“
Denna is a wild thing," I explained. "Like a hind or a summer storm. If a storm blows down your house, or breaks a tree, you don't say the storm was mean. It was cruel. It acted according to its nature and something unfortunately was hurt. The same is true of Denna.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
I've lived to bury my desires
and see my dreams corrode with rust
now all that's left are fruitless fires
that burn my empty heart to dust.
Struck by the clouds of cruel fate
My crown of Summer bloom is sere
Alone and sad, I watch and wait
And wonder if the end is near.
As conquered by the last cold air
When Winter whistles in the wind
Alone upon a branch that's bare
A trembling leaf is left behind.
”
”
Alexander Pushkin
“
And life goes on, which seems kind of strange and cruel when you're watching someone die. But there's a joy and an abundance of everything, like information and laughter and summer weather and so many stories.
”
”
Melina Marchetta (On the Jellicoe Road)
“
Cardan’s gaze catches mine, and I can’t help the evil smile that pulls up the corners of my mouth. His eyes are bright as coals, his hatred a living thing, shimmering in the air between us like the air above black rocks on a blazing summer day.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
Pleasure cannot be shared; like Pain, it can only be experienced or inflicted, and when we give Pleasure to our Lovers or bestow Charity upon the Needy, we do so, not to gratify the object of our Benevolence, but only ourselves. For the Truth is that we are kind for the same reason as we are cruel, in order that we may enhance the sense of our own Power....
”
”
Aldous Huxley (After Many a Summer Dies the Swan)
“
The trick is to learn to see with your heart, not with your eyes
”
”
Alyson Noel (Cruel Summer)
“
Why did you leave him?"
The sigh that was Nora’s first answer billowed out in front of her in a cloud of white.
"Winter," she finally said, "can be so beautiful and so cruel. Cruel and cold. And if you live in the presence of winter you never have summer." Nora stepped close to him and put her nose at his cheek. "You smell like summer.
”
”
Tiffany Reisz (The Angel (The Original Sinners, #2))
“
But to go to school in a summer morn,
O! It drives all joy away;
Under a cruel eye outworn,
The little ones spend the day
In sighing and dismay.
”
”
William Blake
“
Hope is a cruel bitch.
”
”
Ryan C. Thomas (The Summer I Died (The Roger Huntington Saga, #1))
“
If there's one thing I know for sure, it's that nothing is ever sure.
”
”
Alyson Noel (Cruel Summer)
“
How could a homeless kid have a dad who was the god of abundance and wealth? Talk about a cruel joke.
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
And life goes on, which seems kind of strange and cruel when you're watching someone die. But there's a joy and an abundance of everything, like information and laughter and summer weather and so many stories. My mother urges me to write them down because, "You're the last of the Markhams, my love." So I record dates and journeys and personalities and traits and heroes and losers and weaknesses and strengths and I try to capture every one of those people because one day I'll need what they had to offer.
”
”
Melina Marchetta (On the Jellicoe Road)
“
I am ashamed of the race of beings to which I belong. It is so cruel and bigoted, so hypocritical, so soulless and insane. I would rather be an insect ... a bee or a butterfly ... and float in dim dreams among the wild-flowers of summer than be a man and feel the horrible and ghastly wrongs and sufferings of this wretched world.
”
”
J. Howard Moore
“
How cruel is it that the only person I can muster the steadiness of my own voice for is the one who will be least reassured by it.
”
”
Courtney Summers (Sadie)
“
The summer is cruel to its leaves, the fall to its colors, the winter to us.
”
”
Herta Müller
“
She wasn't a cruel Bird. But her heart ached so badly for these sad, broken birds that, just as the Puppeteer had planned, she had begun to hate them. She hated them for making her feel so wretched, when she should be happiest. That happens sometimes.
”
”
Katherine Catmull (Summer and Bird)
“
I just don't understand what you see in her," Sim said carefully. "I know she's charming. Fascinating and all of that. But she seems rather," he hesitated, "cruel."
I nodded. "She is."
Simmon watched me expectantly, finally said. "What? No defense for her?"
"No. Cruel is a good word for her. But I think you are saying cruel and thinking of something else. Denna is not wicked, or mean, or spiteful. She is cruel."
Sim was quiet for a long while before responding. "I think she might be some of those things, and cruel as well."
Good, honest gentle Sim. He could never bring himself to say bad things about another person, just imply them. Even that was hard for him.
He looked up at me. "I talked with Savoy. He's still not over her. He really loved her, you know. Treated her like a princess. He would have done anything for her. But she left him anyway, no explanation."
"Denna is a wild thing," I explained. "Like a hind or a summer storm. If a storm blows down your house, or breaks a tree, you don't say the storm was mean. It was cruel. It acted according to its nature and something unfortunately was hurt. The same is true of Denna."
"What's a hind?"
"A deer."
"I thought that was a hart?"
"A hind is a female deer. A wild deer. Do you know how much good it does you to chase a wild thing? None. It works against you. It startles the hind away. All you can do is stay gently where you are, and hope in time that the hind will come to you.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Love In Autumn
I sought among the drifting leaves,
The golden leaves that once were green,
To see if Love were hiding there
And peeping out between.
For thro' the silver showers of May
And thro' the summer's heavy heat,
In vain I sought his golden head
And light, fast-flying feet.
Perhaps when all the world is bare
And cruel winter holds the land,
The Love that finds no place to hide
Will run and catch my hand.
I shall not care to have him then,
I shall be bitter and a-cold --
It grows too late for frolicking
When all the world is old.
Then little hiding Love, come forth,
Come forth before the autumn goes,
And let us seek thro' ruined paths
The garden's last red rose.
”
”
Sara Teasdale (Helen of Troy and Other Poems)
“
But hidden drawers, lockable diaries and cryptographic systems could not conceal from Briony the simple truth: she had no secrets. Her wish for a harmonious, organised world denied her the reckless possibilities of wrongdoing. Mayhem and destruction were too chaotic for her tastes, and she did not have it in her to be cruel. Her effective status as an only child, as well as the relative isolation of the Tallis house, kept her, at least during the long summer holidays, from girlish intrigues with friends. Nothing in her life was sufficiently interesting or shameful to merit hiding; no one knew about the squirrel's skull beneath her bed, but no one wanted to know.
”
”
Ian McEwan (Atonement)
“
Yes, contractions can be intense,' Noura continues. 'But your bodies are designed to handle it. And what you must remember is, it's a positive pain. I'm sure you'll both agree?' She looks over at Mum and Janice.
POSITIVE?' Janice looks up, horrified. 'Ooh, no, dear. Mine was agony. 24 hours in the cruel summer heat. I wouldn't wish it on any of you poor girls.'
But there are natural methods you can use,' Noura puts in quickly. 'I'm sure you found that rocking and changing position helped with the contractions.
I wouldn't have said so,' Mum says kindly.
Or a warm bath?' Noura suggets, smile tightening.
A bath? Dear, when you're gripped by agony and wanting to die, a bath doesn't really help!'
As I glance around the room I can see that all the girls' faces have frozen. Most of the mens' too.
”
”
Sophie Kinsella (Shopaholic & Baby (Shopaholic, #5))
“
Over the roar of our motor, we catch snippets of radio hits blasting off the boats we pass: Taylor Swift’s “Cruel Summer” and Sheryl Crow’s “Soak Up the Sun” and Otis Redding’s “(Sittin’ On) The Dock of the Bay.
”
”
Emily Henry (Funny Story)
“
Logic is a cruel tool to use for the mending of hearts.
”
”
Natsuhiko Kyogoku (The Summer of the Ubume)
“
If I had a star for every time I thought of you, I’d have a whole galaxy.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
The world is not everything Ruth. Nor is the want of men’s good opinion and esteem the highest need which man has. Teach Leonard this. You would not wish his life to be one summer’s day. You dared not make it so, if you had the power. Teach him to bid a noble, Christian welcome to the trials which God sends—and this is one of them. Teach him not to look on a life of struggle, and perhaps of disappointment and incompleteness, as a sad and mournful end, but as the means permitted to the heroes and warriors in the army of Christ, by which to show their faithful following. Tell him of the hard and thorny path which was trodden once by the bleeding feet of One. Think of the Saviour’s life and cruel death, and of His divine faithfulness… We have all been cowards hitherto. God help us to be so no longer!
”
”
Elizabeth Gaskell
“
Celia"
Celia, we know, is sixty-five,
Yet Celia's face is seventeen;
Thus winter in her breast must live,
While summer in her face is seen.
How cruel Celia's fate, who hence
Our heart's devotion cannot try;
Too pretty for our reverence,
Too ancient for our gallantry!
”
”
Alexander Pope
“
And now, these books. This. He touched PHYSIOGNOMONIE. The secrets of the individual's character as found on his face. Were Jim and Will, then, featured all angelic, pure, half-innocent, peering up through the sidewalk at marching terror? Did the boys represent the ideal for your Woman, Man, or Child of Excellent Bearing, Color, Balance, and Summer Disposition?
Converserly...Charles Halloway turned a page...did the scurrying freaks, the Illustrated Marvel, bear the foreheads of the Irascible, the Cruel, the Covetous, the mouths of the Lewd and Untruthful? the teeth of the Crafty, the Unstable, the Audacious, the Vainglorious, and your Marvelous Beast?
No. The book slipped shut. If faces were judged, the freaks were no worse than many he'd been slipping from the liberty late nights in his long career.
There was only one thing sure.
Two lines of Shakespeare said it. He should write them in the middle of the clock of books, to fix the heart of his apprehension:
By the pricking of my thumbs,
Something wicked this way comes.
So vague yet so immense.
He did not want to live with it.
Yet he knew that, during this night, unless he lived with it very well, he might have to live with it for all the rest of his life.
At the window he looked out and thought Jim, Will, are you coming? will you get here?
Waiting, his flesh took paleness from his bones.
”
”
Ray Bradbury (Something Wicked This Way Comes)
“
This day fifty years ago I was born. From solitude in the Womb, we emerge into solitude among our Fellows, and return again to solitude within the Grave. We pass our lives in the attempt to mitigate that solitude. But propinquity is never fusion. We exchange Words, but exchange them from prison to prison, and without hope that they will signify to others what they mean to ourselves. We marry and there are two solitudes in the house instead of one; we beget children, and there are many solitudes. We reiterate the act of love; but again propinquity is never fusion. The most intimate contact is only of Surfaces, and we couple, as I have seen the condemned Prisoners at Newgate coupling with their Trulls, between the bars of our cages. Pleasure cannot be shared; like Pain, it can only be experienced or inflicted, and when we give pleasure to our lover or bestow Charity upon the Needy, we do so, not to gratify the object of our Benevolence, but only ourselves. For the Truth is that we are kind for the same reason as we are cruel, in order that we may enhance the sense of our own Power; and this we are for ever trying to do, despite the fact that by doing it we cause ourselves to feel more solitary than ever. The reality of Solitude is the same in all men, there being no mitigation of it, except in Forgetfulness, Stupidity or Illusion; but a man's sense of Solitude is proportionate to the sense and fact of his Power. In anz set of circumstances, the more Power we have, the more intensely do we feel our solitude. I have enjoyed much Power in my life.
”
”
Aldous Huxley (After Many a Summer Dies the Swan)
“
Offhand, I can think of no other sport in which the world's champions, one of the great teams of its era, would not instantly demolish inferior opposition and reduce a game such as the one we had just seen to cruel ludicrousness. Baseball is harder than that; it requires a full season, hundreds and hundreds of separate games, before quality can emerge, and in that summer span every hometown fan, every doomed admirer of underdogs will have his afternoons of revenge and joy.
”
”
Roger Angell (The Summer Game (Bison Book))
“
Why did Thor send you back to middle school?” I asked. “That seems especially cruel.
”
”
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
“
To everyone who has ever been called ‘unlikable.’ Fuck them. Every single one of them.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
If you were too young for me, I wouldn’t be making sure I was the one serving you every time you walked in here, angel.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
Babe, you can come in here every single night, drop your troubles on me for as long as you’d like so long as it means you come in and keep me company.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
It’s a good thing I have a library card. Are libraries open on Saturdays? Because I’m totally checking you out. You’re a mess.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
Are you a banana? Good morning, Zach. Because I find you a-PEEL-ing. Back at you, handsome.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
You never grow if you never get uncomfortable.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
From solitude in the womb, we emerge into solitude among our Fellows, and return again to solitude within the Grave. We pass our lives in the attempt to mitigate that solitude. But Propinquity is never fusion. The most populous City is but an agglomeration of wildernesses. We exchange Words, but exchange them from prison to prison, and without hope that they will signify to others what they mean to ourselves. We marry, and there are two solitudes in the house instead of one, We beget children, and there are many solitudes. We reiterate the act of love; but again propinquity is never fusion. The most intimate contact is inly of Surfaces and we couple, as I have seen the condemned Prisoners at Newgate coupling with their trulls, between the bars of our cages. Pleasure cannot be shared; like pain, it can only be experienced or inflicted, and when we give pleasures to our lovers or Bestow charity upon the Needy, we do so, not to gratify the object of our Benevolence, but only ourselves. For the truth is that we are kind for the same reason the reason as we are cruel, in order that we may enhance the sense of our own power; and this we are for ever trying to do, despite the fact that by doing it we cause ourselves to feel more solitary then ever. The reality of solitude is the same in all men, there being no mitigation of it, except in Forgetfulness, Stupidity, or Illusion; but a mans sense of Solitude is proportionate to the sense and fact of his power. In any set of circumstances, the more Power we have, the more intensely do we feel our solitude. I have enjoyed much power in my life.- The Fifth Earl, in Aldous Huxley’s After Many A Summer Dies The Swan
”
”
Aldous Huxley
“
Life is about getting your heart broken. When you die, do you want to remember all the times you avoided getting hurt, or the experiences and the people you met despite the pain the world can dish out?
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
I’m not going to Lanai this summer, am I?” Would never show Galantia where I’d grown up. Would never touch her growing belly. Would never watch her hair turn gray. “Neither am I going to hold their child. Ever.
”
”
Liv Zander (Shadows So Cruel (Court of Ravens, #2))
“
It’s companionship. It’s finding someone who wants you to be your happiest and doing whatever it takes to get you that not because it benefits them, but because they like you and care for you enough to want you to have it.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
We hear every day of murders committed in the country. Brutal and treacherous murders; slow, protracted agonies from poisons administered by some kindred hand; sudden and violent deaths by cruel blows, inflicted with a stake cut from some spreading oak, whose every shadow promised—peace. In the county of which I write, I have been shown a meadow in which, on a quiet summer Sunday evening, a young farmer murdered the girl who had loved and trusted him; and yet, even now, with the stain of that foul deed upon it, the aspect of the spot is—peace. No species of crime has ever been committed in the worst rookeries about Seven Dials that has not been also done in the face of that rustic calm which still, in spite of all, we look on with a tender, half-mournful yearning, and associate with—peace.
”
”
Mary Elizabeth Braddon (Lady Audley's Secret)
“
There were, in Feo's experience, five kinds of cold. There was wind cold, which Feo barely felt. It was fussy and loud and turned your cheeks as red as if you'd been slapped, but couldn't kill you even if it tried. There was snow cold, which plucked at your arms and chapped your lips, but brought real rewards. It was Feo's favorite weather: The snow was soft and good for making snow wolves. There was ice cold, which might take the skin off your palm if you let it, but probably wouldn't if you were careful. Ice cold smelled sharp and knowing. It often came with blue skies and was good for skating. Feo had respect for ice cold. Then there was hard cold, which was when the ice cold got deeper and deeper until at the end of a month you couldn't remember if the summer had ever really existed. Hard cold could be cruel. Birds died in midflight. It was the kind of cold that you booted and kicked your way through.
And then there was blind cold. Blind cold smelled of metal and granite. It took all the sense out of your brain and blew the snow into your eyes until they were glued shut and you had to rub spit into them before they would blink. Blind cold was forty degrees below zero. This was the kind of cold that you didn't sit down to think in, unless you wanted to be found dead in the same place in May or June.
Feo had felt blind cold only once.
”
”
Katherine Rundell (The Wolf Wilder)
“
The goddess of femininity is cruel to mature women, crushing our brittle bones in her silken, youthful grip. As a girl, when you grow up, you become delectable. As a woman, when you grow old, you turn immaterial--unless you bear children, unless you make art, unless you leave a legacy.
”
”
Chelsea G. Summers (A Certain Hunger)
“
Sometimes, in prison, when he’d been lying awake at night staring at the bunk over his head, Johnny had thought that he missed Wolf most of all.
Wasn’t that a damned sad commentary on his life?
The dog whined again. Knowing he was being ridiculous, that he was liable to lose the hand at the wrist when the animal charged, Johnny nonetheless took a step forward,holding out his fingers for sniffing.
“Wolf? Come here, boy.”
Incredibly, the huge animal sank to its belly and slunk forward, behaving as if it wanted to believe but feared a cruel trick. Johnny dropped to his knees to greet it, his hands reaching out, burrowing in the coarse hide, stroking and scratching as the dog whined and licked and pawed him and butted him with its head.
“Ah, Wolf,” he said as he accepted the truth at last, that this one thing that he had loved had been spared in order to greet him. Then, as the big head snuggled into his lap, he wrapped his arms around the dog’s thick neck and buried his face against the animal’s side.
For the first time in eleven years, he wept.
”
”
Karen Robards (One Summer)
“
I don’t flirt with the women who come into the bar. I don’t spend all day staring at my door, waiting to see if she’ll come in. I don’t get fancy fuckin’ wine just so I can see the smile on her face when I tell her I stocked it. I sure as fuck don’t give out my number in case she needs emotional support, and I definitely don’t stare at my phone for a week waiting for someone to text me.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
The history of New England, and especially of Massachusetts, is full of the horrors that have turned life into gloom, joy into despair, naturalness into disease, honesty and truth into hideous lies and hypocrisies. The ducking-stool and whipping post, as well as numerous other devices of torture, were the favorite English methods for American purification. Boston, the city of culture, has gone down in the annals of Puritanism as the “Bloody Town.” It rivaled Salem, even, in her cruel persecution of unauthorized religious opinions. On the now famous Common a half-naked woman, with a baby in her arms, was publicly whipped for the crime of free speech; and on the same spot Mary Dyer, another Quaker woman, was hanged in 1659. In fact, Boston has been the scene of more than one wanton crime committed by Puritanism. Salem, in the summer of 1692, killed eighteen people for witchcraft. Nor was Massachusetts alone in driving out the devil by fire and brimstone. As Canning justly said: “The Pilgrim fathers infested the New World to redress the balance of the Old.” The horrors of that period have found their most supreme expression in the American classic, THE SCARLET LETTER.
”
”
Emma Goldman (Anarchism and Other Essays)
“
Light many lamps and gather round his bed.
Lend him your eyes, warm blood, and will to live.
Speak to him; rouse him; you may save him yet.
He's young; he hated war; how should he die
When cruel old campaigners win safe through?
But death replied: “I choose him.” So he went,
And there was silence in the summer night;
Silence and safety; and the veils of sleep.
Then, far away, the thudding of the guns.
”
”
Siegfried Sassoon
“
The adults looked transfixed by Andee. When Andee finally swam a little closer, Siobhan could see why: the determined set of her mouth, the ferocity in her eyes. How much she wanted to finish. She would finish, no matter what. It would be cruel to stop her. And more to the point, if they ever were stranded in the ocean, Andee—who had been in the water for what felt like an eternity—would be the last to go down.
”
”
Kim Fu (The Lost Girls of Camp Forevermore)
“
Which is the true? a loving, caring father, or the grinding of cruel poverty and the naked exposure to heedless chance? How is it that, while the former seems the only right, reasonable, and all-sufficing thing, it should yet come more naturally to believe in the latter? And yet, when I think of it, I never did come closer to believing in the latter than is indicated by terror of its possible truth—so many things looked like it.—Then, what has nature in common with the Bible and its metaphysics?—There I am wrong—she has a thousand things. The very wind on my face seems to rouse me to fresh effort after a pure healthy life! Then there is the sunrise! There is the snowdrop in the snow! There is the butterfly! There is the rain of summer, and the clearing of the sky after a storm! There is the hen gathering her chickens under her wing!—I begin to doubt whether there be the common-place anywhere except in our own mistrusting nature, that will cast no care upon the Unseen.
”
”
George MacDonald (Thomas Wingfold, Curate)
“
The work lifts his spirits, when spirits can be lifted, but darkness still catches him now and then. That’s the nature of darkness. It comes at the end of every day, predictable as the striking of a clock’s chime, even in the heart of summer, when the light is full and lingering. You can never quite escape the night. Perhaps that’s as God wills; this must be His design. How are we to know when our lives are good and when we are blessed, if we have no sorrow, no deprivation for comparison’s sake? There is, he believes, a purpose to all the Creator’s ways. But the mind and heart of God are beyond the understanding of Man. You can know your suffering serves a purpose—that the suffering of others plays some inscrutable part in the grand drama of Creation. But knowing brings you little comfort. When night drops its heavy curtain across the world, darkness is cruel and unforgiving. The way all your happiness can snuff itself in an instant, like the flame of a candle pinched between a licked finger and thumb—it can shake your faith, or strip faith away entirely, if you let it.
”
”
Olivia Hawker (The Ragged Edge of Night)
“
You come in the day of destiny,
Barbara, born to the air of Mars:
The greater glory you shall see
And the greater peace, beyond these wars.
In other days within this isle,
As in a temple, men knew peace;
And won the world to peace a while
Till rose the pride of Rome and Greece,--
The pride of art, the pride of power,
The cruel empire of the mind:
Withered the light like a summer flower,
And hearts went cold and souls went blind;
And, groping, men took other gifts,
And thought them the best:
But the light lives in the soul that lifts
The quiet love above the rest.
”
”
Thomas MacDonagh
“
It wasn't that Elain was cruel. She wasn't like Nesta, who had been born with a sneer on her face. Elain sometimes just... didn't grasp things. It wasn't meanness that kept her from offering to help; it simply never occurred to her that she might be capable of getting her hands dirty. I'd never been able to decide whether she actually didn't understand that we were truly poor or if she just refused to accept it. It still hadn't stopped me buying her seeds for the flower garden she tended in the milder months, whenever I could afford it.
And it hadn't stopped her from buying me three small tins of paint- red, yellow, and blue- during that same summer I'd had enough to buy the ash arrow. It was the only gift she'd ever given me, and out house still bore the marks of it, even if the paint was now fading and chipped: little vines and flowers along the windows and thresholds and edges of things, tiny curls of flame on the stones bordering the hearth. And spare minute I'd had that bountiful summer, I used to bedeck out house in colour, sometimes hiding clever decorations inside drawers, behind the threadbare curtains, underneath the chairs and table.
We hadn't had a summer that easy since.
”
”
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
“
Then it all came together—every particle of discontent, nostalgia, and resistance in England—fusing in the North. The North: two words to describe a territory and a state of mind. England was conquered and civilized from the South upwards, and as one approached the borders of Scotland—first through Yorkshire and then Durham and finally Northumberland—everything dwindled. The great forests gave way first to stunted trees and then to open, windswept moors; the towns shrank to villages and then to hamlets; cultivated fields were replaced by empty, wild spaces. Here the Cistercian monasteries flourished, they who removed themselves from the centers of civilization and relied on manual labour as a route to holiness. The sheep became scrawnier and their wool thicker, and the men became lawless and more secretive, clannish. Winter lasted eight months and even the summers were grey and raw, leading Northumberland men to claim they had “two winters—a white one and a green one.” Since ancient times these peripheral lands had gone their own way, little connected to anything further south. A few great warrior families—the Percys, the Nevilles, the Stanleys—had claimed overlordship of these dreary, cruel wastes, and through them, the Crown had demanded obeisance. But
”
”
Margaret George (The Autobiography of Henry VIII: With Notes by His Fool, Will Somers)
“
Later when Cardan, Locke, Nicasia, and Valerian sit down to their lunch, they have to spit out their food in choking horror. All around them are the less awful children of faerie nobles, eating their bread and honey, their cakes and roasted pigeons, their elderflower jam with biscuits and cheese and the fat globes of grapes. But every single morsel in each of my enemies' baskets has been well and thoroughly salted.
Cadan's gaze catches mine, and I can't help the evil smile that pulls up the corners of my mouth. His eyes are bright as coals, his hatred a living thing, shimmering in the air between us like the air above black rocks on a blazing summer day.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
Arthur Less's life with Robert ended around the time he finished reading Proust. It was one of the grandest and most dismaying experiences in Less's life - Marcel Proust, that is - and the three thousand pages of In Search of Lost Time took him five committed summers to finish. And on that fifth summer, when he was lying abed in a friend's Cape Cod house one afternoon, about two-thirds of the way through the last volume, suddenly, without any warning at all, he read the words The End. In his right hand he held perhaps two hundred pages more - but they were not Proust; they were the cruel trick of some editor's notes and afterword. He felt cheated, swindled, denied a pleasure for which he had spent five years preparing. He went back twenty pages; he tried to build up the feeling again. But it was too late; that possible joy had departed forever.
This was how he felt when Robert left him.
”
”
Andrew Sean Greer
“
This will not be a normal winter. The winter will begin, and it will continue, winter following winter. There will be no spring, no warmth. People will be hungry and they will be cold and they will be angry. Great battles will take place, all across the world. Brothers will fight brothers, fathers will kill sons. Mothers and daughters will be set against each other. Sisters will fall in battle with sisters, and will watch their children murder each other in their turn. This will be the age of cruel winds, the age of people who become as wolves, who prey upon each other, who are no better than wild beasts. Twilight will come to the world, and the places where the humans live will fall into ruins, flaming briefly, then crashing down and crumbling into ash and devastation. Then, when the few remaining people are living like animals, the sun in the sky will vanish, as if eaten by a wolf, and the moon will be taken from us too, and no one will be able to see the stars any longer. Darkness will fill the air, like ashes, like mist. This will be the time of the terrible winter that will not end, the Fimbulwinter. There will be snow driving in from all directions, fierce winds, and cold colder than you have ever imagined cold could be, an icy cold so cold your lungs will ache when you breathe, so cold that the tears in your eyes will freeze. There will be no spring to relieve it, no summer, no autumn. Only winter, followed by winter, followed by winter. After that there will come the time of the great earthquakes. The mountains will shake and crumble. Trees will fall, and any remaining places where people live will be destroyed. The earthquakes will be so great that all bonds and shackles and fetters will be destroyed. All of them. Fenrir, the great wolf, will free himself from his shackles. His mouth will gape: his upper jaw will reach the heavens, the lower jaw will touch the earth. There is nothing he cannot eat, nothing he will not destroy. Flames come from his eyes and his nostrils. Where Fenris Wolf walks, flaming destruction follows. There will be flooding too, as the seas rise and surge onto the land. Jormungundr, the Midgard serpent, huge and dangerous, will writhe in its fury, closer and closer to the land. The venom from its fangs will spill into the water, poisoning all the sea life. It will spatter its black poison into the air in a fine spray, killing all the seabirds that breathe it. There will be no more life in the oceans, where the Midgard serpent writhes. The rotted corpses of fish and of whales, of seals and sea monsters, will wash in the waves. All who see the brothers Fenrir the wolf and the Midgard serpent, the children of Loki, will know death. That is the beginning of the end.
”
”
Neil Gaiman (Norse Mythology)
“
And for the four remaining days - the ninety-six remaining hours - we mapped out a future away from everything we knew. When the walls of the map were breached, we gave one another courage to build them again. And we imagined our home an old stone barn filled with junk and wine and paintings, surrounded by fields of wildflowers and bees.
I remember our final day in the villa. We were supposed to be going that evening, taking the sleeper back to England. I was on edge, a mix of nerves and excitement, looking out to see if he made the slightest move toward leaving, but he didn’t. Toiletries remained on the bathroom shelves, clothes stayed scattered across the floor. We went to the beach as usual, lay side by side in our usual spot. The heat was intense and we said little, certainly nothing of our plans to move up to Provence, to the lavender and light. To the fields of sunflowers.
I looked at my watch. We were almost there. It was happening. I kept saying to myself, he’s going to do it. I left him on the bed dozing, and went out to the shop to get water and peaches. I walked the streets as if they were my new home. Bonjour to everyone, me walking barefoot, oh so confident, free. And I imagined how we’d go out later to eat, and we’d celebrate at our bar. And I’d phone Mabel and Mabel would say, I understand.
I raced back to the villa, ran up the stairs and died.
Our rucksacks were open on the bed, our shoes already packed away inside. I watched him from the door. He was silent, his eyes red. He folded his clothes meticulously, dirty washing in separate bags. I wanted to howl. I wanted to put my arms around him, hold him there until the train had left the station.
I’ve got peaches and water for the journey, I said.
Thank you, he said. You think of everything.
Because I love you, I said.
He didn’t look at me. The change was happening too quickly.
Is there a taxi coming? My voice was weak, breaking.
Madame Cournier’s taking us.
I went to open the window, the scent of tuberose strong. I lit a cigarette and looked at the sky. An airplane cast out a vivid orange wake that ripped across the violet wash. And I remember thinking, how cruel it was that our plans were out there somewhere. Another version of our future, out there somewhere, in perpetual orbit.
The bottle of pastis? he said.
I smiled at him. You take it, I said.
We lay in our bunks as the sleeper rattled north and retraced the journey of ten days before. The cabin was dark, an occasional light from the corridor bled under the door. The room was hot and airless, smelled of sweat. In the darkness, he dropped his hand down to me and waited. I couldn’t help myself, I reached up and held it. Noticed my fingertips were numb. We’ll be OK, I remember thinking. Whatever we are, we’ll be OK.
We didn’t see each other for a while back in Oxford. We both suffered, I know we did, but differently. And sometimes, when the day loomed gray, I’d sit at my desk and remember the heat of that summer. I’d remember the smells of tuberose that were carried by the wind, and the smell of octopus cooking on the stinking griddles. I’d remember the sound of our laughter and the sound of a doughnut seller, and I’d remember the red canvas shoes I lost in the sea, and the taste of pastis and the taste of his skin, and a sky so blue it would defy anything else to be blue again. And I’d remember my love for a man that almost made everything possible./
”
”
Sarah Winman (Tin Man)
“
When I met Dr. Phil Zimbardo, the former president of the American Psychological Association, for lunch, I knew him primarily as the mastermind behind the famous Stanford prison experiment.7 In the summer of 1971, Zimbardo took healthy Stanford students, assigned them roles as either “guards” or “inmates,” and locked them in a makeshift “prison” in the basement of Stanford University. In just days, the “prisoners” began to demonstrate symptoms of depression and extreme stress, while the “guards” began to act cruel and sadistic (the experiment was ended early, for obvious reasons). The point is that simply being treated like prisoners and guards had, over the course of just a few days, created a momentum that caused the subjects to act like prisoners and guards. The Stanford prison experiment is legendary, and much has been written about its many implications. But what I wondered was this: If simply being treated in a certain way conditioned these Stanford students to gradually adopt these negative behaviors, could the same kind of conditioning work for more positive behavior too? Indeed, today Zimbardo is attempting a grand social experiment along those lines called the “Heroic Imagination Project.”8 The logic is to increase the odds of people operating with courage by teaching them the principles of heroism. By encouraging and rewarding heroic acts, Zimbardo believes, we can consciously and deliberately create a system where heroic acts eventually become natural and effortless. We have a choice. We can use our energies to set up a system that makes execution of goodness easy, or we can resign ourselves to a system that actually makes it harder to do what is good. Ward’s Positive Tickets system did the former, and it worked. We can apply the same principle to the choices we face when designing systems in our own lives.
”
”
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
“
The Outer Cape is famous for a dazzling quality of light that is like no other place on Earth. Some of the magic has to do with the land being surrounded by water, but it’s also because that far north of the equator, the sunlight enters the atmosphere at a low angle. Both factors combine to leave everything it bathes both softer and more defined. For centuries writers, poets, and fine artists have been trying to capture its essence. Some have succeeded, but most have only sketched its truth. That’s no reflection of their talent, because no matter how beautiful the words or stunning the painting, Provincetown’s light has to be experienced. The light is one thing, but there is also the way everything smells. Those people lucky enough to have experienced the Cape at its best—and most would agree it’s sometime in the late days of summer when everything has finally been toasted by the sun—know that simply walking on the beach through the tall seagrass and rose hip bushes to the ocean, the air redolent with life, is almost as good as it gets. If in that moment someone was asked to choose between being able to see or smell, they would linger over their decision, realizing the temptation to forsake sight for even one breath of Cape Cod in August. Those aromas are as lush as any rain forest, as sweet as any rose garden, as distinct as any memory the body holds. Anyone who spent a week in summer camp on the Cape can be transported back to that spare cabin in the woods with a single waft of a pine forest on a rainy day. Winter alters the Cape, but it doesn’t entirely rob it of magic. Gone are the soft, warm scents of suntan oil and sand, replaced by a crisp, almost cruel cold. And while the seagrass and rose hips bend toward the ground and seagulls turn their backs to a bitter wind, the pine trees thrive through the long, dark months of winter, remaining tall over the hibernation at their feet. While their sap may drain into the roots and soil until the first warmth of spring, their needles remain fragrant through the coldest month, the harshest storm. And on any particular winter day on the Outer Cape, if one is blessed enough to take a walk in the woods on a clear, cold, windless day, they will realize the air and ocean and trees all talk the same language and declare We are alive. Even in the depths of winter: we are alive. It
”
”
Liza Rodman (The Babysitter: My Summers with a Serial Killer)
“
You were a child, you didn't mean to hurt my feelings. Children are ignorant. It takes an adult to choose to be cruel.
”
”
Jan Strnad (The Summer We Lost Alice)
“
Little things make considerable excitement in little towns, which is the reason that Kingsport people talked all that spring and summer about the three unidentifiable bodies, horribly slashed as with many cutlasses, and horribly mangled as by the tread of many cruel boot-heels, which the tide washed in.
”
”
H.P. Lovecraft (The Terrible Old Man)
“
I was a preacher, and now I am thirsting for vengeance,” answered Christy, his face clouding darkly. “Wait until you learn what frontier life means. You are young here yet; you are flushed with the success of your teaching; you have lived a short time in this quiet village, where, until the last few days, all has been serene. You know nothing of the strife, of the necessity of fighting, of the cruelty which makes up this border existence. Only two years have hardened me so that I actually pant for the blood of the renegade who has robbed me. A frontiersman must take his choice of succumbing or cutting his way through flesh and bone. Blood will be spilled; if not yours, then your foe’s. The pioneers run from the plow to the fight; they halt in the cutting of corn to defend themselves, and in winter must battle against cold and hardship, which would be less cruel if there was time in summer to prepare for winter, for the savages leave them hardly an opportunity to plant crops. How many pioneers have given up, and gone back east? Find me any who would not return home to-morrow, if they could. All that brings them out here is the chance for a home, and all that keeps them out here is the poor hope of finally attaining their object. Always there is a possibility of future prosperity. But this generation, if it survives, will never see prosperity and happiness. What does this border life engender in a pioneer who holds his own in it? Of all things, not Christianity. He becomes a fighter, keen as the redskin who steals through the coverts.
”
”
Zane Grey (The Spirit of the Border)
“
And Rhysand … Rhysand … He would be there. He’d give me the money to open my own shop; and because I wouldn’t charge anyone, I’d sell my paintings to pay him back. Because I would pay him back, mate or no. And he’d be here during the summer, flying over the meadow, chasing me across the little streams and up the sloped, grassy mountainside. He would sit with me under the stars, feeding me fat summer berries. And he would be at that table in the town house, roaring with laughter—never again cold and cruel and solemn. Never again anyone’s slave or whore. And at night … At night we’d go upstairs together, and he would whisper stories of his adventures, and I’d whisper about my day, and … And there it was. A future. The future I saw for myself, bright as the sunrise over the Sidra. A direction, and a goal, and an invitation to see what else immortality might offer me. It did not seem so listless, so empty, anymore. And I would fight until my last breath to attain it—to defend it. So I knew what I had to do.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
Offhand, I can think of no other sport in which the world’s champions, one of the great teams of its era, would not instantly demolish inferior opposition and reduce a game such as the one we had just seen to cruel ludicrousness. Baseball is harder than that; it requires a full season, hundreds and hundreds of separate games, before quality can emerge, and in that summer span every hometown fan, every doomed admirer of underdogs will have his afternoons of revenge and joy.
”
”
Roger Angell (The Summer Game (Bison Book))
“
They lay there in silence for a long time, listening to the waves gently brush the shore. She wondered if he was as worried as she was about the futility of the situation, about the fact that summer would end and they'd have to go their separate ways.
How cruel it was to be at the beginning of something, already having to think about the end.
”
”
Emily Wakeman Cyr
“
You know we are doomed anyway, right?
Beg your pardon?
No matter what we do, what we archive, what status we have, how much material wealth we acquire, we all die. Some of us in terrible pain whilst we do so… Life is inherently cruel, there is no other way of putting it.
”
”
Ryan Gelpke (2018: Our Summer of Creeping Boredom and Beautiful Shimmering (Howl Gang Legend Book 3))
“
Summer's End
Cruel orb, my foe, the sun,
Glaring upon things
I never want to see again
The proud, lightning-limbed oaks
Of Hekhasor
The shimmering blue waters of Silverhome's lake
And the endless, endless sky
Go away, foul sun! You make me sad.
”
”
Tad Williams (Empire of Grass (The Last King of Osten Ard, #2))
“
I just think, generally speaking, people give out chances too easily, like they’re trading cards or sticks of gum or Oprah giving out cars. You get a chance and you get a chance and you, over there, get a second and third and fourth chance!
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
She’s halfway across the linoleum, menu in hand, when she notes the man sitting at her table. He sits with his head bowed, focused on his hands clasped in front of him. Golden afternoon sunlight kisses his skin, the line of a tattoo barely visible above his collarbones. His profile is all sharp lines, bladed from the bridge of his nose all the way through to his jaw—the bone structure of a Grecian statue. His dark curly hair is pulled into a bun at the nape of his neck. Unfairly pretty, she thinks.
Suddenly, she’s conscious that she’s been working all day, sweat wicking through her shirt, that she smells like stale coffee, and that there’s an unidentifiable stain—probably jam—just underneath her collar.
The world is desperately cruel sometimes.
”
”
Georgia Summers (The City of Stardust)
“
Taylor Swift’s “Cruel Summer
”
”
Emily Henry (Funny Story)
“
In the midst of this desolate landscape, I am reminded of the fragility of love. The echoes of our laughter may have faded, but the memories still linger, reminding me of the joy we once shared. I yearn for the warmth of your touch, the comfort of your embrace, but I understand that those moments are now distant memories.
The colors that once painted our love story have dulled, reflecting the fading flame within us. Each passing day brings a subtle ache, a constant reminder of what could have been. The changing seasons serve as a cruel reminder of the missed opportunities, the moments we let slip away. It is a deep ache, a throbbing void in my heart, as I desperately try to hold onto the fragments of our once beautiful connection.
But deep down, I know the truth. Our love has cooled, replaced by an insurmountable distance. The vibrant hues of summer have transformed into the earthy tones of autumn, mirroring the gradual demise of our relationship. As the leaves fall, so does our passion. And with each falling leaf, I am reminded of the inevitable end.
Yet, amidst the ache and heartbreak, I find solace in the knowledge that this season too shall pass. The earthy hues of autumn will make way for the stark beauty of winter, and with it, the hope of new beginnings. In the meantime, I will cherish the memories we did create, however fleeting they may have been.
As the seasons change, I will strive to heal the void within my heart, knowing that love, in all its forms, has the power to transform and bloom anew. I will embrace the fading love, the changing seasons, and the lessons learned. And as I watch the leaves dance their way to the ground, I will find strength in knowing that, just as nature finds a way to renew itself, so too shall I find the courage to let go and embrace the possibility of a brighter tomorrow.
”
”
Michella Augusta
“
Superficial sophistication is often a cruel excuse to disregard the value of another person’s feelings.
”
”
Reena Doss (Pearl On A Summer Leaf: An autobiographical collection)
“
End of Summer An agitation of the air, A perturbation of the light Admonished me the unloved year Would turn on its hinge that night. I stood in the disenchanted field Amid the stubble and the stones, Amazed, while a small worm lisped to me The song of my marrow-bones. Blue poured into summer blue, A hawk broke from his cloudless tower, The roof of the silo blazed, and I knew That part of my life was over. Already the iron door of the north Clangs open: birds, leaves, snows Order their populations forth, And a cruel wind blows.
”
”
Anthony Holden (Poems That Make Grown Men Cry: 100 Men on the Words That Move Them)
“
People give pain, are callous and insensitive, empty and cruel . . . but place heals the hurt, soothes the outrage, fills the terrible vacuum that these human beings make.’ ” She put her hands on Dora’s shoulders. “Do you know who said that?” “No.” “Your namesake. Eudora Welty.
”
”
Mary Alice Monroe (The Summer Wind (Lowcountry Summer #2))
“
You don’t just concede defeat in these circumstances. You take every second you can find and use it to pray for another few seconds. Hope is a cruel bitch.
”
”
Ryan C. Thomas (The Summer I Died)
“
But to go to school on a summer morn O, it drives all joy away; Under a cruel eye outworn, The little ones spend the day In sighing and dismay.
”
”
Angeline Stoll Lillard (Montessori: The Science Behind the Genius)
“
The back-and-forth ancient lull of the tide. The cry of seagulls passing overhead. The smell of salt and fish carried on the warm breeze. With each step along the old wooden planks of the pier, tiny grains of sand that hitchhiked from the beach below are pulverized under our heels. Sand that traveled millions of miles over billions of years across shifting continents and churning oceans, surviving plate tectonics, erosion, and sedimentary deposition is crushed by our new sandals.
The cosmos can be cruel.
”
”
Sarah Ockler (Twenty Boy Summer)
“
So, what did you tell him?” “I . . . I told him that I . . . I was fond of him, but I saw . . . no future in romance between us,” she coughed out. “That my heart was not invested in him.” “Well, that might explain his sudden departure,” I agreed, a few things from our brief, tense conversation becoming clearer. “You do realize that he would have quit Sevendor long ago, if he had not held out hope for your heart?” “That’s what he said!” she almost screamed. “In fact,” I continued, apologetically, “he put himself in grave danger last summer, helping Tyndal and Rondal in Enultramar, purely in an effort to attract your attention.” “I never asked him to do that!” she fumed. “Of course you didn’t. But that attempt . . . failed,” I said, as objectively as possible. “I’m sure the boy wanted the assurance that his efforts were not in vain before he made any further decisions.” I knew it was small comfort to my sobbing apprentice, but she needed to understand the truth. “When you did not return his affections after all he has done to impress you, and you told him in certain terms that it was a fruitless endeavor, what did you expect him to do?” “No just pack up and leave! He won’t respond to me, mind-to-mind, and I have no idea where he is!” “He’s the one who figured out how to use the Alkan Ways, on his own,” I reminded her. “I doubt he’s lingering near Sevendor. Or even in the Riverlands.” “So where did he go? I need to talk to him!” “And say what?” I asked. “That you’ve changed your mind? That you’ve found love in your heart in his absence that his presence could not produce?” I suggested. “That he doesn’t have to run away from me, just because I’m not in love with him!” “Clearly, he feels differently about that,” I pointed out. “Asking a man with a broken heart to be proximate to the one who broke it . . . that seems a cruel request, Dara.” “But I didn’t mean to break his heart! Now everyone thinks I drove him away! Banamor is pissed with me, Sire Cei isn’t happy that he’s lost one of his best aides, and the enchanters in town all hate me! Nattia isn’t even speaking to me! She thinks I was unfair to him!” “You may not have meant to do it, but it is done. Gareth is a very, very smart man, Dara. He’s one of the most intuitive thaumaturges I know, and a brilliant enchanter. He’s as determined as Azar when it comes to achieving what he wants. And when he learns that what he wants he cannot have, he's smart enough to know that lingering in your shadow, pining for what cannot be, is a torture he cannot bear.” “But I hold his friendship in the highest esteem!” she protested. “He was instrumental in the hawk project! He’s been a constant help to me, and come to my aid faithfully!” “Did you think he did that out of the goodness of his heart?” I felt compelled to ask. “Oh, he’s a wholesome and worthy lad, don’t mistake me. But if you don’t return his affections, then continuing to be at your call is . . . well, it’s humiliating, Dara. Especially when you have other suitors you hold in more favor, nearby.
”
”
Terry Mancour (Necromancer (The Spellmonger #10))
“
This is it. This is what everyone wants, isn’t it? It’s not the sex or the romance people ache for when they say they want someone in their life. It’s not the fun date nights and couple’s vacations driving people to face the torture of dating apps. It’s companionship. It’s finding someone who wants you to be your happiest and doing whatever it takes to get you that not because it benefits them, but because they like you and care for you enough to want you to have it.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
Yesterday, we lit a Yahrzeit candle that sat on the kitchen counter and burned brightly in memory of you. We will light a Yahrzeit candle every year on this day. And every year, it will burn out on my birthday. And every year, that cruel juxtaposition will remind me that life is moving on without you. This is how it is now: equal parts joy and sorrow. Everything all at once. I have this vivid memory of driving with Iris to the grocery store last summer on a particularly dark day. It’s one of those seemingly insignificant moments that made a permanent mark. “You Are My Sunshine” shuffled onto Pandora Toddler Radio. Glancing at Iris in the rearview mirror, I was simultaneously overwhelmed with pure joy as I saw her singing and clapping along and sorrow that you would never get to see such a spectacular view. You are my sunshine, my only sunshine. You make me happy when skies are gray. You’ll never know, dear, how much I love you. Please don’t take my sunshine away. The other night dear when I lay sleeping, I dreamed I held you in my arms. When I awoke dear, I was mistaken, So I hung my head and cried. This song is so happy and sad at once. It’s what it feels like to be alive. It’s what it feels like to lose someone you love but still be surrounded by so much light.
”
”
Stephanie Wittels Wach (Everything is Horrible and Wonderful: A Tragicomic Memoir of Genius, Heroin, Love, and Loss)
“
I have ridiculous social anxiety. Can’t stand small talk. I can do it when I’m thinking of it as a business transaction or work or wherever. But if it’s a party for me?” I cringe. “Nope.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
It’s cruel, and it makes my heart ache for him—it always has. Those sad fucking eyes on that first summer day that I drowned in them. A dark blue abyss. Sometimes I feel like I sank to the bottom of that deep ocean and just took up residence. I got lost in Jasper’s eyes and never left.
”
”
Elsie Silver (Powerless (Chestnut Springs, #3))
“
Taylor Swift’s “Cruel Summer” came on the radio, and Kris turned it to full volume.
”
”
Hannah Grace (Icebreaker)
“
maybe I leave them for the next girl, so he doesn’t have to go through the process again. That twists the knife a bit, the thought of a next girl. I hope she’s better than me. Kinder, smarter. I hope she makes Zach happy and does everything in her power to hold on tight to him. He deserves that. I already hate her. God, I’m fucked up, aren’t I?
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
Men don’t do this. Men don’t see an incredibly flawed woman, a woman with so much baggage she regularly goes on revenge missions just to feel something, and tell them they love them like crazy. When my brand of truth comes out, men get wide-eyed and call her a psychopath. They tell her she’s crazy and ask her not to slit their tires. When a woman like me shows her true colors to a man, shows the darkness hiding between the sweet, curated version of herself, she loses him.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
Don’t we often look at the many events of our lives as big or small interruptions, interrupting many of our plans, projects and life schemes? Don’t we feel an inner protest when a student interrupts our reading, bad weather our summer, illness our well-scheduled plans, the death of a dear friend our peaceful state of mind, a cruel war our ideas about the goodness of man, and the many harsh realities of life our good dreams about it? And doesn’t this unending row of interruptions build in our hearts feelings of anger, frustration and even revenge, so much so that at times we see the real possibility that growing old can become synonymous with growing bitter?
”
”
Henri J.M. Nouwen (Reaching Out)
“
The summer he turned seventeen, Ivan remembered, he had lain awake in his bed, thinking how stupid it all seemed. To have given so much and to have tried so hard, only to come up against the hard fact of biology. He had lain in bed for hours and hours that summer, burning up with anger, until he vibrated with it. What a cruel fact of the world, that you could live your whole life in sight of what you want most and still find yourself unable to attain it, because of some vicious quirk.
”
”
Brandon Taylor (The Late Americans)
“
Eldred cups his hands, and the branches of the throne shudder and begin to grow, sending up new green shoots to spiral into the air, leaves unfurling and flower buds bursting along the length of them. The roots of the ceiling begin to worm, lengthening like vines and crawling across the underside of the hill. There is a scent in the air, like a summer breeze, heavy with the promise of apples.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
I love you, ain't that the worst thing you've ever heard?
”
”
- Taylor swift, cruel summer
“
There were no furnishings and no decorations-- except the wall on the opposite side had a small alcove, and in the alcove was a bronze statue of a bird, green with age. I thought it might be a sparrow, but it was so corroded that I couldn't tell for sure.
I wondered if it might be the statue of a Lar.
In this room--like the first hallway-- the air smelled of summer. But there was no half-heard laughter on the air, no sense that space was subtly wrong, nor that invisible eyes were watching. There was only the warm, peaceful stillness that exists between one summer breeze and the next. A trickle of water ran down the wall on my left and pooled before the alcove; I drew a breath, and my lungs filled with the mineral scent of water over warm rock.
Without thinking, I sat down and leaned back against the wall. It was not smooth; the stones formed hard, uneven ripples behind my back-- yet the tension ran out of my body. I stared at the bronze sparrow, and I did not entirely fall asleep, but I almost dreamt: my mind was full of summer breezes, the warm, wet smell of earth after summer rain, the delight of running barefoot through damp grass and finding the hidden tangle of strawberries.
”
”
Rosamund Hodge (Cruel Beauty)
“
Thick, fragrant loam behind the house, where Astraia and I once dug with our bare hands to plant stolen rose cuttings. Thin gray dust on the summer wind, blown into my mouth to grit against my teeth. Father's rock collection: malachite, rhodonite, and the slab of simple limestone inlaid with the skeleton of a curious fanged bird with claws on its wings.
”
”
Rosamund Hodge (Cruel Beauty)
“
I swear by the creek in back of the house," I said, our private childhood variation on an oath by the river Styx. And while I said the words I was telling the truth. Because I remembered spring mornings when she helped me escape lessons to run through the woods, summer nights catching glowworms, autumn afternoons acting out the story of Persephone in the leaf pile, and winter evenings sitting by the fire when I told her everything I had studied that day and she fell asleep five times but would never admit to being bored.
”
”
Rosamund Hodge (Cruel Beauty)
“
a man who, even if Abbie walked into an all-white party wearing hot pink and feathers, would tell her people were staring because she’s so fucking beautiful, she takes his breath away, not because she’s a sore thumb.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
If you’re going to be in my bed, you need to know just how fucking beautiful you are. The shit I’m going to do to you, your head can’t get in the way.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
Show me the parts of you you don’t like because I swear to fuck, Cami, I’ve been staring at you for weeks. Now that I’ve got you half naked in my bed, I can’t find a single fucking flaw.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
I love my body but the world doesn’t.” It’s a truth I don’t know if I’ve ever said out loud. “Good thing I’m not the world, right?” is all he says
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
Why are you so chipper?” she asks, caution in her words. “Oh, you know. The sun’s shining, we have a new client to interview today, and your dad ate me out before I got to work.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
She still thinks this is some fun summer fling, that once Labor Day rolls around, she’ll go back to the city or wherever and start her new life without me. It’s going to take a lot of work. That’s fine by me though. I’m a patient man.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))
“
a 2 a.m. phone call to drunkenly lament about a criminally underrated Taylor Swift song which I emphatically believed should have been a single (here’s looking at you, “Cruel Summer”).
”
”
Alison Rose Greenberg (Maybe Once, Maybe Twice)
“
I am tired, he thought. Maybe the heat is doing it, but I have sat through a good many Summers here and never felt like this. I'm tired of being helpful. I'm tired of being comfortable. Why this should be I do not know, but my image of myself as an understanding old man, floating in kindness like a cherry in sugared liqueur, is beginning to curl at the corners. I wish something would happen to me, something that would show me exactly how cruel and jealous and vengeful I can be. Then I could go back to gentleness because I chose it over brutality for its own sake, not because I didn't have the courage to be cruel. I might even like cruelty. I doubt very much that I would, but I ought to find out.
”
”
Peter S. Beagle (A Fine and Private Place)
“
The best revenge, Cami, is letting them see you thrive when they wanted to watch you fail spectacularly.
”
”
Morgan Elizabeth (Cruel Summer (Seasons of Revenge, #2))