Cue Ball Quotes

We've searched our database for all the quotes and captions related to Cue Ball. Here they are! All 75 of them:

I squinted at the cue ball, then at the triangle of balls farther down the table. “You’re a tiny bit off,” I said. I felt him smile. “How much you want to bet?” “Five dollars.” I felt him give a soft shake of his head. “Your jacket.” “You want my jacket?” “I want it off.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Somedays you're the cue ball, somedays you are the eight ball
Pablo
Life is beautiful and life is stupid. As long as you keep that in mind, and never give more weight to one than the other, the history of the galaxy, the history of a planet, the history of a person is a simple tune with lyrics flashed on-screen and a helpful, friendly bouncing disco ball of glittering, occasionally peaceful light to help you follow along. Cue the music. Cue the dancers. Cue tomorrow.
Catherynne M. Valente (Space Opera (Space Opera, #1))
I suppose you had to," Wes said when Phin went back to join him at the table. "Pretty much. She seduced me." "Yeah, right," Wes said. "She said, 'Please fix the kitchen drain,' and you interpreted that--" "She said, 'Fuck me.' " Phin put two balls on the table and picked up his cue. "I interpreted that to mean she wanted sex." "Oh." Wes picked up his cue. "That would have been my call, too." He squinted at the table. "Why would she have said that?" "On a guess? Because she wanted sex.
Jennifer Crusie (Welcome to Temptation (Dempseys, #1))
She first screamed at the ball, then took the cue in her hands and bit down upon the shaft, still screaming through her clamped teeth.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
He had a punch like a bag full of cue balls.
Dennis Lehane
If you had a super-duper, jumbo-gigantic finger, and you dragged it across Earth's surface (oceans and all), Earth would feel as smooth as a cue ball.
Neil deGrasse Tyson (Astrophysics for People in a Hurry)
I had concluded that I no longer shared her faith in a God who controlled the universe like a puppet master pulling and tugging strings and making us all dance. Our lives, I believed, were more like billiard balls on a pool table, ricocheting randomly with the impact of the cue ball. To believe otherwise was to believe that a God to whom my mother had devoted her life had responded by striking down her husband and causing her so much pain. I couldn’t accept that.
Robert Dugoni (The Extraordinary Life of Sam Hell)
[I] threw open the door to find Rob sit­ting on the low stool in front of my book­case, sur­round­ed by card­board box­es. He was seal­ing the last one up with tape and string. There were eight box­es - eight box­es of my books bound up and ready for the base­ment! "He looked up and said, 'Hel­lo, dar­ling. Don't mind the mess, the care­tak­er said he'd help me car­ry these down to the base­ment.' He nod­ded to­wards my book­shelves and said, 'Don't they look won­der­ful?' "Well, there were no words! I was too ap­palled to speak. Sid­ney, ev­ery sin­gle shelf - where my books had stood - was filled with ath­let­ic tro­phies: sil­ver cups, gold cups, blue rosettes, red rib­bons. There were awards for ev­ery game that could pos­si­bly be played with a wood­en ob­ject: crick­et bats, squash rac­quets, ten­nis rac­quets, oars, golf clubs, ping-​pong bats, bows and ar­rows, snook­er cues, lacrosse sticks, hock­ey sticks and po­lo mal­lets. There were stat­ues for ev­ery­thing a man could jump over, ei­ther by him­self or on a horse. Next came the framed cer­tificates - for shoot­ing the most birds on such and such a date, for First Place in run­ning races, for Last Man Stand­ing in some filthy tug of war against Scot­land. "All I could do was scream, 'How dare you! What have you DONE?! Put my books back!' "Well, that's how it start­ed. Even­tu­al­ly, I said some­thing to the ef­fect that I could nev­er mar­ry a man whose idea of bliss was to strike out at lit­tle balls and lit­tle birds. Rob coun­tered with re­marks about damned blue­stock­ings and shrews. And it all de­gen­er­at­ed from there - the on­ly thought we prob­ably had in com­mon was, What the hell have we talked about for the last four months? What, in­deed? He huffed and puffed and snort­ed and left. And I un­packed my books.
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
Donnelly subtly eyes them while facing us too. “Those mugs are bugging Beckett.” I can’t detect Beckett’s annoyance. But not a second later, he realigns the mugs in a neat row. Maximoff gesticulates from his chest to Sulli, speaking extremely fucking empathetically to his cousin. I skim him, a smile playing at my lips, and I take a swig of coffee. “He’s about to hug her.” On cue, Maximoff wraps his arms around his cousin, and she squeezes him back. Akara bounces his ball. “She’ll buy a Sagittarius something for me. Wait for it…” We watch Sulli scan the shelves and then veer to a display of zodiac jewelry. She plucks a silver Sagittarius keychain off a hook. Spending 24/7 with a person has this effect.
Krista Ritchie (Lovers Like Us (Like Us, #2))
Stretched and skewed Tap of the 8-ball and the cue Scratches fall through They are the scars of you
Criss Jami (Salomé: In Every Inch In Every Mile)
Celaena jabbed the cue, and hit the ball with such force that it zoomed toward the back wall of the table, knocking three colored balls out of its way before it collided with the number three ball, sending it shooting straight for a hole. It stopped rolling at the edge of the pocket. A shriek of rage ripped from her throat, and Celaena ran over to the pocket. She first screamed at the ball, then took the cue in her hands and bit down upon the shaft, still screaming through her clamped teeth. Finally the assassin stopped and slapped the three ball into the pocket.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
When you lose, let that be a lesson to you. When you win - you don't learn anything.
Allan P. Sand
Her continued devotion in the face of all that had happened amazed me, but at this point I had concluded that I no longer shared her faith in a God who controlled the universe like a puppet master pulling and tugging strings and making us all dance. Our lives, I believed, were more like billiard balls on a pool table, ricocheting randomly with the impact of the cue ball.
Robert Dugoni (The Extraordinary Life of Sam Hell)
Pretending to be extroverted when you're an introverted is about as fun as shoving your face into a dirty bucket of ice. I constantly felt on edge and my sensitivity towards social cues surged like an off-brand Spidey sense. I soon found myself developing this fun little habit of replaying past conversations in my head as I spent my days drowning in a ball pit of self-consciousness.
Meichi Ng (Barely Functional Adult: It’ll All Make Sense Eventually)
Is she pleasing to the eye?" Gabriel went to an inset sideboard to pour himself a brandy. "She's bloody ravishing," he muttered. Looking more and more interested, his father asked, "What is the problem with her, then?" "She's a perfect little savage. Constitutionally incapable of guarding her tongue. Not to mention peculiar: She goes to balls but never dances, only sits in the corner. Two of the fellows I went drinking with last night said they'd asked her to waltz on previous occasions. She told one of them that a carriage horse had recently stepped on her foot, and she told the other that the butler had accidentally slammed her leg in the door." Gabriel took a swallow of brandy before finishing grimly, "No wonder she's a wallflower." Sebastian, who had begun to laugh, seemed struck by that last comment. "Ahhh," he said softly. "That explains it." He was silent for a moment, lost in some distant, pleasurable memory. "Dangerous creatures, wallflowers. Approach them with the utmost caution. They sit quietly in corners, appearing abandoned and forlorn, when in truth they're sirens who lure men to their downfall. You won't even notice the moment she steals the heart right out of your body- and then it's hers for good. A wallflower never gives your heart back." "Are you finished amusing yourself?" Gabriel asked, impatient with his father's flight of fancy. "Because I have actual problems to deal with." Still smiling, Sebastian reached for some chalk and applied it to the tip of his cue stick. "Forgive me. The word makes me a bit sentimental.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
When you have lived your life under such dominant image-leadership, its pressures put a certain invisible English on the cue ball of your development: It influences all of your ideas about who you should be, all the ways in which you become yourself.
Cintra Wilson
A miscue,” Sebastian remarked, deftly catching the cue ball in his hand and repositioning it. “Whenever that happens, reach for more chalk, and apply it to the tip of the cue stick while looking thoughtful. Always imply that your equipment is to blame, rather than your skills.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
She walked around the edge of the table to position her next shot. As she pulled her cue back she was confident that she would only need one more shot after this. But as she started her forward motion, Ben leaned over. "Look at this picture," he said softly. "A long stick, hard balls, you bent over the table..." She missed.
Erin Nicholas (Just Right (Just Everyday Heroes: Day Shift, #1))
The Himalayas grew against the force of Earth’s gravity because of the resilience of crustal rock. But before you get excited about Earth’s mighty mountains, you should know that the spread in height from the deepest undersea trenches to the tallest mountains is about a dozen miles, yet Earth’s diameter is nearly eight thousand miles. So, contrary to what it looks like to teeny humans crawling on its surface, Earth, as a cosmic object, is remarkably smooth. If you had a super-duper, jumbo-gigantic finger, and you dragged it across Earth’s surface (oceans and all), Earth would feel as smooth as a cue ball. Expensive globes that portray raised portions of Earth’s landmasses to indicate mountain ranges are gross exaggerations of reality.
Neil deGrasse Tyson (Astrophysics for People in a Hurry (Astrophysics for People in a Hurry Series))
Far from being empty, space is more like a snooker table. Stars explode or collide and that’s the white ball being smacked with the cue stick. Individual atoms go flying off at close to the speed of light. Regardless of how small they are, anything traveling that fast is dangerous. Even though space is a vacuum, given enough time, atoms will eventually collide with each other and—bang—the cosmic game of snooker just got interesting. Protons, neutrons and electrons scatter again, speeding along until they hit something else. If that something else happens to be alive, that’s bad—destroying cell walls and damaging DNA.
Peter Cawdron (Losing Mars (First Contact))
What? Why didn’t tell me?” Rye grinned. “By that point I was ninety percent certain you weren’t a murderer. Call me foolish, but I kind of wanted to keep it that way.” “Believe it or not, I haven’t fantasized about killing my ex for months.
Cindy Blackburn (Playing With Poison (Cue Ball Mysteries, #1))
After Evie had finished her plate, Sebastian tugged her to the billiards table and handed her a cue stick with a leather tip. Ignoring her attempts to refuse him, he proceeded to instruct her in the basics of the game. “Don’t try to claim this is too scandalous for you,” he told her with mock severity. “After running off with me to Gretna Green, nothing is beyond you. Certainly not one little billiards game. Bend over the table.” She complied awkwardly, flushing as she felt him lean over her, his body forming an exciting masculine cage as his hands arranged hers on the cue stick. “Now,” she heard him say, “curl your index finger around the tip of the shaft. That’s right. Don’t grip so tightly, sweet…let your hand relax. Perfect.” His head was close to hers, the light scent of sandalwood cologne rising from his warm skin. “Try to imagine a path between the cue ball—that’s the white one—and the colored ball. You’ll want to strike right about there”—he pointed to a place just above center on the cue ball—“to send the object ball into the side pocket. It’s a straight-on shot, you see? Lower your head a bit. Draw the cue stick back and try to strike in a smooth motion.” Attempting the shot, Evie felt the tip of the cue stick fail to make proper contact with the white ball, sending it spinning clumsily off to the side of the table. “A miscue,” Sebastian remarked, deftly catching the cue ball in his hand and repositioning it. “Whenever that happens, reach for more chalk, and apply it to the tip of the cue stick while looking thoughtful. Always imply that your equipment is to blame, rather than your skills.” Evie felt a smile rising to her lips, and she leaned over the table once more. Perhaps it was wrong, with her father having passed away so recently, but for the first time in a long while, she was having fun. Sebastian covered her from behind again, sliding his hands over hers. “Let me show you the proper motion of the cue stick—keep it level—like this.” Together they concentrated on the steady, even slide of the cue stick through the little circle Evie had made of her fingers. The sexual entendre of the motion could hardly escape her, and she felt a flush rise up from the neck of her gown. “Shame on you,” she heard him murmur. “No proper young woman would have such thoughts.” A helpless giggle escaped Evie’s lips, and Sebastian moved to the side, watching her with a lazy smile. “Try again.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
There is, of course, the misconception that straight men universally love tall, thin women. Being such a woman, I can debunk this. Many men are too insecure to date a tall woman. Many of those who aren’t are assholes looking for a trophy. It has less to do with attraction than status. Which is only effective if the tall person is a model. If you’re dating someone taller than you and she’s a model, then you must be hot and interesting. If you’re dating someone taller than you and she’s a literary agent, cue the jokes about her wearing your balls on a silver necklace.
Emily Henry (Book Lovers)
Steady there,” he whispered, his lips brushing past my ear as he eased up behind me. His hands settled on my hips, fingers toying with the hem of my shirt. “Focus, Duffy. Are you focusing?” He was trying to distract me. And shit, it was working. I jerked away from him, trying to thrust the back of my pool stick into his gut. But of course he dodged, and I succeeded only in knocking the cue ball in the opposite direction of what I’d intended, sending it right into one of the corner pockets. “Scratch,” Wesley announced. “Damn it!” I whirled around to face him. “That shouldn’t count!” “But it does.” He took the white ball out of the hole and placed it carefully at the end of the table. “All’s fair in love and pool.” “War,” I corrected. “Same thing.” He eased the stick back, staring straight ahead, before shooting it forward again. Half a second later, the eight ball sailed into a pocket. The winning shot. “Asshole,” I hissed. “Don’t be a sore loser,” he said, leaning his stick against the wall. “What did you really expect? I’m obviously amazing at everything.” He grinned. “But, hey, you can’t hold it against me, right? We can’t help the way God makes us.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
In 2003, a Dutch clinical psychologist named Christof van Nimwegen began a fascinating study of computer-aided learning that a BBC writer would later call “one of the most interesting examinations of current computer use and the potential downsides of our increasing reliance on screen-based interaction with information systems.”26 Van Nimwegen had two groups of volunteers work through a tricky logic puzzle on a computer. The puzzle involved transferring colored balls between two boxes in accordance with a set of rules governing which balls could be moved at which time. One of the groups used software that had been designed to be as helpful as possible. It offered on-screen assistance during the course of solving the puzzle, providing visual cues, for instance, to highlight permitted moves. The other group used a bare-bones program, which provided no hints or other guidance. In the early stages of solving the puzzle, the group using the helpful software made correct moves more quickly than the other group, as would be expected. But as the test proceeded, the proficiency of the members of the group using the bare-bones software increased more rapidly. In the end, those using the unhelpful program were able to solve the puzzle more quickly and with fewer wrong moves. They also reached fewer impasses—states in which no further moves were possible—than did the people using the helpful software. The findings indicated, as van Nimwegen reported, that those using the unhelpful software were better able to plan ahead and plot strategy, while those using the helpful software tended to rely on simple trial and error. Often, in fact, those with the helpful software were found “to aimlessly click around” as they tried to crack the puzzle.
Nicholas Carr (The Shallows: What the Internet is Doing to Our Brains)
At one point he got tripped, and picking himself up, placed the ball on the ground to take the free kick himself. As the boys spread out in anticipation, I saw Arthur H. – one of his biggest tormentors – a few yards behind Tommy’s back, begin mimicking him, doing a daft version of the way Tommy was standing over the ball, hands on hips. I watched carefully, but none of the others took up Arthur’s cue. They must all have seen, because all eyes were looking towards Tommy, waiting for his kick, and Arthur was right behind him – but no one was interested. Tommy floated the ball across the grass, the game went on, and Arthur H. didn’t try anything else.
Kazuo Ishiguro (Never Let Me Go)
The second implication of these studies is that nonverbal cues are as or more important than verbal cues. The subtle circumstances surrounding how we say things may matter more than what we say. Jennings, after all, wasn’t injecting all kinds of pro-Reagan comments in his newscasts. In fact, as I mentioned, ABC was independently observed to have been the most hostile to Reagan. One of the conclusions of the authors of the headphones study—Gary Wells of the University of Alberta and Richard Petty of the University of Missouri—was that “television advertisements would be most effective if the visual display created repetitive vertical movement of the television viewers’ heads (e.g., bouncing ball).” Simple physical movements and observations can have a profound effect on how we feel and think.
Malcolm Gladwell (The Tipping Point: How Little Things Can Make a Big Difference)
Honest to God, I hadn’t meant to start a bar fight. “So. You’re the famous Jordan Amador.” The demon sitting in front of me looked like someone filled a pig bladder with rotten cottage cheese. He overflowed the bar stool with his gelatinous stomach, just barely contained by a white dress shirt and an oversized leather jacket. Acid-washed jeans clung to his stumpy legs and his boots were at least twice the size of mine. His beady black eyes started at my ankles and dragged upward, past my dark jeans, across my black turtleneck sweater, and over the grey duster around me that was two sizes too big. He finally met my gaze and snorted before continuing. “I was expecting something different. Certainly not a black girl. What’s with the name, girlie?” I shrugged. “My mother was a religious woman.” “Clearly,” the demon said, tucking a fat cigar in one corner of his mouth. He stood up and walked over to the pool table beside him where he and five of his lackeys had gathered. Each of them was over six feet tall and were all muscle where he was all fat. “I could start to examine the literary significance of your name, or I could ask what the hell you’re doing in my bar,” he said after knocking one of the balls into the left corner pocket. “Just here to ask a question, that’s all. I don’t want trouble.” Again, he snorted, but this time smoke shot from his nostrils, which made him look like an albino dragon. “My ass you don’t. This place is for fallen angels only, sweetheart. And we know your reputation.” I held up my hands in supplication. “Honest Abe. Just one question and I’m out of your hair forever.” My gaze lifted to the bald spot at the top of his head surrounded by peroxide blonde locks. “What’s left of it, anyway.” He glared at me. I smiled, batting my eyelashes. He tapped his fingers against the pool cue and then shrugged one shoulder. “Fine. What’s your question?” “Know anybody by the name of Matthias Gruber?” He didn’t even blink. “No.” “Ah. I see. Sorry to have wasted your time.” I turned around, walking back through the bar. I kept a quick, confident stride as I went, ignoring the whispers of the fallen angels in my wake. A couple called out to me, asking if I’d let them have a taste, but I didn’t spare them a glance. Instead, I headed to the ladies’ room. Thankfully, it was empty, so I whipped out my phone and dialed the first number in my Recent Call list. “Hey. He’s here. Yeah, I’m sure it’s him. They’re lousy liars when they’re drunk. Uh-huh. Okay, see you in five.” I hung up and let out a slow breath. Only a couple things left to do. I gathered my shoulder-length black hair into a high ponytail. I looped the loose curls around into a messy bun and made sure they wouldn’t tumble free if I shook my head too hard. I took the leather gloves in the pocket of my duster out and pulled them on. Then, I walked out of the bathroom and back to the front entrance. The coat-check girl gave me a second unfriendly look as I returned with my ticket stub to retrieve my things—three vials of holy water, a black rosary with the beads made of onyx and the cross made of wood, a Smith & Wesson .9mm Glock complete with a full magazine of blessed bullets and a silencer, and a worn out page of the Bible. I held out my hands for the items and she dropped them on the counter with an unapologetic, “Oops.” “Thanks,” I said with a roll of my eyes. I put the Glock back in the hip holster at my side and tucked the rest of the items in the pockets of my duster. The brunette demon crossed her arms under her hilariously oversized fake breasts and sent me a vicious sneer. “The door is that way, Seer. Don’t let it hit you on the way out.” I smiled back. “God bless you.” She let out an ugly hiss between her pearly white teeth. I blew her a kiss and walked out the door. The parking lot was packed outside now that it was half-past midnight. Demons thrived in darkness, so I wasn’t surprised. In fact, I’d been counting on it.
Kyoko M. (The Holy Dark (The Black Parade, #3))
She works in the corporate business center, and I work in a satellite location. She calls it the “moon,” while I call it the “office.” I like to think of my office as God’s cue ball. I’m calling in now, The Big Three’s hitting the two ball in the corner pocket.
Jarod Kintz (This Book is Not for Sale)
I rushed over to where he had invited himself to lie down and knelt beside him. “Stanley?” I asked. “What’s wrong?” “Candy,” he whispered, and then he died.
Cindy Blackburn (Playing With Poison (Cue Ball Mysteries, #1))
Given the situation, this may seem odd. But champagne became my drink of choice after my divorce, when I decided every day without my ex is a day worth celebrating. Even days with dead bodies in them. I popped the cork. Make that, especially days with dead bodies.
Cindy Blackburn (Playing With Poison (Cue Ball Mysteries, #1))
I will say, though,” he spoke up, “that homicide by poisoning is pretty uncommon nowadays. But for a nonviolent woman of a certain age—” “Use that phrase one more time, Captain, and I will demonstrate homicide for you.” Rye took a deep breath. “Can we have some tea?” he asked. Tea! Was the man insane? “Are you insane?” I didn’t wait for a reply. “You come in here and call me an ugly, old, bitch murderer, and then expect me to serve you tea?” “I never said you were ugly.
Cindy Blackburn (Playing With Poison (Cue Ball Mysteries, #1))
With an extra layer of mascara, we could probably tackle world peace,” Karen mumbled as Candy eased her forward. “Or at least solve the energy crisis,” I suggested as I followed behind.
Cindy Blackburn (Double Shot (Cue Ball Mysteries, #2))
Once upon a time my father taught me.” I failed to share my family history with Captain Rye, but my father put the working half of a cue in my hand the day I could stand upright on my own. Our pool table presided over the dining room, and Daddy would drag a chair around for me to stand on until I was tall enough to reach over the rail.
Cindy Blackburn (Playing With Poison (Cue Ball Mysteries, #1))
Did you see anything?” “I most certainly did not. I was asleep until the police arrived. Sleep, Miss Hewitt. I’m 78 years old, take 9 prescription medications every day, and teach 18 unruly piano students every week. I need my rest.” He made a show of looking at his watch. “And now, it is well past my nap-time. If you’ll excuse me.
Cindy Blackburn (Playing With Poison (Cue Ball Mysteries, #1))
Ladies first.” I couldn’t wait for this game to be over so I could teach her how to break properly. Images of her body pressed against mine, bending over the table, caused my jeans to get tighter. “Your funeral,” she sang and my lips turned up at her flash of confidence. Echo twirled her pool cue like a warrior going into battle, never once taking her eyes off the cue ball. She leaned over the table. I focused on her tight ass. My siren ate me alive with every movement. As she took aim, she no longer resembled the fragile girl at school, but a sniper. The quick and thunderous cracking of balls caught me off guard. The balls fell into the pockets in such rapid succession, I lost count. Echo rounded the table, once again twirling the cue, studying the remaining balls like a four-star general would a map. Damn—the girl knew how to play.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I have a barship now,” I said. As if on cue a gold sphere about the size of a golf ball floated through The Establishment to our table. “Speaking of the ship, here it is,” I said. Buzz stood up and looked at the tiny ball. “It’s not very big. I don’t think we’re all going to fit in there. I’m
Patrick Thomas (Startenders: Book 1)
Jay bent over the table, and the muscles in his arm stood proud as he drew the cue back. In one swift motion, he sent it cracking into the white, the other balls soon spinning across the green felt. “Your turn,” he handed her the cue, eyes glinting wickedly. “Need me to look after your end? Of the pool cue, I mean.” “I'm quite capable of looking after my own end, thanks,” Kayla replied archly, and quickly ran the chalk over her cue. “I know the importance of taking care of the tip.
Libby Cole (Hawaiian Heartbreak (Hawaiian Heartbreak, #1))
Take your mind off it, Captain.” “You’re one to talk. From what I can tell, you make a living putting people’s minds on it.” “There’s more to my books than the sex, you know?” I actually said this with a straight face. “But then again, how would you know? Since, as you say, you only read the good parts.” “Twice.
Cindy Blackburn (Playing With Poison (Cue Ball Mysteries, #1))
You learn to have a high weirdness tolerance as a witch. Some luck isn’t bad or good, it’s just luck, the way the pebble falls or the coin flips, the way the cue ball rides. Luck or gods, it didn’t matter.
Lilith Saintcrow (Rose & Thunder)
Pausing at the threshold of the billiards room, she peered around the doorframe as gentlemen milled lazily around the table with drinks and cue sticks in hand. The clicks of ivory balls provided an arrhythmic undertone to the hum of masculine conversation. Her attention was caught by the sight of Matthew Swift in his shirtsleeves, leaning over the table to execute a perfect bank shot. His hands were deft on the cue stick, his blue eyes narrowed as he focused on the layout of balls on the table. Those ever-rebellious locks of hair had fallen over his forehead once more, and Daisy longed to push them back. As Swift sank a ball neatly into a side pocket, there was a scattering of applause, some low laughs, and a few coins changing hands. Standing, Swift produced one of his elusive grins and made a remark to his opponent, who turned out to be Lord Westcliff. Westcliff laughed at the comment and circled the table, an unlit cigar clamped between his teeth as he considered his options. The air of relaxed masculine enjoyment in the room was unmistakable. As Westcliff rounded the table, he caught sight of Daisy peeking around the doorframe. He winked at her.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
If you’re a goal tracker and food is rewarding but the cues that predict it aren’t, then it will be pretty easy for you to stop overeating. You have to give up the excess food, and that’s that. But if you’re a sign tracker and you get powerfully pulled in by the myriad cues in life that predict food rewards, then quitting addictive eating is an entirely different ball game. Your whole life has become one big series of cues to eat, the pull is invisible and incredibly strong, and escaping can seem nearly impossible.
Susan Peirce Thompson (Bright Line Eating: The Science of Living Happy, Thin and Free)
Three Opening Topics of Conversation Use your information-gathering skills to devise topics that would interest you both. As your conversation proceeds, listen carefully to the answers to your questions; they will provide you with material for further conversation. 1. The situation you’re both in. For example, if you meet someone in a continuing-education class, you know that you share an interest in learning, as well as in the topic of the course itself. Questions such as “Have you taken other adult education classes?” or “How did you become interested in English history?” should get the ball rolling. If you meet someone at a party, you might start off by talking about how you know the people throwing the party. “Oh, you and Bob went to sailing camp together? Do you still sail?” And so on. Take your cues from them, and let them know you are interested by following up—both verbally with questions, and nonverbally with your body language. 2. The other person. First, observe what the person is doing, wearing, saying, or reading. Look for things you share in common, or find something that you’d like to know more about. (But watch their body language to be sure they are approachable. A person who is busy changing a tire or engrossed in a book may not want to be disturbed, even by friendly, approachable you.) 3. Yourself. Talking about yourself is a step leading toward conversational intimacy. But it is only effective if you provide an easy way for you intended companion to turn the conversation around to him or her. A compliment such as “I wish I had your sense of color” starts out with you, but focuses on the other person. It makes her feel immediately appreciated, and offers her a chance to take the conversation further if she likes. When someone mentions something you know about or like, indicate it by nodding or by a short sentence (“I’ve been interested in gardening for years!”). Be careful not to talk about yourself too much—especially at first. That can be a real turnoff.
Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
Take your cue from me. You'll love snooker.
Anthony T. Hincks
A pool game mixes ritual with geometry. The slow spaciousness of the green felt mirrors some internal state you get to after a few beers. Back at school, I’d been trying to read the philosophy of art, which I was grotesquely unequipped to do but nonetheless stuck on. I loved the idea that looking at a painting or listening to a concerto could make you somehow “transcend” the day-in, day-out bullshit that grinds you down; how in one instant of pure attention you could draw something inside that made you forever larger. In those days the drug culture was pimping “expanded consciousness,” a lie that partly descended from the old postindustrial lie of progress: any change in how your head normally worked must count as an improvement. Maybe my faith in that lie slid me toward an altered state that day. Or maybe it was just the beer, which I rarely drank. In any case, walking around the pool table, I felt borne forward by some internal force or fire. My first shot sank a ball. Then I made the most unlikely bank shot in history to drop two balls at once after a wild V trajectory. Daddy whistled. The sky through the window had gone the exact blue of the chalk I was digging my cue stick in, a shade solid and luminous at once, like the sheer turquoise used for the Madonna’s robe in Renaissance paintings. Slides from art history class flashed through my head. For a second, I lent that color some credit, as if it meant something that made my mind more buoyant. But that was crazy.
Mary Karr (The Liars' Club)
Groups like SEAL teams and flight crews operate in truly complex environments, where adaptive precision is key. Such situations outpace a single leader’s ability to predict, monitor, and control. As a result, team members cannot simply depend on orders; teamwork is a process of reevaluation, negotiation, and adjustment; players are constantly sending messages to, and taking cues from, their teammates, and those players must be able to read one another’s every move and intent. When a SEAL in a target house decides to enter a storeroom that was not on the floor plan they had studied, he has to know exactly how his teammates will respond if his action triggers a firefight, just as a soccer forward must be able to move to where his teammate will pass the ball. Harvard Business School teams expert Amy Edmondson explains, “Great teams consist of individuals who have learned to trust each other. Over time, they have discovered each other’s strengths and weaknesses, enabling them to play as a coordinated whole.” Without this trust, SEAL teams would just be a collection of fit soldiers
Stanley McChrystal (Team of Teams: New Rules of Engagement for a Complex World)
As I racked the balls, I held the last one in my palm, the way you might cradle the weight of a breast when your lover moves over you and your breath is searing in and out, in and out. As I leaned over the cue I let the yellow light handing low over the table slide over the hollows in my wrist up the long smooth muscle of my bare arms and lose itself in the dip and shadowed curve of collarbone and breasts. As I drew the cue-the long beautifully polished warm strong cue-back over the sensitive webbing between thumb and index finger, I enjoyed the sensation and let my face show it, and then I thrust with my hips with my arm with my cue, into the ball, through it, and the pretty-coloured triangle exploded into a dozen rolling pieces. I threw back my head and laughed as the balls dropped in the pockets: one, two, three. Around the table with the cue now, picking up the chalk-stroke it, rub it around the tip, the rounded velvet tip, cherish it, make sure that not a millimeter is ignored-laying my left breast plump against the felt and stroking that cue back and forth, back and forth, calculating, measuring, waiting as my breathing quickened my breathing quickened and the moment trembled then thrusting again, and round the table and again, and again and again until the felt was all green and clean and I straightened, nipples hard against the silk of my waistcoat, and smiled a slow, satiated smile. And then she smiled back at me from a table and stood and stepped forward like a young deer leaving the shelter of the trees.
Nicola Griffith (The Blue Place (Aud Torvingen, #1))
My pool table!” Orion shrieked. “I never even got to use it!” The chandelier in the room, weakened by the blast, dropped from the ceiling and shattered in the wreckage. The fallen chandelier was the size of a minivan, big enough to give us some cover. We dashed into the next room before Joshua or Dane could fire again, though Erica stopped just long enough to snatch a pool ball and half a busted pool cue off the floor. “We lost the flash drive!” Zoe exclaimed. “And my pizza!” Murray wailed.
Stuart Gibbs (Spy School British Invasion)
your cat to explore. It should be convenient for you to access, too, and away from lots of traffic so the cat has a private place to retreat. Leave the top portion of the carrier open or take it off completely, and let him sniff it inside and out. Consider some “second story” locations, so that your kitten has the added allure of an elevated lookout. Take a cue from your cat’s current favorite hangouts, and offer a location he already loves. Many cats love warm sunny spots, so a window view could be a great location. Don’t make a big deal of it. Make It A Happy Place. Place a snuggly kitty blanket inside, or even a fuzzy shirt that YOU have worn. That associates the carrier with your familiar and trusted scent. Adding a spritz of a feline facial pheromone product like Feliway also may help. Add A Toy or Game. Toss a toy inside to create positive experiences with the crate. Ping Pong balls are great fun inside the hard crates. Offer a catnip toy to make points with reluctant cats. Lure your kitten inside with a chase-the-red-dot laser game, or flick a feather toy in and out and let him catch it, once he’s inside. Reserve his favorite toy to use only near or inside
Amy Shojai (Complete Kitten Care)
To create your own poppet, you’ll need: 2 large pieces of fabric or felt Scissors A needle and thread Cotton balls and/or dried lavender or rose herbs A few strands of your hair Rose quartz (optional) 1. To create the poppet, take the pieces of fabric/felt and lay them on top of one another. Cut out the shape of the doll you want to make, then sew the sides and top together. 2. Use the opening at the bottom to stuff the doll with the cotton or herbs and your hair (or other small item that symbolizes “you”). Add rose quartz if desired to symbolize high-vibe self-love. 3. Sew the bottom shut. 4. Hold the poppet in your hand and affirm that it is an extension of you. Imagine your energy radiating out from your heart into your arms, through your hands, and into the doll. Allow yourself to feel the emotions as they come, making sure to ground yourself afterward to rebalance. 5. Sleep with the poppet under your pillow for at least one night to solidify the bond. 6. Once you have bonded with your poppet, place it somewhere that is readily accessible to you. Treat it like an extension of yourself, taking care to speak to it kindly and hold it gently, giving it the respect and love that you would want from another to support you in healing. This poppet can be taken out during emotional moments, shadow work, or just when you want a visual cue to remind you that you’re a person too! The ultimate purpose is to create a proxy by which you can hold space for yourself and your healing.
Mandi Em (Witchcraft Therapy: Your Guide to Banishing Bullsh*t and Invoking Your Inner Power)
Poirot?’ Amelia held up the dog, a jet black ball of fur with a pointed muzzle. ‘My little Belgian Schipperke, Poirot.’ On cue, the dog yapped at him. He laughed. ‘Does Agatha know that you’ve named him after her detective?’ ‘Of course she does, and she thinks it a positive hoot.
Eric Brown (Murder by the Book (The Langham & Dupré Mysteries 1))
Glass" In every bar there’s someone sitting alone and absolutely absorbed by whatever he’s seeing in the glass in front of him, a glass that looks ordinary, with something clear or dark inside it, something partially drunk but never completely gone. Everything’s there: all the plans that came to nothing, the stupid love affairs, and the terrifying ones, the ones where actual happiness opened like a hole beneath his feet and he fell in, then lay helpless while the dirt rained down a little at a time to bury him. And his friends are there, cracking open six-packs, raising the bottles, the click of their meeting like the sound of a pool cue nicking a ball, the wrong ball, that now edges, black and shining, toward the waiting pocket. But it stops short, and at the bar the lone drinker signals for another. Now the relatives are floating up with their failures, with cancer, with plateloads of guilt and a little laughter, too, and even beauty—some afternoon from childhood, a lake, a ball game, a book of stories, a few flurries of snow that thicken and gradually cover the earth until the whole world’s gone white and quiet, until there’s hardly a world at all, no traffic, no money or butchery or sex, just a blessed peace that seems final but isn’t. And finally the glass that contains and spills this stuff continually while the drinker hunches before it, while the bartender gathers up empties, gives back the drinker’s own face. Who knows what it looks like; who cares whether or not it was young once, or ever lovely, who gives a shit about some drunk rising to stagger toward the bathroom, some man or woman or even lost angel who recklessly threw it all over—heaven, the ether, the celestial works—and said, Fuck it, I want to be human? Who believes in angels, anyway? Who has time for anything but their own pleasures and sorrows, for the few good people they’ve managed to gather around them against the uncertainty, against afternoons of sitting alone in some bar with a name like the Embers or the Ninth Inning or the Wishing Well? Forget that loser. Just tell me who’s buying, who’s paying; Christ but I’m thirsty, and I want to tell you something, come close I want to whisper it, to pour the words burning into you, the same words for each one of you, listen, it’s simple, I’m saying it now, while I’m still sober, while I’m not about to weep bitterly into my own glass, while you’re still here—don’t go yet, stay, stay, give me your shoulder to lean against, steady me, don’t let me drop, I’m so in love with you I can’t stand up. Kim Addonizio, Tell Me (BOA Editions Ltd.; First Edition (July 1, 2000)
Kim Addonizio (Tell Me)
Driving along Broadway, he sees a young guy exit a bus and then turn to help an old woman who was waiting to board that bus. In his entire life, Bobby’s never seen more people help little old ladies cross streets, avoid puddles or potholes, carry their groceries, or find their car keys in purses overstuffed with rosary beads and damp tissues. Everyone knows everyone here; they stop one another in the streets to ask after spouses, children, cousins twice removed. Come winter, they shovel walks together, join up to push cars out of snowbanks, freely pass around bags of salt or sand for icy sidewalks. Summertime, they congregate on porches and stoops or cluster in lawn chairs along the sidewalks to shoot the shit, trade the daily newspapers, and listen to Ned Martin calling the Sox games on ’HDH. They drink beer like it’s tap water, smoke ciggies as if the pack will self-destruct at midnight, and call to one another—across streets, to and from cars, and up at distant windows—like impatience is a virtue. They love the church but aren’t real fond of mass. They only like the sermons that scare them; they mistrust any that appeal to their empathy. They all have nicknames. No James can just be a James; has to be Jim or Jimmy or Jimbo or JJ or, in one case, Tantrum. There are so many Sullivans that calling someone Sully isn’t enough. In Bobby’s various incursions here over the years, he’s met a Sully One, a Sully Two, an Old Sully, a Young Sully, Sully White, Sully Tan, Two-Time Sully, Sully the Nose, and Little Sully (who’s fucking huge). He’s met guys named Zipperhead, Pool Cue, Pot Roast, and Ball Sac (son of Sully Tan). He’s come across Juggs, Nicklebag, Drano, Pink Eye (who’s blind), Legsy (who limps), and Handsy (who’s got none). Every guy has a thousand-yard stare. Every woman has an attitude. Every face is whiter than the whitest paint you’ve ever seen and then, just under the surface, misted with an everlasting Irish pink that sometimes turns to acne and sometimes doesn’t. They’re the friendliest people he’s ever met. Until they aren’t. At which point they’ll run over their own grandmothers to ram your fucking skull through a brick wall. He has no idea where it all comes from—the loyalty and the rage, the brotherhood and the suspicion, the benevolence and the hate. But he suspects it has something to do with the need for a life to have meaning.
Dennis Lehane (Small Mercies)
Pure english (3 o'clock or 9 o'clock), when shot perpendicular into a rail, creates a rebound of 22 1/2 degrees. Each additional hour clockwise on the same side of the cue ball moves the result one diamond counter-clockwise on the table (and vice-versa).
Dale F. Brandt
I deconstructed what we actually do when we're successful in being wise. The fuel tanks... that contain the propellant that enables you to accelerate at any time are: Recognition of success. Knowing when you've met or exceeded goals, and why... Positive self-talk. This is the psychologically healthy step of generalizing your victories and isolating your defeats, and looking at obstacles as challenges to be overcome and not problems that will sink you. Healthy feedback intolerance. We should listen to those we respect and have asked for advice, and not be battered like a ball in a pinball machine by every random piece of feedback (almost all of which is to benefit the sender, not you). Appropriate avatars. Who are the exemplars we most admire, and how can we emulate the traits that cause us to hold them in such esteem? A dynamically growing skill set. We should be learning daily through our efforts, our coaching of others, our investment in our own development. Social cue adeptness. The ability to understand from your observation and listening what is appropriate behavior or an appropriate response in wildly divergent environments and circumstances. Judgment. The ability to discern between fighting for a principle and surrendering cordially to a matter of taste, and acting appropriately on all occasions.
Alan Weiss (Threescore and More: Applying the Assets of Maturity, Wisdom, and Experience for Personal and Professional Success)
A shriek of rage ripped from her throat, and Celaena ran over to the pocket. She first screamed at the ball, then took the cue in her hands and bit down upon the shaft, still screaming through her clamped teeth. Finally the assassin stopped and slapped the three ball into the pocket.
Sarah J. Maas (Throne of Glass)
Many men are too insecure to date a tall woman. Many of those who aren’t are assholes looking for a trophy. It has less to do with attraction than status. Which is only effective if the tall person is a model. If you’re dating someone taller than you and she’s a model, then you must be hot and interesting. If you’re dating someone taller than you and she’s a literary agent, cue the jokes about her wearing your balls on a silver necklace.
Emily Henry (Book Lovers)
The drawing depicted what he had seen the day before: an airplane slamming into the tower, a ball of fire, firefighters, and people jumping from the tower’s windows. But at the bottom of the picture he had drawn something else: a black circle at the foot of the buildings. I had no idea what it was, so I asked him. “A trampoline,” he replied. What was a trampoline doing there? Noam explained, “So that the next time when people have to jump they will be safe.” I was stunned: This five-year-old boy, a witness to unspeakable mayhem and disaster just twenty-four hours before he made that drawing, had used his imagination to process what he had seen and begin to go on with his life. Noam was fortunate. His entire family was unharmed, he had grown up surrounded by love, and he was able to grasp that the tragedy they had witnessed had come to an end. During disasters young children usually take their cues from their parents. As long as their caregivers remain calm and responsive to their needs, they often survive terrible incidents without serious psychological scars.
Bessel van der Kolk (The Body Keeps the Score: Brain, Mind, and Body in the Healing of Trauma)
They say you are as blind as a bat, and too vain to wear spectacles,” the voice beside her announced. Clarissa blinked in surprise. But if she was taken aback by his bluntness, she suspected she was no more so than the speaker himself. She heard a small gasp of breath as he finished, as if he’d just realized what he’d said. A quick glance to the side showed that he’d raised his hand as if to cover his mouth. “I am sorry; I have obviously been too long out of society. I should never have—” “Oh, bother.” Clarissa waved his apology away and sank back in her seat with a dejected sigh. “’Tis all right. I do know what people are saying. They seem to think that I am deaf as well as clumsy, for they do not worry about saying things in front of me—or at least behind their fans—loudly enough for me to hear.” Making a face, she mimicked, “‘Oh look, there she is, poor thing—Clumsy Clarissa.’” “I am sorry,” her companion said quietly. Clarissa waved his words away again, only this time noting the way he dodged as if to avoid a blow to the head. Frowning, she clasped her hands and settled them in her lap, repeating, “There is no need to apologize. At least you said it to my face.” “Yes, well…” The man seemed to relax in his seat now that her hands weren’t waving wildly. “Actually, it was more a question. I was wondering if you truly are?” Clarissa smiled wryly. “Ah, well, I am not quite as blind as a bat. I can see with spectacles. But my stepmother has taken them away.” She threw a dry smile in the general direction of his blurry shape and then shrugged. “Lydia seems to think that I will have more luck setting a fire in some suitable man’s heart without them. The only thing as yet that I have set fire to is Lord Prudhomme’s wig.” “Excuse me?” the stranger asked with amazement. “Prudhomme’s wig?” “Hmm.” Clarissa leaned back in her chair and actually managed to chuckle at the memory. “Yes. Though if you ask me, ’twas not wholly my fault. The man knew that I could not see without my spectacles. Why the deuce he asked me to move the candle closer is beyond me.” Clarissa paused to squint in her companion’s general direction. “He is bald as a cue ball without his wig, is he not?” She thought the man nodded, though it was hard to say. He was emitting small choked sounds it took her a moment to identify. He was fighting desperately not to laugh! “Go ahead,” Clarissa said with a small smile. “Laugh. I did. Though not right away.” -Adrian & Clarissa
Lynsay Sands (Love Is Blind)
Those who love their life lose it,
Cindy Blackburn (Double Shot (Cue Ball Mysteries, #2))
The key to any good hustle is to stay as close as possible to the truth. That way it’s easier to act out when things get intense.
Cindy Blackburn (Double Shot (Cue Ball Mysteries, #2))
Do you know how to use a pool cue?" Paul asked her. "To play pool or to fight?" she asked as Paul pulled the door open and Allan went in first. "Balls are my specialty.
Terry Spear (SEAL Wolf Hunting (Heart of the Wolf, #16))
Ten months after Jamie’s death, the 2006 football season began. The Colts played peerless football, winning their first nine games, and finishing the year 12–4. They won their first play-off game, and then beat the Baltimore Ravens for the divisional title. At that point, they were one step away from the Super Bowl, playing for the conference championship—the game that Dungy had lost eight times before. The matchup occurred on January 21, 2007, against the New England Patriots, the same team that had snuffed out the Colts’ Super Bowl aspirations twice. The Colts started the game strong, but before the first half ended, they began falling apart. Players were afraid of making mistakes or so eager to get past the final Super Bowl hurdle that they lost track of where they were supposed to be focusing. They stopped relying on their habits and started thinking too much. Sloppy tackling led to turnovers. One of Peyton Manning’s passes was intercepted and returned for a touchdown. Their opponents, the Patriots, pulled ahead 21 to 3. No team in the history of the NFL had ever overcome so big a deficit in a conference championship. Dungy’s team, once again, was going to lose.3.36 At halftime, the team filed into the locker room, and Dungy asked everyone to gather around. The noise from the stadium filtered through the closed doors, but inside everyone was quiet. Dungy looked at his players. They had to believe, he said. “We faced this same situation—against this same team—in 2003,” Dungy told them. In that game, they had come within one yard of winning. One yard. “Get your sword ready because this time we’re going to win. This is our game. It’s our time.”3.37 The Colts came out in the second half and started playing as they had in every preceding game. They stayed focused on their cues and habits. They carefully executed the plays they had spent the past five years practicing until they had become automatic. Their offense, on the opening drive, ground out seventy-six yards over fourteen plays and scored a touchdown. Then, three minutes after taking the next possession, they scored again. As the fourth quarter wound down, the teams traded points. Dungy’s Colts tied the game, but never managed to pull ahead. With 3:49 left in the game, the Patriots scored, putting Dungy’s players at a three-point disadvantage, 34 to 31. The Colts got the ball and began driving down the field. They moved seventy yards in nineteen seconds, and crossed into the end zone. For the first time, the Colts had the lead, 38 to 34. There were now sixty seconds left on the clock. If Dungy’s team could stop the Patriots from scoring a touchdown, the Colts would win. Sixty seconds is an eternity in football.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
The Patriots’ quarterback, Tom Brady, had scored touchdowns in far less time. Sure enough, within seconds of the start of play, Brady moved his team halfway down the field. With seventeen seconds remaining, the Patriots were within striking distance, poised for a final big play that would hand Dungy another defeat and crush, yet again, his team’s Super Bowl dreams. As the Patriots approached the line of scrimmage, the Colts’ defense went into their stances. Marlin Jackson, a Colts cornerback, stood ten yards back from the line. He looked at his cues: the width of the gaps between the Patriot linemen and the depth of the running back’s stance. Both told him this was going to be a passing play. Tom Brady, the Patriots’ quarterback, took the snap and dropped back to pass. Jackson was already moving. Brady cocked his arm and heaved the ball. His intended target was a Patriot receiver twenty-two yards away, wide open, near the middle of the field. If the receiver caught the ball, it was likely he could make it close to the end zone or score a touchdown. The football flew through the air. Jackson, the Colts cornerback, was already running at an angle, following his habits. He rushed past the receiver’s right shoulder, cutting in front of him just as the ball arrived. Jackson plucked the ball out of the air for an interception, ran a few more steps and then slid to the ground, hugging the ball to his chest. The whole play had taken less than five seconds. The game was over. Dungy and the Colts had won. Two weeks later, they won the Super Bowl. There are dozens of reasons that might explain why the Colts finally became champions that year. Maybe they got lucky. Maybe it was just their time. But Dungy’s players say it’s because they believed, and because that belief made everything they had learned—all the routines they had practiced until they became automatic—stick, even at the most stressful moments. “We’re proud to have won this championship for our leader, Coach Dungy,” Peyton Manning told the crowd afterward, cradling the Lombardi Trophy. Dungy turned to his wife. “We did it,” he said.
Charles Duhigg (The Power Of Habit: Why We Do What We Do In Life And Business)
COLD DEFINITION: a sudden or ongoing exposure to uncomfortably low temperatures PHYSICAL SIGNALS: Shivering Blue lips Yawning Eyes that tear up Chattering teeth Tingling extremities Stuttering speech Skin that’s uncomfortably cold to the touch Dry, cracked lips A stiff jaw that makes speech difficult Numbness in one’s extremities A burning sensation in the skin Clumsiness Slow, shallow breaths Lips that tremble Poor dexterity or increased clumsiness Wrapping the arms around the torso Jumping, shuffling, or dancing to get the blood flowing Clapping one’s hands or stamping one’s feet Shoving the hands deep into the pockets Red and swollen patches on the skin (chilblains) Pulling the limbs tightly into the core Slurred speech Rubbing one’s hands together Tucking one’s hands into one’s armpits Pulling a collar or scarf up over the face Huddling inside a jacket Rounded shoulders, the chin dropped down to the chest Cringing and squeezing one’s eyes shut Turning one’s back to the wind or source of cold Pulling down one’s sleeves to cover the hands Curling and uncurling one’s toes to get the blood flowing Rubbing one’s legs; using friction to create warmth Quivering breaths Slapping oneself Shaking out the arms and legs Flexing the fingers Taking deep breaths in an effort to wake up Curling into a ball; making oneself small Sharing body heat with others Blowing into cupped hands to warm them INTERNAL SENSATIONS: Low energy Fatigue or drowsiness The feeling of even one’s insides being cold A weakened pulse Nausea Loss of appetite A burning sensation in the lungs when inhaling A voice that loses strength MENTAL RESPONSES: Confusion Muddled thinking Impaired decision-making A desire to sleep Apathy CUES OF ACUTE OR LONG-TERM COLD EXPOSURE: Frostbite Hypothermia Gangrene Limb amputation Coma Heart failure Death WRITER’S TIP: Emotional attitude makes a difference when dealing with the cold. A person who can maintain mental acuity and focus will withstand the elements much better than someone whose mental condition is compromised by negativity. Return to the Table of Contents
Angela Ackerman (Emotion Amplifiers)
As a team, then, the Golgis and the spindles produce a sensory impression that is very different in kind than the impressions of color, texture, odor, or sound produced by our more conscious sense. Instead of measuring any of these surface qualities, the muscle and tendon organs assess the pure mass of an object. Now mass is an invisible thing. We have only to contemplate the surprises offered by a tennis ball filled with lead, or a large “rock” made of styrofoam in a movie studio, to remind ourselves how easily deceived our other sense organs can be with regard to mass. Mass has nothing to do with surface qualities; it is the measure of an object’s resistance to movement, and I can have no idea of its value until I am actively engaged in moving the object. Nor are the sensory cues relating to mass at all constant with regard to the object. They vary continually, as a function of inertia, according to the speed with which I move the object, or the relative suddenness with which I attempt to change the direction of movement or stop the object. A five pound bucket “feels” much heavier if I swing it rapidly in a circle over my head—that is, I have to brace myself much more forcefully in order to resist its pull. It is the precise value of this resistance which is measured by the Golgi tendon organs, and when their information is correlated with the spindles’ measurement of the exact speed and distance of movement, I can arrive at an accurate estimate of mass, that invisible yet crucial property of all matter.
Deane Juhan (Job's Body: A Handbook for Bodywork)
As if on cue, in 1608, golf was introduced from Scotland for the first time, played around a 5-hole course on Blackheath, south of London. The leather balls, stuffed with feathers, lasted no more than one game each, particularly if it rained. At 5 shillings a time, it was a ruinously expensive but a strangely consoling pursuit, fitted to a country replete with contentment.
Adam Nicolson (God's Secretaries: The Making of the King James Bible)
though on cue there came a clamour from above and Barlek swooped past, flying over our heads on the back of his manticore and waving a balled fist in our direction. As the creature flapped away into the distance I could just about make out the demented gnome’s declaration: “Bogrot Blistertooth, I’ll finish you, if it’s the last thing I do!” I shook my head
Daniel Beazley (Goblins Know Best)
in front of Rye. He offered an extremely
Cindy Blackburn (Playing With Poison (Cue Ball Mysteries, #1))
My secret name for the annex was "the hen-coop". Glued to the nesting boxes of their favorite wicker chairs, the inmates sat click-clacking knitting needles, hatching balls of wool, their silence pierced only by an occasional frail voice of meaningless conversation. Flapping imaginary wings, "Cock-a-doodle-dooing," and "Chook-chooking", I ran through crowing, but not so loudly as to frighten them or be rude. I see now the old women's pinched faces, stiff and severe as the potted aspidistras beside them, only masked despair. With nothing to do but breathe, they knitted and crocheted memories and lost dreams into tangible objects. On the hour as though on cue, the old chickens roused, froze suddenly still, before exchanging smiles and nodding some shared secret to one another as the wild music from Bruges' church bells rang out the time from the many belfries, rattling teh panes and vibrating through the "hen house" with deep echoes. And I'd leap to the wild music - a dancing puppet pulled by unseen strings.
EP Rose
Mr. Higgins, our bald principal (breezily referred to into the Vomit as Old Cue Ball)m told me that Miss Margitan (known affectionately to Lisbonians everywhere as Maggot) had been very hurt and very upset by what I had written.
Stephen King (On Writing: A Memoir of the Craft)
Mr. Higgins, our bald principal (breezily referred to into the Vomit as Old Cue Ball) told me that Miss Margitan (known affectionately to Lisbonians everywhere as Maggot) had been very hurt and very upset by what I had written.
Stephen King (On Writing: A Memoir of the Craft)
One thing I forgot to mention”—I snap the stick into the cue ball, sending the solid blue one across the table into the pocket—“is that I did used to play.” I walk past Charlie to line up my next shot. “And here I thought I was just a really good teacher,” he says flatly. I pocket the green ball next, and then miss the burgundy one. When I chance a glance at him, he looks not only unsurprised but downright smug. Like I’ve proven a point. He pulls the cue from my hands and circles the table, eyeing several options for his first shot before choosing the green-striped ball and getting into position. “And I guess I should’ve mentioned”—he taps the cue ball, which sends the green-striped ball into a pocket, the purple-striped ball sinking right behind it—“I’m left-handed.
Emily Henry
Back when I used to fly every week, I tried a clever trick that Michael Rintala showed me: put two tennis balls in an athletic sock about four to six inches apart, and position them just about at the level of my kidneys, or where my thoracic spine meets my lumbar spine. Then, with every breath I try to make sure I expand fully enough to feel the tennis balls on both sides. The idea is that it cues your breathing. When I did this, I could get off a five-hour flight and feel as if I had not been sitting for longer than about five minutes. (It also kept my seatmates from talking to me when I was trying to work.) It’s worth trying on a long flight or drive. *
Peter Attia (Outlive: The Science and Art of Longevity)