes. She was on the armchair in the corner, one leg tossed carelessly over the side. Slender with boyishly cut hair, she could always be counted on to say the truth, no matter how harsh it was. Even so, I still felt insecure. I always was when it came to the boy I loved. Glancing at the other girl who made up our close-knit trio, I asked Yanna, “What do you think?” “It’s what I always think,” Yanna said simply. Petite and curvy, she was lying on her stomach on the floor, flipping through the latest issue of Teen Vogue. Seeing that I was waiting for an explanation, she laughed and elaborated obediently, “You look drop dead gorgeous.”  The words should have comforted me, but it didn’t. I knew Yanna meant what she said, and not just because she happened to be the nicest and most polite person I knew. She was also hopeless when it came to lying, and that was probably why I felt worse now. Doubt had shadowed her gaze as she uttered the compliment, and the sight made it harder for me to stay deaf to the warning inside my head.
Marian Tee (A Fling with the Greek Billionaire: Prequel (Mediterranean Affairs 0.5))
Yeah, Jules!" Chelsea said in a voice thick with envy. "Go away, you're making the rest of us look bad." She winked at Jule's date wickedly. "I bet you just want to eat her up, don't ya?" He stared at Chelsea with bewilderment and glanced back at Jules for help. "Just ignore her," Jules explained over the noise from the sound system. "She doesn't get out much." Chelsea tried to look hurt by Jule's words, but she couldn't quite pull it off. "I'm just sayin', Jules, he'd better watch his back tonight, or I might be trying to take you away from him." Chelsea loved to play the potentially bi-curious card, even though everyone knew she liked boys far too much to go to bat for the other team. "Gross!" cried Claire, who wasn't pretending at all. Claire hated it when the conversation deviated too far off her straight and narrow path. The operative word being straight. "Don't worry, Claire-bear," Chelsea soothed condescendingly. "I'm not going to hook up with Jules." She wrapped her arm around Claire's waist and then said suggestively in he ear, "I'm much more likely to make a move on you." "Eww!" Claire shrieked, shoving Chelsea away. "Get away from me!" "Leave her alone, Chels," Jules interrupted. "Or you're gonna make her start her 'It's Adam and Eve not Adam and Steve' speech. And sorry, Claire, but none of us really want to hear that." Jay pulled Violet close to him as they listened to the familiar, playful bantering. He slid his arm around her waist from behind, and let his lips gently tease her earlobe while no one was paying attention to the two of them. Violet wanted to turn around right there, in his arms, and forget this whole dance thing altogether. "Hey!" Chelsea's voice interrupted them, and Violet jumped a little, realizing that everyone was staring at them. "Did you hear me?" Violet leaned forward on her crutches and away from Jay, still feeling bemused by the close and intimate contact. "What?" she asked, trying to focus on what had been said. "I said, 'I gotta pee.' Let's go to the bathroom," Chelsea repeated as if Violet were some sort of imbecile, incapable of understanding normal human speech. "Keep it up, Chels, and none of us is gonna want to hook up with you tonight," Violet promised jokingly. Chelsea grinned at Violet. "I like the way you think, Violet Ambrose. Maybe you'll be the lucky girl I choose.' And then she turned to Jay. "Don't worry, I've got her from here," Chelsea announced. Jules and Claire followed. Violet laughed and glanced back at him. "I'll only be a few." Jay gave her a skeptical look that no one else would have even noticed, as he assessed the three girls who would be escorting Violet. And then he finally nodded. "Okay, I'm gonna show these guys my car." He was beaming again. "I'll be right outside, but I won't be long." Violet did her best to keep up with the trio ahead of her, but it was hard on one high heel and two crutches. Finally she yelled at them exasperatedly, "If you guys don't wait, I'm not going!" They all three stopped and turned around. Chelsea tapped her lovely silver shoe impatiently. "Hurry up, Violet, or I swear I'll take you off my list.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Arin had bathed. He was wearing house clothes, and when Kestrel saw him standing in the doorway his shoulders were relaxed. Without being invited, he strode into the room, pulled out the other chair at the small table where Kestrel waited, and sat. He arranged his arms in a position of negligent ease and leaned into the brocaded chair as if he owned it. He seemed, Kestrel thought, at home. But then, he had also seemed so in the forge. Kestrel looked away from him, stacking the Bite and Sting tiles on the table. It occurred to her that it was a talent for Arin to be comfortable in such different environments. She wondered how she would fare in his world. He said, “This is not a sitting room.” “Oh?” Kestrel mixed the tiles. “And here I thought we were sitting.” His mouth curved slightly. “This is a writing room. Or, rather”--he pulled his six tiles--“it was.” Kestrel drew her Bite and Sting hand. She decided to show no sign of curiosity. She would not allow herself to be distracted. She arranged her tiles facedown. “Wait,” he said. “What are the stakes?” She had given this careful consideration. She took a small wooden box from her skirt pocket and set it on the table. Arin picked up the box and shook it, listening to the thin, sliding rattle of its contents. “Matches.” He tossed the box back onto the table. “Hardly high stakes.” But what were appropriate stakes for a slave who had nothing to gamble? This question had troubled Kestrel ever since she had proposed the game. She shrugged and said, “Perhaps I am afraid to lose.” She split the matches between them. “Hmm,” he said, and they each put in their ante. Arin positioned his tiles so that he could see their engravings without revealing them to Kestrel. His eyes flicked to them briefly, then lifted to examine the luxury of his surroundings. This annoyed her--both because she could glean nothing from his expression and because he was acting the gentleman by averting his gaze, offering her a moment to study her tiles without fear of giving away something to him. As if she needed such an advantage. “How do you know?” she said. “How do I know what?” “That this was a writing room. I have never heard of such a thing.” She began to position her own tiles. It was only when she saw their designs that she wondered whether Arin had really been polite in looking away, or if he had been deliberately provoking her. She concentrated on her draw, relieved to see that she had a good set. A tiger (the highest tile); a wolf, a mouse, a fox (not a bad trio, except the mouse); and a pair of scorpions. She liked the Sting tiles. They were often underestimated. Kestrel realized that Arin had been waiting to answer her question. He was watching her. “I know,” he said, “because of this room’s position in your suite, the cream color of the walls, and the paintings of swans. This was where a Herrani lady would pen her letters or write journal entries. It’s a private room. I shouldn’t be allowed inside.” “Well,” said Kestrel, uncomfortable, “it is no longer what it was.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
Many scholars argue that the voyages of Admiral Zheng He of the Chinese Ming dynasty heralded and eclipsed the European voyages of discovery. Between 1405 and 1433, Zheng led seven huge armadas from China to the far reaches of the Indian Ocean. The largest of these comprised almost 300 ships and carried close to 30,000 people.7 They visited Indonesia, Sri Lanka, India, the Persian Gulf, the Red Sea and East Africa. Chinese ships anchored in Jedda, the main harbour of the Hejaz, and in Malindi, on the Kenyan coast. Columbus’ fleet of 1492 – which consisted of three small ships manned by 120 sailors – was like a trio of mosquitoes compared to Zheng He’s drove of dragons.8 Yet there was a crucial difference. Zheng He explored the oceans, and assisted pro-Chinese rulers, but he did not try to conquer or colonise the countries he visited. Moreover, the expeditions of Zheng He were not deeply rooted in Chinese politics and culture. When the ruling faction in Beijing changed during the 1430s, the new overlords abruptly terminated the operation. The great fleet was dismantled, crucial technical and geographical knowledge was lost, and no explorer of such stature and means ever set out again from a Chinese port. Chinese rulers in the coming centuries, like most Chinese rulers in previous centuries, restricted their interests and ambitions to the Middle Kingdom’s immediate environs. The Zheng He expeditions prove that Europe did not enjoy an outstanding technological edge. What made Europeans exceptional was their unparalleled and insatiable ambition to explore and conquer. Although they might have had the ability, the Romans never attempted to conquer India or Scandinavia, the Persians never attempted to conquer Madagascar or Spain, and the Chinese never attempted to conquer Indonesia or Africa. Most Chinese rulers left even nearby Japan to its own devices. There was nothing peculiar about that. The oddity is that early modern Europeans caught a fever that drove them to sail to distant and completely unknown lands full of alien cultures, take one step on to their beaches, and immediately declare, ‘I claim all these territories for my king!
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
The bonds of family can be wonderful but there is a time to know when to stand apart." She held out a hand to Rycca on the nearby bench. "Besides, we are your family now, all of us, and we know your worth." Deeply touched, Rycca had to blink several times before she could respond. She knew both women spoke pure truth and loved them for it.After a lifetime of emotional solitude unbroken but for Thurlow, it was still difficult for her to comprehend that she was no longer alone. Yet was she beginning to understand it. Softly,she said, "I worry over Dragon. He refuses to talk of my father or of what will happen now that we are here, but I fear he is planning to take matters into his own hands." Cymbra and Krysta exchanged a glance. Quietly,Cymbra said, "Your instinct is not wrong. Dragon simmers with rage at the harm attempted to you. In Landsende I caught a mere glimpse of it,and it was like peering into one of those mountains that belch fire." Despite the heat of the sauna, Rycca shivered. "He came close to losing his life once because of me.I cannot bear for it to happen again." There was silence for a moment,broken only by the crackling of the fire and the hiss of steam.Finally, Cymbra said, "We are each of us married to an extraordinary man. There is something about them...even now I don't really know how to explain it." She looked at Krysta. "Have you told Rycca about Thorgold and Raven?" Krysta shook her head. "There was no time before." She turned on her side on the bench,facing the other two. "Thorgold and Raven are my...friends. They are somewhat unusual." Cymbra laughed at that,prompting a chiding look from Krysta,who went on to say, "I'm not sure how but I think somehow I called them to me when I was a child and needed them very much." "Krysta has the gift of calling," Cymbra said, "as I do of feeling and you do of truthsaying. Doesn't it strike you as odd that three very unusual women, all bearing special gifts, ccame to be married to three extraordinary men who are united by a common purpose,to bring peace to their peoples?" "I had not really thought about it," said Rycca, who also had not known of Krysta's gift and was looking at her with some surprise. All three of them? That was odd. "I believe," said Cymbra, who clearly had been thinking about it, "that there is a reason for it beyond mere coincidence. I think we are meant to be at their sides, to help them as best we can, the better to transform peace from dream to reality." "It is a good thought," Krysta said. Rycca nodded. Very quietly, she said, "Blessed are the peacemakers." Cymbra grinned. "And poor things, we appear to be their blessings. So worry not for Dragon, Rycca. He will prevail. We will all see to it." They laughed then,the trio of them, ancient and feminine laughter hidden in a chamber held in the palm of the earth. The steam rose around them, half obscuringm half revealing them. In time,when the heat had become too intense,they rose, wrapped themselves in billowing cloths,and ran through the gathering darkness to the river, where they frolicked in cool water and laughed again beneath the stars. The torches had been lit by the time they returned to the stronghold high on the hill. They dressed and hastened to the hall,where they greeted their husbands, who stood as one when they entered,silent and watchful men before beauty and strength, and took their seats at table. Wine was poured, food brought,music played. They lingered over the evening,taking it into night. The moon was high when they found the sweet,languid sanctuary of their beds. Day came too swiftly.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Managerial abilities, bureaucratic skills, technical expertise, and political talent are all necessary, but they can be applied only to goals that have already been defined by military policies, broad and narrow. And those policies can be only as good as strategy, operational art of war, tactical thought, and plain military craft that have gone into their making. At present, the defects of structure submerge or distort strategy and operational art, they out rightly suppress tactical ingenuity, and they displace the traditional insights and rules of military craft in favor of bureaucratic preferences, administrative convenience, and abstract notions of efficiency derived from the world of business management. First there is the defective structure for making of military decisions under the futile supervision of the civilian Defense Department; then come the deeply flawed defense policies and military choices, replete with unnecessary costs and hidden risks; finally there come the undoubted managerial abilities, bureaucratic skills, technical expertise, and political talents, all applied to achieve those flawed policies and to implement those flawed choices. By this same sequence was the fatally incomplete Maginot Line built, as were all the Maginot Lines of history, each made no better by good government, technical talent, careful accounting, or sheer hard work. Hence the futility of all the managerial innovations tried in the Pentagon over the years. In the purchasing of weapons, for example, “total package” procurement, cost plus incentive contracting, “firm fixed price” purchasing have all been introduced with much fanfare, only to be abandoned, retried, and repudiated once again. And each time a new Secretary of Defense arrives, with him come the latest batch of managerial innovations, many of them aimed at reducing fraud, waste, and mismanagement-the classic trio endlessly denounced in Congress, even though they account for mere percentage points in the total budget, and have no relevance at all to the failures of combat. The persistence of the Administrator’s Delusion has long kept the Pentagon on a treadmill of futile procedural “reforms” that have no impact at all on the military substance of our defense. It is through strategy, operational art, tactical ingenuity, and military craft that the large savings can be made, and the nation’s military strength greatly increased, but achieving long-overdue structural innovations, from the central headquarters to the combat forces, from the overhead of bases and installations to the current purchase of new weapons. Then, and only then, will it be useful to pursue fraud, waste, and mismanagement, if only to save a few dollars more after the billions have already been saved. At present, by contrast, the Defense Department administers ineffectively, while the public, Congress, and the media apply their energies to such petty matters as overpriced spare parts for a given device in a given weapon of a given ship, overlooking at the same time the multibillion dollar question of money spent for the Navy as a whole instead of the Army – whose weakness diminishes our diplomatic weight in peacetime, and which could one day cause us to resort to nuclear weapons in the face of imminent debacle. If we had a central military authority and a Defense Department capable of strategy, we should cheerfully tolerate much fraud, waste, and mismanagement; but so long as there are competing military bureaucracies organically incapable of strategic combat, neither safety nor economy will be ensured, even if we could totally eliminate every last cent of fraud, waste, and mismanagement.
Edward N. Luttwak