Culture Of Critique Quotes

We have to constantly critique imperialist white supremacist patriarchal culture because it is normalized by mass media and rendered unproblematic.

Our culture has filled our heads but emptied our hearts, stuffed our wallets but starved our wonder. It has fed our thirst for facts but not for meaning or mystery. It produces "nice" people, not heroes.

I still think it's important for people to have a sharp, ongoing critique of marriage in patriarchal society — because once you marry within a society that remains patriarchal, no matter how alternative you want to be within your unit, there is still a culture outside you that will impose many, many values on you whether you want them to or not.

When it comes to dressing well, American culture is so self-fulfilled that it has not only disregarded this courtesy of self-presentation, but has turned that disregard into a virtue. "We are too superior/busy/cool/not-uptight to bother about how we look to other people, and so we can wear pajamas to school and underwear to the mall.

What can oppose the decline of the west is not a resurrected culture but the utopia that is silently contained in the image of its decline.

اختلاف الأماكن من بلد إلى بلد اّخر لا يعنى كثيراً,و إنما اختلاف الناس هو الذى يعنى أكثر,لأننا نعاشر الناس و لا نعاشر الجدران.و انت لا تسافر حينما تغير مكانك و لكنك تكون قد سافرت حينما توسع من ثقافتك و تثرى من عاطفتك و تجدد من روحك.

This statement of the jurors’ sense of justice may be the most succinct and forthright declaration of white privilege and racial paternalism I have ever heard.

When we only name the problem, when we state complaint without a constructive focus or resolution, we take hope away. In this way critique can become merely an expression of profound cynicism, which then works to sustain dominator culture.

It is more satisfying to sacrifice oneself for the poor victim than to enable the other to overcome their victim status and perhaps become even more succesfull than ourselves

What separates or unites people is not their language, their laws, their customs, their principles, but the way they hold their knife and fork.

Laughing in the cultural industry is mockery of happiness.

Never presume to know a person based on the one dimensional window of the internet. A soul can’t be defined by critics, enemies or broken ties with family or friends. Neither can it be explained by posts or blogs that lack facial expressions, tone or insight into the person’s personality and intent. Until people “get that”, we will forever be a society that thinks Beautiful Mind was a spy movie and every stranger is really a friend on Facebook.

Obi-Wan Kenobi once said ‘your eyes can deceive you, don’t trust them.’ It seems to be getting harder. Distinguishing reality from the illusions people make for us, or the ones we make for ourselves. I don’t know, maybe that’s part of the plan, to make me think I’m crazy…it’s working.

You know how thick I am. I don't even eat yoghurt because it's got culture in it.

A culture that denies death is a barrier to achieving a good death. Overcoming our fears and wild misconceptions about death will be no small task, but we shouldn't forget how quickly other cultural prejudices--racism, sexism, homophobia--have begun to topple in the recent past. It is high time death had its own moment of truth.

Foreigners are sending messages to the planets. We are sending rice and cereals to our dead fore-father through the Brahmins. It is a wise deed?

Your analysis of American culture and the rise of ‘the most successful corporation in history: American medicine’ makes excellent bedtime reading

In WASP families, if you don't get along with someone, you have as little to do with them as possible. In Jewish families, you move next door, to make them as miserable as possible.

Desert is simply that: an ecstatic critique of culture, an ecstatic form of disappearance.

People have the wrong idea about the hijab,: said Zuhra with a toss of her glossy hair. "I wear it because I respect myself. And when the beauty is hidden the more important things rise to the surface.

Muchas veces me ha sorprendido cómo vemos mejor los paisajes en las películas que en la realidad.

It is not surprising that young white males – most between thirty and forty – play major roles in the production of hip-pop. It’s easy to forget this because when most people critique rap and hip-pop harshly, they assume that young black men are the sole creators and producers of misogynist rap. In fact, nothing is unilaterally produced anymore. As we’ve discussed, once you have a corporate takeover of the street culture, it is no longer the property of the young, Black and Latino men and women who have created it. It is reinvented with the mass consumer audience in mind. The hard-core misogyny and the hard-core sexism isn’t a translation from street to big-time studio, it is a product of the big-time studio.

That is a very Earthling question to ask, Mr. Pilgrim. Why you? Why us for that matter? Why anything? Because this moment simply is. Have you ever seen bugs trapped in amber?' 'Yes' Billy, in fact, had a paperweight in his office which was a plop of polished amber with three ladybugs embedded in it. 'Well, here we are, Mr. Pilgrim, trapped in the amber of this moment. There is no why.

Edward Gibbon (1737-1794) in his Decline and Fall of the Roman Empire said that the following five attributes marked Rome at its end: first, a mounting love of show and luxury (that is, affluence); second, a widening gap between the very rich and the very poor (this could be among countries in the family of nations as well as in a single nation); third, an obsession with sex; fourth, freakishness in the arts, masquerading as originality, and enthusiasms pretending to be creativity; fifth, an increased desire to live off the state. It all sounds so familiar. We have come a long road since our first chapter, and we are back in Rome.

This week, Zuma was quoted as saying, 'When the British came to our country, they said everything we are doing was barbaric, was wrong, inferior in whatever way.' But the serious critique of Zuma is not about who is a barbarian and who is civilised. It is about good governance, and this is a universal value, as relevant to an African village as it is to Westminster. If you are unable to keep your appetites in check, you are inevitably going to live beyond your means. And this means you are going to become vulnerable to patronage and even corruption. That is why Jacob Zuma's 'polygamy' is his achilles heel.

Hacks are killing our national literary culture. America treats best-sellers like literary lions and literary lions worse than stray dogs.

After college I got a job and started working. This new career had absolutely nothing to do with my degree.

Society never made the preposterous demand that a man should think as much about his own qualifications for making a charming girl happy as he thinks of hers for making himself happy. As if a man could choose not only his wife but his wife's husband!

Religion, which was obviously created to give meaning and purpose to people, has become part of the oppression. This is true in both Eastern and Western religious traditions. The Buddha, Jesus and Muhammad were all revolutionaries who critiqued and attempted to dismantle the corrupt societal traditions of their time. Yet their teachings, like most things in human society, have been distorted and co-opted by the confused and power-hungry patriarchal tradition. What were wonce the creation myths of ancient cultures, have become doctrines of oppression. More blood has been spilled and more people oppressed in the name of religion than for any other reason in history.

We live in a time that demands a discourse of both critique and possibility, one that recognizes that without an informed citizenry, collective struggle, and viable social movements, democracy will slip out of our reach and we will arrive at a new stage of history marked by the birth of an authoritarianism that not only disdains all vestiges of democracy but is more than willing to relegate it to a distant memory.

The God of revealed religions - and by this I mean religions like yours - is a profoundly inarticulate God. No matter how many times he tries, he can't make himself clearly or completely understood. He speaks for centuries to the Jews, but fails to make himself understood. At last he sends his only-begotten son, and his son can't seem to do any better.

Wherever you travel to, appreciate the culture and beauty of the place.

Look for a miracle in every encounter.

There’s no standard career path to becoming a deconstructor of wrongness,

Fantasy like thought that no man could rain Just let her reign Run wild with her unafraid Of any rain storms They only wash the mud away and make way For double rainbows and sunny days

Critiquing Islam, critiquing any idea, is not bigotry. “Islamophobia” is a troubled and inherently unhelpful term. Yes, hatred of Muslims by neo-Nazi-style groups does exist, and it is a form of cultural intolerance, but that must never be conflated with the free-speech right to critique Islam. Islam is, after all, an idea; we cannot expect its merits or demerits to be accepted if we cannot openly debate it.

Lying there, I thought of my own culture, of the assembly of books in the library at Alexandria; of the deliberations of Darwin and Mendel in their respective gardens; of the architectural conception of the cathedral at Chartres; of Bach's cello suites, the philosophy of Schweitzer, the insights of Planck and Dirac. Have we come all this way, I wondered, only to be dismantled by our own technologies, to be betrayed by political connivance or the impersonal avarice of a corporation?

Friedrich Wilhelm Nietzsche (October 15, 1844 – August 25, 1900) was a German philosopher. His writing included critiques of religion, morality, contemporary culture, philosophy, and science, using a distinctive style and displaying a fondness for aphorism. Nietzsche's influence remains substantial within and beyond philosophy, notably in existentialism and postmodernism. Nietzsche began his career as a philologist before turning to philosophy. At the age of 24 he became Professor of Classical Philology at the University of Basel, but resigned in 1879 due to health problems, which would plague him for most of his life. In 1889 he exhibited symptoms of a serious mental illness, living out his remaining years in the care of his mother and sister until his death in 1900.

Because we imagine that we are what humanity was divinely destined to become, we assume that our prehistoric ancestors were trying to be us, but just lacked the tools and techniques to succeed. We invest our ancestors with our own predelictions in what seem to us primitive and unevolved forms. As an example of all this, we take it for granted that our religions represent humanity's ultimate and highest spiritual development and expect to find among our ancestors only crude, fumbling harbingers of these religions. We certainly don't expect to find robust, fully developed religions whose expressions are entirely different from ours.

I'm old enough to have lived in a country where, if you were willing to work hard, you could have a fairly nice life. You could support your family, and even get a shot at owning your own home. But you never thought you'd get a swimming pool. Now culture has hypnotised people into thinking they're really nothing if they're not wealthy and a Kardashian.

The old myth traveled upward and outward; the new travels downward and inward.

Il y a désir et désir. Vers le tablao andalou monte un désir qui est l'honneur de la création. Vers la scène du music-hall parisien, monte un désir qui est de la saloperie.

The different shades of colours present cultural diversity.

...I fell asleep and had a dream that a king was liquidated by a group of kind faces...

I don’t want to make this a cultural critique, but you Irish could learn to sip a drink once in a while. Not everything is a shot.

To combat cultural genocide one needs a critique of civilization itself. -Gary Snyder

A people who choose spectacle over skill will dance to the rhythm of their own extinction.

Concurrently, the growing class power and public voice of conservative and liberal well-to-do black folks easily obscures the class cruelty these individuals enact both in the way they talk about underprivileged blacks and the way they represent them. The existence of that class cruelty and its fascist dimensions have been somewhat highlighted by the efforts of privileged-class blacks to censor the voices of black youth, particularly gangsta rappers who are opposing bourgeois class values by extolling the values of street culture and street vernacular. Significantly, the attack on urban underclass black youth culture and its gangster dimensions (glamorization of crime, etc.) is usually presented via a critique of sexism. Since most privileged-class blacks have shown no interest in advancing feminist politics, the only organized effort to end sexism and sexist oppression, this attack on sexism seems merely gratuitous, a smoke screen that deflects away from the fact that what really disturbs bourgeois folks is the support of rebellion, unruly behavior, and disrespect for their class values. In reality, they and their white counterparts fear the power these young folks have to change the minds and life choices of youth from privileged classes. If only underclass black folks were listening to gangsta rap, there would be no public effort to silence and censor this music. The fear is that it will generate class rebellion.

This book has two determinants: on the one hand, an ideological critique of the language of so-called mass culture; on the other, an initial semiological dismantling of that language: I had just read Saussure and emerged with the conviction that by treating “collective representations” as sign systems one might hope to transcend pious denunciation and instead account in detail for the mystification which transforms petit bourgeois culture into a universal nature.

Re-vision--the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction--is for women more than a chapter in cultural history: it is an act of survival. Until we can understand the assumptions in which we are drenched we cannot know ourselves. And this drive to self-knowledge, for women, is more than a search for identity: it is part of our refusal of the self-destructiveness of male-dominated society. A radical critique of literature, feminist in its impulse, would take the work first of all as a clue to how we live, how we have been living, how we have been led to imagine ourselves, how our language has trapped as well as liberated us, how the very act of naming has been till now a male prerogative, and how we can begin to see and name--and therefore live--afresh. A change in the concept of sexual identity is essential if we are not going to see the old political order reassert itself in every new revolution. We need to know the writing of the past, and know it differently than we have ever known it; not to pass on a tradition but to break its hold over us.

Even though there is neither much altruism nor equality in the world, there is almost universal endorsement of the values of altruism and equality - even, notoriously (and as Nietzsche seemed well aware), by those who are is worst enemies in practice. So Nietzsche's critique is that a culture in the grips of MPS [Morality in the Pejorative Sense], even without acting on MPS, poses the real obstacle to flourishing, because it teaches potential higher types to disvalue what would be most conductive to their creativity and value what is irrelevant or perhaps even hostile to it.

Art isn’t indiscriminate shit-flinging. It’s pure communication, crafted with intention and care. Every comedian on every stage is saying what he’s saying on purpose. So shouldn’t we be welcome to examine that purpose, contextualize it within our culture at large, and critique what we find? The

Western liberals who rightly condemn imperialism [are] yet are blind to the cultural imperialism they are performing when they silence my critiques of misogyny. They behave as if they want to save my culture and faith from me, and forget that they are immune to the violations about which I speak.

The United States, being a strong and wealthy society, and with unrivaled global influence, invites envy. The success of its restless culture of freedom, constitutional democracy, self-critique, secular rationalism, and open markets provokes the resentment of both weaker and less-secure theocracy and autocracy alike.

Maybe it's just like why k is better when you can't buy it at CVS, because there's some part of transness that cracks of fucks with all these cultural norms I'm talking about, and this current cultural moment of trans visibility is probably actually about securing transness in a sack of amber and declawing it and making it legible (the way gay culture has been ripped from the anonymity of the dark bathhouse and into the stagelighting of the reality show...lots of people have critiqued this one.)

We have everywhere an absence of memory. Architects sometimes talk of building with context and continuity in mind, religious leaders call it tradition, social workers say it’s a sense of community, but it is memory we have banished from our cities. We have speed and power, but no place. Travel, but no destination. Convenience, but no ease.

At the same time, we may not as a culture be fond of old-fashioned supernaturalism, but we certainly like spirituality in whatever form we can get it. I suspect that if anyone other than Jesus (Krishna, say, or Buddha) were suddenly put forward as being due for a second coming, millions in our postsecular society would embrace such a thing uncritically, leaving Enlightenment rationalism huffing and puffing in the rear. We are a puzzled and confused generation, embracing any and every kind of nonrationalism that may offer us a spiritual shot in the arm while lapsing back into rationalism (in particular, the old modernist critiques) whenever we want to keep traditional or orthodox Christianity at bay.

There is no other force in the world that builds more prisons than cultures! And if your culture has become your prison, the only way out is to get out of your culture!

But criticism on an individual scale diverts focus from the critique of entrenched gender norms that still haunt our culture today.

We live in the world with you. We do not forsake forum or bath or workshop, or inn, or market, or any other place of commerce. We sail with you, fight with you, farm with you.

So this needs to be said, and so I will try to say it

It's the only way anything will change. Because we are both mother and child, cause and effect, villain and victim

...I fell asleep and had a dream that a king was liquidated by a group of kind faces....

Structure opportunities for critiquing and evaluating what students read and write about within the instruction.

At their core all cultures are cultureless.

Absurdly, in our cultural fabric, spotting the little lie is a skill called wisdom; spotting the big one is a sin called cynicism

I love the different shades of colours. Purely beautiful!

Oppressions are by definition linked--linked by common ideologies, by institutional forces, and by socialization that makes oppressions normative and invisible.

Life consists of millions of thought and mind follows them to build a future. Thoughts come from daily work and I call it Karma. It is upon you how your life to be built

The origin of the term kamikakushi, “spirited away” is said to be unknown, but in the end, it’s all about the same thing. Killing children in times of famine.

We are our choices" J.P. Sartre Le grandpère était un aigle, le père un faux-con, le fils un vrai.

Yet in general all writers can really do is lift a sensitive finger to the cultural breeze and sense a coming change in the weather; very seldom do they actually change it themselves.

We often spend so much time reacting to religious traditions or a religious culture that we have little energy left to cultivate a proactive spiritual path. Even among "believing" people there is often more critique and conversation about "the church" or parochial issues than honest engagement with the ways of the master- how Jesus lived and what he taught. Perhaps we have been too easily pleased by our over educated ability to analyze and deconstruct. Rather than being skeptical why couldn't our collective sense of unrest about religion and spiritual community motivate us to be more curious and engaged

when a culture needs wise spiritual guidance the most, all it gets from religious leaders is anxious condemnation and critique, along with a big dose of nostalgia for the lost golden age of the good old days. We

To live only your own culture is to bury yourself to your local graveyard! Know the world, live the world! And through knowing new things and living new things, you will have a new culture made by your own experiences!

It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys, so that they might afterward feel superior to the uneducated people whose emotional journeys they liked to read about. Even if the writer himself was a good person, and even if his book really was insightful, all books were ultimately marketed as status symbols, and all writers participated to some degree in this marketing.

Unexpected snags can arise on a ride; just as unexpected snags arise in life. But the pain is temporary, the emotions are temporary, and the setbacks can provide the space for a valuable lesson, if we're open to learning. Keep pedaling.

Any critique of Islam is denounced as an expression of Western Islamophobia, Salman Rushdie is denounced for unnecessarily provoking Muslims and being (partially, at least) responsible for the fatwa condemning him to death, and so on. The result of such stances is what one should expect in such cases: the more the Western liberal Leftists probe into their guilt, the more they are accused by Muslim fundamentalists of being hypocrites who try to conceal their hatred of Islam. [T]his constellation perfectly reproduces the paradox of the superego: the more you obey what the Other demands of you, the guiltier you are. It is as if the more you tolerate Islam, the stronger its pressure on you will be. What this implies is that terrorist fundamentalists, be they Christian or Muslim, are not really fundamentalists in the authentic sense of the term--what they lack is a feature that is easy to discern in all authentic fundamentalists, from Tibetan Buddhists to the Amish in the US: the absence of resentment and envy, the deep indifference towards the non-believers' way of life. If today's so-called fundamentalists really believe they have found their way to Truth, why should they feel threatened by non-believers, why should they envy them? When a Buddhist encounters a Western hedonist, he hardly condemns. He just benevolently notes that the hedonist's search for happiness is self-defeating. In contrast to true fundamentalists, the terrorist pseudo-fundamentalists are deeply bothered, intrigued and fascinated by the sinful life of the non-believers. One can feel that, in fighting the sinful other, they are fighting their own temptation. The passionate intensity of a fundamentalist mob bears witness to the lack of true conviction; deep in themselves, terrorist fundamentalists also lack true conviction--their violent outbursts are proof of it. How fragile the belief of a Muslim would be if he felt threatened by, say, a stupid caricature in a low-circulation Danish newspaper? Fundamentalist Islamic terror is not grounded in the terrorists' conviction of their superiority and in their desire to safeguard their cultural-religious identify from the onslaught of global consumerist civilization. The problem with fundamentalists is not that we consider them inferior to us, but, rather, that they themselves secretly consider themselves inferior. This is why our condescending politically correct assurances that we feel no superiority towards them only makes them more furious and feed their resentment. The problem is not cultural difference (their effort to preserve their identity), but the opposite: the fact that the fundamentalists are already like us, that, secretly, they have already internalized our standards and measure themselves by them.

When preaching plays to the culture without substantially critiquing and engaging it, it becomes part of the problem. Sermons that only apply to the individual and to the inner life of the disciple without raising biblical questions about our public lives are also a factor. So, too, are worship services that offer little more than comfort food: the baked potatoes of love, the melting butter of grace, with just enough bacon and chives of outreach to ease the conscience. All this becomes a churchly anesthetic.

To be a truly radical disciple does require a relentless evaluation of life’s priorities and concerns, together with an ongoing, rigorous critique of our culture, to ensure we are not adopting values that subvert the very life and message we are called to live out.

The assumption that femininity is always structured by and performed for a male gaze fails to take seriously queer feminine desire. The radical feminist critiques of femininity also disregarded the fact that not all who are (seen as) feminine are women. Crucially, what is viewed as appropriately feminine is not only defined in relation to maleness or masculinity, but through numerous intersections of power including race, sexuality, ability, and social class. In other words, white, heterosexual, binary gender-conforming, able-bodied, and upper- or middle-class femininity is privileged in relation to other varieties. Any social system may contain multiple femininities that differ in status, and which relate to each other as well as to masculinity. As highlighted by “effeminate” gay men, trans women, femmes, drag queens, and “bad girls,” it is possible to be perceived as excessively, insufficiently, or wrongly feminine without for that sake being seen as masculine. Finally, the view of femininity as a restrictive yet disposable mask presupposes that emancipation entails departure into neutral (or masculine) modes of being. This is a tenuous assumption, as the construction of selfhood is entangled with gender, and conceptions of androgyny and gender neutrality similarly hinge on culturally specific ideas of masculinity and femininity.

In the same way, our own Christian versions of bohemia—our self-constructed religious spaces of critique—cannot save. Mumford notes that while the bohemian position wanted to retain the “Christian impulse of love … they failed to retain the co-ordinate doctrine of sacrifice.”2

Culture always tells you to look to illusions for answers. ‘Look at me’, it says, ‘I’ve worked it all out’. Celebrities grow too powerful because people mistake their colour for content. They allow them to create a hole at the heart of our culture, in which they then flourish.

People, even smart ones, come up with weird or silly reasons to entertain bad ideas all the time. In fact, smart people may be more prone to creating irrational stories and engaging in dumb behavior than lesser smart people, for the simple fact that there are more (cognitive) tools at their disposal.

American culture has regressed because of contemporary society’s glorification of making a good living and spending free time in media activities rather than constantly devoting themselves to a learning and self-improvement. The combination of grooming youngsters to fit into a commercial workplace and Americans willingness to submit themselves to endless hours of watching television shows filled with murders, violence, sex, and replete with advertisements that promote the goods of commercial giants has eroded the American spirit and contributed to lack of an intellectually sophisticated populous.

Attention: deep listening. People are dying in spirit for lack of it. In academic culture, most listening is critical listening. We tend to pay attention only long enough to develop a counterargument; we critique the student’s or the colleague’s ideas; we mentally grade and pigeonhole each other. In society at large, people often listen with an agenda, to sell or petition or seduce. Seldom is there a deep, open-hearted nonjudgmental reception of the other. And so we all talk louder and more stridently and with a terrible desperation. By contrast, if someone truly listens to me, my spirit begins to expand.

If I am seen as a butch, or a man, I am now—to some minds—walking with someone who is under my protection and who is in my possession. Whatever critiques of gender and culture apply to that assumption, and they are numerous as the grains of sand, they do not always assert themselves in the walkaday world.

The real problem lay with the extensive marginal notes, which offered guidance to the reader as to how the text was to be interpreted and applied. Although the Geneva Bible dated from two generations earlier, its critique of the abuse of monarchical powers might have been written with Charles I's reign in mind.

The most successful ruse of neoliberal dominance in both global and domestic affairs is the definition of economic policy as primarily a matter of neutral, technical expertise. This expertise is then presented as separate from politics and culture, and not properly subject to specifically political accountability or cultural critique. Opposition to material inequality is maligned as "class warfare," while race, gender or sexual inequalities are dismissed as merely cultural, private, or trivial. This rhetorical separation of the economic from the political and cultural arenas disguises the upwardly redistributing goals of neoliberalism—its concerted efforts to concentrate power and resources in the hands of tiny elites. Once economics is understood as primarily a technical realm, the trickle-upward effects of neoliberal policies can be framed as due to performance rather than design, reflecting the greater merit of those reaping larger rewards.

The critique of the domesticated Jesus has a long pedigree, perhaps the most notable being Dostoyevsky’s chilling account of Jesus having the audacity to show up and disturb the machinations of the crusades in Seville (which, in fact, Jesus doesn’t disturb at all precisely because his nonviolence can be so easily silenced).

Today it is the elites...those who control the international flow of money and information, preside over philanthropic foundations and institutions of higher learning, manage the instruments of cultural production and thus set the terms of public debate--that have lost faith in the values, or what remains of them, of the West.

The teaching of Jesus is clear. No one ought to be compelled to become a Christian. This sets the Christian faith drastically apart from Islam. In no country where the Christian faith is the faith of the majority is it illegal to propagate another faith. There is no country in the world that I know of where the renunciation of one’s Christian faith puts one in danger of being hunted down by the powers of state. Yet, there are numerous Islamic countries where it is against the law to publicly proclaim the gospel of Jesus Christ, and where a Muslim who renounces his or her belief in Islam to believe in anything else risks death. Freedom to critique the text of the Koran and the person of Mohammed are prohibited by the laws of blasphemy, and the result is torturous punishment. One must respect the concern of a culture to protect what it deems sacred, but to compel a belief in Jesus Christ is foreign to the gospel, and that is a vital difference. The contrast is all too clear. It is in this matter of conversion and compulsion that political theory emerges. As I stated earlier, the gospel is not to be spread at the point of a sword. When Christendom has resorted to such methods, it was not the gospel of Jesus Christ that was propagated, but a political theory that used the gospel for the benefit of power-seeking institutions and individuals.

He found it puzzling that so many rural people were hostile to, even terrified of, the place where they lived. It wasn't just that hard-working country folk had no time for the precious concerns of the effete urban environmentalists, what amazed Rice was how you could spend your whole life physically immersed in a particular ecological system and yet remain blinded to it by superstition, tradition, prejudice. Out west, it was ranchers' holy war on predators and their veneration of Indo-European domestic animals they husbanded on land too dry to support them. Here in the Appalachians, you saw rugged country men who refused to walk in the woods all summer because they were scared of snakes.

Yet half a century later it appears that Wright was reacting less to particular flaws in Uncle Tom’s Children and more to mainstream American culture’s capacity to defuse the potency of harsh critique through the very act of commercial consumption and subsequent emotional release. This is not to imply that Wright’s first book is without weaknesses.

Sensitivity readers are readers who provide cultural consulting and critiques on manuscripts for a fee. Say, for example, a white author writes a book that involves a Black character. The publisher might then hire a Black sensitivity reader to check whether the textual representations are consciously, or unconsciously, racist. They’ve gotten more and more popular in the past few years, as more and more white authors have been criticized for employing racist tropes and stereotypes. It’s a nice way to avoid getting dragged on Twitter, though sometimes it backfires—I’ve heard horror stories of at least two writers who were forced to withdraw their books from publication because of a single subjective opinion.

« C’est un livre magnifique. En pleine période de folie fasciste et d’engouement militariste et ultranationaliste, Yoshino a eu l’audace d’écrire, à l’intention des jeunes Japonais, un livre qui prônait l’usage critique de la raison et défendait la supériorité éthique de l’amitié des égaux par rapport à la soumission rampante et aveugle à l’égard des aînés et des dominants. »

The brahminic Hindus treat even the books written by Dalitbahujans as untouchable. Historically, not only the Dalit body but also books written by Dalit and OBC scholars remained untouchable. That was the reason why untouchability has been imposed on Ambedkar’s theoretical writings for a long time in India. Intellectual untouchability was/is more dangerous than physical untouchability.

Countless others, however, failed to escape the relentless pursuit of the auditors, who assured society that law would prevail. They hunted those who tried to circumvent their rules, which were harsh to prevent the city’s power supply from failing. The rules had to be harsh to avoid bad precedents. Nobody had the freedom to spontaneously use their imagination. This was the order of things.

In 2004 the comedian Bill Cosby was the featured speaker at an NAACP awards ceremony commemorating the fiftieth anniversary of the Supreme Court’s landmark Brown v. Board of Education decision. Cosby used the occasion to offer a stinging critique of contemporary black culture. He said that blacks today are squandering the gains of the civil rights movement, and white racism is not to blame. “We, as black folks, have to do a better job,” he stated. “We have to start holding each other to a higher standard.” Today in our cities, he said, we have 50 percent [school] dropout [rates] in our neighborhoods. We have . . . men in prison. No longer is a person embarrassed because [she is] pregnant without a husband. No longer is a boy considered an embarrassment if he tries to run away from being the father.

When I took over as chair of the fashion program, I was horrified that only the faculty member was allowed to speak in a critique. I'm talking about perfectly nurturing teachers. But the rule was there would be no call of hands for students to contribute their feedback. It was embedded in the department's culture. That was alarming to me. When I was teaching, I was the least important person in the room as far as I was concerned--my students' points of view mattered most. I wanted to learn who they were and teach them to respect one another's perspectives. I would start off by saying something like, "I am having trouble understanding how this work solves the problem at hand. Here are some things about the work that I appreciate: X, Y, Z. But I see these virtues independent of the problem we're solving.

The cause of this state of affair is undoubtedly complex. In my Truth, Beauty, and Goodness Reframed (2011), I argue that the challenge to truth comes from three complementary sources: (l) increased knowledge about the wide range of cultures around the globe, many of which hold apparently incompatible views about the world; (2) the postmodern critique of such traditional notions as truth, according to which claims to truth are seen as simple assertions of power; and (3) the human tendency, particularly during adolescence and early adulthood, to adopt relativistic stances (“you’ve got the right to your opinion, just like I have the right to my opinion”). Whatever the relative contributions of these and other factors, it seems clear that leadership becomes more difficult when everyone’s story is considered equally valid, independent of corroborating evidence.

The assertion of racial beauty was not a reaction to the self-mocking, humorous critique of cultural/racial foibles common in all groups, but against the damaging internalization of assumptions of immutable inferiority originating in an outside gaze. I focused, therefore, on how something as grotesque as the demonization of an entire race could take root inside the most delicate member of society: a child; the most vulnerable member: a female.

The main goal here is to make ourselves “familiar enough” to straight people to win their acceptance. But why should that be of paramount importance? Precisely why would we want to do ourselves over in their image? To become more like them would be to forget our own singular history and the special insights and perspectives that derive from it, giving us, as spies in the culture, a unique perspective for evaluating and critiquing aspects of mainstream culture.

In contemporary culture, we are concerned that everything we do be useful for something. [...] we find ourselves in the land of half-baked pseudoscience like the “Mozart makes you smart” fad. The fact that Mozart’s fantastic play has value in itself is not sufficient because in order to justify financial and other kinds of support for the arts, we have to demonstrate that Mozart will raise a fetus’s IQ, which will make the fetus grow into a productive unit in the economy.

For some, measuring porn’s real-world effects boils down to one extreme and ultimately misleading question: “Does it lead to rape?” What is overlooked here is the more subtle question of how porn shapes the culture and the men who use it. No anti-porn feminist I know has suggested that there is one image, or even a few, that could lead a nonrapist to rape; the argument, rather, is that taken together, pornographic images create a world that is at best inhospitable to women, and at worst dangerous to their physical and emotional well-being. In an unfair and inaccurate article that is emblematic of how anti-porn feminist work is misrepresented, Daniel Bernardi claims that Andrea Dworkin and Catharine MacKinnon believed that “watching pornography leads men to rape women.”³ Neither Dworkin nor MacKinnon, pioneers in developing a radical feminist critique of pornography, saw porn in such simplistic terms. Rather, both argued that porn has a complicated and multilayered effect on male sexuality, and that rape, rather than simply being caused by porn, is a cultural practice that has been woven into the fabric of a male-dominated society. Pornography, they argued, is one important agent of such a society since it so perfectly encodes woman-hating ideology, but to see it as simplistically and unquestionably leading to rape is to ignore how porn operates within the wider context of a society that is brimming with sexist imagery and ideology.

The consistent optimism of our liberal culture has prevented modern democratic societies both from gauging the perils of freedom accurately and from appreciating democracy fully as the only alternative to injustice and oppression. When this optimism is not qualified to accord with the real and complex facts of human nature and history, there is always a danger that sentimentality will give way to despair and that a too consistent optimism will alternate with a too consistent pessimism.

During the late 1960s and 1970s, Mexican American and Puerto Rican activists put forward a politically charged critique of American politics. Bringing together a paradoxical mix of cultural nationalism, liberal reformism, radical critique, andromantic idealism, the Chicano and Puerto Rican movements created a new political vocabulary, one emphasizing resistance, recognition, cultural pride, authenticity, and fraternity (hermanidad). The movements-organizations, issues, and events left a profound legacy.

Strauss expressly refers to the “Notes.” He continues: “If ‘religion’ and ‘politics’ are the facts that transcend ‘culture’ or, to speak more exactly, are the original facts, then the radical critique of the concept of ‘culture’ is possible only in the form of a ‘theological-political treatise,’ which must, however, if it is not to lead again to the foundation of ‘culture,’ have the very opposite tendency to that of seventeenth-century theological-political treatises, especially those of Hobbes and Spinoza.

Fandom is really fandoms, plural—an always diverse and contentious sphere. Mass media representations of fanfiction and fan culture present it at best as a “wacky world,” or more typically as a bastion of the physically, socially, and literarily inept. Academic accounts of fandom overcompensate, often presenting overly utopian pictures of sisterly collaboration and feminist critique. Utopias and dystopias, though, are not parallel but rather intersecting universes. This is surely one of the great lessons of Star Trek—and of its fandom.

Anxiety, and mental disorder more generally, can be exceptionally difficult to process, and for good reason. At the time of this writing, in 2023, humans are still battling the stigmas derived from centuries of misconception, fear, and discrimination around mental illness. It still has an attribution to demonic possession, evidence of witchcraft, or is labeled as a hysteria tied to an animal-like 'wandering uterus,' that could attach itself to organs in the female body, and cause disruption in bodily function and painful symptoms (seriously).

This is theory’s acute dilemma: that desire expresses itself most fully where only those absorbed in its delights and torments are present, that it triumphs most completely over other human preoccupations in places sheltered from view. Thus it is paradoxically in hiding that the secrets of desire come to light, that hegemonic impositions and their reversals, evasions, and subversions are at their most honest and active, and that the identities and disjunctures between felt passion and established culture place themselves on most vivid display.

Even though there is neither much altruism nor equality in the world, there is almost universal endorsement of the values of altruism and equality - even, notoriously (and as Nietzsche seemed well aware), by those who are its worst enemies in practice. So Nietzsche's critique is that a culture in the grips of MPS [Morality in the Pejorative Sense], even without acting on MPS, poses the real obstacle to flourishing, because it teaches potential higher types to disvalue what would be most conductive to their creativity and value what is irrelevant or perhaps even hostile to it.

Pentecostals, who promoted fitness as an overtly religious purification process. To them, idleness and gluttony were offenses punishable by God, while disciplining the flesh through grueling strength training and fasting was a sign of virtue. For them, lazing around the house while eating junk food was not a metaphorical sin, but a literal one. By contrast, some churches nowadays actively condemn modern gym culture as an overcelebration of the self as opposed to God. “CrossFit is not like church; it is more like the hospital, or even the morgue,” critiqued a Virginia-based Episcopal priest

We all cultivated critique--we were dogmatic in our alliances, self-righteous in our beliefs. But the broader Mission dyke culture we called queer, so much of it was about loyalty at any cost. Loyalty could mean safety but it could also mean reenacting high school popularity contests and taking on the victors' roles. High school was only a few years in the past for most of us, even if we might have been scandalized if anyone had mentioned that. Accountability only occurred when people would get in dramatic fights, and it was more about whose team was stronger or more popular than about what actually happened.

Noticing the disturbing similarity between the rhetoric surrounding "open government" and new public management, government expert Just Longo speculates that the former might be just a Trojan horse for the latter; in our excitement about the immense potential of new technologies to promote openness and transparency, we may have lost sight of the deeply political nature of the uses to which these technologies are put... In India, recent digitization of land records and their subsequent publication online, while nominally an effort to empower the weak, may have actually empowered the rich and powerful. Once the digitized records were available for the whole world to see, some enterprising businessmen discovered that many poor families had no documents to prove ownership of land. In most cases, this was not the result of some nefarious land grab; local culture, with its predominantly oral ways of doing business, pervasive corruption, and poor literacy, partly explains why no such records exist... The point here, as with most open-government schemes, is not that information shouldn't be collected or distributed; rather, it needs to be collected and distributed in full awareness of the social and cultural complexity of the institutional environment in which it is gathered.

Another anti-theoretical stratagem is to claim that in order to launch some fundamental critique of our culture, we would need to be standing at some Archimedean point beyond it. What this fails to see is that reflecting critically on our situation is part of our situation. It is a feature of the peculiar way we belong to the world. It is not some impossible light-in-the-refrigerator attempt to scrutinize ourselves when we are not there. Curving back on ourselves is as natural to us as it is to cosmic space or a wave of the sea. It does not entail jumping out of our own skin. Without such self-monitoring we would not have survived as a species.

Toyota wasn’t really worried that it would give away its “secret sauce.” Toyota’s competitive advantage rested firmly in its proprietary, complex, and often unspoken processes. In hindsight, Ernie Schaefer, a longtime GM manager who toured the Toyota plant, told NPR’s This American Life that he realized that there were no special secrets to see on the manufacturing floors. “You know, they never prohibited us from walking through the plant, understanding, even asking questions of some of their key people,” Schaefer said. “I’ve often puzzled over that, why they did that. And I think they recognized we were asking the wrong questions. We didn’t understand this bigger picture.” It’s no surprise, really. Processes are often hard to see—they’re a combination of both formal, defined, and documented steps and expectations and informal, habitual routines or ways of working that have evolved over time. But they matter profoundly. As MIT’s Edgar Schein has explored and discussed, processes are a critical part of the unspoken culture of an organization. 1 They enforce “this is what matters most to us.” Processes are intangible; they belong to the company. They emerge from hundreds and hundreds of small decisions about how to solve a problem. They’re critical to strategy, but they also can’t easily be copied. Pixar Animation Studios, too, has openly shared its creative process with the world. Pixar’s longtime president Ed Catmull has literally written the book on how the digital film company fosters collective creativity2—there are fixed processes about how a movie idea is generated, critiqued, improved, and perfected. Yet Pixar’s competitors have yet to equal Pixar’s successes. Like Toyota, Southern New Hampshire University has been open with would-be competitors, regularly offering tours and visits to other educational institutions. As President Paul LeBlanc sees it, competition is always possible from well-financed organizations with more powerful brand recognition. But those assets alone aren’t enough to give them a leg up. SNHU has taken years to craft and integrate the right experiences and processes for its students and they would be exceedingly difficult for a would-be competitor to copy. SNHU did not invent all its tactics for recruiting and serving its online students. It borrowed from some of the best practices of the for-profit educational sector. But what it’s done with laser focus is to ensure that all its processes—hundreds and hundreds of individual “this is how we do it” processes—focus specifically on how to best respond to the job students are hiring it for. “We think we have advantages by ‘owning’ these processes internally,” LeBlanc says, “and some of that is tied to our culture and passion for students.

Men who make a lot of money in this society and who are not independently wealthy usually work long hours, spending much of their time away from the company of loved ones. This is one circumstance shared with men who do not make much money but who also work long hours. Work stands in the way of love for most men then because the long hours they work often drain their energies; there is little or no time left for emotional labor for doing the work of love. The conflict between finding time for work and finding time for love and loved ones is rarely talked about in our nation. It is simply assumed in patriarchal culture that men should be willing to sacrifice meaningful emotional connections to get the job done. No one has really tried to examine what men feel about the loss of time with children, partners, loved ones, and the loss of time for self development... Most women who work long hours come home and work a second shift taking care of household chores. They feel, like their male counterparts, that there is no time to do emotional work, to share feelings and nurture others…Sexist men and women believe that the way to solve this dilemma is not to encourage men to share the work of emotional caretaking but rather to return to more sexist gender roles... Of course they do not critique the economy that makes it necessary for all adults to work outside the home; instead they pretend that feminism keeps women in the workforce.

Belloc led the charge in his critique of this misguided sense of superiority and myopic view of progress. But it was he alone among historians, social commentators, and counter-cultural voices who predicted that Islam—or as he called it, “Mohammedanism”—would rise again and, as it had in the past, harness the technology of the West as a weapon to turn back on the West and crush it by degrees. After September 11, 2001, no one is surprised to learn that Islam is turning the West’s superiority back on itself; what is surprising is that a lone historian and essayist saw this coming in the 1930s. That he captivates and places the reader in the middle of the action is an added bonus to the prophetic vision of what embroils our age.

I just went on a date with a loopy new age witch who read my aura and took me to a play that critiqued consumer culture by spending a five minute segment just spouting off brand names,' she said. 'Niiiiice. That is something. And then you chose to call me, which I’m not sure I’m feeling good about. I mean, you go on a terrible date, and your first thought is to call me? Were you like, "He’s a terrible date, he’ll appreciate someone else being worse?"' Georgie laughed. 'No. You were an awesome date. But I still thought you would appreciate laughing at someone who wasn’t.' 'Now, now, Georgie. I don’t laugh at people. I laugh with them. Otherwise my aura turns puce, and you know I can’t deal with that. It would clash with my eyes.

this integration of Jefferson and Jesus is in many ways how members of the evangelical right can oppose abortion yet ignore the needs of disenfranchised members of society, how they can rage against sexual revolutions and offer little critique on economic greed or mass consumption, and how they can keep labor unions and government in check while not doing the same to Wall Street, insurance companies, and other big American businesses. Of course, much of today’s evangelical political doctrine has become so radical, so driven by fear and hyperbole that it’s more or less a parody of the doctrines of Thomas Jefferson and Jesus, a culture where the poor in spirit are not blessed, they are marginalized and expected to care for themselves.

Portions of the African American community, like most ethnic minority groups in America, still espouse a doctrine of respectability. Today, when we discuss issues around mass incarceration and police brutality, too often the conversation turns toward how black people should act: pulling up pants, taking out earrings, and speaking “properly,” as if such behavior merits being treated as less than human. In the early twenty–first century, Bill Cosby went on tour to critique black people for not living up to the standards of white dominant culture. While some of his points were about personal responsibility, much of it was about dominant cultural respectability. He even at times made fun of African Americans’ names. As we’ve seen, this mind–set, as deeply colonized as it was, has a long history.

We Muslims must get used to the fact that people will criticize our religion, just as we criticize everyone else’s religion for not being “true.” Some people will choose to leave the faith, and we Muslims will need to come to terms with this, and to understand how to treat ex-Muslims not just with civility but with the utmost respect. Critiquing Islam, critiquing any idea, is not bigotry. “Islamophobia” is a troubled and inherently unhelpful term. Yes, hatred of Muslims by neo-Nazi-style groups does exist, and it is a form of cultural intolerance, but that must never be conflated with the free-speech right to critique Islam. Islam is, after all, an idea; we cannot expect its merits or demerits to be accepted if we cannot openly debate it. So I’m not one to try to avoid these issues. We have to address them head-on.

Unfortunately, the critics of economics have had a tendency to discuss the whole structure as a tissue of misconceptions. It is a critique that fails. The strength of economics is its considerable, if far from complete, understanding of the flows and comparative advantages that underlie trade, jobs, capital and incomes, and the logic of optimising behaviour, all backed by glittering accomplishment in mathematics. That makes it a powerful analytical instrument, so that just a few misconceptions – such as a failure to understand the informal economy or resource depletion – have leverage: like a baby monkey at the controls of a Ferrari, they can turn it into an instrument with extraordinarily destructive potential. If it were a tissue of errors, it would not be dangerous: it is its 90 percent brilliance which makes it so.

Richard Lovelace makes a compelling case that the best defense is a good offense. “The ultimate solution to cultural decay is not so much the repression of bad culture as the production of sound and healthy culture,” he writes. “We should direct most of our energy not to the censorship of decadent culture, but to the production and support of healthy expressions of Christian and non-Christian art.”10 Public protests and boycotts have their place. But even negative critiques are effective only when motivated by a genuine love for the arts. The long-term solution is to support Christian artists, musicians, authors, and screenwriters who can create humane and healthy alternatives that speak deeply to the human condition. Exploiting “Talent” The church must also stand against forces that suppress genuine creativity, both inside and outside its walls. In today’s consumer culture, one of the greatest dangers facing the arts is commodification. Art is treated as merchandise to market for the sake of making money. Paintings are bought not to exhibit, nor to grace someone’s home, but merely to resell. They are financial investments. As Seerveld points out, “Elite art of the New York school or by approved gurus such as Andy Warhol are as much a Big Business today as the music business or the sports industry.”11 Artists and writers have been reduced to “talent” to be plugged into the manufacturing process. That approach may increase sales, but it will suppress the best and highest forms of art. In the eighteenth century, the world nearly lost the best of Mozart’s music because the adults in the young man’s life treated him primarily as “talent” to exploit.

As much as I wanted to make all of our customers happy, our farm inevitably began to sell out of certain items each week... I had been taught that businesses should constantly grow and expand. Owners should demand annual productivity increases, and resources were to be tapped for maximum potential. Like most things in our melting-pot society, the message was a uniquely American blend -- equal parts Manifest Destiny, Yankee ingenuity, and Protestant work ethic. A dash of Horatio Alger seemed to be thrown in for good luck. Be more! Live more! Consume! Produce! ...What if, at the end of the day, just growing what we could grow was good enough? And what if we genuinely wanted other family farms to succeed as well? These were the ideas I valued most, and the questions I wanted to answer. Everything else began to feel like noise.

Gary Snyder: We are still laying the groundwork for a “culture of nature.” The critique of the Judeo-Christian-Cartesian view of nature (by which complex of view all developed nations excuse themselves for their drastically destructive treatment of the landscape) is well under way. Some of us would hope to resume, reevaluate, re-create, and bring into line with complex science the old view that holds the whole phenomenal world to be our being; multicentered, ‘alive’ in its own manner, and effortlessly self-organizing in its own chaotic way. Elements of this view are found in wide range of ancient vernacular philosophies, and in recent thought… and it offers a third way, not caught up in the dualisms of body and mind, spirit and matter, or culture and nature. It is noninstrumentalist view that extends intrinsic value to the nonhuman world.

Und so ass ich meine erste koschere Zimtschnecke mit Dina, es war Anfang Sommer, die Sommerferienekstase der Kinder diffundierte in unsere trägen Glieder rüber, wir sassen vor der Bäckerei, und es war irgendwie alles sehr juicy: die Zimtschnecke, das Wetter und wir (ich trug einen neuen Hosenrock, so Kimono-style, und Dina meine alte Breitschulterlederjacke). Die Crème de la Crème der Gen-Y-Hipsterei stürzte sich auf die vom immer nach neuen Plantagen suchenden Kapitalismus noch nicht ganz vereinnahmte Bäckerei, und ich und die aufgepumpten Schwuchteln ignorierten uns auf common ground, weil ich ihrer Mähdrescherart des Daseins ja entsagt habe. Ich sagte Dina, dass ich die koschere Zimtschnecke viel juicyer fände als die nichtkoscheren Zimtschnecken, die ich bisher vernascht hätte. Und fügte noch hinzu, dass ich mir unsicher sei, ob die juicyness nur grösser sei, weil Ausflug in jüdische Bäckerei und quasi Exotisierung. Und ob wir jetzt den Juden ihre Bäckerei weggentrifihipsterten. Und ob das sehr schlimm sei. 'Keine Ahnung', sagte Dina. 'Ist wahrscheinlich so schlimm wie die appropriation deiner pseudo-samuraiigen fashion.' Ich nannte sie eine bitch, und sie nannte mich eine cultural appropri-geisha, und wir fanden uns so masslos geistreich und nervig hyperreflektiert wie Leif-Randt-life-Clowns, und dann waren wir uns auch schon wieder langweilig in unserem Selbsthass über unser wohlstandsverwahrlostes Weisssein, in dem es nur um Distinktion geht, in dem es nur darum geht, uns durch Konsum von den Ärmeren, Reicheren, Cooleren, Schwuleren, Wokeren, Differenz-Feministinnen, Weisseren, weniger Gebildeten, zu Rationalistischen, Artsyeren, Gen-Z-ieren, Weniger-um-Abgrenzung-Bemühteren abzugrenzen.

learn how to “challenge racist, bigoted, discriminatory, imperialist/colonial beliefs” and critique “white supremacy, racism and other forms of power and oppression.” Teachers are then encouraged to drive their pupils to participate in “social movements that struggle for social justice” and “build new possibilities for a post-racist, post-systemic racism society.”28 R. Tolteka Cuauhtin, the original cochair of the Ethnic Studies Model Curriculum, developed much of the material regarding early American history. In his book Rethinking Ethnic Studies, cited in the state’s official reference guide, Cuauhtin argues that the United States was founded on a “Eurocentric, white supremacist (racist, anti-Black, anti-Indigenous), capitalist (classist), patriarchal (sexist and misogynistic), heteropatriarchal (homophobic), and anthropocentric paradigm brought from Europe.

I don't think that the despiritualised, dehumanised culture in which we live, the McDonalds and Disney culture, does our internal lives, our mythological lives, any favours at all. In other words, to be an Outsider in this culture now is to be looking inside at a plastic world, and I think it's easier to critique that world if I don't belong to it... In Hollywood where I live now, there's a lot of having lunches, a lot of going to parties... and I will have no part of that. I'm certainly not very good at it, I don't like it and I feel a little weird about it. I don't want to be part of the problem, I want to be a part of the solution, and the only way I can help solve the problem of the plasticity of our world is by writing, by painting and by making my work, so I stay where I can do that, which is at my desk, in my studio. I will venture out when I need to sell a book or exhibit my paintings, but the rest of the time my job is to be here and imagine.

How can we not thank Paul VI for the courage he had in issuing the encyclical Humanae vitae? This document was prophetic in developing a morality that could defend human life. Despite many pressures within the Church herself, the pope saw what John Paul II called “the culture of death” forming on the horizon. I have not forgotten the violent critiques aimed at him because he refused to abdicate the elementary principles of life. In his turn, John Paul II lavishly produced a very rich teaching on the human body and sexuality. Despite the respect that he enjoyed, especially after his decisive interventions to free the peoples of Eastern Europe from the yoke of Communist dictatorship, how many bitter critiques have not been made against his view of morality? He had understood, nevertheless, that the Church must not lower her arms. By his steadfastness, he obeyed Jesus, who once said to Peter: “And when you have turned again, strengthen your brethren” (Lk 22:32). I

If you are new to a church staff or to an organization, here are five ways you can start well. 1. Take time to memorize the mission statement, vision, values, and creeds. Know the history of the church. Learn it by taking a pastor or leader to coffee, asking questions, and understanding key events that may have impacted the congregation and surrounding community. 2. Familiarize yourself with all the ministries in the church and those who lead them. Know their function, who they serve, what they offer, and how you might partner with them in the future. 3. In meetings, be a student. Learn the culture, observe team personalities, seek to understand, and speak to confirm and contribute. Be careful with criticism early on. It’s hard to critique a house you haven’t lived in. 4. Seek out a pastor of the same sex who has longevity with Jesus and ministry. Ask for mentorship, accountability, and community. Look for wisdom over popularity. 5. Get to know the congregation. When we love the people as we learn our position, we establish roots that won’t easily be pulled up when ministry gets hard.

One of the biggest battles that second-wave feminists of the seventies had with third wave feminists of the nineties was over the place of sex and beauty in feminism. Second wavers critiqued high heels and lipstick as oppressive expectations of the patriarchy. Third-wave white girls brought heels and fly red lips back into the mix. Black feminists gave the side eye to white girls and their feminist waves, because looking fierce and fly has always been a part of the Black-girl credo. (And also because Black feminism didn’t fit neatly within the historical trajectory of waves.) Our embrace of femininity was its own armor in a world where white women said that Black women should never be called ladies. If I have to pick a side, I’d say I’m third wave enough to affirm that beauty and the desire to be wanted still matter. When you go for months or years without a dude (or any love interest) ever noticing you, you can begin to feel invisible. And feminist principles about how the patriarchy has made us beholden to beauty culture do nothing to assuage the desire we all have to be seen and affirmed.

We have so long been subject to external criticism that we don’t know how to react to internal criticism, because whereas the most enduring, positive and sensible response to the former is a united front – you shall not divide us, here we stand – responding to the latter is an entirely different ballgame. This is my fear: that as a community, we don’t know how to critique ourselves, and that this is dong us damage. Criticism, and specifically the criticism of both literary publications and the mainstream press, has so long been the weapon of the enemy that our first response on seeing it wielded internally is to call it the work of traitors. We have found strength in the creation of our own conventions and the hallowing of our own legends, flourishing to such an extent that, even if we are not yet accepted into the mainstream literary establishment, we are nonetheless part of the cultural mainstream. We are written about inaccurately, yet we are written about; and if there ever was a time when the whole genre seemed a precarious, faddish endeavour, then that time is surely past. Blog post: Criticism in SFF and YA

The Hollywood storylines almost always go something like: the Russians are dangerous spies planning to invade us, the Chinese are trying to pull the carpet from under our feet, the people of the Middle East are terrorists, and on and on goes the list of malicious and intentional misrepresentations. At the end of the storyline, the American heroes always win and save America and the world from ‘evil’. What is quite ironic – and often goes unnoticed by many – in these Hollywood storylines is that, while the American culture is engineered to dismiss valid and genuine critique of American life and foreign policies as being ‘conspiracy theories’, America’s relationships with the outside world is strongly based on threats, punishment, sanctioning, wars, and revenge, all done under pretexts like ‘they hate us’, ‘they hate our freedoms and values’, and other such nonsense. It never occurs to many Americans that representing the outside world as constantly ‘hating’ us or wanting to destroy our nation and values (unless, of course, they do as we say), is in fact nothing short of conspiracy theory. Overall, Hollywood’s storylines ensure keeping the myth of exceptionalism alive.

Cannabis, the sensation that had reignited in America and helped bring hemp’s recreational usage back to prominence in a quiet, steady British counter-culture, had helped dispel much of the prejudice, entitlement and arrogance that had eluded the careful eye of Simon’s mother, undermining her care during the once-restlessly energetic yet gentle soul’s dedicated mothering of the studious boy. It took root in his thoughts and expectations. Bravado and projection replaced genuine yet understated confidence; much of that which had been endearing in him ceased to be seen, to his mother’s despondency. A bachelor of the arts, the blissfully apathetic raconteur left university, having renounced his faith and openly claiming to feel no connection, either socially or intellectually with the student life and further study. Personal failures and parental despair combined to sober the-21yr old frustrated essayist and tentative poet. Cannabis, ironically sought following the conclusion of his stimulant-fuelled student years, had finally levelled him out, and provided the introspection needed to dispel the lesser demons of his nature. Reefer Madness, such insanity – freely distributed for the mass-consumer audience of the west! Curiosity pushed the wealthy young man’s interest in the plant to an isolated purchase, and thence to regular use. Wracked by introspection, the young man struggled through several months of instability and self-doubt before readjusting his focus to chase goals. Once humorous, Reefer Madness no longer amused him, and he dedicated an entire afternoon to writing an ultimately unpublished critique of the film, that descended into an impassioned defence of the plant. He began to watch with keen interest, as the critically-panned debacle of sheer slapstick silliness successfully struck terror into the hearts of a large section of non-marijuana smoking people in the west. The dichotomy of his own understanding and perception only increased the profound sense of gratitude Simon felt for the directional change in which his life was heading. It helped him escape from earlier attachments to the advantage of his upbringing, and destroyed the arrogance that, he realised with shock, had served to cloud years of his judgement. Thus, positive energy led to forward momentum; the mental readjustment silenced doubts, which in turn brought peace, and hope.

In the early years of contemporary feminist movement, solidarity between women was often equated with the formation of "safe" spaces where groups of presumably like-minded women could come together, sharing ideas and experiences without fear of silencing or rigorous challenges. Groups sometimes disintegrated when the speaking of diverse opinion lead to contestation, confrontation, and out-and-out conflict. It was common for individual dissenting voices to be silenced by the collective demand for harmony. Those voices were at times punished by exclusion and ostracization. Before it became politically acceptable to discuss issues of race and racism within feminist circles, I was one of those "undesirable" voices. Always a devout advocate of feminist politics, I was, and am, also constantly interrogating and, if need be, harsh in my critique. I learned powerful lessons from hanging in there, continuing to engage in feminist movement even when that involvement was not welcomed. Significantly, I learned that any progressive political movement grows and matures only to the degree that it passionately welcomes and encourages, in theory and in practice, diversity of opinion, new ideas, critical exchange, and dissent.

As the literary fairy tale spread in France to every age group and every social class, it began to serve different functions, depending on the writer's interests. It represented the glory and ideology of the French aristocracy. It provided a symbolic critique, with utopian connotations, of the aristocratic hierarchy, largely within the aristocracy itself and from the female viewpoint. It introduced the norms and values of the bourgeois civilizing process as more reasonable and egalitarian than the feudal code. As a divertissement for the aristocracy and bourgeoisie, the fairy tale diverted the attention of listeners/readers from the serious sociopolitical problems of the times, compensating for the deprivations that the upper classes perceived themselves to be suffering. There was also an element of self-parody, revealing the ridiculous notions in previous fairy tales and representing another aspect of court society to itself; such parodies can be seen in Jacques Cazotte's "A Thousand and One Follies" (1746), Jean-Jacques Rousseau's "The Queen Fantasque" (1758), and Voltaire's "The White Bull" (1774). Finally, fairy tales with clear didactic and moral lessons were approved as reading matter to serve as a subtle, more pleasurable means of initiating children into the class rituals and customs that reinforced the status quo.

Concern for one's political community is, of course, right and proper, and Christians can hardly be faulted for wishing to correct their nation's deficiencies. At the same time, this variety of Christian nationalism errs on at least four counts. First, it unduly applies biblical promises intended for the body of Christ as a whole to one of many particular geographic concentrations of people bound together under a common political framework. Once again this requires a somewhat dubious biblical hermeneutic. Second, it tends to identify God's norms for political and cultural life with a particular, imperfect manifestation of those norms at a specific period of a nation's history. Thus, for example, pro-family political activists tend to identify God's norms for healthy family life with the nineteenth-century agrarian family or the mid-twentieth-century suburban nuclear family. Similarly, a godly commonwealth is believed by American Christian nationalists to consist of a constitutional order limiting political power through a system of checks and balances, rather than one based on, in Walter Bagehot's words, a "fusion of powers" in the hands of a cabinet responsible to a parliament. Thus Christian nationalists, like their conservative counterparts, tend to judge their nation's present actions, not by transcendent norms given by God for its life, but by precedents in their nation's history deemed to have embodied these norms. Third, Christian nationalists too easily pay to their nation a homage due only to God. They make too much of their country's symbols, institutions, laws and mores.They see its history as somehow revelatory of God's ways and are largely blind to the outworkings of sin in that same history. When they do detect national sin, they tend to attribute it not to something defective in the nation's ideological underpinnings, but to its departure from a once solid biblical foundation during an imagined pre-Fall golden age. If the nation's beginnings are not as thoroughly Christian as they would like to believe, they will seize whatever evidence is available in this direction and construct a usable past serviceable 34 to a more Christian future. Fourth, and finally, those Christians most readily employing the language of nationhood often find it difficult to conceive the nation in limited terms. Frequently, Christian nationalists see the nation as an undifferentiated community with few if any constraints on its claims to allegiance. 45 Once again this points to the recognition of a modest place for the nation, however it be defined, and away from the totalitarian pretensions of nationalism. Whether the nation is already linked to the body politic or to an ethnically defined people seeking political recognition, it must remain within the normative limits God has placed on everything in his creation.

Page 244: The Jewish involvement in influencing immigration policy in the United States is especially noteworthy as an aspect of ethnic conflict. ... Throughout much of the period from 1881 to 1965, one Jewish interest in liberal immigration policies stemmed from a desire to provide a sanctuary for Jews fleeing from anti-Semitic persecutions in Europe and elsewhere. ... There is also evidence that Jews, much more than any other European-derived ethnic group in the United States, have viewed liberal immigration policies as a mechanism of ensuring that the United States would be a pluralistic rather than a unitary, homogeneous society (e.g., Cohen 1972). ... Pluralism serves internal Jewish interests because it legitimates the internal Jewish interest in rationalizing ... Jewish group commitment and non-assimilation, what Howard Sachar (1992, 427) terms its function in “legitimizing the preservation of a minority culture in the midst of a majority’s host society.” ... Ethnic and religious pluralism also serves external Jewish interests because Jews become just one of many ethnic groups. This results in the diffusion of political and cultural influence among the various ethnic and religious groups, and it becomes difficult or impossible to develop unified, cohesive groups of gentiles united in their opposition to Judaism. Historically, major anti-Semitic movements have tended to erupt in societies that have been, apart from the Jews, religiously or ethnically homogeneous.

Now, in the academy, you cannot just say anything about male theory. You have to proceed with an immanent critique, that is to say, you have to expertly play the parts against the whole. You show, for example, how certain assumptions in the work actually defeat its stated purpose of human liberation, but once remedied, i.e. salvaged, the theory will work for women. An immanent critique can stay within the masculinist academic circle. In this position women become the technicians of male theory who have to reprogram the machine, turning it from a war machine against women into a gentler, kinder war machine, killing us softly. This is a very involving task and after years of playing this part it is understandable that there may be little desire to admit that the effort was virtually futile. An investment has been made, and the conformity is not wholly outer. What attitudes and feelings does this sexist context produce towards oppositional women who refuse this male material? Does a male-circled woman have the power and security to be generous? Having compromised her freedom, will she be less willing to compromise ours? Perhaps the most pernicious aspect of this arrangement, besides the ways it sets women against one another, is the fact that although the male academy values owning our freedom, it does not have to pay a lot for it. Masculine culture already controls gross amounts of female lives. Still, it seems to want more, but always at the same low price. The exploited are very affordable.

The shift from precious metals to paper in retrospect clarifies that artifacts serving as money tokens are no more than representations of abstract exchange value—they are thus ultimately coveted for their potential use in social transaction, nor for some imagined, essential value intrinsic to the money tokens themselves. If it were not for international agreements such as those of Bretton Woods, gold could conceivably be as useless a medium of exchange in some cultural contexts as seashells are to modern Europeans. This understanding of money, however, simultaneously implies that there is no such thing as intrinsic value. If value ubiquitously pertains to social relations, any notion of intrinsic value is an illusion. Although the European plundering and hoarding of gold and silver, like the Melanesian preoccupation with kula and the Andean reverence for Spondylus, has certainly been founded on such essentialist conceptions of value, the recent representation of exchange value in the form of electronic digits on computer screens is a logical trajectory of the kind of transformation propagated by [Marco] Polo. It is difficult to imagine how money appearing as electronic information could be perceived as possessing intrinsic value. This suggests that electronic money, although currently maligned as the root of the financial crisis, could potentially help us rid ourselves of money fetishism. Paradoxically, the progressive detachment of money from matter, obvious in the transitions from metals through paper to electronics, is simultaneously a source of critique and a source of hope.

One early terracotta statuette from Catal Huyuk in Anatolia depicts an enthroned female in the act of giving birth, supported by two cat-like animals that form her seat (Plate 1). This figure has been identified as a 'birth goddess' and it is this type of early image that has led a number of feminist scholars to posit a 'reign of the goddess' in ancient Near Eastern prehistory. Maria Gimbutas, for whom such images are proof of a perfect matriarchal society in 'Old Europe' , presents an ideal vision in which a socially egalitarian matriarchal culture was overthrown by a destructive patriarchy (Gimbutas 1991). Gerda Lerner has argued for a similar situation in the ancient Near East; however, she does not discuss nude figurines at any length (Lerner 1986a: 147). More recently, critiques of the matriarchal model of prehistory have pointed out the flaws in this methodology (e.g. Conkey and Tringham 1995; Meskell 1995; Goodison and Morris 1998). In all these critiques the identification of such figures as goddesses is rejected as a modern myth. There is no archaeological evidence that these ancient communities were in fact matriarchal, nor is there any evidence that female deities were worshipped exclusively. Male gods may have worshipped simultaneously with the 'mother goddesses' if such images are indeed representations of deities. Nor do such female figures glorify or show admiration for the female body; rather they essentialise it, reducing it to nothing more nor less than a reproductive vessel. The reduction of the head and the diminution of the extremities seem to stress the female form as potentially reproductive, but to what extent this condition was seen as sexual, erotic or matriarchal is unclear. ....Despite the correct rejection of the 'Mother Goddess' and utopian matriarchy myths by recent scholarship, we should not loose track of the overwhelming evidence that the image of female nudity was indeed one of power in ancient Mesopotamia. The goddess Ishtar/Inanna was but one of several goddesses whose erotic allure was represented as a powerful attribute in the literature of the ancient Near East. In contact to the naked male body which was the focus of a variety of meanings in the visual arts, female nudity was always associated with sexuality, and in particular with powerful sexual attraction, Akkadian *kuzbu*. This sexuality was not limited to Ishtar and her cult. As a literary topos, sensuousness is a defining quality for both mortal women and goddesses. In representational art, the nude woman is portrayed in a provocative pose, as the essence of the feminine. For femininity, sexual allure, *kuzbu*, the ideal of the feminine, was thus expressed as nudity in both visual and verbal imagery. While several iconographic types of unclothed females appear in Mesopotamian representations of the historical period - nursing mothers, women in acts of sexual intercourse, entertainers such as dancers and musicians, and isolated frontally represented nudes with or without other attributes - and while these nude female images may have different iconographic functions, the ideal of femininity and female sexuality portrayed in them is similar. -Zainab Bahrani, Women of Babylon: Gender and Representation in Mesopotamia

J'ai appris des autochtones américains que nous prouvons seulement notre appartenance à l'endroit où nous vivons sur terre en utilisant notre maison avec soin, sans la détruire. J'ai appris qu'on ne peut pas se sentir chez soi dans son corps, qui est la maison la plus authentique de chacun, quand on souhaite être ailleurs, et qu'il faut trouver par soi-même le lieu où l'on est déjà dans le monde naturel environnant. J'ai appris que dans mon travail de poète et de romancier il n'existe pas pour moi de chemin tracé à l'avance, et que j'écris le mieux en puisant dans mon expérience d'adolescent imitant les autochtones et partant vers une contrée où il n'y a pas de chemin. J'ai appris que je ne peux pas croire vraiment à une religion en niant la science pure ou les conclusions de mes propres observations du monde naturel. J'ai appris que regarder un pluvier des hautes terres ou une grue des ables est plus intéresant que de lire la meilleure critique à laquelle j'ai jamais eu droit. J'ai appris que je peux seulement conserver mon sens du caractère sacré de l'existence en reconnaissant mes propres limites et en renonçant à toute vanité. J'ai appris qu'on ne peut pas comprendre une autre culture tant qu'on tient à défendre la sienne coûte que coûte. Comme disaient les Sioux, "courage, seule la Terre est éternelle". Peu parmi les cent millions d'autres espèces sont douées de parole, si bien que nous devons parler et agir pour les défendre. Que nous ayons trahi nos autochtones devrait nous pousser de l'avant, tant pour eux que pour la terre que nous partageons. Si nous ne parvenons pas à comprendre que la réalité de la vie est un agrégat des perceptions et de la nature de toutes les espèces, nous sommes condamnés, ainsi que la terre que déjà nous assassinons.

Dear Amnesiac, Yes, your pyramids were raised Roughly up at right angles To exert out loud and bright in the jungle And obscure in darkness the jungle around— And how many years is it you're living In fear of the darkness there created? You’ve your back to the door and the four corners You’re standing in a room with walls and a floor But just the same as any other You’ve stood in in pictures or places before. Alien in your place of birth, you pound An outraged fist into your palm, but are Too over-tired and too much adrift, Not at home, grown absent in an absent world. So— your steam engine roared Across space and the four seasons, And from conductors’ hands unloaded Its surplus even to the farthest hamlet. Yes, your transportations have taken you Beyond the known horizon, but not any Nearer to infinity, nor to eternity. That is the moon double-paned in the window-glass But could just as well be another bulb reflected. Afloat, nowhere, a ghost you have become You having from many hands vanished. Your mind will not stop wandering, and all over These carnival streets is too much noise for hearing. You have withdrawn from this; are living in fear. You fear death and the chances of death So far removed you live from dying... And waking up you find the day is there, Existing, all-ready, you can only enter— And looking to the night you see a frontier that's Cold, empty, like it's a world you've never known. You've become stuck in the middle of it, without any Sense of the horizons, and are all the time crying Too furious for the ruin of your world. But every thing in ruin must first be made: A wildfire only burns, transforms The wood, and passes. It is not a collapse. Too anxious you’re striving to build a new day— Every morning only awaits your being born.

For Kaminer, argument and persuasion could no longer be operative when belief and subjective experience became the baseline proofs that underwrote public and private assertions. No speaker or writer was under any obligation to answer his or her critics because argument and testimony were fatefully blurred. When reasoned impiety was slowly being banished from public dialogue, political responsibility would inevitably wane. In the warm bath of generalized piety and radical plurality, everyone could assert a point of view, an opinion, and different beliefs, but no one was under any obligation to defend them. Whereas cultural studies scholars saw themselves contesting dominant forms of discourse and hegemonic forms of thinking, Kaminer saw them participating in a popular embrace of an irrational Counter-Enlightenment. Like Andrew Ross, Kaminer cited Franz Mesmer as an important eighteenth-century pioneer of twentieth-century alternative healing techniques. Mesmer’s personal charisma and his powers of psychic healing and invocation of “animal magnetism” entranced the European courts of the late eighteenth century. Mesmer performed miracle cures and attracted a devoted, wealthy following. Despite scandals that plagued his European career, the American middle class was eager to embrace his hybrid of folk practices and scientific-sounding proofs. Mesmerism projected an alternative mystical cosmology based upon magnets and invisible flows of energy. Mesmer, who was said to control the invisible magnetic flow of forces that operated upon human and animal bodies, built upon a network of wealthy patrons who were devoted to the powers of a charismatic leader, Mesmer himself. Mesmer’s manipulation of magnets and hands-on healing evoked for the French court the ancient arts of folk healing while it had recourse to ostensibly modern scientific proofs. Historian of the French eighteenth century Robert Darnton insisted that mesmerism could not be dismissed as mere quackery or charlatanism but represented a transitional worldview, one that bridged the Enlightenment and the particular forms of nineteenth-century Romanticism that followed.

Although a youth culture was in evidence by the 1950s, the first obvious and dramatic manifestation of a culture generated by peer-orientation was the hippie counterculture of the 1960s and 1970s. The Canadian media theorist Marshall McLuhan called it “the new tribalism of the Electric Age.” Hair and dress and music played a significant part in shaping this culture, but what defined it more than anything was its glorification of the peer attachment that gave rise to it. Friends took precedence over family. Physical contact and connection with peers were pursued; the brotherhood of the pop tribe was declared, as in the generation-based “Woodstock nation.” The peer group was the true home. “Don't trust anyone over thirty” became the byword of youth who went far beyond a healthy critique of their elders to a militant rejection of tradition. The degeneration of that culture into alienation and drug use, on the one hand, and its co-optation for commercial purposes by the very mainstream institutions it was rebelling against were almost predictable. The wisdom of well-seasoned cultures has accumulated over hundreds and sometimes thousands of years. Healthy cultures also contain rituals and customs and ways of doing things that protect us from ourselves and safeguard values important to human life, even when we are not conscious of what such values are. An evolved culture needs to have some art and music that one can grow into, symbols that convey deeper meanings to existence and models that inspire greatness. Most important of all, a culture must protect its essence and its ability to reproduce itself — the attachment of children to their parents. The culture generated by peer orientation contains no wisdom, does not protect its members from themselves, creates only fleeting fads, and worships idols hollow of value or meaning. It symbolizes only the undeveloped ego of callow youth and destroys child-parent attachments. We may observe the cheapening of cultural values with each new peer-oriented generation. For all its self-delusion and smug isolation from the adult world, the Woodstock “tribe” still embraced universal values of peace, freedom, and brotherhood. Today's mass musical gatherings are about little more than style, ego, tribal exuberance, and dollars.

It is not the development of material need which sets the modern vocabulary of aspiration apart from anything which has gone before, but rather the transformation of our spiritual needs. It is our spirits, not our clothes and houses and cars, that set us so radically apart from our own past and form much of the rest of the world. Imagine what we must be like to the primitive peoples who receive our attentions as anthropologists. We come upon them armed with our mastery of nature, and yet they can disarm us with the simplest metaphysical inquiry: what happen when people die? where do they go? what are the duties of the living to the dead? Their cultures are as rich in answers to these questions as our culture is rich in answers to the technical and scientific problems which baffle them. It has always been a truism of the Western bad conscience that we have purchased our mastery of nature at the price of our spirits. The conservative and romantic critique of Western progress has always used the example of the savage - rich in cosmology, poor in goods - to argue for an inverse historical relationship between the development of material and spiritual needs. Certainly this view could draw upon the dark side of the Christian theology of need. While secular optimists have trust in the permanence of spiritual need, Augustinian Christians have fixed their gaze on the nightmare of the happy slave: the being so absorbed by the material that all spiritual needs have perished. Yet human needing is historical, and who can predict what forms the needs of the spirit may take? There is a loss of nerve in the premature announcements of the death of the spirit, the easy condemnations of materialist aspiration in capitalist society. Western societies have continued the search for spiritual consolation in the only manner consistent with the freedom of the seeking subject: by making every person the judge of his own spiritual satisfaction. We have all been left to choose what we need, and we have pushed the search for private meaning to the limits of what a public language can contain if it is to continue to be a means of communication. We have Augustine's first freedom, and because we have it, we cannot have his second. We can no longer offer each other the possibility of metaphysical belonging: a shared place, sustained by faith, in a divine universe. All our belonging now is social.

Nietzsche's case is an especially interesting one for whoever wishes to undertake a critical examination of the “neotraditionalist” path. Two main reasons justify this evaluation: ― Nietzsche's work, on the one hand, explicitly and in an exemplary manner articulates the critique of democratic modernity and the denunciation of the argumentative foundation of norms: in this way it permits us ―better than does the work of other philosophers― to grasp all that is involved, within the choice between tradition and argumentation, in the rejection of the latter. ― On the other and perhaps more important hand, the way Nietzsche went about this rejection illustrates in a particularly significant fashion one of the main difficulties this type of philosophical projects comes up against: the neotraditionalist avoidance of democratic modernity makes it necessary to look for and ―we insist on this― whatever could be today's analogue of a traditional universe: the analogue, for (as Nietzsche knew better than anyone) it is out of question that in a time when “God is dead”, tradition should function as it does in theological cultures, in which whatever renders the value of tradition “sacred” and gives it its power is never unrelated to its rootedness in the divine will or in the world order supposed to express this will. Situating as he does his reflections at the same time after the “death of God” and after the (inseparably associated) discovery that the world once “dedivinized”, appears to be devoid of any order and must be thought of as “chaos”, Nietzsche take into account the end of cosmological and theological universe, an end that in general defines the intellectual and cultural location of the Moderns: we are thus dealing here, by definition and, we could say, at the stage of working sketch (since Nietzsche is, in philosophy, the very man who declared the foundations of the traditional universe to be antiquated), with a very peculiar mixture of antimodernism and modernity, of tradition and novelty ―which is why the expression “neotraditionalism” seems perfectly appropriate here, right down to the tension expressed within it. The question is of course one of knowing what such a “mixture” could consists of, both in its content and in its effects. Since, more than most of the representative of ordinary conservatism, Nietzsche cannot contemplate a naïve resumption of tradition, his “neo-conservative” approach permits us to submit the traditionalist option to an interrogation that can best examine its limitations and unintended consequences ―namely: what would a modern analogue of tradition consist of?

In opting for large scale, Korean state planners got much of what they bargained for. Korean companies today compete globally with the Americans and Japanese in highly capital-intensive sectors like semiconductors, aerospace, consumer electronics, and automobiles, where they are far ahead of most Taiwanese or Hong Kong companies. Unlike Southeast Asia, the Koreans have moved into these sectors not primarily through joint ventures where the foreign partner has provided a turnkey assembly plant but through their own indigenous organizations. So successful have the Koreans been that many Japanese companies feel relentlessly dogged by Korean competitors in areas like semiconductors and steel. The chief advantage that large-scale chaebol organizations would appear to provide is the ability of the group to enter new industries and to ramp up to efficient production quickly through the exploitation of economies of scope.70 Does this mean, then, that cultural factors like social capital and spontaneous sociability are not, in the end, all that important, since a state can intervene to fill the gap left by culture? The answer is no, for several reasons. In the first place, not every state is culturally competent to run as effective an industrial policy as Korea is. The massive subsidies and benefits handed out to Korean corporations over the years could instead have led to enormous abuse, corruption, and misallocation of investment funds. Had President Park and his economic bureaucrats been subject to political pressures to do what was expedient rather than what they believed was economically beneficial, if they had not been as export oriented, or if they had simply been more consumption oriented and corrupt, Korea today would probably look much more like the Philippines. The Korean economic and political scene was in fact closer to that of the Philippines under Syngman Rhee in the 1950s. Park Chung Hee, for all his faults, led a disciplined and spartan personal lifestyle and had a clear vision of where he wanted the country to go economically. He played favorites and tolerated a considerable degree of corruption, but all within reasonable bounds by the standards of other developing countries. He did not waste money personally and kept the business elite from putting their resources into Swiss villas and long vacations on the Riviera.71 Park was a dictator who established a nasty authoritarian political system, but as an economic leader he did much better. The same power over the economy in different hands could have led to disaster. There are other economic drawbacks to state promotion of large-scale industry. The most common critique made by market-oriented economists is that because the investment was government rather than market driven, South Korea has acquired a series of white elephant industries such as shipbuilding, petrochemicals, and heavy manufacturing. In an age that rewards downsizing and nimbleness, the Koreans have created a series of centralized and inflexible corporations that will gradually lose their low-wage competitive edge. Some cite Taiwan’s somewhat higher overall rate of economic growth in the postwar period as evidence of the superior efficiency of a smaller, more competitive industrial structure.

In the 1990s legal scholar and public policy advocate Wendy Kaminer published a brace of books engaged with the New Age cultures of recovery and self-help. She represented an Old Left perspective on new superstition, and although she was of the same generation as the cultural studies scholars, she did exactly what Andrew Ross warned academics and elites against. She criticized the middlebrow, therapeutic culture of self-help for undermining critical thinking in popular discourse. She encouraged the debunking of superstition, deplored public professions of piety. Her books were polemical and public interventions that were addressed to the maligned liberal and more or less thoughtful reader who took an interest in the issues of the day. In some ways, her writing was a popularization of some of psychoanalytic theory scholar, sociologist, and cultural critic Philip Rieff’s and Richard Hofstadter’s critiques of a therapeutic culture of anti-intellectualism.77 She speculated that the decline of secular values in the political sphere was linked to the rise of a culture of recovery and self-help that had come out of the popularization of New Age, countercultural beliefs and practices. In both I’m Dysfunctional, You’re Dysfunctional: The Recovery Movement and Other Self-Help Fashions and Sleeping with Extra-Terrestrials: The Rise of Irrationalism and the Perils of Piety, Kaminer publicly denounced the decline of secular culture and the rise of a therapeutic culture of testimony and self-victimization that brooked no dissent while demanding unprecedented leaps of faith from its adherents.78 Kaminer’s work combined a belief in Habermasian rational communication with an uncompromising skepticism about the ubiquity of piety that for her was shared by both conservatives and liberals. For Kaminer, argument and persuasion could no longer be operative when belief and subjective experience became the baseline proofs that underwrote public and private assertions. No speaker or writer was under any obligation to answer his or her critics because argument and testimony were fatefully blurred. When reasoned impiety was slowly being banished from public dialogue, political responsibility would inevitably wane. In the warm bath of generalized piety and radical plurality, everyone could assert a point of view, an opinion, and different beliefs, but no one was under any obligation to defend them. Whereas cultural studies scholars saw themselves contesting dominant forms of discourse and hegemonic forms of thinking, Kaminer saw them participating in a popular embrace of an irrational Counter-Enlightenment. Like Andrew Ross, Kaminer cited Franz Mesmer as an important eighteenth-century pioneer of twentieth-century alternative healing techniques. Mesmer’s personal charisma and his powers of psychic healing and invocation of “animal magnetism” entranced the European courts of the late eighteenth century. Mesmer performed miracle cures and attracted a devoted, wealthy following. Despite scandals that plagued his European career, the American middle class was eager to embrace his hybrid of folk practices and scientific-sounding proofs. Mesmerism projected an alternative mystical cosmology based upon magnets and invisible flows of energy. Mesmer, who was said to control the invisible magnetic flow of forces that operated upon human and animal bodies, built upon a network of wealthy patrons who were devoted to the powers of a charismatic leader, Mesmer himself. Mesmer’s manipulation of magnets and hands-on healing evoked for the French court the ancient arts of folk healing while it had recourse to ostensibly modern scientific proofs. Historian of the French eighteenth century Robert Darnton insisted that mesmerism could not be dismissed as mere quackery or charlatanism but represented a transitional worldview, one that bridged the Enlightenment and the particular forms of nineteenth-century Romanticism that followed.

Maturity sees that the past is not to be rejected, destroyed, or replaced, but rather that it is to be judged and corrected, that the work of judgment and correction is endless, and that it necessarily involves one's own past. The industrial economy has made a general principle of the youthful antipathy to the past, and the modern world abounds with heralds of "a better future" and with debunkers happy to point out that Yeast was "silly like us" or that Thomas Jefferson may have had a Negro slave as a mistress - and so we are disencumbered of the burden of great lives, set free to be as cynical or desperate as we please. Cultural forms, it is held, should change apace to keep up with technology. Sexual discipline should be replaced by the chemicals, devices, and procedures of "birth control," and poetry must hasten to accept the influence of typewriter or computer. It can be better argued that cultural forms ought to change by analogy with biological forms. I assume that they do change in that way, and by the same necessity to respond to changes of circumstance. It is necessary, nevertheless, to recognize a difference in kinds of cultural change: there is change by necessity, or adaptation; and there is contrived change, or novelty. The first is the work of species or communities or lineages of descent, occurring usually by slow increments over a long time. The second is the work of individual minds, and it happens, or is intended to happen, by fiat. Individual attempts to change cultural form - as to make a new kind of marriage or family or community - are nearly always shallow or foolish and are frequently totalitarian. The assumption that it can easily be otherwise comes from the faith in genius. To adopt a communal form with the idea of chain or discarding it according to individual judgment is hopeless, the despair and death of meaning. To keep the form is an act of faith in possibility, not of the form, but of the life that is given to it; the form is a question addressed to life and time, which only life and time can answer. Individual genius, then, goes astray when it proposes to do the work of community. We rightly follow its promptings, on the other hand, when it can point out correctly that we have gone astray - when forms have become rigid or empty, when we have forgot their use or their meaning. We then follow our genius or our geniuses back to reverence, to truth, or to nature. This alternation is one of the long rhythms. But the faith in genius and the rebellions of genius, at the times when thee are necessary, should lead to the renewal of forms, not to their destruction.

Since the nineteenth century, white feminists have had a critique of the ways white men have attempted to sexually regulate their bodies. They have decried the demands for sexual chastity, purity, and monogamy that American culture has presumed to be white women’s civic duty. But often the critique stops there. White women never make the leap toward solidarity. That solidarity would be rooted in the fact that the terms and limits of Black women’s and white women’s sexual agency (while certainly not equal in the scope of terror and violence) are both bound up with the project of white supremacy. Far too frequently, white women’s notions of antiracist solidarity is defined solely by their willingness to date Black men. I’m coming back to that momentarily.

It always struck Julia as odd that those two teams felt so different. Her study group felt stressful because everyone was always jousting for leadership and critiquing each other’s ideas. Her case competition team felt exciting because everyone was so supportive and enthusiastic. Both groups, however, were composed of basically the same kinds of people. They were all bright, and everyone was friendly outside of the team settings. There was no reason why the dynamic inside Julia’s study group needed to become so competitive, while the culture of the case team was so easygoing.

in 1962 when I began this story, and in 1965 when it began to be a book, the answers were not as obvious to me as they quickly became and are now. The assertion of racial beauty was not a reaction to the self-mocking, humorous critique of cultural/racial foibles common in all groups, but against the damaging internalization of assumptions of immutable inferiority originating in an outside gaze. I focused, therefore, on how something as grotesque as the demonization of an entire race could take root inside the most delicate member of society: a

Now we're starting to be aware of the problems with not "seeing race": ignoring race means ignoring longstanding problems and history, as well as ignoring important aspects of a person's identity.

Modernism defined itself through the exclusion of mass culture, and postmodernism renegotiates high and popular forms of culture. Modernism is characterized by a utopian desire and commitment to radical change, and postmodernism–which questions the presumptions of modernism–by critique, demystification and the significance of difference.

The myth sovereign in the old age was that everything means everything. The myth sovereign in the new is that nothing means anything.

The teachings of Zen have been deployed in opposition to both religious fundamentalism and anti religious secularism. They have also been used to critique consumerism, technological destruction of and alienation from nature, and other perceived ills of the dominant and domineering worldviews and lifestyles of the modern West. All of this is now part of the ongoing development of Zen as a living and increasingly cross-cultural tradition.

Pour retrouver une position d’objectivité, nous devrons nous abstenir de tous jugements de ce type. Il faudra admettre que, dans la gamme des possibilités ouvertes aux sociétés humaines, chacune a fait un certain choix et que ces choix sont incomparables entre eux : ils se valent. Mais alors surgit un nouveau problème : car si, dans le premier cas, nous étions menacés par l’obscurantisme sous forme d’un refus aveugle de ce qui n’est pas nôtre, nous risquons maintenant de céder à un éclectisme qui, d’une culture quelconque, nous interdit de rien répudier : fût-ce la cruauté, l’injustice et la misère […]. Et comme ces abus existent aussi parmi nous, quel sera notre droit de les combattre à demeure, s’il suffit qu’ils se produisent ailleurs pour que nous nous inclinions devant eux ?
 L’opposition entre deux attitudes de l’ethnographe : critique à domicile et conformiste au-dehors, en recouvre donc une autre à laquelle il lui est encore plus difficile d’échapper. S’il veut contribuer à une amélioration de son régime social, il doit condamner, partout où elles existent, les conditions analogues à celles qu’il combat, et il perd son objectivité et son impartialité. En retour, le détachement que lui imposent le scrupule moral et la rigueur scientifique le prévient de critiquer sa propre société, étant donné qu’il ne veut en juger aucune afin de les connaître toutes. A agir chez soi, on se prive de comprendre le reste, mais à vouloir tout comprendre on renonce à rien changer.

Racial socialization took place in schools and society, whether done explicitly or not. The prevalence of antiblackness in US popular culture and school content made it necessary to offer purposeful and humanizing perspectives on blackness to support the healthy development of black student identities. The learning aesthetic offered through Woodson’s program presented resources that supported the development of student identities that were historically grounded, aware of their oppression, and committed to imagining and building new possibilities for their collective futures. It was enacted discursively through curriculum development, materially through decorative educational resources produced for classrooms and schools, and affectively through performances and dramatizations during Negro History Week celebrations and classroom activities. This aesthetic presented new symbols of being and belonging that were distinct to black students, all of which offered explicit critiques of the master narrative about black life shaping their Jim Crow surroundings.

Biblically speaking, to claim that God is transcendent is not to say that he is unknowable, but that he is not a part of the universe he has made and that he stands above it in control of it. Similarly, to claim that God is immanent is not to say that God is a part of the universe he has made, but that he is present with his people in covenant relationship.

culture of continuous improvement is created through a keystone habit of wide-ranging internal critiques that are at the core of every assignment.

The belief that individuals should be considered equal and that individual achievement should be downplayed has been a part of Scandinavian society for centuries, but it was codified in the so-called “Law of Jante” by Danish author Aksel Sandemose in his 1933 novel En flyktning krysser sitt spor (A Fugitive Crosses His Tracks). Sandemose’s writing was intended as a critique of Scandinavian culture as reflected in the homogeneity and repression characteristic of the fictional small town of Jante. Nonetheless, the rules of equality Sandemose described seem to be deeply etched into the Danish psyche.

Debate over leftist tactics, after all, fits very smoothly into the bellowing, gladiatorial panels that make up most news shows. Such prevaricating also allows mainstream media, which is perennially critiqued as overly liberal, to punch leftward, maintaining a veneer of objectivity.

A Lasting Legacy I return to Elkins now, to make a summary point and a single closing observation. The summary point is that even as a closed system, slavery, simply because of its long duration, produced over time a distinctive African American culture. This is a point stressed in Eugene Genovese’s Roll, Jordan, Roll and in his mostly sympathetic critique of Elkins. Slaves, for instance, developed a repertoire of songs and stories and relationships—sometimes lifelong relationships—that ultimately helped to form a black identity in the United States. There is no analog for this in the concentration camps, partly because of the nature of the camps and partly because they lasted for just a dozen years from 1933 to 1945. In general, camp prisoners did not form close relationships, partly because this was discouraged by the guards and partly because prisoners realized that the very person you befriended last week could be summarily executed this week. So the only behavioral changes that concentration camps produced were in the nature of short-term adaptations to camp life itself. It follows from this that the cultural legacy of slavery long outlasted slavery while the cultural legacy of the camps—including the peculiar disfigurations of personality that Elkins detected—proved to be a temporary phenomenon. The phenomena of the zombie-like Muselmanner, the ersatz Nazism of the Kapos—all of this is now gone. It makes no sense to say that Jews or eastern Europeans today display any of the characteristics that developed within that temporary closed system. With American blacks, however, the situation is quite different. Although slavery ended in 1865, it lasted more than 200 years, and it had its widest scope during the era of Democratic supremacy in the South from the 1820s through the 1860s. Many of the features of the old slave plantation—dilapidated housing, broken families, a high degree of violence required to keep the place together, a paucity of opportunity and advancement prospects, a widespread sense of nihilism and despair—are evident in Democrat-run inner cities like Oakland, Detroit, Baltimore, and Chicago. “There was a distinct underclass of slaves,” political scientist Orlando Patterson writes, “who lived fecklessly or dangerously. They were the incorrigible blacks of whom the slave-owner class was forever complaining. They ran away. They were idle. They were compulsive liars. They seemed immune to punishment.” And then comes Patterson’s punch line: “We can trace the underclass, as a persisting social phenomenon, to this group.” 39 The Left doesn’t like Patterson because he’s a black scholar of West Indian origin with a penchant for uttering politically incorrect truths.

The same process occurs, however, when people who prefer popular culture come into contact with high culture; they are frequently shocked by its espousal of “deviant” behavior, especially on the part of the artist, and they condemn it in terms similar to those in the mass culture critique. For example, during the 1960s, cultural and political satire was often called “sick comedy,” and Lenny Bruce was hounded off the stage and into suicide by the police and the courts. The defenders of high and popular culture attack each other in many ways. High culture condemns popular culture as vulgar and pathological, while popular culture attacks high culture for being overly intellectual, snobbish, and effeminate, inventing pejorative terms like “highbrow” and “egghead” for this purpose.

At one level, the critique is a plea for an ideal way of life guided by the humanist dictates of high culture that emerged during the Enlightenment and by the standards of humanist thinkers who place a high value on personal autonomy, individual creativity, and the rejection of group norms. These standards are undoubtedly conducive to the creation of high culture, but whether they ought to guide everyone and be applied on a society-wide basis is open to question.

If a culture severely limits you both mentally and physically, find a way to get rid of that culture! And those who need to do this first are the ones most affected by such oppressive cultures, women!

Even if we are all products of the cultural blender, each mixture of influences, vocabularies, memories, orientations, and temperament possesses a distinct and unmistakable flavor. We make ourselves out of the models we encounter; we give ourselves a form through the different ways we inhabit other forms. And we bring these differences to the event of reading, even as we are reoriented— sometimes subtly, sometimes significantly— by the sum of what we read.

The growing dependency of culture on scientific knowledge has not suppressed the counter-movement of a pervasive disillusionment with mechanistic explanations of the totality of the cosmos and human life within it. Of itself the critique of science does not, however, signal a revival of religion. On the contrary, to the extent that today’s esoterica and search for new forms of spiritual experience confine themselves to the shadows of science, they promote a greater alienation of religion from the everyday world and strengthen the ‘normal,’ scientific-technological way of valuing the things of life.

The term “cancel culture” is a right-wing American term. It’s a term crafted to gaslight and vilify changing progressive voice. There’s no such thing as “cancel culture”. It’s “consequence culture”; and demands more than an apology for transgressions of harm. “Consequence culture” aims to deplatform a person’s social capital until they make meaningful change.

Same premise holds for the liberal critique of “American hegemony” (a term from the 1990s and early 2000s that is very rarely used anymore, but the premise still holds); from the position that America will hold a permanent hegemonic position. This cynical disbelief in the *end* of the Empire’s hegemony is what sustains the decadence that accelerates its precipitous decline. Same thing with global warming or any other exigencies. The denial of the “end” is what accelerates the end. The admission of the crisis is what accelerates the action necessary to negate the crisis and, therefore, turn the cynic into someone who can justify non-belief in the crisis because in the evaporation of the emergency, the proof that the emergency existed is removed, and, therefore, the cynic becomes even more assured that their cynicism is justified. If you do not believe in global warming and policies change to the point where carbon emissions are reduced and global warming is averted, the first thing a cynic will say is, “See! I told you global warming was nothing to worry about!” Same thing with the COVID quarantine and vaccine measures. If they did not work to evade the virus the cynic would cry that the measures were not effective and therefore nobody should trust the government. If the measure did work and the virus was evaded, the cynic would cling to the cynicism and say, “See! The crisis of the virus would have been averted! What is all the fuss? Why did everyone worry?” An ideology succeeds when the facts that at first appearance should serve to contradict it start to serve as arguments in its favor. There is a sense that “enjoyment itself, which we experience as ‘transgression’, is in its innermost status something imposed, ordered—when we enjoy… this obscene call ‘Enjoy!’, is the superego.” Cultural downfall is pressed into action—by the decadent attitudes of those who suspend disbelief even as the demise of hegemonic power is unfolding before their eyes. The same holds true for those who disbelieve that the Other can actually overtake them, and the downplaying of cunning tendencies in the Neighbors. There is an infantilizing process that misunderestimated the possibility that the Other can mobilize itself into a force that can become a “master”-signifier where you are the “subject” to the Other, the condescension that “their” power will remain virtual and never become fully realized as an actual force enacting violence upon you, this is the condescension of liberal compassion towards the “Neighbors.

This gesture of self-critique is not limited to the Old Testament prophets; it sets a pattern for the whole of Christian history in which the church from Athanasius through Luther to Kierkegaard “can be understood as a gesture of reformation whereby the essentially secular order of the existing or established church is undermined in order to approach the religious core of faith.

The atmosphere was such that anyone could be creative: You didn’t need to consider yourself an artist to make a drawing, play an instrument, or write a poem. Nor did anyone else, no matter their level of expertise, have the authority to judge whatever you made as artistically unworthy. (The opposite of the Internet, where everyone feels entitled to critique or comment.)

And sometimes, when we are trapped in the race not to be complicit in our own oppression, self-definition masquerades as a notion of loving our black selves in white terms. More than that, critique that hides the power being played out in the theater of our everyday lives only serves that power. It doesn't actually challenge it. When I say that I am unattractive or ugly, I am not internalizing the dominant culture's assessment of me. I am naming what has been done to me. And signaling who did it.

The multi-faceted defense of a certain notion of benign mimesis both in Critical Theory and the work of Philippe Lacoue-Labarthe has also attracted attention, as have certain affinities with Lacan's critique of ego psychology.

For example, Crenshaw stated that “race can also be a coalition of straight and gay people of color, and thus serve as a basis for critique of churches and other cultural institutions that reproduce heterosexism.”82

Much has been made of the fact that so many sixties radicals went on to become hardcore capitalists, profiting by the system they once critiqued and wanted to destroy. But no one assumes responsibility for the shift in values that made the peace and love culture turn toward the politics of profit and power. That shift came about because the free love that flourished in utopian communal hippie enclaves, where everyone was young and carefree, did not take root in the daily lives of ordinary working and retired people. Young progressives committed to social justice who had found it easy to maintain radical politics when they were living on the edge, on the outside, did not want to do the hard work of changing and reorganizing our existing system in ways that would affirm the values of peace and love, or democracy and justice. They fell into despair. And that despair made capitulation to the existing social order the only place of comfort.

Some have called for “degrowth”, a movement that embraces zero or even negative GDP growth that is gaining some traction (at least in the richest countries). As the critique of economic growth moves to centre stage, consumerism’s financial and cultural dominance in public and private life will be overhauled.[42] This is made obvious in consumer-driven degrowth activism in some niche segments – like advocating for less meat or fewer flights. By triggering a period of enforced degrowth, the pandemic has spurred renewed interest in this movement that wants to reverse the pace of economic growth, leading more than 1,100 experts from around the world to release a manifesto in May 2020 putting forward a degrowth strategy to tackle the economic and human crisis caused by COVID-19.[43] Their open letter calls for the adoption of a democratically “planned yet adaptive, sustainable, and equitable downscaling of the economy, leading to a future where we can live better with less”. However, beware of the pursuit of degrowth proving as directionless as the pursuit of growth! The most forward-looking countries and their governments will instead prioritize a more inclusive and sustainable approach to managing and measuring their economies, one that also drives job growth, improvements in living standards and safeguards the planet. The technology to do more with less already exists.[44] There is no fundamental trade-off between economic, social and environmental factors if we adopt this more holistic and longer-term approach to defining progress and incentivizing investment in green and social frontier markets.

In comparison with cyberfeminist texts rife with irony, gynocentric metaphors, and poetic references to cultural theory, Firestone’s book has an appeal of its own, something that could, following Melissa Gregg, be conceptualized as Firestone’s affective voice. Gregg refers to a particular contagious affect in the forms of address adopted by an author that has the power and effect of engaging readers and activating them into critical practices — be these textual or other. Sarah Franklin has suggested that the importance of The Dialectic of Sex lies in its analysis and critique of gender and discrimination more than in the concrete solutions that it proposes. The appeal of Firestone’s affective voice could well be added to the list: committed to rethinking culture, technology, gender, and society, it is occasionally blunt, seldom ironic, incessantly passionate, and contagious in its urgency.

The effect of this statement has to be understood in the context of the times. This was a period when, whatever the misgivings about Nazism as a political project, there was widespread popular and academic acceptance of a scientific foundation for the division of humankind into separate races with different, stable, biologically inherited characteristics. While the UNESCO announcement may have come as a bolt from the blue for large numbers of people, the scientific grounding for this challenge had in fact been in preparation for some time before the Holocaust. The interwar period had been characterized by a growing scepticism towards scientific racism. In the USA it came primarily from the newly expanding field of cultural anthropology. In the UK the critique emerged largely from biology and other natural sciences.

In this sense—not in the sense of offering a neutral standpoint—Revelation can be called a critique of ideology. The Christian critique of ideology is not neutral; it is personal.

Joshua took another small sip from his wine glass as his gaze and his thoughts drifted away from the flat-screen television mounted above the marbled fireplace to ponder a roomful of sports jackets and pantsuits and in some cases cocktail dresses but only of neutral tones and minimal detailing if for no other reason than to avoid becoming the subject of the next petty scandal that would nevertheless send shockwaves through their haughty and insular world. The way they stood in their intimate clusters. Their drink glasses held in various poses of sophistication. And whenever they did bring glass to mouth in accordance with judiciously preset intervals it was also for show, as he believed was true of their subdued conversations, which, from where he was sitting, appeared to be nothing more than the unintelligible murmurings of barely moving lips. A whole list of observations came to mind. Not one of them flattering in any way. The atmosphere thick with that certain stuffiness and elitist redolence of an ivy league alumni fundraising gala. Of course, he readily admitted to himself that out of everyone in the room he was very likely the most materially bereft and least credentialed and that this stinging truth undoubtedly inflamed his plebeian impulse. But that’s not what was bugging him.

But the people of Harappa lived in peace and prosperity for a period about as long as Christianity has been on the earth. And yet, not a single war. Quite the contrast, wouldn’t you say?

You gotta problem with Karens? Well, shit-stache, you just drew the Queen of all fucking Karens! Except I’m not going to demand to speak with your manager. I’m just going to fucking cut you unless you get this rolling fartbox of yours in motion toward the North Cove Yacht Harbor!

But for those who spawned them and then forgot them to exist, it seemed there was only one thing that could momentarily draw them away from the kinds of blithe exchanges which he did not doubt carried real-world consequences for real people and other living things that must have existed only in theory in their spreadsheet and accounting ledger minds.

Oh, I don’t know,” Karen groaned, feeling suddenly very feisty. “I just don’t think anyone with a loose appendage swinging between their legs—which we know corresponds to a loose screw in the brain—could ever be trusted with something as delicate as the well-being of someone not similarly encumbered.

That’s right, bud. My personal apocalypse has been going on for a while now, since my name became the grossest fucking meme ever. And what, you think all the Karens of the world just upped and went to their own fucking island somewhere where we could all get bob cuts and drink caramel appletinis all day while calling the cops on imaginary black people? I mean, hello, we still walk among you.

Diana Adams is more interested in seeing increased social protections for alternative families. While same-sex marriage was an important victory for gay rights and opened up a cultural conversation about the definition of marriage and love, she says, we shouldn't forget that the movement was also "a queer critique of the nuclear family and traditional monogamous sexuality." The same is true of monogamy's insurgents. Rather than "cram people into the institution of marriage," she says, "we ultimately want to get the government out of the business of deciding whether you get tax benefits, health insurance, and immigration status based on whom you're having sex with." Her thoughts remind me of the late psychologist and gay activist Michael Shernoff, who reflected critically on the shift "from gay men radically transforming American society" to gay men "assimilating into it in conservative and hetero-normative ways." He lauded consensual nonmonogamy as a "vibrant, normative, healthy part" of the gay community, and expressed concern that the advent of gay marriage might consign this "venerable, multigenerational tradition" to the category of adultery. "Couples who succesfully negotiate sexual nonexclusivity," he wrote, "are, whether or not they are conscious of it, being genuinely subversive, in one of the most constructive ways possible...by challenging the patriarchial notion that there is only one "proper" and "legitimate" (hetero-normative) way that loving relationships should and need to be conducted" Monogamy was once a subject that was never even discussed in the therapist's office, but today as a matter of course I ask every couple, What is your monogamy agreement? Marriage without virginity was once inconceivable. So, too, sex without marriage.

The Brahmin-Baniyas think that their non-productive ritualistic life is great and the Dalitbahujan non-ritualistic working life is mean.

However, sometimes I feel that those who fight to protect it do so less like warriors and more like helicopter parents so worried about comedy getting hurt and comedy moving beyond them that they stunt its development. To openly allow for critique is to take comedy seriously, and taking it seriously will allow it to evolve and mature.

Lucien Goldmann has stated the central problem of Marxist aesthetics in the period of advanced capitalism. If the proletariat is not the negation of the existing society but to a great extent integrated into it, then Marxist aesthetics is confronted with a situation where "authentic forms of cultural creations" exist "tough they cannot be attached to the consciousness -even a potential one- of a particular social group." The decisive question therefore is: how the "link is made between the economic structures and literary manifestations in a society where this link occurs outside the collective consciousness, i.e., without being grounded in a progressive class consciousness, without expressing such consciousness?

In 1984, French sociologist Pierre Bourdieu explored the social patterning of consumption and taste in Distinction: A Social Critique of the Judgement of Taste. Bourdieu found that family socialization processes and educational experiences are the primary determinants of taste for a wide range of cultural goods, including food, dress, and home decor.

In the spirit of Trickster, here's to turning representation against itself in the fight for survivance, for f"a new consciousness of coexistence," for a new Turtle Island.

For Meschonnic, poetry is the critique of the duality of the sign, and rhythm is the poem’s – and thus the subject’s – agency. It is only within such a continuously enacted critique that the subject can emerge as irrevocably ethical. He used the term “geopoetics” to prise open the conventional cultural and geographic borders that disallow the free movement of subjectivization as continuous rhythm. Within his proposition, politics does not refer to the spatialized economics of governance, but to the necessary proposition of a shared linguistic duration. And, too, within this proposition, we don’t know definitively what language is – this is why it can remain open as an inquiry. Meschonnic’s work on rhythm claims orality as the mode of the political. In his words, in Politique du rythme:

even if Christianity offers the most compelling explanation of beauty, this does not mean that Christian artists will produce the finest art. As anyone who has encountered contemporary Christian music can attest, Christians are responsible for a great deal of highly inferior art. One reason for this seems to be a tendency in the past generation, at least in the West, for Christian artists to copy or critique rather than to create, as one cultural critic puts it.

The Swiss will never be the wild child of Europe; you only have to look at their lovingly tended vegetable patches to see that. But whether they are boring or not most likely depends on the eye of the beholder.

Was it possible this one would be a son too? She hoped so, but not because she favored men. Her husband modeled the seriousness, the stoicism, that she hoped her sons would inherit, but she had nothing to teach a daughter. She could teach her to dream—say, to be a painter, as she herself had been trained—and then teach her to let it go. Teach her to cloister herself in dark hallways, admiring how the light fell through the rice-paper doors while knowing that there was no point in putting it on canvas.

I don’t really like organizations where people are “deemed” things.