Crow Love Quotes

We've searched our database for all the quotes and captions related to Crow Love. Here they are! All 100 of them:

He needed to tell her...what? That she was lovely and brave and better than anything he deserved. That he was twisted, crooked, wrong, but not so broken that he couldn't pull himself together into some semblance of a man for her. That without meaning to, he'd begun to lean on her, to look for her, to need her near. He needed to thank her for his new hat.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
She wouldn't wish love on anyone. It was the guest you welcomed and then couldn't be rid of.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I am grateful you're alive", he said. "I am grateful that you're beside me. I am grateful that you're eating." She rested her head on his shoulder. "You're better that waffles, Matthias Helvar." A small smile curled the Fjerdan's lips. "Let's not say things we don't mean, my love.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I had rather hear my dog bark at a crow, than a man swear he loves me.
William Shakespeare (Much Ado About Nothing)
You love trickery." "I love puzzles. Trickery is just my native tongue.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
If you don't care about money, Nina dear, call it by its other names." "Kruge? Scrub? Kaz's one true love?" "Freedom, security, retribution.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
You know I can do it, Kaz, and you know I'm not going to refuse. So why ask?" "Because I've been looking for an excuse to talk to you for two days.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it. I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
Lemony Snicket
You’re better than waffles, Matthias Helvar.” A small smile curled the Fjerdan’s lips. “Let’s not say things we don’t mean, my love.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I don't want your prayers, he said. What do you want, then? The old answers came easily to mind. Money. Vengeance. Jordie's voice in my head silenced forever. But a different reply roared to life inside him, loud, insistent, and unwelcome. You, Inej. You.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
He was going to break my legs,” she said, her chin held high, the barest quaver in her voice. “Would you have come for me then, Kaz? When I couldn’t scale a wall or walk a tightrope? When I wasn’t the Wraith anymore?” Dirtyhands would not. The boy who could get them through this, get their money, keep them alive, would do her the courtesy of putting her out of her misery, then cut his losses and move on. “I would come for you,” he said, and when he saw the wary look she shot him, he said it again. “I would come for you. And if I couldn’t walk, I’d crawl to you, and no matter how broken we were, we’d fight our way out together—knives drawn, pistols blazing. Because that’s what we do. We never stop fighting.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence, and as justice loves to sit and watch while everything goes wrong.
Lemony Snicket (The Beatrice Letters)
A first child is your own best foot forward, and how you do cheer those little feet as they strike out. You examine every turn of flesh for precocity, and crow it to the world. But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after--oh, that' s love by a different name.
Barbara Kingsolver (The Poisonwood Bible)
Some people see a magic trick and say, ‘Impossible!’ They clap their hands, turn over their money, and forget about it ten minutes later. Other people ask how it worked. They go home, get into bed, toss and turn, wondering how it was done. It takes them a good night’s sleep to forget all about it. And then there are the ones who stay awake, running through the trick again and again, looking for that skip in perception, the crack in the illusion that will explain how their eyes got duped; they’re the kind who won’t rest until they’ve mastered that little bit of mystery for themselves. I’m that kind.” “You love trickery.” “I love puzzles. Trickery is just my native tongue.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I would have come for you. And if I could't walk, I'd crawl to you, and no matter how broken we were, we'd fight our way out together - knives drawn, pistols blazing. Because that's what we do. We never stop fighting.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Whoever said that love hurts was wrong. Love is excruciating, especially when you can feel it slipping through your fingers and there is nothing you can do about it. Like someone was playing tug-of-war with my limbs, ripping to shreds whatever was left behind. What it would feel like when love was lost...I wouldn't survive that
Julie Hockley (Crow's Row (Crow's Row, #1))
Stay,” she panted. Tears leaked from her eyes. “Stay till the end.” “And after,” he said. “And always.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
You'll probably die if you stay with me,' he told me. 'Then I'm dead either way, because I won't survive without you.
Julie Hockley (Crow's Row (Crow's Row, #1))
I have always loved a window, especially an open one.
Wendell Berry (Jayber Crow)
It is only natural, of course, that each man should think his own opinions best: the crow loves his fledgling, and the ape his cub.
Thomas More (Utopia)
You aren’t a flower, you’re every blossom in the wood blooming at once. You are a tidal wave. You’re a stampede. You are overwhelming.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Before he had lost his sight, the maester had loved books as much as Samwell Tarly did. He understood the way that you could sometimes fall right into them, as if each page was a hole into another world.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Young lovers see a vision of the world redeemed by love. That is the truest thing they ever see, for without it life is death.
Wendell Berry (Jayber Crow)
She wouldn’t wish love on anyone. It was the guest you welcomed and then couldn’t be rid of.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
You’re better than waffles, Matthias Helvar.” A small smile curled the Fjerdan’s lips. “Let’s not say things we don’t mean, my love.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
It's just a stupid sword," she said, aloud this time... ... but it wasn't. Needle was Robb and Bran and Rickon, her mother and her father, even Sansa. Needle was Winterfell's grey walls, and the laughter of its people. Needle was the summer snows, Old Nan's stories, the heart tree with its red leaves and scary face, the warm earthy smell of the glass gardens, the sound of the north wind rattling the shutters of her room. Needle was Jon Snow's smile.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Does a crow become a salmon simply because it wished to? You do not know the first thing about mortality, prince-who-is-not. Why would you want to become like them?" "Because," Grimalkin answered before I could say anything, "he is in love." "Ahhh." The Witch looked at me and shook her head. "I see. Poor creature. Then you will not hear a word I have to say" I was in love. With a human. I smiled bitterly at the thought. The old Ash, if faced with such a suggestion, would've either laughed scornfully or removed the offender's head from his neck.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
What kind of love would drive a man for miles through solid rock?
Cinda Williams Chima (The Crimson Crown (Seven Realms, #4))
Then is courtesy a turncoat. But it is certain I am loved of all ladies, only you excepted: and I would I could find in my heart that I had not a hard heart; for, truly, I love none. A dear happiness to women: they would else have been troubled with a pernicious suitor. I thank God and my cold blood, I am of your humour for that: I had rather hear my dog bark at a crow than a man swear he loves me.
William Shakespeare (Much Ado About Nothing)
It’s good to feel foolish sometimes, Fjerdan.” “You only say that because you have no shame.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
To love anything good, at any cost, is a bargain.
Wendell Berry (Jayber Crow)
Do you have any idea how creepy that is, that you were in love with my mother and you're so....all over me?
Lili St. Crow (Jealousy (Strange Angels, #3))
The mercy of the world is time. Time does not stop for love, but it does not stop for death and grief, either.
Wendell Berry (Jayber Crow)
How could I not love him, after that? That is not to say that I approved of all he did, or much enjoyed the company of the man that he became... but every little girl needs a big brother to protect her. Tywin was big even when he was little.” She gave a sigh. “Who will protect us now?” Jaime kissed her cheek. “He left a son.” “Aye, he did. That is what I fear the most, in truth.” That was a queer remark. “Why should you fear?” “Jaime,” she said, tugging on his ear, “sweetling, I have known you since you were a babe at Joanna’s breast. You smile like Gerion and fight like Tyg, and there’s some of Kevan in you, else you would not wear that cloak... but Tyrion is Tywin’s son, not you. I said so once to your father’s face, and he would not speak to me for half a year. Men are such thundering great fools. Even the sort who come along once in a thousand years.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Shall I tell you the secret of true love? her father once asked her. A friend of mine liked to tell me that women love flowers. He had many flirtations, but he never found a wife. Do you know why? Because women may love flowers, but only one woman loves the scent of gardenias in late summer that remind her of her grandmother's porch. Only one woman loves apple blossoms in a blue cup. Only one woman loves wild geraniums. That's Mama! Inej had cried. Yes. Mama loves wild geraniums because no other flower has quite the same color, and she claims that when she snaps the stem and puts a sprig behind her ear, the whole world smells like summer. Many boys will bring you flowers. But someday you'll meet a boy who will learn your favourite flower, your favourite song, your favourite sweet. And even if he is too poor to give you any of them, it won't matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say. They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then--how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal. A denial heralded the thrice crowing of a cock, and an insincerity was like the kiss of Judas. The adult mind can lie with untroubled conscience and a gay composure, but in those days even a small deception scoured the tongue, lashing one against the stake itself.
Daphne du Maurier (Rebecca)
It is not a terrible thing to love the world, knowing that the world is always passing and irrecoverable, to be known only in loss. To love anything good, at any cost, is a bargain.
Wendell Berry (Jayber Crow)
The thing about butterflies, Mr. Crow, is that they need to be admired from afar.
A. Zavarelli (Crow (Boston Underworld, #1))
This is the moment I realize that our traumas never really go away. They live inside of us, in the deepest darkest pits of our own tiny hells. Cocked and loaded, waiting for someone to come along and pull the trigger.
A. Zavarelli (Crow (Boston Underworld, #1))
Does a crow become a salmon simply because it wishes to? You do not know the first thing about mortality, prince-who-is-not. Why would you want to become like them?' 'Because,' Grimalkin answered before I could say anything, 'he is in love.' 'Ahhh.
Julie Kagawa (The Iron Knight (The Iron Fey, #4))
I have been made to protect you. Even in death, I will find a way.” He clasped her hand tighter. “Bury me so I can go to Djel. Bury me so I can take root and follow the water north.” “I promise, Matthias. I’ll take you home.” “Nina,” he said, pressing her hand to his heart. “I am already home.” The light vanished from his eyes. His chest stilled beneath her hands. Nina screamed, a howl that tore from the black space where her heart had beat only moments before.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Sarah: "Buildings burn, people die, but real love is forever...
James O'Barr (The Crow)
But love, sooner or later, forces us out of time...of all that we feel and do, all the virtues and all the sins, love alone crowds us at last over the edge of the world. For love is always more than a little strange here...It is in the world, but is not altogether of it. It is of eternity. It takes us there when it most holds us here.
Wendell Berry (Jayber Crow)
The ignoramus crow of "love it or leave it" omits other viable options, such as staying and changing it.
Bryant McGill (Voice of Reason)
I'd love to give you something but what would help?
Ikkyu (Crow With No Mouth)
We were fools.” “You were children. Was there no one to protect you?” “Was there anyone to protect you?” “My father. My mother. They would have done anything to keep me from being stolen.” “And they would have been mowed down by slavers.” “Then I guess I was lucky I didn’t have to see that.” How could she still look at the world that way? “Sold into a brothel at age fourteen and you count yourself lucky.” “They loved me. They love me. I believe that.” He saw her draw closer in the mirror. Her black hair was an ink splash against the white tile walls. She paused behind him. “You protected me, Kaz.” “The fact that you’re bleeding through your bandages tells me otherwise.” She glanced down. A red blossom of blood had spread on the bandage tied around her shoulder. She tugged awkwardly at the strip of towel. “I need Nina to fix this one.” He didn’t mean to say it. He meant to let her go. “I can help you.” Her gaze snapped to his in the mirror, wary as if gauging an opponent. I can help you. They were the first words she’d spoken to him, standing in the parlor of the Menagerie, draped in purple silk, eyes lined in kohl. She had helped him. And she’d nearly destroyed him. Maybe he should let her finish the job.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Meeting you was a disaster.” She raised a brow. “Thank you.” Djel, he was terrible at this. He stumbled on, trying to make her understand. “But I am grateful every day for that disaster. I needed a cataclysm to shake me from the life I knew. You were an earthquake, a landslide.” “I,” she said, planting a hand on her hip, “am a delicate flower.” “You aren’t a flower, you’re every blossom in the wood blooming at once. You are a tidal wave. You’re a stampede. You are overwhelming.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Do any of them realize that Simon Wolfgard is falling in love with Meg Corbyn? Monty wondered. Does Wolfgard understand his own response to the girl? What about Meg? How does she feel? What would the rest of the Others do if one of their kind did fall in love with a human?
Anne Bishop (Murder of Crows (The Others, #2))
Stay till the end. " "And after, and always." "I want to feel safe again. I want to go home to Ravka. " "Then I'll take you there. We'll set fire to raisins or whatever you heathens do for fun. " "Zealot." "Witch." "Barbarian.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
The voice sang on, “I am ready, I am ready, I am fine. I am fine, I am fine, I am fine.” I played it again. I was not fine.
Kimberly Novosel (Loved)
His sister liked to think of herself as Lord Tywin with teats, but she was wrong. Their father had been as relentless and implacable as a glacier, where Cercei was all wildfire, especially when thwarted.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Before the Devil breaks you, first he will make you love him. Beware, little sister. Beware the King of Crows!
Libba Bray (Before the Devil Breaks You (The Diviners, #3))
Mr. Sourpuss Pants God I love her Nicholas " Thomas crowed. When he noticed that neither Nicholas nor Inez looked impressed by the words he added quickly "In a totally sister-in-law type fashion of course.
Lynsay Sands (The Renegade Hunter (Argeneau, #12; Rogue Hunter, #3))
All you Westerosi make a shame of loving. There is no shame in loving. If your septons say there is, your seven gods must be demons. In the isles we know better. Our gods gave us legs to run with, noses to smell with, hands to touch and feel. What mad cruel god would give a man eyes and tell him he must forever keep them shut, and never look at all the beauty in the world? Only a monster god, a demon of the darkness.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Nobody has ever looked at me the way he’s looking at me at this moment. Like I’m his possession. Like if anyone else were to touch me, he’d break both their legs and an arm for good measure.
A. Zavarelli (Crow (Boston Underworld, #1))
I love you too, sweet sister. But you're a fool. A beautiful golden fool.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Kaz knew it, and for some reason he loved to rile her. He wished he could read her expression now. There was always something so satisfying about the little furrow between her black brows.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I thought that I was the Warrior and Cersei was the Maid, but all the time she was the Stranger, hiding her true face from my gaze. "Pray for me, if you like," he told his cousin. "I forgotten all the words.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
What did she say?” asked Matthias. Nina coughed and took his arm, leading him away. “She said you’re a very nice fellow, and a credit to the Fjerdan race. Ooh, look, blini! I haven’t had proper blini in forever.” “That word she used: babink,” he said. “You’ve called me that before. What does it mean?” Nina directed her attention to a stack of paper-thin buttered pancakes. “It means sweetie pie.” “Nina—” “Barbarian.” “I was just asking, there’s no need to name-call.” “No, babink means barbarian.” Matthias’ gaze snapped back to the old woman, his glower returning to full force. Nina grabbed his arm. It was like trying to hold on to a boulder. “She wasn’t insulting you! I swear!” “Barbarian isn’t an insult?” he asked, voice rising. “No. Well, yes. But not in this context. She wanted to know if you’d like to play Princess and Barbarian.” “It’s a game?” “Not exactly.” “Then what is it?” Nina couldn’t believe she was actually going to attempt to explain this. As they continued up the street, she said, “In Ravka, there’s a popular series of stories about, um, a brave Fjerdan warrior—” “Really?” Matthias asked. “He’s the hero?” “In a manner of speaking. He kidnaps a Ravkan princess—” “That would never happen.” “In the story it does, and”—she cleared her throat—“they spend a long time getting to know each other. In his cave.” “He lives in a cave?” “It’s a very nice cave. Furs. Jeweled cups. Mead.” “Ah,” he said approvingly. “A treasure hoard like Ansgar the Mighty. They become allies, then?” Nina picked up a pair of embroidered gloves from another stand. “Do you like these? Maybe we could get Kaz to wear something with flowers. Liven up his look.” “How does the story end? Do they fight battles?” Nina tossed the gloves back on the pile in defeat. “They get to know each other intimately.” Matthias’ jaw dropped. “In the cave?” “You see, he’s very brooding, very manly,” Nina hurried on. “But he falls in love with the Ravkan princess and that allows her to civilize him—” “To civilize him?” “Yes, but that’s not until the third book.” “There are three?” “Matthias, do you need to sit down?” “This culture is disgusting. The idea that a Ravkan could civilize a Fjerdan—” “Calm down, Matthias.” “Perhaps I’ll write a story about insatiable Ravkans who like to get drunk and take their clothes off and make unseemly advances toward hapless Fjerdans.” “Now that sounds like a party.” Matthias shook his head, but she could see a smile tugging at his lips. She decided to push the advantage. “We could play,” she murmured, quietly enough so that no one around them could hear. “We most certainly could not.” “At one point he bathes her.” Matthias’ steps faltered. “Why would he—” “She’s tied up, so he has to.” “Be silent.” “Already giving orders. That’s very barbarian of you. Or we could mix it up. I’ll be the barbarian and you can be the princess. But you’ll have to do a lot more sighing and trembling and biting your lip.” “How about I bite your lip?” “Now you’re getting the hang of it, Helvar.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
He never wanted love, though. You cannot eat love, nor buy a horse with it, nor warm your halls on a cold night.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Love is excruciating, especially when you can feel it slipping through your fingers and there is nothing you can do about it. Like someone was playing tug-of-war with my limbs, ripping to shreds whatever was left behind. What it would feel like when love was lost...I wouldn't survive that. I closed my eyes willing the tears to stay hidden behind my eyelids and focusing on breathing in and out instead of the pain that was ramming in my heart.
Julie Hockley (Crow's Row (Crow's Row, #1))
A lock is like a woman,” he’d said blearily. “You have to seduce it into giving up its secrets.” He was one of Per Haskell’s old cronies, happy to talk about better days and big scams, especially if it meant he didn’t have to do much work. And that was exactly the kind of muddled wisdom these old cadgers loved to spout. Sure, a lock was like a woman. It was also like a man and anyone or anything else—if you wanted to understand it, you had to take it apart and see how it worked. If you wanted to master it, you had to learn it so well you could put it back together.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
But all he could think of was Inej. She had to live. She had to have made it out of the Ice Court. And if she hadn't, then he had to live to rescue her. The ache in his lungs was unbearable. He needed to tell her... what? That she was lovely and brave and better than anything he deserved. That he was twisted, crooked, wrong, but not so broken that he couldn't pull himself together into some semblance of a man for her. That without meaning to, he'd begun to lean on her, to look for her, to need her near. He needed to thank her for his new hat.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
And will you love me for a day? A year? A lifetime?" She knew the answer but wanted to hear him say it in that beautiful, shattered voice. "Beyond that," he whispered, eyes shining with the tempest of emotion he'd held in check until now. "Beyond the reign of false gods and meddlesome priests. Beyond al Zafira when her bright stars fade.
Grace Draven (Master of Crows (Master of Crows, #1))
The river and the garden have been the foundations of my economy here. Of the two I have liked the river best. It is wonderful to have the duty of being on the river the first and last thing every day. I have loved it even in the rain. Sometimes I have loved it most in the rain.
Wendell Berry (Jayber Crow)
They will say I smoked cigarettes and marijuana, cursed hoarse as a crow in all my languages, and loved morphine and Demerol and tequila and pulque, women and men. I will shrug my illusion of shoulders and answer that I am a water woman, not a vessel, not something you can sail or charter. I am instead the tributary, the river, the fluid source, and the sea itself. I am all her rainy implications. And what do you, with your rusted compass, know of love?
Kate Braverman
He loved her to the point of madness, to obsession and even sacrifice. He wasn't Berdikhan, and he wouldn't make her Zafira. He'd rob her of her Gift, but she'd live. If he had to destroy Corruption, Conclave and himself, she'd live.
Grace Draven (Master of Crows (Master of Crows, #1))
Oh, she doth teach the torches to burn bright! It seems she hangs upon the cheek of night Like a rich jewel in an Ethiope’s ear, Beauty too rich for use, for earth too dear. So shows a snowy dove trooping with crows As yonder lady o'er her fellows shows. The measure done, I’ll watch her place of stand, And, touching hers, make blessèd my rude hand. Did my heart love till now? Forswear it, sight! For I ne'er saw true beauty till this night.
William Shakespeare
I never realized how empty my life had really become until I had him in it. He did that to me. He said I wrecked him, but he completely destroyed me. Everything was fine when I was alone. When I didn’t have to feel or think or care about someone else. Sure I was sad and broken, but I was okay. Now, I’m anything but.
A. Zavarelli (Crow (Boston Underworld, #1))
Sometimes I knew in all my mind and heart why I had done what I had done, and I welcomed the sacrifice. But there were times too when I lived in a desert and felt no joy and saw no hope and could not remember my old feelings. Then I lived by faith alone, faith without hope. What good did I get from it? I got to have love in my heart.
Wendell Berry (Jayber Crow)
Perhaps you should put me down?” suggested Nina. Reality crashed in on Matthias—the guards’ knowing looks, Zoya and Genya in the doorway, and the fact that in the course of kissing Nina Zenik with a year’s worth of pent-up desire, he had lifted her clear off her feet. A tide of embarrassment flooded through him. What Fjerdan did such a thing? Gently, he released his hold on her magnificent thighs and let her slide to the ground. “Shameless ,” Nina whispered, and he felt his cheeks go red. Zoya rolled her eyes. “We’re making a deal with a pair of love-struck teenagers.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
But love, sooner or later, forces us out of time. It does not accept that limit. Of all that we feel and do, all the virtues and all the sins, love alone crowds us at last over the edge of the world. For love is always more than a little strange here. It is not explainable or even justifiable. It is itself the justifier. We do not make it. If it did not happen to us, we could not imagine it. It includes the world and time as a pregnant woman includes her child whose wrongs she will suffer and forgive. It is in the world but is not altogether of it. It is of eternity. It takes us there when it most holds us here.
Wendell Berry (Jayber Crow)
You’re the one getting ready to bolt, Jesper. You just want me to run with you so you don’t have to feel so bad about it. For all your love of a fight, you’re always the first to talk about running for cover.” “I made a mistake. I let my bad get the best of my good, but for Saints’ sake, Kaz, how long are you going to make me pay for a little forgiveness? [...] How many times have I had your back in a fight? How many times have I gotten it right? Doesn’t that count for anything?” Jesper threw up his hands. “I can’t win with you. No one can.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The ache in his lungs was unbearable. He needed to tell her … what? That she was lovely and brave and better than anything he deserved. That he was twisted, crooked, wrong, but not so broken that he couldn’t pull himself together into some semblance of a man for her. That without meaning to, he’d begun to lean on her, to look for her, to need her near. He needed to thank her for his new hat. The
Leigh Bardugo (Six of Crows (Six of Crows, #1))
I finally knew... why Christ's prayer in the garden could not be granted. He had been seeded and birthed into human flesh. He was one of us. Once He had become mortal, He could not become immortal except by dying. That He prayed the prayer at all showed how human He was. That He knew it could not be granted showed his divinity; that He prayed it anyhow showed His mortality, His mortal love of life that His death made immortal.
Wendell Berry (Jayber Crow)
Seeing race is not the problem. Refusing to care for the people we see is the problem. The fact that the meaning of race may evolve over time or lose much of its significance is hardly a reason to be struck blind. We should hope not for a colorblind society but instead for a world in which we can see each other fully, learn from each other, and do what we can to respond to each other with love. That was King’s dream—a society that is capable of seeing each of us, as we are, with love. That is a goal worth fighting for.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
History overflows time. Love overflows the allowance of the world. All the vessels overflow, and no end or limit stays put. Every shakable thing has got to be shaken. In a sense, nothing that was ever lost in Port William ever has been replaced. In another sense, nothing is ever lost, and we are compacted together forever, even by our failures, our regrets, and our longings.
Wendell Berry (Jayber Crow)
She died on a windy gray day in March when the sky was full of darting crows and the world lay prostrate and defeated after winter. Peter Lake was at her side and it ruined him forever. It broke him as he had not ever imagined he could have been broken. He would never again be young, or able to remember what it was like to be young. What he had once taken to be pleasures would appear to him in his defeat as hideous and deserved punishments for reckless vanity.
Mark Helprin (Winter’s Tale)
Yes, Mama loves wild geraniums because no other flower has quite the same color, and she claims that when she snaps the stem and puts a sprig behind her ear, the whole world smells like summer. Many boys will bring you flowers. But someday you’ll meet a boy who will learn your favorite flower, your favorite song, your favorite sweet. And even if he is too poor to give you any of them, it won’t matter because he will have taken the time to know you as no one else does. Only that boy earns your heart.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Maybe I should have come alone. You could go wait by the boat.” He stiffened. “Absolutely not. You have no idea what might be waiting for you. The Shu may have already gotten to your friends.” Nina did not want to think about that. “Then you need to calm down and try to look friendly.” Matthias shook out his arms and relaxed his features. “Friendly, not sleepy. Just … pretend everyone you meet is a kitten you’re trying not to scare.” Matthias looked positively affronted. “Animals love me.” “Fine. Pretend they’re toddlers. Shy toddlers who will wet themselves if you’re not nice.” “Very well, I’ll try.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Nina sat down next to Alys. “Would you um … like some tea?” “With honey?” Alys asked. “I, uh … I think we have sugar?” “I only like tea with honey and lemon.” Nina looked like she might tell Alys exactly where she could put her honey and lemon, so Matthias said hurriedly, “How would you like a chocolate biscuit?” “Oh, I love chocolate!” Nina’s eyes narrowed. “I don’t remember saying you could give away my biscuits.” “It’s for a good cause,” Matthias said, retrieving the tin. He’d purchased the biscuits in the hope of getting Nina to eat more. “Besides, you’ve barely touched them.” “I’m saving them for later,” said Nina with a sniff. “And you should not cross me when it comes to sweets.” Jesper nodded. “She’s like a dessert-hoarding dragon.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The day i met Cameron,the pieces started to flow into place,and the night that Cameron kissed me,the day that he sat next to me and told that he loved me,that was when the last piece of me were snapped into place.Every other second,minute,hour that i spent with Cameron after that moment made the last piece of my puzzle grow stronger,so that it made the damaged,the broken pieces become insignificant-mere background noise.But Cameron had taken the last piece of the puzzle with him,and a black hole was all that was left in its stead.How do you recover from that? How do you survive?You don't, I resolved.There's no coming back from that permanent void left inside of you.You become a shell,going through the motions without emotion,like a robot,while the rest of me was wherever Cameron was...
Julie Hockley (Crow's Row (Crow's Row, #1))
Nina turned her face to the water, looking out at the narrow houses that lined the Geldcanal. Jesper saw that the residents had filled their windows with candles, as if these small gestures might somehow push back the dark. “I’m pretending those lights are for him,” she said. She plucked a stray red petal from Matthias’ chest, sighed, and released his hand, rising slowly. “I know it’s time.” Jesper put his arm around her. “He loved you so much, Nina. Loving you made him better.” “Did it make a difference in the end?” “Of course it did,” said Inej. “Matthias and I didn’t pray to the same god, but we knew there was something beyond this life. He went easier to the next world knowing he’d done good in this one.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
There is no better people-watching than at the airport: the whole world packed into such a tight space, moving fast with all their essentials in their rolling bags. And what caught my attention, as I took a few breaths and lay my eyes on the crowds, were all the imperfections. Everybody had them. Every single person that walked past me had some kind of flaw. Bushy eyebrows, moles, flared nostrils, crooked teeth, crows'-feet, hunched backs, dowagers' humps, double chins, floppy earlobes, nose hairs, potbellies, scars, nicotine stains, upper arm fat, trick knees, saddlebags, collapsed arches, bruises, warts, puffy eyes, pimples. Nobody was perfect. Not even close. And everybody had wrinkles from smiling and squinting and craning their necks. Everybody had marks on their bodies from years of living - a trail of life left on them, evidence of all the adventures and sleepless nights and practical jokes and heartbreaks that had made them who they were. In that moment, I suddenly loved us all the more for our flaws, for being broken and human, for being embarrassed and lonely, for being hopeful or tired or disappointed or sick or brave or angry. For being who we were, for making the world interesting. It was a good reminder that the human condition is imperfection. And that's how it's supposed to be.
Katherine Center (Everyone is Beautiful)
A mother's body remembers her babies--the folds of soft flesh, the softly furred scalp against her nose. Each child has its own entreaties to body and soul. It's the last one, though, that overtakes you. I can't dare say I loved the others less, but my first three were all babies at once, and motherhood dismayed me entirely. . . . That's how it is with the firstborn, no matter what kind of mother you are--rich, poor, frazzled half to death or sweetly content. A first child is your own best food forward, and how you do cheer those little feet as they strike out. You examine every turn of flesh for precocity, and crow it to the world. But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after--oh, that's love by a different name. She is the babe you hold in your arms for an hour after she's gone to sleep. If you put her down in the crib, she might wake up changed and fly away. So instead you rock by the window, drinking the light from her skin, breathing her exhaled dreams. Your heart bays to the double crescent moons of closed lashes on her cheeks. She's the one you can't put down.
Barbara Kingsolver (The Poisonwood Bible)
Christ did not descend from the cross except into the grave. And why not otherwise? Wouldn’t it have put fine comical expressions on the faces of the scribes and chief priests and the soldiers if at that moment He had come down in power and glory? Why didn’t He do it? Why hasn’t He done it at any one of a thousand good times between then and now? I knew the answer. I knew it a long time before I could admit it, for all the suffering of the world is in it. He didn’t, He hasn’t, because from the moment He did, He would be the absolute tyrant of the world and we would be His slaves. Even those who hated Him and hated one another and hated their own souls would have to believe in Him then. From that moment the possibility that we might be bound to Him and He to us and us to one another by love forever would be ended. And so, I thought, He must forebear to reveal His power and glory by presenting Himself as Himself, and must be present only in the ordinary miracle of the existence of His creatures. Those who wish to see Him must see Him in the poor, the hungry, the hurt, the wordless creatures, the groaning and travailing beautiful world.
Wendell Berry (Jayber Crow)
I’m going to… I’ll find a way to make amends, Da. I want to be a better person, a better son.” “I didn’t raise you to be a gambler, Jesper. I certainly didn’t raise you to be a criminal.” Jesper released a bitter huff of laughter. “I love you, Da. I love you with all my lying, thieving, worthless heart, but yes, you did.” “What?” sputtered Colm. “You taught me to lie.” “To keep you safe.” Jesper shook his head. “I had a gift. You should have let me use it.” Colm banged his fist against the table. “It’s not a gift. It’s a curse. It would have killed you the same way it killed your mother.” So much for the truth. Jesper strode to the door. If he didn’t get shut of this place, he was going to jump right out of his skin. “I’m dying anyway, Da. I’m just doing it slow.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
My vision of the gathered church that had come to me... had been replaced by a vision of the gathered community. What I saw now was the community imperfect and irresolute but held together by the frayed and always fraying, incomplete and yet ever-holding bonds of the various sorts of affection. There had maybe never been anybody who had not been loved by somebody, who had been loved by somebody else, and so on and on... It was a community always disappointed in itself, disappointing its members, always trying to contain its divisions and gentle its meanness, always failing and yet always preserving a sort of will toward goodwill. I knew that, in the midst of all the ignorance and error, this was a membership; it was the membership of Port William and of no other place on earth. My vision gathered the community as it never has been and never will be gathered in this world of time, for the community must always be marred by members who are indifferent to it or against it, who are nonetheless its members and maybe nonetheless essential to it. And yet I saw them all as somehow perfected, beyond time, by one another's love, compassion, and forgiveness, as it is said we may be perfected by grace.
Wendell Berry (Jayber Crow)
What does that mean?” Matthias asked. “Goedmedbridge?” “Good maiden bridge.” “Why is it called that?” Nina leaned against the doorway and said, “Well, the story is that when a woman found out her husband had fallen in love with a girl from West Stave and planned to leave her, she came to the bridge and, rather than live without him, hurled herself into the canal.” “Over a man with so little honor?” “You’d never be tempted? All the fruits and flesh of West Stave before you?” “Would you throw yourself off a bridge for a man who was?” “I wouldn’t throw myself off a bridge for the king of Ravka.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Morrigan was startled to realize that he was blinking back tears. She'd never known someone could feel so strongly about his friends. Probably because she'd never had a friend. Not a real one. (Emmett the stuffed rabbit didn't really count.) An instant family. Brothers and sisters for life. It made sense to her now. Jupiter carried himself like a king, like he was surrounded by an invisible bubble that protected him from all the bad things in life. He knew there were people in the world--somewhere out there--who loved him. Who would always love him. No matter what. That was what he was offering her.
Jessica Townsend (The Trials of Morrigan Crow (Nevermoor #1))
Ghost bird, do you love me?" he whispered once in the dark, before he left for hs expedition training, even though he was the ghost. "Ghost bird, do you need me?" I loved him, but I didn't need him, and I thought that was the way it was supposed to be. A ghost bird might be a hawk in one place, a crow in another, depending on the context. The sparrow that shot up into the blue sky one morning might transform mid-flight into an osprey the next. This was the way of things here. There were no reasons so mighty that they could override the desire to be in accord with the tides and the passage of seasons and the rhythms underlying everything around me.
Jeff VanderMeer (Annihilation (Southern Reach, #1))
Even in the weak morning light trickling through the bakery’s window, Wylan could see how weary Colm looked. “I made some big mistakes.” Wylan drew a line on the floor with his finger. “You gave him someone to run to. No matter what he did or what went wrong. I think that’s bigger than the big mistakes.” “See now? That’s why he likes you. I know, I know—it’s none of my business, and I have no idea if he’d be good for you. Probably bring you ten kinds of headache. But I think you’d be good for him.” Wylan’s face heated. He knew how much Colm loved Jesper, had seen it in every gesture he’d made. It meant something that he thought Wylan was good enough for his son.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
If God loves the world, might that not be proved in my own love for it? I prayed to know in my heart His love for the world, and this was my most prideful, foolish, and dangerous prayer. It was my step into the abyss. As soon as I prayed it, I knew that I would die. I knew the old wrong and the death that lay in the world. Just as a good man would not coerce the love of his wife, God does not coerce the love of His human creatures, not for Himself or for the world or for one another. To allow that love to exist fully and freely, He must allow it not to exist at all. His love is suffering. It is our freedom and His sorrow. To love the world as much even as I could love it would be suffering also, for I would fail. And yet all the good I know is in this, that a man might so love this world that it would break his heart.
Wendell Berry (Jayber Crow)
is a broken man an outlaw?" "More or less." Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world... "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
George R.R. Martin
Who knows more of gods than I? Horse gods and fire gods, gods made of gold with gemstone eyes, gods carved of cedar wood, gods chiseled into mountains, gods of empty air... I know them all. I have seen their peoples garland them with flowers, and shed the blood of goats and bulls and children in their names. And I have heard the prayers, in half a hundred tongues. Cure my withered leg, make the maiden love me, grant me a healthy son. Save me, succor me, make me wealthy... protect me! Protect me from mine enemies, protect me from the darkness, protect me from the crabs inside my belly, from the horselords, from the slavers, from the sellswords at my door. Protect me from the Silence." He laughed. "Godless? Why, Aeron, I am the godliest man ever to raise sail! You serve one god, Damphair, but I have served ten thousand. From Ib to Asshai, when men see my sails, they pray.
George R.R. Martin
EDMUND *Then with alcoholic talkativeness You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason! *He grins wryly. It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death! TYRONE *Stares at him -- impressed. Yes, there's the makings of a poet in you all right. *Then protesting uneasily. But that's morbid craziness about not being wanted and loving death. EDMUND *Sardonically The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.
Eugene O'Neill (Long Day’s Journey into Night)
I don't want your apology, least of all for being afraid," he said. "Without fear, what would we be? Mad dogs with foam on our muzzles and shit drying on our hocks." "What do you want, then?" Eddie cried. "You've taken everything else- everything I have to give! No, not even that, because in the end, I gave it to you! So what else do you want from me?" Roland held the key which was their half of Jake Chamber's salvation locked in his fist and said nothing. His eyes held Eddie's, and the sun shone on the green expanse of plain and the blue-gray reach of the Send River, and somewhere in the distance the crow hailed again across the golden leagues of this fading summer afternoon. After awhile, understanding began to dawn in Eddie Dean's eyes. Roland nodded. "I have forgotten the face. . ." Eddie paused. Dipped his head. Swallowed. Looked up at the Gunslinger once more. The thing which had been dying among them had moved on now- Roland knew it. That thing was gone. Just like that. Here, on this sunny wind-swept ridge at the edge of everything, it had gone forever. "I have forgotten the face of my father, gunslinger. . . and I cry your pardon." Roland opened his hand and returned the small burden of the key to him who ka had decreed must carry it. "Speak not so, gunslinger," he said in the High Speech. "Your father sees you very well. . . loves you very well . . . and so do I." Eddie closed his own hand over the key and turned away with his tears still drying on his face. "Let's go," he said, and they began to move down the long hill toward the plain which streched beyond.
Stephen King
I will love you with no regard to the actions of our enemies or the jealousies of actors. I will love you with no regard to the outrage of certain parents or the boredom of certain friends. I will love you no matter what is served in the world’s cafeterias or what game is played at each and every recess. I will love you no matter how many fire drills we are all forced to endure, and no matter what is drawn upon the blackboard in a blurring, boring chalk. I will love you no matter how many mistakes I make when trying to reduce fractions, and no matter how difficult it is to memorize the periodic table. I will love you no matter what your locker combination was, or how you decided to spend your time during study hall. I will love you no matter how your soccer team performed in the tournament or how many stains I received on my cheerleading uniform. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you if you cut your hair and I will love you if you cut the hair of others. I will love you if you abandon your baticeering, and I will love you if you retire from the theater to take up some other, less dangerous occupation. I will love you if you drop your raincoat on the floor instead of hanging it up and I will love you if you betray your father. I will love you even if you announce that the poetry of Edgar Guest is the best in the world and even if you announce that the work of Zilpha Keatley Snyder is unbearably tedious. I will love you if you abandon the theremin and take up the harmonica and I will love you if you donate your marmosets to the zoo and your tree frogs to M. I will love you as the starfish loves a coral reef and as kudzu loves trees, even if the oceans turn to sawdust and the trees fall in the forest without anyone around to hear them. I will love you as the pesto loves the fetuccini and as the horseradish loves the miyagi, as the tempura loves the ikura and the pepperoni loves the pizza. I will love you as the manatee loves the head of lettuce and as the dark spot loves the leopard, as the leech loves the ankle of a wader and as a corpse loves the beak of the vulture. I will love you as the doctor loves his sickest patient and a lake loves its thirstiest swimmer. I will love you as the beard loves the chin, and the crumbs love the beard, and the damp napkin loves the crumbs, and the precious document loves the dampness in the napkin, and the squinting eye of the reader loves the smudged print of the document, and the tears of sadness love the squinting eye as it misreads what is written. I will love you as the iceberg loves the ship, and the passengers love the lifeboat, and the lifeboat loves the teeth of the sperm whale, and the sperm whale loves the flavor of naval uniforms. I will love you as a child loves to overhear the conversations of its parents, and the parents love the sound of their own arguing voices, and as the pen loves to write down the words these voices utter in a notebook for safekeeping. I will love you as a shingle loves falling off a house on a windy day and striking a grumpy person across the chin, and as an oven loves malfunctioning in the middle of roasting a turkey. I will love you as an airplane loves to fall from a clear blue sky and as an escalator loves to entangle expensive scarves in its mechanisms. I will love you as a wet paper towel loves to be crumpled into a ball and thrown at a bathroom ceiling and an eraser loves to leave dust in the hairdos of the people who talk too much. I will love you as a taxi loves the muddy splash of a puddle and as a library loves the patient tick of a clock. I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong.
Lemony Snicket (The Beatrice Letters)
Bright flashes of memory sparked through Kaz’s mind. A cup of hot chocolate in his mittened hands, Jordie warning him to let it cool before he took a sip. Ink drying on the page as he’d signed the deed to the Crow Club. The first time he’d seen Inej at the Menagerie, in purple silk, her eyes lined with kohl. The bone-handled knife he’d given her. The sobs that had come from behind the door of her room at the Slat the night she’d made her first kill. The sobs he’d ignored. Kaz remembered her perched on the sill of his attic window, sometime during that first year after he’d brought her into the Dregs. She’d been feeding the crows that congregated on the roof. “You shouldn’t make friends with crows,” he’d told her. “Why not?” she asked. He’d looked up from his desk to answer, but whatever he’d been about to say had vanished on his tongue. The sun was out for once, and Inej had turned her face to it. Her eyes were shut, her oil-black lashes fanned over her cheeks. The harbor wind had lifted her dark hair, and for a moment Kaz was a boy again, sure that there was magic in this world. “Why not?” she’d repeated, eyes still closed. He said the first thing that popped into his head. “They don’t have any manners.” “Neither do you, Kaz.” She’d laughed, and if he could have bottled the sound and gotten drunk on it every night, he would have. It terrified him.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
He had not stopped looking into her eyes, and she showed no signs of faltering. He gave a deep sigh and recited: "O sweet treasures, discovered to my sorrow." She did not understand. "It is a verse by the grandfather of my great-great-grandmother," he explained. "He wrote three eclogues, two elegies, five songs, and forty sonnets. Most of them for a Portuguese lady of very ordinary charms who was never his, first because he was married, and then because she married another man and died before he did." "Was he a priest too?" "A soldier," he said. Something stirred in the heart of Sierva María, for she wanted to hear the verse again. He repeated it, and this time he continued, in an intense, well-articulated voice, until he had recited the last of the forty sonnets by the cavalier of amours and arms Don Garcilaso de la Vega, killed in his prime by a stone hurled in battle.When he had finished, Cayetano took Sierva María's hand and placed it over his heart. She felt the internal clamor of his suffering. "I am always in this state," he said. And without giving his panic an opportunity, he unburdened himself of the dark truth that did not permit him to live. He confessed that every moment was filled with thoughts of her, that everything he ate and drank tasted of her, that she was his life, always and everywhere, as only God had the right and power to be, and that the supreme joy of his heart would be to die with her. He continued to speak without looking at her, with the same fluidity and passion as when he recited poetry, until it seemed to him that Sierva María was sleeping. But she was awake, her eyes, like those of a startled deer, fixed on him. She almost did not dare to ask: "And now?" "And now nothing," he said. "It is enough for me that you know." He could not go on. Weeping in silence, he slipped his arm beneath her head to serve as a pillow, and she curled up at his side. And so they remained, not sleeping, not talking, until the roosters began to crow and he had to hurry to arrive in time for five-o'clock Mass. Before he left, Sierva María gave him the beautiful necklace of Oddúa: eighteen inches of mother-of-pearl and coral beads. Panic had been replaced by the yearning in his heart. Delaura knew no peace, he carried out his tasks in a haphazard way, he floated until the joyous hour when he escaped the hospital to see Sierva María. He would reach the cell gasping for breath, soaked by the perpetual rains, and she would wait for him with so much longing that only his smile allowed her to breathe again. One night she took the initiative with the verses she had learned after hearing them so often. 'When I stand and contemplate my fate and see the path along which you have led me," she recited. And asked with a certain slyness: "What's the rest of it?" "I reach my end, for artless I surrendered to one who is my undoing and my end," he said. She repeated the lines with the same tenderness, and so they continued until the end of the book, omitting verses, corrupting and twisting the sonnets to suit themselves, toying with them with the skill of masters. They fell asleep exhausted. At five the warder brought in breakfast, to the uproarious crowing of the roosters, and they awoke in alarm. Life stopped for them.
Gabriel García Márquez (Of Love and Other Demons)