Curl Up In Bed Quotes

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He wants me to read, with him, in his bed. And what better way to pass a day in stormy weather than curling up with a gorgeous man and getting lost in the words.
Kate Stewart (Flock (The Ravenhood, #1))
I don’t want to sleep alone,” she says gently. And I don’t force her to. Sarai falls fast asleep curled up next to me in my bed. Right where I want her.
J.A. Redmerski (Killing Sarai (In the Company of Killers, #1))
Curled up in bed with my arms folded I thought bitterly: he has all the power and I have none. This wasn't exactly true, but that night it was clear to me for the first time how badly I'd underestimated my vulnerability,
Sally Rooney (Conversations with Friends)
There wasn’t even a bed in the room, just a narrow settee where Nina curled up every night. When Kaz had asked Nina why, she’d simply said, “I don’t want anyone getting ideas.” “A man doesn’t need a bed to get ideas, Nina.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
What are my options?" "You could read obscure poetry while I play the triangle, I suppose. Or we can smother ourselves in peanut butter and howl at the moon. Use your imagination." "Fine,"I said. "You take my hand and back up toward the bed." "Excellent choice. What then?" "You sit down, and pull me down with you." "Where are you?" he asked. "You pull me onto your lap." "Where are your legs?" "Around your waist." "Well," Noah said, his voice slightly rough. "This is getting interesting. So I'm on the edge of your bed. I'm holding you on my lap as you straddle me. My arms are around you, bracing you there so you don't fall. What am I wearing?"... "What do you usually wear to bed?" I asked. Noah said nothing. I opened my eyes to an arched brow and a devious grin. Oh my God. "Close. Your. Eyes," he said. I did. "Now, where were we?" "I was straddling you," I said. "Right. And I'm wearing..." "Drawstring pants." "Those are quite thin, you know." I'm aware. ... "Right," he said. "So what are you wearing?" "I don't know. A space suit. Who cares?" "I think this should be as vivid as possible," he said. "For you," he clarified, and I chuckled. "Eyes closed," he reminded me. "I'm going to have to institute a punishment for each time I have to tell you." "What did you have in mind?" "Don't tempt me. Now, what are you wearing?" "A hoodie and drawstring pants too, I guess." "Anything underneath?" "I don't typically walk around without underwear." "Typically?" "Only on special occasions." "Christ. I meant under your hoodie." "A tank top, I guess." "What color?" "White tank. Black hoodie. Gray pants. I'm ready to move on now." I felt him nearer, his words close to my ear. "To the part where I lean back and pull you down with me?" Yes. "Over me," he said. Fuck. "The part where I tell you that I want to feel the softness of the curls at the nape of your neck? To know what your hipbone would feel like against my mouth?" he murmured against my skin. "To memorize the slope of your navel and the arch of your neck and the swell of your-
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
Fenworth owned a world-famous library. More rooms held books than beds. Pillows stuffed in niches and comfortable chairs scattered throughout each room offered abundant paces to curl up and read.
Donita K. Paul (DragonQuest (DragonKeeper Chronicles, #2))
Love was there in my empty bed. It was piled up in the records Lauren bought me when we were teenagers. It was in the smudged recipe cards from my mum in between the pages of cookbooks in my kitchen cabinet. Love was in the bottle of gin tied with a ribbon that India had packed me off with; in the smeary photo-strips with curled corners that would end up stuck to my fridge. It was in the note that lay on the pillow next to me, the one I would fold up and keep in the shoebox of all the other notes she had written before. I woke up safe in my one-woman boat. I was gliding into a new horizon; floating in a sea of love. There it was. Who knew? It had been there all along.
Dolly Alderton (Everything I Know About Love: A Memoir)
My fingers caught on something else as I withdrew them. It was his T-shirt, the white one with the holes in it. I filled my hands with the fabric and brought it up to my face. I caught the barest, faintest scent of him, soap and sandalwood and smoke, and in that moment, I felt not loss but need. Noah was there for me when I had no one else. He believed me when no one else did. He could not be gone, I thought, but my throat began to hurt and my chest began to tighten and I curled up in bed, knees to chest, head to knees, waiting for tears that never came and sleep that did.
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
When I saw him I thought I could curl up inside him and go to sleep and never wake up." "Men are no good for that, Masha. They'll always want you working, when you're not softening their fall into bed at the end of the day.
Catherynne M. Valente (Deathless)
Yeah, you lose this attitude, I can help you work that hurt out.” Who was this man? He held onto his tragedy for seventeen fucking years, how could he stand there and tell me he could help me work through mine? “Really, Joe? Like you helped me work out my grief at losing Tim?” I asked sarcastically. “That’s not what I was offerin’, buddy, but you want it like that I’ll give it to you.” “You’re unbelievable,” I snapped. “I’m yours.” That socked me in the gut too, so hard it winded me and all I could do was stare up at him. Taking advantage, his face dipped close and his hands curled around both sides of my head. “First fuckin’ time you smiled at me in my bed, that’s when it happened,” he murmured.
Kristen Ashley (At Peace (The 'Burg, #2))
He turns another page and pulls an empty pillow closer to his shoulder. He wants me to read, with him, in his bed. And what better way to pass a day in stormy weather than curling up with a gorgeous man and getting lost in the words.
Kate Stewart (Flock (The Ravenhood, #1))
People always say it's harder to heal a wounded heart than a wounded body. Bullshit. It's exactly the opposite—a wounded body takes much longer to heal. A wounded heart is nothing but ashes of memories. But the body is everything. The body is blood and veins and cells and nerves. A wounded body is when, after leaving a man you’ve lived with for three years, you curl up on your side of the bed as if there’s still somebody beside you. That is a wounded body: a body that feels connected to someone who is no longer there.
Xiaolu Guo (Twenty Fragments of a Ravenous Youth)
Falling apart is curling up into a fetal position and staying in bed for a week. What you were doing is having the emotional response an individual has to the loss of someone they love. We cry to give voice to our pain.
Anna Quindlen (One True Thing)
He shifted his weight, throwing his good leg off the bed as if he were going to try to stand. “What are you doing?” I demanded through the tears. “Lie down, you idiot, you’ll hurt yourself!” I jumped to my feet and pushed his good shoulder down with two hands. He surrendered, leaning back with a gasp of pain, but he grabbed me around my waist and pulled me down on the bed, against his good side. I curled up there, trying to stifle the silly sobs against his hot skin.
Stephenie Meyer (Eclipse)
You’re unbelievable,” I snapped. “I’m yours.” That socked me in the gut too, so hard it winded me and all I could do was stare up at him. Taking advantage, his face dipped close and his hands curled around both sides of my head. “First fuckin’ time you smiled at me in my bed, that’s when it happened,” he murmured. “You’re under my skin. I’m under yours.” I shook my head and his face got even closer, all I could see were his sky blue eyes, all I could feel were his lips a breath away from mine. “I like you there, buddy, and you like me there too.
Kristen Ashley (At Peace (The 'Burg, #2))
He smelled so good, a mix of frost and something sharp, like peppermint. Lifting my head, I placed a kiss at the hollow of his neck, right beneath his jawbone, and he drew in a quiet breath, his hands curling into fists. I suddenly realized we were on a bed, alone in an isolated cabin, with no grownups-lucid ones anyway-to point fingers or condemn. My heart sped up, thudding in my ears, and I felt his heartbeat quicken, too. Shifting slightly, I went to trace another kiss along his jaw, but he ducked his head and our lips met, and suddenly I was kissing him as if I were going to meld him into my body. His fingers tangled in my hair, and my hands slid beneath his shirt, tracing the hard muscles of his chest and stomach. He groaned, pulled me into his lap, and lowered us back onto the bed, being careful not to crush me. My whole body tingled, senses buzzing, my stomach twisting with so many emotions I couldn't place them all. Ash was above me, his lips on mine, my hands sliding over his cool, tight skin. I couldn't speak. I couldn't think. All I could do was feel.
Julie Kagawa (The Iron Queen (The Iron Fey, #3))
I didn't feel strong. I felt like a big ball of wuss that wanted to curl up in my bed and never get out.
Diane Castle (Black Oil, Red Blood)
I never know what I’m going to want to curl up in bed with.” I shrug. “How about a man?” she retorts.
Alexandra Potter (Me and Mr. Darcy)
He's fast asleep, curled up at the other end of my bed, looking peaceful. The expression on his face says he's not really sad, and he's not overcompensating for his sadness by acting all crazy or silly, he's just...content. And that makes me glad, because more than anything else, I want him to be happy.
Miranda Kenneally
They play in the Meadow. The dancing girl with the dark hair and blue eyes. The boy with blond curls and gray eyes, struggling to keep up with her on his chubby toddler legs. It took five, ten, fifteen years for me to agree. But Peeta wanted them so badly. When I first felt her stiring inside of me, I was consumed with a terror that felt as old as life itself. Only the joy of holding her in my arms could tame it. Carrying him was easier, but not much. The questions are just beginning. The arenas have been completely destroyed, the memorials have been built, there are no more Hunger Games. But they still teach about them at school, and the girl knows we played a role in them. The boy will know in a few years. how can I tell them about that world without frightning them to death? My children, who take the words of the song for granted: Deep in the meadow, under the willow A bed of grass, a soft green pillow Lay down your head, and close your eyes And when again they open, the sun will rise Here it's safe, here it's warm Here the daisies guard you from every harm Here your dreams are sweet snd tomorrow brings them true Here is the place where I love you.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Jim eyed me for a couple of seconds, then got off the bed and went to curl up on the pile of blankets I'd arranged as its bed. "I don't suppose you'd care to lend me a couple hundred euros?" I pointed at the wall. It turned its back to me so I could get into the nightgown Perdita had lent me. "You are not going to bet on me. Or against me. No betting whatsoever. Got that?" Jim huffed and settled down for the night. "You sure do know how to take all the fun out of life. Bet you even made Drake use a condom.
Katie MacAlister (You Slay Me (Aisling Grey, #1))
Don’t you simply love going to bed. To curl up warmly in a nice warm bed, in the lovely darkness. That is so restful and then gradually drift away into sleep…
C.S. Lewis (Letters of C. S. Lewis (Edited, with a Memoir, by W. H. Lewis))
So I let it ring. I let it keep ringing until it stops, the screen turns black, and I’m alone in the room again. My heart shatters, and sinks into the pit of my stomach. I set the phone down, and curl up on Sam’s bed, letting myself cry.
Dustin Thao (You've Reached Sam)
As soon as I got back to the apartment, through the pain of throwing away Braden came the fear. I stared down the hall at Ellie's bedroom door, and I had to stop myself from going back on my promise not to run from her. So I did the opposite. I kicked off my boots, shrugged out of my coat and crept silently into her darkened room. In the moonlight shining through her window, I saw Ellie curled up in a protective ball on her side. I made a move toward her and the floor creaked under my foot, and Ellie's eyes flew open immediately. She gazed up at me, wide-eyed but wary. That hurt. I started to cry harder and at the sight of my tears, a tear slid down Ellie's cheek. Without a word, I crawled onto her bed and right up beside her as she turned onto her back. We lay side by side, my head on her shoulder, and I grabbed her hand and held it in both of mine. "I'm sorry," I whispered. "It's okay," Ellie's voice was hoarse with emotion. "You came back." And because life was too short... "I love you, Ellie Carmichael. You're going to get through this." I heard her hitch on a sob. "I love you too, Joss.
Samantha Young (On Dublin Street (On Dublin Street, #1))
I thought I was going to die. I wanted to die. And I thought if I was going to die I would die with you. Someone like you, young as I am, I saw so many dying near me in the last year. I didn’t feel scared. I certainly wasn’t brave just now. I thought to myself, We have this villa this grass, we should have lain down together, you in my arms, before we died. I wanted to touch that bone at your neck, collarbone, it’s like a small hard wing under your skin. I wanted to place my fingers against it. I’ve always liked flesh the colour of rivers and rocks or like the brown eye of a Susan, do you know what that flower is? Have you seen them? I am so tired, Kip, I want to sleep. I want to sleep under this tree, put my eye against your collarbone I just want to close my eyes without thinking of others, want to find the crook of a tree and climb into it and sleep. What a careful mind! To know which wire to cut. How did you know? You kept saying I don’t know I don’t know, but you did. Right? Don’t shake, you have to be a still bed for me, let me curl up as if you were a good grandfather I could hug, I love the word ‘curl,’ such a slow word, you can’t rush it...
Michael Ondaatje (The English Patient)
What are you doing here?" she demands. "I--I..." I want to touch you. I want to curl into bed beside you and see if you can teach me to dream something that wont make me wake up screaming.
Stacey Jay (Romeo Redeemed (Juliet Immortal, #2))
Peter sighed into the water, and his breath sent a small circle of it into tiny ripples. "It seems cowardly, getting old. Don't you think?" She rolled onto her side to look at him, pillowing her ear with her right arm, and letting her fingers dangle in the water beyond her head. "How is it cowardly?" Peter kept his eyes on his reflection. "You just curl up around yourself, and sit by the fire, and try to be comfortable. When you get old, you just get smaller inside, and you try not to pay attention to anything but your blankets and your food and your bed." "Being comfortable is not a bad thing." Peter shrugged and turned his head to look at her as if it was a matter of fact. "Of course it is. Old people lock out all the scary, wild things. It's like they don't exist." She wanted to say that she would have liked for those things not to exist, either, but she held her tongue, because she didn't want to sound like a coward.
Jodi Lynn Anderson (Tiger Lily)
A memory: Isola as a toddler, sugarlump teeth, skin still smelling of milk. Hair that curled without use of an iron and sweet dresses that didn’t matter were dirtied. When she was old enough, she demanded the usual suspects at bedtime: The Little Mermaid, Hansel and Gretel, Beauty and the Beast. Even then, Mother’s contempt for non-Pardieu fairytales was obvious. ‘Hmph,’ she snorted derisively, folding up her knees to perch on Isola’s bed. ‘Listen to me, Isola. The original Beauty’s just an encouragement to young women to accept arranged marriages. What it’s really saying to impressionable girls is, “Don’t worry if your new husband is decades older than you, or ugly, or horrid. If you’re sweet and obedient enough, you might just discover he’s a prince in disguise!’’ Mother’s Most Lasting Advice ‘Never be that girl, Isola. Never pick the beast or the wolf on the off-chance he won’t devour you.
Allyse Near (Fairytales for Wilde Girls)
There is a certain proper and luxurious way of lying in bed. Confucius, that great artist of life, "never lay straight" in bed, "like a corpse", but always curled up on one side. I believe one of the greatest pleasures of life is to curl up one's legs in bed. The posture of the arms is also very important, in order to reach the greatest degree of aesthetic pleasure and mental power. I believe the best posture is not lying flat on the bed, but being upholstered with big soft pillows at an angle of thirty degrees with either one arm or both arms placed behind the back of one's head.
Lin Yutang (The Importance of Living)
The hemulen woke up slowly and recognised himself and wished he had been someone he didn't know. He felt even tireder than when he went to bed, and here it was -- another day which would go on until evening and then there would be another one and another one which would be the same as all days are when they are lived by a hemulen. He crept under the bedcover and buried his nose in the pillow, then he shifted his stomach to the edge of the bed where the sheets were cool. He took possession of the whole bed with outstretched arms and legs he was waiting for a nice dream that wouldn't come. He curled up and made himself small but it didn't help a bit. He tried being the hemulen that everybody like, he tried being the hemulen that no one liked. But however hard he tried he remained a hemulen doing his best without anything really coming off. In the end he got up and pulled on his trousers. The Hemulen didn't like getting dressed and undressed, it gave him a feeling that the days passed without anything of importance happening. Even so, he spent the whole day arranging, organising and directing things from morning till night! All around him there were people living slipshod and aimless lives, wherever he looked there was something to be put to rights and he worked his fingers to the bone trying to get them to see how they ought to live. It's as though they don't want to live well, the Hemulen thought sadly as he brushed his teeth. He looked at the photograph of himself with his boat which was been taken when the boat was launched. It was a beautiful picture but it made him feel even sadder. I ought to learn how to sail, the Hemulen thought. But I've never got enough time... Moominvalley in November Chapter 5, THE HEMULEN
Tove Jansson (Moominvalley in November (The Moomins, #9))
To her surprise, Madeleine found herself contemplating this proposal. Why not tell her parents everything, curl up in the backseat of the car, and let them take her home? She could move into her old bedroom, with the sleigh bed and the Madeline wallpaper. She could become a spinster, like Emily Dickinson, writing poems full of dashes and brilliance, and never gaining weight.
Jeffrey Eugenides (The Marriage Plot)
You could have mentioned that this kid never sleeps,” Tim calls from the living room. We go in to find him slumped in the easy chair next to the pulled-out sofa bed. Andy’s sprawled out on the bed, long tan legs in a V, George gathered in her arms. Duff, still in his clothes, lies across the bottom, Harry curled in a ball on the pillow under Andy’s outstretched leg. Safety, as much as could be found, must have lain in numbers.Patsy’s fingering Tim’s nose and pulling on his bottom lip, her eyes wide-blue open. “Sorry, man,” Jase says. “She’s usually good to go at bedtime.” “Do you have any idea how many times I’ve read If You Give a Mouse a Cookie to this kid? That is one fucked-up story. How is that a book for babies?” Jase laughs. “I thought it was about babysitting.” “Hell no, it’s addiction. That friggin’ mouse is never satisfied. You give him one thing, he wants something else, and then he asks for more and on and on and on. Fucked up. Patsy liked it, though. Fifty thousand times.” Tim yawns, and Patsy snuggles more comfortably onto his chest, grabbing a handful of shirt. “So what’s doin’?” We tell him what we know—nothing—then put the baby in her crib. She glowers, angry and bewildered for a moment, then grabs her five pacifiers, closes her eyes with a look of fierce concentration, and falls very deeply asleep.
Huntley Fitzpatrick (My Life Next Door)
Aelin smiled at the thought as she slipped on her dressing robe, shuffling her feet into her shearling-lined slippers. Even with spring fully upon them, the mornings were chill. Indeed, Fleetfoot lay beside the fire on her little cushioned bed, curled up tightly. And as equally exhausted as Rowan, apparently. The hound didn’t bother to crack open an eye.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
The idea made Mahlia’s chest tighten. It was her own fantasy, the secret one she sometimes curled up to when she went to bed, knowing that it was stupid, but still wanting it, wanting it to somehow all make sense.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
I sit on the bed and kick off my shoes, and he kneels before me and takes the riding boots, holding one open for my bare foot. I hesitate; it is such an intimate gesture between a young woman and a man. His smiling upward glance tells me that he understands my hesitation but is ignoring it. I point my toe and he holds the boot, I slide my foot in and he pulls the boot over my calf. He takes the soft leather ties and fastens the boot, at my ankle, then at my calf, and then just below my knee. He looks up at me, his hand gently on my toe. I can feel the warmth of his hand through the soft leather. I imagine my toes curling in pleasure at his touch. ‘Anne, will you marry me?’ he asks simply, as he kneels before me.
Philippa Gregory (The Kingmaker's Daughter (The Plantagenet and Tudor Novels, #4; Cousins War, #4))
On the fifth day I knew Kaidan would have made it home. I held my breath and called him. I listened to every charming word of his voice mail, then hung up. That evening I sat on my bed and called again. This time I left a message. “Hi, Kai, um, Kaidan. It's me. Anna. I'm just trying to see if you made it home safely. I'm sure you probably did. Just checking. You can call me anytime. If you want. Anyway. Okay, bye.” I hung up and buried my shamed face into a pillow. Now I was leaving messages after he'd made it clear he wanted zero to do with me? Next thing I knew I'd be frequenting his shows to give him psycho stares from the back, and then doing late-night drive-bys to see what girl he was bringing home. The thought of him with another girl made me writhe in discomfort and curl up in the fetal position. Day six was our first day of back-to-school shopping. We still had a month before school began, but the state issued a tax-free day, so stores were having big sales. I eyed all the teensy skirts and fashionable shirts dangling on mannequins. I tried to imagine Kaidan's reaction if I came dressed like that to one of his shows, some guy other than Jay on my arm. Ugly stalker thoughts. I was full of them. Two weeks passed, and I was still tripping over chairs to grab the phone every time it rang, like now. This time it was Jay.
Wendy Higgins (Sweet Evil (Sweet, #1))
I have only one memory of getting here, and even that is just a single image: black ink curling around the side of a neck, the corner of a tattoo, and the gentle sway that could only mean he was carrying me. He turns off the bathroom light and gets an ice pack from the refrigerator in the corner of the room. As he walks toward me, I consider closing my eyes and pretending to be asleep,but then our eyes meet and it's too late. "Your hands," I croak. "My hands are none of your concern," he replies. He rests his knee on the mattress and leans over me,slipping the ice pack under my head. Before he pulls away,I reach out to touch the cut on the side of his lip but stop when I realize what I am about to do, my hand hovering. What do you have to lose? I ask myself. I touch my fingertips lightly to his mouth. "Tris," he says, speaking against my fingers. "I'm all right." "Why were you there?" I ask, letting my hand drop. "I was coming back from the control room. I heard a scream." "What did you do to them?" I say. "I deposited Drew at the infirmary a half hour ago," he says. "Peter and Al ran. Drew claimed they were just trying to scare you.At least,I think that's what he was trying to say." "He's in bad shape?" "He'll live," he replies. He adds bitterly, "In what condition, I can't say." It isn't right to wish pain on other people just because they hurt me first. But white-hot triumph races through me at the thought of Drew at the infirmary, and I squeeze Four's arm. "Good," I say.My voice sounds tight and fierce.Anger builds inside me, replacing my blood with bitter water and filling me, consuming me.I wantt o break something,or hit something, but I am afraid to move,so I start crying instead. Four crouches by the side of the bed, and watches me. I see no sympathy in his eyes.I would have been disappointed if I had. He pulls his wrist free and, to my surprise, rests his hand on the side of my face, his thumb skimming my cheekbone.His fingers are careful. "I could report this," he says. "No," I reply. "I don't want them to think I'm scared." He nods.He moves his thumb absently over my cheekbone, back and forth. "I figured you would say that." "You think it would be a bad idea if I sat up?" "I'll help you." Four grips my shoulder with one hand and holds my head steady with the other as I push myself up.Pain rushes through my body in sharp bursts,but I try to ignore it,stifling a groan. He hands me the ice pack. "You can let yourself be in pain," he says. "It's just me here.
Veronica Roth (Divergent (Divergent, #1))
Adam crossed to her bed and pulled off the blanket. He reached her at the window and draped it over her shoulders. “Adam?” Persephone looked up at him, so obviously confused. “You should have come in when the wolves first started.” Adam made his way to the door. “Come in?” she repeated. “And curled up on the bed.” He stopped at the door and turned toward her, waiting. “You knew?” Persephone whispered, her face paling noticeably. “I . . . I thought . . . I thought you were asleep.” “Asleep?” Adam answered, with an ironic raise of his eyebrows. “That’s the problem.” “Problem?” “I can’t sleep.
Sarah M. Eden (Seeking Persephone (The Lancaster Family, #1))
ALONE One of my new housemates, Stacy, wants to write a story about an astronaut. In his story the astronaut is wearing a suit that keeps him alive by recycling his fluids. In the story the astronaut is working on a space station when an accident takes place, and he is cast into space to orbit the earth, to spend the rest of his life circling the globe. Stacy says this story is how he imagines hell, a place where a person is completely alone, without others and without God. After Stacy told me about his story, I kept seeing it in my mind. I thought about it before I went to sleep at night. I imagined myself looking out my little bubble helmet at blue earth, reaching toward it, closing it between my puffy white space-suit fingers, wondering if my friends were still there. In my imagination I would call to them, yell for them, but the sound would only come back loud within my helmet. Through the years my hair would grow long in my helmet and gather around my forehead and fall across my eyes. Because of my helmet I would not be able to touch my face with my hands to move my hair out of my eyes, so my view of earth, slowly, over the first two years, would dim to only a thin light through a curtain of thatch and beard. I would lay there in bed thinking about Stacy's story, putting myself out there in the black. And there came a time, in space, when I could not tell whether I was awake or asleep. All my thoughts mingled together because I had no people to remind me what was real and what was not real. I would punch myself in the side to feel pain, and this way I could be relatively sure I was not dreaming. Within ten years I was beginning to breathe heavy through my hair and my beard as they were pressing tough against my face and had begun to curl into my mouth and up my nose. In space, I forgot that I was human. I did not know whether I was a ghost or an apparition or a demon thing. After I thought about Stacy's story, I lay there in bed and wanted to be touched, wanted to be talked to. I had the terrifying thought that something like that might happen to me. I thought it was just a terrible story, a painful and ugly story. Stacy had delivered as accurate a description of a hell as could be calculated. And what is sad, what is very sad, is that we are proud people, and because we have sensitive egos and so many of us live our lives in front of our televisions, not having to deal with real people who might hurt us or offend us, we float along on our couches like astronauts moving aimlessly through the Milky Way, hardly interacting with other human beings at all.
Donald Miller (Blue Like Jazz: Nonreligious Thoughts on Christian Spirituality (Paperback))
MARK REFUSED to leave my side. On the nights when I couldn’t stand the sight of another person, he would stay outside my door. Sometimes I would let him in. He would motion for me to turn around, facing away from him. I did. On those nights, the hard ones, I would hear the rustle of clothes being discarded. The snap and groan of muscle and bone. He would nuzzle my hand when I could turn back around. I would climb into bed, and he would jump up beside me, the bedframe groaning under the combined weight. He would curl around me, my head under his chin, his tail covering my legs. Those were the nights I slept the best.
T.J. Klune (Ravensong (Green Creek, #2))
Italy: It's been a while since I slept with you, Romano. Romano: Shut up! You should have at least two beds in your place! Italy: How weird... I usually sleep together with Germany and Japan. Romano: [Grabs Italy's throat] You still get along with them! [Repeatedly bashes his head into his brother's] Italy: Bro, I can't breathe. Bro, I can't breathe! [Cut to Germany's office; his phone is ringing. He picks it up] Italy: Germany, save me! I'm on my bed and my brother is- ow! Romano: Not there! Italy: It's stuck! OW! Romano: Put down the phone, you fool! Italy: TAKE IT OUT! Romano: Put it down! [Line goes dead] Germany: [Slightly disturbed] His brother's... stuck..."ow"... take it out... [Germany bursts into Italy's room] Italy: Italy, are you okay! What's going-! [He realizes the brothers' signature hair curls are merely tangled with each other] Italy: Germany, you're late!
Hidekaz Himaruya
She loved sinking into her bed on evenings like this, but apparently she shouldn't, because it worried her aunts, who thought she ought to be out dancing. It worried her a little bit, too, because what if they were right, and because sometimes a great loneliness welled up in her and threatened all the dams she built to hold it back. You couldn't cure loneliness by wallowing in it, up above the world, on an island removed from everything. She knew that. But she had such a hard time with all the cures. They seemed rough and brusque and brutal, as if they abused her skin with a pot scrubber . . . forcing herself into a mass of people, a stranger among strangers. . . . But it was much more tempting to curl up with a book under her thick white comforter. Still, sometimes after she curled up, she regretted her lack of courage and felt bleakly lonely. It was important to have a really good book.
Laura Florand (The Chocolate Kiss (Amour et Chocolat, #2))
A scratch at the door interrupted us. Colin dropped and rolled under the bed again. One of the maids poked her head in. "Miss?" I tried not to look as if I was hiding a handsome young lad under the mattress. "Yes?" "Lord Jasper sent me up to see if you need help getting ready for a ball." She smiled proudly. "I have a fair hand with a curling iron." "Oh.Thank you." I needed to get Colin out before I ended up naked in the middle of my bedroom. "I,um, could I get some hot water? To wash my face?" "Certainly,miss. I'll have the footmen bring up the bathtub, if you like, before all the fine ladies start calling for their own baths." "That would be great, thanks." I'd never actually been in a full reclining tub before. We had a battered hip bath in the kitchen. The maid curtsied and closed the door behind her. I let out a breath. Colin crawled back out. "They need to sweep under there," he said, sneezing.
Alyxandra Harvey (Haunting Violet (Haunting Violet, #1))
Wandering back into the bedroom, my gaze immediately strayed to the large bed along the wall and the lump beneath the covers. Pale light streamed through the half-open curtains, settling around the still-sleeping form of a Winter sidhe. Or a former Winter sidhe. Pausing in the doorframe, I took advantage of the serene moment just to watch him, a tiny flutter going through my stomach. Sometimes, it was still hard to believe that he was here, that this wasn’t a dream or a mirage or a figment of my imagination. That he was mine forever: my husband, my knight. My faery with a soul. He lay on his stomach, arms beneath the pillow, breathing peacefully, his dark hair falling over his eyes. The covers had slipped off his lean, muscular shoulders, and the early morning rays caressed his pale skin. Normally, I didn’t get to watch him sleep; he was usually up before me, in the courtyard sparring with Glitch or just prowling the halls of the castle. In the early days of our marriage, especially, I’d wake up in the middle of the night to find him gone, the hyper-awareness of his warrior days making it impossible for him to stay in one place, even to sleep. He’d grown up in the Unseelie Court, where you had to watch your back every second of every day, and centuries of fey survival could not be forgotten so easily. That paranoia would never really fade, but he was gradually starting to relax now, to the point where sometimes, though not often, I would wake with him still beside me, his arm curled around my waist. And given how rare it was, to see him truly unguarded and at ease, I hated to disturb him. But I walked across the room to the side of the bed and gently touched his shoulder. He was awake in an instant, silver eyes cracking open to meet mine, never failing to take my breath away. “Hey,” I greeted, smiling. “Sorry to wake you, but we have to be somewhere soon, remember?
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
Stupor, insanity, and curling up with a good book.” Bright finished his coffee and slipped out of bed. “And I was wondering last night how I would fill my time today. Let me get dressed and have a spot of breakfast first.
Lita Burke (Old Bony Blue Eyes (Clockpunk Wizard, #3))
You know how when you ask someone what they'd do if the sun was headed for Earth and they had twenty-four hours left to live? And everyone always says they'd be with family, eat their favorite food, go someplace they've always wanted to go? Nobody ever says they'd spend the last day curled up in bed crying- because they wouldn't. That's not what anyone wants to do with their final hours. I mean, yeah, you'd cry. And you'd be scared because you're gonna die. And you'd find yourself looking at the sky throughout the day, knowing what's coming because that's just human nature. But for the most part, you'd just enjoy the time you had left. Especially because there's nothing you can do about it. There's no escape, nowhere to hide. So why bother? Obsessing over the end is pointless. If you spend your life dwelling on the worst possible thing, when it finally happens, you've lived it twice. I don't want to live the worst things twice. I try really hard not to think about the bad stuff. But every once in a while I'm human and I look up. Yesterday was just one of those days that I looked at the sun.
Abby Jimenez (Life’s Too Short (The Friend Zone, #3))
It was against the rules, but Gansey crouched down beside her, one of his knees against her back, one against her knees, and hugged her. She curled against him, hands balled up against his chest. He felt a hot tear slip into the dip of his collarbone. He closed his eyes against the sun through the window, burning hot in his sweater, foot falling asleep, elbow grinding into the metal bed frame, Blue Sargent pressed up against him, and he didn’t move.
Maggie Stiefvater (Blue Lily, Lily Blue (The Raven Cycle, #3))
I want to choose you,” Noam said softly. “Every day, again and again.” Dara kissed him, Noam’s lips parting under the pressure of Dara’s mouth and his hand lifting to Dara’s cheek. And for that moment Noam let himself believe in the future they’d spun together, all its brightness and its flaws, something so magnificently mundane it almost felt unachievable: late mornings waking up together, Dara perched on the kitchen counter while Noam made dinner, trading work stories over tea in the early evening, Wolf curled up in bed between them while they slept.
Victoria Lee (The Fever King (Feverwake, #1))
The heroin flowing through me, I thought about the last time I saw my father alive. He was drunk and overweight in a restaurant in Beverly Hills, and curling into myself on the bed I thought: What if I had done something that day? I had just sat passively in a restaurant booth as the midday light filled the half-empty dining room, pondering a decision. The decision was: should you disarm him? That was the word I remember: disarm. Should you tell him something that might not be the truth but would get the desired reaction? And what was I going to convince him of, even though it was a lie? Did it matter? Whatever it was, it would constitute a new beginning. The immediate line: You’re my father and I love you. I remember staring at the white tablecloth as I contemplated saying this. Could I actually do it? I didn’t believe it, and it wasn’t true, but I wanted it to be. For one moment, as my father ordered another vodka (it was two in the afternoon; this was his fourth) and started ranting about my mother and the slump in California real estate and how “your sisters” never called him, I realized it could actually happen, and that by saying this I would save him. I suddenly saw a future with my father. But the check came along with the drink and I was knocked out of my reverie by an argument he wanted to start and I simply stood up and walked away from the booth without looking back at him or saying goodbye and then I was standing in sunlight. Loosening my tie as a parking valet pulled up to the curb in the cream-colored 450 SL. I half smiled at the memory, for thinking that I could just let go of the damage that a father can do to a son. I never spoke to him again.
Bret Easton Ellis (Lunar Park)
It doesn’t make sense to call ourselves ugly, because we don’t really see ourselves. We don’t watch ourselves sleeping in bed, curled up and silent with chests rising and falling with our own rhythm. We don’t see ourselves reading a book, eyes fluttering and glowing. You don’t see yourself looking at someone with love and care inside your heart. There’s no mirror in your way when you’re laughing and smiling and happiness is leaking out of you. You would know exactly how bright and beautiful you are if you saw yourself in the moments where you are truly yourself.
Anonymous
A Faint Music by Robert Hass Maybe you need to write a poem about grace. When everything broken is broken, and everything dead is dead, and the hero has looked into the mirror with complete contempt, and the heroine has studied her face and its defects remorselessly, and the pain they thought might, as a token of their earnestness, release them from themselves has lost its novelty and not released them, and they have begun to think, kindly and distantly, watching the others go about their days— likes and dislikes, reasons, habits, fears— that self-love is the one weedy stalk of every human blossoming, and understood, therefore, why they had been, all their lives, in such a fury to defend it, and that no one— except some almost inconceivable saint in his pool of poverty and silence—can escape this violent, automatic life’s companion ever, maybe then, ordinary light, faint music under things, a hovering like grace appears. As in the story a friend told once about the time he tried to kill himself. His girl had left him. Bees in the heart, then scorpions, maggots, and then ash. He climbed onto the jumping girder of the bridge, the bay side, a blue, lucid afternoon. And in the salt air he thought about the word “seafood,” that there was something faintly ridiculous about it. No one said “landfood.” He thought it was degrading to the rainbow perch he’d reeled in gleaming from the cliffs, the black rockbass, scales like polished carbon, in beds of kelp along the coast—and he realized that the reason for the word was crabs, or mussels, clams. Otherwise the restaurants could just put “fish” up on their signs, and when he woke—he’d slept for hours, curled up on the girder like a child—the sun was going down and he felt a little better, and afraid. He put on the jacket he’d used for a pillow, climbed over the railing carefully, and drove home to an empty house. There was a pair of her lemon yellow panties hanging on a doorknob. He studied them. Much-washed. A faint russet in the crotch that made him sick with rage and grief. He knew more or less where she was. A flat somewhere on Russian Hill. They’d have just finished making love. She’d have tears in her eyes and touch his jawbone gratefully. “God,” she’d say, “you are so good for me.” Winking lights, a foggy view downhill toward the harbor and the bay. “You’re sad,” he’d say. “Yes.” “Thinking about Nick?” “Yes,” she’d say and cry. “I tried so hard,” sobbing now, “I really tried so hard.” And then he’d hold her for a while— Guatemalan weavings from his fieldwork on the wall— and then they’d fuck again, and she would cry some more, and go to sleep. And he, he would play that scene once only, once and a half, and tell himself that he was going to carry it for a very long time and that there was nothing he could do but carry it. He went out onto the porch, and listened to the forest in the summer dark, madrone bark cracking and curling as the cold came up. It’s not the story though, not the friend leaning toward you, saying “And then I realized—,” which is the part of stories one never quite believes. I had the idea that the world’s so full of pain it must sometimes make a kind of singing. And that the sequence helps, as much as order helps— First an ego, and then pain, and then the singing
Robert Hass (Sun under Wood)
One morning early, I couldn't sleep, so I walked down to the beach. And I saw you. For a minute- I didn't realize it was you. You were wearing this long scarf thing tied around your waist, lots of wild colors, and it blew around your legs. You had on a red bathing suit under it." "You..." She literally had to catch her breath. "You remember what I was wearing?" "Yes I do. And I remember your hair was longer than it is now, halfway down your back. All those mad curls flying. Bare feet. All that golden skin, wild colors, mad curls. My heart just stopped. I thought: That's the most beautiful woman I've ever seen. And I wanted that woman, in a way I'd never wanted one before." He stopped, turned a little as she simply stared at him. "Then I saw it was you. You walked off, down the beach, the surf foaming up over your bare feet, your ankles, your calves. And I wanted you. I thought I'd lost my my mind.
Nora Roberts (Bed of Roses (Bride Quartet, #2))
He sat on the edge of my bed. He didn't say anything at first, just stared at my toenails. I curled them under instinctively and immediately was worried that I'd messed up my painting job. I let them uncurl. Only one was marred. I used my thumb to rub most of the polish off of it and then I stared at my foot, which suddenly looked so vulnerable and imperfect with the one toe ringed in hot pink polish but bare on the inside of the nail. Like I'd started but had forgotten to finish being beautiful.
Jennifer Brown (Hate List)
But nothing. The way you’re looking at me right now? This is exactly why I didn’t tell you.” I closed my eyes. “I won’t live like that anymore, Trav. Not even with you.” “Whoa! Calm down, Pigeon. Let’s not get carried away.” His eyes focused and he walked over to wrap me in his arms. “I don’t care what you were or what you’re not anymore. I just want you.” “I guess we have that in common, then.” He led me to the bed, smiling down at me. “It’s just you and me against the world, Pidge.” I curled up beside him, settling into the mattress. I had never planned on anyone besides myself and America knowing about Mick, and I never expected that my boyfriend would belong to a family of poker buffs. I heaved a heavy sigh, pressing my cheek against his chest. “What’s wrong?” he asked. “I don’t want anyone to know, Trav. I didn’t want you to know.” “I love you, Abby. I won’t mention it again, okay? Your secret’s safe with me,” he said, kissing my forehead.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
When he reached his own room again, he found Khloe curled up on his bed, asleep. He stood over her, watching her sleep peacefully for a few moments before taking a deep breath and moving to the other side of the bed. He sat down on top of the covers next to her and watched the rise and fall of her chest as she slept. He withdrew a leather bond journal from the nightstand drawer and tried to push Hecate’s words from his mind. Khloe is yours to deal with.
Lia Davis (Death's Storm (The Divinities, #2))
EXPRESSIONS OF AFFECTION If you should find a worm at your window sill, Would you recognize it as a gift From a bird that loves you? And if you should find a dead bird At your back door, Would you recognize it as a gift From a cat that loves you? And if you should find a cat Curled up in a basket by your bed, Would you recognize it as a gift From a mother who loves you? And whenever you should open your front door To find an infinite garden Filled with people of many colors, Would you recognize these flowers as a gift From a father who loves you?
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
I felt too abused to even stop her, so I just curled up against the bed with my ass in the air, trying to find my happy place where unicorns frolicked in glitter fields of donuts and cherry trees.
Meghan Quinn (The Virgin Romance Novelist (The Virgin Romance Novelist, #1))
After every date we're going to end up in bed together. You might as well save on rent." Her lips curled up at the corners as she fought a smile. "That's so romantic. I don't know how to argue with that.
Katie Reus (Retribution (Retribution #1))
I had a bizarre rapport with this mirror and spent a lot of time gazing into the glass to see who was there. Sometimes it looked like me. At other times, I could see someone similar but different in the reflection. A few times, I caught the switch in mid-stare, my expression re-forming like melting rubber, the creases and features of my face softening or hardening until the mutation was complete. Jekyll to Hyde, or Hyde to Jekyll. I felt my inner core change at the same time. I would feel more confident or less confident; mature or childlike; freezing cold or sticky hot, a state that would drive Mum mad as I escaped to the bathroom where I would remain for two hours scrubbing my skin until it was raw. The change was triggered by different emotions: on hearing a particular piece of music; the sight of my father, the smell of his brand of aftershave. I would pick up a book with the certainty that I had not read it before and hear the words as I read them like an echo inside my head. Like Alice in the Lewis Carroll story, I slipped into the depths of the looking glass and couldn’t be sure if it was me standing there or an impostor, a lookalike. I felt fully awake most of the time, but sometimes while I was awake it felt as if I were dreaming. In this dream state I didn’t feel like me, the real me. I felt numb. My fingers prickled. My eyes in the mirror’s reflection were glazed like the eyes of a mannequin in a shop window, my colour, my shape, but without light or focus. These changes were described by Dr Purvis as mood swings and by Mother as floods, but I knew better. All teenagers are moody when it suits them. My Switches could take place when I was alone, transforming me from a bright sixteen-year-old doing her homework into a sobbing child curled on the bed staring at the wall. The weeping fit would pass and I would drag myself back to the mirror expecting to see a child version of myself. ‘Who are you?’ I’d ask. I could hear the words; it sounded like me but it wasn’t me. I’d watch my lips moving and say it again, ‘Who are you?
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
She found Mark curled up at the foot of her bed, reading a copy of Alice's Adventures in Wonderland. He was wearing a pair of cotton pajamas that Emma had bought for three dollars from a vendor on the side of the PCH. He was partial to them as being oddly close in their loose, light material to the sort of trousers he'd worn in Faerie. If it bothered him that they also had a pattern of green shamrocks embroided with the words GET LUCKY on them, he didn't show it.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
Vespers Little Boy kneels at the foot of the bed, Droops on the little hands little gold head. Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers. God bless Mummy. I know that's right. Wasn't it fun in the bath tonight? The cold's so cold, and the hot's so hot. Oh! God bless Daddy -- I quite forgot. If I open my fingers a little bit more, I can see Nanny's dressing-gown on the door. It's a beautiful blue, but it hasn't a hood. Oh! God bless Nanny and make her good. Mine has a hood, and I lie in bed, And pull the hood right over my head, And I shut my eyes, and I curl up small, And nobody knows that I'm there at all. Oh! Thank you, God, for a lovely day. And what was the other I had to say? I said "Bless Daddy," so what can it be? Oh! Now I remember. God bless Me. Little Boy kneels at the foot of the bed. Droops on the little hands little gold head. Hush! Hush! Whisper who dares! Christopher Robin is saying his prayers.
A.A. Milne (When We Were Very Young (Winnie-the-Pooh, #3))
Pick one,” he says just as I reach the handle. “One what?” He nods toward the shelves. I run my hands over my face in frustration. “You drive me insane.” I move toward the shelf and look over his collection. I pause when I see a few familiar titles. “You have a whole romance section.” I giggle and pull a book from the shelf. When I open it, a receipt falls to the floor. Inspecting it, I see he’s just bought ten books and spent a few hundred dollars opting for some pricy hardcovers over paperbacks. “You just bought these?” Upon closer inspection, I see most of them are romance titles by my favorite indies. There’s also a few suspense and an older historical, all of them titles from a familiar list that I wrote on a bookmark in my bedroom. When he was in my house, he had to have snooped in my room while Sean was distracting me. “You looked through my stuff?” He keeps his eyes on his book. It’s a stupid question. And the answer is so obvious, but I can’t help myself. “You bought these for me?” Silence. And again, I’m floating off the ground as he continues to read, feigning indifference. But I know differently now, and it changes everything. Beneath that mask is a man who’s been paying attention, very close attention to me. He turns another page and pulls an empty pillow closer to his shoulder. He wants me to read, with him, in his bed. And what better way to pass a day in stormy weather than curling up with a gorgeous man and getting lost in the words.
Kate Stewart (Flock (The Ravenhood, #1))
Terrific! Have you done Step Three?" He waggled his brows as he opened up the top left drawer of my dresser. "No. Hey! Do you mind, Nosy Newton?" "Are these panties?" he asked, holding up two of my thongs. "Because they look like dental floss to me." Oh my God. My almost father-in-law was digging around in my lingerie. Embarrassment bloomed in my face. "Ruadan, get out of my underwear!" "Fine," he said, closing the left drawer and opening the right one. "Oh! Lookie here!" "If you touch that box," I said menacingly, "I will cut off your head with your own swords. And I'm not talking about the one on your shoulders." He laughed, shutting the drawer. "You won't need a vibrator anymore. You've got Patrick." His gaze slid toward the dresser. "Unless you have different toys in there. Nipple clamps?" "I… what… oh God." I fell onto the bed, curled into the fetal position, and covered my face.
Michele Bardsley (I'm the Vampire, That's Why (Broken Heart, #1))
Funnier still how much faith her parents put in him, considering the fact that Jay would officially be younger than Violet in less than a week. Violet was about to turn seventeen, while Jay would still be sixteen for nearly two full months/ Jay liked that, the whole older-woman thing. He also liked to joke about the fact that Violet would soon be dating a younger man. One night, when Violet’s parents had gone out, he teased her about it, whispering against his throat, “I should probably be dating girls my own age now that you’ll be over-the-hill.” Jay was stretched out on Violet’s bed as she curled against him. Violet laughed, rising to the bait. “Fine,” she challenged, pulling away and leaning up on her elbow. “I’m sure there are plenty of men my own age who would be willing to finish what you’ve started.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
They walked to her bedroom together. Laura crawled into bed, making room for Javier, who shucked his jeans on her floor before stretching out beside her. Strong arms closed around her, drawing he close. "I'm sorry bella. I shouldn't have gotten angry with you." ... "It was my fault. I pushed you. I'm sorry." He kissed her hair. "Sleep." She curled up against his bare chest and within minutes fell fast asleep.
Pamela Clare (Striking Distance (I-Team, #6))
She was curled in a ball, waiting for me to come to bed. It irritated me that she’d just rode home with Parker and then undressed in front of me like it was nothing, but at the same time, that was just the kind of fucked-up platonic situation we were in, and it was all my doing.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Noah propped himself up on his elbow, his wicked grin in place. “Do you have any idea how long I’ve wanted to see you on this bed?” “Nope.” The hem of my sweater rode up from our fall, exposing my belly button. Noah traced circles onto the skin of my stomach, down to the material of my low-rise jeans. His touch sent a combination of tickles and chills through my body. My heart sped up and I struggled to keep my breathing normal. Every Noah rumor had been right. His kisses curled my toes and now his simple touch rocked my body. Fear mingled with the pleasure in my bloodstream.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
Jesse." My head springs up with a deep breath of panic. Alex's face appears in my blurry vision. I guess I managed to fall asleep in this old chair after all. Now I feel worse than when I sat down. "Come." She takes my hand and tugs me until I get out of the chair, leading me to the bed. It's still dark out, but the fire casts enough glow. "Wait, let me get the-" "No, this is perfect. Really." She's still whispering. the girl who drives a BMW Z8, and she wears probably two years' worth my salary on her finger, curls up on an unmade bed with an old wool blanket and says it's perfect.
K.A. Tucker (Burying Water (Burying Water, #1))
My mother, sleeping. Curled up like a spring fern although she’s almost a century. She’s dreaming, however. I can tell by the way she’s frowning, and her strong breathing. Maybe she’s making her way down one more white river, or walking across the ice. There are no more adventures for her in the upper air, in this room with her bed and the family pictures. Let’s go out and fight the storm, she used to say. So maybe she’s fighting it.
Margaret Atwood (Dearly: Poems)
And modern houses don't have passages, either, for children to play and run about in, and for dogs, umbrellas, coats and satchels. And don't forget that passages and corridors are where the young ones curl up and go to sleep when they're tired, and where you go and collect them to put them to bed. That's where they go when they're four years old and have had enough of the grown-ups and their philosophy. That's where, when they're unsure of themselves, they go and have a quiet cry. Houses never have enough room for children, not even if they're castles. Children don't actually look at houses, but they know them and all their nooks and crannies better than their mothers do. They rummage about. They snoop around. They don't consciously look at houses any more than they look at the walls of flesh that enclose them before they can see anything at all — but they know them. It's when they leave the house that they look at it.
Marguerite Duras (Practicalities)
On the wicker chair the cat lazily raised its head. Meeting my gaze, it got up, padded across the floor and jumped onto my lap. I got rid of the orange peel, which the cat hated. “You can lie here for a bit,” I said, stroking it. “You can. But not all night, you know. I’m going to bed soon.” It began to purr as it curled up on me. Its head sank slowly, resting on one paw, and its eyes, which first had closed with pleasure, were closed in sleep within seconds. “It’s all right for some,” I said.
Karl Ove Knausgård (My Struggle: Book 1)
With a sudden flash of anger, she blurted, "Lash wasn't impotent, all right? He wasn't ... impotent-" The temperature in the room plummeted so fast and so far, her breath came out in clouds. And what she saw in the mirror made her swing around and take a step back from John: His blue eyes glowed with an unholy light and his upper lip curled up to reveal fangs that were sharp and so long they looked like daggers. Objects all around the room began to vibrate: the lamps on the bed stands, the clothes on their hangers, the mirror on the wall. The collective rattling crescendoed to a dull roar and she had to steady herself on the bureau or run the risk of being knocked on her ass. The air was alive. Supercharged. Electric. Dangerous. And John was the center of the raging energy, his hands cranking into fists so tight his forearms trembled, his thighs grabbing onto his bones as he sank down into fighting stance. John's mouth stretched wide as his head shot forward on his spine... and he let out a war cry- Sound exploded all around her, so loud she had to cover her ears, so powerful she felt the blast against her face. For a moment, she thought he'd found his voice- except it wasn't vocal cords making that bellowing noise. The glass in the sliders blew out behind him, the sheets shattering into thousands of shards that blasted free of the house, the fragments bouncing on the slate and catching the light like raindrops... Or like tears.
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
the details of anything you love are always what is most thrilling, most poignant, most important. i loved her as she rose from bed and fell back against it again, and all she did in-between. when you love someone you accept them, you become them in a way, and all they do forms into you. their mannerisms turn into truth- the way she holds her favorite coffee mug, the way she laughs, the way she smells, the way her lips curl after certain words. all of the simple things suddenly become gigantic things and light up the world before you like a flame thrown into the clouds. what a breathtaking display. the way the earth begins to dissolve in your periphery and a human being replaces it. no matter what they tell you- a person is a universe when truly loved and anything less is not love at all.
Christopher Poindexter (Naked Human)
The growl that permeated the room was loud enough to rattle the mirror on the wall next to Qhuinn’s head—as well as the silver brush set on the bureau and the crystals on the sconces by the door. At first he was sure it was Phury…except then the Brother’s brows came down hard and the male looked over his shoulder. Layla was out of bed and closing in on the pair of them—and holy fucking shit, the look in her eyes was enough to melt paint off a car door: In spite of the fact that she was not well, her fangs were bared, and her fingers were curled into claws…and the icy draft that preceded her made the back of Qhuinn’s neck prickle in warning. That growl was nothing that should have come out of a male…much less a delicate female of Chosen status. And if anything, her nasty tone of voice was worse: “Let. Him. Go.” She was looking up at Phury as if she were fully prepared to rip the Brother’s arms out of their sockets and beat him with the stumps if he didn’t do exactly what she said. Pronto
J.R. Ward
Now—” stretching up on tiptoe, to kiss me on the cheek—“let’s both be good, and truthful, and kind to each other, and let’s be happy together and have fun always.” xxii. SO I SPENT THE night—we ordered in, later, and then went back to bed. But though on some level it was all easy enough pretending everything was the same (because, in some way, hadn’t we both been pretending all along?) on another I felt nearly suffocated by the weight of everything unknown, and unsaid, pressing down between us, and later when she lay curled against me asleep I lay awake and stared out the window feeling completely alone.
Donna Tartt (The Goldfinch)
She averted her eyes from his naked chest and reached up to close her window. He lifted his arms, curling his hands around the sash of his own window. Between his upraised arms, he stared at her, and his smile widened. "What's wrong, Lily? Are you shutting your window because you're afraid I'll breathe the same air you do?" She met his gaze across the short distance that separated them. "I didn't know leeches could breathe." He didn't get angry at the insult. Instead, he laughed. "You're a worthy opponent. I don't think I've ever met a woman with a quicker wit than you. If you'd been a man, there's no telling what you might have accomplished." "If I'd been a man, I'd have called you out in the fine old Southern tradition five years ago and shot you. That would have been a fine accomplishment." She slammed the window shut and closed the curtains. Daniel was right, of course. Within minutes, the room became suffocatingly hot. She desperately wanted to open the window again, but she didn't want to give him any victory, no matter how small. So, she waited in the dark as her bedroom became an oven, listening to the clock on her dressing table tick away the minutes. When the clock chimed the quarter hour twice, she got out of bed and walked to the window. He was sure to be asleep by now. She slipped the curtains open, and as quietly as possible, she raised the sash. "Told you so," a sleepy male voice murmured. Lord, she hated him.
Laura Lee Guhrke (Breathless)
IT WAS A DARK AND STORMY NIGHT. In her attic bedroom Margaret Murry, wrapped in an old patchwork quilt, sat on the foot of her bed and watched the trees tossing in the frenzied lashing of the wind. Behind the trees clouds scudded frantically across the sky. Every few moments the moon ripped through them, creating wraithlike shadows that raced along the ground. The house shook. Wrapped in her quilt, Meg shook. ... The window rattled madly in the wind, and she pulled the quilt close about her. Curled up on one of her pillows, a gray f luff of kitten yawned, showing its pink tongue, tucked its head under again, and went back to sleep.
Madeleine L'Engle
Curl moaned. Mattie rocked. Propelled by the sound, Mattie rocked her out of that bed, out of that room, into a blue vastness just underneath the sun and above time. She rocked her over Aegean seas so clean they shine like crystal, so clear the fresh blood of sacrificed babies torn from their mothers arms and given to Neptune could be seen like pink froth on the water. She rocked her on and on, past Dachau, where soul-gutted Jewish mothers swept their children's entrails off laboratory floors. They flew past the spilled brains of Senegalese infants whose mothers had dashed them on the wooden sides of slave ships. And she rocked on. She rocked her into her childhood and let her see murdered dreams. And she rocked her back, back into the womb, to the nadir of her hurt, and they found it-a slight silver splinter, embedded just below the surface of her skin. And Mattie rocked and pulled-and the splinter gave way, but its roots were deep, gigantic, ragged, and they tore up flesh with bits of fat and muscle tissue clinging to them. They left a huge hole, which was already starting to pus over, but Mattie was satisfied. It would heal.
Gloria Naylor (The Women of Brewster Place)
Junior, stop being orner.” It’s what Mama used to say to us when we were little, and I say it to Junior out of habit. Daddy used to say it sometimes, too, until he said it to Randall one day and Randall started giggling, and then Daddy figured out Randall was laughing because it sounded like ‘horny’. About a year ago I figured out what it was supposed to be after coming across its parent on the vocabulary list for my English class with Miss Dedeaux: ‘ornery’. It made me wonder if there were other words Mama mashed like that. They used to pop up in my head sometime when I was doing the stupidest things: ‘tetrified’ when I was sweeping the kitchen and Daddy came in dripping beer and kicking chairs. ‘Belove’ when Manny was curling pleasure from me with his fingers in mid-swim in the pit. ‘Freegid’ when I was laying in bed in November, curled to the wall like I was going to burrow into another cover or I was making room for a body to lay behind me to make me warm.
Jesmyn Ward (Salvage the Bones)
Anna’s attention was focused on a single patient. Ariadne Bridgestock lay quietly against the white pillows. Her eyes were shut, and her rich brown skin was ashen, stretching tightly over the branching black veins beneath her skin. Anna slipped in between the screens surrounding Ariadne’s cot, and Cordelia followed, feeling slightly awkward. Was she intruding? But Anna looked up, as if to assure herself that Cordelia was there, before she knelt down at the side of Ariadne’s bed, laying her walking stick on the floor. Anna’s bowed shoulders looked strangely vulnerable. One of her hands dangled at her side: she reached out the other, fingers moving slowly across the white linen sheets, until she was almost touching Ariadne’s hand. She did not take it. At the last moment, Anna’s fingers curled and dropped to rest, beside Ariadne but not quite touching. In a low and steady voice, Anna said, “Ariadne. When you wake up—and you will wake up—I want you to remember this. It was never a sign of your worth that Charles Fairchild wanted to marry you. It is a measure of his lack of worth that he chose to break it off in such a manner.” “He broke it off?” Cordelia whispered. She was stunned. The breaking off of a promised engagement was a serious matter, undertaken usually only when one of the parties in question had committed some kind of serious crime or been caught in an affair. For Charles to break his promise to Ariadne while she lay unconscious was appalling. People would assume he had found out something dreadful about Ariadne. When she awoke, she might be ruined. Anna did not reply to Cordelia. She only raised her head and looked at Ariadne’s face, a long look like a touch. “Please don’t die,” she said, in a low voice, and rose to her feet. Catching up her walking stick, she strode from the infirmary, leaving Cordelia staring after her in surprise.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
Find your bed, Martise. I’ll be up for some time. This is bandit country, and we’ll each take a watch. Put your blankets with mine. We’ll stay warmer that way. And keep your shoes on. I’ll join you soon.” She’d grown used to him curled against her in sleep. Even the light snores purred into her ear comforted her, and there was always the possibility that when he awakened, he’d want her beneath him. Or atop him. Martise blushed at the sensual images playing in her mind. She prepared their bed as he instructed, crawled under the blankets—with her shoes on—and fell asleep. She woke when Silhara slid beneath the blankets and spooned against her. He laid his arm across her waist and wedged his leg between hers through her heavy skirts. His sigh tickled her ear. “Far better if you were bare, but this will do.
Grace Draven (Master of Crows (Master of Crows, #1))
His lips fell back against mine and in the blink of an eye, our bathing suits were shed. He fisted my hair and tilted my head off to the side, nibbling down my neck as he sucked marks against my skin. I felt my pussy heating for him. I felt my toes curling as he kissed down the valley of my breasts. He cupped them forcefully, massaging and tweaking my puckered peaks as I moaned and squealed and whimpered. “Teo,” I whispered. He growled. “Already so wet for me.” He slid two fingers inside of my body and my back arched dangerously. He crooked them against that pebbled spot as his thumb slid against my clit, and already I felt my ending approaching. I fisted the bed sheets as he pumped his dexterous fingers, tickling that sweet spot that made my eyes widen and my jaw unhinge with silent pleasure. An unearthly drone bubbled up the back of my throat as my orgasm crashed over me. But, nothing felt even remotely wonderful compared to the feeling of his cock sliding between my legs. “Holy fuck,” he growled. He pinned my wrists above my head and pounded against my body. My tits jumped for his viewing pleasure as he planted his knees into the mattress. My legs locked around him as I opened myself up for his assault. His thick dick, sliding against my walls as they clamped around him. My body, puckering at every movement and every sound he graced me with. All I knew was pleasure. All I understood was his presence. And the only name that came to mind as my second orgasm approached was his name. “Teo! Holy shit!” I exclaimed. He grunted. “Come for me. Squeeze that tight little pussy ar—ound—oh, shit.” He slowed his movements long enough to work me through an ecstasy that crashed so hard against my body that my vision tunneled. My body shook and tensed. Contracted and released. Then finally, my back collapsed to the bed. I felt physically spent until Teo’s dick slid from between my legs. And automatically, I missed him.
Callie Vincent (Monster (Sold to the Don, #1))
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked. It took every particle of his will to keep his voice controlled. “Not particularly.” “I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.” Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—” Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth. Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.” Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—” “You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.” Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him. He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.” “I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him. “Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.” Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.” “Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Moses?” I said softly. “Yeah?” His eyes lifted from the canvas briefly. “There’s a new law in Georgia.” “Does it directly contradict one of the laws of Moses?” “Yes. Yes it does,” I confessed. “Hmm. Let’s hear it.” He set his brush down, wiped his hands on a cloth and approached the bed where I was positioned, draped in a sheet like a Rubenesque Madonna. I learned the term from him, and he seemed to think it was a good thing. “Thou shall not paint,” I commanded sternly. He leaned over me, one knee on the bed, his strong arms bracketing my head, and I turned slightly, looking up at him. “Ever?” He smiled. I watched his head descend and his lips brushed mine. But his golden-green eyes stayed open, watching me as he kissed me. My toes curled and my eyes fluttered, the sensation of lips tasting lips pulling me under. “No. Not ever, just sometimes,” I sighed. “Just when I’m in Georgia?
Amy Harmon (The Law of Moses (The Law of Moses, #1))
Come on, let's get you to bed.' I lean in and kiss the scar on his eyebrow. 'It will be tomorrow when you wake up.' 'I don't deserve you.' His arm curls around my hips and he tugs me closer. 'But I'm going to keep you all the same.' 'Good.' I lean in and brush my lips over his. 'Because I think I'm in love with you.' My heart beats erratically, and panic claws up my rib cage. I shouldn't have said it. His eyes flare wide and his arms tighten around me. 'You think? Or you know?' Be brave. Even if he doesn't feel the same, at least I will have spoken my truth. 'I know. I'm so wildly in love with you that I can't imagine what my life would even look like without you in it. And I probably shouldn't have said that, but if we're doing this, then we're starting from a place of complete honesty.' He crushes his mouth to mine and pulls me fully into his lap so I'm straddling him. He kisses me so deep that I lose myself in it, in him.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
          The man under the bed           The man who has been there for years waiting           The man who waits for my floating bare foot           The man who is silent as dustballs riding the darkness           The man whose breath is the breathing of small white butterflies           The man whose breathing I hear when I pick up the phone           The man in the mirror whose breath blackens silver           The boneman in closets who rattles the mothballs           The man at the end of the end of the line           I met him tonight I always meet him           He stands in the amber air of a bar           When the shrimp curl like beckoning fingers           ride through the air on their toothpick skewers           When the ice cracks & I am about to fall through           he arranges his face           around its hollows           he opens his pupilless eyes at me           For years he has waited to drag me down           & now he tells me           he has only waited to take me home           We waltz through the street like death & the maiden           We float through the wall of the wall of my room           If he’s my dream he will fold back into my body           His breath writes letters of mist on the glass of my cheeks           I wrap myself around him like the darkness           I breathe into his mouth           & make him real
Erica Jong (Fear of Flying)
December 25, 4:30 p.m. Dear America, It’s been seven hours since you left. Twice now I’ve started to go to your room to ask how you liked your presents and then remembered you weren’t here. I’ve gotten so used to you, it’s strange that you aren’t around, drifting down the halls. I’ve nearly called a few times, but I don’t want to seem possessive. I don’t want you to feel like I’m a cage to you. I remember how you said the palace was just that the first night you came here. I think, over time, you’ve felt freer, and I’d hate to ruin that freedom, I’m going to have to distract myself until you come back. I decided to sit and write to you, hoping maybe it would feel like I was talking to you. It sort of does, I can imagine you sitting here, smiling at my idea, maybe shaking your head at me as if to say I’m being silly. You do that sometimes, did you know? I like that expression on you. You’re the only person who wears it in a way that doesn’t come across like you think I’m completely hopeless. You smile at my idiosyncrasies, accept that they exist, and continue to be my friend. And, in seven short hours, I’ve started to miss that. I’ve wonder what you’ve done in that time. I’m betting by now you’ve flown across the country, made it to your home, and are safe. I hope you are safe. I can’t imagine what a comfort you must be to your family right now. The lovely daughter has finally returned! I keep trying to picture you home. I remember you telling me it was small, that you had a tree house, and that your garage was where you father and sister did all their work. Beyond that I’ve had to resort to my imagination. I imagine you curled up in a hug with you sister or kicking around a ball with your little brother. I remember that, you know? That you said he liked to play ball. I tried to imagine walking into your house with you. I would have liked that, to see you where you grew up. I would love to see you brother run around or be embraced by your mother. I think it would be comforting to sense the presence of people near you, floorboards creaking and doors shutting. I would have liked to sit in one part of the house and still probably be able to smell the kitchen. I’ve always imagined that real homes are full of the aromas of whatever’s being cooked. I wouldn’t do a scrap of work. Nothing having to do with armies or budgets or negotiations. I’d sit with you, maybe try to work on my photography while you played the piano. We’d be Fives together, like you said. I could join your family for dinner, talking over one another in a collection of conversations instead of whispering and waiting our turns. And maybe I’d sleep in a spare bed or on the couch. I’d sleep on the floor beside you if you’d let me. I think about that sometimes. Falling asleep next to you, I mean, like we did in the safe room. It was nice to hear your breaths as they came and went, something quiet and close keeping me from feeling so alone. This letter has gotten foolish, and I think you know how I detest looking like a fool. But still I do. For you. Maxon
Kiera Cass (The One (The Selection, #3))
He was walking around in circles, the smell of the old furniture suddenly very distinct. There was a newspaper in his hand and he started reading it, paying particular attention to the headlines which seemed to be floating towards him so that now a band of black print encircled his forehead. He was curled upon the bed, hugging his knees, when the next horror came upon him: those who heard him last night would now have to report his theft, and his employer would call the police. He saw how the policeman took the telephone call at the station; how his name and address were spoken out loud; how he looked down at the floor as they led him away; how he was in the dock, forced to answer questions about himself, and now he was in a cell and had lost control of his own body. He was staring out of the window at the passing clouds when it occurred to him that he should write to his employer, explaining his drunkenness and confessing that he invented the story of theft; but who would believe him? It was always said that in drink there was truth, and perhaps it was true that he was a convicted thief. He began to sing, One fine day in the middle of the night, Two dead men got up to fight and then he knew what was meant by madness.
Peter Ackroyd (Hawksmoor)
Chang-bo took to his bed, or rather to the quilts on the floor that was all they had left. His legs swelled up like balloons with what Mrs. Song had come to recognize as edema — fluid retention brought on by starvation. He talked incessantly about food. He spoke of the tofu soups his mother made him as a child and an unusually delicious meal of steamed crab with ginger that Mrs. Song had cooked for him when they were newlyweds. He had an uncanny ability to remember details of dishes she had cooked decades earlier. He was sweetly sentimental, even romantic, when he spoke about their meals together. He would take her hand in his own, his eyes wet and cloudy with the mist of his memories. “Come, darling. Let’s go to a good restaurant and order a nice bottle of wine,” he told his wife one morning when they were stirring on the blankets. They hadn’t eaten in three days. Mrs. Song looked at her husband with alarm, worried that he was hallucinating. She ran out the door to the market, moving fast and forgetting all about the pain in her back. She was determined to steal, beg — whatever it took — to get some food for her husband. She spotted her older sister selling noodles. Her sister wasn’t faring well — her skin was flaked just like Chang-bo’s from malnutrition — so Mrs. Song had resisted asking her for help, but now she was desperate, and of course, her sister couldn’t refuse. “I’ll pay you back,” Mrs. Song promised as she ran back home, the adrenaline pumping her legs. Chang-bo was curled up on his side under the blanket. Mrs. Song called his name. When he didn’t respond, she went to turn him over — it wasn’t diffcult now that he had lost so much weight, but his legs and arms were stiff and got in the way. Mrs. Song pounded and pounded on his chest, screaming for help even as she knew it was too late.
Barbara Demick (Nothing to Envy: Ordinary Lives in North Korea)
I never wanted it to end. I wondered if it felt like this the first time. Seeing him. Really seeing him. He wiped his eyes. “You really want to know, don’t you.” “Yeah.” “Why?” I gave in. I couldn’t not. I reached over and put my hand on his knee. He tensed briefly but settled when I curled my fingers over his leg, just letting my hand rest there. I couldn’t look at him. I thought my face was on fire. He said, “That’s….” His voice broke. He cleared his throat. “After the hunters came, something shifted. Between us. I don’t know how or why exactly. You stopped being weird around me.” “Seems like I’ve picked that right up again.” He chuckled. “A little. It’s okay, though. It’s like… a beginning. You came to me one day. You were sweating. I remember thinking something bad had happened because you kept wringing your hands until I thought you were going to break your bones. I asked you what was wrong. And you know what you said? “Probably something stupid.” “You said that you didn’t think you could ever give up on me. That no matter how long it took, you would be there until I told you otherwise. That you weren’t going to push me for anything but you thought I should know that you had… intentions.” “Oh dear god,” I said in horror. “And that worked?” Kelly snorted, and I felt his hand on the back of mine. “Not quite. But what you said next did.” I looked over at him. “What did I say?” He was watching me with human eyes, and I thought I could love him. I saw how easy it could be. I didn’t, not yet, but oh, I wanted to. “You said you thought the world of me. That we’d been through so much and you couldn’t stand another day if I didn’t know that. You told me that you were a good wolf, a strong wolf, and if I’d only give you a chance, you’d make sure I’d never regret it.” I had to know. “Have you?” “No,” he whispered. “Not once. Not ever.” He looked away. “It was good between us. We took it slow. You smiled all the time. You brought me flowers once. Mom was pissed because you ripped them up from her flower bed and there were still roots and dirt hanging from the bottom, but you were so damn proud of yourself. You said it was romantic. And I believed you.” He plucked a blade of grass and held it in the palm of his hand. “There was something… I don’t know. Endless. About you and me.” He took my hand off his knee and turned it over. He set the blade of grass in my palm and closed his hand over mine. He looked toward the sky and the stars through the canopy of leaves. “We came here sometimes. Just the two of us. And you would pretend to know all the stars. You would make up stories that absolutely weren’t true, and I remember looking at you, thinking how wonderful it was to be by your side. And if we were lucky, there’d be—ah. Look. Again.” His voice was wet and soft, and it cracked me right down the middle. Fireflies rose around us, pulsing slowly. At first there were only two or three, but then more began to hang heavy in the air. They were yellow-green, and I wondered how this could be real. Here. Now. This moment. How I ever could have forgotten this. Forgotten him. It had to have been the strongest magic the world had ever known. That was the only way I’d have ever left his side. He reached out with his other hand, quick and light, and snatched a firefly out of the air. He was careful not to crush it. He leaned his head toward mine like he was about to tell me a great secret. Instead he opened his hand between us. The firefly lay near the bottom of his ring finger. Its shell was black with a stripe down the middle. It barely moved. “Just wait,” Kelly whispered. I did. It only took a moment. The firefly pulsed in his hand. “There it is,” he said. He pulled away and lifted his hand. The firefly took to its wings, lifting off and flying away. He stared after it. I only had eyes for him.
T.J. Klune (Heartsong (Green Creek, #3))
But it wasn't all bad. Sometimes things wasn't all bad. He used to come home easing into bed sometimes, not too drunk. I make out like I'm asleep, 'casue it's late, and he taken three dollars out of my pocketbook that morning or something. I hear him breathing, but I don't look around. I can see in my mind's eye his black arms thrown back behind his head, the muscles like a great big peach stones sanded down, with veins running like little swollen rivers down his arms. Without touching him I be feeling those ridges on the tips of my fingers. I sees the palms of his hands calloused to granite, and the long fingers curled up and still. I think about the thick, knotty hair on his chest, and the two big swells his breast muscles make. I want to rub my face hard in his chest and feel the hair cut my skin. I know just where the hair growth slacks out-just above his navel- and how it picks up again and spreads out. Maybe he'll shift a little, and his leg will touch me, or I feel his flank just graze my behind. I don't move even yet. Then he lift his head, turn over, and put his hand on my waist. If I don't move, he'll move his hand over to pull and knead my stomach. Soft and slow-like. I still don't move, because I don't want him to stop. I want to pretend sleep and have him keep rubbing my stomach. Then he will lean his head down and bite my tit. Then I don't want him to rub my stomach anymore. I want him to put his hand between my legs. I pretend to wake up, and turn to him, but not opening my legs. I want him to open them for me. He does, and I be soft and wet where his fingers are strong and hard. I be softer than I ever been before. All my strength in his hand. My brain curls up like wilted leaves. A funny, empty feeling is in my hands. I want to grab holt of something, so I hold his head. His mouth is under my chin. Then I don't want his hands between my legs no more, because I think I am softening away. I stretch my legs open, and he is on top of me. Too heavy to hold, too light not to. He puts his thing in me. In me. In me. I wrap my feet around his back so he can't get away. His face is next to mine. The bed springs sounds like them crickets used to back home. He puts his fingers in mine, and we stretches our arms outwise like Jesus on the cross. I hold tight. My fingers and my feet hold on tight, because everything else is going, going. I know he wants me to come first. But I can't. Not until he does. Not until I feel him loving me. Just me. Sinking into me. Not until I know that my flesh is all that be on his mind. That he couldnt stop if he had to. That he would die rather than take his thing our of me. Of me. Not until he has let go of all he has, and give it to me. To me. To me. When he does, I feel a power. I be strong, I be pretty, I be young. And then I wait. He shivers and tosses his head. Now I be strong enough, pretty enough, and young enough to let him make me come. I take my fingers out of his and put my hands on his behind. My legs drop back onto the bed. I don't make a noise, because the chil'ren might hear. I begin to feel those little bits of color floating up into me-deep in me. That streak of green from the june-bug light, the purple from the berries trickling along my thighs, Mama's lemonade yellow runs sweet in me. Then I feel like I'm laughing between my legs, and the laughing gets all mixed up with the colors, and I'm afraid I'll come, and afraid I won't. But I know I will. And I do. And it be rainbow all inside. And it lasts ad lasts and lasts. I want to thank him, but dont know how, so I pat him like you do a baby. He asks me if I'm all right. I say yes. He gets off me and lies down to sleep. I want to say something, but I don't. I don't want to take my mind offen the rainbow. I should get up and go to the toilet, but I don't. Besides Cholly is asleep with his leg thrown over me. I can't move and I don't want to.
Toni Morrison (The Bluest Eye)
A large and comfortable double-bedded room had been placed at our disposal, and I was quickly between the sheets, for I was weary after my night of adventure. Sherlock Holmes was a man, however, who when he had an unsolved problem upon his mind would go for days, and even for a week, without rest, turning it over, rearranging his facts, looking at it from every point of view, until he had either fathomed it, or convinced himself that his data were insufficient. It was soon evident to me that he was now preparing for an all-night sitting. He took off his coat and waistcoat, put on a large blue dressing-gown, and then wandered about the room collecting pillows from his bed, and cusions from the sofa and armchairs. With these he constructed a sort of Eastern divan, upon which he perched himself cross-legged, with an ounce of shag tobacco and a box of matches laid out in front of him. In the dim light of the lamp I saw him sitting there, an old brier pipe between his lips, his eyes fixed vacantly upon the corner of the ceiling, the blue smoke curling up from him, silent, motionless, with the light shining upon his strong-set aquiline features. So he sat as I dropped off to sleep, and so he sat when a sudden ejaculation caused me to wake up, and I found the summer sun shining into the apartment. The pipe was still between his lips, the smoke still curled upwards, and the room was full of a dense tobacco haze, but nothing remained of the heap of shag which I had seen upon the previous night. 'Awake, Watson?' he asked. 'Yes.' 'Game for a morning drive?' 'Certainly.' 'Then dress. No one is stirring yet, but I know where the stable-boy sleeps, and we shall soon have the trap out.
Arthur Conan Doyle (The Man with the Twisted Lip - a Sherlock Holmes Short Story (The Adventures of Sherlock Holmes, #6))
We crossed the street and turned left into one of the side streets, which was only slightly less wide. Here the traffic was lighter. To the left and slightly in front of us, two men walked shoulder to shoulder. The first wore leather pants, a white shirt with wide sleeves, and a leather vest over it. A wide leather bracer enclosed his left forearm. His hair, a rare blond shade, almost gold, hung in a ponytail down his back. He moved with a casual aristocratic elegance, perfectly balanced. Watching him, you had a feeling that if the road suddenly became a tightrope, he would just keep on walking without breaking a stride. My father moved like that. I sped up a little. We drew even and I saw a slender sword on his waist. That's what I thought. An expert swordsman. I glanced at his face and blinked. He was remarkably handsome. The man to his left was larger, his shoulders broader, his body emanating contained aggression. He didn't walk, he stalked, and you could tell by the way he moved that he would be very strong. His auburn hair looked like he'd rolled out of bed, dragged his hand through it, and gone on about his day. He wore dark pants and a black leather jacket that was more doublet than motorcycle. A ragged scar crossed his left cheek and when he turned his head, his eyes shone with yellow. Interesting. "It's always work with you," the russet-haired man said. "Some of us have to mind the safety of the realm," the blond said. A narrow smile curled his lips. "I've given the realm eight years of my life. It can bite me," his stocky companion retorted. "How far is it?" The slim man raised his left arm. A hawk dropped out of the sky and landed on his bracer. "We're almost there. Two blocks left." "Good. Let's get this crap and go home." They turned into the side street. "That bird smelled dead," Sean said.
Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
Stop,” Jesse said. I stared up at him, almost panting with fear. “Stop, beloved,” he said more gently, and took up my clenched fist with both hands. “I’ve upset you, and I shouldn’t have. I don’t want you to dread yourself. I don’t want you to dread what is to come. Like I said, you’re exceptional, so there may be nothing to worry about at all. But whatever happens, whatever you face, I’ll face it with you. Do you hear?” “How can you say it? It nearly happened on the roof today. You can’t know-“ “I will be with you. We’re together now, and the universe knows I won’t let you make your sacrifice alone. Dragon protects star. Star adores dragon. An age-old axiom. Simple as that.” I looked down at our hands, both of his curled over mine. I unclenched my fist. Blood from the thorn smeared my skin. “The universe,” I muttered. “The same universe that has produced the Kaiser and bedbugs and Chloe Pemington. How reassuring.” With the same absolute concentration he might have shown for turning flowers into gold, Jesse Holms smoothed out my fingers between his, wiping away the blood. He turned my hand over and lifted it to his lips. His next words fell soft as velvet into the heart of my palm. “Those nights, in the sweetest dark, we shared our dreams. That’s you answer. I was stitched into yours, and you were stitched into mind, and that was real, I promise you.” I felt his lips curve into a smile. The unbelievably sensual, ticklish scuff of his whiskers. “Very good dreams they were, too,” he added. It was no use trying to cling to mortification or fear. He was holding my hand. He was smiling at me past the cup of my fingers, and although I couldn’t see it, the shape of it against my skin was beyond tantalizing, rough and masculine. I was a creature gone hot and cold and light-headed with pleasure. I wanted to snatch back my hand and I wanted him to go on touching me like this forever. I wanted to walk with him back to his cottage, to his bed, and to hell with the Germans and school and all the rest of the world. But he looked up suddenly. “They’re searching for you,” he said, releasing me at once, moving away. They were. I heard my name being called by a variety of voices in a variety of tones, all of them still inside the castle, none of them sounding happy. “Go on.” With a few quick steps, Jesse was less than a shadow, retreating into the black wall of the woods. “Don’t get into trouble. And, Lora?” “Yes?” There was hushed laughter in his voice. “Until we can see each other again, do us both a favor. Keep away from rooftops.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
One night, when Violet’s parents had gone out, he teased her about it, whispering against her throat, “I should probably be dating girls my own age now that you’ll be over-the-hill.” Jay was stretched out on Violet’s bed as she curled against him. Violet laughed, rising to the bait. “Fine,” she challenged, pulling away and leaning up on her elbow. “I’m sure there are plenty of men my own age who would be willing to finish what you’ve started.” Jay stiffened, and Violet realized that she’d struck a nerve. “What is it?” He shook his head, and Violet thought he might say, “Nothing,” so when he answered, his words caught her off guard. “Is there someone else, Vi?” Violet frowned, baffled by the unfamiliar jealousy she saw on his face. She wondered what in the world he meant as she reached down and smoothed a strand of hair from his forehead. “What are you talking about, Jay?” His eyes met hers. “I saw you with that guy at the movies, Vi. Who was he?” Violet closed her eyes. She wasn’t ready yet. She didn’t want to tell him about the FBI, about Sara and Rafe or what she’d learned about Mike’s mother. She wondered briefly if he knew about Mike’s mom-if his friend had ever confided in him. But somehow she doubted it. Jay wasn’t like her; he didn’t keep secrets. “It’s not like that,” she explained, hoping that would be enough. Jay got up and went to the window, pushing the curtain aside. Every muscle in his body was rigid. “Like what, Vi? What’s going on? Something’s been bothering you lately. Why can’t you tell me?” He was right. She owed it to him to at least try. “I don’t know how to explain, but I just feel like everything’s changed between us-“ “Of course it’s changed, Violet, what’d you expect?” Violet tried to ignore the bitterness in his voice, telling herself she had no right to be hurt. “It used to be that I would never keep secrets from you. You were my best friend. But now that we’re dating, it’s just…different. I feel like I have to watc what I say, or you get all worried. Sometimes I just want you to be the old Jay again, so I can talk to you.” Violet crept up behind him, wrapping her arms around his waist and resting her cheek against his back.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Do you have a piece of paper I could write on?” I jump up too fast. “Sure. Just one? Do you—of course you need something to write with. Sorry. Here.” I grab him a paper from my deskdrawer and one of my myriad pencils, and he uses the first Children of Hypnos book as a flat surface to write on. When I’m sure he’s writing something for me to read right now, I say, “I thought you only needed to do that when other people were around?” He etches one careful line after the next. He frowns, shakes his head. “Sometimes it’s . . . tough to say things. Certain things.” His voice is hardly a whisper. I sit down beside him again, but his big hand blocks my view of the words. He stops writing, leaves the paper there, and stares. Then he hands it to me and looks the other direction. Can I kiss you? “Um,” is a delightfully complex word. “Um” means “I want to say something but don’t know what it is,” and also “You have caught me off guard,” and also “Am I dreaming right now? Someone please slap me.” I say “um,” then. Wallace’s entire head-neck region is already flushed with color, but the “um” darkens it a few shades, and goddammit, he was nervous about asking me and I made it worse. What good is “um” when I should say “YES PLEASE NOW”? Except there’s no way I’m going to say “YES PLEASE NOW” because I feel like my body is one big wired time bomb of organs and if Wallace so much as brushes my hand, I’m going to jump out of my own skin and run screaming from the house. I’ll like it too much. Out of control. No good. I say, “Can I borrow that pencil?” He hands me the pencil, again without looking. Yes, but not right now. I know it sounds weird. Sorry. I don’t think it’ll go well if I know it’s coming. I will definitely freak out and punch you in the face or scream bloody murder or something like that. Surprising me with it would probably work better. I am giving you permission to surprise me with a kiss. This is a formal invitation for surprise kisses. I don’t like writing the word “kiss.” It makes my skin crawl. Sorry. It’s weird. I’m weird. Sorry. I hope that doesn’t make you regret asking. I hand the paper and pencil back. He reads it over, then writes: No regret. I can do surprises. That’s it. That’s it? Shit. Now he’s going to try to surprise me with a kiss. At some point. Later today? Tomorrow? A week from now? What if he never does it and I spend the rest of the time we hang out wondering if he will? What have I done? This was a terrible idea. I’m going to vomit. “Be right back,” I say, and run to the bathroom to curl up on the floor. Just for like five minutes. Then I go back to my room and sit down beside Wallace. As I’m moving myself into position, his hand falls over mine, and I don’t actually jump out of my skin. My control shakes for a moment, but I turn in to it, and everything smooths out. I flip my hand over. He flexes his fingers so I can fit mine in the spaces between. And we sit there, shoulder to shoulder, with our hands resting on the bed between us. It’s not so bad
Francesca Zappia (Eliza and Her Monsters)
Tell me what to do," she said, the words blowing against him. Whatever sanity Ross had left promptly burned to cinders. He gasped out instructions, his hands trembling as he clasped her head. "Use your tongue on the tip... yes... now take as much as you can in your... oh, God..." Sophia's fervor more than made up for her lack of experience. She did things that Eleanor would never have tried, tugging at his aching flesh, her velvety tongue swirling and lapping. Ross sank to his knees and pulled at her clothes, tearing them, and she gave a breathless laugh at his roughness. His mouth caught greedily at hers, while she wriggled to help him strip the shredded gown down her legs. A primal sound of satisfaction escaped him when Sophia's naked body was finally revealed. He lifted her to the bed, pausing only to remove his trousers before he joined her. Eagerly she slid between his legs and took his sex into her mouth once more, resisting his efforts to bring her face up to his. Groaning repeatedly, he surrendered to her ministrations, his fingers tangling in the locks of her hair. However, he was not satisfied for long- he wanted more, he craved the taste of her. Impatiently he seized her hips, maneuvering her until she was positioned at his mouth. He buried his face amid the intimate curls, his hands gripping her thighs as she jerked with surprise. He searched her with his tongue, licking deeply into the seam of moist folds. Avidly he hunted for the tiny engorged peak where her pleasure was concentrated. Finding it, he nibbled, stroked, darted his tongue at it, as he felt her stiffen in approaching climax. He backed off, gentling, while she moaned pleadingly around his cock. Twice more he brought her to the edge, making her suffer, tormenting until she responded with desperate tugs of her mouth. Each time Sophia drew on him, Ross sank his tongue deep inside her, matching his rhythm to hers, until she shuddered hard as her pleasure finally reached its zenith. She cried out against his groin, her mouth still clamped around him. His own culmination approached rapidly, and he moved his hands to her head. But she resisted his attempts to dislodge her, and the silly strokes of her tongue became too much to bear. The climax broke over him, and he arched and gasped as he was consumed in an explosion of pure white fire.
Lisa Kleypas (Lady Sophia's Lover (Bow Street Runners, #2))
Trying to get to 124 for the second time now, he regretted that conversation: the high tone he took; his refusal to see the effect of marrow weariness in a woman he believed was a mountain. Now, too late, he understood her. The heart that pumped out love, the mouth that spoke the Word, didn't count. They came in her yard anyway and she could not approve or condemn Sethe's rough choice. One or the other might have saved her, but beaten up by the claims of both, she went to bed. The whitefolks had tired her out at last. And him. Eighteen seventy-four and whitefolks were still on the loose. Whole towns wiped clean of Negroes; eighty-seven lynchings in one year alone in Kentucky; four colored schools burned to the ground; grown men whipped like children; children whipped like adults; black women raped by the crew; property taken, necks broken. He smelled skin, skin and hot blood. The skin was one thing, but human blood cooked in a lynch fire was a whole other thing. The stench stank. Stank up off the pages of the North Star, out of the mouths of witnesses, etched in crooked handwriting in letters delivered by hand. Detailed in documents and petitions full of whereas and presented to any legal body who'd read it, it stank. But none of that had worn out his marrow. None of that. It was the ribbon. Tying his flatbed up on the bank of the Licking River, securing it the best he could, he caught sight of something red on its bottom. Reaching for it, he thought it was a cardinal feather stuck to his boat. He tugged and what came loose in his hand was a red ribbon knotted around a curl of wet woolly hair, clinging still to its bit of scalp. He untied the ribbon and put it in his pocket, dropped the curl in the weeds. On the way home, he stopped, short of breath and dizzy. He waited until the spell passed before continuing on his way. A moment later, his breath left him again. This time he sat down by a fence. Rested, he got to his feet, but before he took a step he turned to look back down the road he was traveling and said, to its frozen mud and the river beyond, "What are these people? You tell me, Jesus. What are they?" When he got to his house he was too tired to eat the food his sister and nephews had prepared. He sat on the porch in the cold till way past dark and went to his bed only because his sister's voice calling him was getting nervous. He kept the ribbon; the skin smell nagged him, and his weakened marrow made him dwell on Baby Suggs' wish to consider what in the world was harmless. He hoped she stuck to blue, yellow, maybe green, and never fixed on red. Mistaking her, upbraiding her, owing her, now he needed to let her know he knew, and to get right with her and her kin. So, in spite of his exhausted marrow, he kept on through the voices and tried once more to knock at the door of 124. This time, although he couldn't cipher but one word, he believed he knew who spoke them. The people of the broken necks, of fire-cooked blood and black girls who had lost their ribbons. What a roaring.
Toni Morrison (Beloved)
per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number
Tarquin Hall (The Case of the Missing Servant (Vish Puri, #1))
You choose this moment to act like the Abnegation?” His voice fills the room and makes fear prickle in my chest. His anger seems too sudden. Too strange. “All that time you spent insisting that you were too selfish for them, and now, when your life is on the line, you’ve got to be a hero? What’s wrong with you?” “What’s wrong with you? People died. They walked right off the edge of a building! And I can stop it from happening again!” “You’re too important to just…die.” He shakes his head. He won’t even look at me--his eyes keep shifting across my face, to the wall behind me or the ceiling above me, to everything but me. I am too stunned to be angry. “I’m not important. Everyone will do just fine without me,” I say. “Who cares about everyone? What about me?” He lowers his head into his hand, covering his eyes. His fingers are trembling. Then he crosses the room in two long strides and touches his lips to mine. Their gentle pressure erases the past few months, and I am the girl who sat on the rocks next to the chasm, with river spray on her ankles, and kissed him for the first time. I am the girl who grabbed his hand in the hallway just because I wanted to. I pull back, my hand on his chest to keep him away. The problem is, I am also the girl who shot Will and lied about it, and chose between Hector and Marlene, and now a thousand other things besides. And I can’t erase those things. “You would be fine.” I don’t look at him. I stare at his T-shirt between my fingers and the black ink curling around his neck, but I don’t look at his face. “Not at first. But you would move on, and do what you have to.” He wraps an arm around my waist and pulls me against him. “That’s a lie,” he says, before he kisses me again. This is wrong. It’s wrong to forget who I have become, and to let him kiss me when I know what I’m about to do. But I want to. Oh, I want to. I stand on my tiptoes and wrap my arms around him. I press one hand between his shoulder blades and curl the other one around the back of his neck. I can feel his breaths against my palm, his body expanding and contracting, and I know he’s strong, steady, unstoppable. All things I need to be, but I am not, I am not. He walks backward, pulling me with him so I stumble. I stumble right out of my shoes. He sits on the edge of the bed and I stand in front of him, and we’re finally eye to eye. He touches my face, covering my cheeks with his hands, sliding his fingertips down my neck, fitting his fingers to the slight curve of my hips. I can’t stop. I fit my mouth to his, and he tastes like water and smells like fresh air. I drag my hand from his neck to the small of his back, and put it under his shirt. He kisses me harder. I knew he was strong; I didn’t know how strong until I felt it myself, the muscles in his back tightening beneath my fingers. Stop, I tell myself. Suddenly it’s as if we’re in a hurry, his fingertips brushing my side under my shirt, my hands clutching at him, struggling closer but there is no closer. I have never longed for someone this way, or this much. He pulls back just enough to look into my eyes, his eyelids lowered. “Promise me,” he whispers, “that you won’t go. For me. Do this one thing for me.” Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias’s dark eyes plead with me. But if I don’t go to Erudite, who will? Tobias? It’s the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. “Okay.” “Promise,” he says, frowning. The pain becomes an ache, spreads everywhere--all mixed together, guilt and terror and longing. “I promise.
Veronica Roth (Insurgent (Divergent, #2))