Crude Movie Quotes

We've searched our database for all the quotes and captions related to Crude Movie. Here they are! All 19 of them:

If you can't love crudeness, how can you truly love mankind?
John Irving (My Movie Business: A Memoir)
Because let's talk about power. In the domestic polity, myth dictates that parents are endowed with a disproportionate amount of it. I'm not so sure. Children? They can break our hearts, for a start. They can shame us, they can bankrupt us, and I can personally attest that they can make us wish we were never born. What can we do? Keep them from going to the movies. But how? With what do we back up our prohibitions if the kid heads belligerently for the door? The crude truth is that parents are like governments: We maintain our authority through the threat, overt or implicit, of physical force.
Lionel Shriver (We Need to Talk About Kevin)
When I was cooking I enjoyed a sense of being ‘out’ of myself. The action of dicing vegetables and warming oil made my hands tingle and my thoughts switch to a different hemisphere, right brain rather than left, or left rather than right. In my mind there were many rooms and, just as I still got lost in the labyrinth of corridors at college, I often found myself lost, with a sense of déjà vu, in some obscure part of my cerebral cortex, the part of the brain that plays a key role in perceptual awareness, attention and memory. Everything I had lived through or imagined or dreamed appeared to have been backed up on a video clip and then scattered among those alien rooms. I could stumble into any number of scenes, from the horrifically sexual, horror-movie sequences that were crude and painful, to visualizing Grandpa polishing his shoes.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
In the domestic polity, myth dictates that parents are endowed with a disproportionate amount of it. I’m not so sure. Children? They can break our hearts, for a start. They can shame us, they can bankrupt us, and I can personally attest that they can make us wish we were never born. What can we do? Keep them from going to the movies. But how? With what do we back up our prohibitions if the kid heads belligerently for the door? The crude truth is that parents are like governments: We maintain our authority through the threat, overt or implicit, of physical force. A kid does what we say—not to put too fine a point on it—because we can break his arm.
Lionel Shriver (We Need to Talk About Kevin)
Because let’s talk about power. In the domestic polity, myth dictates that parents are endowed with a disproportionate amount of it. I’m not so sure. Children? They can break our hearts, for a start. They can shame us, they can bankrupt us, and I can personally attest that they can make us wish we were never born. What can we do? Keep them from going to the movies. But how? With what do we back up our prohibitions if the kid heads belligerently for the door? The crude truth is that parents are like governments: We maintain our authority through the threat, overt or implicit, of physical force. A kid does what we say—not to put too fine a point on it—because we can break his arm. Yet
Lionel Shriver (We Need to Talk About Kevin)
As for sick people, patients, I had no illusions … In another neighborhood they’d be no less grasping or jugheaded or weak-kneed than the ones here. The same wine, the same movies, the same sports talk, the same enthusiastic submission to the natural needs of the gullet and the ass would produce the same crude, filthy horde, staggering from lie to lie, bragging, scheming, vicious … brutal between two fits of panic. But just as a sick man changes sides in bed and in life, so we too are entitled to move from side to side, it’s the only thing we can do, the only defense that’s ever been found against Fate. No good hoping to drop off your misery somewhere on the way. Misery is like some horrible woman you’ve married. Maybe it’s better to end up loving her a little than to knock yourself out beating her all your life. Since obviously you won’t be able to bump her off.
Louis-Ferdinand Céline (Journey to the End of the Night)
Here’s one much worse: that, in the end, everyone’s life is still dominated by the whims of the very rich and the social mores of the slightly rich. And that this new reality is exploited by the people who understand that appearances are more important than reality. All of which is to say that by fixating on sex, the discussion around sexual harassment misses the key element. Which is the harassment. The people who end up in positions of power end up in those positions because they are very, very good at humiliation. That’s their skill. That’s how they end up as CEOs. Everyone who has ever had a job has been humiliated by their boss. This is the nature of the thing. And, yes, it sucks that the men who end up in power are so fucking crude that the only way they can imagine humiliating women is with sex. But every single boss who’s humiliating his women underlings is also humiliating his male underlings. This is who we, as a society, put into power. Remind me: how many obsequious movies and books and articles have been written about Steve Jobs? In the end, having a job, even a job like writing, is about interfacing with money, and the biggest lie of our society is that the individual currencies of money are units that measure value. Money doesn’t measure value. Money is the measure of humiliation. What would you do for a dollar? What would you do for ten dollars? What would you do for a million dollars?
Jarett Kobek (Only Americans Burn in Hell)
Nope. Look. The Raft is a media event. But in a much more profound, general sense than you can possibly imagine." "Huh?" "It's created by the media in that without the media, people wouldn't know it was here, Refus wouldn't come out and glom onto it the way they do. And it sustains the media. It creates a lot of information flow-movies, news reports - - you know." "So you're creating your own news event to make money off the information flow that it creates?" says the journalist, desperately trying to follow. His tone of voice says that this is all a waste of videotape. His weary attitude suggests that this is not the first time Rife has flown off on a bizarre tangent. "Partly. But that's only a very crude explanation. It really goes a lot deeper than that. You've probably heard the expression that the Industry feeds off of biomass, like a whale straining krill from the ocean." "I've heard the expression, yes." "That's my expression. I made it up. An expression like that is just like a virus, you know -- it's a piece of information -- data -- that spreads from one person to the next. Well, the function of the Raft is to bring more biomass. To renew America. Most countries are static, all they need to do is keep having babies. But America's like this big old clanking, smoking machine that just lumbers across the landscape scooping up and eating everything in sight. Leaves behind a trail of garbage a mile wide. Always needs more fuel... "Now I have a different perspective on it. America must look, to those poor little buggers down there, about the same as Crete looked to those poor Greek suckers. Except that there's no coercion involved. Those people down there give up their children willingly. Send them into the labyrinth by the millions to be eaten up. The Industry feeds on them and spits back images, sends out movies and TV programs, over my networks, images of wealth and exotic things beyond their wildest dreams, back to those people, and it gives them something to dream about, something to aspire to. And that is the function of the Raft. It's just a big old krill carrier." Finally the journalist gives up on being a journalist, just starts to slag L. Bob Rife openly. He's had it with this guy. "That's disgusting. I can't believe you can think about people that way." "Shit, boy, get down off your high horse. Nobody really gets eaten. It's just a figure of speech. They come here, they get decent jobs, find Christ, buy a Weber grill, and live happily ever after. What's wrong with that?
Neal Stephenson (Snow Crash)
One crude but unquestionable indication of his greatness was his power to create permanent images. All through his work there are images which are as impossible to forget, once you have seen them, as some of the grandest and simplest passages in music or poetry. The most beautiful single shot I have seen in any movie is the battle charge in The Birth of a Nation. I have heard it praised for its realism, and that is deserved; but it is also far beyond realism. It seems to me to be a perfect realization of a collective dream of what the Civil War was like, as veterans might remember it fifty years later, or as children, fifty years later, might imagine it. I have had several clear mental images of that war, from almost as early as I can remember, and I didn’t have the luck to see “The Birth of a Nation” until I was in my early twenties; but when I saw that charge, it was merely the clarification, and corroboration, of one of those visions, and took its place among them immediately without seeming to be of a different kind or order. It is the perfection that I know of, of the tragic glory that is possible, or used to be possible, in war; or in war as the best in the spirit imagines or remembers it.
James Agee (Agee on Film, Vol. 1: Essays and Reviews)
Dart initially echoed Darwin’s theory that bipedalism freed the hands of early hominins to make and use hunting tools, which in turn selected for big brains, hence better hunting abilities. Then, in a famous 1953 paper, clearly influenced by his war experiences, Dart proposed that the first humans were not just hunters but also murderous predators.18 Dart’s words are so astonishing, you have to read them: The loathsome cruelty of mankind to man forms one of his inescapable characteristics and differentiative features; and it is explicable only in terms of his carnivorous, and cannibalistic origin. The blood-bespattered, slaughter-gutted archives of human history from the earliest Egyptian and Sumerian records to the most recent atrocities of the Second World War accord with early universal cannibalism, with animal and human sacrificial practices of their substitutes in formalized religions and with the world-wide scalping, head-hunting, body-mutilating and necrophilic practices of mankind in proclaiming this common bloodlust differentiator, this predaceous habit, this mark of Cain that separates man dietetically from his anthropoidal relatives and allies him rather with the deadliest of Carnivora. Dart’s killer-ape hypothesis, as it came to be known, was popularized by the journalist Robert Ardrey in a best-selling book, African Genesis, that found a ready audience in a generation disillusioned by two world wars, the Cold War, the Korean and Vietnam Wars, political assassinations, and widespread political unrest.19 The killer-ape hypothesis left an indelible stamp on popular culture including movies like Planet of the Apes, 2001: A Space Odyssey, and A Clockwork Orange. But the Rousseauians weren’t dead yet. Reanalyses of bones in the limestone pits from which fossils like the Taung Baby came showed they were killed by leopards, not early humans.20 Further studies revealed these early hominins were mostly vegetarians. And as a reaction to decades of bellicosity, many scientists in the 1970s embraced evidence for humans’ nicer side, especially gathering, food sharing, and women’s roles. The most widely discussed and audacious hypothesis, proposed by Owen Lovejoy, was that the first hominins were selected to become bipeds to be more cooperative and less aggressive.21 According to Lovejoy, early hominin females favored males who were better at walking upright and thus better able to carry food with which to provision them. To entice these tottering males to keep coming back with food, females encouraged exclusive long-term monogamous relationships by concealing their menstrual cycles and having permanently large breasts (female chimps advertise when they ovulate with eye-catching swellings, and their breasts shrink when they are not nursing). Put crudely, females selected for cooperative males by exchanging sex for food. If so, then selection against reactive aggression and frequent fighting is as old as the hominin lineage.22
Daniel E. Lieberman (Exercised: Why Something We Never Evolved to Do Is Healthy and Rewarding)
In this age of Glocks and AR-15s, of pipe bombs and high-capacity magazines, the arsenals of our movie monsters seem quaint... Why do they chalk up such low body counts with these crude implements when they could mow down dozens of victims with a semiautomatic rifle? ...The reason is simple: we need to believe death has meaning. Each murder must be unique, each victim must meet his killer one-on-one, each slaying must be given an appropriate amount of scream time.
Grady Hendrix (The Final Girl Support Group)
When was the last time we took a verse like, “Let there be no filthiness nor foolish talk nor crude joking, which are out of place, but instead let there be thanksgiving” (Eph. 5:4) and even began to try to apply this to our conversation, our movies, our YouTube clips, our television and commercial intake? What does it mean that there must not be even a hint of immorality among the saints (v. 3)? It must mean something. In our sex-saturated culture, I would be surprised if there were not at least a few hints of immorality in our texts and tweets and inside jokes. And what about our clothes, our music, our flirting, and the way we talk about people who aren’t in the room?
Kevin DeYoung (The Hole in Our Holiness: Filling the Gap between Gospel Passion and the Pursuit of Godliness)
A raw curse left his lips at the most beautiful sight he’d ever had the pleasure of witnessing. Her mouth curved up at his crude language. “How’d you know that was exactly what I was hoping you’d say when you saw me wearing another one of your gifts?” “You’re the gift,” he told her, meaning it so deeply he could hardly get the words out. She seemed to wobble on her heels for a moment at the emotion in his voice. But then she was coming toward him and, as if in slow motion, she dropped to her knees between his legs. She didn’t reach for his belt buckle, but simply pressed her mouth to his in a soft kiss that stole his breath, even as the sheer knowledge of what was coming had him almost losing it. Sweet Lord, he was never going to survive this. They’d have to find someone to take over for him on the movie because he was going to die of pleasure tonight. And he wouldn’t have it any other way.
Bella Andre (Come A Little Bit Closer (San Francisco Sullivans, #7; The Sullivans, #7))
Meaning “by way of the anus.” “Per annum,” with two n’s, means “yearly.” The correct answer to the question, “What is the birth rate per anum?” is zero (one hopes). The Internet provides many fine examples of the perils of confusing the two. The investment firm that offers “10% interest per anum” is likely to have about as many takers as the Nigerian screenwriter who describes himself as “capable of writing 6 movies per anum” or the Sri Lankan importer whose classified ad declares, “3600 metric tonnes of garlic wanted per anum.” The individual who poses the question “How many people die horse riding per anum?” on the Ask Jeeves website has set himself up for crude, derisive blowback in the Comments block.
Mary Roach (Gulp: Adventures on the Alimentary Canal)
1929, with his appearance in the movie Hearts in Dixie, the very visible African American actor known as Stepin Fetchit began a film career in which he popularized for an entire generation the crude stereotype of laziness suggested by his on-screen name.
Nancy Isenberg (White Trash: The 400-Year Untold History of Class in America)
But kidnapping is only one of the ways that the Zetas have diversified. They have also branched out into extorting bars and discos; taxing shops; taking money from prostitution rings; stealing cars; robbing crude oil and gasoline; getting money from migrant trafficking; and even pirating their own Zetas-labeled DVDs of the latest blockbuster movies. Drug-trafficking organization is no longer a sufficient term for them; they are a criminal paramilitary complex.
Ioan Grillo (El Narco: Inside Mexico's Criminal Insurgency)
In political contests in most parts of America, the candidate who captures this refusal of deference is, more often than not, the candidate who wins. This is a crude and sweeping simplification, but nevertheless it is usually true. Understood the way I have defined it, populist protest against the economic elite is what made the Democrats the majority party for so many decades. Another reason we know that anti-elitism works is because we have seen it working against us for fifty years. The Republican Party owes its successful hold on power to adopting—you might say “stealing”—the anti-elitist themes I have described. From the days of Nixon to those of Trump, the conservative revolution happened not because Americans love polluters and disease but because Republicans sold themselves as a party of protest against the elite. Most of the time it was the cultural elite that was the target: the prideful people who make movies and write newspapers; who love blasphemy but hate the flag. The point is so easy and so obvious that it’s hard to understand why it’s been so difficult for Democratic politicians to get it: Populism is the supreme rhetorical weapon in the arsenal of American politics. On the other hand, the impulse to identify your goals with the elite—with any elite, even a moral one—is a kind of political death wish. In a democracy, a faction that chooses to go about its business by admiring its own moral goodness and scolding average voters as insensitive clods is a faction that is not interested in winning.
Thomas Frank (The People, No: The War on Populism and the Fight for Democracy)
Marcus studied those NASA pictures for hours, the gorgeous Hasselblad pictures of men on the moon and the pictures of Jupiter’s turbulence. Since Newton’s laws apply everywhere, Marcus programmed a computer with a system of fluid equations. To capture Jovian weather meant writing rules for a mass of dense hydrogen and helium, resembling an unlit star. The planet spins fast, each day flashing by in ten earth hours. The spin produces a strong Coriolis force, the sidelong force that shoves against a person walking across a merry-go–round, and the Coriolis force drives the spot. Where Lorenz used his tiny model of the earth’s weather to print crude lines on rolled paper, Marcus used far greater computer power to assemble striking color images. First he made contour plots. He could barely see what was going on. Then he made slides, and then he assembled the images into an animated movie. It was a revelation. In brilliant blues, reds, and yellows, a checkerboard pattern of rotating vortices coalesces into an oval with an uncanny resemblance to the Great Red Spot in NASA’s animated film of the real thing. “You see this large-scale spot, happy as a clam amid the small-scale chaotic flow, and the chaotic flow is soaking up energy like a sponge,” he said. “You see these little tiny filamentary structures in a background sea of chaos.” The spot is a self-organizing system, created and regulated by the same nonlinear twists that create the unpredictable turmoil around it. It is stable chaos.
James Gleick (Chaos: Making a New Science)
Our bodies have been created not only by God but also for God..We are driven today by whatever can bring our bodies the most pleasure. What can we eat, touch, watch, do listen to, or engage in to satisfy the cravings of our bodies?..in his love, gives us boundaries for our bodies: he loves us and knows what is best for us..[there are] clear and critical distinctions between different types of laws in Leviticus. Some of the laws are civil in nature, and they specifically pertain to the government of ancient Israel..Other laws are ceremonial..However, various moral laws..are explicitly reiterated in the New Testament..Jesus himself teaches that the only God-honoring alternative to marriage between a man and a woman is singleness..the Bible also prohibits all sexual looking and thinking outside of marriage between a husband and a wife..it is sinful even to look at someone who is not your husband or wife and entertain sexual thoughts about that person..it is also wrong to provoke sexual desires in others outside of marriage..God prohibits any kind of crude speech, humor, or entertainment that remotely revolves around sexual immorality..often watch movies and shows, read books and articles, and visit Internet sites that highlight, display, promote, or make light of sexual immorality..God prohibits sexual worship-- the idolization of sex and infatuation with sexual activity as a fundamental means to personal fulfillment..Don't rationalize it, and don't reason with it-- run from it. Flee it as fast as you can..We all have a sinful tendency to turn aside from God's ways to our wants. This tendency has an inevitable effect on our sexuality..every one of us is born with a bent toward sexual sin. But just because we have that bent doesn't mean we must act upon it. We live in a culture that assumes a natural explanation implies a moral obligation. If you were born with a desire, then it's essential to your nature to carry it out. This is one reason why our contemporary discussion of sexuality is wrongly framed as an issue of civil rights..Ethnic identity is a morally neutral attribute..Sexual activity is a morally chosen behavior..our sexual behavior is a moral decision, and just because we are inclined to certain behaviors does not make such behaviors right. His disposition toward a behavior does not mean justification for that behavior. "That's the way he is" doesn't mean "that's how he should act." Adultery isn't inevitable; it's immoral. This applies to all sexual behavior that deviates from God's design..We do not always choose our temptations. But we do choose our reactions to those temptations..the assumption that God's Word is subject to human judgement..Instead of obeying what God has said, we question whether God has said it..as soon as we advocate homosexual activity, we undercut biblical authority..we are undermining the integrity of the entire gospel..We take this created gift called sex and use it to question the Creator God, who gave us the gift in the first place..[Jesus] was the most fully human, fully complete person who ever lived, and he was never married. He never indulged in any sort of sexual immorality..This was not a resurrection merely of Jesus' spirit or soul but of his body..Repentance like this doesn't mean total perfection, but it does mean a new direction..in a culture that virtually equates identity with sexuality..Naturally this becomes our perception of ourselves, and we subsequently view everything in our lives through this grid..When you turn to Christ, your entire identity is changed. You are in Christ, and Christ is in you. Your identity is no longer as a heterosexual or a homosexual, an addict or an adulterer.
David Platt (A Compassionate Call to Counter Culture in a World of Poverty, Same-Sex Marriage, Racism, Sex Slavery, Immigration, Abortion, Persecution, Orphans and Pornography)