Flame In The Mist Quotes

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I believe the stars align so souls can find one another. Whether they are meant to be souls in love or souls in life remains to be seen.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Be as swift as the wind. As silent as the forest. As fierce as the fire. As unshakable as the mountain. And you can do anything...
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
The only power any man has over you is the power you give him.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
To me, you are magic.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
I’ve never been angry to have been born a woman. There have been times I’ve been angry at how the world treats us, but I see being a woman as a challenge I must fight. Like being born under a stormy sky. Some people are lucky enough to be born on a bright summer’s day. Maybe we were born under clouds. No wind. No rain. Just a mountain of clouds we must climb each morning so that we may see the sun.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
You are first and foremost a person. A reckless, foolish person, but a person nonetheless. If I ever say you are not permitted to do something, rest assured that the last reason I would ever say so would be because you are a girl.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
There is such strength in being a woman. But it is a strength you must choose for yourself. No one can choose it for you. We can bend the wind to our ear if we would only try.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
If I am marching to my death, then I will march to it as a girl. Without fear.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Sometimes we must fall forward to keep moving. Remain motionless—remain unyielding—and you are as good as dead. Death follows indecision, like a twisted shadow. Fall forward. Keep moving. Even if you must pick yourself up first.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
The entire time she'd watched him - waited for him to join her, even in death - her features had remained serene. A flame in the mist.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
You don't know the beginning of me." She trembled as she spoke. "And . . . you will never see the end.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Malevolence spilled from the woman like morning mist.
Hafsah Faizal (We Hunt the Flame (Sands of Arawiya, #1))
Beautiful words were beautiful words, even to the most practical of minds.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Until nothing at all existed between them. But shared breaths. And unspoken promises. Lies. And unshakable truth.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Perhaps true weakness is weakness of the spirit
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
The stars could fall - the moon could crash from the heavens - and Mariko could not care.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Words are foolish. Promises are useless. Anyone can say anything to get what it is they desire. Believe in actions and actions alone.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
She remembered Chiyo telling her that finding one's match was like finding one's other half. Mariko had never understood the notion. She was not a half. She was wholly her own.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Are you ever angry you were born a woman?" "I've never been angry to have been born a woman. There have been times I've been angry at how the world treats us.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Control is an illusion. Expectations will not rule my days. Not anymore.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
The air between them filled with all that remained unsaid. All that should be said. Yet wasn't.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Ours is a love stronger than fear and deeper than the sea
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
Stay or go. I leave it to you. But you are welcome always. In all ways.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Bravery did not come to her naturally. She spent too much time weighing her options to be brave. Too much time calculating the many paths before her. But Mariko knew it was time to do more. Time to be more. She would not die a coward.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
I love the Autumn, And yet I cannot say All the thoughts and things That make me feel this way. I love walking on the angry shore, To watch the angry sea; Where summer people were before, But now there's only me. I love wood fires at night That have a ruddy glow. I stare at the flames And think of long ago. I love the feeling down inside me That says to run away To come and be a gypsy And laugh the gypsy way. The tangy taste of apples, The snowy mist at morn, The wanderlust inside you When you hear the huntsman's horn. Nostalgia - that's the Autumn, Dreaming through September Just a million lovely things I always will remember.
Jacqueline Kennedy Onassis
...all I strive for each day is to convince my shadow I'm someone worth following.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
I deny being a slave to any one thing. In any situation we can choose who we are and choose who we want to be.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
She refused to die like an animal locked in a cage. Like a girl with nothing to save her name. Better to die by the sword. Better to die at the mercy of the nightbeasts. To die in the night air. Free.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Without risk, life is far too predictable
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Our deepest truths are usually the hardest to conceal.
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
Everything in life began with an idea.
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
We were like two moths around a candle, I thought, circling closer and closer to the flame, waiting to see whose wings would catch fire first.
Tan Twan Eng (The Garden of Evening Mists)
You are loved. It isn't enough, but it's all I have.
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
Respect is not a thing granted. It is a thing earned.
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
I am Desire, am I not? That is what I am; that is what I do. I make things want things. Where I touch, things want and need and love - drawn to their objects of desire like butterflies to a candle-flame.
Neil Gaiman (The Sandman, Vol. 4: Season of Mists)
Believe in actions and actions alone.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
In this age of decadence that we live in, people's minds are twisted and only words are loved but not preactial deeds.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
But Mariko knew it was time to do more. Time to be more. She would not die a coward. Mariko was the daughter of a samurai. The sister of the Dragon of Kai. But more than that, she still held power over her decisions. For at least this one last day. She would face her enemy. And die with honor.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
I am strange.” She brandished her practice sword. “And you had better learn to appreciate it.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Love was a sunrise. A welter of crimson that rose much like a warning. Slowly and almost in secret.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
There was only the broad square with the scattered dim moons of the street lamps and with the monumental stone arch which receded into the mist as though it would prop up the melancholy sky and protect beneath itself the faint lonely flame on the tomb of the Unknown Soldier, which looked like the last grave of mankind in the midst of night and loneliness.
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
Sometimes we must fall foward to keep moving
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
For my son, born of a dragon and a phoenix. Fight not for greatness, but for goodness.
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
This boy did not take steps. He glided like a shark through the water. And like the sea, the members of the Black Clan parted around him
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
I may lie every day of my life, Hattori Mariko. But my heart will always be true.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Never mind that it was not what she wanted. Never mind that there was so much left to see and learn and do. She’d been raised for a purpose. A foolish one at that - to be the wife of an important man when she could easily have been something else. Something more.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
She’d fought off her assailant. And in doing so, she’d displayed one of the seven virtues of bushidō: Courage. The way of the warrior. Mariko
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Don't bare your neck to a wolf.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
I believe the stars align so that souls can find one another. Whether they are meant to be souls in love or souls in life remains to be seen.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
My fear — even when it is feigned — has more weight when it is matched alongside anger.
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
The moon is beautiful, isn't it?" she said. "I imagine the moon would be a thing of beauty on a night like this. But I prefer what I'm looking at now." His eyes remained focused on Mariko as he spoke.
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
We are what we do.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Loving someone is to lose control
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
Curious had been the word most often ascribed to her when she was younger. She’d been the watchful sort of child. The one conscious of every mistake. When Mariko had erred, it had usually been intentional. An attempt to push barriers. Or a desire to learn. Usually it was that. A wish to know more. As she grew from a curious child into an even more curious young woman, the word she most often overheard at her back was odd. Much too odd. Far too prone to asking questions. Far too apt to linger in places she wasn’t meant to be.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Danse Russe If I when my wife is sleeping and the baby and Kathleen are sleeping and the sun is a flame-white disc in silken mists above shining trees,-- if I in my north room dance naked, grotesquely before my mirror waving my shirt round my head and singing softly to myself: "I am lonely, lonely. I was born to be lonely, I am best so!" If I admire my arms, my face, my shoulders, flanks, buttocks against the yellow drawn shades,-- Who shall say I am not the happy genius of my household?
William Carlos Williams
There is the subtler music, the clear light Where time burns back about th'eternal embers. We are not shut from the thousand heavens: Lo, there are many gods whom we have seen, Folk of unearthly fashion, places splendid, Bulwarks of beryl and of chrysophrase. Sapphire Benacus, in thy mists and thee Nature herself's turned metaphysical, Who can look at that blue and not believe?
Ezra Pound
The Earl and Countess of Langford!" That announcement caused an immediate reaction among the inhabitants of the ballroom, who began looking at one another in surprise and then turned to the balcony, but it was nothing compared to the reaction among the small group of seven people who'd been keeping a vigil of hope. A jolt went through the entire group; hands reached out blindly and were clasped tightly by other hands; faces lifted to the balcony, while joyous smiles dawned brightly and eyes misted with tears. Attired in formal black evening clothes with white waistcoat and frilled white shirt, Stephen Westmoreland, Earl of Langford, was walking across the balcony. On his arm was a medieval princess clad in a pearl-encrusted ivory satin gown with a low, square bodice that tapered to a deep V at the waist. A gold chain with clusters of diamonds and pearls in each link rode low on her hips, sawying with each step, and her hair tumbled in flaming waves and heavy curls over her shoulders and back.
Judith McNaught (Until You (Westmoreland, #3))
Bushidō is about experiencing life in every breath. Seeing life in the simplest of things. There is beauty and honor in that.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
You owe no man anything, Mariko." "Especially not a man such as he." Mariko scowled. "Regardless, I will never be one of those ladies at court who worships a man." "No matter the man?" Ōkami joked. "Even if he worshipped you?" "No," Mariko said. "Not even for you.
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
Our greatest enemy can often be found within.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
If that was to be my last meal," Mariko murmured, "how fitting is it that it fell from my lips before I could eat it?
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
The day had begun sombrely in grey cloud and mist, but had ended in a pomp of scarlet and gold. Over the western hills beyond the harbour were amber deeps and crystalline shadows, with the fire of sunset below. The north was a mackerel sky of little, fiery golden clouds. The red light flamed on the white sails of a vessel gliding down the channel, bound to a Southern port in a land of palms. Beyond her, it smote upon and incarnadined the shining, white, grassless faces of the sand-dunes.
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
I don’t want you risking yourself for me,” he continued, his voice unhurried. “Not anymore.” “I’m not risking myself for you,” Mariko retorted. “I’m here for me. Because I still have things I wish to accomplish with my life.” She refocused her attention on the misshapen mass. Slowly began chiseling away twisted fragments of wax, using a lacquered chopstick she’d pilfered from her evening meal. “It turns out my wishes have something to do with you.
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
I watched the water swirl away entirely before I twisted my head to look at him. His fingers were gentle, but firm where he’d fisted them in my hair. “You never failed them,” I rasped. “I did … horrible things to ensure that.” Those violet eyes near-glowed in the dim light. “So did I.” My sweat clung like blood—the blood of those two faeries— I pivoted, barely turning in time. His other hand stroked long, soothing lines down the curve of my back, as over and over I yielded my dinner. When the latest wave had ebbed, I breathed, “The flames?” “Autumn Court.” I couldn’t muster a response. At some point, I leaned against the coolness of the nearby bathtub and closed my eyes. When I awoke, sun streamed through the windows, and I was in my bed—tucked in tightly to the fresh, clean sheets.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
I had a dream that I saw God walking across Harrison on the far side of the lake, a God so gigantic that above the waist He was lost in a clear blue sky. In the dream I could hear the rending crack and splinter of breaking trees as God stamped the woods into the shape of His footsteps. He was circling the lake, coming toward the Bridgton side, toward us, and all the houses and cottages and summer places were bursting into purple-white flame like lightning, and soon the smoke covered everything. The smoke covered everything like a mist.
Stephen King (The Mist)
I've never been angry to have been born a woman. There have been times I've been angry at how the world treats us, but I see being a woman as a challenge I must fight. Like being born under a stormy sky. Some people are lucky enough to be born on a bright summer's day. Maybe we were born under clouds. No wind. No rain. Just a mountain of clouds we must climb each morning so that we may see the sun.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
The dawn came - not the flaming sky that promises storm, but a golden dawn of infinite promise. The birds came flying up out of the east in wedge-shaped formation, and the mist lifted in soft wreaths of sun-shot silver. Colour came back to the world. The grass glowed with a green so vivid that it seemed pulsing, like flame, from some hidden fire in the earth, the distant woods took on all the amazing deep crimsons and purples of their winter colouring, the banks were studded with their jewels of lichens and bright moss, and above the wet hedges shone with sun-shot orbs of light.
Elizabeth Goudge (Pilgrim's Inn (Eliots of Damerosehay, #2))
Real love was more than a moment. It was everything that happened after. Chaos in one instant, simplicity in the next. Everything and nothing in the space of a simple breath.
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
Are you also going to inform me I need to be as swift as a fire so I may move mountains in the wind?” Yoshi
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
I am not calm," she said. "It's a constant effort to quell my fear." "Then why bother?
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Never forget, Sanada Takeo: in this forest, there is no place to hide.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
Perhaps the forest simply knew this was where someone like Mariko - a lost girl in search of a place to call home - could plant roots and flourish.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
I believe the stars align so that souls can find one another. Whether they are meant to be souls in love or souls in life remains to be seen.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
falling into the mist through colorful trees on wings of love becoming a part of colors ablaze in autumn's leaves holding each color with floating kisses on sighs of feathers
Bodhi Smith (Bodhi Smith Impressionist Photography (#6))
You do not know what it means to be happy. Happiness is not a thing to be found here in the imperial court. We take moments of pleasure. Collect them and keep them tight in our chests. And we hope they are enough to fill whatever holes our truths leave behind.
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
Mariko realized that every person she’d ever met, from the smallest of children to the most notorious of thieves, had a life as intricate and significant as that of an emperor or a samurai or an elegant lady of the court.
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
Your passivity gives him leave to act like a monster. If you allow a monster to destroy everything in its path, then you are no better than the monster
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
As swift as the wind As silent as the forest As fierce as the fire As unshakable as the mountain
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
Some curses fade and leave nothing but the faintest mark, a tea stain on watered silk. There are those that are so malevolent that, upon defeat, explode in a fiery burst of sulfurous flames, burning everything they touch as they die. Others dissolve like morning mist in the brightness of the midday sun. Some cannot be defeated at all, but feed upon the energy spent trying to vanquish it, growing more and more potent with each failed attempt. And then there are those ancient curses with deceptively simple antidotes that shatter like jagged shards of a vast mirror. These curses may be broken, but never completely destroyed, sharp slivers of light distorted.
Ava Zavora (Belle Noir: Tales of Love and Magic)
But those men who know anything at all about the Light also know that there is a fierceness to its power, like the bare sword of the law, or the white burning of the sun." Suddenly his voice sounded to Will very strong, and very Welsh. "At the very heart, that is. Other things, like humanity, and mercy, and charity, that most good men hold more precious than all else, they do not come first for the Light. Oh, sometimes they are there; often, indeed. But in the very long run the concern of you people is with the absolute good, ahead of all else. You are like fanatics. Your masters, at any rate. Like the old Crusaders -- oh, like certain groups in every belief, though this is not a matter of religion, of course. At the centre of the Light there is a cold white flame, just as at the centre of the Dark there is a great black pit bottomless as the Universe." His warm, deep voice ended, and there was only the roar of the engine. Will looked out over the grey-misted fields, silent. "There was a great long speech, now," John Rowlands said awkwardly. "But I was only saying, be careful not to forget that there are people in this valley who can be hurt, even in the pursuit of good ends.
Susan Cooper
Lord Ranmaru, traitor and thief, will you marry a fallen woman with no chance of redemption in the eyes of our court?” Ōkami laughed before he swept Mariko into his arms. “Yes,” he whispered in her ear. The feeling of warmth as his breath passed over her skin sent a thrill up Mariko’s spine. “And will you swear never to interfere when I experiment with strange chemicals at all hours of the night?” “Of course.” Ōkami framed her face between his hands. “Upon who else would I rely for exploding gourds and crystals that burn brighter than flame?
Renée Ahdieh (Smoke in the Sun (Flame in the Mist, #2))
And despite being seventeen - Hattori Mariko knew her place in life. She would marry Minamoto Raiden. Her parents would have the prestige of a daughter in the Heian Castle. And Mariko would be the only one to know the stain on that honor.
Renée Ahdieh (Flame in the Mist (Flame in the Mist, #1))
In Muspell, at the edge of the flame, where the mist burns into light, where the land ends, stood Surtr, who existed before the gods. He stands there now...It is said that at Ragnarok, which is the end of the world, and only then, Surtr will leave his station. He will go forth from Muspell with his flaming sword and burn the world with fire, and one by one the gods will fall before him.
Neil Gaiman (Norse Mythology)
The assembly fell into a prolonged silence. Ahead of them stretched the leaden road of time, terminating somewhere in the mists of the future, where all they could see were flickering flames and luster of blood. The brevity of a human lifespan tormented them as never before, and their hearts soared above the vault of time to join with their descendants and plunge into blood and fire in the icy cold of space, the eventual meeting place for the souls of all soldiers.
Liu Cixin (The Dark Forest (The Three-Body Problem #2))
The trees were tinted exquisitely to an uncertain glory as the great red sinking sun flashed its rays on their crystal mantle. The vale of Aylesbury was drowsing beneath a slowly deepening shroud of mist. Above it the hills, their crests rounded and shaded by silver and rose coppices, seemed to have set in them great smoky eyes of flame where the last rays burned in them. 'It is like some dream world,' thought Mr. Cort. 'It is curious how, wherever the sun strikes, it seems to make an eye, and each one fixed on me; those hills, even those windows. But, judging from that mist, I shall have a slow journey home... ("Blind Man's Bluff")
H. Russell Wakefield
Thrice, to the mighty heave-ho of his invisible tossers, he would fly up in this fashion, and the second time he would go higher than the first and then there he would be, on his last and loftiest flight, reclining, as if for good, against the cobalt blue of the summer noon, like one of those paradisiac personages who comfortably soar, with such a wealth of folds in their garments, on the vaulted ceiling of a church while below, one by one, the wax tapers in mortal hands light up to make a swarm of minute flames in the mist of incense, and the priest chants of eternal repose, and funeral lilies conceal the face of whoever lies there, among the swimming lights, in the open coffin.
Vladimir Nabokov (Speak, Memory: An Autobiography Revisited)
They appeared to me like a thin veil of mist, translucent, almost- not quite there. But for all their misty peculiarity, they were as clear to me as the minnows in the shallows and the foxgloves on the riverbank and the butterflies fanning their wings. They flitted from flower to flower, as swift as dragonflies, sometimes glowing brightly like a candle flame suddenly catching, sometimes fading like a breath of warm air on glass, so that you would never know they had been there at all. Yet there they were. And there I was, watching them.
Hazel Gaynor (The Cottingley Secret)
I lingered a bit longer. The tug of kinship held me there, bound me to the place and to a man I had never known, but without whom I would never have been. I conjured up his image one more time, and then laid back to rest. The late summer darkness drifted down from the sky like a warm mist, enveloping me and the graves before me,uniting us in its soft embrace. The world spun eastward beneath me, and the darkness deepened and spread over Hinckley, over Minnesota, over the American countryside, covering all of us in the same black shroud, tenants in common, tenants of time.
Daniel James Brown (Under a Flaming Sky: The Great Hinckley Firestorm of 1894)
I could say the stranger was beautiful, but to describe him thus was to call Mozart “just a musician.” His beauty was that of an ice storm, lovely and deadly. He was not handsome, not the way Hans was handsome; the stranger’s features were too long, too pointed, too alien. There was a prettiness about him that was almost girly, and an ugliness about him that was just as compelling. I understood then what Constanze had meant when those doomed young ladies longed to hold on to him the way they yearned to grasp candle flame or mist. His beauty hurt, but it was the pain that made it beautiful.
S. Jae-Jones (Wintersong (Wintersong, #1))
High Pasture Come up--come up: in the dim vale below The autumn mist muffles the fading trees, But on this keen hill-pasture, though the breeze Has stretched the thwart boughs bare to meet the snow, Night is not, autumn is not--but the flow Of vast, ethereal and irradiate seas, Poured from the far world's flaming boundaries In waxing tides of unimagined glow. And to that height illumined of the mind he calls us still by the familiar way, Leaving the sodden tracks of life behind, Befogged in failure, chilled with love's decay-- Showing us, as the night-mists upward wind, How on the heights is day and still more day.
Edith Wharton
Quite simply, when she came near him, she knew that she had discovered some lost part of herself; with him she was whole. Whatever might happen between them as ordinary man and woman, something lay beyond it which would never die or lessen in its intensity. They shared a destiny, and somehow they must fulfill it together... and often when she had come so far in her thoughts she would stop and stare at herself in disbelief.
Marion Zimmer Bradley (The Mists of Avalon (Avalon, #1))
From a Berkeley Notebook' ~Denis Johnson One changes so much from moment to moment that when one hugs oneself against the chill air at the inception of spring, at night, knees drawn to chin, he finds himself in the arms of a total stranger, the arms of one he might move away from on the dark playground. Also, it breaks the heart that the sign revolving like a flame above the gas station remembers the price of gas, but forgets entirely this face it has been looking at all day. And so the heart is exhausted that even the face of the dismal facts we wait for the loves of the past to come walking from the fire, the tree, the stone, tangible and unchanged and repentant but what can you do. Half the time I think about my wife and child, the other half I think how to become a citizen with an apartment, and sex too is quite on my mind, though it seems the women have no time for you here, for which in my larger, more mature moments I can’t blame them. These are the absolute Pastures I am led to: I am in Berkeley, California, trapped inside my body, I am the secret my body is going to keep forever, as if its secret were merely silence. It lies between two mistakes of the earth, the San Andreas and Hayward faults, and at night from the hill above the stadium where I sleep, I can see the yellow aurora of Telegraph Avenue uplifted by the holocaust. My sleeping bag has little cowboys lassoing bulls embroidered all over its pastel inner lining, the pines are tall and straight, converging in a sort of roof above me, it’s nice, oh loves, oh loves, why aren’t you here? Morgan, my pyjamas are so lonesome without the orangutans—I write and write, and transcend nothing, escape nothing, nothing is truly born from me, yet magically it’s better than nothing—I know you must be quite changed by now, but you are just the same, too, like those stars that keep shining for a long time after they go out—but it’s just a light they touch us with this evening amid the fine rain like mist, among the pines.
Denis Johnson (The Incognito Lounge: And Other Poems)
There was once a town in the heart of America where all life seemed to live in harmony with its surroundings. The town lay in the midst of a checkerboard of prosperous farms, with fields of grain and hillsides of orchards where, in spring, white clouds of bloom drifted above the green fields. In autumn, oak and maple and birch set up a blaze of color that flamed and flickered across a backdrop of pines. Then foxes barked in the hills and deer silently crossed the fields, half hidden in the mists of the fall mornings. Along the roads, laurel, viburnum, and alder, great ferns and wildflowers delighted the traveler's eye through much of the year. Even in winter the roadsides were places of beauty, where countless birds came to feed on the berries and on the seed heads of the dried weeds rising above the snow. The countryside was, in fact, famous for the abundance and variety of its bird life, and when the flood of migrants was pouring through in spring and fall people traveled from great distances to observe them. Others came to fish the streams, which flowed clear and cold out of the hills and contained shady pools where trout lay. So it had been from the days many years ago when the first settlers raised their homes, sank their wells, and built their barns. Then a strange blight crept over the area and everything began to change. Some evil spell had settled on the community: mysterious maladies swept the flocks of chickens, the cattle, and sheep sickened and died. Everywhere was a shadow of death. The farmers spoke of much illness among their families. In the town the doctors had become more and more puzzled by new kinds of sickness appearing among their patients. There had been sudden and unexplained deaths, not only among adults but even among children whoe would be stricken suddently while at play and die within a few hours. There was a strange stillness. The birds, for example--where had they gone? Many people spoke of them, puzzled and disturbed. The feeding stations in the backyards were deserted. The few birds seen anywhere were moribund; they trembled violently and could not fly. It was a spring without voices. On the mornings that had once throbbed with the dawn chorus of robins, catbirds, doves, jays, wrens, and scores of other bird voices there was no sound; only silence lay over the fields and woods and marsh. On the farms the hens brooded, but no chicks hatched. The farmers complained that they were unable to raise any pigs--the litters were small and the young survived only a few days. The apple trees were coming into bloom but no bees droned among the blossoms, so there was no pollination and there would be no fruit. The roadsides, once so attractive, were now lined with browned and withered vegetation as though swept by fire. These, too, were silent, deserted by all living things. Even the streams were not lifeless. Anglers no longer visited them, for all the fish had died. In the gutters under the eaves and between the shingles of the roofs, a white granular powder still showed a few patches; some weeks before it had fallen like snow upon the roofs and the lawns, the fields and streams. No witchcraft, no enemy action had silenced the rebirth of life in this stricken world. The people had done it to themselves.
Rachel Carson
Harry had to crane his neck to look up into the giant face above: It was ancient and monkeyish, with a long, thin beard that fell almost to the bottom of the wizard's sweeping stone robes, where two enormous gray feet stood on the smooth Chamber floor. And between the feet, facedown, lay a small, black-robed figure with flaming-red hair. "Ginny!" Harry muttered, sprinting to her and dropping to his knees. "Ginny- don't be dead- please don't be dead-" He flung his wand aside, grabbed Ginny's shoulders, and turned her over. Her face was white as marble, and as cold, yet her eyes were closed, so she wasn't Petrified. But then she must be- "Ginny, please wake up," Harry muttered desperately, shaking her. Ginny's head lolled hopelessly from side to side. "She won't wake," said a soft voice. Harry jumped and spun around on his knees. A tall, black-haired boy was leaning against the nearest pillar, watching. He was strangely blurred around the edges, as though Harry were looking at him through a misted window. But there was no mistaking him- "Tom- Tom Riddle?" Riddle nodded, not taking his eyes off Harry's face. "What d'you mean, she won't wake?" Harry said desperately. "She's not- she's not-?" "She's still alive," said Riddle. "But only just.
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
You went from my life right into my dreams, i can hardly tell,If i'm cursed or blessed ; I am sure things aren't always as they seem, but i drift away,mesmerized, possessed. Memories i have uncertain and fragile, Is what i have left and i have no peace, At dawn fades away,all that i imagine, i crave for your closeness,i need more then this. Perhaps you are meant to guide and inspire, to be ever timeless in the veil of mist, flowing through my being in flaming desire, the one i can't reach and cannot resist. My darling,unique,outstanding perfection, so utterly complex you can't be recreated, I may be unworthy of your smallest fraction, But you've never loved,nor anticipated. Every great passion is a work of fiction, when we long for something that we cannot find, Single thought of you is like an addiction, yet,you're not exalted,except in my mind.
Aleksandra Ninković
Admit it —  you wanted the end with a serpentine greed. How to negotiate that strangling mist, the fibrous whisper? To cease to exist and to die are two different things entirely. But you knew this, didn’t you? Some days you knelt on coins in those yellow hours. You lit a flame to your shadow and ate scorpions with your naked fingers. So touched by the sadness of hair in a dirty sink. The malevolent smell of soap. When instead of swallowing a fistful of white pills, you decided to shower, the palm trees nodded in agreement, a choir of crickets singing behind your swollen eyes. The masked bird turned to you with a shred of paper hanging from its beak. At dusk, hair wet and fragrant, you cupped a goat’s face and kissed his trembling horns. The ghost? It fell prostrate, passed through you like a swift and generous storm.
Erika L. Sánchez
Do not make passion an argument for truth! - O you good-natured and even noble enthusiasts, I know you! You want to win your argument against us, but also against yourself, and above all against yourself!and a subtle and tender bad conscience so often incites you against your enthusiasm! How ingenious you then become in the outwitting and deadening of this conscience! How you hate the honest, the simple, the pure, how you avoid their innocent eyes! That knowing better whose representatives they are and whose voice you hear all too loudly within you, how it casts doubt on your belief- how you seek to make it suspect as a bad habit, as a sickness of the age, as neglect and infection of your own spiritual health! You drive yourself to the point of hating criticism, science, reason! You have to falsify history so that it may bear witness for you, you have to deny virtues so that they shall not cast into the shade those of your idols and ideals! Coloured pictures where what is needed is rational grounds! Ardour and power of expression! Silvery mists! Ambrosial nights! You understand how to illuminate and how to obscure, and how to obscure with light! And truly, when your passion rises to the point of frenzy, there comes a moment when you say to yourself: now I have conquered the good conscience, now I am light of heart, courageous, self-denying, magnificent, now I am honest! How you thirst for those moments when your passion bestows on you perfect self-justification and as it were innocence; when in struggle, intoxication, courage, hope, you are beside yourself and beyond all doubting; when you decree: 'he who is not beside himself as we are can in no way know what and where truth is!' How you thirst to discover people of your belief in this condition - it is that of intellectual vice - and ignite your flame at their torch! Oh your deplorable martyrdom! Oh your deplorable victory of the sanctified lie! Must you inflict so much suffering upon yourself? - Must you?
Friedrich Nietzsche (Daybreak: Thoughts on the Prejudices of Morality)
NAMING THE EARTH (a poem of light for national poetry day) And the world will be born again in circles of steaming breath and beams of light as each one of us directs our inner eye upon its name. Hear the cry of wings, the sigh of leaves and grass, smell the new sweet mist rising as the pathway is cleared at last. Stones stand ready - they have known since ages and ages ago that they were not alone. Water carries the planet's energy into skies and down to earth and bones. The cold parts steadily as we come together, bodies and hearts warm, hands tingling. We are silent but our eyes are singing. We look, we feel, we know, we trust each other's souls, we have no need to speak. Not now, but later, when the time is right, the name will ring within the iron core of each other's listening - and the very earth's being. Every creature, every plant, will hear it calling, tolling like a bell - a sound we've always felt but never dared to hope to hear reverberating - true at last, at every level of existence. The poets come together to open the intimate centre. Believe in life and air - breathe the light itself, for these are the energies and rhythms that we need to see, to touch, to reach, to identify, to say, the NAME. Colours on your skin fuse and dissolve - leave the river clean for pure space and time to enter and flow in. We all become one fluid stream of stillness and motion, of flaring thought pulses discovering weird pools and twists within where darkness hides from the flames in our eyes but will not snare us. We probe deeper still, journeying towards a unity which will be more raw and yet also more formed than anything written or spoken before. Our fragile bodies fall away - and the trees, and the roots of trees, guide us - lead us away from the faces we remember seeing each day in the mirror - into an ocean of dreams seething with warmth, love, where the beginning is real, ripe, evolving. And the world is born again in circles of steaming breath and beams of light. An ache - a signal - a trembling moment - and the time is right to say the name. We sing as one whole voice of the universal - all the words, the names of every tiny thirsting thing, and they ring out together as one sound, one energy, one sense, one vibration, one breath. And the world listens, beats, shines, glows - IS - Exists!
Jay Woodman
This will not be a normal winter. The winter will begin, and it will continue, winter following winter. There will be no spring, no warmth. People will be hungry and they will be cold and they will be angry. Great battles will take place, all across the world. Brothers will fight brothers, fathers will kill sons. Mothers and daughters will be set against each other. Sisters will fall in battle with sisters, and will watch their children murder each other in their turn. This will be the age of cruel winds, the age of people who become as wolves, who prey upon each other, who are no better than wild beasts. Twilight will come to the world, and the places where the humans live will fall into ruins, flaming briefly, then crashing down and crumbling into ash and devastation. Then, when the few remaining people are living like animals, the sun in the sky will vanish, as if eaten by a wolf, and the moon will be taken from us too, and no one will be able to see the stars any longer. Darkness will fill the air, like ashes, like mist. This will be the time of the terrible winter that will not end, the Fimbulwinter. There will be snow driving in from all directions, fierce winds, and cold colder than you have ever imagined cold could be, an icy cold so cold your lungs will ache when you breathe, so cold that the tears in your eyes will freeze. There will be no spring to relieve it, no summer, no autumn. Only winter, followed by winter, followed by winter. After that there will come the time of the great earthquakes. The mountains will shake and crumble. Trees will fall, and any remaining places where people live will be destroyed. The earthquakes will be so great that all bonds and shackles and fetters will be destroyed. All of them. Fenrir, the great wolf, will free himself from his shackles. His mouth will gape: his upper jaw will reach the heavens, the lower jaw will touch the earth. There is nothing he cannot eat, nothing he will not destroy. Flames come from his eyes and his nostrils. Where Fenris Wolf walks, flaming destruction follows. There will be flooding too, as the seas rise and surge onto the land. Jormungundr, the Midgard serpent, huge and dangerous, will writhe in its fury, closer and closer to the land. The venom from its fangs will spill into the water, poisoning all the sea life. It will spatter its black poison into the air in a fine spray, killing all the seabirds that breathe it. There will be no more life in the oceans, where the Midgard serpent writhes. The rotted corpses of fish and of whales, of seals and sea monsters, will wash in the waves. All who see the brothers Fenrir the wolf and the Midgard serpent, the children of Loki, will know death. That is the beginning of the end.
Neil Gaiman (Norse Mythology)
She kissed his lips and felt his smile form. Alone in this beautiful space, Blake and Livia made things right. Blake kissed her slowly and patiently, like he had all the time in the world. Carefully, they eased back to lie down, and Blake braced himself above her. He smelled of mint and fresh soap. Livia put her hands on his chest and felt the densely packed muscles there. Empowered by his adoration, she shrugged off her fleece shirt, enjoying the feeling of being trapped between his arms. Blake’s eyes became stormy seas. “Damn it all to hell,” he cursed. Despite his words, Livia believed she was winning this battle of seduction. Blake kissed her mouth and sucked on her bottom lip. He moved to her earlobe and breathed, “First, I will blow, then I will lick, last I will bite.” Holy crap. Blake blew a gentle stream of minty breath along the outside of Livia’s ear, down to her neck, and along the edge of her breasts where they peeked out of her bright blue bra. Blake took his time creating an elaborate pattern on her stomach, and Livia was pretty sure he’d spelled the word torture. He increased the pressure of his breath as he grazed below her belly button to the top of her jeans. He skipped back to her mouth and gave her another long, slow kiss. “And now I lick,” he murmured. Livia bit back the embarrassingly loud moan she felt building. He gently traced the same trail his breath had left, this time with his tongue. When he reached her breast, she lost control and grabbed his hair, intent on kissing him. “No. No.” Blake held her wrists above her head. “I’ve done this to you so many times in my mind. I won’t have you rush me.” Livia groaned and arched her back in an effort to change his mind. But his slow, sexy smile told her he was doing it his way. “Fine.” Livia dutifully kept her hands above her head as he picked up where he’d left off. His tongue had her making noises that surely scared the wildlife. He spent an inordinate amount of time licking just above her belt buckle. Then again he was back to her mouth. He spoke through his kiss. “I’m going to bite you now.” Blake began down the same flaming path on Livia’s body with his teeth, nibbling in time with her heartbeat. When it speeded up, he bit slightly harder. After what seemed to be sixteen million glorious years, Blake was at the top of her jeans again. A light, almost invisible, mist from the gray clouds now gave the clearing a slick sheen. The cool rain and his hot mouth were ecstasy. Blake unbuckled her belt and used his tongue and teeth to unbutton her jeans. He chuckled as he flipped her zipper with his teeth. Each pop of the releasing zipper filled the woods as he blew again on the newly revealed skin. Livia knew what to expect this time: blow, lick, bite. Oh, sweet God! This is heaven. At last, Livia could no longer obey and reached her hands down to his angelic face. Blake glanced up as if to rebuke her, but quickly smiled and let her sit up to meet his lips. Love. Crazy, soon, ever. Love, Livia’s mind raged. She tried to tell him with kisses, but it wasn’t enough. Blake knelt before her, and Livia straddled his thighs. She pulled back to try putting it into words and noticed how Blake glistened, covered in tiny raindrops. The clear, cool pond she’d described to Cole had just exploded over them. But instead of drowning, they wore it like a cloak.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))