Crystal Chandelier Quotes

Harry witnessed Professor McGonagall walking right past Peeves who was determinedly loosening a crystal chandelier and could have sworn he heard her tell the poltergeist out of the corner of her mouth, 'It unscrews the other way.

What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.

A week after Fred and George's departure, Harry witnessed Professor McGonagall walking right past Peeves, who was determinedly loosening a crystal chandelier, and could have sworn he heard her tell the poltergeist out of the corner of her mouth, "It unscrews the other way.

He knew her now. She was the weird girl in the class above him, who dyed her hair pink and always wore a lot of pentragrams and crystals. Right now she was also wearing giant chandelier earings and a violent pink T-Shirt that bore the words ROMEO AND JULIET WOULDN'T HAVE LASTED.

What about a teakettle? What if the spout opened and closed when the steam came out, so it would become a mouth, and it could whistle pretty melodies, or do Shakespeare, or just crack up with me? I could invent a teakettle that reads in Dad’s voice, so I could fall asleep, or maybe a set of kettles that sings the chorus of “Yellow Submarine,” which is a song by the Beatles, who I love, because entomology is one of my raisons d’être, which is a French expression that I know. Another good thing is that I could train my anus to talk when I farted. If I wanted to be extremely hilarious, I’d train it to say, “Wasn’t me!” every time I made an incredibly bad fart. And if I ever made an incredibly bad fart in the Hall of Mirrors, which is in Versailles, which is outside of Paris, which is in France, obviously, my anus would say, “Ce n’étais pas moi!” What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboard down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don't really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.

On the evenings when my parents held parties, the drawing-room mirrors multiplied to infinity the scintillations of a crystal chandelier. Mama would take her seat at the grand piano to accompany a lady dressed in a cloud of tulle who played the violin and a cousin who performed on a cello. I would crack between my teeth the candied shell of an artificial fruit, and a burst of light would illuminate my palate with a taste of blackcurrant or pineapple: all the colours, all the lights were mine, the gauzy scarves, the diamonds, the laces; I held the whole party in my mouth.

Far beneath the surface of the earth, hidden from the sun and the moon, upon the shores of the Starless Sea, there is a labyrinthine collection of tunnels and rooms filled with stories. Stories written in books and sealed in jars and painted on walls. Odes inscribed onto skin and pressed into rose petals. Tales laid in tiles upon the floors, bits of plot worn away by passing feet. Legends carved in crystal and hung from chandeliers. Stories catalogued and cared for and revered. Old stories preserved while new stories spring up around them.

In the beginning, the earth was without form, and void and the darkness was upon the face of the deep. And the spirit of God moved upon the face of the waters. And god said, 'Let there be light.' and there was light. Only, it wasn't good light. Bob created fireworks, sparklers and neon tubes that circled the globe like weird tangled rainbows. He dabbled with bugs that blinked and abstract creatures whose heads lit up and cast long overlapping shadows. There were mile-high candles and mountains of fairy lights. For an hour or so, earth was lit by enormous crystal chandeliers. Bob thought his creations were cool. They were cool, but they didn't work

There were crystal chandeliers, heavy glass with electric sparklights. It was all light, it was an island of light. ‘We sneaked into one of the old balconies, the ones that were supposed to be unsafe and roped off. But we were boys, and boys will be boys, so they will. To us everything was dangerous, but what of that? Had we not been made to live forever? We thought so, even when we spoke to each other of our glorious deaths.

. . . kinda had to after I got tangled in a chandelier my first night home. Seriously? Sophie cracked up as she tried to imagine that. Oh, it was way more humiliating than what you’re thinking, he told her, sharing his actual memories of the way the strings of crystals seemed to wrap around him like sparkly tentacles. How did you even manage to do that? she wondered. No idea. I was just trying to get upstairs and I launched myself too high, and then my sleeve got caught and I tried to untangle it and next thing I knew Biana was collapsed on the floor in a fit of giggles and my dad was calling for the gnomes. It took five of them to free me. They had to stand on each other’s shoulders in a giant gnome stack. Sophie was laughing so hard that Sandor peeked his head into her room, probably making sure she wasn’t losing her mind. I wish I’d been there, she told Fitz.

Ten neatly coiffed female attendants stand against the walls, ready and waiting. Wearing starched yellow blouses with pink crossover ties neatly folded under the collar, they look as much a part of the ship’s decoration as the sparkling crystal chandeliers that hang overhead.

Sleeping on the Ceiling" It is so peaceful on the ceiling! It is the Place de la Concorde. The little crystal chandelier is off, the fountain is in the dark. Not a soul is in the park. Below, where the wallpaper is peeling, the Jardin des Plantes has locked its gates. Those photographs are animals. The mighty flowers and foliage rustle; under the leaves the insects tunnel. We must go under the wallpaper to meet the insect-gladiator, to battle with a net and trident, and leave the fountain and the square. But oh, that we could sleep up there....

What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone's heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone's hearts would start to beat at the same time...the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn't have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war

I turned and held the blade above us all as an ineffective shield. The bloodstain on the ceiling now spread almost wall to wall; in our corner, a single triangle of clean space remained. Elsewhere torrents of blood fell in curtains, roaring, driving, gusting like rain waves in a thunderstorm. The floor was awash. It pooled between the floorboards and lashed up against the wainscoting. The chandelier dripped with it: the crystals shone red. Now I knew why the chamber was without furniture of any kind, why it had been deserted for so many years. Now I knew why it had the name it did.

Agnes shut her eyes, clenched her fists, opened her mouth and screamed. It started low. Plaster dust drifted down from the ceiling. The prisms on the chandelier chimed gently as they shook. It rose, passing quickly through the mysterious pitch at fourteen cycles per second where the human spirit begins to feel distinctly uncomfortable about the universe and the place in it of the bowels. Small items around the Opera House vibrated off shelves and smashed on the floor. The note climbed, rang like a bell, climbed again. In the Pit, all the violin strings snapped, one by one. As the tone rose, the crystal prisms shook in the chandelier. In the bar, champagne corks fired a salvo. Ice jingled and shattered in its bucket. A line of wine-glasses joined in the chorus, blurred around the rims, and then exploded like hazardous thistledown with attitude. There were harmonics and echoes that caused strange effects. In the dressing-rooms the No. 3 greasepaint melted. Mirrors cracked, filling the ballet school with a million fractured images. Dust rose, insects fell. In the stones of the Opera House tiny particles of quartz danced briefly... Then there was silence, broken by the occasional thud and tinkle. Nanny grinned. 'Ah,' she said, 'now the opera's over.

Empty—it was utterly empty here. Like a tomb. “Tam?” I called. I bounded up the front steps and into the house. I rushed inside, swearing as I slid on a piece of broken porcelain—the remnants of a vase. Slowly, I turned in the front hall. It looked as if an army had marched through. Tapestries hung in shreds, the marble banister was fractured, and the chandeliers lay broken on the ground, reduced to mounds of shattered crystal. “Tamlin?” I shouted. Nothing. The windows had all been blown out. “Lucien?” No one answered. “Tam?” My voice echoed through the house, mocking me. Alone in the wreckage of the manor, I sank to my knees. He was gone.

There - the chandelier, choked with dust and webs. A single rivulet of red had trickled from the ceiling, down the central column, and out along a curving crystal arm. At its lowest point, a new pendant of blood was slowly building. 'It - it can't do that,' I stammered. 'We're inside the iron.' 'Move out of the way!' Lockwood pushed me back just as the drop fell, spattering on the floor in the center of the circle. We were all standing almost atop the iron chains. 'We've made it too big,' he said. 'The power of the iron doesn't extend into the very center. It's weak there, and this Visitor's strong enough to overcome it.' 'Adjust the chains inward-' George began. 'If we make the circle smaller,' Lockwood said, 'we'll be squeezed in a tiny space. It's scarcely midnight; we've seven hours till dawn and this thing's just gotten started. No, we've got to break out

Dirty money is dripping from the walls, a year’s supply of food wasted on marble floors, hundreds of thousands of dollars in medical aid poured into fancy furniture and Persian rugs. I feel the artificial heat pouring in through air vents and think of children screaming for clean water. I squint through crystal chandeliers and hear mothers begging for mercy. I see a superficial world existing in the midst of a terrorizing reality and I can’t move.

She sinks into the armchair by the window. It's soft, deep, and striped in her favorite colors: dusty pink and green. Nearly a year and a half after Francois died, Amandine insisted on redesigning the bedroom and, although Heloise protested at the time, she's grateful for it now. The room is a fairy tale, an escape from reality, a reminder of the romance of the past instead of the grief of the present. The bed is wrought-iron with white sheets and a canopy of cream gauze. The desks, bookshelves, and matching wardrobe are all original Victorian antiques painted white. With the touch of a sparkling crystal chandelier, Amandine created a room that gives Heloise a tiny smile of pleasure every time she wakes.

Marie Antoinette would have loved this place!" Piper Donovan stood agape, her green eyes opened wide, as she took in the magical space. Crystal chandeliers, dripping with glittering prisms, hung from the mirrored ceiling. Gilded moldings crowned the pale pink walls. Gleaming glass cases displayed vibrant fruit tarts, puffy éclairs, and powdered beignets. Exquisitely decorated cakes of all flavors and sizes rested on pedestals alongside trays of pastel meringues and luscious napoleons. Cupcakes, cookies, croissants, and cream-filled pastries dusted with sugar or drizzled with chocolate beckoned from the shelves. "It's unbelievable," she whispered. "I feel like I've walked into a jewel box---one made of confectioners' sugar but a jewel box nonetheless.

What about little microphones? What if everyone swallowed them, and they played the sounds of our hearts through little speakers, which could be in the pouches of our overalls? When you skateboarded down the street at night you could hear everyone’s heartbeat, and they could hear yours, sort of like sonar. One weird thing is, I wonder if everyone’s hearts would start to beat at the same time, like how women who live together have their menstrual periods at the same time, which I know about, but don’t really want to know about. That would be so weird, except that the place in the hospital where babies are born would sound like a crystal chandelier in a houseboat, because the babies wouldn’t have had time to match up their heartbeats yet. And at the finish line at the end of the New York City Marathon it would sound like war.

I consider these things idly. Each one of them seems the same size as all the others. Not one seems preferable. Fatigue is here, in my body, in my legs and eyes. That is what gets you in the end. Faith is only a word, embroidered.   I look out at the dusk and think about its being winter. The snow falling, gently, effortlessly, covering everything in soft crystal, the mist of moonlight before a rain, blurring the outlines, obliterating color. Freezing to death is painless, they say, after the first chill. You lie back in the snow like an angel made by children and go to sleep. Behind me I feel her presence, my ancestress, my double, turning in midair under the chandelier, in her costume of stars and feathers, a bird stopped in flight, a woman made into an angel, waiting to be found. By me this time. How could I have believed I was alone in here? There were always two of us. Get it over, she says. I'm tired of this melodrama, I'm tired of keeping silent. There's no one you can protect, your life has value to no one. I want it finished.   As I'm standing up I hear the black van. I hear it before I see it; blended with the twilight, it appears out of its own sound like a solidification, a clotting of the night. It turns into the driveway, stops. I can just make out the white eye, the two wings. The paint must be phosphorescent. Two men detach themselves from the shape of it, come up the front steps, ring the bell. I hear the bell toll, ding-dong, like the ghost of a cosmetics woman, down in the hall. Worse is coming, then. I've

Far beneath the surface of the earth, hidden from the sun and the moon, upon the shores of the Starless Sea, there is a labyrinthine collection of tunnels and rooms filled with stories. Stories written in books and sealed in jars and painted on walls. Odes inscribed onto skin and pressed into rose petals. Tales laid in tiles upon the floors, bits of plot worn away by passing feet. Legends carved in crystal and hung from chandeliers. Stories catalogued and cared for and revered. Old stories preserved while new stories spring up around them.

Mister Rogers’ Neighborhood won four Emmy awards, and Rogers himself was presented with a Lifetime Achievement Award at the 1997 Daytime Emmys, a scene that Junod describes movingly in his profile. After Fred Rogers went onstage to accept the award, he bowed and said into the microphone, “All of us have special ones who have loved us into being. Would you just take, along with me, ten seconds to think of the people who have helped you become who you are? . . . Ten seconds of silence.” Then, as Tom Junod recounted, “He lifted his wrist, and looked at the audience, and looked at his watch, and said softly, ‘I’ll watch the time,’ and there was, at first, a small whoop from the crowd, a giddy, strangled hiccup of laughter, as people realized that he wasn’t kidding, that Mister Rogers was not some convenient eunuch but rather a man, an authority figure who actually expected them to do what he asked . . . and so they did. “One second, two seconds, three seconds . . . and now the jaws clenched, and the bosoms heaved, and the mascara ran, and the tears fell upon the beglittered gathering like rain leaking down a crystal chandelier, and Mister Rogers finally looked up from his watch and said, ‘May God be with you’ to all his vanquished children.

Lady Cameron,” he said, playing his role with elan as he nodded toward Ian. “You recall our friend Lord Thornton, Marquess of Kensington, I hope?” The radiant smile Elizabeth bestowed on Ian was not at all what the dowager had insisted ought to be “polite but impartial.” It wasn’t quite like any smile she’d ever given him. “Of course I remember you, my lord,” Elizabeth said to Ian, graciously offering him her hand. “I believe this waltz is mine,” he said for the benefit of Elizabeth’s avidly interested admirers. He waited until they were near the dancers, then he tried to sound more pleasant. “You seem to be enjoying yourself tonight.” “I am,” she said idly, but when she looked up at his face she saw the coolness in his eyes; with her new understanding of her own feelings, she understood his more easily. A soft, knowing smile touched her lips as the musicians struck up a waltz; it stayed in her heart as Ian’s arm slid around her waist, and his left hand closed around her fingers, engulfing them. Overhead a hundred thousand candles burned in crystal chandeliers, but Elizabeth was back in a moonlit arbor long ago. Then as now, Ian moved to the music with effortless ease. That lovely waltz had begun something that had ended wrong, terribly wrong. Now, as she danced in his arms, she could make this waltz end much differently, and she knew it; the knowledge filled her with pride and a twinge of nervousness. She waited, expecting him to say something tender, as he had the last time. “Belhaven’s been devouring you with his eyes all night,” Ian said instead. “So have half the men in this ballroom. For a country that prides itself on its delicate manners, they sure as hell don’t extend to admiring beautiful women.” That, Elizabeth thought with a startled inner smile, was not the opening she’d been waiting for. With his current mood, Elizabeth realized, she was going to have to make her own opening. Lifting her eyes to his enigmatic golden ones, she said quietly, “Ian, have you ever wanted something very badly-something that was within your grasp-and yet you were afraid to reach out for it?” Surprised by her grave question and her use of his name, Ian tried to ignore the jealousy that had been eating at him all night. “No,” he said, scrupulously keeping the curtness from his voice as he gazed down at her alluring face. “Why do you ask? Is there something you want?” Her gaze fell from his, and she nodded at his frilled white shirtfront. “What is it you want?” “You.” Ian’s breath froze in his chest, and he stared down at her lustrous hair. “What did you just say?” She raised her eyes to his. “I said I want you, only I’m afraid that I-“ Ian’s heart slammed into his chest, and his fingers dug reflexively into her back, starting to pull her to him. “Elizabeth,” he said in a strained voice, glancing a little wildly at their avidly curious audience and resisting the impossible impulse to take her out onto the balcony, “why in God’s name would you say a thing like that to me when we’re in the middle of a damned dance floor in a crowded ballroom?” Her radiant smile widened. “I thought it seemed like exactly the right place,” she told him, watching his eyes darken with desire. “Because it’s safer?” Ian asked in disbelief, meaning safer from his ardent reaction. “No, because this is how it all began two years ago. We were in the arbor, and a waltz was playing,” she reminded him needlessly. “And you came up behind me and said, ‘Dance with me, Elizabeth.’ And-and I did,” she said, her voice trailing off at the odd expression darkening his eyes. “Remember?” she added shakily when he said absolutely nothing. His gaze held hers, and his voice was tender and rough. “Love me, Elizabeth.” Elizabeth felt a tremor run through her entire body, but she looked at him without flinching. “I do.

The walls behind the counter had deep floor-to-ceiling shelves for vases and jam jars and scented candles, and there was an old wrought-iron revolving stand for cards. But most of the space in the long, narrow shop was taken up with flowers and plants. Today there were fifty-two kinds of cut blooms, from the tiny cobalt-blue violets that were smaller than Lara's little fingernail to a purple-and-green-frilled brassica that was bigger than her head. The flowers were set out in gleaming metal buckets and containers of every shape and size. They were lined up on the floor three deep and stacked on the tall three-tier stand in the middle of the shop. The plants, huge leafy ferns and tiny fleshy succulents, lemon trees and jasmine bushes and freckled orchids, were displayed on floating shelves that were built at various heights all the way up to the ceiling. Lara had spent weeks getting the lighting right. There were a few soft spotlights above the flower displays, and an antique crystal chandelier hung low above the counter. There were strings of fairy lights and dozens of jewel-colored tea lights and tall, slender lanterns dotted between the buckets. When they were lit, they cast star and crescent moon shapes along the walls and the shop resembled the courtyard of a Moroccan riad- a tiny walled garden right in the middle of the city.

The room was dark, though weak autumnal light filtered in through arched windows high on the walls, illuminating the room's rich aubergine brocade wallpaper. Its color cast a soft violet haze that floated through the bedroom, twinkling the huge diamond-shaped crystals that dropped from two immense, many-tiered silver chandeliers. They were larger than any I had ever seen, things out of a palace or a fairy tale. An imposing, heavily carved wardrobe, which looked as if it had been in place since the early fifteenth century, faced the bed where I lay. Beside it on the wall hung a large bronze shield with an iron French cross at its center, crowned by a gilded fleur-de-lis with a dazzling gemstone in the middle of the petal. Large portraits of nude ladies, odalisques that looked as if an Italian master- Titian, perhaps?- had painted them graced the adjacent wall. A heavy crystal vase of white long-stemmed roses sat on a table at the bedside, their petals tight, but their sweet perfume filling the air, mingling with the aroma of fresh baked bread. I ran my hands down my body. I was not in my own nightdress but in a pale green gown of fine quality damask silk with a triangular neckline and long, full sleeves that cupped my wrists, draping white lace over my hands to the fingers. I had never seen such a rich garment. I imagined it was something that the queen's daughters would have worn.

Wow, it was beautiful. The chandeliers were breathtaking, and pearls drizzled down. At first when I saw people walk under them, I wondered if it hurt, but the pearls vanished the moment they encountered the floor or skin. The carpet was a beautiful crimson shade covered with rose petals, and tiny crystals were layered on it, reflecting colors. The dining table looked about twelve feet long with golden swirls and magnificent designs on it, and it had all the food I could imagine, some I didn’t even know. The drinks being served were blood and wine. Each and every chair looked like a throne, but the real throne was . . . it was . . . whoa. All the ladies wore such beautiful gowns, but they were all dull and dark.

But the crown jewel was the columned Greek Revival mansion, which dated from the mid-1800s, along with the manicured boxwood gardens that would serve as the backdrop for the couple's ceremony. Of course, everything was not only very traditional but also a standard to what one might imagine an over-the-top Southern wedding to be. As I said, "Steel Magnolias on steroids." The ceremony would take place outdoors in the garden, but large custom peach-and-white scalloped umbrellas were placed throughout the rows of bamboo folding chairs to shade the guests. Magnolia blossoms and vintage lace adorned the ends of the aisles. White, trellis-covered bars flanked the entrance to the gardens where guests could select from a cucumber cooler or spiked sweet tea to keep cool during the thirty-minute nuptials. It was still considered spring, but like Dallas, Nashville could heat up early in the year, and we were glad to be prepared. By the time we arrived the tent was well on its way to completion, and rental deliveries were rolling in. The reception structure was located past the gardens near the enormous whitewashed former stable, and inside the ceiling was draped in countless yards of peach fabric with crystal chandeliers hanging above every dining table. Custom napkins with embroidered magnolias on them complemented the centerpieces' peach garden roses, lush greenery, and dried cotton stems. Cedric's carpentry department created floor-to-ceiling lattice walls covered in faux greenery and white wisteria blooms, a dreamy backdrop for the band.

Far beneath the surface of the earth, hidden from the sun and the moon, upon the shores of the Starless Sea, there is a labyrinthine collection of tunnels and rooms filled with stories. Stories written in books and sealed in jars and painted on walls. Odes inscribed onto skin and pressed into rose petals. Tales laid in tiles upon the floors, bits of plot worn away by passing feet. Legends carved in crystal and hung from chandeliers. Stories catalogued and cared for and revered. Old stories preserved while new stories spring up around them. The place is sprawling yet intimate. It is difficult to measure its breadth. Halls fold into rooms or galleries and stairs twist downward or upward to alcoves or arcades. Everywhere there are doors leading to new spaces and new stories and new secrets to be discovered and everywhere there are books.

Hunger became an ally. My metabolism changed and my understanding of this land changed with it. On the night the wind howled, our tents rattled like bones. We were camped by a string lake. Pans of ice made of bunched crystals floated by. Pale green on top, the clear sides looked like see-through rows of teeth. When the sun came, the bunched stalks disintegrated: deconstructed chandeliers. I heard music—not Dennis’s but candle-ice tinkling. The whole lake chimed. Lying on top of my sleeping bag by the water, I lost track of my body. I wasn’t floating—there was nothing mysterious going on—but something had let go inside me. The weight of my boots, my abraded heels, ankles, and toes ceased to hurt and no longer impeded my journey. I had entered a trance state. The equation was this: hunger + beauty = movement. I wanted only to keep going.

A train horn blew, but it seemed a little distant, like it was coming from somewhere up ahead. It blew again, louder this time. “There’s another train coming!” shouted Ruby. “We’re going to crash!” “Don’t worry,” said the captain cheerfully. “Vermillion knows what to do.” Matt closed his eyes and waited for impact, but it never came. The train picked up speed, faster and faster. It roared so loud Matt couldn’t even hear his own voice. He covered his ears. The whole train was vibrating violently, and then it lurched forward with such a jolt that the three Hudsons toppled over each other and landed hard on the floor. Ruby gasped. “The floor!” she said. “What the . . . what?” said Corey. Matt looked down. He could hardly believe his eyes. The floor appeared to be melting, morphing from the smooth worn floors of the subway car to cracked and rough wooden planks. A nail head poked at his hand. Matt looked up. All around him the train car was altering, growing, transforming. The walls expanded, and the windows shrank. Lacy curtains unfurled and crawled down the sides of the windows like fast-growing vines. The hard plastic benches of the subway swelled into plush chairs and tables with white tablecloths. The fluorescent lights on the ceiling contracted and then dropped, forming crystal chandeliers. A plush rug sprouted beneath him. It grew through the floor as though it were a carpet of grass pushing through dirt. Matt picked himself up, then helped Corey and Ruby, who had somehow gotten tangled in the rug. It seemed to have grown up and around Ruby’s wrists and ankles, as though it were trying to weave her into itself. Matt and Corey helped free her, and then Ruby yelped as the white rat leaped across their faces and landed on a little table. It pulled a match out of the table drawer with its tail, struck it against the wall, and began lighting lanterns and sconces, then the crystal chandeliers hanging from the ceiling, until the space was well lit once again. It was not at all like the train they had been in before. The subway car no longer looked like a subway at all. Rather, it looked like a very old-fashioned train, but one for rich passengers.

Before Thomas could say a word, before Molly could protest, Bailey leaned over the table and kissed her firmly on the lips—on the lips, in the dining room, under the crystal chandelier that swayed when she opened her eyes. “Bailey, I told you that until we’re wed you’re to pretend there’s no agreement.” “Must’ve forgot.” He picked up his hat and strutted out the door before her shocked father could stop him.

Crystal Chandeliers” by Charley Pride

brace yourself for feline taxidermy, disco balls, crystal chandeliers, and other oddities of decor.

None of the staff but Filch seemed to be stirring themselves to help her. Indeed, a week after Fred and George’s departure Harry witnessed Professor McGonagall walking right past Peeves, who was determinedly loosening a crystal chandelier, and could have sworn he heard her tell the poltergeist out of the corner of her mouth, “It unscrews the other way.

Fitz shook his head. “There are tons of lakes that are way prettier than ours.” Sophie had thought the same thing. Not that Everglen wasn’t gorgeous—it was one of the most beautiful places she’d ever been. But that was mostly because the house was a shimmering crystal palace with jeweled mosaics and twinkling chandeliers and fountains everywhere. The lake . . . was just a lake. And

No, I think, the world that I would like to begin existing again around me and Franziska can’t be yours; I would like to concentrate and think of a place in every detail, a setting where I would like to be with Franziska at this moment; for example, a café lined with mirrors, which reflect crystal chandeliers, and there is an orchestra playing waltzes and the strains of the violins flutter over the little marble tables and the steaming cups and the pastries with whipped cream. While outside, beyond the frosted windows, the world full of people and of things would make its presence felt: the presence of the world, friendly and hostile, things to rejoice in or to combat… I think this with all my strength, but by now I know strength isn’t enough to make it exist: nothingness is stronger and has occupied the whole earth.

I’m so prepared for unimaginable horror that the reality is almost worse. Dirty money is dripping from the walls, a year’s supply of food wasted on marble floors, hundreds of thousands of dollars in medical aid poured into fancy furniture and Persian rugs. I feel the artificial heat pouring in through air vents and think of children screaming for clean water. I squint through crystal chandeliers and hear mothers begging for mercy. I see a superficial world existing in the midst of a terrorizing reality and I can’t move. I can’t breathe.

The patisserie has thick planks of creaky hardwood and a chandelier draped with tinkly strings of topaz crystals. They glow like drops of honey. The women behind the counter lay extravagant cakes into brown-and-white-striped boxes and tie each package with turquoise ribbon and a silver bell. There's a long line, but everyone here is patiently basking in the ambience.

Everything was black, and warm- and thick. Inky, but bordered with gold. I was swimming, kicking for the surface, where Tamlin was waiting, where life was waiting. Up and up, frantic for air. The golden light grew, and the darkness became like sparkling wine, easier to swim through, the bubbles fizzing around me, and- I gasped, air flooding my throat. I was lying on the cold floor. No pain- no blood, no broken bones. I blinked. A chandelier dangled above me- I'd never noticed how intricate the crystals were, how the hushed gasp of the crowd echoed off them. A crowd- meaning I was still in the throne room, meaning I... I truly wasn't dead. Meaning I had... I had killed those... I had... The room spun. I groaned as I braced my hands against the floor, readying myself to stand, but- the sight of my skin stopped me cold. It gleamed with a strange light, and my fingers seemed longer where I'd laid them flat on the marble. I pushed to my feet. I felt- felt strong, and fast and sleek. And- And I'd become High Fae.

Inside a windowless, mossy-boulder house, inside a round, closed door, lit by the candles burning in her chandelier of human skulls, sat the witch, staring in her crystal.

A bell chimes as I open the door. It's even more magical inside than out. Spools of ribbon hang from the walls like the atelier of a fairy queen. Tiny jasmine buds lace through the curls of a crystal chandelier. Dresses fill the curves of antique wardrobes, as if this were a princess's closet and not a store. A group of girls squeal as they browse the gowns. They've dressed almost otherworldly, so unlike the yoga pants and sweatshirts I'm used to in San Francisco. Instead, they're ornamented in seafoam trousers made of silk, lace corsets with ruffles across the bustier, satin slips with rose embroidery. They wear seashells in their hair and around their necks--- an iridescent mollusk held together by a string of pearls, an abalone claw clip that flashes different colors beneath the light, pukas threaded between pastel sea glass.

The stewards of Honeywell House had really outdone themselves with the decorations. As with the rehearsal dinner, everything was lit by candlelight. Delicate crystal chandeliers hung from the ceiling, light danced from the brass sconces on the walls, and there were pillars holding bowls of water with small tealight candles floating on the top in the shape of water lilies. It was like a set from one of those Nancy Meyers movies his mums had made him watch growing up.

Caramel Celebration Cake Yield: 10–12 servings My mother always made birthdays a big to-do in our family, with balloons hanging from the chandelier and the most gorgeous birthday cakes on crystal cake stands. This caramel cake is certainly celebration worthy! 4 cups cake flour 1 teaspoon baking soda 2 teaspoons baking powder 1 teaspoon salt 2-1/4 cups sugar 1/2 cup vegetable oil 1 cup butter 1-1/2 tablespoons vanilla extract 3 whole eggs plus 2 egg yolks 2-1/4 cups buttermilk Caramel Icing 1/2 cup butter 1 cup brown sugar 1/4 cup milk 2 cups sifted powdered sugar 1/2 teaspoon vanilla extract 1 pinch salt Preheat oven to 325 degrees F. Prepare 3 (8-inch) round cake pans by spraying with nonstick baking spray and lining with parchment paper cut rounds to fit bottom of cake pan. Sift cake flour, baking soda, baking powder, and salt into a mixing bowl; set aside. With a stand mixer, cream together sugar, vegetable oil, butter, and vanilla. Beat well at medium-high speed until light and fluffy. Beat the 3 whole eggs in, 1 at a time, then add in the 2 egg yolks. Fold in the dry ingredients alternately with buttermilk, beginning and ending with dry ingredients. Do not overmix the batter. Batter will be thick. Evenly divide batter between prepared pans and bake for 30–35 minutes or until toothpick inserted comes out clean. Allow cake to cool 10 minutes before turning onto wire racks to cool completely. Caramel Icing Melt butter and brown sugar together in a saucepan over medium-low heat. Add milk and bring to a boil, stirring constantly. Remove from heat and whisk in powdered sugar, 1 cup at a time. Using a hand-held mixer helps to smooth the icing. Add vanilla and salt. Add more powdered sugar for a thicker icing, if desired. As icing cools, it will set, so work quickly to pour and then spread icing over cake. This icing also works well for a sheet cake. If icing begins to set up, warm slightly in the microwave to make icing more spreadable. Note: This will be a thin layer of icing on the cake. If you want a thick layer, double the icing recipe. For layer cakes, lay sheets of wax paper around the cake as you spread on the icing to catch any overflow. TIP: Caramel icing is long known to be difficult, even for the most accomplished bakers. The key is to work quickly and spread the icing before it sets up.

I am not quite sure why my husband decided to hang himself. Aren’t there dozens of more fashionable methods to accomplish the same task? However, as I stand in the foyer and watch his body slowly rotating below the chandelier, I suppose it starts to make sense. There’s something about the way the crystals glisten with the weight of his corpse that

windows with long pink drapes. A large pink crystal chandelier hung

The chandelier's teardrop crystals twinkled above them like stars. It was easy to imagine that they were miles away from London, and that only the two of them existed.

With his right hand Sigrud holds the remains of the ballroom chandelier—which has apparently been ripped out of the ceiling—and he is using it to fend off another attacker, who attempts to engage him with a sword. But though it is hard to tell through all the glimmering crystals flying through the air, the attacker appears to be steadily losing, stumbling back with every blow, in between which Sigrud, using the fist holding the chandelier, manages to pummel the face of the unhappy man in his headlock.

When they reached the top level, Susan turned to the left. The corridor had raised wallpaper in a classic floral design and nothing else. No small tables, no chairs, no pictures in frames, no Oriental runners. They passed by maybe a dozen rooms, only two with doors open. Myron noticed that the doors were extra wide and he remembered his visit to Babies and Children’s Hospital. Extra wide doors there too. For wheelchairs and stretchers and the like. When they reached the end of the corridor, Susan stopped, took a deep breath, looked back at Myron. “Are you ready?” He nodded. She opened the door and stepped inside. Myron followed. A four-poster antique bed, like something you’d see on a tour of Jefferson’s Monticello, overwhelmed the room. The walls were warm green with woodwork trim. There was a small crystal chandelier, a burgundy Victorian couch, a Persian rug with deep scarlets. A Mozart violin concerto was playing a bit too loudly on the stereo. A woman sat in the corner reading a book. She too started upright when she saw who it was. “It’s okay,” Susan Lex said. “Would you mind leaving us for a few moments?” “Yes, ma’am,” the woman said. “If you need anything—” “I’ll ring, thank you.” The woman did a semi-curtsy/semi-bow and hurried out. Myron looked at the man in the bed. The resemblance to the computer rendering was uncanny, almost perfect. Even, strangely enough, the dead eyes. Myron moved closer. Dennis Lex followed him with the dead eyes, unfocused, empty, like windows over a vacant lot.

Now I look beyond my initial observations, taking in the details I didn’t see: There are no crystal chandeliers hanging from the ceilings. No mirrors in Rose’s room or in the hallway. No china cabinets with clear panes. And workmen are replacing all the antique windows with sheets of clear plastic. Nothing in this house is made of glass.

The woman lifted the lid to reveal a wand of cut crystal set on a regal velvet pillow. It had a slender glass handle and at the tip, a multifaceted star which refracted at the light of the glittering chandelier above the counter.

The woman lifted the lid to reveal a wand of cut crystal set on a regal velvet pillow. It had a slender glass hangle and at the tip, a multifaceted star which refracted at the light of the glittering chandelier above the counter.

Tiana peered down in stunned delight at the sparkling white silk draping her body. The rhinestone- and pearl- studded gown she now wore was unlike anything she'd ever owned. When she lifted her head, she gasped at her surroundings. Tiana twirled around in a slow circle, mesmerized by the glitz and glamour of a place she had only seen in her nightly dreams. The old sugar mill she'd had her heart set on buying for years was no longer decrepit and falling apart. The floors gleamed underneath her feet, shining so bright they nearly blinded her. Brilliant crystal chandeliers hung high above her head, illuminating a massive dining room that was crowded with patrons. Men in suit jackets and women wearing their Sunday best sat at cloth-covered tables adorned with extravagant centerpieces and sparkling china. Everyone seemed to be having a grand time, enjoying rich, fragrant dishes that smelled like the food Tiana used to cook with her daddy.

As darkness spread hesitantly in a clear sky, devoid of neon glows and the pollutants, Bright celestial light from scattered crystals of sparkling stars And a moon that shone like a giant white chandelier, guided me on my path ahead, As I continued to be swept along on this journey, To a destination, I still am unsure of…

Preston Bailey is the be-all, end-all." Mary Ellen sighed. "He is the top celebrity and Saudi royal-family wedding planner, and people pay him millions of dollars just to plan an event. He's like the Baz Luhrmann of weddings---he creates the most transportive, gorgeous fantasy worlds." She pulled a coffee-table book from the top shelf above her desk, ignoring Abigail as usual. At least the indifference was mutual. Claire and I drooled over every picture in the book about Bailey's events. There was a twelve-foot Arc de Triomphe made entirely of rose heads, massive chandeliers hanging from the ceiling hanging from the ceiling dripping in white phalaenopsis orchids and crystals, every kind of animal you could imagine made completely out of roses, and that was just the first chapter.

They took the elevator up to the eighth floor. Charbonnel et Walker Chocolate Café was tucked between Ladies' Shoes and the Home and Gifts Department. Bathed in pale pink paint and lit by crystal chandeliers, the enchanted corner was dominated by a counter featuring a conveyor belt that transported plates of croissants, brownies, scones, muffins, and every imaginable truffle under glass domes. Dark and milk chocolate, strawberry, lemon, pink champagne, mint, cappuccino, and buzz fizz with its distinctive orange center. Sparkling glass cabinets temptingly displayed hundreds of the treats lined up in precise rows. They could be consumed on the premises or purchased to take away. A gold seal on the candy boxes signaled that the Queen of England was a fan.

above our heads a chandelier of perfect crystal teardrops trapped the light and spun it out again against the golden walls in little rainbow arcs that wavered with the slightest breath of movement.

I follow him into a high-ceilinged room upholstered in crimson damask and decorated with bronze sculptures and potted palms. A massive crystal-and-gold chandelier sparkles from the ceiling, sending a glittery ray of light over the matching red chairs, ottomans, and---finally!---a couch, although it looks far more formal than comfy. The Red Drawing Room is just as rich in art as the Blue, and Oscar proudly points out portraits of my ancestors painted by John Singer Sargent and Giovanni Boldini---names I know from my junior year art history class.

Heartstone’s entry hall was palatial. Two stories high, big enough to fit my apartment a few times over, it was paneled in dark-stained oak from floor to ceiling, an elaborate crystal chandelier hanging in the center.

The main rectangular swimming pool ran perpendicular to the house, which you wouldn't know because it was almost completely covered in a cloud of white. I walked closer, stunned at the beautiful lotus and water lily blooms floating beneath my feet. A glass aisle was laid across the center. You felt like you were walking---or sitting--- in a Monet painting. Complementary flowers lined the sides of the aisles, with chairs extending on either side of the now-concealed pool deck. I had no idea what wizardry kept the central flowers from floating freely, but my sister would walk down the aisle above a lush bed of white blossoms. Beside it, the ornamental gardens had been tented for the reception. Cedric had managed to integrate the existing stone sculptures (French, Greek, and Italian antiques, of course) into the design. Tables dotted the scene, covered in custom cream linens with Italian lace overlays. Cut crystal stemware and antique silverware donned each place setting and would sparkle later that evening from the glow cast down from the crystal chandeliers overhead. And the flowers. The all-white flowers also created a table-runner effect that filled the entire length of each table and spilled over and down the sides. A backdrop and stage had been erected at the end opposite the house, then covered in a cascade of white peonies and roses and mirrored by florals draped around the doorframes and windows of the back of our house. It was an enchanted garden, rivaling that of a royal wedding.

Like a strange rain, the water rose from the floor as I willed it to become like those stars Rhys had summoned in his blanket of darkness. I willed the droplets to separate until they hung around us, catching the light and sparkling like crystals on a chandelier. Rhys broke my stare to study them. 'I suggest,' he murmured, 'you not show Tarquin that little trick in the bedroom.' I sent each and every one of those droplets shooting for the High Lord's face. Too fast, too swiftly for him to shield. Some of them sprayed me as they ricocheted off him. But of us now soaking, Rhys gaped a bit- then smiled.

I can’t come up there,” I whispered. “I can’t do it. I can’t wake up in the morning and go back to being nothing.” The thunderous roar of waves amplified the silence. I figured he had dropped the matter, and I let my vision blur in the glimmering crystals of his art deco chandelier above. Then he spoke. “I can’t wake up tomorrow and not smell you in my sheets, Snitch.

My fingers flit across the counters as I take it all in. I stop when I notice the crystal pendant lights hanging over the peninsula. "Crystal ones?" I ask. "You've always loved the sparkles and chandeliers." "I do love them, they look great, but why because I like them?" He swallows hard and blows out a breath. "Because I didn't buy this house for me. I bought it for you...for us." It's our dream house. The one we talked about years ago. The ones we sculpted with teenage minds and teenage hearts is still perfectly us. "What?" "We used to talk about the future, about what our home would be like. I remember the excitement you would have when talking about what you wanted in our home, and I found a home with those elements that I could make ours." "Is this a little fast?" I ask, even though I know the answer in my heart. "It's not to pressure you, just to show you that I meant every promise. With the relationship you just came off of, we will take it at whatever pace you want, but no matter what, I'm going to be standing right beside you. I made the mistake of not coming home years ago, but I'm not going to take the chance of losing you again.

Nope. I thought I might get him to slip up when I tagged him out in base quest, since he’s always been SUCH a sore loser. But he just laughed and told me, “Well played.” I swear it’s like he’s rehearsing all the perfect things to say. He actually might be. He knows he’s going back to that cell if he doesn’t convince everyone he’s a better person now. But wait—how did you beat him in base quest? Are you off your crutches? No—I’m just getting better at levitating. I . . . kinda had to after I got tangled in a chandelier my first night home. Seriously? Sophie cracked up as she tried to imagine that. Oh, it was way more humiliating than what you’re thinking, he told her, sharing his actual memories of the way the strings of crystals seemed to wrap around him like sparkly tentacles. How did you even manage to do that? she wondered. No idea. I was just trying to get upstairs and I launched myself too high, and then my sleeve got caught and I tried to untangle it and next thing I knew Biana was collapsed on the floor in a fit of giggles and my dad was calling for the gnomes. It took five of them to free me. They had to stand on each other’s shoulders in a giant gnome stack. Sophie was laughing so hard that Sandor peeked his head into her room, probably making sure she wasn’t losing her mind. I wish I’d been there, she told Fitz. Me too. You probably could’ve floated up there and helped me. My parents were too busy laughing with Biana.

Once, a terribly important war never got declared, and all because the King, decked in spangles and crystal pendants, hung three days from the ceiling of the main hall and passed for a chandelier, holding his mouth to keep from laughing out loud at the ministers rushing about frantically below.

I was waiting for things to make sense. Nothing did. I had lived in John Grey’s house, with its gracious stair and crystal chandelier, its Turkey rugs and fine china, for nearly a month, and yet I woke each day with no idea where I was, reaching across an empty bed for Jamie. I could not believe he was dead. Could not.

rotating below the chandelier, I suppose it starts to make sense. There’s something about the way the crystals glisten with the weight of his corpse that is slightly more enchanting than it is grotesque. Slightly. Grayson always did have a certain elegance about the way he moved. I stare for a moment, spellbound. My hands drift upward to gently encircle the bottom of my protruding belly, as though I am trying to shield the eyes of my unborn

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It smelt of panelling and polish and the dust that settles into velvet curtains, and above our heads a chandelier of perfect crystal teardrops trapped the light and spun it out again against the golden walls in little rainbow arcs that wavered with the slightest breath of movement.

She’s more like a New Ager. Do you know what that is?” “It’s a person who worships chandeliers.” Decker smiled. “Crystals, Rabbi. Not chandeliers.” “There’s a difference?” Schulman waved his hands in the air. “It’s all avodah zorah—idol worship.

Some say love is a cave, unlit and mysterious, or do they say it's a long corridor in a lavish French château lined with mirrors, icy laughter caught on the dripping crystals of chandeliers? I forget. Perhaps it's both, a declivity and une galerie des glaces, goldleaf nymphs

The leaves turned in the river wind, shivering, sparkling like gold or like the delicate crystal drops of the chandeliers she had seen

The polished oak floors reflected the light of the overhead crystal chandelier and gleaned under the plush deep red Persian rug.