Crush Hints Quotes

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I think one can tell a lot about a person from the way he chooses to let the stub of his cigarette burn out...
Sanhita Baruah
There are some things that don't change much. I find the smell of a dish, or the way a certain spice is crushed, or just a quick look at the way something has been put on a plate, can pull me back to another place and time. I love those memories that seem so far away, yet you can hold them and carry them with you, even forget them, and then, with a single taste or hint or a smell, be chaperoned back to a beautiful moment.
Tessa Kiros
Baseball was a safe bet. Baseball also didn't have a girlfriend. Then again, baseball didn't have big brown eyes or show a little hint of cleavage under its uniforms. Decisions, decisions.
Rachel Spangler (Heart of the Game)
When he’d started therapy, he’d been determined—really determined—to heal. To move on from a grief so huge that it might crush him if he couldn’t find a way to fold it up and make it safe.
Talia Hibbert (Take a Hint, Dani Brown (The Brown Sisters, #2))
The real objection to modernism is simply that it is a form of snobbishness. It is an attempt to crush a rational opponent not by reason, but by some mystery of superiority, by hinting that one is specially up to date or particularly "in the know.
G.K. Chesterton
I had nothing to say to these words: they were not new to me: my very first recollections of existence included hints of the same kind. This reproach of my dependence had become a vague sing-song in my ear: very painful and crushing, but only half intelligible.
Charlotte Brontë (Jane Eyre)
It took Aaron a minute to find his voice again. He still sounded angry, but there was a muted edge to his, "You wouldn't even look at me. You wouldn't say a word to me unless I said something first. I'm not psychic. How was I supposed to know?" "Because I made you a promise," Andrew said. "I did not forget it just because you chose not to believe me. I did what I said I would do, and fuck you for expecting anything else." There it was again: a hint of that infinite anger at Andrew's core. Aaron opened his mouth, closed it again, and dropped his eyes. Andrew stared at his brother's bowed head for an endless minute. Aaron had given up the fight, but every passing second seemed to put more tension in Andrew's frame. Neil watched Andrew's fingers curl against his thighs, not into fists but a mimicry of crushing the life from someone, and knew Andrew's temper was nearing a breaking point. He put his hand up between them, trying to block Andrew's view of Aaron, and Andrew cut a vicious look at him. A heartbeat later Andrew's expression went dead. Neil regretted his intervention immediately. No one could let go of that much rage that easily; Andrew had simply buried it where it could hurt only him. It was too late to take it back, so Neil dropped his hand to his lap in defeat.
Nora Sakavic (The King's Men (All for the Game, #3))
Our eyes see the future we desire And if yearning is enough, turn blind entire To any threats that challenge our hope. Oh, how small indeed is Reality's scope.
Kristian Ventura (Can I Tell You Something?)
For my number-one favorite kill, I almost went with Johnny Depp being eaten alive and then regurgitated by his own bed in A Nightmare on Elm Street, but the winner, by a finger blade’s width, has to be the death of that feisty Tina (Amanda Wyss), who put up such a fight while I thrashed her about on the ceiling of her bedroom. Freddy loves a worthy adversary, especially if it’s a nubile teenaged girl. A close second goes to my hearing-impaired victim Carlos (Ricky Dean Logan) in Nightmare 6. In these uber-politically-correct times, it’s refreshing to remember what an equal opportunity killer Freddy always was. Not only does he pump up the volume on the hearing aid from hell, but he also adds a nice Latino kid to his body count. Today they probably wouldn’t even let Freddy force-feed a fat kid junk food. Dream death number three is found in a sequence from Nightmare 3. Freddy plays puppet master with victim Phillip (Bradley Gregg), converting his arm and leg tendons into marionette strings, then cutting them in a Freddy meets Verigo moment. The kiss of death Profressor Freddy gives Sheila (Toy Newkirk) is great, but not as good as Al Pacino’s in The Godfather, so my fourth pick is Freddy turning Debbie (Brooke Theiss) into her worst nightmare, a cockroach, and crushing her in a Roach Motel. A classic Kafka/Krueger kill. For my final fave, you will have to check out Freddy vs. Jason playing at a Hell’s Octoplex near you. Here’s a hint: the hockey-puck guy and I double team a member of Destiny’s Child. Yummy! Now where’s that Beyonce…
Robert Englund (Hollywood Monster: A Walk Down Elm Street with the Man of Your Dreams)
If you will pardon my arbitrary, presumptuous use of the first person plural, then allow me to put it this way: unable to find any ultimate meaning we feel crushed enough already to be fed up with a literature that pretends there is such a thing and keeps hinting at some ultimate meaning.
László Krasznahorkai (The World Goes On)
This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals sails appeared charmed. They blazed red in the day and silver at night, like a magician’s cloak, hinting at mysteries concealed beneath, which Tella planned to uncover that night. Drunken laughter floated above her as Tella delved deeper into the ship’s underbelly in search of Nigel the Fortune-teller. Her first evening on the vessel she’d made the mistake of sleeping, not realizing until the following day that Legend’s performers had switched their waking hours to prepare for the next Caraval. They slumbered in the day and woke after sunset. All Tella had learned her first day aboard La Esmeralda was that Nigel was on the ship, but she had yet to actually see him. The creaking halls beneath decks were like the bridges of Caraval, leading different places at different hours and making it difficult to know who stayed in which room. Tella wondered if Legend had designed it that way, or if it was just the unpredictable nature of magic. She imagined Legend in his top hat, laughing at the question and at the idea that magic had more control than he did. For many, Legend was the definition of magic. When she had first arrived on Isla de los Sueños, Tella suspected everyone could be Legend. Julian had so many secrets that she’d questioned if Legend’s identity was one of them, up until he’d briefly died. Caspar, with his sparkling eyes and rich laugh, had played the role of Legend in the last game, and at times he’d been so convincing Tella wondered if he was actually acting. At first sight, Dante, who was almost too beautiful to be real, looked like the Legend she’d always imagined. Tella could picture Dante’s wide shoulders filling out a black tailcoat while a velvet top hat shadowed his head. But the more Tella thought about Legend, the more she wondered if he even ever wore a top hat. If maybe the symbol was another thing to throw people off. Perhaps Legend was more magic than man and Tella had never met him in the flesh at all. The boat rocked and an actual laugh pierced the quiet. Tella froze. The laughter ceased but the air in the thin corridor shifted. What had smelled of salt and wood and damp turned thick and velvet-sweet. The scent of roses. Tella’s skin prickled; gooseflesh rose on her bare arms. At her feet a puddle of petals formed a seductive trail of red. Tella might not have known Legend’s true name, but she knew he favored red and roses and games. Was this his way of toying with her? Did he know what she was up to? The bumps on her arms crawled up to her neck and into her scalp as her newest pair of slippers crushed the tender petals. If Legend knew what she was after, Tella couldn’t imagine he would guide her in the correct direction, and yet the trail of petals was too tempting to avoid. They led to a door that glowed copper around the edges. She turned the knob. And her world transformed into a garden, a paradise made of blossoming flowers and bewitching romance. The walls were formed of moonlight. The ceiling was made of roses that dripped down toward the table in the center of the room, covered with plates of cakes and candlelight and sparkling honey wine. But none of it was for Tella. It was all for Scarlett. Tella had stumbled into her sister’s love story and it was so romantic it was painful to watch. Scarlett stood across the chamber. Her full ruby gown bloomed brighter than any flowers, and her glowing skin rivaled the moon as she gazed up at Julian. They touched nothing except each other. While Scarlett pressed her lips to Julian’s, his arms wrapped around her as if he’d found the one thing he never wanted to let go of. This was why love was so dangerous. Love turned the world into a garden, so beguiling it was easy to forget that rose petals were as ephemeral as feelings, eventually they would wilt and die, leaving nothing but the thorns.
Stephanie Garber (Legendary (Caraval, #2))
Darkness surrounded her, suffocated her. She tried to pierce it, but her eyes could find no hint of light. Nothing that would help her escape this prison. Weight pressed down upon her, heavy enough to crush her bones. And perhaps it had. There was no part of her that didn’t hurt so much that she wanted to howl with it. But when she opened her mouth, dirt and dust tried to choke her. Cold. Pain. Silence. No hope. Then a voice came to her, burrowing down through the soil and coiling around her. “When love,” a woman began to sing softly, “into my dreams was creeping. I gave my heart into your keeping.” Pure ecstasy. How she needed that voice, that presence to alleviate the darkness and pain and salvage her sanity. Tears welled in her eyes as she let the soft song embrace her. Her breath hitched.
Dianne Duvall (Awaken the Darkness (Immortal Guardians #8))
There were more violent quarrels in our deeply religious home than in the home of a gangster, a burglar, or a prostitute, a fact which I used to hint gently go Granny and which did my cause no good. Granny bore the standard for God, but she was always fighting. The peace that passes understanding never dwelt with us. I, too, fought; but I fought because I felt I had to keep from being crushed, to fend off continuous attack. But Granny and Aunt Addie quarreled and fought not only with me, but with each other over minor points of religious doctrine, or over some imagined infraction of what they chose to call their moral code. Wherever I found religion in my life I found strife, the attempt of one individual or group to rule another in the name of God. The naked will to power seemed always to walk in the wake of a hymn.
Richard Wright (Black Boy)
It was just heteronormative bullshit, a societal compulsion to thrust independent and perfectly happy individuals together in a socially accepted way, so they could become vulnerable before ultimately growing too familiar with each other’s flaws and engaging in destructive behavior that would result in the heart of at least one party being crushed. Behavior such as, for example, shagging their neighbor and blaming it on their girlfriend’s supposed inattentiveness.
Talia Hibbert (Take a Hint, Dani Brown (The Brown Sisters, #2))
Connor dipped his head and kissed from her neck to her collarbone, and down her arm as he slipped the sark off her shoulder revealing the satiny skin beneath. When he got to her fingers, he nipped her ring finger and Mackenzie gasped as he drew it into his mouth and sucked. He raised his eyes back to hers and trapped her gaze in his own. Connor slid her sark down her body and Mackenzie was helpless to do anything but stare into the dark blue pools of molten desire his eyes had become. It was a heady feeling to know that she was the reason his eyes were so dark; she had never before felt so powerful. He wanted her and this time she knew what to do. Mackenzie unwrapped his plaid from the chieftain brooch and pushed it off his shoulder. Connor held perfectly still and let it fall to the floor with Mackenzie’s pile of clothes. Next Mackenzie dragged his shirt over his head; it too joined the growing pile of clothing. Mackenzie couldn’t help but marvel at his hard body with all its scars hinting at the power and danger this man carried. She let her fingers trail down from his chest to the patch of hair on his stomach, and lower still. She could feel his muscles clench and his breath stop as she wrapped her fingers around his erection. She quickly found his rhythm and knelt down to press her lips to his lower abs. Trailing her mouth down to where her hand was, she gently licked the tip. She felt a thrill of satisfaction as his hands gripped her shoulders and as her mouth took him in, his fingers tightened. She used both her hand and her mouth to pleasure Connor. He molded a hand to the nape of her neck, holding her in place. She was becoming bolder with her free hand, exploring what made his muscles quiver and his breath hitch, when Connor pulled her roughly up and to him, crushing her lips with his. He pressed her back against the cold wall and lifted one of her long legs, hitching it around his hip. She was tall enough that he didn’t have to lift her. He slipped inside her and Mackenzie reveled in the groan wrenched from him. This was how she liked Connor; out of control. He pushed into her again and again until they were both panting, and Mackenzie was moaning with every breath. She couldn’t wait any longer. “Oh God Connor, I’m so close.” “Just let go, love.” With her back pressed against the cold wall and the heat from Connor’s body warming her, Mackenzie shuddered with the force of her orgasm and she melted into Connor’s arms as he spent himself in her.
Laura Hunsaker (Highland Destiny (Magic of the Highlands, #1))
Then we are nothing to him,’ said the merchant, sorrow brimming in his eyes. ‘I surrendered everything, all my wealth, for yet another indifferent god. If he cannot protect us, what is the point?’ She wished that she had an answer to such questions. Were these not the very grist of priestly endeavours? To grind out palatable answers, to hint of promising paths to true salvation? To show a benign countenance gifted by god-given wisdom, glowing as if fanned by sacred breath? ‘It is my feeling,’ she said, haltingly, ‘that a faith that delivers perfect answers to every question is not a true faith, for its only purpose is to satisfy, to ease the mind and so end its questing.’ She held up a hand to still the objections she saw awakened among these six honest, serious believers. ‘Is it for faith to deliver peace, when on all sides inequity thrives? For it shall indeed thrive, when the blessed walk past blissfully blind, content in their own moral purity, in the peace filling their souls. Oh, you might then reach out a hand to the wretched by the roadside, offering them your own footprints, and you may see the blessed burgeon in number, grow into a multitude, until you are as an army. But there will be, will ever be, those who turn away from your hand. The ones who quest because it is in their nature to quest, who fear the seduction of self-satisfaction, who mistrust easy answers. Are these ones then to be your enemy? Does the army grow angered now? Does it strike out at the unbelievers? Does it crush them underfoot?
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
It's eight, and it's time to prepare the filet mignons encrusted with pepper, sliced and served with an Israeli couscous salad with almonds, feta cheese, cherry tomatoes, roasted red peppers, preserved lemons, braised fennel, and artichoke bottoms. Funny, when I'd first made this meal for Caro, she didn't believe me when I'd presented the fine or medium grains at Moroccan or Algerian restaurants. Regardless of the name, Israeli couscous is more pasta-like and not crushed, but delicious all the same, and I love the texture---especially when making a Mediterranean-infused creation that celebrates the flavors of both spring and summer. While Oded preps the salad, I sear the steaks, and an aroma hits my nostrils---more potent than pepper---with a hint of floral notes, hazelnut, and citrus. I don't think anything of it, because my recipe is made up from a mix of many varieties of peppercorns---black, green, white, red, and pink. Maybe I'd added in a fruitier green?
Samantha Verant (The Spice Master at Bistro Exotique)
Many wild foods have their charms, but the dearest one to my heart - my favorite fruit in the whole world - is the thimbleberry. Imagine the sweetest strawberry you've ever tasted, crossed with the tartest raspberry you've ever eaten. Give in the texture of silk velvet and make it melt to sweet juice the moment it hints your tongue. Shape it like the age-old sewing accessory that gives the fruit its name, and make it just big enough to cup a dainty fingertip. That delicious jewel of a fruit is a thimbleberry. They're too fragile to ship and too perishable to store, so they are one of those few precious things in life that can't be commoditized, and for me they always symbolize the essence of grabbing joy while I can. When it rains in thimbleberry season, the delicate berries get so damp that even the gentlest pressure crushes them, so instead of bringing them home as mush, I lick each one of my fingers as soon as it is picked. These sweet berries are treasure beyond price...
Sarah A. Chrisman (This Victorian Life: Modern Adventures in Nineteenth-Century Culture, Cooking, Fashion, and Technology)
Very important words!” Wasp said. “But you’ll never hear them!” “Okay,” I agreed. “You can’t make us!” Tempest said. “Even though your fate depends on it!” A hint of doubt crept into my cranium. Was it possible—? No, surely not. If I fell for their tricks, I’d most likely get the Gray Sisters’ hot take on which facial products were perfect for my skin undertones. “Not buying it,” I said. “Not selling!” Wasp shrieked. “Too important, these lines! We would only tell you if you threatened us with terrible things!” “I will not resort to threatening you—” “He’s threatening us!” Tempest flailed. She slammed Wasp on the back so hard the communal eyeball popped right out of her socket. Wasp snatched it—and with a terrible show of fumbling, intentionally chucked it over her shoulder, right into my lap. I screamed. The sisters screamed, too. Anger, now bereft of guidance, swerved all over the road, sending my stomach into my esophagus. “He’s stolen our eye!” cried Tempest. “We can’t see!” “I have not!” I yelped. “It’s disgusting!” Meg whooped with pleasure. “THIS. IS. SO. COOL!” “Get it off!” I squirmed and tilted my hips, hoping the eye would roll away, but it stayed stubbornly in my lap, staring up at me with the accusatory glare of a dead catfish. Meg did not help. Clearly, she didn’t want to do anything that might interfere with the coolness of us dying in a faster-than-light car crash. “He will crush our eye,” Anger cried, “if we don’t recite our verses!” “I will not!” “We will all die!” Wasp said. “He is crazy!” “I AM NOT!” “Fine, you win!” Tempest howled. She drew herself up and recited as if performing for the people in Connecticut ten miles away: “A dare reveals the path that was unknown!” Anger chimed in: “And bears destruction; lion, snake-entwined!” Wasp concluded: “Or else the princeps never be o’erthrown!” Meg clapped. I stared at the Gray Sisters in disbelief. “That wasn’t doggerel. That was terza rima! You just gave us the next stanza of our actual prophecy!
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
Hello, Jimmy,' said an all-too-familiar voice from somewhere behind me. It was Marty. No one else at South Miami had that delightful, almost exotic English accent. I turned around slowly until I faced her. “Hi, Marty,” I said. She got up from one of the few chairs that had not been placed in storage and gave me a shy half-smile. “So, come to say goodbye, then?” Marty asked. I gazed at her, committing every detail of her appearance to memory. She wore faded Levi’s blue jeans, a white and orange SOUTH MIAMI CHORUS T-shirt, white socks and an old pair of Keds sneakers. Her chestnut hair was tied into a ponytail. She wore very little makeup; a touch of mascara here, a hint of blush there, a bit of lip-gloss to make things a bit interesting. She was shockingly, heartrendingly beautiful. My heart skipped a beat. “I couldn’t go without seeing you, you know,” I said. She smiled. “Oh, come on; I bet you say that to all the girls.” “It’s true,” I said. “And no, I don’t say that to all the girls.
Alex Diaz-Granados (Reunion: A Story: A Novella (The Reunion Duology Book 1))
Nothing speaks more accurately to the complexity of life than food. Who has not had, let us say, a béarnaise, the child of hollandaise, and has not come away from the taste of it feeling overwhelmed? At first, it fills the mouth with the softness of butter and then the richness of egg, and before it becomes too rich or too comfortable, the moment shifts and begins to ground itself in darkness with the root of a shallot and the hint of crushed peppercorn. But then, the taste deepens. The memory of rebirth is made manifest with the sacred chervil, sweet and grassy with a note of licorice, whose spring scent is so like myrrh that it recalls the gift of the Wise Men and the holy birth whenever it is tasted. And then, of course, the "King of Herbs," tarragon with its gentle licorice, reminds us not to forget that miracles are possible. And just when we think we understand what we are experiencing, the taste turns again on the tongue, and finishes with shrill vinegar followed by a reduction of wine so that the acid tempers the sauce but never dominates.
N.M. Kelby (White Truffles in Winter)
The sparkles that came from the firecracker are coffee crumbles!" Originating in Ireland, Crumbles are a baked dessert generally consisting of fruits topped with a crumbly crust. The crumbly mix can be made with rolled oats, crushed almonds and even crushed coffee beans! "How refreshingly tart! I can taste a faint hint of grated tangerine zest. Its fruity flavor pairs exceedingly well with the mildly sweet, clean flavor of the cake. And the hidden piece of the puzzle that ties them both together... ... is this cream that's coating the outer layer of bark!" "Man, you catch on fast! That's right. That's another variation on the cream I used as a filling for the center of the cake. I used that dark cream and thinned it into a brown cream that would melt at room temperature." "Oho! How clever. The crumbles, while sweet and delicious, tend to have a very dry and, well... crumbly texture. Not so with this cake." The brown cream brought just the right amount of moisture to the crumbles... enough to prevent them from being dry but not so much that they lose their crispy crunch. Plus, it firmly ties the flavors of the crumbles and the cake itself into one harmonious whole! Now I see. "That must be the other reason why you chose not to use any dairy or added sugars in the cake! Either would have overwhelmed the coffee crumbles! But you wanted to emphasize their delicate flavors... the light flash and sparkle of their tartness and bitterness!" "Refreshing at first, with a full body... capped off with a flash of invigorating bitterness!" "This is a gem of a dish that will captivate everyone, young and old!
Yūto Tsukuda (食戟のソーマ 34 [Shokugeki no Souma 34] (Food Wars: Shokugeki no Soma, #34))
Can a reasonable man ever truly question the nobility of the heat engine he calls his body? What option does he have but to heap praise on his form, to self-adore, to admire, and to hold it up as the greatest statement of beauty in a beautiful garden? What, though, is to be admired in such a frighteningly fragile machine; a perilously needy contraption laced with kilometres of liquid and electrical conduits prone to leaks, rot, clogs, and short-circuits? What is there to be proud of in a machine that has an eight hour battery life and is predetermined to spend half its existence in a defenceless, catatonic coma? What is to be revered in a mechanism let loose in a sealed off room where almost everything—including its single source of light and warmth—makes it sick, but whose immune system functions by late entry crisis-response imitation? Where is the awe in a contrivance that freezes and dies if placed a little over here, or overheats and dies if placed a little over there? Where is the wonder in an instrument that is crushed to a pulp if dropped a little down there, or boiled away to nothing if lifted a little up there? Where is the marvel in an appliance where three-quarters of the planet’s surface will drown it, and three-quarters of the atmosphere will asphyxiate it? What is there to be cherished in a machine born innately greedy and so utterly useless that it has to wait three years for its neural networks to hook-up and come online before it even begins to get a hint of who or even what it is, and only then can it start to relearn absolutely everything its forebears had already bothered to learn? Where is the artistry in a thinking engine whose sweetest fuel can only be embezzled from other thinking engines?
John Zande (The Owner of All Infernal Names: An Introductory Treatise on the Existence, Nature & Government of our Omnimalevolent Creator)
You!’ the first guard yelled. ‘Hands on your head, don’t move.’ Wing slowly put his hands on his head, showing no hint of emotion. ‘What the hell?’ the other guard said. ‘He’s just a kid.’ He pulled a pair of handcuffs from his belt and slowly moved behind Wing and grasped one of his wrists. In one fluid motion, Wing grabbed the guard’s own wrist with his free hand and twisted hard. There was a sickening crunch, the guard howling in pain as Wing stepped backwards, too close for the man to bring his gun to bear. He pulled the guard’s wounded arm further over his own shoulder, dragging the man closer, and jerked his head backwards, his skull connecting with the man’s nose with a crunch. Wing rotated around the guard, pressing the wounded arm up into the small of the man’s back and ducking behind him, giving the other guard no clean shot without hitting his associate. He pushed hard, sending the stunned guard staggering towards his partner, and delivered a sharp kick to the base of his spine. The wounded guard’s momentum sent him careering into the other man, yowling with pain and confusion. Wing took two short steps and in a blur of movement pulled the handcuffs from the wounded man’s belt and snapped them closed around both his broken wrist and the wrist of the unwounded guard’s gun hand. Wing pressed his fingers into the pressure point behind the wounded guard’s ear and he collapsed, instantly unconscious, pulling the other guard down with him and pinning his gun to the ground. The conscious guard snatched for the gun with his free hand, but Wing dropped on to him, his knee pressing into his throat hard enough to choke him but without crushing his windpipe. Wing delivered a sharp knuckle jab to the guard’s shoulder and his free arm was instantly disabled too. Wing could hear the sound of at least half a dozen more guards racing up the stairs from below. He knew there would be more than he could handle. He reached down and took a smoke grenade from the webbing on the pinned guard’s chest and pulled the pin with his teeth, tossing it through the doorway into the stairwell. There were cries of confusion from just below as the confined space filled with impenetrable clouds of white smoke. Wing pulled a flashbang stun grenade from the other side of the pinned guard’s webbing and waited a couple of seconds before tossing it into the stairwell too. He closed his eyes, the flash of the grenade clear even through his eyelids. ‘Who the hell are you?’ the guard pinned beneath Wing gasped. ‘Just a kid,’ Wing said with a slight smile and punched him unconscious.
Mark Walden (Escape Velocity (H.I.V.E., #3))
Every place held every memory of what it had once been. A plain that had been the bottom of a lake, the floor of a shallow sea, the lightless depths of a vast ocean. A hill that had been the peak of a young mountain, one of a chain of islands, the jagged fang of the earth buried in glacial ice. Dust that had been plants, sand that had been stone, stains that had been bone and flesh. Most memories, Kalyth understood, remain hidden, unseen and beneath the regard of flickering life. Yet, once the eyes were awakened, every memory was then unveiled, a fragment here, a hint there, a host of truths whispering of eternity. Such knowledge could crush a soul with its immensity, or drown it beneath a deluge of unbearable futility. As soon as the distinction was made, that separation of self from all the rest, from the entire world beyond-its ceaseless measure of time, its whimsical game with change played out in slow siege and in sudden catastrophe-then the self became an orphan, bereft all security, and face to face with a world now become at best a stranger, at worst an implacable, heartless foe. In arrogance we orphan ourselves, and then rail at the awful solitude we find on the road to death But how could one step back into the world? How could one learn to swim such currents? In self-proclamation, the soul decided what it was that lay within in opposition to all that lay beyond. Inside, outside, familiar, strange, that which is possessed, that which is coveted, all that is within grasp and all that is forever beyond reach. The distinction was a deep, vicious cut of a knife, severing tendons and muscles, arteries and nerves.
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
Mirroring his earlier motions, Daisy searches around the room to verify they are alone and whispers with a hint of destruction, “I’m going to crush the male species into oblivion, one sale at a time. Then fill a pool with their tears and swan dive off the fucking high board.
K.M. Dudley (CAVALIER: A Novel)
Waves of emotion Rip and fray Unbridled current Every day Crushing your heart Then drifting away Waves of emotion Unafraid   Waves of forgiveness Where loneliness bleeds Cleanse your wounds As you rest on the beach Ships in the distance A hint of perfume Waves of forgiveness Will be back soon   Waves of wonder Welcome the night Washing in Beyond the lights Traces of footprints A sip of red wine Waves of wonder You know the kind   Waves of love Will search for you They roll like thunder And carry the truth Offering hope In the nick of time Waves of love Are your lifeline
K.W. Peery (Purgatory)
I rolled my eyes. “I know Isla told you.” “Told me what?” He reached for his seatbelt and clicked it into place. As if he didn’t know. I stared at him, refusing to play his game. “Oh, c’mon, third date. Fifth date. Does it matter?” He tossed me a smile then reversed out of his spot. “It’s bound to happen eventually.” Even though I was excited about the inevitable kiss, I’d be damned if he’d have the last word in this. He didn’t get to make a decision like that on his own. “You’re a little overly confident there. Who’s to say I’m going to let you kiss me at the end of the night?” I crossed my arms. We rolled to a stop at the lot’s exit. “Who says it will be the end of the night?” He flashed me a little smirk then turned onto the main road of Port Lucia. “Maybe it’ll happen when you least expect it. Maybe you won’t see it coming.” His tone was all too amused and I kind of hated the way it made my stomach bubble with anticipation. But I schooled my expression. “And what if I’m not interested in this ninja-kiss?” He laughed. “Knee me in the nuts or something. I’ll get the hint.” “You’re either very brave or very stupid.” He shrugged. “Probably a little of both.
Renita Pizzitola (Just a Little Kiss (Crush, #3))
When he was asked about how to keep voters focused on the issues in the midst of Trump scandals, he replied, “I mean, I think we’ve got to work in two ways. Number one, we have got to take on Trump’s attacks against the environment, against women, against Latinos and blacks and people in the gay community, we’ve got to fight back every day on those issues. But equally important, or more important: We have got to focus on bread-and-butter issues that mean so much to ordinary Americans.”53 Oh man, fuck this. Seriously? Who exactly are these “ordinary Americans” whose issues are more important than the destruction of our environment and the systemic racism and sexism that are literally crushing women and people of color in this country? Hint: they don’t look like me.
Ijeoma Oluo (Mediocre: The Dangerous Legacy of White Male America)
Have you ever been kissed?" "I --" Before she could utter her next word, Sean's lips brushed hers in the most feathery kiss she'd ever imagined. Her head spun. With a sigh, she swooned into him. "I've nay been kissed like that before." "That was no kiss." He wrapped his arms around her as if creating a protective barrier where nothing in the world could harm her. His face looked incredibly bold in the moon glow -- desire filled his eyes, yet the dark shadow of his beard and long, wavy hair gave him a look of danger. Hot blood thrummed beneath her skin as he studied her lips. His breath smelled of mint laced with a hint of aged whisky. Her tongue slipped out and wet her bottom lip. Please, kiss me again. With a tilt of his head, Sean plied her with his sultry mouth. Gyllis's knees wobbled, making her body crush into his hard chest. Her breasts molded into him, filling with desire. She closed her eyes and melted. If there was a heaven, she'd found it in his arms.
Amy Jarecki (A Highland Knight to Remember (Highland Dynasty, #3))
You should go and enjoy your last night of freedom." Dominic held tight to her hands with one of his own, while with the other he tilted up her chin until she was forced to meet his stormy gaze. "Don't worry, Kat. I intend to." With that, his mouth came down on hers to claim her in a way she had never been claimed before. Their last kiss was warm and gentle, an exploration. This kiss devoured, consumed. And in her surprise, she responded. She slipped her hands from his to wrap them around his neck and into his hair. The dark locks slid like warm silk through her chilly fingers and the friction of the action caused her to kiss him deeper. He tasted very faintly of cigar smoke tinged with just the sharpest hint of whiskey. She never would have thought that taste would please her, but somehow it fit him. Smoky and tangy melded together in a way that made her knees go weak. Not that she needed their support. The moment their lips touched, Dominic crushed her against him and became her support and her prison all at once. A prison she didn't feel any desire to escape. In comparison to the air and the cold of the snow, he was as hot as fire. She was molded against a hard, lean body that melted her defenses and made her groan. "Dominic," she whimpered against his lips. He smiled between hot kisses. "So you do know my name. Say it again." Instead she lifted her lips for another kiss, but he held back. "Say it." "Dominic," she repeated, so low he barely heard it. But it was loud enough for now. Later, he would make her cry out his name. It would be a plea and a prayer as he took her careening over an edge he doubted she even knew existed. Yet. Just the thought of that made hot blood pump harder through him and he brought her even closer. Slowly, he moved his mouth away from hers and began a leisurely trail down her throat. To his delight, she arched against him with a quiet moan as her fingers dug into the layers of his coat. Emboldened by her passionate response, he pressed her back against the terrace wall as one hand brushed up her body until he cupped her breast. Her eyes flew open in surprise, but within the green depths he saw no fear, rather a haze of desire and surrender. With a half-smile, he kissed her again, this time with more control as he gently massaged the nipple thrusting out even through her heavy gown. Her mouth came open with a gasp of pleasure and he drank deeply of her taste. He wanted her. Now. Tonight. Tomorrow wasn't going to come fast enough.
Jenna Petersen (Scandalous)
Oh, Matthew," she whispered, moved to tears. "I called it Grace. I hope you don't mind." For the first time, his manner held a hint of shyness, disconcerting in a man who had just made love to her without hesitation or reticence. Gently, she curled her hand around what was inside the box and lifted it to the light. "It's your rose." "No, it's your rose." A heady fragrance filled the air. With one shaking finger, Grace touched a flawless pink petal. The color was unforgettable. It was the most beautiful rose she'd ever seen. Impossible to credit that those unpromising stalks in his courtyard had produced this exquisite bloom. "It's perfect," she whispered. "It's a miracle." He was a miracle. How could she not love the man who conjured this beauty with hands and imagination? The faint smile broadened. Had he worried that she'd reject his gift? Foolish, darling Matthew. The question was whether the rose was a promise of a future or a token of parting. "I worked on it whenever I could. This last year has been busy." An understatement, she knew. The Marquess of Sheene had been a ubiquitous presence in London since his release. Everywhere he went, society feted him as a hero. She'd read of the string of honors he'd received, the friendship with the king, the invitations to join scientific boards and societies. Echoing her gesture, he reached out to touch the petals. The sensitivity of his fingers on the flower reminded her of his hands on her skin. "I did most of the basic experiments when I was a prisoner, but I couldn't get it right." He glanced up with an expression that combined pride and diffidence in a breathtakingly attractive mixture. "This is the first bud, Grace. It appeared almost a year to the day after I promised to wait. It seemed a sign." "And you brought it to me," she said softly, staring at the flower. The anniversary of his release didn't occur for two more days. That date was etched on her longing heart. Then she noticed something else. "My glove," she said blankly. With unsteady hands, she reached in and withdrew a light green kidskin glove from a recess carved away from the damp. The buttery leather was crushed and worn from incessant handling. "Have you kept it all this time?" "Of course." He wasn't smiling anymore and his eyes deepened to a rich, rare gold. Beautiful, unwavering, somber. "You make me want to cry." Her voice emerged so thickly, she didn't sound like herself. She laid the box on the bench and tightened her grip on the soft leather until her knuckles whitened. What was he trying to tell her? What did the rose mean? The glove? Had he carried her glove into his new life like a knight wore his lady's favor into battle? The thought sent choking emotion to her throat.
Anna Campbell (Untouched)
the hints of some pensive character crushed and beaten by brutal marches — the orchestra warding off the blows . . . cruel, clumsy waltzes, like some Russian dancing bear willing to maul a partner . . . And perhaps most chilling of all, they recognized the moments after these assaults, when stillness arrives, and it does not feel like peace, but a stunned, appalled hush . . . as if someone, in the wake of a beating, first opens their eyes to a cold and crystalline new world in which they do not know how to feel.
M.T. Anderson (Symphony for the City of the Dead: Dmitri Shostakovich and the Siege of Leningrad)
He also took another swing at cyclists with his five handy hints for those setting out on a bike for the first time in the Sun. They were: “Do not cruise through red lights. Because if I’m coming the other way, I will run you down, for fun. Do not pull up at junctions in front of a line of traffic. Because if I’m behind you, I will set off at normal speed and you will be crushed under my wheels. Do not wear Lycra shorts unless you are Kate Moss. I do not wish to cruise down the road looking at your meat and two veg. Do not, ever, swear at or curse people in cars or trucks. You are a guest on roads that are paid for by motorists so if we cut you up, shut up. Do not wear a helmet. It makes you look ridiculous.
Nigel Cawthorne (Jeremy Clarkson: Motormouth (Updated To Include His Sacking By The BBC))