Crying In H Mart Quotes

It felt like the world had divided into two different types of people, those who had felt pain and those who had yet to.

Love was an action, an instinct, a response roused by unplanned moments and small gestures, an inconvenience in someone else’s favor.

I remember these things clearly because that was how my mother loved you, not through white lies and constant verbal affirmation, but in subtle observations of what brought you joy, pocketed away to make you feel comforted and cared for without even realizing it.

In fact, she was both my first and second words: Umma, then Mom. I called to her in two languages. Even then I must have known that no one would ever love me as much as she would.

For the rest of my life there would be a splinter in my being, stinging from the moment my mother died until it was buried with me.

There was no one in the world that was ever as critical or could make me feel as hideous as my mother, but there was no one, not even Peter, who ever made me feel as beautiful.

To be a loving mother was to be known for a service, but to be a lovely mother was to possess a charm all your own.

Life is unfair, and sometimes it helps to irrationally blame someone for it.

Hers was tougher than tough love. It was brutal, industrial-strength. A sinewy love that never gave way to an inch of weakness. It was a love that saw what was best for you ten steps ahead, and didn't care if it hurt like hell in the meantime. When I got hurt, she felt it so deeply, it was as though it were her own affliction. She was guilty only of caring too much. I realize this now, only in retrospect. No one in this would would ever love me as much as my mother, and she would never let me forget it.

Food was how my mother expressed her love. No matter how critical or cruel she could seem—constantly pushing me to meet her intractable expectations—I could always feel her affection radiating from the lunches she packed and the meals she prepared for me just the way I liked them.

Maybe I was just terrified that I might be the closest thing she had to leaving a piece of herself behind.

Now that she was gone, I began to study her like a stranger, rooting around her belongings in an attempt to rediscover her, trying to bring her back to life in any way that I could. In my grief I was desperate to construe the slightest thing as a sign.

How cyclical and bittersweet for a child to retrace the image of their mother. For a subject to turn back to document their archivist.

Some of the earliest memories I can recall are of my mother instructing me to always “save ten percent of yourself.” What she meant was that, no matter how much you thought you loved someone, or thought they loved you, you never gave all of yourself. Save 10 percent, always, so there was something to fall back on. “Even from Daddy, I save,” she would add.

Every time I remember that my mother is dead, it feels like I’m colliding with a wall that won’t give. There’s no escape, just a hard surface that I keep ramming into over and over, a reminder of the immutable reality that I will never see her again.

When one person collapses, the other instinctively shoulders their weight.

I had spent my adolescence trying to blend in with my peers in suburban America, and had come of age feeling like my belonging was something to prove. Something that was always in the hands of other people to be given and never my own to take, to decide which side I was on, whom I was allowed to align with. I could never be of both worlds, only half in and half out, waiting to be ejected at will by someone with greater claim than me. Someone whole.

Save your tears for when your mother dies.

I’ve just never met someone like you," as if I were a stranger from another town or an eccentric guest accompanying a mutual friend to a dinner party. It was a strange thought to hear from the mouth of the woman who had birthed and raised me, with whom I shared a home for eighteen years, someone who was half me. My mother had struggled to understand me just as I struggled to understand her. Thrown as we were on opposite sides of a fault line—generational, cultural, linguistic—we wandered lost without a reference point, each of us unintelligible to the other’s expectations, until these past few years when we had just begun to unlock the mystery, carve the psychic space to accommodate each other, appreciate the differences between us, linger in our refracted commonalities. Then, what would have been the most fruitful years of understanding were cut violently short, and I was left alone to decipher the secrets of inheritance without its key.

Sobbing near the dry goods, asking myself, Am I even Korean anymore if there’s no one left to call and ask which brand of seaweed we used to buy?

That night, lying beside her, I remembered how when I was a child I would slip my cold feet between my mother’s thighs to warm them. How she’d shiver and whisper that she would always suffer to bring me comfort, that that was how you knew someone really loved you.

everything I might regret. She was my champion, she was my archive. She had taken the utmost care to preserve the evidence of my existence and growth, capturing me in images, saving all my documents and possessions. She had all knowledge of my being memorized.

Cooking my mother's food had come to represent an absolute role reversal, a role I was meant to fill. Food was an unspoken language between us, had come to symbolize our return to each other, our bonding, our common ground.

It felt wrong to talk to anyone, to smile or laugh or eat again knowing that she was dead.

The memories I stored, I could not let festered. Could not let trauma infiltrate and spread, to spoil and render them useless. They were moments to be tended. The culture we shared I was active, effervescent in my gut and in my genes, and I had to seize it, foster it so it did not die in me. So that I could pass it on someday. The lessons she imparted, the proof of her life lived on in me, and in every move and deed. I was what she left behind. If I could not be with my mother, I would be her.

Sometimes my grief feels as though I’ve been left alone in a room with no doors. Every time I remember that my mother is dead, it feels like I’m colliding with a wall that won’t give. There’s no escape, just a hard surface that I keep ramming into over and over, a reminder of the immutable reality that I will never see her again.

The lessons she imparted, the proof of her life lived on in me, in my every move and deed. I was what she left behind. If I could not be with my mother, I would be her.

She observed me with unparalleled interest, inexhaustible devotion.

I remember these things clearly because that was how my mother loved you, not through white lies and constant verbal affirmation, but in subtle observations of what brought you joy, pocketed away to make you feel comforted and cared for without even realizing it. She remembered if you liked your stews with extra broth, if you were sensitive to spice, if you hated tomatoes, if you didn't eat seafood, if you had a large appetite. She remembered which banchan side dish you emptied first so the next time you were over it'd be set with a heaping double portion, served alongside the various other preferences that made you, you.

Unlike the second languages I attempted to learn in high school, there are Korean words I inherently understand without ever having learned their definition. There is no momentary translation that mediates the transition from one language to another. Parts of Korean just exist somewhere as part of my psyche--words imbued with their pure meaning, not their English substitutes.

If I’m being honest, there’s a lot of anger. I’m angry at this old Korean woman I don’t know, that she gets to live and my mother does not,

Her art was the love that beat on in her loved ones, a contribution to the world that could be just as monumental as a song or a book. There could not be one without the other.

I’m searching for memories. I’m collecting the evidence that the Korean half of my identity didn’t die when they did.

I didn’t know the comforting words she probably longed for the way I long for them now. I didn’t know then the type of effort it can take to simply move.

I could almost feel in the embrace that my concerns had been her concerns, my pain had been her pain.

I wished I could go back there then, back before I knew of a single bad thing.

I envied and feared my mother’s ability to keep matters private, as every secret I tried to hold close ate away at me. She possessed a rare talent for keeping secrets, even from us. She did not need anyone. She could surprise you with how little she needed you. All those years she instructed me to save 10 percent of myself like she did, I never knew it meant she had also been keeping a part of herself from me too.

When you were a child, you always used to cling to me. Everywhere we went,” my mother whispered, struggling to get the words out. “And now that you’re older, here you are—still clinging to me.

I came to realize that while I struggled to be good, I could excel at being courageous.

I want to tell him how much I miss my mother. How he should be kind to his mom, remember that life is fragile and she could be gone at any moment.

I hadn’t believed in a god since I was about ten and still envisioned Mr. Rogers when I prayed, but the years that followed my mother’s passing were suspiciously charmed.

She was her own spectacular individual. Perhaps I was still sanctimoniously belittling the two roles she was ultimately most proud of, unable to accept that the same degree of fulfillment may await those who wish to nurture and love as those to seek to earn and create. Her art was the love that beat on in her loved ones, a contribution to the world that could be just as monumental as a song or a book.

When I asked her what she’d want to come back as, she always told me she’d like to return as a tree. It was a strange and comforting answer, that rather than something grand and heroic, my mother preferred to return to life as something humble and still.

Without my mother, did I have any real claim to Korea or her family?

For the first time it occurred to me that what she sought in my face might be fading. I no longer had someone whole to stand beside, to make sense of me.

I wondered if the 10 percent she kept from the three of us who knew her best—my father, Nami, and me—had all been different, a pattern of deception that together we could reconstruct. I wondered if I could ever know all of her, what other threads she'd left behind to pull.

My own weight loss made me feel tied to her. I wanted to embody a physical warning—that if she began to disappear, I would disappear too.

We don’t talk about it. There’s never so much as a knowing look. We sit here in silence, eating our lunch. But I know we are all here for the same reason. We’re all searching for a piece of home, or a piece of ourselves. We look for a taste of it in the food we order and the ingredients we buy. Then we separate. We bring the haul back to our dorm rooms or our suburban kitchens, and we re-create the dish that couldn’t be made without our journey. What we’re looking for isn’t available at a Trader Joe’s. H Mart is where your people gather under one odorous roof, full of faith that they’ll find something they can’t find anywhere else.

I talked about how love was an action, an instinct, a response roused by unplanned moments and small gestures, an inconvenience in someone else’s favor.

When I got hurt, my mom was livid, as if I had maliciously damaged her property.

Hers was tougher than tough love. It was brutal, industrial-strength. A sinewy love that never gave way to an inch of weakness. It was a love that saw what was best for you ten steps ahead, and didn’t care if it hurt like hell in the meantime.

She was my champion, she was my archive. She had taken the utmost care to preserve the evidence of my existence and growth, capturing me in images, saving all my documents and possessions.

Now, more than ever, I wished desperately for a way to transfer pain, wished I could prove to my mother just how much I loved her, that I could just crawl into her hospital cot and press my body close enough to absorb her burden. It seemed only fair that life should present such an opportunity to prove one’s filial piety.

My family lauded my bravery, I radiated with pride, and something about that moment set me on a path. I came to realize that while I struggled to be good, I could excel at being courageous. I began to delight in surprising adults with my refined palate and disgusting my inexperienced peers with what I would discover to be some of nature’s greatest gifts.

If I’m being honest, there’s a lot of anger. I’m angry at this old Korean woman I don’t know, that she gets to live and my mother does not, like somehow this stranger’s survival is at all related to my loss.

we re-create the dish that couldn’t be made without our journey.

I would think of how my mother always used to tell me never to fall in love with someone who doesn’t like kimchi. They’ll always smell it on you, seeping through your pores. Her very own way of saying, “You are what you eat.

it felt like a time to choose living over dying.

We had tried to choose living over dying and it had turned out to be a horrible mistake.

And that she was glad I had finally found a place where I belonged.

We sit here in silence, eating our lunch. But I know we are all here for the same reason. We’re all searching for a piece of home, or a piece of ourselves.

It used to be so clear to me, the difference between living and dying.

I couldn’t comprehend then the depth of her sorrow the way I do now. I was not yet on the other side, had not crossed over as she had into the realm of profound loss.

Not quite my mother and not quite her sister, we existed in that moment as each other’s next best thing.

While she never actually taught me how to cook (Korean people tend to disavow measurements and supply only cryptic instructions along the lines of “add sesame oil until it tastes like Mom’s”), she did raise me with a distinctly Korean appetite.

The memories I stored, I could not let festered. Could not let trauma infiltrate and spread, to spoil and render them useless. They were moments to be tended. The culture we shared was active, effervescent in my gut and in my genes, and I had to seize it, foster it so it did not die in me. So that I could pass it on someday. The lessons she imparted, the proof of her life lived on in me, in every move and deed. I was what she left behind. If I could not be with my mother, I would be her.

I had thought fermentation was controlled death. Left alone, a head of cabbage molds and decomposes. It becomes rotten, inedible. But when brined and stored, the course of its decay is altered. Sugars are broken down to produce lactic acid, which protects it from spoiling. Carbon dioxide is released and the brine acidifies. It ages. Its color and texture transmute. Its flavor becomes tarter, more pungent. It exists in time and transforms. So it is not quite controlled death, because it enjoys a new life altogether. The memories I had stored, I could not let fester. Could not let trauma infiltrate and spread, to spoil and render them useless. They were moments to be tended. The culture we shared was active, effervescent in my gut and in my genes, and I had to seize it, foster it so it did not die in me. So that I could pass it on someday. The lessons she imparted, the proof of her life lived on in me, in my every move and deed. I was what she left behind. If I could not be with my mother, I would be her.

My mother had either finally given up, conceding in her efforts to try to shape me into something I didn't want to be, or she had moved on to subtler tactics, realizing it was unlikely that I'd last another year in this mess before I discovered she'd been right all along. Or maybe the three thousand miles between us had made it so she was just happy to be with me. Or maybe she'd finally accepted that I'd forged my own path and found someone who loved me wholly, and believed at last that I would end up all right.

I think Halmoni and Eunmi and your mom is very happy," Nami said. She flipped the heart charm on the necklace I gave her so it faced forward. "They are all in heaven together, playing hwatu and drinking soju, happy we are here together.

Even when he’s here he doesn’t know how to take care of me at all.

what procellous awesomeness does not in you abound

...love was an action, an instinct. A response wrapped by unplanned moments and small gestures. An inconvenience in someone else's favor. How I felt it most when he drove up to New York after work at 3 in the morning just to hold me in a warehouse in Brooklyn after I had discovered my mother was sick. The many times these months he had flown 3000 miles whenever I needed him while he listened patiently through the 5 calls a day I'd been making since June, and though I wished our marriage could begin under more ideal circumstances, it had been these very trials that had assured me he was everything I needed to brave the future that lay ahead.

I stopped posing with the peace sign in photos, fearing I looked like an Asian tourist. When my peers started dating, I developed a complex that the only reason someone would like me was if they had yellow fever, and if they didn’t like me, I tortured myself over whether it was because of the crude jokes boys in my class would make about Asians having sideways pussies and loving you long time

But my parents were worldly in their own ways. They had seen much of the world and had tasted what it had to offer. What they lacked in high culture, they made up for by spending their hard-earned money on the finest of delicacies. My childhood was rich with flavor—blood sausage, fish intestines, caviar. They loved good food, to make it, to seek it, to share it, and I was an honorary guest at their table.

I never thought I was going to get married,” I said. “But having witnessed for the past six months what it means to keep the promise to be there for someone in sickness and in health, I find myself here, understanding.

If there was a god, it seemed my mother must have had her foot on his neck, demanding good things come my way. That if we had to be ripped apart right at our turning point, just when things were really starting to get good, the least god could do was make a few of her daughter's pipe dreams come true.

I wonder how many people at H Mart miss their families. How many are thinking of them as they bring their trays back from the different stalls. If they’re eating to feel connected, to celebrate these people through food. Which ones weren’t able to fly back home this year, or for the past ten years? Which ones are like me, missing the people who are gone from their lives forever?

Every time I ate well or bowed correctly to my elders, my relatives would say, “Aigo yeppeu.” “Yeppeu,” or pretty, was frequently employed as a synonym for good or well-behaved, and this fusion of moral and aesthetic approval was an early introduction to the value of beauty and the rewards it had in store.

That night, lying beside her, I remembered how when I was a child I would slip my cold feet between my mother’s thighs to warm them. How she’d shiver and whisper that she would always suffer to bring me comfort, that that was how you knew someone really loved you. I remembered the boots she’d broken in so that by the time I got them I could go on unbothered, without harm. Now, more than ever, I wished desperately for a way to transfer pain, wished I could prove to my mother just how much I loved her, that I could just crawl into her hospital cot and press my body close enough to absorb her burden. It seemed only fair that life should present such an opportunity to prove one’s filial piety. That the months my mother had been a vessel for me, her organs shifting and cramping together to make room for my existence, and the agony she’d endured upon my exit could be repaid by carrying this pain in her place. The rite of an only daughter. But I could do no more than lie nearby, ready to be her advocate, listening to the slow and steady beeping of machinery, the soft sounds of her breathing in and out.

remember these things clearly because that was how my mother loved you, not through white lies and constant verbal affirmation, but in subtle observations of what brought you joy, pocketed away to make you feel comforted and cared for without even realizing it.

It was difficult to write about someone I felt I knew so well. The words were unwieldy, engorged with pretension. I wanted to uncover something special about her that only I could reveal. That she was so much more than a housewife, than a mother. That she was her own spectacular individual. Perhaps I was still sanctimoniously belittling the two roles she was ultimately most proud of, unable to accept that the same degree of fulfillment may await those who wish to nurture and love as those who seek to earn and create. Her art was the love that beat on in her loved ones, a contribution to the world that could be just as monumental as a song or a book. There could not be one without the other. Maybe I was just terrified that I might be the closest thing she had to leaving a piece of herself behind.

After the shows, I’d sell shirts and copies of the record, oftentimes to other mixed kids and Asian Americans who, like me, struggled to find artists who looked like them,

If there was a god, it seemed my mother must have had her foot on his neck, demanding good things come my way.

There was no one in the world that was ever as critical or could make me feel as hideous as my mother, but there was no one…who ever made me feel as beautiful.

When one person collapses, the other instinctively shoulders the weight

save ten percent of yourself.” What she meant was that, no matter how much you thought you loved someone, or thought they loved you, you never gave all of yourself. Save 10 percent, always, so there was something to fall back on. “Even from Daddy, I save,” she would add.

middle school, where kids endure the three most confusing and sensitive years of their lives, where girls who’ve already sprouted D cups and know about blow jobs sit beside girls in trainers from the Gap

My mom was the only one in her family who didn’t practice Christianity. She believed in some higher power but didn’t like the cultishness of organized religion, even when it was what knit most of the Korean community

Sometimes my grief feels as though I've been left alone in a room with no doors. Every time I remember that my mother is dead, it feels like I'm colliding with a wall that won't give. There's no escape, just a hard surface that I keep ramming into over and over, a reminder of the immutable reality that I will never see her again.

By the time I was in high school, the desire for independence trailing a convoy of insidious hormones had transformed me from a child who couldn’t bear to sleep without her mother into a teenager who couldn’t stand her touch.

Every time I remember that my mother is dead, it feels like I’m colliding with a wall that won’t give. There’s no escape, just a hard surface that I keep ramming into over and over, a reminder of the immutable reality that I will never see her again. —

Unlike the second languages I attempted to learn in high school, there are Korean words I inherently understand without ever having learned their definition. There is no momentary translation that mediates the transition from one language to another. Parts of Korean just exist somewhere as a part of my psyche—words imbued with their pure meaning, not their English substitutes.

Isn't it nice how we actually enjoy talking to each other now?" I said to her once on a trip home from college, after the bulk of the damage done in my teenage years had been allayed. "It is," she said. "You know what I realised? I've just never met someone like you." I've just never met someone like you, as if I were a stranger from another town or an eccentric guest accompanying a mutual friend to a dinner party. It was a strange thought to hear from the mouth of the woman who had birthed and raised me, with whom I shared a home for eighteen years, someone who was half me. My mother had struggled to understand me just as I struggled to understand her. Thrown as we were on opposite sides of a fault like—generational, cultural, linguistic—we wandered lost without a reference point, each of us unintelligible to the other's expectations, until these past few years when we had just begun to unlock the mystery, carve the psychic space to accommodate each other, appreciate the differences between us, linger in our refracted commonalities.

Back at home, I called again to have her walk me through the process, frustrated that her instructions were always so convoluted, even when it came to making rice. “What do you mean put my hand on top of the rice and add water until it covers it?” “Put water in until water covers your hand!” “Covers my hand? Covers my hand until where?” “Until it covers the top of your hand!” I held the phone against my shoulder, my left hand submerged under water, laid flat on the surface of the white rice. “How many cups is that?” “Honey, I don’t know, Mommy doesn’t use cup!

Why hadn’t she waited for me to answer the door? Clearly, my mother’s art teacher knew she had passed, yet she kept this letter addressed to her. And if it was for my mother, I wondered, why hadn’t she written it in Korean? Had she translated it specifically for me? There was a part of me that felt, or maybe hoped, that after my mother died, I had absorbed her in some way, that she was a part of me now. I wondered if her art teacher felt this way, too, that I was the closest she could get to being heard.

Mom's afraid you two will fight if you come," my father admitted later. "She knows she has to put all her focus into getting better." I assumed the seven years I'd lived away from home had healed the wounds between us, that the strain built up in my teenage years had been forgotten. My mother had found ample space in the three thousand miles between Eugene and Philadelphia to relax her authority, and for my part, free to explore my creative impulses without constant critique, I came to appreciate all the labors she performed, their ends made apparent only in her absence. Now we were closer than ever, but my father's admission revealed there were memories of which my mother could not let go.

...she did raise me with a distinctly Korean appetite. This meant a reverence for good food and a predisposition to emotional eating. We were particular about everything: kimchi had to be perfectly sour, samgyupsal perfectly crisped; stews had to be piping hot or they might as well have been inedible. The concept of prepping meals for the week was a ludicrous affront to our lifestyle. We chased our cravings daily. If we wanted the kimchi stew for three weeks straight, we relished it until a new craving emerged. We ate in accordance with the seasons and holidays.

remember these things clearly because that was how my mother loved you, not through white lies and constant verbal affirmation, but in subtle observations of what brought you joy, pocketed away to make you feel comforted and cared for without even realizing it. She remembered if you liked your stews with extra broth, if you were sensitive to spice, if you hated tomatoes, if you didn’t eat seafood, if you had a large appetite. She remembered which banchan side dish you emptied first so the next time you were over it’d be set with a heaping double portion, served alongside the various other preferences that made you, you.

Sweet braised black soybeans, crisp yellow sprouts with scallion and sesame oil, and tart, juicy cucumber kimchi were shoveled into our mouths behind spoonfuls of warm, lavender kong bap straight from the open rice cooker. We'd giggle and shush each other as we ate ganjang gejang with our fingers, sucking salty, rich, custardy raw crab from its shell, prodding the meat from its crevices with our tongues, licking our soy sauce-stained fingers. Between chews of a wilted perilla leaf, my mother would say, "This is how I know you're a true Korean.

Every dish I cooked exhumed a memory. Every scent and taste brought me back for a moment to an unravaged home. Knife-cut noodles in chicken broth took me back to lunch at Myeondong Gyoja after an afternoon of shopping, the line so long it filled a flight of stairs, extended out the door, and wrapped around the building. The kalguksu so dense from the rich beef stock and starchy noodles it was nearly gelatinous. My mother ordering more and more refills of their famously garlic-heavy kimchi. My aunt scolding her for blowing her nose in public. Crispy Korean fried chicken conjured bachelor nights with Eunmi. Licking oil from our fingers as we chewed on the crispy skin, cleansing our palates with draft beer and white radish cubes as she helped me with my Korean homework. Black-bean noodles summoned Halmoni slurping jjajangmyeon takeout, huddled around a low table in the living room with the rest of my Korean family. I drained an entire bottle of oil into my Dutch oven and deep-fried pork cutlets dredged in flour, egg, and panko for tonkatsu, a Japanese dish my mother used to pack in my lunch boxes. I spent hours squeezing the water from boiled bean sprouts and tofu and spooning filling into soft, thin dumpling skins, pinching the tops closed, each one slightly closer to one of Maangchi's perfectly uniform mandu.