Cube Zero Quotes

We've searched our database for all the quotes and captions related to Cube Zero. Here they are! All 10 of them:

We recently graduated from school, and the mayor gave us one last little school assignment. We had to write about our chosen profession. Twenty pages, too. Now, I love my village and all, and have absolutely zero regrets about becoming a warrior, but dude, c'mon. Who wants to write twenty pages about anything? Luckily, Runt thought of a way for us to avoid writing so much without breaking the rules, and every other student copied Runt's idea. Needless to say, the mayor wasn't too thrilled about that. Guess that's why Runt is back to crafting potato-based food items." Resisting the urge to ask 'What's a potato?', I nodded. "Hmm. Do you think I'll be able to speak with him?" "Probably,
Cube Kid (Nether Kitten: Book 5)
Technical speaking one is a beautiful number. One is its own factorial, its own square, its own cube. It is neither a prime number nor a composite number. It is the first two numbers of the Fibonacci sequence. It is the empty product. Any number raised to the zero power is one. It might be argued that one is the most independent number known to man. It can do things no other number is capable of.
Michelle Richmond (No One You Know)
A depachika is like nothing else. It is the endless bounty of a hawker's bazaar, but with Japanese civility. It is Japanese food and foreign food, sweet and savory. The best depachika have more than a hundred specialized stands and cannot be understood on a single visit. I felt as though I had a handle on Life Supermarket the first time I shopped there, but I never felt entirely comfortable in a depachika. They are the food equivalent of Borges's "The Library of Babel": if it's edible, someone is probably selling it, but how do you find it? How do you resist the cakes and spices and Chinese delis and bento boxes you'll pass on the way? At the Isetan depachika, in Shinjuku, French pastry god Pierre Hermé sells his signature cakes and macarons. Not to be outdone, Franco-Japanese pastry god Sadaharu Aoki sells his own nearby. Tokyo is the best place in the world to eat French pastry. The quality and selection are as good as or better than in Paris, and the snootiness factor is zero. I wandered by a collection of things on sticks: yakitori at one stand, kushiage at another. Kushiage are panko-breaded and fried foods on sticks. At any depachika, you can buy kushiage either golden and cooked, or pale and raw to fry at home. Neither option is terribly appetizing: the fried stuff is losing crispness by the second, and who wants to deep-fry in a poorly ventilated Tokyo apartment in the summer? But the overall effect of the display is mesmerizing: look at all the different foods they've put on sticks! Pork, peppers, mushrooms, squash, taro, and two dozen other little cubes.
Matthew Amster-Burton (Pretty Good Number One: An American Family Eats Tokyo)
The most commonly quoted mass for the vacuum is 1094 grams per centimeter cubed (g/cm3) as calculated by John Wheeler who was quoted above.11 We will calculate later that the energy of the vacuum is 1095 g/cm3 by a slightly different method, so that value will be used from here on. As we will see, one order of magnitude difference is not that significant at this point in our discussions. Energy is related to mass by the well-known relation E=mc2. For comparison water has a mass density of 1 g/cm3 by definition. It is impossible for most normal people to grasp just how big a difference in energy there is between the zero-point field and water, so perhaps a simple illustrative example will help. Let’s start with the clichéd drop in a bucket. If the drop is one milliliter (1 ml) and the bucket 100 liters (72.5 gallons), then that gives us a factor of 105. If instead we consider a drop in all the Earth’s oceans, then we have a factor of 1024. That is a lot bigger than a bucket but nowhere close to how insignificant the mass of the drop of water is when compared to zero-point energy. To continue, what if the ocean was the size of the sun? That gives us a ratio on the order of 1041, which is still a long way off. If the ocean was the size of the solar system we get a ratio on the order of 1050. Now if we expand the ocean to the size of the galaxy we get ~1076 and we are still not anywhere close. What if the ocean is the size of the known visible universe? Assuming a radius of 7.4 x 1026 meters the mass ratio is 5 x 1095. There we go. So, the density of water compared to the energy of the vacuum is equivalent to five 1 ml drops of water in an ocean the size of the visible universe. Since we are mostly water and have a similar density to water, the vacuum fluctuations inside our body are like having all the mass-energy of an ocean of water the size of the universe inside each little part of us. Wow, we are pretty insignificant in the big scheme of things and so is any other body of solid matter or any amount of energy associated with it. This zero-point energy is all around us and all throughout us. We are lucky that zero-point energy is not detectable or anything we did would be undetectable noise to any sensor we could possibly make. Even worse, if we could absorb even a small fraction of that energy, we would be vaporized in an instant. Or, if all that energy participated in a gravitational force, the universe would be crushed to a speck.
Ray Fleming (The Zero-Point Universe)
Past the bouncers outside and the girls smoking long, skinny cigarettes, past the tinted glass doors and the jade stone Novikov has put in near the entrance for good luck. Inside, Novikov opens up so anyone can see everyone in almost every corner at any moment, the same theatrical seating as in his Moscow places. But the London Novikov is so much bigger. There are three floors. One floor is “Asian,” all black walls and plates. Another floor is “Italian,” with off-white tiled floors and trees and classic paintings. Downstairs is the bar-cum-club, in the style of a library in an English country house, with wooden bookshelves and rows of hardcover books. It’s a Moscow Novikov restaurant cubed: a series of quotes, of references wrapped in a tinted window void, shorn of their original memories and meanings (but so much colder and more distant than the accessible, colorful pastiche of somewhere like Las Vegas). This had always been the style and mood in the “elite,” “VIP” places in Moscow, all along the Rublevka and in the Garden Ring, where the just-made rich exist in a great void where they can buy anything, but nothing means anything because all the old orders of meaning are gone. Here objects become unconnected to any binding force. Old Masters and English boarding schools and Fabergé eggs all floating, suspended in a culture of zero gravity.
Peter Pomerantsev (Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia)
He is schizophrenic, this is how he was diagnosed with the CIA, and his schizophrenia is his strength, he comes out of a personality, directly impersonating a new one, a completely different one, which he experiences as if he had in it for his whole life. This is every professional agent’s strong point, but it comes at such a high price that it in many cases often ends up in a whiff of insanity. Therefore, they must be monitored and psychologically evaluated on a periodic basis. The last thing the agency wants is a suicidal agent with a message exposing many secrets, or a biased towards their opponents, or a madman circling the streets babbling from here and there. It takes its responsibilities towards them, these people suffer a lot, and the more they train, the more they work, the more professional they become, and the crazier they are. But there was something different about him, which Alex did not miss. Not that schizophrenia that she knew; When sitting with him, talking to him, all the paper reports seem as if they were written about a different person, as if deep down another person about whom no one knows anything yet, and as if all these characters he played are one character as if everything grows from inside him. What she was most concerned about is whether he is honest in being an intelligence agent, or is it a role he plays, as are the dozens of roles he played and plays for the agency. Many doubts revolve around him, officers were unable to manage him, and deal with him. The agency changed the liaison officer with him every few months, he is somewhat out of control, but at the same time, it is unable to terminate his services. The closer the agency got to making that decision, the more he did something that made them stick to it more, creative, distinct, and innovative, that we cannot easily let go of. Until Alex arrived, the only liaison officer he had worked with for years. His condition stabilized, he was no longer that mysterious brawler, she understood him completely, she threw all the reports, papers, and opinions behind her back, and dealt with him directly, without barriers. He was not simply pretending, he was not acting, he was really him. Every character he played, every lie he lied, every mess he made, it was him, without acting. And he said to her, they are all composite characters. If you look at each character, you will find something that connects them to the other, that they are like cubes, I build them on top of each other, I do not play them. What you need is to look at the details, and you will find a fine thread connecting them. He trusted her, and so did she. She became his friend, perhaps the only one in this world until Katrina entered his life. She knows nothing of what happened to him lately, but she knows that man deep inside him at the bottom of the pyramid of the cubes, “he will not hurt me, I trusted him before, I trust him today, his chivalry will not accept treachery, not of this kind, he will not do it”.
Ahmad I. AlKhalel (Zero Moment: Do not be afraid, this is only a passing novel and will end (Son of Chaos Book 1))
Ontological mathematics is operating in such a way as to organize itself into a zero-entropy structure – mathematical perfection. The “Big Bang” is equivalent to the total scrambling of a cosmic Rubik’s Cube. The task of ontological mathematics is then to unscramble the Cube and return it to its original, pristine configuration. Emotionally, this amounts to returning to perfect Love and Bliss. Intellectually, it means reaching a state of perfect logic and reason … thinking perfectly
Thomas Stark (God Is Mathematics: The Proofs of the Eternal Existence of Mathematics (The Truth Series Book 10))
Ibe a| aga;—————n5t theside of hishelmet with a stick thirty or 8o times until his lifc went to zero. I mustha vecritic ally hithimorsomet hing. Hisbo dy,cru shing meup un———til that point, dissol\/ed int0smoke
Cube Kid (Path of Exile: Book 1)
frustrated. As Bone uses up and misses his last arrow, he madly throws his bow at one of the slime instead. He, once again, completely misses. Spinstress slows down as the rest of the magma cubes make their escape. We examine how many we ended up getting. A grand total of zero. “Have you ever seen a hungry enderman before?” Stix asks as he teleports towards us and I catch up to Spinstress. “The answer is no, because in the regal history of endermen, never has one gone hungry! Until now!
Two Little Cowboys (United We Stand (Super Mob Squad Episode #3))
To help my all-too-human senses and brain, they translate the problem into yosegi: opening a Japanese trick box. The quantum protocols are sensations, imperfections and valleys in the marquetry, pressure points inside the wood like tense muscles, faint grins of sliding sections. I need to find the right sequence that opens it. Except that here, the trick is not opening it too early, the wood patterns are hidden in the countless qubits inside – each zero and one at the same time – and the moves are quantum logic operations, executed by the arrays of lasers and interferometers the gogols have built in the ship’s wings. It all amounts to what the ancients called quantum process tomography: trying to figure out what the Box does to the probe states we ease into it, gently, like lockpicks. It feels like trying to juggle eight-side Rubik’s cubes while trying to solve them at the same time.
Hannu Rajaniemi (The Fractal Prince (Jean le Flambeur, #2))